Suzuki is known for their world class harmonicas. Business has been making harmonicas since they were founded in 1953. In fact, the little wind instrument was the first how the company ever produced. Today, Suzuki Musical Instruments make dozens of high-quality beginner, intermediate, and advanced musical instruments. Ask anyone anywhere in the planet about Suzuki […]
Hohner Case Of Special 20s Harmonica 5-Pack Reviews
Hohner Marine Band Special 20s, 5-Piece Pro Pack, Keys of G,A,C,D, & E Each harmonica features an injection molded plastic comb with projecting mouthpiece for added playing comfort. This pack of 5 special twenty harmonica comes with a zippered neoprene carrying case that can hold up to 7 standard sized 10-hole harmonicas. The closed sides […]
Hohner Marine Band Crossover Harmonica Review
Hohner Marine Band Crossover Harmonica Review – Designed in collaboration with renowned performer Joe Filisko, the Hohner Crossover offers many subtle and meaningful improvements over the company’s traditional Marine Band line, including enhanced moisture resistance and angled comb tines for comfortable tongue blocking. Hohner Meisterklasse While the company’s normally a*sociated with more old-school designs, Hohner’s […]
Suzuki Promaster Hammond HA-20 Reviews
Those listening to you will be able to enjoy the clarity of the music, and when you need to play quietly rather than powerfully, this harmonica is one that gives you the chance to do that. You have the flexibility to play at a reduced volume, but given that the Suzuki HA-20-C has an aluminum […]
The Harp Reference: Note Layout
Harmonica notes layout – Many beginning players are confused about harmonica notes, particularly since some of them are missing. This articles shows the notes on a harmonica, and the reasoning behind their layout. Harmonica notes layout [toc] Chromatic Harmonica Note Layout NOTE POSITIONS The purpose of this article is to cover one and only one […]
The Harp Reference: Notation
Tab Action Notation Tab is short for tablature and is the term you’ll usually see. Tab is a shortcut notation that indicates how to play which hole on the harmonica. This is different from standard musical notation, which indicates what note to play, including its relative duration. The difference is between how to play a […]
The Harp Reference: Embouchure
The embouchure (ahm’ ba sure) is the method of applying the lips and tongue to the mouthpiece of a wind instrument, like the harmonica! If you are just learning to play I recommend you start with the Lip Block. 1) Lip Block – A variant of the pucker (see below), it’s also called lipping. Tilt the harp up at the back about 30 […]
Which Harp Should I Get?
There are a zillion different diatonic harp models to choose from, some of which are shown above. So how do you decide which to get? There are two basic classes of diatonic harmonica: ones that basically work okay, and ones that don’t. Here’s the main thing–look for harp models that come in all keys, and […]
The Diatonic Harp Reference: How a Harmonica Works
A harmonica consists of two reed plates, the top one for blow reeds and the bottom one for draw reeds, which are attached to a comb and shielded with top and bottom covers. Each reed plate has different length slots over which reeds of corresponding length are fixed at one end. An air stream passes […]
Diatonic Bending
Bending is a basic diatonic harmonica playing technique used to produce notes not otherwise available in the standard tuning of the harp, and to provide various sliding-note effects. Bends are, in large part, what give the diatonic harp its unique character, and are intimately related to the blues tradition. Bends, whether draw bends or blow […]
The Diatonic Harp Reference: Getting Good Tone
Tone is a frequent topic among harp players, but it is not a simple concept that is well defined. Tone is the Holy Grail of harmonica. It is related to the musical timbre of the instrument, but most often encompasses other playing elements as well. Tone is about Notes That sound: good. Notes That sound: Clean and full and […]
The Harp Reference: Definitions
In order to learn about the harp, you have to know the language–harp specific terms and their meanings. The following pictures show a disassembled diatonic harmonica with various parts indicated. The bottom picture shows a reedplate with the reed side up. Diatonic Harmonica Parts The following table presents some basic definitions used when discussing the harmonica […]
Tribute to Little Walter
Blue Midnight 1 – E7 2 3 4 2 – A7 2 3 4 3 – E7 2 3 4 bar 4 2 3 4 2″ => => => => => => => ~22″ ~2 => => => 3′ 2 2~2″1 . . . 2″ Start straight 4 bars, then add vibrato. 5 – […]
The Harp Reference: Throat Vibrato
Vibrato Vibrato and Tremolo Vibrato and tremolo and two terms that are often used, misused, and interchanged, and different people have different ideas about the distinctions and similarities between the two terms, techniques, and effects. I have decided to take the essence of my definitions from the “Schaum Dictionary of Musical Terms”. These are my definitions: Tremolo is pulsations […]
The Harp Reference: Overblows
Overbends: Overblows and Overdraws A so-called overbend is a type of bend where the pitch that results is higher in pitch than the natural note of either reed in the hole, rather than lowering the pitch as with ordinary bends. This is because the overbend technique actually causes the normally-sounding reed to choke while you’re playing so it doesn’t […]
The Harp Reference: Breathing
Breathing Playing the harp Begins and ends With breathing. Breathing in and out. When you want. As fast or slow as you want. As hard or soft as you want. For as long as you want. Whenever you want. From Your Diaphragm Through out these pages you have heard (or will hear) me harp on breathing […]
The Harp Reference: Embouchure
Embouchures The embouchure (ahm’ ba sure) is the method of applying the lips and tongue to the mouthpiece of a wind instrument, like the harmonica! If you are just learning to play I recommend you start with the Lip Block. 1) Lip Block – A variant of the pucker (see below), it’s also called lipping. Tilt the harp up at the back about […]
The Harp Reference: Bending Tips
Bending Tips Bending is a basic diatonic harmonica playing technique used to produce notes not otherwise available in the basic tuning of the harp, and they are also used to provide various sliding-note effects. Bends are, in large part, what give the diatonic harp its unique character, and are intimately related to the blues tradition. […]
The Diatonic Harp Reference: Speed
SpeeD Speed, in music, means playing fast in a musical context. Not just playing fast. Playing in a musical context means staying coherent with the rhythmic, harmonic, and melodic content of the piece. If you play fast but ignore the musical elements, then you are just playing fast, but not using speed. Speed implies control. A child can pick up the […]
The Harp Reference: Motivated Note
Motivated Notes A “motivated note” is a note that is played for a reason. All notes are motivated to a certain extent, but the degree of motivation is a big part of how well the note will work in the music.. how good it will sound. What motivates the selection of the next note to […]
The Harp Reference: Basic Chords on the Diatonic
To figure out the chords, you first have to know the “interval relationships” of the notes. Lets look at the notes again. Holes: 1 2 3 4 5 6 7 8 9 10 Blow notes: C E G C E G C E G C Draw notes: D G B D F A B D F A So, for blow holes 1, 2, […]
The Diatonic Harp Reference: Arpeggios
Arpeggios An arpeggio is the notes in a chord played one at a time in sequence, instead of all together at once. There are a very limited number of chords available on any one diatonic harmonica, but with the use of bends and overbends (or valves) any arpeggio can be played. Knowledge of the arpeggios is very […]
How to Play Blues Harmonica?
The blues is an improvisational form of music. That is, it’s dynamic–you play what you feel and make it up as you go. You can find sheet music and tab for blues songs, and these can be useful helps for learning a particular song. But you have to play from your heart, not from your head. That is, the […]
The Harp Reference: Jamming Over Chords
Improvising Over Chords Improvising Over Chords I think of the notes of resolution, and emphasis, and relationships changing with the chord progression. What I mean is, when soloing during a I chord, I’ll emphasize notes that are in the (e.g. blues) scale of the I chord–and more than that, I’ll lean a bit harder on the notes […]
Notation Convention for Tablature
Tab is short for tablature and is the term you’ll usually see. Tab is a shortcut notation that indicates how to play which hole on the harmonica. This is different from standard musical notation, which indicates what note to play, including its relative duration. The difference is between how to play a hole and whatnote to play. How to play a note on the harmonica is specified by several […]
The Diatonic Harp Reference: Improvising Using Rhythm
Improvising Using Rhythm Here’s a way to add a sense of structure and cohesiveness and “composition” to your improvised playing. The focus is on the rhythmic pattern of a phrase (or riff or lick or whatever structural component of a solo or song you want). The idea is to repeat that rhythmic pattern over different notes in different places in the […]
Diatonic Harmonica Techniques
Tab is short for tablature and is the term you’ll usually see. Tab is a shortcut notation that indicates how to play which hole on the harmonica. This is different from standard musical notation, which indicates what note to play, including its relative duration. The difference is between how to play a hole and what note to play. How to play a note on the harmonica is specified by […]
How to Hold your Harmonica?
How to hold harmonica? That is problem which many people ask HarmonicaTabs. As many people know: holding a harmonica properly is the first step toward playing it successfully. If you’re a lefty, follow these instructions but reverse the left and right hands. Make sure the harmonica is right-side up: The holes of the harmonica should be […]
How to breathe when playing Harmonica?
To play like a pro, it’s essential that you learn how to breathe correctly. It’s the only way to produce notes that sound full and pleasing to the ear without running out of breath. Blows and Draws Each note on the harmonica is produced by blowing or drawing on the holes. In some instances, you’ll […]
What is rhythmic breathing?
Breathing patterns are repeated successions of inhaling and exhaling. We can look to drumming patterns for ideas and names. For example, the in-in/out-out pattern is called a “double stroke roll” in drum terminology. Another basic pattern is called a “perididdle”, which is in-out-in-in/out-in-out-out or vice versa as out-in-out-out/in-out-in-in. Symmetrical drumming patterns let the drummer end up on the correct […]
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- 1. Suzuki Humming Tremolo-21-C Harmonica Reviews
- 2. Hohner Case Of Special 20s Harmonica 5-Pack Reviews
- 3. Hohner Marine Band Crossover Harmonica Review
- 4. Suzuki Promaster Hammond HA-20 Reviews
- 5. The Harp Reference: Note Layout
- 6. The Harp Reference: Notation
- 7. The Harp Reference: Embouchure
- 8. Which Harp Should I Get?
- 9. The Diatonic Harp Reference: How a Harmonica Works
- 10. Diatonic Bending
- 11. The Diatonic Harp Reference: Getting Good Tone
- 12. The Harp Reference: Definitions
- 13. Tribute to Little Walter
- 14. The Harp Reference: Throat Vibrato
- 15. The Harp Reference: Overblows
- 16. The Harp Reference: Breathing
- 17. The Harp Reference: Embouchure
- 18. The Harp Reference: Bending Tips
- 19. The Diatonic Harp Reference: Speed
- 20. The Harp Reference: Motivated Note
- 21. The Harp Reference: Basic Chords on the Diatonic
- 22. The Diatonic Harp Reference: Arpeggios
- 23. How to Play Blues Harmonica?
- 24. The Harp Reference: Jamming Over Chords
- 25. Notation Convention for Tablature
- 26. The Diatonic Harp Reference: Improvising Using Rhythm
- 27. Diatonic Harmonica Techniques
- 28. How to Hold your Harmonica?
- 29. How to breathe when playing Harmonica?
- 30. What is rhythmic breathing?