(Morning Has Broken)

4 5 6 7 -8 -7 -6 6 -6 6

4 -4 5 6 -6 6 5 4 -4

6 5 6 7 -6 6 5 4 4 -4

5 -4 5 6 -6 -4 5 -4 4

5 5 4 -3 -4 -5 5 4
Come all you maidens young and fair
6 6 6 -6 6 -7 6 -4
All you that’re bloomin’ in your prime
6 -6 6 5 6 6 -6 -6 -5 -4 4 -3
Always bewa – re, and keep your garden fair
5 5 4 -3 -4 -5 5 4
Let no man steal away your thyme

5 5 4 -3 -4 -5 5 4
For thyme it is a precious thing
6 6 6 -6 6 -7 6 -4
And thyme brings all things to my mind
6 6 -6 6 5 6 6 -6 -6 -5 -4 4 -3
Thyme with all it’s labours, along with all it’s joys
5 4 -3 -4 -5 5 4
Thyme brings all things to my mind

5 4 -3 -4 -5 5 4
Once, I had a bunch of thyme
6 6 6 -6 6 -7 6 -4
I thought it never would decay
6 6 6 -6 6 5 6 6 -6 -6 5 -4 4 -3
Then came a lusty sailor, who chanced to pass my way
5 5 4 -3 -4 -5 5 4
He stole my bunch of thyme away

5 5 4 -3 -4 -5 5 4
The sailor gave to me a rose
6 6 6 -6 6 -7 6 -4
A rose that never will decay
6 6 -6 6 5 6 6 -6 -5 -4 4 -3
He gave it to m – e, to keep me reminded
5 5 4 -3 -4 -5 5 4
Of when he stole my thyme away

5 5 4 -3 -4 -5 5 4
So Come all you maidens young and fair
6 6 6 -6 6 -7 6 -4
All you that’re bloomin’ in your prime
6 -6 6 5 6 6 -6 -6 -5 -4 4 -3
Always bewa – re, and keep your garden fair
5 5 4 -3 -4 -5 5 4
Let no man steal away your thyme

5 5 4 -3 -4 -5 5 4
For thyme it is a precious thing
6 6 6 -6 6 -7 6 -4
And thyme brings all things to my mind
6 6 -6 6 5 6 6 -6 -6 -5 -4 4 -3
Thyme with all it’s labours, along with all it’s joys

5 4 -3 -4 -5 5 4
Thyme brings all things to an end

This starts with key of C and changes to the key of D later

4 5 5 -4 5 6 -4
Mag ta-tag-po rin ta-yo
4 5 5 -4 5 5 6 -4
Mag-ka-i-ba man ang mun-do
4 5 5 -4 5 6 6
Mag-ka-la-yo man nga-yon
5 5 5 -4 4 -4
Ma-ra-mi mang had-lang
4 5 5 -4 5 6 -4
Mag-ta-tag-po din ta yo
4 5 5 -4 5 5 -4 5 6 6 -6
A-lam kong a-lam kong a-ko’y lu-mi-san
4 5 5 -4 5 6 6 -6 5 -4 4 -4
Hin di din ki-ta i-ni-wan ka hit kai-lan
4 5 -4 5 -4 5
At ha-hag-kan ki-ta
5 -4 5 6 6
Nang wa-lang hang-gan
4 5 5 5 5 -4 5
Bu-mu-hos man ang u-lan
5 5 5 4 4
Nang wa-lang hang-gan
-8 8 -8 8 8 -8 8
At ya-ya ka-pin ki-ta
8 -8 8 9 9
Nang wa-lang hang-gan
-8 8 8 8 8 -8 8
Bu-mu-hos man ang u-lan
8 8 8 7 7
Nang wa-lang hang-gan
8 8 8 8 -8 7 7
Bu-mu-hos man ang u-lan
7 -9 -9 7 7 -8
Hin-di na hin-di na
-8 8 -8 8 -8 -7 -7
Bu-mu-hos man ang u-lan
7 -9 -9 7 7 -8 8 -8
Hin-di na hin-di na mu-hos

(Change to key of D)
8 8 -8 8 8 -8 8
At ya-ya ka-pin ki-ta
8 -8 8 9 9
Nang wa-lang hang-gan
-8 8 8 8 8 -8 8
Bu-mu-hos man ang u-lan
8 8 8 7 7
Nang wa-lang hang-gan
9 9 -9 8 -8 7 -8
At ya-ya ka-pin ki-ta
9 -9 8 9 9
Nang wa-lang hang-gan
9 9 -9 8 -8 7 -8
Bu-mu-hos man ang u-lan
8 8 8 7 7
Nang wa-lang hang-gan
8 8 8 8 -8 7 7
Bu-mu-hos man ang u-lan

Bullfrogs and Butterflies

verse 1.

-4 -4 -4 -4 -4 -4 4 5
Old tad-pole in a fish-in hole,

4 -5 -5 -5 -5 5 4 5 5 4
He could-n’t croak or jump to save his soul.

3 -4 -4 -4 4 -4 -4 4 5
And then one day, the fun-ni-est thing,

5 -5 -5 5 4 4 -6 -6 6
He start-ed grow-in’ and turn-in’ green.

4 -4 -5 -4 4 -4 -4 -4
He jumped up-on a lil-y pad,

-4 -5 -5 5 5 -4
He’s croak-in’ out a song,

4 4 -6 5 6
gave it all he had,

chorus

7 -6 6 4 6 5 -5 6 4
He’s sing-in’ Bull-frogs and but-ter flies,

3 4 4 -4 -4 5
We’ve both been born a-gain,

4 6 5 -5 6 4
Bull-frogs and but-ter-flies,

4 5 4 -4 4 4
We’ve both been born a-gain.

Southern American folk song
Key: E
Time: 6/8

4 -4 5 5 5 5 5
7 -8 8 8 8 8 8
Oh, the bull-dog on the bank

4 -4 5 5 5 4 3
7 -8 8 8 8 7 6
And the bull-frog in the pool

3 -4 -4 -4 -4 -4
6 -8 -8 -8 -8 -8
The bull-dog on the bank

6 6 6 -5 5 -4 4
9 9 9 -9 8 -8 7
And the bull-frog in the pool

4 5 5 5 5 5
7 8 8 8 8 8
The bull-dog on the bank

4 4 -5 -5 5 -4 4
7 7 -9 -9 8 -8 7
And the bull-frog in the pool

4-4 5 5 5 4 -4 -4
7-8 8 8 8 7 -8 -8
The bull-dog called the bull-frog

-3 4 -4 5 -4 4
-7 7 -8 8 -8 7
A green old wa-ter fool

4 -4 5 5 5 5 5
7 -8 8 8 8 8 8
Sing-ing tra la la la la

-4 4 -3”3 4
-8 7 -6 6 7
la la la la la

-4 -4 -4 -5 -4 -4 5
-8 -8 -8 -9 -8 -8 8
tra la la la la la la

4 -4 5 5 5 5 5
7 -8 8 8 8 8 8
Sing-ing tra la la la la

-4 4 -5 -5 -5 -5 -6
-8 7 -9 -9 -9 -9 -10
Sing-ing tra la la la la

5 5 5 5 -4 -4 -4 -4
8 8 8 8 -8 -8 -8 -8
Tra la la la Tra la la la

4 -4 5 -4 4
7 -8 8 -8 7
Tra la la la la

Southern American folk song
Key: E
Time: 6/8

6 -6* 7* 7* 7* 7* 7*
Oh, the bull-dog on the bank
6 -6* 7* 7* 7* 6 -4
And the bull-frog in the pool
-4 -6* -6* -6* -6* -6*
The bull-dog on the bank
-8 -8 -8 -7 7* -6* 6
And the bull-frog in the pool
6 7* 7* 7* 7* 7*
The bull-dog on the bank
6 6 -7 -7 7* -6* 6
And the bull-frog in the pool
6-6* 7* 7* 7* 6 -6* -6*
The bull-dog called the bull-frog
-5* 6 -6* 7* -6* 6
A green old wa-ter fool
6 -6* 7* 7* 7* 7* 7*
Sing-ing tra la la la la
-6* 6 5* -4 6
la la la la la
-6* -6*-6*-7 7* -6*7*
tra la la la la la la
6 -6* 7* 7* 7* 7* 7*
Sing-ing tra la la la la
-6* 6 -7 -7 -7 -7 8*
Sing-ing tra la la la la
7* 7* 7* 7* -6* -6*-6*-6*
Tra la la la Tra la la la
6 -6* 7* -6* 6
Tra la la la la

QR code

-4-4-4 4 4…
3-55-44…
-4-4-4-44 4…
-4..-4…

-6-6-6 66
-6-66-55
44-554
44-554-4-4 …

-4-4-44 4…
3-55-44…
-4-4-44 4…
-4..-4…
44-554-44

By Willie Dixon
Key:A

Tabbed for a G diatonic

A7
-9 -8 -9 -9 -8
Some folks built like this,

-6 -7 -9 -9 -8
Some folks built like that

-6 -7 -9 -9 -8
But the way I’m built,

-6 -7 -7 -9 -9 -8
A don’t you call me fat.
D7
-6 -7 -7 9 -10 -9 -8
Be-cause I’m built for com-fort
A7
-109 -8 -8 -9 -8
I ain’t built for speed
E7
-8 -9 9 9 9 -10 9
But I got ev-er-y-thing,
D7 A7 E7
-109-9 -8 -8 -9 -9 -8
All that a good girl needs.

By Willie Dixon
Key:A

A7
4 -3 4 4 -3
Some folks built like this,

2 -2* 4 4 -3
Some folks built like that

2 -2* 4 4 -3
But the way I’m built,

2 -2* -2* 4 4 -3
A don’t you call me fat.
D7
2 -2* -2* -5 6 5 -3
Be-cause I’m built for com-fort
A7
6-5 -3 -3 4 -3
I ain’t built for speed
E7
-3 4 -5 -5 -5 6 -5
But I got ev-er-y-thing,
D7 A7 E7
6-55 -3 -3 5 5 -3
All that a good girl needs.

By Willie Dixon
Key: A

Tabbed for a G diatonic

A7
-5 -4 -5 -5 -4
Some folks built like this,

-3” -3’ -5 -5 -4
Some folks built like that

-3” -3’ -5 -5 -4
But the way I’m built,

-3” -3’ -3’ -5 -5 -4
A don’t you call me fat.
D7
-3” -3’ -3’ 6 -6 -5 -4
Be-cause I’m built for com-fort
A7
-66 -4 -4 -5 -4
I ain’t built for speed
E7
-4 -5 6 6 6 -6 6
But I got ev-er-y-thing,
D7 A7 E7
-66-5 -4 -4 -5 -5 -4
All that a good girl needs.

8 8 8 8 -8 -8 -8 -8 -8 8 -8 -7
Here upon these stones we will build our barricade
8 8 8 8 8 -8 -8 -8 -8 8 -8 -7
In the heart of the city we claim as our own
-9 -9 -9 -9 <9 <9 <9 <9 -9 <9 -8 Each man to his duty and don't be afraid X -9 -9 -9 -9 -9 <9 <9 <9 <9 -9 <9 -8 Wait, I will need a report on the strength of the foe -8 -8 -8 -8 10 10 10 <-9 -8 <8 I can find out the truth, I know their ways -8 <7 -7 <7 6 <-6 Fought their wars, served my time -8 <8 <-9 <-9 10 <-10 In the days of my youth <7 <7 <7 <7 <8 <8 <8 8 <7 <-7 Now the people will fight, and so they might <7 -6 <-6 -10 <9 <-9 Dogs will bark, fleas will bite <7 <-7 8 <8 <-9 <-9 They will do what is right <7 <7 <7 <7 <-6 <7 <-7 -8 Hey little boy, what's this I see <7 <7 <7 <7 <-6 <7 <-7 <7 God, Eponine, the things you do <7 <7 <7 <7 <-6 <7 <-7 -8 I know this is no place for me <7 <7 <7 <7 <-6 <7 <-7 <7 Still I would rather be with you -7 -7 -7 -7 7 -7 -8 8 Get out before the trouble starts -7 -7 -7 -7 7 -7 -8 -7 Get out, Ponine, you might get shot -7 -7 -7 -7 7 -7 -8 8 I've got you worried now, I have -7 -7 -7 -7 7 -7 -8 -7 That shows you like me quite a lot -8 -8 -8 -8 -7 -8 8 -9 There is a way that you can help -8 -8 -8 -8 -7 -8 8 -9 You are the answer to a prayer -8 -8 -8 -8 -7 -8 8 -9 Please take this letter to Cosette -10 10 -9 -9 9 9 -8 8 And pray to God that she's still there 8 -8 -7 -8 -8 -7 <7 -7 Little you know, little you care -6 6 -5 -6 6 -5 -6 I have a letter, Monsieur 6 -5 -6 6 -5 6 -3 -3 -3 It's addressed to your daughter Cosette <-5 -5 5 <-5 -5 5 <-5 -5 5 <-5 It's from a boy at the barricade, sir -5 5 -5 3 3 3 In the Rue de Villette <-6 <-6 -7 -7 -9 -9 -7 -7 Give me that letter here, my boy -3 -3 <4 <4 <4 <4 -5 -5 He said to give it to Cosette <-7 -7 7 <-7 -7 7 <-7 -7 7 <-7 You have my word that my daughter will know -7 7 -7 -5 -5 -5 What this letter contains <7 7 -6 <7 7 -6 <7 7 -6 <7 7 Tell the young man she will read it tomorrow -6 7 5 5 5 And here's for your pains -4 -4 -5 -5 7 7 -5 -5 Go careful now, stay out of sight -3 -3 -5 -5 <-6 <-6 7 7 There's danger in the streets tonight <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 'Dearest Cosette, you have entered my soul and soon you 6 <-5 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 <-6 will be gone. Can it be only a day since we met and <-6 <-6 6 -5 <-6 -7 -7 -7 -7 -7 -7 -7 -7 -7 the world was reborn? If I should fall in the battle to -7 -7 -7 -7 7 <-6 -7 -8 -8 -8 -8 -8 -8 -8 come, let this be my goodbye. Now that I know that you love -8 -8 -8 -8 -8 -8 -7 7 -8 -8 -8 -8 -8 -8 -8 me as well, it is harder to die. I pray that God will bring -9 -8 -8 -8 -9 -8 -8 -8 -9 -8 -8 -8 -8 -8 -9 me home to be with you. Pray for your Marius; he prays for -9 you.'

This song is featured in the computer game “Bastion.”
This version is two octaves above the original with an
Eb diatonic. It can be played in a different key on a
C diatonic (3 semitones below the original key).
Note names and lyrics are included as a guide.

G A# C D# C C A# C
5 6 -6 7 -6 -6 6 -6

G A# C D# C A# G A# G
5 6 -6 7 -6 6 5 6 5

G F D# F D# C A# D# C
8 -8 7 -8 7 -6 6 7 -6

G A# C D# C C A# C
5 6 -6 7 -6 -6 6 -6
I dig my hole, you build a wall

G A# C D# C A# G A# G
5 6 -6 7 -6 6 5 6 5
I dig my hole, you build a wa- all

G F D# F D# C A# D# C
8 -8 7 -8 7 -6 6 7 -6
One day, that wall is go- nna fa-all

G A# C D# C C A# C
5 6 -6 7 -6 -6 6 -6
Gon’ build that ci-ty on a hill

G A# C D# C A# G A# G
5 6 -6 7 -6 6 5 6 5
Gon’ build that ci-ty on a hi-ill

G F D# F D# C A# D# C
8 -8 7 -8 7 -6 6 7 -6
Some day those tears are go-nna spi-ill

G G F D# D D D# D C
8 8 -8 7 -7 -7 7 -7 -6
So build that wall and build it strong, ’cause

G F D# D D D# D
8 -8 7 -7 -7 7 -6
We’ll be there be-fore too long.

G A# C D# C C A# C
5 6 -6 7 -6 -6 6 -6
Gon’ build that wall up to the sky

G A# C D# C A# G A# G
5 6 -6 7 -6 6 5 6 5
Gon’ build that wall up to the sky-y

G F D# F D# C A# D# C
8 -8 7 -8 7 -6 6 7 -6
Some day your bird is go-nna fly- y

G A# C D# C C A# C
5 6 -6 7 -6 -6 6 -6
Gon’ build that wall un-til it’s done

G A# C D# C A# G A# G
5 6 -6 7 -6 6 5 6 5
Gon’ build that wall un-til it’s do-one

G F D# F D# C A# D# C
8 -8 7 -8 7 -6 6 7 -6
But now you’ve got no-where to ru- un

G G F D# D D D# D C
8 8 -8 7 -7 -7 7 -7 -6
So build that wall and build it strong, ’cause

G F D# D D D# D
8 -8 7 -7 -7 7 -6
We’ll be there be-fore too long.

G A# C D# C C A# C
-3 -4 5 6 5 5 -4 5

G A# C D# C A# G A# G
-3 -4 5 6 5 -4 -3 -4 -3

G F D# F D# C A# D# C
-7 -6 6 -6 6 5 -4 6 5

G A# C D# C C A# C
-3 -4 5 6 5 5 -4 5
I dig my hole, you build a wall

G A# C D# C A# G A# G
-3 -4 5 6 5 -4 -3 -4 -3
I dig my hole, you build a wa- all

G F D# F D# C A# D# C
-7 -6 6 -6 6 5 -4 6 5
One day, that wall is go- nna fa-all

G A# C D# C C A# C
-3 -4 5 6 5 5 -4 5
Gon’ build that ci-ty on a hill

G A# C D# C A# G A# G
-3 -4 5 6 5 -4 -3 -4 -3
Gon’ build that ci-ty on a hi-ill

G F D# F D# C A# D# C
-7 -6 6 -6 6 5 -4 6 5
Some day those tears are go-nna spi-ill

G G F D# D D D# D C
-7 -7 -6 6 5+ 5+ 6 5+ 5
So build that wall and build it strong, ’cause

G F D# D D D# D
-7 -6 6 5+ 5+ 6 5
We’ll be there be-fore too long.

G A# C D# C C A# C
-3 -4 5 6 5 5 -4 5
Gon’ build that wall up to the sky

G A# C D# C A# G A# G
-3 -4 5 6 5 -4 -3 -4 -3
Gon’ build that wall up to the sky- y

G F D# F D# C A# D# C
-7 -6 6 -6 6 5 -4 6 5
Some day your bird is go-nna fly- y

G A# C D# C C A# C
-3 -4 5 6 5 5 -4 5
Gon’ build that wall un-til it’s done

G A# C D# C A# G A# G
-3 -4 5 6 5 -4 -3 -4 -3
Gon’ build that wall un-til it’s do- one

G F D# F D# C A# D# C
-7 -6 6 -6 6 5 -4 6 5
But now you’ve got no-where to ru- un

G G F D# D D D# D C
-7 -7 -6 6 5+ 5+ 6 5+ 5
So build that wall and build it strong, ’cause

G F D# D D D# D
-7 -6 6 5+ 5+ 6 5
We’ll be there be-fore too long.

This song is featured in the computer game “Bastion.”
This version is enharmonic to the original with a
16-hole C chromatic, or with a 10-hole or 12-hole
tenor C chromatic (hole 1 blow, slide out is C3).
Note names and lyrics are included as a guide.

G A# C D# C C A# C
3 <-3 4 <-5 4 4 <-3 4 G A# C D# C A# G A# G 3 <-3 4 <-5 4 <-3 3 <-3 3 G F D# F D# C A# D# C 7 <6 <-5 <6 <-5 <-4 <-3 <-5 <-4 G A# C D# C C A# C 3 <-3 4 <-5 4 4 <-3 4 I dig my hole, you build a wall G A# C D# C A# G A# G 3 <-3 4 <-5 4 <-3 3 <-3 3 I dig my hole, you build a wa- all G F D# F D# C A# D# C 7 <6 <-5 <6 <-5 <-4 <-3 <-5 <-4 One day, that wall is go- nna fa-all G A# C D# C C A# C 3 <-3 4 <-5 4 4 <-3 4 Gon' build that ci-ty on a hill G A# C D# C A# G A# G 3 <-3 4 <-5 4 <-3 3 <-3 3 Gon' build that ci-ty on a hi-ill G F D# F D# C A# D# C 7 <6 <-5 <6 <-5 <-4 <-3 <-5 <-4 Some day those tears are go-nna spi-ill G G F D# D D D# D C 7 7 <6 <-5 -5 -5 <-5 -5 5 So build that wall and build it strong, 'cause G F D# D D D# D 7 <6 <-5 -5 -5 <-5 5 We'll be there be-fore too long. G A# C D# C C A# C 3 <-3 4 <-5 4 4 <-3 4 Gon' build that wall up to the sky G A# C D# C A# G A# G 3 <-3 4 <-5 4 <-3 3 <-3 3 Gon' build that wall up to the sky-y G F D# F D# C A# D# C 7 <6 <-5 <6 <-5 <-4 <-3 <-5 <-4 Some day your bird is go-nna fly- y G A# C D# C C A# C 3 <-3 4 <-5 4 4 <-3 4 Gon' build that wall un-til it's done G A# C D# C A# G A# G 3 <-3 4 <-5 4 <-3 3 <-3 3 Gon' build that wall un-til it's do-one G F D# F D# C A# D# C 7 <6 <-5 <6 <-5 <-4 <-3 <-5 <-4 But now you've got no-where to ru- un G G F D# D D D# D C 7 7 <6 <-5 -5 -5 <-5 -5 5 So build that wall and build it strong, 'cause G F D# D D D# D 7 <6 <-5 -5 -5 <-5 5 We'll be there be-fore too long.

Legend: + = blow, – = draw, ‘ = half step bend, ” = whole step bend, ( ) = chord/play at same time

Intro train sound:

(-4 -5 -6)

Main:

-6 -6 -6 -6 -4 -4 -6
-5 +5 -4 -3″ -4 -5 -4
-3″ -4 -5 -4

-4 -5 -6′ -6 +6
-5 -6 -4 -5

2nd part:

-6 +6 -6 -6′ -6 +6
-5 -6 +6 -5 +6 -6

-4 -4 -4 -5 -4
-4 -5 -4 -4
-4 -6 +6 -5 +5 -4

3rd part:

-5 -3″ -4 -5 -4
-4 -5 -6 +6 -5 +5

-4 -3″ -4 -5 -4
-3″ -4 -5 -4
-4 -5 -6 +6
-5 +5 -4 -5 -4

4th part:

-6′ -6 +6 -6 -6’ -6
+6 -6 -6 +6 -5 +6 -6

5th part:

-4 -5 -5 -4
-4 -4 -5 -4
-4 -6 -6 +6 -5 +6 -4

Middle:

-8 -6 -8
-9 +8 +7 -8
-10 +9 -9 -8

-8 -8 -8
-9 -8 -8
-9 -8

-10……-10 +9 -8 -9
-8 -10 +9 +9 -9 -9 -8
+7 -8 +7 -8

-8 +7 -8 -9 -10 +9 +9 -9
-10 +9 +9 -9 -9 -8

Final:

use tongue block technique to block hole # 5 for (-4 -6)

(+4 +5) (-4 -5) (-4 -6)

(+4 +5) (-4 -5) (-4 -6)

(+4 +5) (-4 -5)

-10 +9 +9 -9
-10 +9 +9
-9 -9 -8

Repeat final twice.

and that’s how you play Bendy and the Ink Machine.

This one I pieced together because I like it when people post full
length tabs. This song sounds best when played in Chords though I
usually play the first line in single notes. Also check out my full
length Pianoman Tab.

Enjoy!

Build me up Buttercup

7 -6 6 -5 5 5 -5 5 5 -5 5 5
Why do you build me up (build me up) Butt-er-cup,

-4 5 -4 5 -4 4 4 -4 4 4 4 -5
ba-by Just to let me down (let me down)and mess

-5 5 -4 4 4 -5 5 5 -5 5 5
me a-round And then worst of all (worst of all)

5 -5 -5 5 -4 4 -4 4 -4 4 4
you nev-er call, ba-by When you say you will

-4 4 4 4 -5 -5 5 -4
(say you will) but I love you still

5 -5 6 5 -5 6 5 -5 6 -6 6 -5 5
I need you (I need you) more than an-y-one dar-lin’

4 -5 -5 -5 -5 5 -4 4
You know that I have from the start

4 -5 5 5 -5 5 5 5 -4 -4 -4 4 -3 4
So build me up (build me up) Butt-er-cup, don’t break my heart

3 3 3 4 -4 5 4 -5 4 -5 4 -5 -5
“I’ll be ov-er at ten”, you told me time an a-gain

4 -4 5 5 -4 4 -4 3 3
But you’re late, I wait a-round and then

3 3 4 -4 5 4 -4 5 4 -4 5
I went to the door, I can’t take an-y-more

4 -4 5 5 -4 4 -4 3 3
It’s not you, you let me down a-gain

4 -4 5 -5 5 -5 5 -5 5 6
(Hey, hey, hey!) Ba-by, ba-by, try to find

5 -5 6 6 6 6 6 6 6 6
(Hey, hey, hey!) A lit-tle time, and I’ll make

6 -5 5
you mine

5 -5 6 -5 -5 5
(Hey, hey, hey!) I’ll be home

-5 -5 -5 -5 -5 -5 -5 5 -5 6…
I’ll be be-side the phone wa-iting for you…

-6 -5 6 -6 -5 6
Ooo-oo-ooo, ooo-oo-ooo

7 -6 6 -5 5 5 -5 5 5 -5 5 5
Why do you build me up (build me up) Butt-er-cup,

-4 5 -4 5 -4 4 4 -4 4 4 4 -5
ba-by Just to let me down (let me down)and mess

-5 5 -4 4 4 -5 5 5 -5 5 5
me a-round And then worst of all (worst of all)

5 -5 -5 5 -4 4 -4 4 -4 4 4
you nev-er call, ba-by When you say you will

-4 4 4 4 -5 -5 5 -4
(say you will) but I love you still

5 -5 6 5 -5 6 5 -5 6 -6 6 -5 5
I need you (I need you) more than an-y-one dar-lin’

4 -5 -5 -5 -5 5 -4 4
You know that I have from the start

4 -5 5 5 -5 5 5 5 -4 -4 -4 4 -3 4
So build me up (build me up) Butt-er-cup, don’t break my heart

3 4 -4 5 4 -4 5 4 -4 5 4 -4 5
You were my toy but I could be the boy you adore

4 -4 5 5 -4 4
If you’d just let me know

3 3 3 4 -4 5 4 -4 5 4 -4 5 4 -4 5
Although you’re untrue, I’m attracted to you all the more

5 -4 4 -4 3 3
Why do I need you so

4 -4 5 -5 5 -5 5 -5 5 6
(Hey, hey, hey!) Ba-by, ba-by, try to find

5 -5 6 6 6 6 6 6 6 6
(Hey, hey, hey!) A lit-tle time, and I’ll make

6 -5 5
you mine

5 -5 6 -5 -5 5
(Hey, hey, hey!) I’ll be home

-5 -5 -5 -5 -5 -5 -5 5 -5 6…
I’ll be be-side the phone wa-iting for you…

-6 -5 6 -6 -5 6
Ooo-oo-ooo, ooo-oo-ooo

7 -6 6 -5 5 5 -5 5 5 -5 5 5
Why do you build me up (build me up) Butt-er-cup,

-4 5 -4 5 -4 4 4 -4 4 4 4 -5
ba-by Just to let me down (let me down)and mess

-5 5 -4 4 4 -5 5 5 -5 5 5
me a-round And then worst of all (worst of all)

5 -5 -5 5 -4 4 -4 4 -4 4 4
you nev-er call, ba-by When you say you will

-4 4 4 4 -5 -5 5 -4
(say you will) but I love you still

5 -5 6 5 -5 6 5 -5 6 -6 6 -5 5
I need you (I need you) more than an-y-one dar-lin’

4 -5 -5 -5 -5 5 -4 4
You know that I have from the start

4 -5 5 5 -5 5 5 5 -4 -4 -4 4 -3 4
So build me up (build me up) Butt-er-cup, don’t break my heart

5 -5 6 5 -5 6 -6 6 -5 5
I need you, more than anyone, baby

4 -5 -5 -5 -5 5 -4 4
You know that I have from the start

4 -5 5 5 -5 5 5 5 -4 -4 -4 4 -3 4
So build me up (build me up) Butt-er-cup, don’t break my heart

This song is posted with single notes, but sounds better when played
in a chord, so, just experiment a bit.

7 -6 6 -5 5 5 -5 5 5 -5 5 5
Why do you build me up (build me up) Butt-er-cup,

-4 5 -4 5 -4 4 4 -4 4 4 4 -5
ba-by Just to let me down (let me down)and mess

-5 5 -4 4 4 -5 5 5 -5 5 5
me a-round And then worst of all (worst of all)

5 -5 -5 5 -4 4 -4 4 -4 4 4
you nev-er call, ba-by When you say you will

-4 4 4 4 -5 -5 5 -4
(say you will) but I love you still

5 -5 6 5 -5 6 5 -5 6 -6 6
I need you (I need you) more than an-y-one,

-5 5
dar-lin’

4 -5 -5 -5 -5 5 -4 4
You know that I have from the start

4 -5 5 5 -5 5 5 5 -4 -4 -4
So build me up (build me up) Butt-er-cup, don’t

4 -3 4
break my heart

3 3 3 4 -4 5 4 -5 4 -5 4 -5 -5
“I’ll be ov-er at ten”, you told me time an a-gain

4 -4 5 5 -4 4 -4 3 3
But you’re late, I wait a-round and then

3 3 4 -4 5 4 -4 5 4 -4 5
I run to the door, I can’t take an-y-more

4 -4 5 5 -4 4 -4 3 3
It’s not you, you let me down a-gain

4 -4 5 -5 5 -5 5 -5 5 6
(Hey, hey, hey!) Ba-by, ba-by, try to find

5 -5 6 6 6 6 6 6 6 6
(Hey, hey, hey!) A lit-tle time, and I’ll make

6 -5 5
you hap-py

5 -5 6 -5 -5 5
(Hey, hey, hey!) I’ll be home

-5 -5 -5 -5 -5 -5 -5 5 -5 6…
I’ll be be-side the phone wa-iting for you…

-6 -5 6 -6 -5 6
Ooo-oo-ooo, ooo-oo-ooo

(repeat) Additional lyrics

Why do you build me up (build me up) Buttercup, baby

Just to let me down (let me down) and mess me around

And then worst of all (worst of all) you never call, baby

When you say you will (say you will) but I love you still

I need you (I need you) more than anyone, darlin’

You know that I have from the start

So build me up (build me up) Buttercup, don’t break my heart

You were my toy but I could be the boy you adore

If you’d just let me know (bah-dah-dah)

Although you’re untrue, I’m attracted to you all the more

Why do I need you so

(Hey, hey, hey!) Baby, baby, try to find

(Hey, hey, hey!) A little time and I’ll make you happy

(Hey, hey, hey!) I’ll be home

I’ll be beside the phone waiting for you

Ooo-oo-ooo, ooo-oo-ooo

Why do you build me up (build me up) Buttercup, baby

Just to let me down (let me down) and mess me around

And then worst of all (worst of all) you never call, baby

When you say you will (say you will) but I love you still

I need you (I need you) more than anyone, darlin’
You know that I have from the start

So build me up (build me up) Buttercup, don’t break my heart

I-I-I need you-oo-oo more than anyone, baby

You know that I have from the start

So build me up (build me up) Buttercup, don’t break my heart

By Leo Arnaud
Key: Eb Major Adapted Range: Eb3 to Eb6
Tabbed for an Eb Major, and G Major Richter tuned diatonic

Tab notations:
none = blow – = draw hold = ___ ob = overblow
6_5 = slur; with continued breath, move smoothly from
blow 6 to blow 5 to make one sliding sound.
-2-3-4 = triplet, play all three notes during
the span of 1 full beat/count
’ = half-step bend (432) = chord
4×1 = tongue blocked octave;
Note to beginners: if you’re unable to tongue block yet,
just play the higher note. It’ll still sound good.

Martial, at a moderate tempo
(Intro: Low Eb or Eb)
4 3 3 4 3 4 3 3 4 3
(Eb)
5__ 6_ 6 4 -4 5 4 -4 -4 -4 -4 5 -4 4 4 -4 5 4 -4__

5__ 6_ 6 4 -4 5 4 -4 -4 -4 -4 5 -4 4 4 -4 5 -4 4__

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 7 8__

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 -8 7__

(switch to G; a little faster)
6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4__

6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4__

6ob-3’5 66ob6 6ob66ob 6 -5-4-5 6ob-5-4 -56ob5 5

6ob-3’5 66ob6 6ob66ob 6 -5-4-5 6ob-5-4 4ob66ob 8ob

6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4_____

(Eb; back to moderate tempo)
4 3 3 4 3 4 3 3 4 3

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 7 -8__

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 -8 7__

(432)____ (654)____ (765)____ (876)____ (1098)___

(4×1)(4×1)(4×1)

By Leo Arnaud
Key: Eb Major Adapted Range: G3 to Eb6
Tabbed for a key of C, Solo tuned chromatic

Tab notations:
none = blow – = draw * = button in hold = ___
. = on lower register; first 4 holes on a 16 hole chromatic
-5_-4 = slur; with continuous draw, move smoothly from
draw 5 to draw 4 to make one sliding sound.
-1-2*-3 = triplet, play all three notes during the span
of 1 full beat/count
-1*x-.1* = tongue blocked octave;
Note to beginners: if you’re unable play a chord
or tongue block yet, just play the higher of note.
It’ll still sound good.

Martial, at a moderate tempo; key of Eb Major
-1* -.3* -.3* -1* -.3* -1* -.3* -.3* -1* -.3*

3__ -3*_ -3* -1* -2 3 -1* -2 -2 -2 -2 3 -2 -1* -1* -2 3 -1* -2__

3__ -3*_ -3* -1* -2 3 -1* -2 -2 -2 -2 3 -2 -1* -1* -2 3 -2 -1*__

7__ -7*_ -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -5* -6__

7__ -7*_ -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

A little faster; key of G Major
-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 -4_-3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3__

-5_-4 -4 -4_-4 -1-2*-3 -5-3-5 -4_3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3__

-6-2-4 -5-6-5 -6-5-6 -5 4-34 -64-3 4-65 5

-6-2-4 -5-6-5 -6-5-6 -5 4-34 -65-3 -3*-5-6 -7*

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 -4_3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3_______

back to moderate tempo; key of Eb Major
-1* -.3* -.3* -1* -.3* -1* -.3* -.3* -1* -.3*

7__ -7* -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

7__ -7* -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

-1*____ -3*____ -5*____ -7*____ -9*____

-1*x-.1* -1*x-.1* -1*x-.1*

aka OLYMPIC FANFARE in KEY OF C (12h Chromatic)
By Leo Arnaud
TRANSCRIBED from the originally published key of Eb Major
to the Keys of C Major & E Major
Range G4 to C7 Range with Tongue Block: C4 to C7
Tabbed for a 12 hole Key of C Solo tuned Chromatic

Tab notations:
none = blow – = draw * = button in hold = ___
-8_-7* = slur; with continuous draw, move smoothly from
draw 8 to draw 7* to make one sliding sound.
-4-5*-6* = triplet, play all three notes during the span
of 1 full beat/count
4×1 = tongue blocked octave;
Note to beginners: if you’re unable tongue block yet,
just play the higher note. It’ll still sound good.

Martial, at a moderate tempo; key of C Major
4 3 3 4 3 4 3 3 4 3

6__ 7 7 5 -5 6 5 -5 -5 -5 -5 6 -5 5 5 -5 6 5 -5__

6__ 7 7 5 -5 6 5 -5 -5 -5 -5 6 -5 5 5 -5 6 -5 5__

10__ 11 11 9 -9 10 9 -9 -9 -9 -9 10 -9 9 9 -9 10 9 -9__

10__ 11 11 9 -9 10 9 -9 -9 -9 -9 10 -9 9 9 -9 10 -9 9__

a little faster, key of E Major
-8_7* 7* -8_7* -4-5*-6* -8-6*-8 7*_6

-8_7* 7* -8_7* -4-5*-6* -8-6*-8 6__

-8_7* 7* -8_7* -4-5*-6* -8-6*-8 7*-6

-8_7* 7* -8_7* -4-5*-6* -8-6*-8 6__

-9-57* -8-9-8 -9-8-9 -8

-7-6*-7 -9-7-6* -7-9-7 -7

-9-57* -8-9-8 -9-8-9 -8

-7-6*-7 -9-7-6* 7-8-9 11

-8_7* 7* -8_7* -4-5*-6* -8-6*-8 7*_6

-8_7* 7* -8_7* -4-5*-6* -8-6*-8 6______

C Major, back to moderate tempo
4 3 3 4 3 4 3 3 4 3

10__ 11 11 9 -9 10 9 -9 -9 -9 -9 10 -9 9 9 -9 10 9 -9

10__ 11 11 9 -9 10 9 -9 -9 -9 -9 10 -9 9 9 -9 10 -9 9__

5____ 7____ 9____ 11____ 12____

4×1 4×1 4×1

By Leo Arnaud
Key: Eb Major Adapted Range: G3 to Eb6
Tabbed and adapted for two ORCHESTRA tuned chromatics
Also suitable for two 14 hole chromatics.
Second harp is below the -4________, and both -8______

Tab notations:
none = blow – = draw * = button in hold = ___
-7_-6 = slur; with continuous draw, move smoothly from
draw 7 to draw 6 to make one sliding sound.
-7-5-7 = triplet, play all three notes during the span
of 1 full beat/count

Martial, at a moderate tempo; key of Eb Major
-3* -1* -1* -3* -1* -3* -1* -1* -3* -1*

5__ -5*_ -5* -3* -4 5 -3*

-4 -4 -4 -4 5 -4 -3* -3* -4 5 -3* -4_________________
-5*-1*-5* -5* -5*

5__ -5*_ -5* -3* -4 5 -3* -4 -4 -4 -4 5 -4 -3* -3* -4 5 -4 -3*__

9__ -9*_ -9* -7* -8 9 -7*

-8 -8 -8 -8 9 -8 -7* -7* -8 9 -7* -8_________________
-9*-5*-9* -5* -5*

9__ -9*_ -9* -7* -8 9 -7* -8 -8 -8 -8 9 -8 -7* -7* -8 9 -8 -7*__

A little faster; key of G Major
-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 -6_-5

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 5__

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 -6_5

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 5__

-8-4-6 -7-8-7 -8-7-8 -7 6-56 -86-5 6-87 7

-8-4-6 -7-8-7 -8-7-8 -7 6-56 -87-5 -5*-7-8 -9*

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 -6_5

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 5_______

back to moderate tempo; key of Eb Major
-3* -1* -1* -3* -1* -3* -1* -1* -3* -1*

9__ -9* -9* -7* -8 9 -7* -8 -8 -8 -8

9 -8 -7* -7* -8 9 -7* -8_________________
-9*-5*-9* -9* -9*

9__ -9* -9* -7* -8 9 -7* -8 -8 -8 -8 9 -8 -7* -7* -8 9 -8 -7*__

-3*____ -5*____ -7*____ -9*____ -11*____

-3* -3* -3*

By Leo Arnaud
Key: Eb Major Adapted Range: G3 to Eb6
Tabbed for two key of C, Solo tuned chromatics
2nd harp is below the -2______, -6______, & -5*______

Tab notations:
none = blow – = draw * = button in hold = ___
. = on lower register; first 4 holes on a 16 hole chromatic
-5_-4 = slur; with continuous draw, move smoothly from
draw 5 to draw 4 to make one sliding sound.
-3*-.3*-3* = triplet, play all three notes during the span
of 1 full beat/count
-1*x-.1* = tongue blocked octave;
Note to beginners: if you’re unable play a chord
or tongue block yet, just play the higher of note.
It’ll still sound good.

Martial, at a moderate tempo; key of Eb Major
-1* -.3* -.3* -1* -.3* -1* -.3* -.3* -1* -.3*

3__ -3*_ -3* -1* -2 3 -1*

-2 -2 -2 -2 3 -2 -1* -1* -2 3 -1* -2___________________
-3*-.3*-3* -3* -3*

3__ -3*_ -3* -1* -2 3 -1* -2 -2 -2 -2 3 -2 -1* -1* -2 3 -2 -1*__

7__ -7*_ -7* -5* -6 7 -5*

-6 -6 -6 -6 7 -6 -5* -5* -6 7 -5* -6__________________
-7*-3*-7* -3* -3*

7__ -7*_ -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

A little faster; key of G Major
-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 -4_-3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3__

-5_-4 -4 -4_-4 -1-2*-3 -5-3-5 -4_3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3__

-6-2-4 -5-6-5 -6-5-6 -5 4-34 -64-3 4-65 5

-6-2-4 -5-6-5 -6-5-6 -5 4-34 -65-3 -3*-5-6 -7*

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 -4_3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3_______

back to moderate tempo; key of Eb Major
-1* -.3* -.3* -1* -.3* -1* -.3* -.3* -1* -.3*

7__ -7* -7* -5* -6 7 -5*

-6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__________________
-7*-3*-7* -7* -7*

7__ -7* -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

-1*____ -3*____ -5*____ -7*____ -9*____

-1*x-.1* -1*x-.1* -1*x-.1*

By Leo Arnaud
Key: Eb Major Adapted Range: Eb3 to Eb6
Tabbed for an Eb Major, and G Major Richter tuned diatonic
2nd harp is shown below -4____, 8____, and -8____

Tab notations:
none = blow – = draw hold = ___ ob = overblow
6_5 = slur; with continued breath, move smoothly from
blow 6 to blow 5 to make one sliding sound.
(432) = blow chord
636 = triplet, play all three notes during
the span of 1 full beat/count
4×1 = tongue blocked octave;
Note to beginners: if you’re unable play a chord
or tongue block yet, just play the higher note.
It’ll still sound good.

Martial, at a moderate tempo
(Intro: Low Eb or Eb)
4 3 3 4 3 4 3 3 4 3
(Eb)
5__ 6_ 6 4 -4 5 4 -4 -4 -4 -4 5 -4 4 4 -4 5 4 -4________
636 6 6

5__ 6_ 6 4 -4 5 4 -4 -4 -4 -4 5 -4 4 4 -4 5 -4 4__

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 7 8________
969 6 6

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 -8 7)__

(switch to G; a little faster)
6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4__

6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4__

6ob-3’5 66ob6 6ob66ob 6 -5-4-5 6ob-5-4 -56ob5 5

6ob-3’5 66ob6 6ob66ob 6 -5-4-5 6ob-5-4 4ob66ob 8ob

6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4_____

(Eb; back to moderate tempo)
4 3 3 4 3 4 3 3 4 3

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 7 -8_______
969 99

8__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 -8 7__

(432)____ (654)____ (765)____ (876)____ (1098)___

(4×1)(4×1)(4×1)

By Leo Arnaud
Key: Eb Major Adapted Range: G3 to Eb6
Tabbed and adapted for an ORCHESTRA tuned chromatic
Also suitable for 14 hole chromatic.

Tab notations:
none = blow – = draw * = button in hold = ___
-7_-6 = slur; with continuous draw, move smoothly from
draw 7 to draw 6 to make one sliding sound.
-7-5-7 = triplet, play all three notes during the span
of 1 full beat/count

Martial, at a moderate tempo; key of Eb Major
-3* -1* -1* -3* -1* -3* -1* -1* -3* -1*

5__ -5*_ -5* -3* -4 5 -3* -4 -4 -4 -4 5 -4 -3* -3* -4 5 -3* -4__

5__ -5*_ -5* -3* -4 5 -3* -4 -4 -4 -4 5 -4 -3* -3* -4 5 -4 -3*__

9__ -9*_ -9* -7* -8 9 -7* -8 -8 -8 -8 9 -8 -7* -7* -8 9 -7* -8__

9__ -9*_ -9* -7* -8 9 -7* -8 -8 -8 -8 9 -8 -7* -7* -8 9 -8 -7*__

A little faster; key of G Major
-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 -6_-5

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 5__

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 -6_5

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 5__

-8-4-6 -7-8-7 -8-7-8 -7 6-56 -86-5 6-87 7

-8-4-6 -7-8-7 -8-7-8 -7 6-56 -87-5 -5*-7-8 -9*

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 -6_5

-7_-6 -6 -7_-6 -3-4*-5 -7-5-7 5_______

back to moderate tempo; key of Eb Major
-3* -1* -1* -3* -1* -3* -1* -1* -3* -1*

9__ -9* -9* -7* -8 9 -7* -8 -8 -8 -8 9 -8 -7* -7* -8 9 -7* -8__

9__ -9* -9* -7* -8 9 -7* -8 -8 -8 -8 9 -8 -7* -7* -8 9 -8 -7*__

-3*____ -5*____ -7*____ -9*____ -11*____

-3* -3* -3*

By Leo Arnaud
Key: Eb Major Adapted Range: G3 to Eb6
Tabbed for a key of C, Solo tuned chromatic
Hear it: http://www.youtube.com/watch?v=IizWc4cJwbw

Tab notations:
none = blow – = draw * = button in hold = ___
. = on lower register; first 4 holes on a 16 hole chromatic
-5_-4 = slur; with continuous draw, move smoothly from
draw 5 to draw 4 to make one sliding sound.
-3*-.3*-3* = triplet, play all three notes during the span
of 1 full beat/count
-1*x-.1* = tongue blocked octave;
Note to beginners: if you’re unable play a chord
or tongue block yet, just play the higher of note.
It’ll still sound good.

Martial, at a moderate tempo; key of Eb Major
-1* -.3* -.3* -1* -.3* -1* -.3* -.3* -1* -.3*

3__ -3*_ -3* -1* -2 3 -1* -2 -2 -2 -2 3 -2 -1* -1* -2 3 -1* -2__

-3*-.3*-3* -3* -3*

3__ -3*_ -3* -1* -2 3 -1* -2 -2 -2 -2 3 -2 -1* -1* -2 3 -2 -1*__

7__ -7*_ -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -5* -6__

-7*-3*-7* -3* -3*

7__ -7*_ -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

A little faster; key of G Major
-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 -4_-3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3__

-5_-4 -4 -4_-4 -1-2*-3 -5-3-5 -4_3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3__

-6-2-4 -5-6-5 -6-5-6 -5 4-34 -64-3 4-65 5

-6-2-4 -5-6-5 -6-5-6 -5 4-34 -65-3 -3*-5-6 -7*

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 -4_3

-5_-4 -4 -5_-4 -1-2*-3 -5-3-5 3_______

back to moderate tempo; key of Eb Major
-1* -.3* -.3* -1* -.3* -1* -.3* -.3* -1* -.3*

7__ -7* -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

-7*-3*-7* -7* -7*

7__ -7* -7* -5* -6 7 -5* -6 -6 -6 -6 7 -6 -5* -5* -6 7 -6 -5*__

-1*____ -3*____ -5*____ -7*____ -9*____

-1*x-.1* -1*x-.1* -1*x-.1*

Bugler’s Dream / OLYMPIC FANFARE (Eb/G/Eb)
By Leo Arnaud
Key: Eb Major Adapted Range: Eb3 to Eb6
Tabbed for two diatonic keys:
Eb Major, and G Major Richter tuned diatonic
Note key changes from Eb to G and back to Eb.

Tab notations:
none = blow – = draw hold = ___ ob = overblow
6_5 = slur; with continued breath, move smoothly from
blow 6 to blow 5 to make one sliding sound.
(432) = blow chord
636 = triplet, play all three notes during
the span of 1 full beat/count
4×1 = tongue blocked octave;
Note to beginners: if you’re unable play a chord
or tongue block yet, just play the higher note.
It’ll still sound good.

Martial, at a moderate tempo
(Intro: Low Eb or Eb)
4 3 3 4 3 4 3 3 4 3
(Eb)
5__ 6_ 6 4 -4 5 4 -4 -4 -4 -4 5 -4 4 4 -4 5 4 -4__

636 6 6

5__ 6_ 6 4 -4 5 4 -4 -4 -4 -4 5 -4 4 4 -4 5 -4 (432)__

(876)__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 7 8__

969 6 6

(8765)__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 -8 (765)__

(switch to G; a little faster)
6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4__

6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4__

6ob-3’5 66ob6 6ob66ob 6 -5-4-5 6ob-5-4 -56ob5 5

6ob-3’5 66ob6 6ob66ob 6 -5-4-5 6ob-5-4 4ob66ob 8ob

6_5 5 6_5 -2-3-4 6-46 5_4 6_5 5 6_5 -2-3-4 6-46 4_____

(Eb; back to moderate tempo)
4 3 3 4 3 4 3 3 4 3

(876)__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 7 -8__

969 99

(8765)__ 9_ 9 7 -8 8 7 -8 -8 -8 -8 8 -8 7 7 -8 8 -8 (765)__

(432)____ (654)____ (765)____ (876)____ (1098)___

(4×1)(4×1)(4×1)

(Won’t You Come Out Tonight)
By Cool White (John Hodges)
Key: D
Time: 2/4

-1 -1 -1 -2* -3 -3
Buf-fa-lo gals won’t ya
-4 -3 -3 -2*
come out to-night
-2* -2* -3 3 3 2
won’t ya come out to-night
2 2 -4 -3 -3 -2*
won’t ya come out to-night
-1 -1 -1 -2* -3 -3
Buf-fa-lo gals won’t ya
-4 -3 -3 -2*
come out to-night
-2* -3 3 3 -2* 2 2 -1
And dance by the light of the moon
-3 -5 4* 4* -4
I danced with a gal
-3 -3 -4 -3 -3 -2* -2*
With a hole in her stock-ing
-2* -2* -3 3 3 2 2
And her heel kept a-rock-in’
-3 -3 -4 -3 -3 -2* -2*
And her toe kept a-knock-in’
-3 -5 4* 4* -4
I danced with a gal
-3 -3 -4 -3 -3 -2* -2*
With a hole in her stock-ing
-2* -2* -3 -3 -3 3 2 2 -1
And we danced by the light of the moon

From a pamplet by Capt Daniel J Canty:

Bugle Calls, Signals and Marches, copyright 1917

Man overboard

77 77 77 77 77 77 98 98 98

7777777 98 98 98 7

To Horse

6789 89 876

7- 77777

99 88 77 66

Boots and Saddles

6789876 77777 76 77777 7

General Quarters

7776 8887 9998 876

7776 8887 9998 767

A bunch more in the pamplet.

John Thomas Niles

Key: Am

2 3 -3” -3” 3 2 3 -3” -3” 3

5 6 -6 -6 6 5 6 -6 -6 6

Oh, she took him by the bri-dle rein

2 3 -3” -3” 4 -3 -3” -3”

5 6 -6 -6 7 -7 -6 -6

And she led him to the sta-ble

4 -4 5 5 5 5 -4 4 4 -3

7 -8 8 8 8 8 -8 7 7 -7

Here’s fod-der and hay for your horse,

-3” 3

-6 6

Young man

2 3 -3”-3” 3 2 3 -3”4-3”

5 6 -6 -6 6 5 6 -67 -6

And me to bed if you’re a-ble

2 3 -3”-3” 3 4 -3 -3”-3”

5 6 -6 -6 6 7 -7 -6 -6

And me to bed if you’re a-ble

John Thomas Niles

Key: Am

2 3 -3 -3 3 2 3 -3 -3 3

Oh, she took him by the bri-dle rein

2 3 -3 -3 4 -4 -3 -3

And she led him to the sta-ble

4 -5 6 6 6 6 -5 4 4 -4

Here’s fod-der and hay for your horse,

-3 3

Young man

2 3 -3 -3 3 2 3 -34 -3

And me to bed if you’re a-ble

2 3 -3 -3 3 4 -4 -3 -3

And me to bed if you’re a-ble