Traditional hymn
Key: G

3 -2* 3 -3 4 4 -4
As with glad-ness, men of old
2 -2* 3 2 -1 -1 -1
Did the guid-ing star be-hold
3 -2* -3 3 4 4 -4
As with joy they hailed its light
2 -2* 3 2 -1 -1 -1
Lead-ing on-ward, beam-ing bright
-4 -3 3 -4 -5 4 -4
So, most gra-cious Lord, may we
2 -2* 3 4 -4 -3 3
Ev-er-more be led to Thee.

As with joyful steps they sped
To that lowly manger bed
There to bend the knee before
Him Whom Heaven and earth adore;
So may we with willing feet
Ever seek Thy mercy seat.

As they offered gifts most rare
At that manger rude and bare;
So may we with holy joy,
Pure and free from sin’s alloy,
All our costliest treasures bring,
Christ, to Thee, our heavenly King.

Holy Jesus, every day
Keep us in the narrow way;
And, when earthly things are past,
Bring our ransomed souls at last
Where they need no star to guide,
Where no clouds Thy glory hide.

In the heavenly country bright,
Need they no created light;
Thou its Light, its Joy, its Crown,
Thou its Sun which goes not down;
There forever may we sing
Alleluias to our King!

Howdy folks

I am excited beyond belief as well as honoured and humbled to present
these two tabs to you!!
This particular version of the song is in itself very special and
incredibly dear to me
And by the time your done im sure you too!
it is without a doubt not only signature Stevie but among his best
works ever!

Before we get into it there is some “very special background” to this
version and a behind the scenes story which if you do not know would
mean you would miss more than half of what’s REALLY going on!.
This version is By Carly Simon and was done back in 1987 and although
the first few verses are the song we all know The rest of it is in
fact a mass and parody of lines from “Casablanca” the movie that made
this song famous. So for those of you that haven’t seen in, go watch
it so that you know what’s going on.
Also to her credit Carly as you will hear has managed to take Stevie’s
guest appearance and literally incorporate him into the song! As well
as “profess her love for him!” 3:24 in the song (You better believe
it, when I tell you that i mean it, of all of these, gin joints, you
HAD to walk into mine!
Carly went to great lengths to get Stevie to play with her after two
of his songs really touched her for reasons that will become obvious
to you soon and make up the biggest “in story”. At the time Stevie
had done and released “Boogie on Reggae Woman” and “How come how long”
(this song was re done in the early 2002 by Babyface and Stevie which
includes two solo’s from Stevie that you can find posted here by me!)

Both songs celebrate Women and how come how long speaks out against
domestic violence and attacks on Women something Carly knows about,
his political statement at the time about this subject is what
endeared Stevie to her and made her seek him out! He was also until
late last year (2010) one of very few privy to the secrets behind her
world famous smash hit “Your so vain” which brings me to the big in
story!
Up until now it was believed and recorded and noted that the song was
about WARREN BEATTY! However anyone who checked would know that they
NEVER DATED!
After his arrest and conviction for Murder (Lana Clarkson) this
Hollywood heavyweight
PHIL SPECTOR!!was exposed and the reports of his hot temper and
battering women over many years came to light!. Amongst those he
battered was CARLY SIMON!! The song is in fact ABOUT HIM!! Something
that Stevie knew prior to his arrest, and one of the reasons Stevie
left his label!
Something that she is STILL angry about! (you can tell by the disgust
in her voice when she says HIM see below)
Now many of you would not know that Stevie for many years played under
a pseudonym which was “Eivets Rednow” (Stevie wonder spelled
backwards) YES FOLKS EIVETS AND STEVIE ARE ONE IN THE SAME! When
“little Stevie wonder” was discovered and signed he was “owned” by the
label (Tamla) and although he wanted to do it all, he was prevented
because Blues and Jazz and reggae etc “Dont sell and wasn’t a
commercial market” furthermore they put him on ice so speak from 16-21
due to puberty and voice changes, however he did rack up album credits
as a composer, percussionist, keyboardist and harmonica player (for
Motown)( Harmonica for: the Trammps, The Temptations, Diana Ross,
Herbie Hancock, Norman Brown, The Spinners, 4 tops, Barbara Streisand
to name some)
But it didn’t stop Stevie! Tamla owned “little Stevie wonder and
Stevie wonder” they did not own Eivets Rednow. So under this name he
sang and played for an alternative label namely PHIL SPECTORS label!!
As well as being a guest player on other artist works on that label,
and although she wanted to work with Stevie at the time was
«prevented» from doing so, something Carly knew well and is in fact
what she is referring to at 3:44 in the song when she says “You played
it for HIM now, so you GOT to play it for me, play it STEVIE!!”
SO NOW YOU ALL KNOW TOO!!! I hope you found it enlightening and
enjoyable

Stevie plays throughout this song after 2:10 and includes two solo’s
as well as many harp fills. so as stated this a a two part tab.
this first tab contains note for note every harp riff, and fill
throughout the song. Tab two contains both solo’s including the 1:30
outro solo

without further adieu here it is

NOTE* when you see < it means play the hole with THE SLIDE BAR PRESSED IN. when you see notes in brackets its one of stevie's trademark trills (basically three or more notes played rapidly by pushing in and releasing the bar rapidly) ENJOY!!! 2:10 (STEVIES 1ST SOLO) 3:11 1,<1,<-1,<-2,<-3 <4+5,<3,<3,<-2 <4+5,-5,<4+5,<-3,<3,<-2 3:27 -3,<-2,<-2 3:34 <4+5,<-5,-5,4+5,<4+5 3:37 -3,-3,<3,<-2,<-2 -3,<-3,<4+5,<-5,-5<4+5 3:45 <-5,<-6 3:47 <4+5,<-5,<-5 3:49 (STEVIES 2ND SOLO AND OUTRO) ENJOY!!! THANK YOU THANK YOU THANK YOU VERY MUCH!!!

5 -5 5 -4 4 -4
You must remember this,

5 6 -5 5 -4 -5
a kiss is still a kiss,

6 7 -7 -6 6 -6
A sigh is just a sigh.

-7 -8 7-7 -6 -7 7 6
The fundamental things apply,

6 4 -4 5
As time goes by.

5 -5 5 -4 4 -4
And when two lovers rue,

5 6 -5 5 -4 -5
they still say, «I love you,»

6 7 -7 -6 6 -6
On that you can rely,

-7 -8 7 -7 -6 -7 7 6
no matter what the future brings,

6 4 -4 4
As time goes by.

4 -4 4 -6 -6
Moonlight and lovesongs,

-6 -7 -6 6 -6
never out of date

5 -5 5 -6 -6
Hearts full of passion,

-6 -7-6 6 -6
jealousy, and hate.

5 -5 5 7
Woman needs man

7 7 -7 7 -7 -8
and man must have his mate—

-7 -6 -6 5 5 6
That, no one can deny.

5 -5 5 -4 4 -4-4
It’s still the same old story,

5 6 -5 5 -4 -5-5
a fight for love and glory

6 7 -7 -6 6 -6
A case of do or die.

-7 -8 7 -7 -6 -7 7 6 6
The world will always welcome lovers,

6 4 -4 4
As time goes by

6 -5 5 -5 6 -5 5 -4
Through early morning fog I see

5 -4 5 -4 4 -4 4
Visions of the things to be.

5 -4 4 -4 4 -4 4 -3
The pains that are withheld from me,

-4 4 -3 4 -3 4 -4 5
I realize and I can see,

refrain

6 -6 6-6 6 -6 6
That suicide is painless

6 -6 6 -6 6 -6 6
It brings on many changes,

6 5 6 -6 7 7 -8 7 -6 6 -6
And I can take it or leave it if I please

5 -5 5 -4 4 -4
You must remember this,

5 6 -5 5 -4 -5
a kiss is still a kiss,

6 7 -7 -6 6 -6
A sigh is just a sigh.

-7 -8 7-7 -6 -7 7 6
The fundamental things apply,

6 4 -4 5
As time goes by.

5 -5 5 -4 4 -4
And when two lovers rue,

5 6 -5 5 -4 -5
they still say, «I love you,»

6 7 -7 -6 6 -6
On that you can rely,

-7 -8 7 -7 -6 -7 7 6
no matter what the future brings,

6 4 -4 4
As time goes by.

4 -4 4 -6 -6
Moonlight and lovesongs,

-6 -7 -6 6 -6
never out of date

5 -5 5 -6 -6
Hearts full of passion,

-6 -7-6 6 -6
jealousy, and hate.

5 -5 5 7
Woman needs man

7 7 -7 7 -7 -8
and man must have his mate—

-7 -6 -6 5 5 6
That, no one can deny.

5 -5 5 -4 4 -4-4
It’s still the same old story,

5 6 -5 5 -4 -5-5
a fight for love and glory

6 7 -7 -6 6 -6
A case of do or die.

-7 -8 7 -7 -6 -7 7 6 6
The world will always welcome lovers,

6 4 -4 4
As time goes by.

—repeat from «…Moonlight and love songs….»

5 6 -6 7
end: «…as time goes by.»

By: Herman Hupfeld
Frank Sinatra, Rod Stewart
Key: Eb

-3* -3* -3* -3* -3* 4 4 4
This day and age we’re liv-ing in
4 -5* -5* -5*-5* -5 5
Gives cause for ap-pre-hen-sion
-3* -5 -5 -5 -5 5 -3*
With speed and new in-ven-tion
3 5 5 5 5 -3* 3*
And things like third di-men-sion

3 3* -2 -2 -2 -2 -3* -3*
Yet we grow a tri-fle wear-y
-3* 3 3 3 3 5 5
With M-r. Ein-stein’s the’-ry
-3* 5 -5 -5 -5 -5 -5
So we must get down to earth
5 -3* 5 -5 -5 -5 -5 -5 -3*
at times re-lax re-lieve the ten-sion
-3* 5 5 5 5 -5 -6
No mat-ter what the prog-ress
-5 -3* -3* -3* -3* 5
Or what may yet be proved
3 3* 3* 3* 3* 5 -5* 5
The sim-ple facts of life are such
3* -2 -2 -2 -2 -3*
They can-not be re-moved

CHORUS
3 3* 3 -2 -1* -2
You must re-mem-ber this
3 -3* 3* 3 -2 3*
A kiss is still a kiss,
-3*-5* -5 5 -3* 5
A sigh is just a sigh
-5 -6 -5* -5 5 -5 -5* -3*
The fun-da-men-tal things ap-ply
-3* -1* -2 3
As time goes by

3 3* 3 -2 -1* -2
And when two lov-ers woo
3 -3* 3* 3 -2 3*
They still say, «I love you»
-3* -5* -5 5 -3* 5
On that you can re-ly
-5 -6 -5* -5 5 -5 -5* -3*
No mat-ter what the fu-ture brings
-3* -1* -2 -1*
As time goes by

-1* -2 -1* 4 4
Moon-light and love songs
4 4* 4 -4 4
Nev-er out of date
-2 3 -2 4 4
Hearts full of pas-sion
4 -5 4 -4 4
Jeal-ous-y and hate
3 3* 3 -5*
Wom-an needs man
-5* -5* -5 -5* -5 -6
And man must have his mate
-5 5 5 3 3 -3*
That no man can de-ny

3 3* 3 -2 -1* -2 -2
It’s still the same old sto-ry
3 -3* 3* 3 -2 3* 3*
A fight for love and glo-ry
-3*-5* -5 5 -3* 5
A case of do or die
-5 -6 -5* -5 5 -5 -5* -3* -3*
The world will al-ways wel-come lov-ers
3 -3* -3* -5*
As time goes by

REPEAT CHORUS

5 6 -6 7 -6 6 -6
There is nothing I can do,
4 -4 5 6 -4 4 -4 4
as you leave me here to cry-.
5 6 -6 7 -6 6 -6
There is nothing I can do,
4 -4 5 6 -4 4 -4 -3″
as you leave me here to cry—.
-3″ 4 -4 5 5 6 -6 5
You know my love will follow you,
5 6 -6 6 5 4 -4 4 -3″
as the years go passing by——.

5 6 -6 -8 -6 6 -6
Give you all— that I own.
5 6 -6 6 5 4 -4 -3″
That’s one thing you can’t deny—-.
5 6 -6 -8 -6 6 -6
Give you all— that I own.
5 6 -6 6 5 4 -4 4
That’s one thing you can’t deny-.
-3″ 4 -4 5 5 6 -6 5 -4 5
You know my love will follow you—,
5 6 -6 6 5 4 -4 4 -3″
as the years go passing by——.

5 6 -6 7 -6 6 -6
Gonna leave it up to you.
4 -4 5 6 -4 4 -4 4
So long, so long, goodbye—.
5 6 -6 7 -6 6 -6
Gonna leave it up to you.
4 -4 5 6 — 4 4 -4 -3″
So long, so long, goodbye——.
-3″ 4 -4 5 5 6 -6 5
You know my love will follow you,
5 6 -6 6 5 4 -4 4 -3″
as the years go passing by——.

5 6 -6 -8 -6 6 -6
Gonna leave it up to you.
5 6 -6 6 5 4 -4 -3″
So long, so long, goodbye——.
5 6 -6 -8 -6 6 -6
Gonna leave it up to you.
5 6 -6 6 5 4 -4 4
So long, so long, goodbye—.
-3″ 4 -4 5 5 6 -6 5 -4 5
You know my love will follow you—,
5 6 -6 6 5 4 -4 4 -3″
as the years go passing by——.

The top set of numbers represent holes for the tremolo harp. the
bottom set of numbers represent holes on the diatonic harp.

5 5 5 6 -5 -5 -5 5 6 -5
4 4 4 5 -4 -4 -4 4 5 -4
Have you ever thought as the hearse goes by,
5 5 5 -5 6 -5 5 -4 5 -5
4 4 4 -4 5 -4 4 -3 4 -4
that sooner or later you’re going to die?
5 5 5 5
4 4 4 4
Yo ho! Yo ho!

verse 2:
They wrap you up in a big white sheet,
and drop you down about six feet deep.
Yo ho! Yo ho!

verse 3:
The worms crawl in, the worms crawl out,
the worms play penochle on your snout.
Yo ho! Yo ho!

This is tabbed for a 24 hole Echo Celeste tremolo

AS THE DEER PANTS FOR THE WATER (PSALM 42)

5 -5 6 -6 6 -5 6 7
As the deer pants for the water,
5 -5 6 -6 6 5 5
So my soul pants after Thee.
5 -5 6 -6 6 -5 6 7
How I thirst for living water.
5 -5 6 -6 6 5 5
How much longer will it be?
-8 -7 -8 -7 7
Tears have been my food
-6 7 -7 7
Both day and night.
-8 -7 -8 -7 7 -6 7
Mem-‘ries yearn of better days.
-8 -7 -8 -7 7 -6 7-7 7
All the times of joy, thanksgiving
-6 6 -6 6 -5 5 -5
Seem so very far away.

Verse 2:
Deep calls to still deeper waters:
Waves and breakers sweep o’er me.
Am I now to be forgotten?
Left in mortal agony?
Why so downcast, O my troubled soul?
Put your hope in God and prayer.
Ever shall God my direction be.
Ever am I in God’s care!

Verse 3:
5 -5 6 -6 6 -5 6 7
Loving kindness through the daytime.
5 5 -5 6 -6 6 5 5
My Lord: my hope in times of strife.
5 5 -5 6 -6 6 -5 6 7
At night, Your song shall e’er be with me:
5 5 -5 -5 6 -6 6 5 5
A prayer unto my God, my life!

4 -4 5 -5 5 -4 5 6
As the deer pants for the water,
4 -4 5 -5 5 4 4
So my soul pants after Thee.
4 -4 5 -5 5 -4 5 6
How I thirst for living water.
4 -4 5 -5 5 4 4
How much longer will it be?
-7 -6 -7 -6 6
Tears have been my food
-5 6 -6 6
Both day and night.
-7 -6 -7 -6 6 -5 6
Mem-‘ries yearn of better days.
-7 -6 -7 -6 6 -5 6-6 6
All the times of joy, thanksgiving
-5 5 -5 5 -4 4 -4
Seem so very far away.

Verse 2:
Deep calls to still deeper waters:
Waves and breakers sweep o’er me.
Am I now to be forgotten?
Left in mortal agony?
Why so downcast, O my troubled soul?
Put your hope in God and prayer.
Ever shall God my direction be.
Ever am I in God’s care!

Verse 3:
4 -4 5 -5 5 -4 5 6
Loving kindness through the daytime.
4 4 -4 5 -5 5 4 4
My Lord: my hope in times of strife.
4 4 -4 5 -5 5 -4 5 6
At night, Your song shall e’er be with me:
4 4 -4 -4 5 -5 5 4 4
A prayer unto my God, my life!

5 6 6 5 -4 4 -4 -5 5
As the deer pant-eth for the wa-ter,

-4 4 -6 -6 -6 6 -5 6
So my soul long-eth af-ter Thee.

5 6 6 5 -4 4 -4 -5 5
You a-lone are my heart’s de-sire,

-4 4 4 5 -4 4 4
And I long to wor-ship Thee.

7 7 7 7 -7 -6 -6 6
You a-lone are my strength, my shield;

4 -6 -6 -6 -6 6 -5 -5 5
To You, a-lone, may my spir-it yield.

5 6 6 5 -4 4 -4 -5 5
You a-lone are my heart’s de-sire,

-4 4 4 5 -4 4 4
And I long to wor-ship Thee.

5 5 5 -5 -5 -5 5 5 5 -4
Standing on the shore with this maiden in my arms
-4 5 5 5 -5 -5 5 5 -4 5
A bottle of wine there’s ships floating by
5 5 5 5 -5 -5 -5 5 5 5 -4-4
And behind my back all the sailors are singing
-4 5 5 -5 -5 -5 5 5 5 -4 5
About Amsterdam or some other bloody town
5 5 5 5 -5 -5 5 5 5 -4-4
Where they’ve been last year or many years ago
-4 5 5 5-5 -5 5 5 5-45
Where the ships indicates where we glimpsed through
5 5 5 -4 4 4 4 4 5 5 5 -4
And tough maidens were plenty and horny as hell
-4 5 5 5 -5 -5 5 5 5 -4 5
And the wine was so much that nobody could Tell
5 5 5 4 4 4 -5 5 5 -4
And we all sang as the boat was sinking

Chorus:

5 5 5 -5-5 5 5 5 6
Bring us more women, bring us more wine
5 5 5 -5-5 -5 -5 5 5 -4 5
We’ll become violent as the bottle runs dry
5 5 5 -5-5 5 5 5 6
Bring us more women, bring us more wine
5 5 5 -5-5 -5 -5 5 5 -4 5
We’ll become violent as the bottle runs dry

Rolling Stones, Marianne Faithful
Lead In: | R 7 -8 8 | -8 -8 -6 7 | 7 -8 7 | -7 |

R 7 -8 8 -8 -8 -6 7 7 -6 7 -7
| It is the | ev’ning of the | day, | |
R 7 -8 8 -8 -8 -6 7 7 -6 7 -7
| I sit and | watch the children | play. | |
R -9 -9 -9 8 -8 -8 7 -8 R 8 8 -8 7 -6 r R
| Smiling faces | I can se e, | but not for | me, |
R -10-10 -10 -10 -6 -7 7 -8 7 -8 7 -7
| I sit and | watch as tears go | b y y y | y |

R 7 -8 8 -8 -8 -6 7 7 -6 7 -7
| My riches | can’t buy ev’ry | thing ing ing |ing. |
R7 -8 8 -8 -8 -6 7 7 -6 7 -7
| I want to | hear the children | sing ing ing | ing. |
R -9 -9 -9 8 -8 -8 7 -8 8 8 -8 7 -6 R
| All I hear is | the sound of rain | fallin’ on the | ground, |
R -10 -10 -10 -10 -6 -7 7 -8 7 -8 7 -7
| I sit and | watch as tears go | by y y y | Y. |

Instrumental here…
R 7 -8 8 -8 -8 -6 7 7 -8 7 -7
(| It is the | ev’ning of the | day ay ay | ay. |
R7 -8 8 -8 -8 -9# -10 9 9 9 9
| I sit and | watch the children | play ay ay | ay. |

R 7 -8 8 -8 -8 -6 7 7 -6 7 -7
| It is the | ev’ning of the | day ay ay | ay. |
R7 -8 8 -8 -8 -6 7 7 -6 7 -7
| I sit and | watch the children | play ay ay | ay. |
R-9 -9 -9 8 -8 -8 7 -8 R 8 8 -8 7 -6 R
| Doin’ things I | used to do o | they think are | new. |
R-9 -9 -9 -9 -6 -7 7 -8 7 -8 7 -7
| I sit and | watch as tears go | by y y y | y. |

R7 -8 8 -8 -8 -6 7 7 -8 7 -7
| I sit and | watch as tears go | by y y | y. |

R7 -8 8 -8 -8 -6 7 7 -8 7 -7
| I sit and | watch as tears go | by y y | y. | fade out

4 -4 5 -4 -4 -3” 4 4 -3” 4 -3
It is the eve- ning of the day
My rich-es can’t buy ev-’ ry- thing
It is the eve- ning of the day

4 -4 5 -4 -4 -3” 4 4 -3” 4 -3
I sit and watch the child-ren play
I want to hear the child-ren sing
I sit and watch the child-ren play

-5 -5 -5 5 -4 -4 4 -4
Smil-ing fac- es I can see
All I hear is the sound of rain
Do- in’ things I used to do

5 5 -4 -3 -3”
But not for me
Fall-ing on the ground
They think are new

-6 -6 -6 -6 -3” -3 4 -4 4 -4 4 -3
I sit and watch as tears go by
I sit and watch as tears go by
I sit and watch as tears go by

(After 3rd: verse):
-6 -6 -6 -6 -3” -3 4 -4 4 -4 4 -3
I sit and watch as tears go by

19th C. Austrian Carol
Key: C

3 4 4 -5 5 6-5 4-4 -3
As late-ly we watch’d o’er our fields
-5 -4 4
through the night,
3 4 4 -5 5
A star there was seen
6-5 4-3 -3 -5 -4 5
of such glo-ri-ous light.
6 6 -5 4-4 -3 -5 -55 -4-3 3
All through the night, an-gels did sing
3 4 4 -5 5
In car-ols so sweet
6-5 4-4 -3 -5 -4 4
of the birth of a King.

3 4 4 -5 5
A King of such beauty
6 5-4-3 -5 -4 4
was ne’er be-fore seen,
3 4 4 -5 5 5 6-5 4-4 -3 -4 4
And Mar-y His moth-er so like to a queen.
6 6-5 4-4 -3 -5 -55 -4-3 3
Blest be the hour, wel-come the morn,
3 4 4 -5 5 5
For Christ our dear Sav-iour
6-5 4-4 -3-5 -4 4
on earth now is born.

His throne is a manger,
His court is a loft,
But troops of bright angels,
in lays sweet and soft,
Him they proclaim, our Christ by name,
And earth, sky and air straight
are filled with his fame.

Then shepherds, be joyful;
salute your new King,
Let hills and vales ring to
the song that ye sing.
Blessed be the hour,
welcome the morn,
For Christ our dear Saviour
on earth now is born

By: Mick Jagger, Keith Richards,
Andrew Loog Oldham
The Rolling Stones
Key: G

3 -3 -4-3 -3 -3 2 3 323-2*
It is the eve-ning of the day
3 -3 -4-3 -3 -32 2 3 323-2*
I sit and watch the chil-dren play
4 4 4-4-4-3-3 -3 3-3
Smil-ing fac-es I can see
-4 -4 -33 32
But not for me
6 6 6 6
I sit and watch
2 -2* 3 -33-33-2*
As tears go by

My riches can’t buy everything
I want to hear the children sing
All I hear is the sound
Of rain falling on the ground
I sit and watch
As tears go by

It is the evening of the day
I sit and watch the children play
Doin’ things I used to do
They think are new
I sit and watch
As tears go by

Dm Dm/C G/B Gm/Bb
6- 5- 6 6- 5- 6 6- 6 5- 5- 3 3-‘ 6
ba te outra vez com es pe ran ças o meu cora ção
A7 Dm
6 6- 7 6- 6 6 3′ 4- 6- 6 3-
pois já vai ter mi nan do o ve rão en fim
Dm/c E/B
7- 6- 7 7- 6- 7 7- 7 6- 7’ 6
vol to ao jar dim com a cer te za que de vo
Gm a7
6-‘ 7’ 6 6-‘ 7’ 6-‘ 6 7 6 6- 7
cho rar pois bem sei que não que res vol tar
Dm D7
6 6 3-
pa ra mim

Gm Em7/b9
5- 3-‘ 5 5- 5- 3-‘ 5 5-
quei xo me as ro sas mas que bo ba gem
Dm Dm/C
6 6- 5- 6 6- 6- 5- 6 6-
as ro sas não fa lam sim ples men te
E/B
7 7′ 6 6- 7′ 7’ 6 6-‘ 7’ 6-‘ 6
as ro sas e xa lam o per fu me que
Gm A7
7 6 6- 7 7-
rou bam de ti

Dm Dm/C Gm
3- 5- 6 6- 5- 6- 6 5 5-
de vi as vir pa ra ver os meus olhos
E7
3- 6 6 6 6- 7 6- 6 6 3′
tris to nhos e quem sa be so nha vas
A7 Dm
4- 6- 6- 6 5-
meus so nhos por fim

Obs: 3’ indica o orifício 3 soprado e com a chave de registro
apertada
3-‘ india o orifício 3 aspirado e com a chave de registro
apertada
3 indica o orifício 3 soprado
3- indica o orifício 3 aspirado

5 -4 4 5 -5 55 -4
As mocinhas da cidade
66 -6 6 -5 5
São Bonitas e dançam bem

5 -4 4 5 -5 55 -4
As mocinhas da cidade
66 -6 6 -5 5
São Bonitas e dançam bem

4 -5-5 6 6 -5-5 55 -4 5
Eu dançei uma vez com uma moreninha
5 -5 6 -5 5 -4 4
E fiquei querendo bem

7 -7 8 -7 -7 7 7 -6 -6
Al-though lone-li-ness has al-ways been

5 -5b 8 -7
a friend of mine

-5 -7 -7 -7 -7 8 -8 -8
I’m leav-in’ my life in your hands

7+8 -7 -7 7 7 -6 -6 5 -5b 8 -7
Peo-ple say I’m craz-y and that I am blind

-7 -7 -7 -7 8 -8 -8
Risk-ing it all in a glance

7+8 -7 -7 7 7 -6 -6 5 -5b 8 -7
how you got me blind is still a mys-ter-y

-5 -7 -7 -7 -7 8 -8 -8
I can’t get you out of my head

7+8 -7 -7 7 7 -6 -6 5 -5b 8 -7
Don’t care what is writ-ten in you�re his-tor-y

-5 -7 -7 -7 -7 -8 8
As long as you’re here with me

(CHORUS)

-5 -6b 7 7 7 7
I don’t care who you are

7 7 7
Where you’re from

7 7 7
What you did

-6b 7 -7 8 -7 7
As long as you love me

7 7 7
Who you are

7 7 7
Where you’re from

-5 -6b 7 7 7
Don’t care what you did

-6b 7 -7 8 -7 7
As long as you love me

VERSE 3 same as

Every little thing that you have said and done
Feels like it’s deep within me
Doesn’t really matter if you’re on the run
It seems like we’re meant to be

(CHORUS)

BRIDGE

7+8 7+8 78 7+8 78 -7 7 -7 7 8
I’ve tried to hide it so that no one knows

-7 7 -7 67 8
But I guess it shows

-6b -6 7 8 -7 -7 7
When you look in-to my eyes

7+8 7+8 7+8 7+8 -7 7 8+9 8 -7
What you did and where you’re com-in from

-7 7 7+8 -6b 7 -7 8 -7 7 -6 7
I don’t care, as long as you love me, ba-by

(REPEAT CHORUS TO END)

W: Fred Wise
M: Ben Weisman
Elvis Presley
Key: F

-2 3 -3 -3 -2 -1
Let the stars fade and fall,
-1 1 -1 -1 1 -1
and I won’t care at all,
1 3 3 -3 -3 -2
as long as I have you.
-2 3 -3 3 -2 -1
Ev-‘ry kiss brings a thrill,
-1 1 -1 -1 1 -1
and I know that it will,
1 3 3 -3 -3 4
as long as I have you.
-2 -5 -5 -5 4 -3
Let’s think of the fu-ture,
-2 -3* -3* -3
for-get the past.
3 -2 3 -3 3
You’re not my first love,
-2 2 -2 3
but you’re my last.
-2 3 -3 3 -2 -1
Take the love that I bring,
-1 1 -1 -1 1 -1
’cause I’ll have ev-‘ry-thing,
1 3 3 -3 -3 -2
as long as I have you

7 -8 8 -8 7 -6
Let the stars fade and fall,

-6 6 -6 -6 6 -6
and I won’t care at all,

6 -8 -8 8 8 7
as long as I have you.

7 -8 8 -8 7 -6
Ev-ry kiss brings a thrill,

-6 6 -6 -6 6 -6
and I know that it will,

6 -8 -8 8 8 9
as long as I have you.

7 -10 -10 -10 9 8
Let’s think of the future,

7 -9 -9 8
forget the past.

-8 7 -8 8 -8
You’re not my first love,

7 -7 7 -8
but you’re my last.

7 -8 8 -8 7 -6
Take the love that I bring,

-6 6 -6 -6 6 -6
cause I’ll have ev-ry-thing,

6 -8 -8 8 8 7
as long as I have you.

5 5 -5 6 6 6 -6 -4
He does not act as though he cares

-4 -4 5-5 -5 -5 6 5
But deep in-side I know he cares

5 -5 6 -7 -6 -6
And this is why I’m tied

-6 8 -8 -8
Centre by his side

verse 1
7 -7 6 5 5 5
As long as he needs me

7 -7 6 5 5 5
I know where I must be

-8 7 -6 -5 -5 -5
I’ll cling on stead-fast-ly,

-4 5 -5-6 6 6
As long as he needs me.
verse 2
As long as life is long
I’ll love him center or wrong
And somehow I’ll be strong
As long as he needs me.

4 5 6 -7 -6 -6 -6 -5 6
If you are lone-ly then you will know

-5 -6 7 -8 7 -6 -7 7
When some-one needs you, you love them so

ENJOY!!!

By Lionel Bart
From: “Oliver”
Key: C

4 -4 3 2 2 2
As long as he needs me…
4 -4 3 2 2 -2
I know where I must be.
-5 4 -3 -2 -2 -2
I’ll cling on stead-fast-ly…
-1 2 -2 3* 3 3
As long as he needs me.

4 -4 3 2 2 2
As long as life is long…
4 -4 3 2 2 -2
I’ll love him right or wrong,
-5 4 -3 -2 -2 -2
And some-how, I’ll be strong…
-1 2 -2 3* 3 3
As long as he needs me.

1 2 3 -3* -3
If you are lone-ly
-3 3 -2 3
Then you will know…
-2 -3 4 -5 4
When some-one needs you,
-3 -4 4 -5
You love them so.
4 -4 3 2 2 2
I won’t be-tray his trust…
4 -4 3 2 2 -2
Tho’ peo-ple say I must.
-5 4 -3 -2 -3 4
I’ve got to stay true, just
-3 -4 4 -5 -5 4
As long as he needs me.

REPEAT

19th C. Austrian Carol
Key: C

Diatonic high and low

3 4 4 -4 4 5-4 4-3 -3”
6 7 7 -8 7 8-8 7-7 -6
As late-ly we watch’d o’er our fields

-4 -3 4
-8 -7 7
through the night,

3 4 4 -4 4
6 7 7 -8 7
A star there was seen

5-4 4-3”-3” -4 -3 4
8-8 7-6 -6 -8 -7 7
of such glo-ri-ous light.

5 5 -4 4-3 -3” -4 -44 -3-3” 3
8 8 -8 7-7 -6 -8 -87 -7-6 6
All through the night, an-gels did sing

3 4 4 -4 4
6 7 7 -8 7
In car-ols so sweet

5-4 4-3 -3” -4 -3 4
8-8 7-7 -6 -8 -7 7
of the birth of a King.

3 4 7 -4 4
6 7 7 -8 7
A King of such beauty

5 4-3-3”-4 -3 4
8 7-7-6 -8 -7 7
was ne’er be-fore seen,

3 4 4 -4 4 4 5-4 4-3 -3”-3 4
6 7 7 -8 7 7 8-8 7-7 -6 -7 7
And Mar-y His moth-er so like to a queen.

5 5-4 4-3 -3* -4 -44 -3-3* 3
8 8-8 7-7 -6 -8 -87 -7-6 6
Blest be the hour, wel-come the morn,

3 4 4 -4 4 4
6 7 7 -8 7 7
For Christ our dear Sav-iour

5-4 4-3 -3*-4-3 4
8-8 7-7 -6-8 -7 7
on earth now is born.

His throne is a manger,
His court is a loft,
But troops of bright angels,
in lays sweet and soft,
Him they proclaim, our Christ by name,
And earth, sky and air straight
are filled with his fame.

Then shepherds, be joyful;
salute your new King,
Let hills and vales ring to
the song that ye sing.
Blessed be the hour,
welcome the morn,
For Christ our dear Saviour
on earth now is born

W: Don Black & Christopher Hampton
M: Andrew Lloyd Webber
From: “Sunset Boulevard”
Barbra Streisand
From: “Glee”
Key: F

-6 6 6 6 -6 6 5
I don’t know why I’m fright-ened
-3 -3* -3 -3* -3 -3* -6
I know my way a-round here
-6 7 -7 -7
The card-board trees,
5 7 -7 -7 5 -5 -7*
the paint-ed seas, the sound here.
-7 -7* 8 8 8 -7* -6 -5
Yes a world to re-dis-cov-er,
-7 -7* 8 8 8 -7* -6 -5
But I’m not in an-y hur-ry
-5 -6 7 -6 -6 6
And I need a mo-ment.
-6 6 6 6 -6 6 5
The whis-pered con-ver-sa-tions
-3-3* -3 -3* -3 -3* -6
in o-ver-crowd-ed hall-ways,
-6 7 -7 -7 5 7 -7 -7 5 -5 -7*
The at-mos-phere as thrill-ing here as al-ways
-7 -7* 8 8 8 -7* -6 -5
Feel the ear-ly morn-ing mad-ness
-7 -7* 8 8 8 -7* -6 -5
Feel the ma-gic in the mak-ing
-6 6 -6 6 -6 6 -3 -3* -6 -6 6 -6
Why ev-‘ry-thing’s as if we nev-er said good-bye.

-6 6 6 6 -6 6 5
I’ve spent so man-y morn-ings
-3 -3* -3 -3* -3 -3* -6
Just try-ing to re-sist you
-6 7 -7 -7
I’m tremb-ling now
5 7 -7 -7 5 -5 -7*
You can’t know how I’ve missed you,
-7 -7* 8 8 8 -7* -6 -5
Missed the fair-y-tail ad-ven-tures
-7 -7* 8 8 8 -7* -6 -5
In this ev-er-spin-ning play-ground
-5 -6 7 -6 -6 6
We were young to-geth-er.
-6 6 6 6 -6 6 5
I’m com-ing out of make-up
-3 -3* -3 -3* -3 -3* -6
The lights al-read-y burn-ing,
-6 7 -7 -7 5 7 -7
Not long un-til the cam-‘ras
-7 5 -5 -6
will start turn-ing
-7 -7* 8 8 8 -7* -6 -5
And the ear-ly morn-ing mad-ness
-7 -7* 8 8 8 -7* -6 -5
And the mag-ic in the mak-ing
-6 6 -6 6 -6 6
Yes, ev-‘ry-thing’s as if
-3 -3* -6 -6 6 -6
we nev-er said good-bye.
8 7 7 -7 -6 5 5
I don’t want to be a-lone
5 5 5 5 5
that’s all in the past,
8 7 7 -7 -6 -7 8
This world’s wait-ed long e-nough,
8 -7 -9 -7 8
I’ve come home at last!

-6 6 6 6 -6 6 5
And this time will be big-ger,
-3 -3* -3 -3* -3 -3* -6
And bright-er than we knew it.
-6 7 -7 -7 5 7 -7 -7 5 -5 -7*
So watch me fly, we all know I can do it
-7 -7* 8 8 8 -7* -6 -5
Could I stop my hand from shak-ing?
-7 -7* 8 8 8 -7*-6 -5
Has there ev-er been a mo-ment
-5 -6 7 -6 -6 6
with so much to live for?
-6 6 6 6 -6 6 5
The whis-pered con-ver-sa-tions
-3 -3*-3 -3* -3 -3* -6
in ov-er-crowd-ed hall-ways,
-6 7 -7 -7 5 7 -7 -7 5 -5 -7*
So much to say not just to-day but al-ways.
-7 -7* 8 8 8 -7* -6 -5
We’ll have ear-ly morn-ing mad-ness.
-7 -7* 8 8 8 -7* -6 -5
We’ll have mag-ic in the mak-ing.
-6 6 -6 6 -6 6
Yes, ev-‘ry-thing’s as if
-3 -3* -6 -6 6 -6
we nev-er said good-bye
-6 6 -6 6 -6 6
Yes, ev-‘ry-thing’s as if
-3 -3* -6 -6 6 -6
we nev-er said good-bye
7 -7 -7* -7 6 -6 7 -6
We taught the world new ways to dream

4 4 4 4 -4 5 4 4 4 4 5
I love the way you wear those worn out blue jeans

4 4 4 -4 5 4 4 4 4 4
Walk-in all a-round in the big sun-shine

4 4 4 -4 5 4 4 4 4 4
Ba-by let me be-lieve that your per-fect

4 4 4 4 4 4 4
At least for a lit-tle while

4 4 4 4 -4 5 4
And you don’t have to tell me

4 4 4 4
What you’re think-in

4 4 4 -4 5 4 4 4
You can keep all that to your-self

4 4 4 5 4 4 4 4 4 4
Ba-by we got such a good thing go-ing

4 4 4 4 4 4 -4 -4
Don’t show me that your some-one else

(CHORUS)

4 5 6 -5 -5 -4 5
Cause im act-ing as if this

4 5 4 -4 5 -5 5 -4 4 4
Blue sky’s nev-er gon-na rain down on me

5 5 -5 -5 -4 4
Im tell-ing my-self this

4 5 4 -5 5 -5 5 -4 4 -4
True love’s nev-er gon-na leave me lone-ly

4 4 4 4 -4 5 -4
Un-less there’s some-thing ive missed

5 -4 4 4 4 5 -4
Im act-ing as if (as if*4)

(VERSE 3)

4 4 -4 5 4 4 4 4 5
We don’t have to have that con-versa-tion

4 4 4 -4 5 4 4 4 4
Ba-by don’t you think its go-ing fine

4 4 4 5 4 4 4 4 4 4
We don’t need to send out in-vi-ta-tions

4 4 4 4 4 -4 -4
To tell the world that your mine

(CHORUS) times 3

17th C. Irish Ballad

Key: Am

Time: 6/8

6 6 -7 -7 -7 -8 -7 7 6

As I was go-in’ to Bal-ly-nure

-6* 7 -7 -8 -7 7 6

The day I well re-mem-ber

7 -7 -8 -7 -7 7 6 -5 -56

For to view the lads and lass-es on

-6* 7 6 6 -5 -4 -3

The fifth day of No-vem-ber

-3 -4 -3 -3 -4 -3 -3

With a ma-ring-doo-a-day

-4 4 -5 6 -6* 7 -4 -4 -3-3

With a ma-ring a-doo-a-dad-dy-o

17th C. Irish Ballad

Key: Am

Time: 6/8

Harp: G

-3”-3”-4 -4 -4 5 -4 4 -3”

-6-6 -8 -8 -8 8 -8 7 -6

As I was go-in’ to Bal-ly-nure

-3 4 -4 5 -4 4 -3”

-7 7 -8 8 -8 7 -6

The day I well re-mem-ber

4 -4 5 -4 -4 4 -3” 3 3-3”

7 -8 8 -8 -8 7 -6 6 6-6

For to view the lads and lass-es on

-3 4 -3” -3”3 2 -1

-7 7 -6 -6 6 5 -4

The fifth day of No-vem-ber

-1 2 -1 -1 2 -1 -1

-4 5 -4 -4 5 -4 -4

With a ma-ring-doo-a-day

2 -2”3 -3”-3 4 2 2 -1-1

5 -5 6 -6 -7 7 5 5 -4-4

With a ma-ring a-doo-a-dad-dy-o

19th C. Irish Ballad

Key: Dm

-1 -1 -3 -3 -3 3

As I roved out one fine

2 2 2 -1 1

sum-mer’s eve-ning

1 -1 -1 -3 -3 -3-4 4 -4 -3

To view the flow-ers and take the air

-3 -3 -5 -5 -3 4 -4 3 -4 4

‘Twas there I spied a ten-der moth-er

-1 -3 -3 -3 -2 3 2 2 1* -1

Talk-ing to her daugh-ter dear.

19th C. Irish Ballad

Key: Dm

Harp: C

-1 -1 -3” -3” -3” 3

-4 -4 -6 -6 -6 6

As I roved out one fine

2 2 2 -1 1

5 5 5 -4 4

sum-mer’s eve-ning

1 -1 -1 -3” -3” -3”-34 -3 -3”

4 -4 -4 -6 -6 -6-7 7 -7 -6

To view the flow-ers and take the air

-3” -3”-4 -4 -3” 4 -3 3 -3 4

-6 -6 -8 -8 -6 7 -7 6 -7 7

‘Twas there I spied a ten-der moth-er

-1 -3” -3”-3”-2”3 2 2 -1’-1

-4 -6 -6 -6 -5 6 5 5 -4’-4

Talk-ing to her daugh-ter dear.

1958 B side for Shirley Bassey

3 -3 -2< 3 3 -3 -2< 3 4 2 2~~~~~~~~ I will love you/as I love you/all my life--/---- -1 2 1< -1 3 1 1 -1 2 1< -1 Ev-'ry mo-ment/spent with you/makes me more con-/ 3 1 1 -3 -4 4 3 -4 4 tent with you/just as you/are, you are/ -2< -4 -3 -3 -1 -3 -4 4 3 -4 4 all I could/pray for/all that you/are that's what -2< 6 -5 4 4 -4 3 -3 -2< 3 I wake up each/day for/ev-'ry sin-gle/ 3 -3 -2< 3 4 2 2~~~~~~~~~ touch and tin-gle/I a-dore--/----/ -1 2 1< -1 3 1 1 4 -5 -4 4 ev-'ry kiss from/you to me/al-ways seems so/ 6 -2< -2< 3 -3 -2< 3 -3 -4 -3< -3 new to me/each one warm-er/than the one be-/ -5~~~~~~~~~ 3 6 -5 4 -2 -5 4 -4 fore---/----/as I love you/more and more and/ 4~~~~~~~~~~ more---/----//