This is tabbed for a 24 hole Echo Celeste tremolo

6 6 6 5 6 5 -3 5 6
Did you read the papers this morning?
6 6 6 5 6
Did you see my name?
6 6 6 5 6 6 6 5
Yes, I shot the guy who got his
6 5 6 -5 5
Lovin� from my mame.

Chorus:
-3 5 -5 6-3 5 6 6 6 -5 5 -3
And now I�m sing-in�, will I e-ver lose
-3 5 -5 6 5 6 6 6 -5 5 7
The ties that bind me, to the chain gang blues?
6 6 6 -5 5
To the chain gang blues.

Verse 2:
If the judge was in my position,
He�d have done the same.
Did I break a law because I
Tried to hold my dame?

Chorus

This song is commonly sung during the Jewish holiday of
Passover.

Note names and lyrics are included as a guide. The "then
came the ____" line  (appears as "the ____ came" in
http://en.wikipedia.org/wiki/Chad_Gadya) that begins each
verse (only the first two verses are included here) is
always F-E-E-E, while the "that ate/bit/etc. the ____"
parts that form the additional lines in each verse are
D-E-E-E.

 E    F  G  C G  F
 5   -5  6  7 6 -5
Chad Gad-ya-a-a- a

 E    D  C
 5   -4  4
Chad Gad-ya.

 F E   E  E   D  E   E   G   F
-5 5   5  5  -4  5   5   6  -5
Di-za-bin ab-ba bit-rei zuz-ei

 E    F  G  C G  F
 5   -5  6  7 6 -5
Chad Gad-ya-a-a- a

 E    D  C
 5   -4  4
Chad Gad-ya.

  F   E    E   E    D   E   E   E
 -5   5    5   5   -4   5   5   5
Then came the cat that ate the goat

 D E   E     E     D   E  E  G   F
-4 5   5     5    -4   5  5  6  -5
My fa-ther bought for two zu-zi-im

 E    F  G  C G  F
 5   -5  6  7 6 -5
Chad Gad-ya-a-a- a

 E    D  C
 5   -4  4

CETAIT TOI (YOU WERE THE ONE) BILLY JOEL

KEY OF G

-8 -8 -8 8 -9 7 7 7 -8 8
Here I am a-gain in this smo-ky place

-7 -7 -7 7 -8 7 -7 9 -9 -8 7
With my bran-dy eyes I’m talk-ing to my-self

-8 7 -7 -6 -8 7 -7 -6
You were the one you were the one

-8 -8 -8 8 -9 7 7 7 -8 8
Here I go a-gain look-ing for your face

-7 -7 -7 7 -8
And I re-al-ize

8 -8 7 -7 9 -9 8 -8
That I should look for some-one else

-5 -8 7 -7 -6 -8 7 -7 -6
But you were the one you were the one

(CHORUS)

9 9 -10 9 -9 8 8 -9 9 9
I’m look-ing for com-fort that I can take

-9 -9 8 -8 8 -8 7 -7
From some-one else but af-ter all

-6b 9 -10 9 -9 8
I know there is no one

8 -9 9 -9 -9 8 -8
That can save me from my-self

7 -8 8 -8 7 -7
You were the on-ly one

VERSE 2 SAME AS 1
Me revoici
Dans ce bar enfume
Avec mes yeux iures
Je me parle a moi meme
C’etait toi
C’etait toi
Me revoici
Cherchant ton visage
Et je realise
Que je devrais en chercher une autre
C’etait toi
You were the one

VERSE 3 same as 1
Je recherche l’affection
Qu’une autre pourrait me donner
Mais apres tout
Je sais qu’il n’y a personne
Personne qui puisse me sauver
Tu etais la seule

(CHORUS TO END)

ENJOY!!!

(W.I.P.)

-6 6 -6
C’est La Vie
-6 -6 6 -5 5 -5 6
Have your leaves all turn to brown
-5 6 -5 5 -4 -5 5 -4
Will you scatter them around you
4 -4 -4
C’est la vie

Cesarica (Queen)

3 3 4 -4 -4-3 -4 4

Zlatni konci litnje zore

-4 -4 5 -5 -5 5 -5 6

došli su u njene dvore,

-3 -3 -3 -3 -3 3 -2 2 2

da bi moju jubav bu dili.

3 3 4 -4 -4-3 -4 4

Su nce nek joj jubi lice

-4 -4 5 -5 -5 5 -5 6

li po ka u cesarice,

-6 -6 -6 6 6 -5 -5 5 5

kad je ja ne mogu ju biti.

6 6 6 -6 7-6 6 -5 -55 -4 4 -3

Cilega �ivota ja sam tija samo nju,

-4 -4 -4 5 -5 6 -6 6 6

da do njenog srca nađem put,

6 6 6 -6 6 -5 5-4 -55 -4 5 5

Cilega �i vo ta moje tilo je bez nje,

6 7 6 -5 5 5

ka cviće bez vode.

CERTE NOTTI — LIGABUE (IN C)

4 -4 5 -4 4 4 -4 5 5 -4
Certe Notti la macchina � calda

4 4 -4 5 -4 -4 -4 -4 4 4 5
e dove ti porta lo decide lei.

5 -4 4 4 4 4 -4 5 5 -4
Certe notti la strada non conta

4 4 -4 5 -4 -4 -4 -4 4 4 -2
e quello che conta � sentire che vai.

6 6 6 6 6 6 -7 -7 7
Certe notti la radio che passa

-7 -6 -6 6 6 6 -5 5 5 -5 6 4
Neil Young sembra avere capito chi sei.

4 -4 5 -4 4 4 -4 5 5 -4
Certe notti somigliano a un vizio

4 4 -4 5 5 -4 -4 -4 4 4 4
che tu non vuoi smettere, smettere mai.

4 -4 5 -4 4 4 -4 5 5 -4
Certe notti fai un po’ di cagnara

4 4 -4 5 -4 -4 -4 -4 4 4 5
che sentano che non cambierai pi�.

5 -4 4 4 4 4 -4 5 5 -4
Quelle notti fra cosce e zanzare

4 4 -4 5 -4 -4 -4 -4 5 -4 -4
e nebbia e locali a cui dai del tu.

6 6 6 6 6 6 -7 -7 7
Certe notti c’hai qualche ferita

-7 -6 -6 6 6 6 -5 5 5 -5 6 4
che qualche tua amica disinfetter�.

4 -4 5 -4 4 4 -4 5 5 -4
Certe notti coi bar che son chiusi

4 4 -4 5 5 -4 -4 -4 4 4 4
al primo autogrill c’� chi festegger�.

-6 -6 -6 -6 -6 6 6 5 -4 4
E si pu� restare soli,

4 -5 -5 -5 6 5 -4 5 -4 4
certe notti qui,

-6 -6 -6 -6 7 -7 -6 6
che chi s’accontenta gode,

4 -5 6 5
cos� cos�.

5 -4 4 -5 5 5 -4
Certe notti o sei sveglio,

4 -4 5 6 5 -4 4
o non sarai sveglio mai,

4 4 4 -5 5 5 -4 4 -3 4
ci vediamo da Mario prima o poi.

4 -4 5 -4 4 4 -4 5 5 -4
Certe notti ti senti padrone

4 4 -4 5 -4 -4 -4 -4 4 4 5
di un posto che tanto di giorno non c’�.

5 -4 4 4 4 4 -4 5 5 -4
Certe notti se sei fortunato

4 4 -4 5 -4 -4 -4 -4 5 -4 -4
bussi alla porta di chi � come te.

6 6 6 6 6 6 -7 -7 7
C’� la notte che ti tiene tra le sue tette

-7 -6 -6 6 6 6 -5 5 5 -5 6 4
un po’ mamma un po’ porca com’�.

4 -4 5 -4 4 4 -4 5 5 -4
Quelle notti da farci l’amore

4 4 -4 5 5 -4
fin quando fa male

-4 -4 4 4 4
fin quando ce n’�.

-6 -6 -6 -6 -6 6 6 5 -4 4
Non si pu� restare soli,

4 -5 -5 -5 6 5 -4 5 -4 4
certe notti qui,

-6 -6 -6 -6 7 -7 -6 6
che se t�accontenti godi,

4 -5 6 5
cos� cos�.

5 -4 4 -5 5 5 -4
Certe notti son notti

4 -4 5 6 5 -4 4
o le regaliamo a voi,

4 4 4 -5 5 5 -4 4 -3 4
tanto Mario riapre, prima o poi.

6 6 6 6 6
Certe notti qui,

6 6 6 6 7
certe notti qui,

6 6 6 6 6
certe notti qui,

6 6 6 6 7
certe notti….

6 6 6 6 6 6 -7 -7 7 -7
Certe notti sei solo pi� allegro,

-6 -6 6 6 6 -5
pi� ingordo, pi� ingenuo

5 5 -5 6 4
e coglione che puoi

4 -4 5 -4 4 4 -4 5 5 -4
quelle notti son proprio quel vizio

4 4 -4 5 5 -4 -4 -4 4 4 4
che non voglio smettere, smettere, mai.

-6 -6 -6 -6 -6 6 6 5 -4 4
Non si pu� restare soli,

4 -5 -5 -5 6 5 -4 5 -4 4
certe notti qui,

-6 -6 -6 -6 7 -7 -6 6
che se t�accontenti godi,

4 -5 6 5
cos� cos�.

5 -4 4 -5 5 5 -4
Certe notti sei sveglio

4 -4 5 6 5 -4 4
o non sarai sveglio mai

4 4 4 -5 5 5 -4 4 -3 4
ci vediamo da Mario prima o poi

6 6 6 6 6
Certe notti qui,

6 6 6 6 7
certe notti qui,

6 6 6 6 6
certe notti qui,

6 6 6 6 7
certe notti….

5 -4 5 6 5 -4 5

cerf volant, volant au vent

+5 +7 +5+6 -5

Ne t’arrête pas

-5 +5 -5

Vers la mer

-6 -5 +5 -5

haut ds les aires

-4 +5 -5 -6 +6

un enfant te voit

+7 -7 +7 +8 -8

voyagage insolent

-7 -6 -7 -8 +7

trouble enivrant

+7 -7 +7 +5 -4

amours inocente

+6 -5 +5 -4 bis

suivent ta voie bis

-3 +4 -4

en volant

-4 +5 -5 -6 -4 +5-5 -6

-4 -6 +6 -5 +6-5 +6-5

-4-4 -5 +5 -4 -4 -4-4 -4 x2

-4-4-4 -6-6 x2

-6 +6 -5 +6 -4-4 -4 -4

-6 +6 -5 +6=*

-6 +6 -5 +6 -4-4 -4

-4-4-4 -6-6 x2

-4= +4 -4 +5 -5 -6=

+6= -6 +6 -5 +6

-4= +4 -4 +5 -5 -6=

+6= -6 +6 -5 +6-5+5

*= — means that note must be longer then others.

(3)
(3)»(2)2
(3)(3)(3)
(3)(3)»(2)
25
(3)(3)(3)»(2)2(2)
(3)(3)»
(3)(3)»(2)2
(3)(3)(3)
(3)(3)»(2)
2
5
(3)(3)
(3)
(3)(3)(3)(3)(3)»(2)2
(2)2(3)»(3)(3)»(2)
2

8 9 8 8 7 7 -6 7 7

-6 7 -8 7 7 -8

8 9 8 8 7 7 -6 7 7

-6 7 -8 7 7 -8

(repeat)

CENTERFOLD
By: Seth Justman
J. Geils Band
Key: G

8 9 8 -8 7 7 7 -6 7 7
-6 7 -8 7 7 -8
8 9 8 -8 7 7 7 -6 7 7
-6 7 -8 7 7 -8

8 9 9
Does she walk?
9 9 -10
Does she talk?
-10 9 -10 9 -10
Does she come com-plete?
7 8 8 8 8 -8 7
My home-room home-room an-gel
7 -6 7 7 7 -8 -8
Al-ways pulled me from my seat
8 9 9 8 9 -10
She was pure like snow-flakes,
9 -10 9 -10 9 -10
no one could ev-er stain
7 8 8 8 9 8 -8 7
The mem-o-ry of my an-gel
-6 7 7 -8 -6 -6 7
could nev-er cause me pain
7 -8 -8 -8
The years go by,
7 7 7 -8 7 -9 -9 -9 -9 -9
I’m look-ing through a girl-ie mag-a-zine
7 8 8 8 8 8 8
And there’s my home-room an-gel
7 7 -9 -9 -10-10 -10
on the pag-es in be-tween

(Chorus) 2X

7 8 9 -10
My blood runs cold,
9 -10-10-10 9 -10 9 8
my mem-o-ry has just been sold
7 8 8 8 8 -8 7 7
My an-gel is the cen-ter-fold
-6 7 7 7 -8 8 7
An-gel is the cen-ter-fold

8 9 9 9 9 9 -10
Slipped me notes, un-der the desk
-10 -10 9 -10 9 8 -8 8 7
While I was think-ing a-bout her dress
8 9 9 8 9 9 -10
I was shy, I turned a-way,
6 7 7 7 -8 7
Be-fore she caught my eye
8 9 9 8 9 9 -10
I was shak-in’ in my shoes
9 -10-10 9 -10 9 8 7 7
When-ev-er she flashed those ba-by blues
8 9 9 8 9 9 -10
Some-thing had a hold on me
7 8 7 7 -8 7
when An-gel passed close by
-6 8 8 -8 8 8
Those soft fuz-zy sweat-ers,
-6 8 8 8 8 7
too mag-i-cal to touch
-6 8 8 8 8 8 8 8
To see her in that neg-li-gee
-6 8 8 -10 9 9
is real-ly just too much

(Chorus) 2X

7 8 9 -10
My blood runs cold,
9 -10-10-10 9 -10 9 8
my mem-o-ry has just been sold
7 8 8 8 8 -8 7 7
My an-gel is the cen-ter-fold
-6 7 7 7 -8 8 7
An-gel is the cen-ter-fold

8 9 8 -8 7 7
Nah nah nah nah nah nah
-6 7 7 -6 7 -8 7 -6 7
Nah nah nah nah nah nah nah nah nah (3x)

7 -7 6
Move slow-ly,
7 -7 6 -7 -7 6 -6 -6
be-yond the co-lours of my eyes.
7 -7 6
Move slow-ly,
7 -7 6 -7 -7 6 -6 -6
in-to the cor-ners of my mind.

7 7 7 7 7 -7 -7
Ri-sing like the Pe-ga-sus,
-7 -7 -7 -7 -7 -6 -6
each and e-very one of us.
6 -6
Re-leased.
7 7 7 7 7 -7 -7
Is-lands in the sea of dreams,
-7 -7 -7 -7 -6 -6 -6
al-ways sear-ching har-mo-ny
6 -6
and peace.

-6 -7 -7
All we find.
6 -7 -8 7
Re-ject our mind.
-6 -7 7 -8 7
Don’t you won-der why.

-6 -7 7 -7 7 -7 7
If the war by hea-vens gate
-7 7 -8 -7 -6 6
re-leased de-si—r—e,
7 -8 8 -8 8 -9
in the line of fi-re
-8 7 -8 -7 7
some-one must have known.
-6 -7 7 -7 7
That a hu-man heart
-7 7 7 7 -8 -7 -6 6
de-mands to be ad-mir-e-d
-6 7 -7 7 -7 7 -7 -6 -7 -7
Cause in the Cen-ter of the U-ni-verse
7 -7 -6 -7 -6
we are all a-lone.

6 6 6 6 5 6 6 5
Well, beat the drum and hold the phone

4 7 7 7 7 -6 6
the sun came out today !

5 6 6 6
We’re born again,

6 -6 6 6 5 -4
there’s new grass on the field

5 6 6 6 5 6 6 6 5
A-roundin’ third, and headed for home,

4 4 7 7 7 7 -6 6
it’s a brown-eyed handsome man ;

7 7 7 7 7 7 -6 6 6 5 -4 4
Anyone can understand the way I feel.

CHORUS:

7 7 7 -6 6 7 7 -6 6 -6 -6 6
Oh, put me in, Coach — I’m ready to play today;

7 7 -6 6 7 7 -6 6 -6 -6 6
Put me in, Coach — I’m ready to play today;

-6 6 -6 -6 6 -6 5 5 -4 4
Look at me, I can be Centerfield.

6 5 6 6 6 5 4 6 6 5
Well, I spent some time in the Mudville Nine,

7 7 7 7 7 -6 6
watchin’ it from the bench;

5 6 5 6 6 6
You know I took some lumps

5 5 6 6 6 6 5 -4
when the Mighty Casey struck out.

5 6 6 6 6 6 6 5
So Say Hey Willie, tell Ty Cobb

4 7 7 7 7 7-6 6
and Joe DiMaggio. . .;

7 7 7 7 7 -6 6 5 5 5 -4 4
Don’t say «it ain’t so», you know the time is now.

CHORUS:

7 -6 7 -6 6 7 -6
Yeah! I got it, I got it!

6 6 6 6 6 5 6 6 6
Got a beat-up glove, a homemade bat,

5 4 7 7 7 7 -6 6
and brand-new pair of shoes;

5 6 5 6 6 6 6 -6 6 6 5 -4
You know I think it’s time to give this game a ride

5 -5 6 6 6 5 6 6 6
Just to hit the ball and touch ’em all

5 7 7 7 7 -6 6
a moment in the sun;

X 7 7 7 7 -6 6 6 5 5 -4 4
(pop) It’s gone and you can tell that one goodbye!

CHORUS

Cenizas (G.S. 417 Cruz del Sur)

4 5 5 -4 5 6 6 -6 6 -5 -5 5
Oscura la noche el silencio reinaba,

5 6 -6 -6 -6 5 5 4 -4 4 -4
una luz destellante empez� a iluminar

4 5 5 -4 5 6 6 -6 6 -5 -5 5
La luna no era pues las grandes nubes

5 6 -6 -6 -6 5 -4 -4 -4 4 -4
cubr�an el cielo y tapaban su luz.

REFRAIN:

5 5 5 -6 -6 6 -5 6
Un gran pu�o de fuego que

5 5 6 -5 5 -5 -6
a su paso arrasaba,

5 5 -6 -7 -6 6 -5 6
estirando su brazo gris

5 5 6 -5 5 -5 -6
a los pinos ahogaba.

5 5 5 -5 -5 5 5 -4 4 -4 -5
Y aquellos brillantes ojos del lago

5 5 5 -5 -5 5 5 5 -5 5 -5
con la luz del fuego quisieron llorar,

5 5 5 -5 -5 5 5 5 -4 4 -4 -5
y el viento del norte que fuerte soplaba

5 5 5 5 -5 -5 5 5 5 -4 4 -4
chamuscada su fuerza tuvo que emigrar.

4 5 5 -4 5 6 6 -6 6 -5 -5 5
Las llamas ardientes cubr�an el bosque,

5 6 -6 -6 -6 5 5 -5 5 -5
animales corriendo sin direcci�n.

4 5 5 -4 5 6 6 -6 6 -5 -5 5
Su hogar arrasado nuestra casa quemada,

6 -6 -6 -6 -6 5 6 -6 -6 6 -6
otro bosque vac�o, �cu�ntos m�s habr�?

REFRAIN

(Fue el himno del desaparecido Grupo Scout Cruz del Sur, de Logro�o,
Espa�a)

-455 55-4-4 -444445 44 4-455 -55-4-4 -4444 4544 4-4454

-4-454 4-4-4-44-44-44-4 -4-444 -3454 345-56 5-56 -3-3″

55-44544 5-56 5-56 -3-3″

55-44544 5-56 5-56 -3-3″

55-445 4566 55-4-4 -4-44445 44 4566

5-4-4 -4444544 4-4 54 4-4 -44 54

4-4-4-44-44-4(4)-4-4-444 -3454 3 4 5-56 5-56

-3-3″ 55-44544 5-56 5-56 -3-3″

55-445446 -6 6 -6 7 -6

-665-665-66-665-665-66

-665-665-665-665-665-6 8 -87-7-8

-1098-8 7-6-66

5-44-44-667-6 67(6)-667-667-66-8

7-665-445-4 44-4-45566-6-6 77-8-88899-10-10-10

-10 10

6  6  6  6  5   5   6   5   -4
I ne-ver kn-ew what I would do
4  -5 5 -4  4   4   4   4   4   -4 -4
if a-ny-bo-dy tried to take you a-way.
4     4   6   5  -4   4
And your beau-ti-ful boy
4      6   5   -4
won’t wait for you.
4    4    4   -5  5   -4  4
Be-cause he’s bu-sy with the
4      4   4  -4     4
stars and the fa——me.

-2 -2  -2    -4   4  3   -2
And I don’t know why I breathe.
-2   -2  -2   -4   4   3   -2
It’s ta-king too long for me.
-2  -2   4   4  -4  -4   4    5   -4
Can we speed up the pro-cess plea-se.
-2  -2  -2  -4  4  3  -2
Or show me the one I need.

6   5    -6  6  5
I need some-bo-dy.
-6   6  5
Some-bo-dy.
-6   6  5   -6  6 5   5   5   5  -4
Some-bo-dy cra-zy e-nough to tell me
5 -5    5   -4  -4   5
I will love you til we.
5  -5   5   -4  -4  5
I will love you til we.
-6   5  -6  6    5
Til we are bur-ied.
-6  6   5
Our bo-dies.
-6  6    5  5    5   5     5 -4  -4
Our bo-dies bu-ried close to-ge-ther.
5  -5  5 -4  -4   4
Ce-me-te-ry wea-ther.
-4 -4  5  -5 5 -4  -4   4
In the ce-me-te-ry wea-ther.

Haluk Levent — Cemberimde gul oya

+5 +6 +6 -6 +6 -5 +5

+7 +7 +7 -7 -6 -7 -6 +6

 X2

+6 +6 +6 +7 -7 -6 +7

-7 -7 -6 +6 -7 -7 -6 +6

-6 -6 +7 -7 -6 +6 -5 +5

X2

+5 +5 +5 +6 -5 +5 +5

+7 +7 +7 -7 -6 -7 -6 +6

X2

+6 +6 +7 +7 -7 -6 +7+7

-7 -7 -6 +6 -7 -7 -6 +6

-6 -6 +7 -7 -6 +6 -5 +5

Cello Suite
J.S. Bach

On a C-harp:
-1 -3” 5o 5 5o -3”
-1 -3” 5o 5 5o -3”
-1 -3  6 5o 6 -3
-1 -3  6 5o 6 -3
-1 -4’6 5o 6 -4’
-1 -4’6 5o 6 -4’
-1 -4 5o 5 5o -4
-1 -4 5o 5 5o -4
-1 -3 5o 5 5o -4 -4’-4 -3 -4 -4’-4 -2’-3” -3”’-2’-3”’
68 68 68 6-3” 68 68 68
-4’5 -6 -6’-6 5 -4 5 -4’5 -4 5     -3” -4’-3 -3”

On an A-harp:
-2” 4 -6 6 -6 4
-2” 4 -6 6 -6 4
-2” -4 6o -6 6o -4
-2” -4 6o -6 6o -4
-2” 5 6o -6 6o 5
-2” 5 6o -6 6o 5
-2” -5 -6 6 -6 -5
-2” -5 -6 6 -6 -5
-2” 4 -6 6 -6 -5 5 -5 -4 -5 5 -5 -3” 4 -3 -3” -3
6o9 6o9 6o9 6o4 6o9 6o9 6o9
5 6 7 -7 7 6 -5 6 5 6 -5 6   4 5 -4 4

On a G-harp:
-2 -4 -7 -6 -7 -4
-2 -4 -7 -6 -7 -4
-2 5 7 -7 7 5
-2 5 7 -7 7 5
-2 5o 7 -7 7 5o
-2 5o 7 -7 7 5o
-2 6 -7 -6 -7 6
-2 6 -7 -6 -7 6
-2 5 -7 -6 -7 6 5o 6 5 6 5o 6 -3 -4 -4’ -3 -4’
7-10 7-10 7-10 7-4 7-10 7-10 7-10

Intro: -5 5 <-3 -3 <-3 5 -5 <-5 -5
-5 5 <-3 -3 <-3 5 -5 <-3 3 -3 <-3 4 -3 5 -5 5 <-3 -3 3

-1 <-3 <-3 <-3 <-3 <-3 <-3 -3
Ge-trampt o-der mit ‘m Mo — ped

3 -2 3 <-3 4 -5
o-der schwarz mit der Bahn

<-4 <-3 <-4 <-3 -5 4 <-3 3 -5 5 5 <-3 -3
im-mer bin ich dir ir-gend-wie hin-ter-her ge-fahr’n

-5 4 <-3 <-3 4 -3 3 -2 3 <-3 5 -5
nein, da-mals hab’ ich kein Kon-zert von dir ver-s�umt

-5 <-5 -5 5 5 -5 <-3 3
und nachts konn-te ich nicht schla-fen

3 -2 3 3 <-3 4 -5 <-5 5 -5
o-der wenn, dann hab’ ich von dir ge-tr�umt

5 -5 -5 <-3 3
Du spiel-test Ce-llo

3 <-3 5 -5 -5 5 <-3 5 -5
in je-dem Saal in uns-rer Ge-gend

3 3 <-5 <-5 <-5 <-5 -5 5 <-3 3
ich sa� im-mer in der ers-ten Rei-he

3 <-3 5 <-3 -5 5 <-3 3
und ich fand dich so er-re-gend

-5 5 <-3
C e l l o

<-3 <-4 <-4 <-3 -5 5 <-3 5
du warst ei-ne G�t-tin f�r mich

<-3 5 5 -5 5 -5 3
und manch-mal sahst du mich an

<-4 <-3 <-4 <-3 -5 -5 <-3 3
und ich dach-te «Mann oh M a n n»

<-3 <-3 <-3 <-3 <-3 <-3 <-4 <-3 -3 <-3
und dann war ich wie-der v�l-lig fer-tig

<-3 <-3 <-3 <-3 <-3 <-4 <-3 -3 <-3 -3 3 3
da da da da da da da dn da da da da

-5 <-5 <6 <-3 <-4 -5 3 -3 <-3 <-3 <-3 <-3 <-4 <-3 -3
Ja, ich war st�n-dig da und das hat dich dann �-ber-z e u g t

<-3 <-4 <-3 -5 -5 5 -5 5 -3 -3
wir woll-ten im-mer zu-sam-men blei-ben

<-3 -5 <-5 <6 <-3 <-3 3 <-3 <-4 <-3 -3
und �-ber-haupt, mit dir, das war so g r o �

<-3 <-5 <-5 5 <-5 -5 5 -5 <-3
das kann man ja gar nicht be-schrei-ben

-2 <-3 <-3 <-3 <-3 <-3 -3 3 -3
Und heu-te wohnst du ir-gend-w o

3 -2 3 3 <-3 5 -5 -5
und dein Cel-lo steht im Kel-ler

<-3 <-4 <-3 <-4 -5 5 <-3 3
komm, pack das Ding doch noch-mal aus

5 -5 5 <-3 -3 (<-3)3 3
und spiel so sch�n wie fr�h-er

Interlude: -5 5 <-3
<-3 5 -5 -5 5 <-3 5 -5
3 <-5 <-5 -5 5 <-3 3
3 <-3 5 <-3 -5 5 <-3 3

3 <-3 5 -5 5 <-3
Du spiel-test C e l l o

3 <-3 5 -5 -5 5 <-3 5 -5
in je-dem Saal in uns-rer Ge-gend

3 3 <-5 <-5 <-5 <-5 -5 5 <-3 3
ich sa� im-mer in der ers-ten Rei-he

3 <-3 5 <-3 -5 5 <-3 3
und ich fand dich so er-re-gend

-5 5 <-3
C e l l o

<-3 <-4 <-4 <-3 -5 5 <-3 5
du warst ei-ne G�t-tin f�r mich

<-3 5 5 -5 5 -5 3
und manch-mal sahst du mich an

<-4 <-3 <-4 <-3 -5 -5 <-3 3
und ich dach-te «Mann oh M a n n»

<-3 <-3 <-3 <-3 <-3 <-3 <-4 <-3 -3 <-3
und dann war ich wie-der v�l-lig fer-tig

Intro: -5 5 <-3 -3 <-3 5 -5 <-5 -5
-5 5 <-3 -3 <-3 5 -5 <-3 3 -3 <-3 4 -3 5 -5 5 <-3 -3 3

-5 <-7 <-7 <-7 <-7 <-7 <-7 -7
Ge-trampt o-der mit ‘m Mo — ped

7 -6 7 <-7 8 -9
o-der schwarz mit der Bahn

<-8 <-7 <-8 <-7 -9 8 <-7 7 -9 9 9 <-7 -7
im-mer bin ich dir ir-gend-wie hin-ter-her ge-fahr’n

-9 8 <-7 <-7 8 -7 7 -6 7 <-7 9 -9
nein, da-mals hab’ ich kein Kon-zert von dir ver-s�umt

-9 <-9 -9 9 9 -9 <-7 7
und nachts konn-te ich nicht schla-fen

7 -6 7 7 <-7 8 -9 <-9 9 -9
o-der wenn, dann hab’ ich von dir ge-tr�umt

9 -9 -9 <-7 7
Du spiel-test Ce-llo

7 <-7 9 -9 -9 9 <-7 9 -9
in je-dem Saal in uns-rer Ge-gend

7 7 <-9 <-9 <-9 <-9 -9 9 <-7 7
ich sa� im-mer in der ers-ten Rei-he

7 <-7 9 <-7 -9 9 <-7 7
und ich fand dich so er-re-gend

-9 9 <-7
C e l l o

<-7 <-8 <-8 <-7 -9 9 <-7 9
du warst ei-ne G�t-tin f�r mich

<-7 9 9 -9 9 -9 7
und manch-mal sahst du mich an

<-8 <-7 <-8 <-7 -9 -9 <-7 7
und ich dach-te «Mann oh M a n n»

<-7 <-7 <-7 <-7 <-7 <-7 <-8 <-7 -7 <-7
und dann war ich wie-der v�l-lig fer-tig

<-7 <-7 <-7 <-7 <-7 <-8 <-7 -7 <-7 -7 7 7
da da da da da da da dn da da da da

-9 <-9 <10 <-7 <-8 -9 7 -7 <-7 <-7 <-7 <-7 <-8 <-7 -7
Ja, ich war st�n-dig da und das hat dich dann �-ber-z e u g t

<-7 <-8 <-7 -9 -9 9 -9 9 -7 -7
wir woll-ten im-mer zu-sam-men blei-ben

<-7 -9 <-9 <10 <-7 <-7 7 <-7 <-8 <-7 -7
und �-ber-haupt, mit dir, das war so g r o �

<-7 <-9 <-9 9 <-9 -9 9 -9 <-7
das kann man ja gar nicht be-schrei-ben

-6 <-7 <-7 <-7 <-7 <-7 -7 7 -7
Und heu-te wohnst du ir-gend-w o

7 -6 7 7 <-7 9 -9 -9
und dein Cel-lo steht im Kel-ler

<-7 <-8 <-7 <-8 -9 9 <-7 7
komm, pack das Ding doch noch-mal aus

9 -9 9 <-7 -7 (<-7)7 7
und spiel so sch�n wie fr�h-er

Interlude: -5 5 <-3
<-3 5 -5 -5 5 <-3 5 -5
3 <-5 <-5 -5 5 <-3 3
3 <-3 5 <-3 -5 5 <-3 3

7 <-7 9 -9 9 <-7
Du spiel-test C e l l o

7 <-7 9 -9 -9 9 <-7 9 -9
in je-dem Saal in uns-rer Ge-gend

7 7 <-9 <-9 <-9 <-9 -9 9 <-7 7
ich sa� im-mer in der ers-ten Rei-he

7 <-7 9 <-7 -9 9 <-7 7
und ich fand dich so er-re-gend

-9 9 <-7
C e l l o

<-7 <-8 <-8 <-7 -9 9 <-7 9
du warst ei-ne G�t-tin f�r mich

<-7 9 9 -9 9 -9 7
und manch-mal sahst du mich an

<-8 <-7 <-8 <-7 -9 -9 <-7 7
und ich dach-te «Mann oh M a n n»

<-7 <-7 <-7 <-7 <-7 <-7 <-8 <-7 -7 <-7
und dann war ich wie-der v�l-lig fer-tig

CELEBRATION KOOL AND THE GANG

KEY OF C

Yahoo! This is your celebration
Yahoo! This is your celebration

-8 8 -8 8 -10 9 9
Cel-e-brate good times, come on!

-8 8 -8 8 -10 9 9
Cel-e-brate good times, come on!

5 -4 6 -4 5 -4 -6 -6 -5
There’s a par-ty go-ing on right here

5 -5 -6b -6 -5 -5b -6b 5 -5 5 5
A cel-e-bra-tion to last through-out the years

-7 8 -7 9 9 8 -7 8 8 -7
So bring your good times, and your laugh-ter too

-6 -6 -6 -6 -5 -5 -6 -6b -5 -5
We gon� cel-e-brate your par-ty with you

-6 -5b -5b
Come on now

4 4 5 -4
Cel-e-bra-tion

-6b -6b -6b -5 -5 5 -5 5 -5 -5
Let’s all cel-e-brate and have a good time

4 4 5 -4
Cel-e-bra-tion

-6b -6b -6b -5 -5 5 -5b -6 -6b -5 -5
We gon-na cel-e-brate and have a good time

-6 -6 -6 -6b -7 -7 7
It’s time to come to-geth-er

-6b -6 -6b -6 8 -7 7 -6
It’s up to you, what’s your plea-sure

-6b -6 -6b 5 7 -6 -5 9 9
Ev-�ry-one a-round the world Come on!

(Yahoo! It’s a celebration Yahoo!)

-8 8 -8 8 -10 9 9
Cel-e-brate good times, come on!

(It’s a cel-e-bra-tion)

-8 8 -8 8 -10 9 9
Cel-e-brate good times, come on!

5 -5 -5 -5
Let’s cel-e-brate

-6b -6b -6b -6b 7 -6 -5 -5b -5
We’re gon-na have a good time to-night

5 -5 -5 -5 5 -5 -5
Let’s cel-e-brate, it’s all right

* repeat two lines 3 times

ENJOY!!

CELEBRATION DAY
By: Jimmy Page, Robert Plant,
John Paul Jones
Led Zeppelin
Key: A

3 -3 3 -3 3 -3 3
Her face is cracked from smil-ing
-3 3 -3 3 -3 3 -3 -3
All the fears that she’s been hid-ing
4* 4* 4* 4* -5 6 5*
And it seems that pret-ty soon
-3 3 -3 3 -3 3 -3 3
ev-‘ry-bod-y’s gon-na know.

-7 7 -7 7 -7 7 8* 7
And her voice is sore from shout-ing
-7 7 -7 7 -9 -9 8* -7
Cheer-ing win-ners who are los-ing
-7 7 -7 7 -7 7 -9 -9 8*
And she wor-ries if their days are few
4* 4* -3 4* -5 4*-3
And soon they’ll have to go.

Chorus
-7*-7*-7* -7*-7* -7* 7
My my my I’m so hap-py
-9 -9 9 -9 -9 8-77-6
I’m gon-na join the band
-7*-7* -7* 7 -7* 7 -9
We are gon-na dance and sing
-9 9 -9 -7* 7
and cel-e-bra-tion
-9 -9 -9 -9 -9 -9 8-8
We are in the prom-ised land.

She hears them talk of new ways
To protect the home she lives in,
Then she wonders what it’s all about
When they break down the door.
Her name is Brown or White or Black,
You know her very well,
You hear her cries of mercy
As the winners toll the bell.

* Chorus

There is a train that leaves the station
Heading for your destination,
But the price you pay to nowhere
has increased a dollar more.
Yes, it has!
And if you walk you’re gonna get there
Tho’ it takes a little longer,
And when you see it in the distance
You will wring your hands and moan

Key of C Major
Musical Range D4 to G5

8 -8 -7 7 6 -6 7 5
-6 -6
2 2 -2 -2 2 -2 2 2 7 7
Yahoo!
2 2 -2 -2 2 -2 2 2

8 -8 -7 7 6 -6 7 5

7 7
Yahoo! It�s gon� be a celebration

-6 6 -6 6 -5
Cel-e-brate good times
7 7
come on !

2 2 -2 -2 2 -2 2 2 3 3

-6 6 -6 6 -5
Cel-e-brate good times
7 7
come on !

2 2 -2 -2 2 -2 2 2 3 3

6 -5 7 -5 6 -5 -3* -3* 3
There’s a par-ty go-ing on right here
2 3 -3 -3* 3 -2 3 2 3 2 2
a cel-e-bra-tion to last through-out the years;
-5 6 -5 7 7 7 6 -5 6 6 6
so bring your good times, and your laugh-ter
-5 -5
too__.
-3* -3* -3* -3* 3 3 -3* -3 3 3 3
We’re gon� cel — e — brate your par-ty with you__.

-3* -2 -2
Come on now;

-3 -3 4 -4 -4
Cel � e � bra � tion___

-3 -3 -3 3 3 3 2 3 2 3 3 3
Let’s all cel-e-brate and have a good time__.

-3 -3 4 -4 -4
Cel — e — bra � tion__.

-3 -3 -3 3 3 3 -3* -3 3 -3 3 3 2 -1
We gon� cel-e-brate and have a good time____.

-4 -4 -4 -3 -5 -5 -4
It’s time to come to-ge-ther;
-3 -4 -3 -4 -4
it’s up to you__;
6 -5 5 -4 -3 3
what�s your pleas-ure__?
4 -4 3 2 4 -4 3
Ev-�ry-one a-round the world,
7 7
come on!

2 2 -2 -2 2 -2 2 2 7 7
Yahoo!
2 2 -2 -2 2 -2 2 2 3 3

It�s a celebration!

2 2 -2 -2 2 -2 2 2 7 7
Yahoo!
2 2 -2 -2 2 -2 2 2 3 3

-6 6 -6 6 -5
Cel-e-brate good times,
7 7
come on!

It’s a cel-e-bra-tion!

-6 6 -6 6 -5
Cel-e-brate good times,
7 7
come on!

Let�s celebrate!

6 -5 7 -5 6 -5 -3* -3* 3
There’s a par-ty go-ing on right here
2 3 -3 -3* 3 -2 3 2 3 2 2
a ded-i-ca-tion to last through-out the years;
-5 6 -5 7 7 7 6 -5 6 6 6
so bring your good times, and your laugh-ter
-5 -5
too__.
-3* -3* -3* -3* 3 3 -3* -3 3 3 3
We’re gon� cel — e — brate and par-ty with you__.

-3* -2 -2
Come on now;
-3 -3 4 -4 -4
Cel � e � bra � tion___

-3 -3 -3 3 3 3 2 3 2 3 3 3
Let’s all cel-e-brate and have a good time__.

-3 -3 4 -4 -4
Cel — e — bra � tion__.
-3 -3 -3 3 3 3 -3* -3 3 -3 3 3 2 -1
We gon� cel-e-brate and have a good time____.

-4 -4 -4 -3 -5 -5 -4
It’s time to come to-ge-ther;
-3 -4 -3 -4 -4
it’s up to you__;
6 -5 5 -4 -3 3
what�s your pleas-ure__?
4 -4 3 2 4 -4 3
Ev-�ry-one a-round the world,
7 7
come on!

2 2 -2 -2 2 -2 2 2 7 7
Yahoo!
2 2 -2 -2 2 -2 2 2 3 3

It�s a celebration!

2 2 -2 -2 2 -2 2 2 7 7
Yahoo!
2 2 -2 -2 2 -2 2 2 3 3

It�s a celebration!

-6 6 -6 6 -5
Cel-e-brate good times,
7 7
come on!

It’s a cel-e-bra-tion!

-6 6 -6 6 -5
Cel-e-brate good times,
7 7
come on!

Let�s celebrate!

-3 -3 -3 -3 4 -4 3 -2 3
We’re gon-na have a good time to-night
2 3 3 3
let’s cel-e-brate
2 3 3
it’s al-right

-3 -3 -3 -3 4 -4 3 -2 3
we’re gon-na have a good time to-night
2 3 3 3
let’s cel-e-brate
2 3 3
it’s al-right

baby

-3 -3 -3 -3 4 -4 3 2 3
We’re gon-na have a good time to-night!
2 3 3 3
Let’s cel-e-brate;
2 3 3
it’s al-right.
-3 -3 -3 -3 4 -4 3 2 3
We’re gon-na have a good time to-night!
2 3 3 3
Let’s cel-e-brate;
2 3 3
it’s al-right.

2 2 -2 -2 2 -2 2 2 7 7
Yahoo!
2 2 -2 -2 2 -2 2 2 3 3
2 2 -2 -2 2 -2 2 2 7 7
Yahoo!
2 2 -2 -2 2 -2 2 2 3 3

-6 6 -6 6 -5
Cel-e-brate good times,
7 7
come on!

2 2 -2 -2 2 -2 2 2 3 3

8 -8 7 -8 -8 -8 8 8
Cel-e-brate Je-sus, cel-e-brate

8 -8 7 -8 -8 -8 7 7
Cel-e-brate Je-sus, cel-e-brate

8 -8 7 -8 -8 -8 8 8
Cel-e-brate Je-sus, cel-e-brate

8 -8 7 -8 -8 -8 7 7
Cel-e-brate Je-sus, cel-e-brate

8 9 9 9 8 9 -10 9 8 -10
He is ris-en, He is ris — en

-10 -10 9 8 9 8 -10
and He lives for-ev-er-more

-10 -10 9 9 8 9 -10 9 8 -10
He is ris-en, He is ris — en

8 9 8 9 9 8 -8
Come on and cel-e-brate

8 9 8 -10 9 8 -8 7
the res-ur-rec-tion of our Lord

Play either the top line or the bottom or get two harmonicas and play
together.
Bottom line is Simon; top like is Garfunkel.
Or just open your mouth a little and play both.
Don’t worry, obviously, about when they aren’t right next to each
other.

/ means bend and slide down to
b means bent note

VERSE:
6 5 6 -6 6 -5 6
5 4 5 -5 5 -4 5
Celia, you’re breaking my heart,
6 -6 6 -5 6 -5 5 6 -4
5 -5 5 -4 5 -4 4 -4/3
You’re shaking my confidence daily.
5 6 -6 6 5 -5 5 -4 5
4 5 -5 5 4 -4 4 -3 4
Oh, Cecilia, I’m down on my knees,
5 -5 5 -4 5 -4 4 -3
4 -4 4 -3 4 -3 -3b 3
I’m begging you please to come home.
REPEAT AND SECOND TIME ADD:
3 -3 4
Come on home.

BRIDGE:
4 -4 5 4 4 -5 5 -4
Making love in the afternoon
4 -4 5 4 -5 5 -4 -3 -4 6 6 6
With Cecilia, up in my bedroom, (making love)
4 -4 5 4 -5 5 -4
I got up to wash my face
4 -4 5 -5 5 5
When I come back to bed,
-4 4 -4 5 -4 4
Someone’s taken my place.

REPEAT VERSE HERE ONCE

4 5 -5 5 -4 4
boh boh boh boooh boh
5 6 -6 6 -5 5 6 -4
4 5 -5 5 -4 4 -3 -4 -3/3
boh boh boh boooh boh boh boh boooh

5 6 6 -6 6
4 5 -5 5
Jubila-tion,
6 -6 6 -5 6
4 -4 4 -3 4
She loves me again,
6 -6 6 -5 6 -5 5 6 -4/-3
4 -4 4 -3 4 -3 -3b -3/3
I fall on the floor and Im laughing. REPEAT…

4    -4     -4  -4  -4 4 -4  4     5
I locked myself in a hotel room
    4    -4  -4  -4    -4    -4    5     -4   4     4
Then waited all night for the walls to move
  4     -4      -4     -4    -4  4  -4  4     5
I've loved some girls that I barely knew
  4     -4       -4       -4,     -4    5   -4      4     4
I've made some friends, and I've lost some too
      -4     -4  -4, -4   4   -4  4   5
Crashed my car, I was seventeen
 4     -4  -4 -4  -4    -4   -4  5    -4    4  4
My mother in the seat riding next to me
   4      6      6       6         6    6   6  -4   -4  5
The things I've learned from a broken mirror
   4   4   -4    -4      -4       -4   5    -4       4      4
How a face can change when a heart knows fear
  4   -4   4     -4      4    -4      4      5,     4   -4   -4   -4  4   4
For all the things my eyes have seen, the best by far is you

(Chorus)
4 4     6    6,     6  -6     5      5
If I could fly, then I would know
    4     4     -4     5     -4    4   -4 5    -4      4     6  5
What life looks like from up above and down below
 4     4     6     6,    6    -6     5    5
I'd keep you safe, I'd keep you dry
   4     4   -4  5,  -4 4 -4,   5   -4   4 -4  4
Don't be afraid, Cecilia, I'm the satellite
   3      4      -4   4
And you're the sky

   -6   6 5  6   5  -4  -4  4 5
Woah oh  oh oh oh oh ohh
   -6   6 5  6   5  -4  -4  4 4
Woah oh  oh oh oh oh ohh
   -6   6 5  6   5  -4  -4  4 5
Woah oh  oh oh oh oh ohh
   4     4   -4  5,  -4 4 -4,   5   -4   4 -4  4
Don't be afraid, Cecilia, I'm the satellite

CECILIA (Does Your Mother Know You�re Out)
W: Herman Ruby
M: Dave Dreyer
Whispering Jack Smith
Key: C

3 2 -3 2 3 2 -3 2 3 -3
Does your moth-er know you�re out.Ce-cil-ia
-3 -2 -4 -2 -3 -2 -4 3 -4 4
Does she know that I�m a-bout to steal you
-4 -5 -3 5 3 -3 -3* -4
Oh my, when I look in your eyes
-4 -5 -3 -4 2 -2 -2*
Some-thing tells me you and I
3 -3 3 -2* -2
Should get to-geth-er
3 2 -3 2 3 2 -3 2 3 -3
How a-bout a lit-tle kiss Ce-cil-ia
-3 -2 -4 -2 -3 -2 -4 3 -4 5
Just a kiss you�ll nev-er miss. Ce-cil-ia
6 5 -4 -3 -1* 2 3 -4 -3
Why do we two keep on wast-ing time
3 -1 -3 -1 3 3 -3 3 4
Oh, Ce-cil-ia, say that you�ll be mine

8 7 8 -9 8 -8 8
Cel — ia you’re break-ing my heart
8 -9 8 -8 8 -8 7 -8 (-7) 6
you’re shak-ing my con-fi-dence dai-ly
8 9 -10 9 8 -9 8 -8 8
oh ce-cil-ia i’m down on my knees
8 -9 8 -8 8 -8 7 -7
i’m begg-ing you please to come home

8 7 8 -9 8 -8 8
Cel — ia you’re break-ing my heart
8 -9 8 -8 8 -8 7 -8 (-7) 6
you’re shak-ing my con-fi-dence dai-ly
8 9 -10 9 8 -9 8 -8 8
oh ce-cil-ia i’m down on my knees
8 -9 8 -8 8 -8 7 -7
i’m begg-ing you please to come home
6 -6 7
ho-ho home

7 -8 8 7 7 -9 8 -8 7 -8 8 7
ma-king love in the af-ter-noon with ce-cil-ia
-9 8 -8 -7 7 7 -8 8 7 -9 8 -8
up in my bed-room, i got up to wash my face
7 -8 8 -9 8 8 -8 7 -8 8 -8 7
when I come back to bed some-one’s ta-ken my place

8 7 8 -9 8 -8 8
Cel — ia you’re break-ing my heart
8 -9 8 -8 8 -8 7 -8 (-7) 6
you’re shak-ing my con-fi-dence dai-ly
8 9 -10 9 8 -9 8 -8 8
oh ce-cil-ia i’m down on my knees
8 -9 8 -8 8 -8 7 -7
i’m begg-ing you please to come home
6 -6 7
ho-ho home

-8 8 -9 8 -8 7 -8 8 -9 8 -8 7 -8 (-7) 6
poh, poh, poh…

8 9 -10 9 8 -9 8 -8 8
ju-bi-la-tion she loves me a-gain
8 -9 8 -8 8 -8 7 -8 (-7) 6
i fall on the floor and i’m laugh-ing

8 9 -10 9 8 -9 8 -8 8
ju-bi-la-tion she loves me a-gain
8 -9 8 -8 8 -8 7 -8 (-7) 6
i fall on the floor and i’m laugh-ing

-9 9 -10 9 9 -10 9 -9 9 9 -10 9 -9 9 -9 8 9 6
oh, oh, oh…
-9 9 -10 9 9 -10 9 -9 9 9 -10 9 -9 9 -9 8 9 6
oh, oh, oh…
6 -6 7
come on home

-3 -2 -3 <-3 -3 3 -3
Celia, you�re breaking my heart,
-3 <-3 -3 3 -3 3 -2 3 2 -1 1
You�re shaking my confidence daily.
-3 4 -5 4 -3 <-3 -3 3 -3
Oh, Cecilia, I�m down on my knees,
-3 <-3 -3 3 -3 3 -2 2 �
I�m begging you please to come home.

-3 -2 -3 <-3 -3 3 -3
Celia, you�re breaking my heart,
-3 <-3 -3 3 -3 3 -2 3 2 -1 1
You�re shaking my confidence daily.
-3 4 -5 4 -3 <-3 -3 3 -3
Oh, Cecilia, I�m down on my knees,�
-3 <-3 -3 3 -3 3 -2 2
I�m begging you please to come home.
1 -1 -2
Come on home.

-2 3 -3 -2 -2 <-3 -3 3 -2 3 -3 3 -2
Making love in the afternoon with Cecilia
<-3 -3 3 2 -2
Up in my bedroom,
-2 3 -3 -2 <-3 -3 3
I got up to wash my face
-2 3 -3 <-3 3 -3
When I come back to bed,
3 -2 3 <-3 3 -2
someone�s taken my place.

-3 -2 -3 <-3 -3 3 -3
Celia, you�re breaking my heart,
-3 <-3 -3 3 -3 3 -2 3 2 -1 1
You�re shaking my confidence daily.
-3 4 -5 4 -3 <-3 -3 3 -3
Oh, Cecilia, I�m down on my knees,
-3 <-3 -3 3 -3 3 -2 2
I�m begging you please to come home.
1 -1 -2
Come on home.

-3 4 -5 4
Jubilation,�
-3 <-3 -3 3 -3
She loves me again,
-3 <-3 -3 3 -3 3 -2 3 2 -1 1
I fall on the floor and I laughing.
-3 4 -5 4
Jubilation,�
-3 <-3 -3 3 -3
She loves me again,�
-3 <-3 -3 3 -3 3 -2 3 2 -1 1
I fall on the floor and I laughing.

4 -5 -5 -5 -6 6 -5 6 -6 -5 -5 -6 7 -8

Faut-il nous quitter sans espoir, Sans espoir de retour,

-8 7 -6 -6 -5 6 -5 6 -6 -5 -4 -4 4 -5

Faut-il nous quitter sans espoir, de nous revoir un jour.

(Chorus/Refrain)

-8 7 -6 -6 -5 6 -5 6 -8 7 -6 -6 7 -8

Ce n’est qu’un au revoir, mes frères, Ce n’est qu’un au revoir

-8 7 -6 -6 -5 6 -5 6 -6 -5 -4 -4 4 -5

Oui, nous nous reverrons, mes frères, Ce n’est qu’un au revoir

**and it continues with the same tab while changing the lyrics/le même continue avec le changement des paroles**

Formons de nos mains qui s’enlacent, Au déclin de ce jour,
Formons de nos mains qui s’enlacent, Une chaîne d’amour.

(Chorus/Refrain)

Unis par cette douce chaîne, Tous, en ce même lieu,
Unis par cette douce chaîne, Ne faisons point d’adieu.

(Chorus/Refrain)

Car Dieu qui nous voit tous ensemble, Et qui va nous bénir,
Car Dieu qui nous voit tous ensemble, Saura nous réunir.

(Chorus/Refrain)