5 -5 6 6 6 -6 7 -7 -6 6 5
Choose the right, when a choice is placed before you

-4 5 -5 6 -7-6 6-5 5
In the right, the Holy Spirit guides

5 -5 6 6 6 -67 -7 -6 6 5
And its light is for ever shining o’er you

-4 5 5 -5-6 6-5 5 -4 4
When in the right your heart confides

-6 -7 7 -7 -6 6
Choose the right, choose the right

-4 -4 5 -5-6 6-5 5 -5 6
Let wisdom mark the way before

-6 -7 7 -7 -6 6
In its light, choose the right

-6 -4 5 -5-6 6-5 5-4 4
And God will bless you ever more

By Vaughn Horton, Denver Darling
& Milton Gabler

I’m head-ed for the sta-tion
7* -7 -6 -5 5 -7 -6
with a pack on my back,
-5 5 -6 6 -6 -7
I’m tired of trans-port-a-tion
7* -7 -6 -5 5 -7 -6
in the back of a hack,
-5 5 -6 6 -6 -7
I love to hear the rhy-thm
7* 7* -6 -5 -3* 7* -6
of the click-e-ty-clack,
-5 -3* -6 6 -6 7*
And hear the lone-some whis-tle,
7* -7 -6 -5 5 -7 -6
see the smoke from the stack,
-5 5 -6 6 -6 -7
And pal a-round with dem-o-crat-ic
-7 -7* 7 6 5 -7* 7 6 5
Fel-las named Mac,
7 6 7 -7*
So take me right back to the track, Jack
-7 -6 -6 -6 -6 -6 -6 -6 -6
Choo choo, choo choo ch’boog-ie
7* 7* 7* 7* 7* -6 7
Whoo whoo, whoo whoo ch’boog-ie,
-7 -7 -7 -7 -7 7 7*
Choo choo, choo choo ch’boog-ie
7* 7* 7* 7* 7* -6 7
Take me right back to the track, Jack.
8 8 8 8 8 8 8 8
You reach your des-ti-na-tion
7* -7 -6 -5 5 -7 -6
but a-las and a-lack!,
-5 5 -6 6 -6 -7
You need some com-pen-sa-tion
7* -7 -6 -5 5 -7 -6
to get back in the black,
-5 5 -6 6 -6 -7
You take a morn-in’ pa-per
7* 7* -6 -5 -3* 7* -6
from the top of the stack,
-5 -3* -6 6 -6 7*
And read the sit-u-a-tions
7* -7 -6 -5 5 -7 -6
from the front to the back,
-5 5 -6 6 -6 -7
But, the on-ly job that’s o-pen
-7 -7 -7* 7 6 5 -7* 7
needs a man with a knack,
6 5 7 6 7 -7*
So put it right back in the rack, Jack.
-7 -6 -6 -6 -6 -6 -6 -6 -6
Choo choo, choo choo ch’boog-ie
7* 7* 7* 7* 7* -6 7
Whoo whoo, whoo whoo ch’boog-ie,
-7 -7 -7 -7 -7 7 7*
Choo choo, choo choo ch’boog-ie
7* 7* 7* 7* 7* -6 7

So you put it right back in the track, Jack.
-7 -7 -6 -6 -6 -6 -6 -6 -6 -6

I’m gon-na set-tle down
7* -7 -6 -5 5 -7
be-side the rail-road track,
-6 -5 5 -6 -6 -7
And live the life o’Ril-ey
7* -7 -6 -5 5 -7 -6
in a beat-en down shack,
-5 5 -6 6 -6 -7
So when I hear a whist-le
7* 7* -6 -5 -3* 7* -6
I can peep thru the crack,
-5 -3* -6 6 -6 7*
And watch the train a-roll-in’ when
7* -7 -6 -5 5 -7 -6 -5

it’s ball-in’ the jack,
5 -6 6 -6 -7
For I just love the rhy-thm
-7 7* 7 6 5 -7* 7
of the click-e-ty-clack,
6 5 7 6 7 -7*
So take me right back to the track, Jack.
-7 -6 -6 -6 -6 -6 -6 -6 -6

Choo choo, choo choo ch’boog-ie
7* 7* 7* 7* 7* -6 7
Whoo whoo, whoo whoo ch’boog-ie,
-7 -7 -7 -7 -7 7 7*
Choo choo, choo choo ch’boog-ie
7* 7* 7* 7* 7* -6 7

Take me right back to the track, Jack.
8 8 8 8 -9 10 -10 -6

Chookar mere man ko kiya tune kya ishaara
55 -44 -7 -4 6-6 -7-7 4 -45 4

Badlaa yeh mausam lage pyaara jag saara
666 -66-5 -7 -6 -7 -7 -7-7 -6 -7 4 4

Tu jo kahe jeevan bhar tere liye mein gaaoon, tere li ye mein gaaun
5 -5 -5 5 -4 4 6 5 5 6 6 -646 5 5 6 6 -646

Geet te re bolon ke liktha chalaa jaaoon, liktha chalaa jaaun
5 -5 -5 5 4 6 5 566-6 -64-666 5 566-6 -64-666

Mere geeton mein thuje doonde jag saaraa
6 6 -66-55 -5 -6 -7 -7 -7 -7 -6 -7 4 4

Chookar mere man ko kiya tune
kya ishaara

6 6 -5 5 -4
-5 3 -3 -4 -4 5 -5
6 5

Badlaa yeh mausam lage
pyaara jag saara

7 7~ -6 6 -7
-8 -8 -8 -8 -7 -8
8 8

Tu jo kahe jeevan bhar tere liye
mein gaaoon, tere liye mein
gaaun

6 -6 -6 6 5 3 6
6 7 7 -7 -78-77 -7 8
7-7 -7<-7 -6 6 -6 -57 Geet te re bolon ke liktha chalaa jaaoon, liktha chalaa jaaun 6 -6 -6 6 5 3 6 677-7 -7877 -7 8 7-7-7<-7 6-6 -57 Mere geeton mein thuje doonde jag saaraa 7 7~ -77-66 -6 -7 -8 -8-8 -8 -7 -8 8 8

Chocolate Jezus by Tom Waits
Original harp player is Charlie Musselwhite

Song is in the key of Ebm
(Guitar Capo 6 fret)
Harp is played in 3rd position, so Db

-1..
-4.. -5 -4
-8 +7 -6 +6 -4..

(Am)Well I don’t go to church on Sunday, don’t get on my knees to
(Dm)pray.
Don’t memorize the books of the (Am)Bible, I (E)got my own special
way.
(Am)I know Jesus loves me, maybe just a little bit (Dm)more.
I fall to my knees every (Am)Sunday at (E7)Zerelda Lee’s candy
(Am)store.

(Am)Well it’s got to be a Chocolate Jesus, makes me feel good
in(Dm)side.
Got to be a Chocolate (Am)Jesus, to (E7)keep me satis(Am)fied.

(Am)Well I don’t want no Abba Zabba, don’t want no Almond (Dm)Joy.
There ain’t nothing (Am)better (E7)suitable for this boy.
Well it’s the (Am)only thing that can pick me up, better than a cup of
(Dm)gold.
See, only a Chocolate (Am)Jesus can (E7)satisfy my (Am)soul.

Solo:
Guitar repeat: Am Dm Am E7 Am

-4 -5 +6 -6 +6 -5 -4
-1′ -1 -2″ -2.. (-3′?)
-4′ -4 -5 -6 -6′ -6
-4′ -5 (-4 -5 wobble)

-4.. -6 -4..
-4 +5 -5 +5 -4 -4′-6
-4 -4′ -6 -1
-1′ -1 -2″ -2 -2″ -1 -1′ -1

When the (Dm)weather gets rough and it’s whiskey in the shade.
It’s best to wrap your savior up in (Am)cellophane.
He (Dm)flows like the big muddy but that’s ok,
(E7)pour him over ice-cream for a nice parfait.

(Am)Well it’s got to be a Chocolate Jesus, good enough for (Dm)me.
Got to be a Chocolate (Am)Jesus, (E7)good enough for (Am)me.
Well it’s got to be a Chocolate Jesus, makes me feel good in(Dm)side.
-1 -1′ -1 -2″ -1 -2″
-2
Got to be a Chocolate (Am)Jesus, to (E7)keep me satis(Am)fied.
-4′ -4 -5 (wobble)

-5 +6 -6 +6 -5 -4
-5 +6 -6 +6 -5 -4
-6′ -6 -6′ -6
-2″ -2 -3″‘ +4 -5 (-4 -5 wobble)

-6 +6 -5 +5 -5 -4
-6 +6 -5 +5 -4

8 7 6 5 7 6 5 6 5 6
-5 5 5 -5 5 -4 5
-4 5 5 -5 6 -6 -7

8 7 6 5 7 6 5 6 5 6
-5 5 5 -5 5 -4 5
-4 5 5 -5 6 -6 -7

-6 -5 -4 4 -4 5 -6 6 7 6
5 -5 -4 4 -3 4 -4 -5 5 5 -5 5 -4 5
-6 -5 -4 4 -4 5 -6 6 7 6
5 -4 -4

6 5 4 3 6 5 4 5 4 5
(4)4 4(4)4(3)4
(3)4 4(4)5(5)6

6 5 4 3 6 5 4 5 4 5
(4)4 4(4)4(3) 4
(3)4 4(4)5(5)6

(5)(4)(3)3(4)5(5)6 7 6
5(5)(4)(3)3(3)(4)(5)55(5)5(4)5
(5)(4)(3)3(3)(4)(5)5 6 5
(4)44(4)4(3)4
(3)44(4)5(5)6(6)7

Notes separated by spaces are quarters.
Notes written together (-6-7, -6-77-8, etc) are eighths.
Semicolon is a quarter rest.
Dot is a whole rest.
Notes in brackets are optional, they link musical phrases.
I personally play all of them except last and the third one
from the end.

-6 5 -6 -7 7 -87 -7 6 -6-7 7 -7 -6
6 -6 -7 7-7 -6 5 6 -6 -7 -4 6 -6-7 7 -7 -6 ;
. -6 5 -7 7 -8 (5) 7 -7 -6-7 7 -7 -6
6 -7 -8 7-7 -77 8 7 -6 -7 (6) -8 7 -7 7 -6 ;
. -6-77-8 8 ; -9 8 -8 (5) 8 -8 7 -6 -7 7-8 8 (5)
9 8 -9 -98 -8 7 -7 -8 7 -7 7 -6 8 ?
-6 -7 7 (6) 8 9 9 (6) -9 8 8 -98 -8 -7
7 -8 -9 8 8 -6 7 8 -8 7 -7 6 -7 7 -6

Instrumentaal

5.. -4 -4 4..
-4 5 -5 5 5 -4 4..
-5 6.. -5 -5 5.
-5 6 -6 6 6 -5 5..

7 -6 6 -5 -4 5 -5.
6 5 -5 6 -6.
-5 5 -4 4 -4 5..
5 6 7 -7..

-4 5.. -4 -4 4..
-4 5 -5 5 5 -4 4..
-5 -6.. 6 6 -5 5 -5
7 6 -6 7

7. 7. -6 6 -5 5 -5..
6 5 -5 6. -6
6 -5 5 4 -4 5
5 -5 -5. 5 -4 4 7

key: the closer the # is the faster the note is played.
example:
##=16th note
# #=8th note
# #=quater note

7 7 7777 7 6 7777 -8 7 7 -7 -7

-8 -7 -7-7-7-7 -7 6 -7-7-7-7 -7 6 -6 -7 7
reapeat.

-6-7-7+7-7-6

Tumi Je Aamar

-6-7-6-7-7-6+6

Jooge Jooge Aami Tomari

+6-7-7-7-7+7-7-6-7-6

Aami Achhi Shei Je Tomar

+5 +5 +5 +5 -5 +5 -4 +5 -4

Tumi Achho Shei Aamari

-4 -4 -4 -4 +6 -5 +5 +5

Shongee (1st Time)

-7-6

Shongee (2nd Time)

-6+6

Aamra Amar Shongee

+5 -7 +7 -7 -6 -7-6

Choice of octaves where there are double lines.
2 2 -2 2 -3” 2 -3” -3 2 -2
5 5 6 5 -6 5 -6 -7 5 6

2 2 -2 2 -3” 2 (-2 -3)
5 5 6 5 -6 5 (6 7)

2 2 -2 2 -3” 2 -3” -3 2 -2
5 5 6 5 -6 5 -6 -7 5 6

2 2 -2 2 -3” 2 (-2 -3)
5 5 6 5 -6 5 (6 7)

2 2 -2 2 -3” 2 -3” -3 -4
5 5 6 5 -6 5 -6 -7 -8

-3’ -2 2
-6 6 5

2 2 -2 2 -3” 2 -3” -3 2 -2
5 5 6 5 -6 5 -6 -7 5 6

2 2 -2 2 -3” 2 (-2 -3)
5 5 6 5 -6 5 (6 7)

2 2 -2 2 -3” 2 -3” -3 2 -2
5 5 6 5 -6 5 -6 -7 5 6

2 2 -2 2 -3”
5 5 6 5 -6 (-2 -3)

2 2 -2 2 -3” 2 -3” -3 -4
5 5 6 5 -6 5 -6 -7 -8
-3” -2
-6 6
___________________________________________
___________________________________________

-7 -8 8 -8 8 8

9 8 -8 -7 -7 -6 6 5 -4 -4 5 5 (6 7)

7 8 7 6

5 6 -6

9 8 -8 -7 -6 6 5 -4 -3 -3” -2 2

(Notes not available for the last
phrase of this section.)
______________________________________
______________________________________

Bass line:
(Each bar starts with a dotted quarter
Followed by 5 eights.)
5 -3 -4 -4 5 -4 // 5 -3 -4 -4 5 -4

5 -3 -4 -4 5 -4 // 5 -3 -4 -4 5 -4

-6 5 6 6 -6 6 // -6 5 6 6 -6 6

5 -3 -4 -4 5 -4 // 5 -3 -4 -4 5 -4

-7 -6’ -6 -6 -7 -6 // -3” 5 6 6 -6

5 -3 -4 -4 5 -4 // rest 1 bar

Repeat

5 -5 6 -6 6 -5 5 6
5 -5 6 -6 6 -5 5 -4
-7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 5

5 -5 6 -6 6 -5 5 6
5 -5 6 -6 -7 -6 6 -7 6
-7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4

5 -5 6 -6 6 -5 5 6
5 -5 6 -6 6 -5 5 -4
-7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 5

5 -5 6 -6 6 -5 5 6
5 -5 6 -6 -7 -6 6 -7 6
-7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4

-6 -7 7 -8 7 -7 -6 -7 7
-6 -7 7 -8 7 -7 -6 7 -6 -7 7 6 -5 5
5 -5 6 -6 -7 7 -7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 5

-6 -7 7 -8 7 -7 -6 -7 7
-6 -7 7 -8 7 -7 -6 7 -8 8 -8 7 8 7
5 -5 6 -6 -7 7 -7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4

-8 7 -7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4

5 -5 6 -6 6 -5 5 6
5 -5 6 -6 6 -5 5 -4
-7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 5

5 -5 6 -6 6 -5 5 6
5 -5 6 -6 -7 -6 6 -7 6
-7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4

-6 -7 7 -8 7 -7 -6 -7 7
-6 -7 7 -8 7 -7 -6 7 -6 -7 7 6 -5 5
5 -5 6 -6 -7 7 -7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 5

-6 -7 7 -8 7 -7 -6 -7 7
-6 -7 7 -8 7 -7 -6 7 -8 8 -8 7 8 7
5 -5 6 -6 -7 7 -7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4

-8 7 -7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4
-8 7 -7 -6 -7 7 -6 6
-4 5 -5 -5 -5 5 -4 4

Key of Ab Major
Range: Ab3 to C5 for 16 hole
Ab4 to C6 for 12 hole.
16 hole Key of «C» chromatic above lyrics
12 hole Key of «C» below lyrics (octave high)
Notations: none = blow — = draw * = button in . = lower register ____ = hold
2*___3* = sustain, or slide from one note to next

1 1* -1*2* -1* 1* 1 -1*
Chi-qui-ti-ta, tell me what’s wrong.
5 5* -5* 6* -5* 5* 5 -5*

1 1* -1* 2* -1* 1* 1 -.3*
I have nev-er seen such sor-row
5 5* -5* 6* -5* 5* 5 -3*

3__2*__3__3* -2 -1*
in__________ your eyes,
7__-6__7__7* -6 -5*

-.3* 1 1* 1* 1* 1 -.3* 1__1___
and the wed-ding is to-mor-row.___
-3* 5 5* 5* 5* 5 -3* 4__4___

1 1* -1* 2* -1* 1* 1 -1*
How I hate to see you like this.
5 5* -5* 6* -5* 5* 5 -5*

1 1* -1* 2* 3 -2 -1*3 -1*
There is no way you can de-ny it.
5 5* -5* 6* 7 -6 -5*7 -5*

3__2*_3_3* 2* -1* -.3* 1 1* 1* 1* 1
I_________ can see that you’re, oh, so sad, so
7__6*_7_7* 6* -5* -3* 5 5* 5* 5* 5

-.3*_.3*__
qui-et.___
-3*__3*___

1 1* -1*2* -1* 1* 1 -1*______
Chi-qui-ti-ta, tell me the truth.___
5 5* -5*6* -5* 5* 5 -5*______

1 1* -1* 2* -1* 1* 1 -.3*___
I’m a shoul-der you can cry on,____
5 5* -5* 6* -5* 5* 5 -3*____

3__2*__3__3*__ -2 -1*
your__________ best friend.
7__6*__7__7*__ 6* -5*

-.3 1 1* 1* 1* 1 -.3*_-.3* 1
I’m the one you must re-ly_____ on.___
-3 5 5* 5* 5* 5 -3*_-3* 5

1 1* -1*2* -1* 1* 1 -1*___
You were al-ways sure of your-self.
5 5* -5*6* -5* 5* 5 -5*___

1 1* -1* -2 3 -2 1 3 -1*
Now I see you’ve bro-ken a feath-er.____
5 5* -5* -6 7 -6 5 7 -5*

3__2*_3_3*__2* -1* 1* -1* -2__-2 -2 -2
I_____________ hope we can patch_ it up
7__6*_7_7*__6* -5* 5* -5* -6__-6 -6 -6

-1* 1* 1__1_
to-geth-er.__
-5* 5* 5__5_

2* 3 3* -3* 3* 3 2*_3* 3*_______3*
Chi-qui-ti-ta, you and I____ know_______
6* 7 7* -7* 7* 7 6*_7* 7*_______7*

2* 3 3* -3* 3* 3 -2 3* 3 -2
how the heart-aches come and they go and the
6* 7 7* -7* 7* 7 -6 7* 7 -6

3* -1* 1* 1__1____
scares they’re leav-ing.____
7* -5* 5* 5__5____

1 1* -1*_-1* 2* 3 3* 3
You’ll be danc — ing once a-gain____
5 5* -5*_-5* 6* 7 7* 3

2* 3 3* 2* -1*
and the pain will end.
6* 7 7* 6* -5*

-.3* 1 1* 1* 1* 1 -.3*_-.3* 1_1___
You will have no time for griev — ing.___
-3* 5 5* 5* 5* 5 -3*_-3* 5_5____

2* 3 3* -3* 3* 3 2*___3* 3*_______3*
Chi-qui-ti-ta, you and I_____ cry,_______
6* 7 7* -7* 7* 7 6*___7* 7*_______7*

2* 3 3* -3* 3* 3 2* 3* -3* 4 -3*
but the sun is still in the sky and shin-ing
6* 7 7* -7* 7* 7 6* 7* -7* 8 -7*

3* 4 3*_3*____
a-bove you._____
7* 8 7*_7*____

1__1* 1*_-1* -1*_2* 2*_3 3_3* -3*_3* 3
Let_ me___ hear_ you_ sing_ once_ more
5_5* 5*_-5* -5*_6* 6*_7 7_7* -7*_-7* 7

2* 3 3* 2* -1*
like you did be-fore.
6* 7 7* 6* -5*

-.3 1 1* 1* 1* 1 -.3*_-.3* .3*
Sing a new song, Chi – qui — ti — ta.____
-3 5 5* 5* 5* 5 -3*__-3* 3*

-3* 3* 3 2* 3 3* 2* -1*
Try once more, like you did be-fore.
-7* 7* 7 -6 7 7* -6 -5*

-.3 1 1* 1* 1* 1 -.3* .3*_.3*___
Sing a new song, Chi-qui-ti — ta._______
3 5 5* 5* 5* 5 -3 3*__3*_____

5* -5 6 -6* 6 -5 5* 6_
Chiquitita, tell me what’s wrong
5* -5 6 -6* 6 -5 5* -4__
You’re enchained by your own sorrow
7*_ -6* 7* -7_ -6* 6_ -4 5* -5 -5 -5 5* -4 5*
In your eyes there is no hope for tomorrow
5* -5 6 -6* 6 -5 5* 6_
How I hate to see you like this
5* -5 6 -6* 7* -6* 6 7* 6_
There is no way you can deny it
7* -6* 7* -7 -6* 6 -4 5* -5 -5 -5 5* -4 -3
I can see that you’re oh so sad, so quiet
(Repeat)

-6* 7* -7 -8 -7 7* -6* 7* -7__
Chiquitita, you and I know
-6* 7* -7 -8 -7 7* -6* -7 6 -5 5*_
How the heartaches come and they go and the
scars they’re leaving
5* -5 6 -6* 7* -7 7*_ -6* 7* -7 -6* 6
You’ll be dancing once again and the pain will end
-4 5* -5 -5 -5 5* -4 5*_
You will have no time for grieving
-6* 7* -7 -8 -7 7* -6* 7* -7__
Chiquitita, you and I cry
-6* 7* -7 7* -8 9* -8 -7 9* -7_
But the sun is still in the sky and shining above you
5* -5 6 -6* 7* -7 7* -6* 7* -7 -6* 6
Let me hear you sing once more like you did before
-4 5* -5 -5 -5 5* -4 -3
Sing a new song, Chiquitita
-8 -7 7* -6* 7* -7 -6* 6
Try once more like you did before
-4 5* -5 -5 -5 5* -4 -3
Sing a new song, Chiquitita
(Repeat All)
(On Repeat, Repeat Last 2 Lines Slow)

Chiquitita, tell me the truth
I’m a shoulder you can cry on
Your best friend, I’m the one you must rely on
You were always sure of yourself
Now I see you’ve broken a feather
I hope we can patch it up together

So the walls came tumbling down
And your love’s a blown out candle
All is gone and it seems too hard to handle
Chiquitita, tell me the truth
There is no way you can deny it
I see that you’re oh so sad, so quiet

Chiquitita, you and I know
How the heartaches come and they go and the
scars they’re leaving
You’ll be dancing once again and the pain will end
You will have no time for grieving
Chiquitita, you and I cry
But the sun is still in the sky and shining above you
Let me hear you sing once more like you did before
Sing a new song, Chiquitita
Try once more like you did before
Sing a new song, Chiquitita
Try once more like you did before
Sing a new song, Chiquitita

This plays with karaoke music, same Artist, run time 5:29.

Words & Music by Benny Andersson and Björn Ulvaeus
Key of Ab Major Range: G4 to C7
Requires two (2) Key of «C» chromatics
Notations: none= blow — = draw * = button in
____ = hold #___# = hold slide from one note to next

1st harpist above lyrics
2nd harpist below lyrics

5 5* -5* 6* -5* 5* 5 -5*
Chi-qui-ti-ta, tell me what’s wrong.

I have nev-er seen such sor-row
5 5* -5* 6* -5* 5* 5 -3*

7__*6__7__7* -6 -5*
in__________ your eyes,
11_10*_11_11* -10 -9*

-3* 5 5* 5* 5* 5 -3* 4__4__
and the wed-ding is to-mor-row.___
-7* 9 9* 9* 9* 9 -7* 8__8__

How I hate to see you like this.
5 5* -5* 6* -5* 5* 5 -5*

5 5* -5* 6* 7 -6 -5*7 -5*
There is no way you can de-ny it.

7__6*_7_7* 6* -5* -3* 5 5* 5* 5* 5
I_________ can see that you’re, oh, so sad, so
7__6*_7_7* 6* -5* -3* 5 5* 5* 5* 5

-3*__3*___
qui-et.___
-3*__3*___

5 5* -5*6* -5* 5* 5 -5*______
Chi-qui-ti-ta, tell me the truth.___
3* -3* 5 5* 5 -3* 3* 5

5 5* -5* 6* -5* 5* 5 -3*_-3*___
I’m a shoul-der you can cry on,_______
3* -3* 5 5* 5 -3* 3* 3_3_______

7__6*__7__7*__ 6* -5*
your__________ best friend.
-5*_5*_-5*_6*_ 5* -3*

-3* 5 5* 5* 5* 5 -3*_-3* 5_5___
I’m the one you must re-ly_____ on.___
3 3* -3* -3* -3* 3* 3__3___ 3*_3*_

5 5* -5*6* -5* 5* 5 -5*___
You were al-ways sure of your-self._
3* -3* 5 5* 5 -3* 3* 5_____

5 5* -5* -6 7 -6 -5* 7 -5*_-5*__
Now I see you’ve bro-ken a feath-er.______
3* -3* 5 5* -5* -5 5 -5* 5_5______

7___6*__7___7*_6* -5* 5* -5* -6__-6 -6 -6
I_______________ hope we can patch_ it up
-5*_5*_-5*__6*_5* -3* -3* 5 5*__5* 5* 5*

-5* 5* 5__5___
to-geth-er.____
5 -3* 3*_3*__

6* 7 7* -7* 7* 7 6*_7* 7*_______7*
Chi-qui-ti-ta, you and I____ know_______
-10 11 11*-11* 11* 11 -10_11* 11*_____11*

6* 7 7* -7* 7* 7 -6 7* 7 -6
how the heart-aches come and they go and the
-10 11 11* -11* 11* 11 -10 11*11 -10

7* -5* 5* 5__5____
scares they’re leav-ing.____
11* -9* 9* 9__9____

5 5* -5*_-5* 6* 7 7* 7
You’ll be danc — ing once a-gain____
9 9* -9*_-9* -10 11 11* 11

6* 7 7* 6* -5*
and the pain will end.
-10 11 11* -10 -9*

-3* 5 5* 5* 5* 5 -3*_-3* 5_5____
You will have no time for griev — ing.___
-7* 9 9* 9* 9* 9 -7*__7* 9_9____

-6 7 7* -7* 7* 7 6*___7* 7*_____________7*
Chi-qui-ti-ta, you and I_____ cry,____________
-10 11 11* -11* 11* 11 10*_11* 11*_11_10*_11_11*

-6 7 7* -7* 7* 7 -6 7* -7* 8 -7*
but the sun is still in the sky and shin-ing
-10 11 11* -11* 11* 11 -10 11* -11* 12 -11*

7* 8 7*_7*____
a — bove you._____
11* 12 11*_11*__

5_5* 5*_-5* -5*_6* 6*_7 7_7* -7*_7* 7
Let_ me___ hear_ you_ sing_ once_ more
9_9* 9*_-9* -9*_10*10*_11 11_11* -11*_11* 11

6* 7 7* 6* -5*
like you did be-fore.
-10 11 11* -10 -9*

-3* 5 5* 5* 5* 5 -3*_-3* 3*_3*___
Sing a new song, Chi – qui — ti — ta._____
-7* 9 9* 9* 9* 9 -7*_-7* 7*_7*___

2nd Harpist: 11* 11* -9* -10 11 11*

-7* 7* 7 -6 7 7* -6 -5*
Try once more, like you did be-fore.
-11*

-3* 5 5* 5* 5* 5 -3* 3*__3*_____
Sing a new song, Chi-qui-ti — ta.________

+2 +3 -3 +5 -4 -2 -3
-4 -2 -3 +5 -4 -3 -3
-2 -3 -4 -5 +5 -3 -4
+5 -3 -4 -5 +5 -3 -3
+2 +3 -3 +5 -4 +3 -3
+3 -3 +5 +6 +6 -5 -5
+6 -5 -6 +6 -5 +5 +6
-4 -3 -4 +3 -5 +5
-4 -3 +3
+2 +3 -3 +5 -4 -2 -3
-4 -2 -3 +5 -4 -3 -3
-2 -3 -4 -5 +5 -3 -4
+5 -3 -4 -5 +5 -3 -3
+2 +3 -3 +5 -4 +3 -3
+3 -3 +5 +6 +6 -5 -5
+6 -5 -6 +6 -5 +5 +6
+3 -3 -4 +3 -5 +5
+6 -5 -6 +6 -5 +5 +6
+3 -3 -4 +3 -5 +5

Well, I new this song on piano and couldn’t find it here when I
looked, so I’m posting it. Here it is…

5 6 -6 7 -7 6 -6
Christmas, Christmas time is near

-7 6 -6 7 -7 -6 -6
Time for toys and time for cheer

-5 -6 -7 -8 7 -6 -7
We’ve been good, but we can’t last

7 -6 -7 -8 7 -6 -6
Hurry Christmas, hurry fast

5 6 -6 7 -7 6 -6
Want a plane that loops the loop

6 -6 7 8 8 -8 -8
Me, I want a hula hoop

8 -8 -9 8 -8 7 8
We can hardly stand the wait

-7 -6 7 6 -8 7
Please Christmas, don’t be late.

Want a plane that loops the loop

I still want a hula hoop

We can hardly stand the wait

Please Christmas, don’t be late.

We can hardly stand the wait

Please Christmas, don’t be late.

45 45
3-3-44-33-2
45 45
3-3-4-444-34
5443533
-34-44-34
-5-5-5-5-5 5

A number popularized by George Formby. Sorry blues fans, it’s a comedy
song, but then, maybe you can blues it down.

4 5 5 5 4 -4 5 5 5 4 -4
Now//mis-ter Wu was a/laun-dry man in a/
5 5 4 -4 4 5 3
shop with an old green/door, he/
-5 -5 -4 -4 5 -4 5 4~~~ 4
irons all day your/li-nen a-way,— he/
-4 -4 5 -3 -4~~~ 3 -5 -5 -4 -4 5
rea-ly makes me/sore;— he’s/lost his heart to a/
-5 -5 -4 -4 -4
Chin-ese girl, and his/
5 4 -4 4 5 5
laun-dry’s all gone wrong all/
-4 -4 5 -3 -4 -4 5 -3
day he’ll flirt and/scorch your shirt, that’s/
5 5 -5 5 -4 6 6 6 6
why I’m sing-ing this/song: Oh, Mis-ter/
5 6 6 6 5~~~~~~ 6 6 6
Wu,—/-what shall I/do?—/-I’ve got those/
5 4 5 4 5 4 5 -4 4~~~~~~~
kind of Lime-house/Chin-ese laun-dry/blues.—/-
4 -4 5 -5 -3~~~~~ 4 -4 4 5 6~~
This fun-ny/fee-ling—/-keeps round me/steal-ing/
~~ 5 -4 5 -5 6 -6 -5 5 -4
—why/don’t you throw your/sweet-heart ov-er,/
6~~~~~~ 6 6 6 5~~~~~~ 6 6 5
do!—/-my vest’s so/short—/-that it won’t/
6 5 6 5 6 5 5 5 4 5 4
fit my lit-tle/bro-ther, and/my new Sun-day/
5 4 5 4 5 4 5 4 5 4 -4 4
shirt has got a/per-for-a-ted/rud-der! Mis-ter/
5~~~~~ 5 5 5 -6~~~~~~ 5 6 5
Wu—/-I’m tell-ing/you,—/-I’ve got those/
5 4 5 4 5 4 5 -4 4~~~~~~~~
kind of Lime-house/Chin-ese laun-dry/blues.—/—

7 -8 -7 6 -6 -7 6
Chi-na-town, my Chi-na-town,

-6 6 -6 -7 -5
where the lights are low.

5 -4 6 5 -4 5 4
Hearts that know no oth-er land,

7 -7 -8 -7 -6
Drift-ing to and fro

7 -8 -7 6 -6 -7 6
Drea-my, drea-my Chi-na-town

-8 -8 8 7 -8
Al-mond eyes of brown.

-8 8 -8 7 -6 -7 6
Hearts are light and life seems bright

6 -8 8 7 -8 7
In drea-my Chi-na-town

ENJOY!!!

Who can tell me if we have heaven,
-5 -5 -5 6 5 -5 4 -4 4

Who can say the way it should be;
4 -5 5 -5 6 4 -4 -4 -4

Moonlight holly, the sappho comet,
-5 -5 -5 6 5 -5 4 -4 4

Angels tears below a tree.
4 -5 5 -5 6 5 -5
You talk of the break of morning
-5 -5 6 5 -5 4 -4 4

As you view the new aurora,
4 -5 5 -5 6 4 -4

Cloud in crimson, the key of heaven,
-5 -5 -5 6 5 -5 4 -4 4

One love carved in acajou.
4 -5 5 -5 6 5 -5
One told me of china roses,
-5 -5 6 5 -5 4 -4 4

One a thousand nights and one night,

The Basic Tune… Full Lyric below.

4 5 -5 6 6 6 -5
It was a theme she had ~~~
5 -5 6 6 6
On a scheme she had
6 6 6 6 6 6 5
Told in a foreign land ~~~
5 -5 6 6 6 5
To take life on earth ~~~
5 -5 6 6 6
To the second birth
5 -5 6 6 6 6 6 6 4
And the man who was in command ~~~
6 6 6 -6 -6 -6 -6
It was a fight on the wings
-6 -6 6 6 -6
Of a young girls dreams
-7 7 -7 7 -8 -8
That flew too far a-way
7 7 7 -8 -7 -6 6 5
Don’t push too ~~~ far your dreams ~~~
5 6 5 6 5 -6
Are China in your hand
7 7 7 8 -7
Don’t wish too ~~~ hard
-6 6 5 5 6 5 6
Because ~~~~ they may come true
5 6 5 -7 -6
And you can’t help them
7 7 -8 -7 -6 6 5
You don’t know what you might ~~~
5 6 5 6 5 6 -6
Have set up-on your self ~~~
-4 5 -4 4
YEAH ~~~ YEAH ~~~
5 4 4 4 3
CHINA IN YOUR HAND……

Complete Lyric
China In Your Hand By T’Pau
Written by Carol Decker and Ron Rogers…

It was a theme she had
On a scheme he had
told in a foreign land
To take life on earth
To the second birth
and the man was in
command
It was a flight on the wings
Of a young girls dreams
That flew too far away
And we could make the monster live again
Oh hands move and heart beat on
Now life will return in this electric storm
A prophecy for a fantasy
The curse of a vivid mind
Don’t push too far
Your Dreams are china in your hand
Don’t wish too hard
Because they may come true
And you can’t help them
You don’t know what you might
Have set upon yourself
China in your hand
Come from greed
Never born of the seed
Took life from a barren hand
On eyes wide
Like a child in the form of a man
A story told
A mind of his own
An omen for our time
We take a flight on the wings of fantasy
Then you push too far
And make your dreams reality
Yeah! china in your hand
But they’re only dreams
And you shouldn’t push too far

6 -6 6 5 4 7 -8 7 -6 -5
I’m tired of crying and all your lying.

7 7 -6 6 5 5 5-4 -4
That’s why I’m buying a china doll.

6 6-6 6 5 4 7 7-8 7 -6-5
Her eyes are bluer, her faults are fewer,

7 7 -6 6 5 4 -34-4 4
Her lips are truer; my china doll.

7 -7 -7 -7 7 -8 7 -8
I’d rather have a doll of clay

6 7 7 7 -8 8
That I could call my own,

7 -6 -6 -7 -7 -8 -7
Than someone else just like you

-7 -6 -7 -6 6
With a heart of stone.

6 -6 6 565 4
She’ll never leave me.

7 -8 7-67-6 -5

7 7 -6 6 5
She’ll never grieve me,

4 -34-4 4
My china doll.

-5 -5b -5 -5b 5 -5b -5 -5b
Chi-na all the way to New York

-5 -5b 5 -5b -5 -5b 5 -5b 4
I can feel the dis-tance get-ting close

5 -5b -5 -5b -5b
You’re right next to me

-5 -5b 5 -5b -5 -5b
But I need an air-plane

-5 -5b 5 -5b -5 -5b 5 -5b -5b
I can feel the dis-tance as you breathe

7 7 -6 -6b -5 -6 -6b -5 -6 -6b
Some-times I think you want me to touch you

7 -7 7 -6 -6 -6
How can I when you build

-5 -5 -5b 5 5 -4
the great wall a-round you

7 -7 7 -6 -6b -5 -6 -6b
In your eyes I saw a fu-ture

-5 -5 -6b -5 -6b -6 7 -7 7 -6 -6 -6b -5
To-geth-er oh you just look a-way in the dis-tance

VERSE 2 same as 1
Chi-na de-cor-ates our ta-ble
Fun-ny how the cracks don’t seem to show
Pour the wine dear
You say we’ll take a hol-i-day
But we nev-er can a-gree on where to go

7 7 -6 -6b -5 -6 -6b -5 -6 -6b
Some-times I think you want me to touch you

7 -7 7 -6 -6 -6
How can I when you build

-5 -5 -5b 5 5 -4
the great wall a-round you

7 -7 7 -6 -6b -5 -6 -6b
In your eyes I saw a fu-ture

-5 -5 -6b -5 -6b -6 7 -7 7 -6 -6 -6b -5
To-geth-er oh you just look a-way in the dis-tance

VERSE 3 same as 1
China all the way to New York
Maybe you got lost in Mexico
You’re right next to me
I think that you can hear me
Funny how the distance
Learns to grow

(CHORUS)

-5 -5b -5 -5b 5 -5b -5 -5b
Hi di ya da da da di di

-5 -5b 5 -5b -5 -5b
I can feel the dis-tance

-5 -5b 5 -5b -5 -5b
I can feel the dis-tance

-5 -5b 5 -5b -5 -5b 5 -5b -5b
I can feel the dis-tance get-ting close

ENJOY!!

5 5 5 5 5 6 6 6 6 6 6 6 6
Far between sundown’s finish an’ midnight’s broken toll
6 6 6 6 6 6 5 -4 -4 -4 4
We ducked inside the doorway, thunder crashing
5 5 5 5 5 5 6 6 6 6 6 6 6
As majestic bells of bolts struck shadows in the sounds
6 6 6 6 6 6 5 -4 -4 -4 4
Seeming to be the chimes of freedom flashing
-4 -4 -4 5 -5 -5 -4 5 5 5 5 -5 6
Flashing for the warriors whose strength is not to fight
-6 -6 -6 -6 -6 6 6 -4 -4 -4 -4 -4 4 -4
Flashing for the refugees on the unarmed road of flight
6 6 6 6 6 6 6 6 6 6 6 6 6 6 5
An’ for each an’ ev’ry underdog soldier in the night
4 4 5 5 5 4 -5 5 -4 -4 -4 4
An’ we gazed upon the chimes of freedom flashing.

In the city’s melted furnace, unexpectedly we watched
With faces hidden while the walls were tightening
As the echo of the wedding bells before the blowin’ rain
Dissolved into the bells of the lightning
Tolling for the rebel, tolling for the rake
Tolling for the luckless, the abandoned an’ forsaked
Tolling for the outcast, burnin’ constantly at stake
An’ we gazed upon the chimes of freedom flashing.

Through the mad mystic hammering of the wild ripping hail
The sky cracked its poems in naked wonder
That the clinging of the church bells blew far into the breeze
Leaving only bells of lightning and its thunder
Striking for the gentle, striking for the kind
Striking for the guardians and protectors of the mind
An’ the unpawned painter behind beyond his rightful time
An’ we gazed upon the chimes of freedom flashing.

Through the wild cathedral evening the rain unraveled tales
For the disrobed faceless forms of no position
Tolling for the tongues with no place to bring their thoughts
All down in taken-for-granted situations
Tolling for the deaf an’ blind, tolling for the mute
Tolling for the mistreated, mateless mother, the mistitled prostitute
For the misdemeanor outlaw, chased an’ cheated by pursuit
An’ we gazed upon the chimes of freedom flashing.

Even though a cloud’s white curtain in a far-off corner flashed
An’ the hypnotic splattered mist was slowly lifting
Electric light still struck like arrows, fired but for the ones
Condemned to drift or else be kept from drifting
Tolling for the searching ones, on their speechless, seeking trail
For the lonesome-hearted lovers with too personal a tale
An’ for each unharmful, gentle soul misplaced inside a jail
An’ we gazed upon the chimes of freedom flashing.

Starry-eyed an’ laughing as I recall when we were caught
Trapped by no track of hours for they hanged suspended
As we listened one last time an’ we watched with one last look
Spellbound an’ swallowed ’til the tolling ended
Tolling for the aching ones whose wounds cannot be nursed
For the countless confused, accused, misused, strung-out ones an’
worse
An’ for every hung-up person in the whole wide universe
An’ we gazed upon the chimes of freedom flashing.

-4 -6 -6 -6 -6 -6 -6 -6
Chim chim-in-ey chim chim-in-ey

-6 -7 -6 6
chim chim cher- ee

6 6 -6 6 -5 6 -5 5 -4 5 -6
A sweep is as luck-y as lucky can be

-4 -6 -6 -6 -6 -6 -6 -6
Chim chim-in-ey chim chim-in-ey

-6 -7 -6 6
Chim chim cher-oo

6 6 -6 6 -5
Good luck will rub off

6 -5 5 -5 5 -4
When I shake hands with you

-8 -8 7 -7 -8
Or blow me a kiss

-6 7 -8 8 -8
And that’s lucky too

-4 -6 -6 -6-6 -6 -6 -7 -6 6
Now as the ladder of life as been strung

6 6 -6 6 -5 6 -5 5 -4 5 -6
you may think a sweeps on the bottom most rung

-6 -4 -6 -6 -6 -6 -6 -6-7 -6 6
Though I spends me time in the ashes and smoke

6 6 -6 6 -5 6 -5 5-5 5 -4
In this ‘ole wide world there’s no happier bloke

From: Walt Disney’s “Mary Poppins”
By: Richard & Robert Sherman
Key: Dm
Time: 3/4

-1 -3 -3 -3 -3 -3 -3 -3
Chim chim-in-ey chim chim-in-ey
-3 -3* -3 3
chim chim cher-ee
3 3 -3 3 -2 3 -2 2 -1* 2 -3
A sweep is as luck-y as luck-y can be
-1 -3 -3 -3 -3 -3 -3 -3
Chim chim-in-ey chim chim-in-ey
-3 -3* -3 3
Chim chim cher-oo
3 3 -3 3 -2
Good luck will rub off
3 -2 2 -2 2 -1
When I shake ‘ands with you
-5 -5 4 -3* -5
Or blow me a kiss
-3 4* -5 6 -5
And that’s luck-y too
-1 -3 -3 -3 -3 -3 -3 -3* -3 3
Now as the lad-der of life ‘as been strung
3 3 -3 3 -2
you may think a sweep’s
3 -2 2 -1* 2 -3
On the bot-tom most rung
-3 -1 -3 -3 -3
Though I spends me time
-3 -3 -3 -3 -3 3
In the ash-es and smoke
3 3 -3 3 -2
In this ‘ole wide world
3 -2 2 -2 2 -1
There’s no ‘ap-pi-er bloke

6 7 7 7 7 -7 -7 8 8 7
I’m headin’ where those Chilly Winds don’t blow,

7 7 <-5 5 my sweet baby, 5 -5 -5 -5 -5 <7 <7 <7 <7 7 I'm headin' where those Chilly winds don't blow 6 6 7 7 6 -5 -5 -3 5 When I'm gone to my lone summer home

Trad. Christmas carol
Johnny Cash, Peter, Paul & Mary
Key: F

-2 -3 4 -3* -3 -3* 4
Chil-dren, go where I send thee,
4 -3* -3 -3*-3 -2
How shall I send thee?
-3 -2 -2 -2 -2 -2 -2 -3
I’m gon-na send thee one by one
-3 -2 -2 -2 -2 -2 -2 3 -2
One’s for the lit-tle it-ty ba-by
5 -5*-5 4 -3 -2 1 2 -2
Born, born, Lord, born in Beth-le-hem.
-2 -3 4 -3* -3 -3* 4
Chil-dren, go where I send thee,
4 -3* -3 -3*-3 -2
How shall I send thee?
-3 -2 -2 -2 -2 -2 -2 -3
I’m gon-na send thee two by two
-2 -3 -2 -2 -2 -2 3 -2
‘Cause Two was a Paul and Si-las
-2 -3 -2 -2 -2 -2 -2 -2 3 -2
And One was a lit-tle it-ty ba-by
4 -5*-5 4 -3 -2 1 2 -2
Born, born, Lord, born in Beth-le-hem.

[Repeat in decending order:]
Three for the Hebrew children
Four for the four that stood at the door…
Five for the gospel preachers…
Six for the six that never got fixed…
Seven for the seven that never went to heaven…
Eight for the eight that stood at the gate…
Nine for the nine who saw the sign
Ten for the ten commandments…