+5 -5 +5 -5 +5 -5 +5

You were the shadow to my light

+5 -4 +4 -6

Did you feel us?

-6 +6 -5 +6

Another star you fade away

+5 -5 +5 -5 +5 -5 +5

Afraid our arm is out of sight

+5 -5 +7 +6

Wanna see us alright

-5 +6 -5 +6

Where are you now? (x5)

+5 +5 +5 +5 +5 +5 +6 +6 +7 +7 +7 +7 +7 +7

Atlantis, under the sea, under the sea

+5 +5 +5 +5 +5 +5 +6 +6 +7 +7 +7 +7 +7 +7

Where are you now, under the sea?

+5 +5 +5 +5 +5 +5 +6 +6 +7 +7 +7 +7 +7 +7

The monster´s running wild inside of me

+5 +6 +5

I´m faded

4 4 -3″ 4 -3″ 4 -4 5
You were the shadow to my light
4 4 3 5
Did you feel us?
4 4 -4 -3
Another star
-3 -3 -3″ 4
You fade away
4 4 -3″ 4 -3″ 4 -4 5
Afraid our aim is out of sight
4 4 6 5
Wanna see us
4 4 -4
Alight

5 5 5 5, 4 4 5 -6 -6 -6 6 5 5 5 5 -3 -3 -3
Where are you now?
5 5 5 5, 4 4 5 -6 -6 -6 6 5 5 5 5 -3 -3 -3
Where are you now?
5 5 5 5
Where are you now?
4 -4 -4 -4 5 -4 4 4
Was it all in my fantasy?
5 5 5 5
Where are you now?
4 4 4 4 -4 -3 -3 -3 -3″ 3
Were you only imaginary?

(Chorus)
5 5 5 5, 4 4 5 -6 -6 -6
Where are you now?
Atlantis
4 6 6 5
Under the sea
4 6 6 5 -4
Under the sea
5 5 5 5
Where are you now?
4 -3″ -3″ -5
Another dream
6 5 6 5 6 5 6 -4 -4 -5
The monster’s running wild inside of me
-3″ -5 5 5
I’m faded
(melody)
-3″ -5 5 5
I’m faded
(melody)
-4 -3, -3″ -5 5 5
So lost, I’m faded
(melody)
-3″ -5 5 5
I’m faded
(melody)
-4 -3, -3″ -5 5 5
So lost, I’m faded

Moderately

4 4 4 -3 -4 4 3 4

One man on a lone-ly plat-form

-3 -3 -3 4 -3 3 3

one case sit-ting by his side

4 4 4 -3 -4 4 3 4

Two eyes star-ing cold and sil-ent

-3 -3 -3 4 -3 3 3

show fear as he turns to hide

-3 -4

a—-h

3 3 -2 3

we fade to grey

-3 -4

a—-h

3 3 -2 3

we fade to grey

4 4 4 4 -3 -4 4 3 4

Feel the rain like an Eng-lish sum-mer

-3 -3 -3 -3 4 -3 3 3

feel the notes from a dist-ant song

4 4 4 4 -3 -4 4 3 4

step-ping out from a back shop pos-ter

-3 -3 -3 4 -3 -3 3 3

wish-ing life would-n’t be so dull.

-3 -4

a—-h

3 3 -2 3

we fade to grey

-3 -4

a—-h

3 3 -2 3

we fade to grey (repeat to fade)

FADE TO BLACK METALLICA

KEY OF D

-5 -5 -5 -6b -6 7 -6
Life it seems will fade a-way

-5b -5b -5b -5 -6b -5b -5b
Drif-ting fur-ther ev-ry-day

-5 -5 -5 -6b -6 7 -7
Get-ting lost with-in my-self

-5b -5b -5b -5b 7 -5b -5b
Noth-ing mat-ters no one else

-5 -5 -5 -6b -6 7 -6
I have lost the will to live

-5b -5b -5b -5 -6b -5b -5b
Sim-ply noth-ing more to give

-5 -5 -5 -6b -6 7 -7
There is noth-ing more for me

-5b -5b -5b -5b 7 -5b -5b
Need the end to set me free

VERSE 2 same as 1
Things not what they used to be
Missing one inside of me
Deathly lost this can’t be real
Can’t stand this hell I feel
Emptiness is filling me
To the point of agony
Growing darkness taking dawn
-5b -5b
I was me, but now he’s gone

7 -7 -7 -7 7 -7 -8 8
No one but me can save my-self,

8 7 -8 8
but it’s too late

7 -7 -7 -7
Now I can’t think,

7 -7 -7 -8 8 8 8
think why I should e-ven try

VERSE 4 same as 3
Yesterday seems as though it never existed
Death greets me warm, now I will just say goodbye

Goodbye

ENJOY!!

C# is a Db

6 6 6 -6 7 7 7 8 8 -8 7 8
Waiting for a girl who’s got curlers in her hair
6 6 6 -6 7 7 7 -8 8 8 -8 7 8
Waiting for a girl who’s got no money anywhere
8 8 7 7 -8 7 8
We get buses everywhere
8 8 8 7 -8 7 7 7
Waiting for a factory girl

6 6 6 -6 7 7 7 8 8 -8 7 8
Waiting for a girl and she gets me into fights
6 6 6 -6 7 -8 7 8 8 -8 7 8
Waiting for a girl we get drunk on friday nights
8 8 7 -8 7 8
She’s a sight for sore eyes
8 8 8 7 -8 7 7 7
Waiting for a factory girl

6 6 6 -6 7 7 7 8 8 -8 7 8
Waiting for a girl and her knees are much too fat
6 6 6 -6 7 -8 7 8 8 -8 7 8
Waiting for a girl who weares scarves instead of hat
8 8 7 7 -8 7 8 8
Her zipper’s broken down the back
8 8 8 7 -8 7 7 7
Waiting for a factory girl

6 6 6 -6 7 7 7 8 8 -8 -8 8 8
Waiting for a girl and she’s got stains all down her dress
6 6 6 -6 7 -8 7 8 8 -8 7 8
Waiting for a girl and my feet are getting wet
8 8 7 7 -8 8
She ain’t comen out yet
8 8 8 7 -8 7 7 7
Waiting for a factory girl

5 5 5 -4 -4 4 -6 -6 -6 6 6
early in the morning factory whistle blows
5 5 5 5 5 4 5 -4 5 -4
man rises from bed and puts on his clothes
5 5 -4 -4 4 4 -6 -6 -6 6 6
man takes his lunch walks out in the morning light
4 -4 5 -4 -4 -4 -4 5 -4 4 4
it`s the work,the working just the working life

5 5 5 5 -4 -4
through the mansions of fear
-6 -6 -6 -6 6 6
through the mansions of pain
4 4 -4 5 5 5 5 5 5 -5 5
i see my daddy walking through them factory
5 -4 5 -4
gates in the rain
5 5 5 -4 -4 4 -6 -6 -6 6 6
factory takes his hearing factory gives him life
4 -4 5 -4 -4 -4 -4 5 -4 4 4
it`s the work,the working just the working life

end of the day,factory whistle cries,
men walk through these gates with death in their
eyes,
and you just better believe boy,
somebodys gonna get hurt tonight
it`s the work,the working just the working life.

-4 -4 -4 -4 -3 -3 -3
It’s late and I am ti-red.
-4 -4 -4 -4 -3 -3
Wish I could spark a smile.
-3 -3 -3 -3 3 3
The place is fly-ing high,
-2 -3 -3 -3 3 3 3 -2
but right now I want to be low.

-4 -4 -4 5 -3 -3
Don’t want to move an inch,
-4 -4 -4 -4 5 -3 -3
let a-lone a mil-lion miles.
-3 -3 -3 -3 3 3
And I don’t want to go,
-2 -3 -3 -3 -3 3 3
but I know I got-ta go.
-6 6 5 5 5 4 -4
I just want to feel a-live.

6 6 6 6 6 6 6 -6
The times you don’t wan-na wake up,
-6 -6 -6 -6
cause in your sleep,
-6 -6 -6 -6 -6 -6 -6 -6 6
it’s ne-ver o-ver when you give up.
6 6 6 6 6 6 6 6 -6
The sun is al-ways gon-na rise up.
-6 -6 -6 -6 -6
You need to get up,
-6 -6 -6 -6 -7 6
got-ta keep your head up.

6 6 6 6 6 6 6 6 -6
Look at the peo-ple all a-round you,
-6 -6 -6 -6 -6 -6 -6
the way you feel is some-thing
-6 -6 -6 -6 -6 6
e-very-bo-dy goes through.
6 6 6 6 6 6 6 6 -6
Dark out, but you still got-ta light up.
-6 -6 -6 -6 -6
You need to wake up,
-6 -6 -6 -6 -7 6
got-ta keep your face up.

Face to Face with Christ, My Savior
This is my version of Face to Face with Christ, My Savior. I’ve altered it slightly.

6 6 -6 6 5 7 7 -7
Face to face with Christ my Sav-ior,
-8 7 -7 -6 6 -6 6
Face to face what will it be
6 6 -6 6 5 7 7 -7
When with rap-ture I be-hold Him,
-6 -6 6 7 -8 8-8 7
Je-sus Christ who died for me?

chorus
-8 -8 8 -8 7 -8 8 7
Face to face I shall be-hold Him,
-8 8 -8 7 -7 -6 6
Far be-yond the star-ry sky;
8 8 -9 8 -8 7 8-9-8
Face to face in all His glo-ry,
7 -6 6 7 8 -8 7
I shall see Him by and by!

Face To Face
Chromatic

2 2 -2 2 1 -3 -3 3
Face to face with Christ, my sav-ior,

-4 -3 3 -2 2 -2 2
face to face _ what will it be?

2 2 -2 2 1 -3 -4 -2
When with rap-ture I be-hold Him,

-2 -2 2 4 4 -4 -3
Je-sus Christ who died for me !

chorus

-4 -4 4 -4 -3 3 -3 4
Face to face I shall be-hold Him,

-4 4 -4 -3 3-2 2 4 4 -5
far be-yond the stary sky; Face to face,

4 -4 -3 -4 -5 -2 -2 2 4 4 -4 -3
in all His glo-ry, I shall see Him by and by !

6 6 -6 6 5 7 7 -7
Face to face with Christ my Sav-ior,

-8 7 -7 -6 6 -6 6
Face to face what will it be

6 6 -6 6 5 7 -8 -6
When with rap-ture I be-hold Him,

-6 -6 6 8 8 -8 7
Je-sus Christ who died for me?

chorus

-8 -8 8 -8 7 -7 7 8
Face to face I shall be-hold Him,

-8 8 -8 7 -7 -6 6
Far be-yond the star-ry sky;

8 8 -9 8 -8 7 -8 -9
Face to face in all His glo-ry,

-6 -6 6 8 8 -8 7
I shall see Him by and by

FACE THE FIRE
By: Dan Fogelberg
Key: Am

2 6 6 6-5 -5 -4 5 -56 6
I hear the thun-der three miles a-way
2 6 6 6-5 -5 -5 5 -4-3 -3
The is-land’s leak-ing in-to the bay
2 -5 6 6 6 -5 -5
The poi-son is spread-ing
-1 -4 5 -5 6
The de-mon is free
2 -5 6 6 6 -5 -5
And peo-ple are run-ning from
-5 -5 6 -5 5 -4 -3
What they can’t ev-en see.

6 6 6-5-5 -55 -4 5 -56 6
Face the fi-re you can’t run a-way
2 6 6 6 -5 -5
The risk grows great-er
-5 -5 6 -5 -55
With each pass-ing day
2 6 6 6-5-5
The wait-ing’s ov-er
3 -4 5 -5 6
The mo-ment has come
2 6 6 6-5-5 5-4 -4 4 -4 -3
To kill the fi-re and turn to the sun.

2 6 6 6-5 -5
They’ll take your mon-ey
-55 -4 5 -56 6
And then take your health
2 6 6 6-5 -5 -5
To line their pock-ets with
-5 5 -4-3 -3
Un-e-qualed wealth
2 -56 6 6-5 -5
These men are un-der
-1 -4 4 -5 6
The pow-er of gold
2 -56 6 6-5 -5 -5 -56
We won’t be safe un-til we
-5 5 -4 -3
Shut them down cold.

6 6 6-5-5 -55 -4 5 -56 6
Face the fi-re you can’t run a-way
2 6 6 6 -5 -5
The risk grows great-er
-5 -5 6 -5 -55
With each pass-ing day
2 6 6 6-5-5
The wait-ing’s ov-er
3 -4 5 -5 6
The mo-ment has come
2 6 6 6-5-5 5-4 -4 4 -4 -3
To kill the fi-re and turn to the sun.
6 6 6-5-5 -5 -4 4 -4 -332
Kill the fi-re and turn to the sun

2 6 6 6 -5 -5 -55 -4 5 -56 6
The peo-ple came to the cap-i-tol town
2 6 6 6 -5 -5 -5 -5
One hun-dred thous-and of them
-5 5 -4-3 -3
Laid their hearts down
2 -5 6 6 6-5 -5
They screamed in an-ger
-1 -4 5 -5 6
And broad-cast their fears
-5 6 6 6 -5 -5
Just to have them
-5 5 -4 -3
Fall on deaf ears.

This song in on John`s «Tarzana Kid» album which
featured a great cast of musicians backing him
The Pointer Sisters, Phil Everly, Ry Cooder,
Emmylou Harris, David Grisman, Jim Gordon, and Lowell George, amongst
them.

1.
5 6 5 -4 4 5 -4 4 -4 4 4
Bein` born in— blocks of— buildings,
5 -4 -4 5 -4 4 -6 -6 6 5 -6 6
with a sub~~~~~~ way lul-la-bye
5 6 5-4 4 -4 4 5-4 4-4 4 4
When I dreamed of— Ap-pal-a-chia
5 -4 -4 5 -4 4 -6 -6 6 5 6-6
it was dreams~~~~~~~ That had to die
6 -6 7 -6 6 -6 5 -4 4
Coal trains wail~~~in` banjos frailing
6 -6 7 -6 6 8-8 8-8 7
Sounds es-cap~~~in` through the night
8 -8 -8 8 -8 7 -6 6-6 6 5 -6 5
But the Face~~~~~~` of Ap — pa-la-chia
-4 5-4 4 5 -4 -4 5 -4 4 4 5 -4 4 4
was there— in that grey~~~~~ apartment life
2.
I would fashion I`d imagine
Some-where steeped in water-falls
Wild birds sing to a five string
Bouncin` music off mountain walls
Coal trains wailin` banjos frailing
Sounds escapein` through the door
But the Face Of Appalachia was there
she was changin` that`s for
5-4 5 6-6 5 -4 4-4 5-4 4 5 -4 4 4
sure~~~~~ she was changin` that`s for sure.
3.
Grand pa made me quite a promise
For the day I came of age
He said we`d walk through Appalachia
Northern Georgia all through to Maine
Dreadfull sorry my beloved
Such a promise couldn`t keep
All my dreams of Appalachia
Just an old mans memories
Just an old mans memories

0-hole diatonic harmonica. Audio is available in the audio section of this page to hear how the tabs play on an E harmonica.

Legend: + = blow, — = draw

-6 -7 +7 -6
+6 +4 -4 +4 +5 +4 +6 +4 -4 +4 +5 +4 (6x)

-6 +6 +6 +5 +6 +5 +5 -4 +5 -4 +4 +4 (2x)
+5 -6 +6 +6 +5 +6 +5 +5 -4 +5 -4 +4 +4
-6 +6 +6 +5 +6 +5 +5 -4 +5 -4 +4 +4

-6 -6 -6 (repeat by following beat)

-6 +6 +6 -6 +6 +6 -6 +6 +6 -6 +6 -6 -8 +7 -8 +7
+7 -8 +7 -8 +9 +8 -8 +7 -8 +7 +7, +7

^ Repeat twice

-4 +5 +5 -4 +5 +5 -4 +5 +5 -4 -4 +5 +6 +7 -6 +6
+7 -8 +7 -8 +9 +8 -8 +7 -8 +7 +7, +7

Musique sifflée par le fameux fabulo

-4 -6 -6 6 -6 -5

6 -5 5 -6 -4

6 -5 5 -5 -4 -6

-6 6 5 -5 -4

8 -8 8 7
-8 7 -8 -7
7 -7 7 -6

(About eight seconds into the song)
-6 -7 7 8 -6
-6 -7 7 8
-6 -7 7 9

Green day — f.o.d

4 4 4 -4 5
Something’s on my mind
4 4 4 4 -4 5
It’s been for quite some time
5 -5 5 -4 4 5
This time I’m on to you
4 4 4 4-4 5
So where’s the other face?
4 4 4 4 -4 5
The face I heard before
5 -5 5 -4 4 5
Your head trip’s boring me

6 6 5 -5 5 -4
Let’s nuke the bridge we torched
4 -5 4 4 -4 5
Two-thousand times before
6 6 5 -5 5 -4 4 4
This time we’ll blast it all to hell
6 6 5 -5 5 -4
I’ve had this burning in
4 -5 4 4 -4 5
my guts now for so long
6 6 5 -5 5 -4 4 4
My belly’s aching now to say

Chorus
5 5 -5 -5
5 5 5 -5 -5 5 5 -4 4
5 5 -5 -5
5 5 5 -5 5 -4 4 4

5 4
Good-nite……….

F**kin’ Perfect KEY OF C (12 hole Chromatic)
Words and Music by Alecia Moore, Max Martin, and
Johan Schuster
Performed by Alecia Moore (aka P!nk)
Transposed from original key to Key of C Major
Range: C4 to G5
Tabbed for a 12 hole Key of C Solo tuned chromatic.

Tab notations:
none = blow — = draw __ = hold
2_3_-3 = slur; slide smoothly from note to note
5 = grace note; just barely sound before playing main note

1 -1 2_ 3__ -3_ 3 -1__
Made a wrong turn, once or twice

1 -1 2_3_-3 4__ 4_ 3 -3__
Dug my way___ out, blood and fire

1 -1 2 3___ -3_ 3 -1__
Bad de–ci–sions, that’s al – right

1 -1 2_3_-3 4__ 4_ 3 -3__
Wel-come to____ my_ sil-ly life

4_-4 4__ 4 4 4 -5 4 -4 4 4
Mis_–treat-ed, mis-placed, mis-un-der-stood Miss

4 -5 4 -4 4 4 4 -5 4_ 3 -2___
“No way, it’s all good,” it did-n’t slow me down_

4_-4 4 4 4 -5 4 -4 4 4 4 -5 4 -4 4 4
Mis_–tak – en, al-ways sec-ond guess – ing, un-der-es-ti-mat — ed

4 -5 4_ -4 -2___
Look, I’m still a-round

5 -5 5 -5 6____ -5 5 5 -5 5 -5 6____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-5 5 4___ -3___ 4 -5 4___ -3___
Like you’re less than_ f*ck-in’ per_–fect_

5 -5 5 -5 6____ -5 5 5 -5 5 -5 6____
Pret-ty pret-ty please, if you ev-er er-er feel_

-5 5 4___ -3__ -3 4 -5 4___ -3___ -3 3___
like you’re noth–ing_ You’re f*ck-in’ per_–fect_ to me!_

1 -1 2__3___ -3_ 3 -1 1 1 -1 2_3_-3_4___
You’re so mean,__ when you talk a-bout your-self,______

4_ 3 -3__
You were wrong.

1 -1 2 3___ -3 3 -1__
Change the voic-es__ in your head,

1 -1 2_3_-3 4_-5_5__ 4__ 3__
make them like__ you_____ in_–stead

4 4 -4 4__ 4 4 -5 4 -4 4 4
So com-pli-cat-ed look hap-py, you’ll make it!

4 -5 4 -4 4 4 4 -5 4__3 -2___
Filled with so much ha — tred, such a tired game_

4 -4 4 4 4 -5 4 -4 4 4
It’s e-nough! I’ve done all I can think of

4 -5 4 -4 4 4 4 4 -5 4 3 -2___ 4__-5__
Chased down all my de — mons, I’ve seen you do the same_ Oh,_____

5 -5 5 -5 6____ -5 5 5 -5 5 -5 6____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-5 5 4___ -3___ 4 -5 4___ -3___
Like you’re less than_ f*ck-in’ per_–fect_

5 -5 5 -5 6____ -5 5 5 -5 5 -5 6____
Pret-ty pret-ty please, if you ev-er er-er feel_

-5 5 4___ -3__ -3 4 -5 4___ -3___ -3 3_
like you’re noth–ing_ You’re f*ck-in’ per_–fect_ to me!

2 2 2 2 2 -1 2 2 -1 2
The whole world’s scared so I swal-lowed the fear

2 2 -1 2 -1 2 -1 2 2 -1 -1 2 -1 2
The on-ly thing I should be drink-ing is an ice cold beer

-1 2 -1 2_ 2 -1 2_ 2_ 2_
So cool in line, and we try try try,

2 -1 -2 2 1 1 1 1 -2 -2 2 1
but we try too hard and it’s a waste of my time

2 2 -1 2 -1 2 2 2 -1 2 -1 2 2 -1
Done look-ing for the crit-ics, ‘cause they’re ev-‘ry-where They don’t

2 -1 2 2 -1 2 -1 2
like my jeans, they don’t get my hair

-1 2 -1 2
Ex-change our-selves,

2 2 2 2 2 -1 2
and we do it all the time

-2 2 -2 2_ 1 -2 2 -2 2_ 1
Why do we do that? Why do I do that?

Why do I do that?

7_-56_-56______ 6_-5_5_5-5_5-5_5____
Yeah,_________ oh,________________

7 7_-6 -6_6 7 6 6 6_
oh ba_- by,_ pret-ty ba-by!

5 -5 5 -5 6____ -5 5 5 -5 5 -5 6____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-5 5 4___ -3___ 4 -5 4___ -3___
Like you’re less than_ f*ck-in’ per_–fect_

5 -5 5 -5 6____ -5 5 5 -5 5 -5 6____
Pret-ty pret-ty please, if you ev-er ev-er feel_

-5 5 4___ -3__ -3 4 -5 4___ -3___ -3 3___
Like you’re noth–ing, you’re f*ck-in’ per_–fect_ to me,_

5-5_5__
yeah._

5 -5__ 6
You’re per_-fect

7 7 6___-55___-5_5 5 -5 5 -5 6____
you’re per-fect!________ Pret-ty pret-ty please,

-5 5 5 -5 5 -5 6____
if you ev-er ev-er feel_

-5 5 4___ -3__ -3 4 -5 4___ -3___ -3 3_____
like you’re noth-ing_ You’re f*ck-in’ per_-fect_ to me.___

F**kin’ Perfect (16 hole Chromatic)
Words and Music by Alecia Moore, Max Martin, and
Johan Schuster
Performed by Alecia Moore (aka P!nk)
Key of G Major Range: G3 to D5
Tabbed for a 16 hole Key of C Solo tuned Chromatic.

Tab notations:
none = blow — = draw * = button in __ = hold
. = on lower register (first 4 holes on 16 hole Chromatic)
-.4_-1_2 = slur; slide smoothly from note to note
3 = grace note; just barely sound before playing main note

.3 .3 -.4_ -1___ 2__ -1 -.3__
Made a wrong turn, once or twice

.3 -.3 -.4_-1_2 3__ 3__ -1 2__
Dug my way_____ out, blood and fire

.3 -.3 -.4 -1___ 2__ -1 -.3__
Bad de – ci–sions, that’s al–right

.3 -.3 -.4_-1_2 3__ 3__ -1 2__
Wel-come to______ my_ sil-ly life

3_-2* 3__ 3 3 3 -3 3 -2* 3 3
Mis – treat-ed, mis-placed, mis-un-der-stood Miss

3 -3 3 -2* 3 3 3 -3 3__ -1 1___
“No way, it’s all good,” it did-n’t slow me down

3_-2* 3 3 3 -3 3 -2* 3 3 3 -3 3 -2* 3 3
Mis – tak – en, al-ways sec-ond guess – ing, un-der-es-ti-mat-ed

3 -3 3__ -1 1___
Look, I’m still a- round

3 -3 3 -3 4____ -3 3 3 -3 3 -3 4____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-3 3 3__ 3__ 3 -3 3__ 2__
Like you’re less than f*ck-in’ per–fect

3 -3 3 -3 4____ -3 3 3 -3 3 -3 4____
Pret-ty pret-ty please, if you ev-er er-er feel_

-3 3 3___ 2__ 2 3 -3 3___ 2___ 2 -1___
like you’re noth–ing You’re f*ck-in’ per_–fect to me!__

.3 -.3 -.4_-1_2__ 2_ -1 -.3__ .3 .3 -.3 -.4_-1_3__
You’re so mean,_____ when you talk_ a- bout your-self,_____

3__ -1 2__
You were wrong.

.3 -.3 -.4 -1__ 2__ -1 -.3__
Change the voic-es__ in_ your head,

.3 -.3 -.4_-1_2 3_-3_3__ 7__ -1__
make them like____ you_____ in_–stead

3 3 -2* 3__ 3 3 -3 3 -2* 3 3
So com-pli-cat-ed look hap-py, you’ll make it!

3 -3 3 -2* 3 3 3 -3 3___-1 1___
Filled with so much ha-tred, such a tired_ game

3 -2* 3 3 3 -3 3 -2* 3 3
It’s e- nough! I’ve done all I can think of

3 -3 3 -2* 3 3 3 3 -3 3 -1 1___ 3__-3__3
Chased down all my de — mons, I’ve seen you do the same Oh,_____

3 -3 3 -3 4____ -3 3 3 -3 3 -3 4____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-3 3 3__ 3__ 3 -3 3__ 2__
Like you’re less than f*ck-in’ per–fect

3 -3 3 -3 4____ -3 3 3 -3 3 -3 4____
Pret-ty pret-ty please, if you ev-er er-er feel_

-3 3 3___ 2__ 2 3 -3 3___ 2___ 2 -1
like you’re noth–ing You’re f*ck-in’ per_–fect to me!

-.4 -.4 -.4 -.4 -.4 -.3 -.4 -.4 -.3 -.4_
The whole world’s scared so I swal-lowed the fear

-.4 -.4 -.3 -.4 -.3 -.4 -.3 -.4 -.4 -.3 -.3 -.4 -.3 -.4_
The on- ly thing I should be drink-ing is an ice cold beer

-.3 -.4 -.3 -.4 -.4 -.3-.4 -.4 -.4
So cool in line, and we try try try,

-.4 -.3 .4 -.4 .3 .3 .3 .3 .4 .4 -.4 .3
but we try too hard and it’s a waste of my time

-.4 -.4 -.3 -.4 -.3 -.4 -.4 -.4 -.3 -.4-.3 -.4 -.4 -.3
Done look-ing for the crit-ics, ‘cause they’re ev-‘ry-where They don’t

-.4 -.3 -.4 -.4 -.3 -.4 -.3 -.4
like my jeans, they don’t get my hair

-.3 -.4 -.3 -.4
Ex-change our-selves,

-.4 -.4 -.4 -.4 -.4 -.3 -.4
and we do it all the time

.4 -.4 .4 -.4 .3 .4 -.4 .4-.4 .3
Why do we do_ that? Why do I do_ that?

Why do I do that?

-5_-3-4_-3-4______ -4_-3___3-3_3-33____
Yeah,____________ oh,________________

-5 -5_5 4_-4 -5 -4 -4 -4
oh ba — by,_ pret-ty ba-by!

3 -3 3 -3 -4____ -3 3 3 -3 3 -3 -4____
Pret-ty pret-ty please, don’t you ev-er ev-er feel__

-3 3 3___ 2___ 3 -3 3___ 2___
Like you’re less than f*ck-in’ per – fect

3 -3 3 -3 -4____ -3 3 3 -3 3 -3 -4____
Pret-ty pret-ty please, if you ev-er ev-er feel__

-3 3 3___ 2__ 2 3 -3 3___ 2___ 2 -1___
Like you’re noth–ing, you’re f*ck-in’ per – fect to me,__

3-3_3___
yeah.___

3 -3__ -4
You’re per_-fect

-5 -5 -4__-33___-3_3 3 -3 3 -3 -4____
you’re per-fect!________ Pret-ty pret-ty please,

-3 3 3 -3 3 -3 -4____
if you ev-er ev-er feel__

-3 3 -3___ 2__ 2 3 -3 3___ 2___ 2 -1_____
like you’re noth_-ing You’re f*ck-in’ per_-fect to me.____

F**kin’ Perfect (12 hole Chromatic)
Words and Music by Alecia Moore, Max Martin, and
Johan Schuster
Performed by Alecia Moore (aka P!nk)
Key of G Major
Tenor C Range: G3 to D5 Standard Key of C Range: G4 to D6
Tabbed for EITHER a Tenor C Chromatic (as published)
OR a Key of C Solo tuned Chromatic (will be an octave high)

Tab notations:
none = blow — = draw * = button in __ = hold
-4_-5_6 = slur; slide smoothly from note to note
7 = grace note; just barely sound before playing main note

3 -3 -4_ -5__ 6_ -5 -3
Made a wrong turn, once or twice

3 -3 -4_-5_6 7__ 7_ -5 6__
Dug my way____ out, blood and fire

3 -3 -4 -5___ 6_ -5 -3__
Bad de–ci–sions, that’s al–right

3 -3 -4_-5_6 7__ 7 -5 6__
Wel-come to_____ my_ sil-ly life

7_-6* 7__ 7 7 7 -7 7 -6* 7 7
Mis – treat-ed, mis-placed, mis-un-der-stood Miss

7 -7 7 -6* 7 7 7 -7 7_ -5 5___
“No way, it’s all good,” it did-n’t slow me down

7_-6* 7 7 7 -7 7 -6* 7 7 7 -7 7 -6* 7 7
Mis – tak–en, al-ways sec-ond guess – ing, un-der-es-ti-mat-ed

7 -7 7 -5 5___
Look, I’m still a- round

7 -7 7 -7 -8____ -7 7 7 -7 7 -7 -8____
Pret-ty pret-ty please, don’t you ev-er ev-er feel__

-7 7 7___ 6___ 7 -7 7___ 6___
Like you’re less than f*ck-in’ per– fect

7 -7 7 -7 -8____ -7 7 7 -7 7 -7 -8____
Pret-ty pret-ty please, if you ev-er er-er feel__

-7 7 7___ 6__ 6 7 -7 7___ 6___ 6 -5___
like you’re noth–ing You’re f*ck-in’ per – fect to me!__

3 -3 -4_-5___ 6_ -5 -3__ 3 3 -3 -4_-5_6_7__
You’re so mean,___ when you talk a-bout your-self,______

7_ -5 6__
You were wrong.

3 -3 -4 -5___ 6_ -5 -3__
Change the voic-es___ in your head,

3 -3 -4_-5_6 7_-7_7 7__ -5__
make them like___ you___ in– stead

7 7 -6* 7__ 7 7 -7 7 -6* 7 7
So com-pli-cat-ed look hap-py, you’ll make it!

7 -7 7 -6* 7 7 7 -7 7__-5 5___
Filled with so much ha-tred, such a tired game

7 -6* 7 7 7 -7 7 -6* 7 7
It’s e- nough! I’ve done all I can think of

7 -7 7 -6* 7 7 7 7 -7 7 -5 5___ 7___-7__
Chased down all my de- mons, I’ve seen you do the same Oh,_____

7 -7 7 -7 -8____ -7 7 7 -7 7 -7 -8____
Pret-ty pret-ty please, don’t you ev-er ev-er feel__

-7 7 7___ 6___ 7 -7 7___ 6___
Like you’re less than f*ck-in’ per– fect

7 -7 7 -7 -8____ -7 7 7 -7 7 -7 -8____
Pret-ty pret-ty please, if you ev-er er-er feel__

-7 7 7___ 6__ 6 7 -7 7___ 6___ 6 -5
like you’re noth–ing You’re f*ck-in’ per – fect to me!

-4 -4 -4 -4 -3 -4 -4 -3 -4
The whole world’s scared so I swal-lowed the fear

-4 -4 -3 -4 -3 -4 -3 -4 -4 -3 -3 -4 -3 -4
The on-ly thing I should be drink-ing is an ice cold beer

-3 -4 -3 -4_ -4 -3 -4 -4 -4
So cool in line, and we try try try,

-4 -3 4 -4 -3 -3 -3 3 4 4 -4 3
but we try too hard and it’s a waste of my time

-4 -4 -3 -4 -3 -4 -4 -4 -3 -4 -3 -4 -4 -3
Done look-ing for the crit-ics, ‘cause they’re ev-‘ry-where They don’t

-4 -3 -4 -4 -3 -4 -3 -4
like my jeans, they don’t get my hair

-3 -4 -3 -4
Ex-change our-selves,

-4 -4 -4 -4 -4 -3 -4
and we do it all the time

4 -4 4 -4_ 3 4 -4 4 -4_ 3
Why do we do_ that? Why do I do_ that?

Why do I do that?

-9_-7-8_-7-8______ -8_-7__7-7_7-7_7____
Yeah,____________ oh,________________

-9 -9_9 8_-8_ -9_ -8 -8_ -8_
oh ba__-by,__ pret-ty ba- by!

7 -7 7 -7 -8____ -7 7 7 -7 7 -7 -8____
Pret-ty pret-ty please, don’t you ev-er ev-er feel__

-7 7 7___ 6___ 7 -7 7___ 6___
Like you’re less than f*ck-in’ per– fect

7 -7 7 -7 -8____ -7 7 7 -7 7 -7 -8____
Pret-ty pret-ty please, if you ev-er ev-er feel__

-7 7 7___ 6__ 6 7 -7 7___ 6___ 6 -5___
Like you’re noth–ing, you’re f*ck-in’ per– fect to me,__

7-7_7__
yeah.__

7 -7__ -8
You’re per- fect

-9 -9 -8__-77___-7_7_ 7 -7 7 -7 -8____
you’re per-fect!__________ Pret-ty pret-ty please,

-7 7 7 -7 7 -7 -8____
if you ev-er ev-er feel__

-7 7 7___ 6 6 7 -7 7___ 6___ 6 -5_____
like you’re noth-ing You’re f*ck-in’ per- fect to me.____

F**kin’ Perfect (Diatonic)
Words and Music by Alecia Moore, Max Martin, and
Johan Schuster
Performed by Alecia Moore (aka P!nk)
Key of G Major Range: G3 to D5
Tabbed for a Key of G Richter tuned diatonic,
but will work well with any key diatonic.

Tab notations:
none = blow — = draw __ = hold
” = full step bend
2_-3_-3” = slur; slide smoothly from note to note
-4 = grace note; just barely sound before playing main note

1 -1 2_ 3___ -3”_ 3 -1__
Made a wrong turn, once or twice

1 -2 3_3_-3 4__ 4_ 3 -3”__
Dug my way___ out, blood and fire_

1 -1 2 3___ -3”_ 3 -1__
Bad de–ci–sions, that’s al–right

1 -1 2_3_-3” 4__ 4_ 3 -3”__
Wel-come to_____ my_ sil-ly life_

4_-3 4__ 4 4 4 -4 4 -3 4 4
Mis_–treat-ed, mis-placed, mis-un-der-stood Miss

4 -4 4 3 4 4 4 -4 4_ 3 -2”___
“No way, it’s all good,” it did-n’t slow me down__

4_-3 4 4 4 -4 4 -3 4 4 4 -4 4 3 4 4
Mis_–tak – en, al-ways sec-ond guess – ing, un-der-es-ti-mat — ed

4 -4 4_ 3 -2”___
Look, I’m still a-round_

4 -4 4 -4 5____ -4 4 4 -4 4 -4 5____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-4 4 4___ -3”___ 4 -4 4___ -3”___
Like you’re less than__ f*ck-in’ per_–ect___

4 -4 4 -4 5____ -4 4 4 -4 4 -4 5____
Pret-ty pret-ty please, if you ev-er er-er feel_

-4 4 4___ -3”___ -3” 4 -4 4___ -3”___ -3” 3___
like you’re noth–ing___ You’re f*ck-in’ per_–fect__ to me!_

1 -1 2_3___ -3”_ -2 -1__ 1 1 -1 2_3_-3”_4__
You’re so mean,_ when you talk a-bout your-self,______

4_ 3 -3”__
You were wrong.

1 -1 2 3___ -3”_ -2 -1
Change the voic-es__ in__ your head,

1 -1 2_3_-3” 4_-4_4 4__ 3__
make them like___ you___ in_–stead

4 4 -3 4__ 4 4 -4 4 -3 4 4
So com-pli-cat-ed look hap-py, you’ll make it!

4 -4 4 -3 4 4 4 -4 4__3 -2”___
Filled with so much ha — tred, such a tired game__

4 -3 4 4 4 -4 4 -3 4 4
It’s e-nough! I’ve done all I can think of

4 -4 4 -3 4 4 4 4 -4 4 3 -2”___ 4___-5__
Chased down all my de — mons, I’ve seen you do the same__ Oh,_____

4 -4 4 -4 5____ -4 4 4 -4 4 -4 5____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-4 4 4___ -3”___ 4 -4 4___ -3”___
Like you’re less than__ f*ck-in’ per_–ect___

4 -4 4 -4 5____ -4 4 4 -4 4 -4 5____
Pret-ty pret-ty please, if you ev-er er-er feel_

-4 4 4___ -3”___ -3” 4 -4 4___ -3”___ -3” 3
like you’re noth–ing___ You’re f*ck-in’ per_–fect__ to me!

2 2 2 2 2 -1 2 2 -1 2
The whole world’s scared so I swal-lowed the fear

2 2 -1 2 -1 2 -1 2 2 -1 -1 2 -1 2
The on-ly thing I should be drink-ing is an ice cold beer

-1 2 -1 2_ 2 -1 2 2 2
So cool in line, and we try try try,

2 -1 -2” 2 1 1 1 1 -2” -2” 2 1
but we try too hard and it’s a waste of my time

2 2 -1 2 -1 2 2 2 -1 2 -1 2 2 -1
Done look-ing for the crit-ics, ‘cause they’re ev-‘ry-where They don’t

2 -1 2 2 -1 2 -1 2
like my jeans, they don’t get my hair

-1 2 -1 2
Ex-change our-selves,

2 2 2 2 2 -1 2
and we do it all the time

-2” 2 -2” 2_ 1 -2” 2 -2” 2_ 1
Why do we do that? Why do I do that?

Why do I do that?

6_-45_-45______ 5_-4__4-4_4-4_4____
Yeah,_________ oh,_______________

6 6_-5 -5_5 6_ 5 5_ 5_
oh ba_- by,_ pret-ty ba-by!

4 -4 4 -4 5____ -4 4 4 -4 4 -4 5____
Pret-ty pret-ty please, don’t you ev-er ev-er feel_

-4 4 4___ -3”___ 4 -4 4___ -3”___
Like you’re less than__ f*ck-in’ per – fect_

4 -4 4 -4 5____ -4 4 4 -4 4 -4 5____
Pret-ty pret-ty please, if you ev-er ev-er feel_

-4 4 4___ -3”__ -3” 4 -4 4___ -3”___ -3” 3_____
Like you’re noth–ing,_ you’re f*ck-in’ per_–fect__ to__ me,___

4-4_4__
yeah.__

4 -4 5
You’re per-fect

6 6 5__-44___-4_4_ 4 -4 4 -4 5____
you’re per-fect!________ Pret-ty pret-ty please,

-4 4 4 -4 4 -4 5____
if you ev-er ev-er feel_

-4 4 4___ -3”__ -3” 4 -4 4___ -3”___ -3” 3_____
like you’re noth-ing__ You’re f*ck-in’ per_-fect__ to me.___

I took the tabs from «Insidiae» and made them better 🙂 he posted for
diatonic harmonica but the original song is on a chromatic harmonica
so these are the tabs of song 🙂

6 7 7
5 -7 7 6 -5 5 -3 5 5
-3 -5 5 -3 3 -2 3
3 5 6 -6 6 -5 5 3

6 7 7
5 -7 7 6 -5 5 -3 5 5
-3 -5 5 -3 3 -2 3
3 5 6 -6 6 -5 5 3

6 7 -8
-8 7 -7
-7 7 6 -6 -6 6 -5 -5 -5 6
6 -5 5 5 5 5 -5

6 7 7
5 -7 7 6 -5 5 -3 5 5
-3 -5 5 -3 3 -2 3
3 5 6 -6 6 -5 5 3

6 7 7
5 -7 7 6 -5 5 -3 5 5
-3 -5 5 -3 3 -2 3
3 5 6 -6 6 -5 5 3

6 7 -8
-8 7 -7
-7 7 6 -6 -6 6 -5 -5 -5 6
6 -5 5 5 5 5 -5

8 7 7
8 7 7
-7 -7 -7 7 -7 7 6 5
3 5 5 6 -6 6 -5 5 3

Despite the interesting name, this song has no vocals. Purely
harmonica, piano and drums. Nice and easy. By an indie band out of
Scotland.

5 6 6 4 -6 6 5 -4 4 3 4 4~ 3 -4 4 3 3 2 3 3 4 5 -5 5 -4 4 3

5 6 6 4 -6 6 5 -4 4 3 4 4~ 3 -4 4 3 3 2 3 3 4 5 -5 5 -4 4 3

5 6 -7 6 5 -6 -6 6 5 -5 -5 5 -4 -4 -4 5 5 -4 4 4~ 4~ 4~ -4

5 6 6 4 -6 6 5 -4 4 3 4 4~ 3 -4 4 3 3 2 3 3 4 5 -5 5 -4 4 3

5 6 6 4 -6 6 5 -4 4 3 4 4~ 3 -4 4 3 3 2 3 3 4 5 -5 5 -4 4 3

5 6 -7 6 5 -6 -6 6 5 -5 -5 5 -4 -4 -4 5 5 -4 4 4~ 4~ 4~ -4

7 6 6 7 6 6 -6 -6~ -6~ -6~ 6 -6 6 5 3 3 4 5 -5 5 -4 4 3

EVERYBODY�S GOT A HOME BUT ME chrom
W: Oscar Hammerstein II
M: Richard Rogers
From: Pipe Dream
Key: C

3 -1 1 1 1 1 -1 2 -1 1 -1 2
I rode by a house with the win-dows light-ed up
2 -2 3 -2 2 -2 3 -3 -4
Look-in� bright-er than a Christ-mas tree
-3 -4 4 4 4 4 -4 4 -5 -5 -5 -5
And I said to my-self as I rode by my-self
5 -5 6 -5 5 -3 3 -2 2
Ev-�ry-bod-y�s got a home but me

3 -1 1 1 1 1 -1 2 -1 1 -1 2
I rode by a house where the moon was on the porch
2 -2 3 -2 2 -2 3 -3 -4
And a girl was on her fel-ler�s knee
-3 -4 4 4 4 4 -4 4 -5 -5 -5 -5
And I said to my-self as I rode by my-self
5 -5 6 -5 5 -3 3 -4 4
Ev-�ry-bod-y�s got a home but me

4 4 4 3* -3* 4 -3* 3* -3* 4
I am free and I�m hap-py to be free
3 3 3 -1* -2 3 -2 -1* -2 3
To be free in the way I want to be
3 1 1 1 1 1 -1 2 -1 1 -1 2
But once in a while when the road is kind-a dark
2 -2 3 -2 2 -2 3 -3 -4
And the end is kind-a hard to see
-3 -4 4 4 4 4 -4 4 -5 -5 -5 -5
I look up and I cry to a cloud go-in� by
5 -5 6 -5 5 -3 3 -4 4 -5 6
Won�t there ev-er be a home for me, some-where
5 -5 6 -5 5 -3 3 -4 4
Ev-�ry-bod-y�s got a home but me

EVERYBODY�S GOT A HOME BUT ME 2-harp version
W: Oscar Hammerstein II
M: Richard Rogers
From: Pipe Dream
Key: C
Harps: C, Eb

Harp: C

3 -1 1 1 1 1 -1 2 -1 1 -1 2
6 -4 4 4 4 4 -4 5 -4 4 -4 5
I rode by a house with the win-dows light-ed up

2 -2� 3 -2� 2 -2� 3 -3� -3
5 -5 6 -5 5 -5 6 -6 -7
Look-in� bright-er than a Christ-mas tree

-3�-3 4 4 4 4 -3 4 -4 -4 -4 -4
-6 -7 7 7 7 7 -7 7 -8 -8 -8 -8
And I said to my-self as I rode by my-self

4 -4 5 -4 4 -3� 3 -2� 2
7 -8 8 -8 7 -6 6 -5 5
Ev-�ry-bod-y�s got a home but me

3 -1 1 1 1 1 -1 2 -1 1 -1 2
6 -4 4 4 4 4 -4 5 -4 4 -4 5
I rode by a house where the moon was on the porch

2 -2� 3 -2� 2 -2� 3 -3� -3
5 -5 6 -5 5 -5 6 -6 -7
And a girl was on her fel-ler�s knee

-3�-3 4 4 4 4 -3 4 -4 -4 -4 -4
-6 -7 7 7 7 7 -7 7 -8 -8 -8 -8
And I said to my-self as I rode by my-self

4 -4 5 -4 4 -3� 3 -3 4
7 -8 8 -8 7 -6 6 -7 7
Ev-�ry-bod-y�s got a home but me

Harp: Eb

-3�-3�-3� 2 3 -3� 3 2 3 -3�
-6-6 -6 5 6 -6 6 5 6 -6
-10-10-10 8 9 -10 9 8 9 -10
I am free and I�m hap-py to be free

2 2 2 1 -1 2 -1 1 -1 2
5 5 5 4 -4 5 -4 4 -4 5
8 8 8 7 -8 8 -8 7 -8 8
To be free in the way I want to be

Harp: C

3 1 1 1 1 1 -1 2 -1 1 -1 2
6 4 4 4 4 4 -4 5 -4 4 -4 5
But once in a while when the road is kind-a dark

2 -2� 3 -2� 2 -2� 3 -3�-3
5 -5 6 -5 5 -5 6 -6 -7
And the end is kind-a hard to see

-3�-3 4 4 4 4 -3 4 -4 -4 -4 -4
-6 -7 7 7 7 7 -7 7 -8 -8 -8 -8
I look up and I cry to a cloud go-in� by

4 -4 5 -4 4 -3� 3 -3 4 -4 5
7 -8 8 -8 7 -6 6 -7 7 -8 8
Won�t there ev-er be a home for me, some-where

4 -4 5 -4 4 -3� 3 -3 4
7 -8 8 -8 7 -6 6 -7 7
Ev-�ry-bod-y�s got a home but me

4 4 4 4 -5 4 -3 -2
Everybody’s talking at me
-2 -3 -3 -3 -5 -3 4 4
I- don’t hear a word they’re saying
4 4 4 4 4 <-3 <-3 -3
Only the echoes of my mind

4 4 -5 4 -3 -2
People stopping staring
-5 -5 -5 -3 4 -3
I- can’t see the faces
4 4 4 4 4 <-3 <-3 -3
Only the shadows of their eyes

-5 -5 -5 -5 -5 4 -3 4 4 4
I’m going where the sun- keeps shining
4 4 -3 -2 <-1
Thru’ the pouring rain
-5 -5 -5 -5 4 4 -3 4 4 4
Going where the wea-ther suits my clothes
-5 4 -5 4 -5 4 4 4
Backing off of the North East wind
4 4 4 4 -3 -2 <-1
Sailing on a summer breeze
-5 4 -5 4 -5 4 4 -3 -2 -2
Skipping over the ocean like a stone

1 4 4 4 4 4 4 -4 4 -3
And I won’t let you leave my love behind
1 4 4 4 4 4 4 -4 4 -3
No, I won’t let you leave my love behind
1 4 4 4 4 4 4 -4 4 -3
And I won’t let you leave my love behind

Everybody Will Be Happy Over There
Melody Maker

-2 -2 4 4 4 4 4 -2
There’s a happy land of promise

-2-2 4 4 4 4 4
over in the great beyond

4 4 5 5 5 -4 4 4 -4 -4
Where the saved of earth shall soon the glory
-4
share

-2 -2 4 4 4 4 4 -2
Where the souls of men shall enter

-2 -2 4 4 4 4 4
and live on forever more

4-4 5 5 5 5 5 -4 4 -3 4
Everybody will be happy over there

Chorus
5 5 5 4 4 4 4 4
Ev-ry-bod-y will be hap-py,

4 4 4 3 -2 4 4
will be hap-py o-ver there,

5 5 5 4 4 4 4 5
We will shout and sing His praise

5 5 5 5 5 5 5 -4 4 -3 4
Ev-ry-bod-y will be hap-py o-ver there

Mothers, fathers, sisters, brothers
will be singing ’round the throne
In that land where no one ever knows a care
And the Christians of all ages
will join in the triumph song
Everybody will be happy over there

We will hear nobody praying
and no mourning in that land
For no burdens there will be for us to bear
All the people will be singing
glory, glory to the Lamb
Everybody will be happy over there

We’ll meet the one who saved us
and who kept us by His grace
And who brought us to that land so bright and fair
We will praise His name forever
as we look upon His face
Everybody will be happy over there

EVERYBODY�S TRYIN� TO BE MY BABY
By Carl Perkins
Key:E

4 -4 6 6 6 5* 6 5* 6
Well they took some hon-ey from a tree
6 -5 6 -5 -4 -5 -4 3
Dressed it up and they called it me
-5 -4 -3 -4 -3 -3 2 -4 -3 3 2
Ev-�ry-bod-y’s try-in� to be my ba-by
-4 -4 -3 -4 3* 2 2 -4 -3 3* 2
Ev-�ry-bod-y’s try-in� to be my ba-by
-5 -4 -5 -5* -4 -4 -4 6 -4 3 2 2
Ev-�ry-bod-y’s try-in� to be my ba-by, now
6 5*-4 6 6 7 6 -45*-5*6
(last time) be my ba-by, now

Well half past nine, half past four
fifty women knocking on my door

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Went out last night, I didn’t stay late
‘fore I got home I had nineteen dates

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby, now

Went out last night, I didn’t stay late
‘fore I got home I had nineteen dates

Well they took some honey from a tree
Dressed it up and they called it me

Everybody’s trying to be my baby
Everybody’s trying to be my baby
Everybody’s trying to be my baby,
Now Hey you’ve got to hide your love away

for Harmusman and slowharp
and everybody else!!

again guys listen to the first file to hear me play it the second is
just the blues beat so that you can play it to music!
YES it is the wxact way its played in the movie!

EITHER DRAW OR BLOW BOTH NOTES TOGETHER

(-4&5) (-4&5) 5&6 5&6 (-5&6) (-5&6)
5&6 -5&6 5&6

(-3&4) (-3&4) 4&5 4&5 (-4&5) (-4&5)
3&4 -4&5 4&5

(-4&5) (-4&5) 5&6 5&6 (-5&6) (-5&6)
5&6 -5&6 5&6

ENJOY!!!!

EVERYBODY LOVES YOU NOW BILLY JOEL

KEY OF C

-5 -5 -5 -5 -5 -5 -6b 7 7
Ba-by all the lights are turned on you

-7 -7 -7 -7 -7 7 -7 -6b -5
Now you’re in the cen-ter of the stage

-5 -5 -5 -5 -5 -5 -6b 7 7
Ev-ry-thing re-volves on what you do

-8 -8 -8 -8 -8 -8 -7 -7 -7 -7
Ah, you are in your prime you’ve come of age

8 8 -8 -8 7 -7 -7 7 7
You can al-ways have your way some-how

-5 -6b -7 -7 -8 -8 7 -7
�cause ev-ry-bo-dy loves you now

Verse 2 same as 1
You can walk away from your mistakes
You can turn your back on what you do
Just a little smile is all it takes
Yeah, you can have your cake and eat it too
Loneliness will get to you somehow
But everybody loves you now

(CHORUS)

8 8 8 8 8 8 8 -9
Ah, they all want your white bod-y

8 8 8 9 -9 8 -8
And they a-wait your re-ply

8 8 8 9 -9 -9 -9 -8 -8
Ah, but bet-ween you and me and the

-8 -8 -8 -8 7 -7 -7 -7 -7
Stat-en is-land fer-ry So do I

Verse 3 same as 1
All the people want to know your name
Soon there will be lines outside your door
Feelings do not matter in your game
Yeah, ’cause nothing’s gonna touch you anymore
So your life is only living anyhow
And everybody loves you now

Verse 4 same as 1
Close your eyes when you don’t want to see
Stay at home when you don’t want to go
Only speak to those who will agree
Yeah, and close your mind when you
don’t want to know
You have lost you innocence somehow
But everybody loves you now

(CHORUS)

Verse 5 same as 1
See how all the people gather ’round
Hey, isn’t it a thrill to see them crawl?
Keep your eyes ahead and don’t look down
Yeah, and lock yourself inside your sacred wall
This is what you wanted; ain’t you proud?
’cause everybody loves you now

ENJOY!!!

Everybody Love Somebody ‘Eb’
M:Ken Lane
W:Irving Taylor
Dean Martin

Ev -‘ry –bod -y loves some-bod — y, some-time
-L3* 3 -2 -1* -L4 3 -2 -1* 1 1
Ev-‘ry – bod -y falls in love some-how,
1 3* 3 -2 1* 3* 3 -2 -1
Some-thing in your kiss just told me
-1 -1* -1 -1* -3* -3 3* 3*
My some-time is now.
-3* 3 3 -2* 3

Ev -‘ry-bod — y finds some-bod-y some-place
-L3* 3 -2 -1* -L4 3 -2 -1* 1 1
There’s no tell-ing where love may ap-pear
1 3* 3 -2 1* 3* 3 -2 -1
Some-thing in my heart keeps say-ing
-1 -1* -1 -1* -3* -3 3* 3*
My some-place is here.
-3* 3 3 3 -1*

If I had it in my pow-er
-1* -1* -1* -1* -2 -2 3 3
I’d ar-range for ev-‘ry girl to have your charms
3* -3* 3* -2 3 3* 3 -1* -2 3 -2
Then, ev-‘ry min-ute, ev-‘ry ho — ur…
3 -2 -1* 3 3 -2 -1* 3 -1 -1
Ev-‘ry boy would find what I found in your arms
-1 -1* -2 -2 -2 -2 3 3 3 3 3*

Ev -‘ry-bod — y loves some-bod — y some-time
-3* 3 -2 -1* -4 3 -2 -1* -2 1
And al-though my dream was o -ver-due
3* 3* 3 -2 1* 3* 3 -2 -1
Your love made it well worth wait-ing for
-1* -1* -1 -1* -3* -3 3* 3* -3*
Some-one like you
3 3 -L3* -1*…
For 16 Hole Chromatic.