HARP: G

5 5 6 6 -6 -7 5 5 6 6 -6 -6 6 7 -7 -7
6 6 -6 6 6 -6 5 5/6 6 5 6 -6/-7 6 -6 5 -4

NOTATION: / = Slide, — = Draw

6 <-6 7 7 <-6
Did I see you down
6 -5 6 -5 3
in a young girl’s town
-3 -3 -5 -5 -4 6 -5 -3
With your mother in so much pain?
6 <-6 7 7 <-6
I was almost there
6 -5 6 -5 -5 -4
at the top of the stairs
-3 3 -4 -4 -3 3 -5
With her screamin’ in the rain.

6 <-6 7 7 <-6
Did she wake you up
-5 6 -5 3
to tell you that
-3 -4 -5 -4 -4 6 -5 -3
It was only- a- change of plan?
<-6 7 7 <-6
Dream up, dream up,
6 -5 6 -5 -4
let me fill your cup
-3 3 -4 -4 -3 3 -5
With the promise of a man.

Did I see you walking with the boys
Though it was not hand in hand?
And was some black face
in a lonely place
When you could understand?

Did she wake you up
to tell you that
It was only a change of plan?
Dream up, dream up,
let me fill your cup
With the promise of a man.

Will I see you give
more than I can take?
Will I only harvest some?
As the days fly past
will we lose our grasp
Or fuse it in the sun?

Did she wake you up
to tell you that
It was only a change of plan?
Dream up, dream up,
let me fill your cup
With the promise of a man.

-6 -7 7 7 -7 -6 6 -6 6 4
Did I see you down in a young girl’s town
-4 5 6 6 5 -6 6 -4
With your moth-er in so much pain?
-6 -7 7 7 -7 -6 6 -6 6 6
I was al-most there at the top of the
5 -4 4 5 5 -4 4 6
Stairs with her scream-in’ in the rain.
-6 -7 7 7 -7 6 -6 6 4 -4
Did she wake you up to tell you that it
5 6 5 5 -6 6 -4 7 7
Was on-ly a change of plan? Dream up,
7 -7 -6 6 -6 6 5 -4
Dream up, let me fill your cup with
4 5 5 -4 4 6 -6 -7 7 7
The prom-ise of a man. Did I see you
-7 6 -6 6 4 -4 5 6
Walk-ing with the boys, though it was
5 -6 6 -4 -6 -7 7 7
Not hand in hand? And was some black
-7 -6 6 -6 6 5 -4 4 5
Face in a lone-ly place when you could
-4 4 6 -6 -7 7 7 -7 6
Un-der-stand? Did she wake you up to
-6 6 4 -4 5 6 5 5 -6
Tell you that it was on-ly a change
6 -4 7 7 7 -7 -6 6
Of plan? Dream up, dream up, let me
-6 6 5 -4 4 5 5 -4 4
Fill your cup with the prom-ise of a
6 -6 -7 7 7 -7 6 6 -6
Man. Will I see you give more than I
6 4 -4 5 6 5 -6 6 -4
Can take; will I on-ly har-vest some?
-6 -7 7 7 -7 -6 6 -6 6
As the days fly past will we lose our
5 4 5 5 -4 4 6 -6 -7
Grasp or fuse it in the sun? Did she
7 7 -7 6 -6 6 4 -4 5
Wake you up to tell you that it was
6 5 5 -6 6 -4 7 7
On-ly a change of plan? Dream up,
7 -7 -6 6 -6 6 5 -4
Dream up, let me fill your cup with
4 5 5 -4 4 6 7 7
The prom-ise of a man. Dream up,
7 -7 -6 6 -6 6 5 -4
Dream up, let me fill your cup with
4 5 5 -4 4 6
The prom-ise of a man.

Piano Intro
5 7 -7 6 5
5 7 -7 6 -4
-4 7 -7 6 4

5 5 5 5 5 5 5 5 -4
My bro-ken emp-ty heart like a wave.
-4 -4 -4 -4 4 4 -4 -4 -4 5
And my sha-ken fad-ing heart like a wind.
5 5 5 5 -4 -4 5 5 5 -4
My heart va-nished in-to the rain like smoke.
-3 4 4 4 3 4 4 4 4 3
But it can’t be re-moved like a ta-too.
5 5 5 5 5 -4 -4 -4 -6 6
Sigh-ing deep as my world comes crash-ing down.
5 5 5 5 5 -5 5 5 -5 5
Frag-ments of dead me-mo-ries cloud my mind.

5 5 5 5 -4 5 5 5
Thought I would-n’t be a-ble to
5 5 -5 -5 -5 5 3 4
live a sin-gle day with-out you.
5 5 5 5 -4 5 5 5 5 5
But some-how, some-way, I just ma-naged to
-4 -4 -4 -4 5 -5 5 -4 4
live on lon-ger than I e-ver thought.
5 5 5 5 5 -4 5 5 5
You don’t try to an-swer me e-ven
5 5 -4 -4 -4 -4 7 6 6
when I cry out that I miss you so.
5 5 5 5 -5 5 5 5 5
Wait-ing hope-less-ly in this vain is
-5 -5 -5 4 -3 4
now a waste of our time.

3 3 3 3 5 5 5 5 -5
Did he ever make you cry, tell you lies,
-4 -4 5 3 -4 -4 -4 -4 5
break your heart and bring it back to life?
3 3 -5 -5 5 4 5
Can’t get close, can’t talk to you.
5 -5 -4 -4 -4 4 -4
Did you for-get a-bout us?
-4 -4 5 -5 -5 5 -4 4
E—ra-sing all my tho-ug-hts.

Chorus:
6 6 -6 -7 7 7 -8 7 -7 7
Don’t look back now and leave it all be-hind.
6 6 6 -6 -7 7 7 -7 7 -7 -7 -6
Don’t come sear-ching for it a-gain and move o—n.
6 6 -6 -7 7 7 -8 7 -7 7 8 -6
Be-cause I just have no re-grets from lo-ving you.
-6 -7 7 7 7 7 -7 7 -7 -7 -6
Leav-ing with on-ly the good me-mo-ri-es.

6 6 -6 -7 7 7 -7 6 -6
I can bare all this pain in some way.
6 6 -6 -7 7 7 -8 7 -7 7
I can stand o-ver this all in some way.
6 6 6 -6 -7 8 8 -8 -7 7
You should be hap-py if you are like this.
7 -7 6 -6 -6 6 5 5 7 -6 6 -6
I just be-come more dull day by day, eh eh eh.

-4 5 6 -6* 5 -8 -7 -6* 5 6 -6* -5 5
-4

-4 5 6 -6* 5 -8 -9 8* 8 -7 8 -8 -7* -4 6 5

7 -8 7 -8 7 8 -8 -7* -6* 6 -8 -7* -4 4 -8

7 -8 7 -8 7 -9 8* 8 -7 8 -8 -7* -4 6 5

5 -6 7 -7 -6 8 -8 -7

-6 7 -7 6 -6 5

5 -6 7 -7 -6 8 9 -9 -9

-8 -9 8 7 5 7 -6

5 -6 7 -7 -6 8 -8 -7

-6 7 -7 6 -6 5

5 -6 7 -7 -6 8 9 -9 -9

-8 -9 8 -7 7 -6

Repeat

Hi, I took JaYRaaD’s post and changed it a little bit… have fun

-3 5 6 -5 5 -7 -6 -5 5 6 -5 -4 -5 -3
-3 5 6 -5 5 -7 -8 7 -7 6 -7 -6 6 4 6 5

6 -7 6 -7 6 7 -7 -6 -5 5 6 -5 -4 -5 -3
6 -7 6 -7 6 -8 7 -7 6 -7 -6 6 4 6 5

-3 5 6 -5 5 -7 -6 -5 5 6 -5 4 5 6
-3 5 6 -5 5 -7 -8 7 -7 6 -7 -6 6 4 6 5

6 -7 6 -7 6 7 -7 -6 -5 5 6 -5 4 5 6
6 -7 6 -7 6 -8 7 -7 6 -7 -6 6 4 6 5

-4 -5 5 -4 -6 6 5

-4 -5 5 4 5 3b

-4 -5 5 -4 -6 7 -7 -6

-5 -6 6 -5 5 -5 -4

-5 -6 -5 -6 -5 7 -7 -6

-5 -6 6 -5 5 -5 -4

I have done what i could if you can do it better than it is do
it

345-446-5-4
45-4-3-43
345-446-7-66
5654354

I Finished this for kaytress
-3 5 6 -5 5 -7 -6 -5 5 6 -5 -4 -5 -3
5 6 -5 5 -7 -8 7 -7 6 -6hold 3 beats -5hold 2 beats 5 hold 2 beats

There might be some errors
but it sounds pretty good 🙂

5 -6 7 -7 -6 8 -8 -7
5 -6 7 -7 6 -7 5
5 -6 7 -7 -6 8 9 -9 8 7 8 -8 7 -7 6
5 4 5 4 -5 5 -4
5 4 5 4 3 -4 -3 {OR} 5 4 5 4 2 -3 -2

These first 2 lines were posted by Kaytress years ago with
TheBlackHarp helping to complete the 2nd line:

-3 5 6 -5 5 -7 -6 -5 5 6 -5 -4 -5 -3
5 6 -5 5 -7 -8 7 -7 6 -6hold 3 beats -5hold 2 beats 5 hold 2 beats

These 2 lines are what I’m adding:

6 -7 6 -7 6 7 -7 -6 6 -6 -7 -6 6 -7
6 -7 6 -7 6 -8 -7 -6 6 -6 -7 -6 6 5

here is something else i am working on…this is from the prisoner of
azkaban movie. its the song they play during the credits called
«mischief managed». the part im working on is about at 2:30 into the
song and sounds like a flute….i just really like how it sounds.
help would be appreciated to finish it if i dont first….feel free to
message me and i will update this post

-6 6 -6 -7 7 -7 -6 -6
-8 8 -7 7 -7 -6 -6

I played this with a B harmonica, but it should work with other
keys as well.

3 5 4 5 4 -5 5 -4 4 5 -4 4 -3 4 3

3 5 4 5 4 6 -5 5 4 5 -4 4 -3 4 3

This is most of the song… Ill leave the end for someone else to
figure out, have fun

-3 5 6 -5 5 -7 -6 -5 5 6 -5

5 -5 -3 -3 5 6 -5 5 -7 -8 7 -7

HARRIGAN
By: George M. Cohan
From: George M!
Key: G

-9-8 -7 -8 -7 6-6*7-7 -8 7 6 -5
H-A-Dou-ble R-I-G-A-N spells Har-ri-gan!
7 -6* 7 -6* 7 -7 -8 7 -7 -5
Proud of all the I-rish blood that’s in me.
-7 -7 -7 -7 7* -7 -8 8 -7 -8 7
Di-vil a man can say a word a-gin me!
-9-8 -7 -8 -7 6-6*7-7 -7* -8
H-A-Dou-ble R-I-G-A-N you see!
7 -7 -8 -7 7 -8
Is a name, that a shame
-7 7 -8 -7 7 6 -6* 7
nev-er has been con-nect-ed with
-9 -8 7 -7 7
Har-ri-gan, that’s me!

REPEAT and end with

-9 -8 7 -5 -4 3 -9 -8 7 -5 -4 3
Har-ri-gan, Mul-li-gan, Har-ri-gan, Mul-li-gan,
-9 -8 7 -7 7
Har-ri-gan that’s me.

Click on the audio link to hear me play the main theme of «Breaking
Bad» on a Bb harmonica. Best played on a Bb harp.

Legend:

+ = blow, — = draw, ‘ = half step bend, » = whole step bend, ob =
overblow

Tabs:

Guitar riff part:

+2….-2″ -2′ -2

Main (lower register)

-2 +2

-3″ +2

-3 +2

+4 +2

-2 +2

-3″ +2

-2 -3″ +2 -2′

Main (middle register):

+6 +5

-6 +5

-7 +5

+7 +5

+6 +5

-6 +5

+6 -6 +5 +5ob

Final:

+2 -2″ -2’ -2

+2 -3″ -3 -4 +5

HARPER VALLEY PTA
By: Tom T. Hall
Dolly Parton, Martina McBride
Jeannie C. Riley
Key: D

-3 -3-2* -4 -3 -3 -2* -4 -3
I wan-na tell you all a sto-ry
-3 -2* -4 -3 -3 -2* -4 -3 -2*
’bout a Har-per Val-ley wid-ow’d wife,
-1 2 -2*3-2*-3-2* 3 -2*
Who had a teen-age daugh-ter
3 -2* 3 -2* 3 -2* 3 -2* 3 -2* 3
who at-tend-ed Har-per Val-ley Jun-ior High,
-3 -3 -4 -3 -3 -3 -3 -3 -2* -4
Well her daugh-ter came home one af-ter-noon
-3 -3 -3 -3 -3 -4 -3 -1
and did-n’t ev-en stop to play,
-2* -2* 3 -2* 3 -2* 3 -2*
She said. «Mom I got a note here
3 3* -3 -3 -3 -4 -2 2-1
from the Har-per Val-ley P-T-A.»

Well the note said, «Mrs. Johnson,
you’re wearing your dresses way too high.
It’s reported you’ve been drinkin’
and runnin’ round with men and goin’ wild.
And we don’t believe you oughta be
a bringin’ up your little girl this way.»
And it was signed by the secretary,
«Harper Valley PTA.»

Well it happened that the PTA
was gonna meet that very afternoon.
And they were sure surprised when
Mrs. Johnson wore her mini-skirt into the room.
And as she walked up to the black board,
I still recall the words she had to say.
She said I’d like to address this meeting
of the Harper Valley PTA.

Well, there’s Bobby Taylor sittin’ there,
and seven times he’s asked me for a date.
And Mrs. Taylor seems to use a lotta ice,
whenever he’s away.
And Mr. Baker can you tell us
why your secretary had to leave this town?
And shouldn’t widow Jones be told to keep her
window shades a pulled completely down.

Well Mr. Harper couldn’t be here cause
he stayed too long at Kelly’s Bar again.
And if you smell Shirley Thompson’s breath
you’ll find she’s had a little nip of gin.
And then you have the nerve to tell me,
you think that as a mother I’m not fit.
Well this is just a little Peyton Place,
and you’re all Harper Valley hypocrites.

No, I wouldn’t put you on because,
it really did happen just this way.
The day my momma socked it to,
the Harper Valley PTA.
The day my momma socked it to,
the Harper Valley PTA

Ejecutar una Escala
Play a Scale

La primera cosa que debemos aprender en la harmonica, es la Escala de
Do.
Trata de tocar cada nota con claridad, sin interferencia de las notas
vecinas.
Puede ser tedioso al comienzo, sin embargo con un poco de practica lo
podras hacer pronto.
The first thing we will learn to play on the harmonica is the C
scale.
Try to play each note clearly wirhout interference from neighburing
notes.
This may be tedious at first, however with a little practice you will
soon be able to play
each individual note.

4 -4 5 -5 6 -6 -7 7

Ejercicios de la Escala de Do
C scale exercises

Estos ejercicios se ayudaran a familiarizarte con las notas en la
harmonica.
Te haran capaz de moverte facilmente de un orificio a otro mientras
tocas notas individuales
y tambien te ayudaran con tu respiracion.
Here are some exercises to help you become familiar with the notes on
the harmonica.
They will enable you to move easily from hole to hole while playing
single notes and also help
you with your breathing.

No deberias tener problemas con estos tripletes porque las notas son
adyacentes.
You should have no trouble with this triplet exercise as the notes
are
adjacent to each other.

-3 4 -4
4 -4 5
-4 5 -5
5 -5 6
-5 6 -6
6 -6 -7
-6 -7 7

Este ejercicio te presenta dos notas aspiradas y dos notas sopladas.
This exercise features two draw notes and two blow notes.

3 4
-3 -4
4 5
-4 -5
5 6
-5 -6
-6 -7
7

En este ejercicio ejecutamos una escala ascendente usando como base
la
nota Do.
This time we play an ascending exercise using the C note as the
«pivot note».

4 -4 4 5 4 -5 4 6 4 -6 4 -7 4 7

Esta vez usamos la nota Sol en el segundo orificio como la nota base
en este ejercicio descedente.
This time we use the G note on the 2nd hole as the «pivot note» in
this descending exercise.

-2 6 -2 -5 -2 5 -2 -4 -2 4 -2 -3 -2

Ejecutar una Escala
Play a Scale

La primera cosa que debemos aprender en la harmonica, es la Escala de
Do.
Trata de tocar cada nota con claridad, sin interferencia de las notas
vecinas.
Puede ser tedioso al comienzo, sin embargo con un poco de practica lo
podras hacer pronto.
The first thing we will learn to play on the harmonica is the C
scale.
Try to play each note clearly wirhout interference from neighburing
notes.
This may be tedious at first, however with a little practice you will
soon be able to play
each individual note.

4 -4 5 -5 6 -6 -7 7

Ejercicios de la Escala de Do
C scale exercises

Estos ejercicios se ayudaran a familiarizarte con las notas en la
harmonica.
Te haran capaz de moverte facilmente de un orificio a otro mientras
tocas notas individuales
y tambien te ayudaran con tu respiracion.
Here are some exercises to help you become familiar with the notes on
the harmonica.
They will enable you to move easily from hole to hole while playing
single notes and also help
you with your breathing.

No deberias tener problemas con estos tripletes porque las notas son
adyacentes.
You should have no trouble with this triplet exercise as the notes are
adjacent to each other.

-3 4 -4
4 -4 5
-4 5 -5
5 -5 6
-5 6 -6
6 -6 -7
-6 -7 7

Este ejercicio te presenta dos notas aspiradas y dos notas sopladas.
This exercise features two draw notes and two blow notes.

3 4
-3 -4
4 5
-4 -5
5 6
-5 -6
-6 -7
7

En este ejercicio ejecutamos una escala ascendente usando como base la
nota Do.
This time we play an ascending exercise using the C note as the «pivot
note».

4 -4 4 5 4 -5 4 6 4 -6 4 -7 4 7

Esta vez usamos la nota Sol en el segundo orificio como la nota base
en este ejercicio descedente.
This time we use the G note on the 2nd hole as the «pivot note» in
this descending exercise.

-2 6 -2 -5 -2 5 -2 -4 -2 4 -2 -3 -2

6 6 6 6 -6 6 5 -4 -6 -6 -6

-6 -7 7 7 -7 7 -8 6 6 6

-7 -8 6 -4 6 6 -6 -6 -7 -7 7

6 6 6 -4 6 6 6

Három szabólegények, mekmekmek,
Vándorolni elmentek, mekmekmek.
Hárman ültek egy kecskére, úgy mentek el
Kecskemétre, mekmekmek.

Egy faluba beértek, mekmekmek,
Egy kocsmába betértek, mekmekmek.
Hárman kértek egy deci bort,
Hogy lemossák az úti port, mekmekmek.

Mikor a bort megitták, mekmekmek,
Kifizetni nem tudták, mekmekmek.
Az ablakhoz sorbaálltak,
Mint a kesckék, kiugráltak, mekmekmek.

1 2 34 +4 3 2

2 2 2″ 1 +1

2 2 34 34 +4 3 2 2 2″ 1 1

2 34 5 4_4′ 3′ 2 2 2

2 2 34 +45 34 45tr 45tr 45tr strisciato fino al 2

2 2 34 34 +4 3 2 2 2″ 1 1

4 5 5 4 55 +6+6 5 4 4

555-/(5)(5)(5)-/66(6)(6)/66(5)-
555-/(5)(5)(5)-/66(6)(6)/6(5)5-

Pls. don’t mind the /

12 bar blues

14| 4’ +4 +3 +4 4’ +4 +3 +4 -4 +4

+3 +4 4’

14| 4’ +4 +3 +4 4’ +4 +3 +4 -4 +4

+3 +4 4’

You can add anything you want like bends or new notes or whatever,
have fun with it is very simple.

5 -4 5 -4 4 -3
4 -4 5 -5 5 -4
-4 5 -5 5 -4 4
-4 4 -3 4 -3 4 3 4

HARLEM NOCTURNE

Deep mu-sic fills the night
3 -5 7 -7 -7* -6*
Deep in the heart of Har-lem.
7 -5 -3* 3 -3* -5 5
And though the stars are bright,
5 7 8 -9 -9* -8
The dark-ness is taunt-ing me.
8 -7* 7 -5* 5* -7 7
Oh, what a sad re-frain,
3 -5 7 -7 -7* -6*7
A noc-turne born in Har-lem.
7 -5 -3* 3 -3* -5 5
That mel-an-cho-ly strain,
5 7 8 -9 -9* -8
For-ev-er is haunt-ing me.
8 -7* 7 -5* 5* -7 7
The mel-o-dy clings
8 -7*-6 7 7*
A-round my heart strings
8 -7* -6 7 7*
It won’t let me go when I’m lone-ly.
8 -7* -6 7 7* 7 -6 -5 -6
I hear it in dreams
-6 -5* -3* 4 4*
And some-how it seems
-6 -5* -3* 4 4*
It makes me weep
-5* -10 -7 -9*7* 9* -6*
and I can’t sleep.
-8 6 -7-5 7 5 -6
An in-di-go tune
8 -7*-6 7 7*
It sings to the moon.
8 -7* -6 7 7*
The lone-some re-frain of a lov-er.
8 -7* -6 7 7* 7 -6 -5 -6
The mel-o-dy sighs
-6 -5*-3* 4 4*
It laughs and it cries.
-6 -5* -3* 4 4*
A moan- in’ blues that
-5* -10-7-9*7* 9*-6* -8 6
Wails the long night thru.
-7-5 7 5 -6 -3* -5* 3* -5
Tho’ with the dawn it’s gone.
3 -5 7 -7 -7* -6*

The mel-o-dy lives ev-er
7 -5 -3* 3 -3* -5 5
For lone-ly hearts to learn
5 7 8 -9 -9* -8
Of love in a Har-lem noc-turne.
8 -7* 7 -5* 5* -7* -7 7

* means push the button

Hark The Herald Angels Sing

Hark! The Herald Angels Sing
words by charles Wesley, tune by Felix Mendelssohn
tabbed by Erik Willke
song and tab in F

3 4 4 -3 4 5 5-4
Hark! the her-ald an-gels sing,

6 6 6 -5 5 -4 5
«Glo-ry to the new-born King;

3 4 4 -3 4 5 5-4
Peace on earth, and mer-cy mild;

6 -4 -4 -3 -3 —3 3
God and sin-ners rec-on-ciled.»

6 6 6 4 -5 5 5-4
Joy-ful, all ye na-tions rise,

6 6 6 4 -5 5 5-4
Join the tri-umph of the skies;

-6 -6 -6 6 -5 5 -5
With an-gel-ic hosts pro-claim,

-4 (5-5) 6 4 4 -4 5
«Christ is born in beth-le-hem!»

-6 -6 -6 6 -5 5 -5
Hark! the her-ald an-gels sing,

-4 (5-5) 6 4 4 -4 4
«Glo -ry to the new-born King.»

7 6 6 5 5 6
Hark, hark, the dogs do bark.

7 7 7 -8 7 -8 8
Minstrels are coming to town.

-6 6 6 6 -6 -7 7
Some in jags, and some in rags,

-8 -8 7 -7-6-7 7
and some in velvet gowns.

6-66567-87-6
Hark, all ye nations, hear heaven’s voice
-7-77-887-7-66
through every land that all may rejoice
6-66567-87-6
Angels of glory shout the refrain:
-7-77-887
truth is restored again!

88-988-8-86-8
Oh, how glorious from the throne above
-8-88-8-877-66
Shines the Gospel light of truth and love
6-66567-87-6
bright as the sun, this heavenly ray
-7-77-887
lights every land today