6 6 -5 6 -6 6
Solo voy con mi pena
6 -6 6 -5 5 -4 -4
Sola va mi condena
-6 -6 -6 -6 6 -4
Correr es mi destino
-6 6 -5 5 -5 6
Para burlar la ley
5 -5 6 6 -5 6 -6
Perdido en el corazn
6 6 -6 6 -5 5 -4
De la grande Babylon
-6 -6 -6 -6 -6 6 -4
Me dicen el clandestino
-6 6 -5 5 -5 6
Por no llevar papel

6 6 6 -5 6 -6 6
Pa’ una ciudad del norte
6 6 -6 6 -5 5 -4
Yo me fui a trabajar
-6 -6 -6 -6 6
Mi vida la dej
-6 -6 6 -5 5 -5 6
Entre Ceuta y Gibraltar
5 -5 6 -5 5 -3
Soy una raya en el mar
6 6 6 -5 -5 6 -6
Fantasma en la ciudad
-6 -6 -6 -6 -6 6 -4
Mi vida va prohibida
6 6 -5 5 -4 -3
Dice la autoridad

(The third verse is played just like the first)
Solo voy con mi pena
Sola va mi condena
Correr es mi destino
Por no llevar papel
Perdido en el corazn
De la grande Babylon
Me dicen el clandestino
Yo soy el quiebra ley

6 6 -5 -5 7* 7* -7 6
Mano Negra clandestina
6 6 -5 -5 7* 7* -7 6
Peruano clandestino
6 6 -5 -5 7* 7* -7 6
Africano clandestino
6 6 -5 -5 7* 7* -7
Marijuana illegal

Solo voy con mi pena
Sola va mi condena
Correr es mi destino
Para burlar la ley
Perdido en el corazn
De la grande Babylon
Me dicen el clandestino
Por no llevar papel

Argelino, Clandestino!
Nigeriano, Clandestino!
Boliviano, Clandestino!
Mano Negra, Ilegal!

I worked this out by ear, the song was all flats but it plays ok this
way, maybe over blow the 3 a little.

4 4 3 4 5 6 7 -7 -6 7 -6 6 5 4 -4 5 -4 4 3

4 4 3 4 5 6 7 -7 -6 7 -6 6 5 -4 5 -4 4

<3 <3 <-1 <3 4 <-5 <7 7 -6 <7 -6 <-5 5 <3 <-3 4 <-3 <3 <-1 <3 <3 <-1 <3 4 <-5 <7 7 -6 <7 -6 <-5 5 <-3 4 <-3 <3

Brightly!
6 6 7 -8 8 -8 7 6
I had writ-ten him, a let-ter,
6 6 -6 7 7 -6 6 5 6 6
Which I had for want of bet-ter, know-ledge,
-6 7 7 -6 6 7
Sent, to where, I met him,
7 7 7 7 -8 8 6
Down the Lach-lan, years a-go,
-8 8 -9 -9 -9 -9 8 7
He was shear-in’ when I knew him,
7 7 8 8 8 8 -8 7
So I sent, the let-ter, to him,
8 8 -8 -8 -8 8 -9 -8
Just on spec, add-ressed, as foll-ows:
8 -8 7 7 8 7 7
Clan-cy, of the Ov-er-flow.

Beautiful music that has been in many movies, most recently Twilight.
There are some great videos on u-tube by professionals. Here is my
poor attempt and its incomplete. listen to a version first …= hold
the note.

6…8…-8…-8 8 -8 7…7 -8 7 8..7…-7 7 -7
-8 -7…
-7 7 -7 8-7 7 -7 -6 -7 -6 6 -6 5 -5
5 -5 5 -6 5 -5 5 -4 5 -4 4 -4

-4 -3 3 3 -2 2 2 -2 3 2 3 -3 -4 -4

Claire, The Mo-ment I Met You I Swear

4 -3 4 6 6 6 -5 5 -4

I Felt As If Some-thing Some-where

3 -4 -5 -5 -5 6 4 -3

Had Hap-pened To Me, Which I Could-n’t See

3 -2 3 -3 -3 3 -3 -4 4 -5

And Then, The Mo-ment I Met You A-gain

3 4 -3 4 6 6 6 -5 5 -4

I Knew In My Heart That We Were Friends

3 -4 -5 -5 -5 6 -5 4 -3

It Had To Be So It Could-n’t Be No, But Try

3 -2 3 -3 -3 -3 -3 -4 4 -5 3 7

As Hard As I Might Do I Don’t Know Why

7 7 -6 6 6 -6 7 7 -7 -6

You Get To Me In A Way I Cant Des-cribe

-6 6 -5 5 5 -4 4 -5 -5 6 6

Words Mean So Lit-tle When You Look Up And Smile

6 -5 5 5 -4 5 -5 6 -5 5 5

I Don’t Care What Peo-ple Say To Me Youre More Than A Child

-4 5 -5 6 -5 5 5 -4 5 -5 6 -7 6 -5

Oh Claire, Clai-re

5 -5 6 -5

Claire, If Ev-er A Mo-ment So Rare

4 -3 5 6 6 6 -5 5 -4

Was Cap-tured For All To Com-pare

3 -4 -5 -5 -5 6 5 -3

That Mo-ment Is You In All That You Do, But Why

3 -2 3 -3 -3 -3 -3 -4 5 -5 3 7

In Spite Of Our Age Diff-erence Do I Cry

7 7 -6 6 6 -6 7 7 -7 -6

Each Time I Leave You I Feel I Could Die

-6 6 -5 5 -4 5 -5 -5 6 6

Noth-ing Means More To Me Than Hear-ing You Say

6 -5 5 5 -4 5 -5 6 -5 5 5

I Going To Mar-ry You, Will You Mar-ry Me Un-cle Ray

-4 5 -5 6 -5 5 5 -4 5 -5 6 -7 6 -5

Oh Claire, Clai-re

4 -5 6 -5

Claire, I’ve Told You Be-fore Don’t You Dare

4 -3 5 6 6 6 -6 7 6

Get Back In-to Bed

6 6 -5 5 5

Can’t You See That It’s Late

5 -5 6 -5 5 5

No You Can’t Have A Drink

5 -5 6 -5 5 5

Oh All Right Then But Wait Just A Bit

5 -5 6 -5 5 5 6 -6 7

While I In An Ef-fort To Ba-by-sit

6 7 -6 6 6 -6 7 7 -7 -6

Catch Up My Breath What There Is Left Of It

-6 6 -5 5 -4 5 -5 -5 6 6

You Can Be Mur-der At This Hour Of The Day

6 -5 5 5 -4 5 -5 6 -5 5 5

But In The Morn-ing This Hour Will Seem A Life-time A-way

-4 5 -5 6 -5 5 5 -4 5 -5 6 -7 6 -5

Oh Claire Clai-re Oh Claire

5 -5 6 -5 2 1

+5 +7 +6 -5 +6 +5

+5 -5 +5 +7 +6 -5 +6 -5 +5

+4 -4 +5 +7 +6 -5 +4 -4 +4

By: Claude Debussy
From: Suite Bergamasque
Key: Db, A
Time: 9/8

| | denotes a measure
( ) denotes a grace note
~ denotes a rest
. . play the note longer

Key: Db

|~ 3*7* -6.|.-5*-6-5*..|.5*-5*5*-5*5*55*5.|.

|.-3*5-3*-5*-3*3*-3*3*-2*-2.|.

|.-2-2*-2-3*-2-1*-2-1*.|.1*-1*1* 1 |~…|

|~5*-5*-7*7*-6.|.-5*-6-5*5* -3*|

|-10 -9*-9*-9*9*9*9999*-7* |

|-10 -10*-10-9*-10-9*9*-9*9*9(-10*)-10-7*.|.

|~…|~ -6*7*8*-7*-6*|~…|

|~ -6*7*-9*9*-7*|-7*-7*-7*-7*8-7*8*-9*|

|~…|~…|3*..-4 4*|3* -4 3*|

|4* -5*-6 5* -6|7-65*5* ~~|-3* 4 -6|

|-3* 4 -6|-6& -6-5-5*|-7* 7* |

|7* -8 8*|7* -8 7*|

Key: A

|8* ~~|~…|~…|-6* -7 8*|

|10-9*8*-8-7 7*-6*|6-5*5*-4-32* -2*2|

Key: Db

|-1* -2* -3*|-1* -2* -3*|.-6-5*-3* 3* |

|~…|-5* -6* -7*|-5* -6* -7*|

|-9*…|..9* -9* |~…|~…|~…|~…|

|-7*8-7*-9*-7*7*-7*7*|.-6*7*-6*-6|.

|.-6-6*-6-7*-6-5*-6-5*|.5*5 |~…|

|~…|~…|~…|~ 1*-1*-3* -2 |

|~ -2*3*4* -3*|~-3*4-6 3*|

|~…|~~-4 4* |~…|~~-8 8* |

|~…|~…|-6…~~|

654-54-44-4543-43-

33-34-32-32-22-21-1-

21-31-11-144-43-

654-54-44-654-54-4

44-6-654-54-435554-

4-4-4443-3-43

55-54-54-44-43-43

22-3-322222-2

22-4322222-222-4-433

333-344-6

underlined tabs held longer

Any Key, I prefer C for this one.

Verse 1

7 -6 7 8 8 8 -8 7 -7
Clair, the moment I met you I swear
6 -7 -8 -8 -8 8 -7 -6
I felt as If something somewhere
6 -5 6 -6 -6
Had happened to me
-5 -6 -7 7 -8 6 7
Which I couldn’t see, and then
-6 7 8 8 8 -8 7 -7
The moment I met you again
6 -7 -8 -8 -8 8 -7 7 -6
I knew in my heart that we were friends
6 -5 6 -6 -6 -5 -6 -7 7 -8
It had to be so, it couldn’t be no
6 9 8 9 -9 8 8 -9
But try — as hard as I might do
9 9 -10 -9 -9 8 -8 7
I don’t know why, you get to me
-7 -7 7 -8 -8 8 8
In a way I can’t describe
8 -8 7 7 -7
Words mean so little
7 -8 8 -8 7 7
When you look up and smile
-7 7 -8 8 -8 7 7
I don’t care what people say
-7 7 -8 8 -10 8 -8
To me you’re more than a child
7 -8 8 -8
Oh Clair — Clair ~~~~~~~

Then verse 2 (same tune) see below
Followed by

Verse 3 (To Finish)

7 -6 7 8 8 8 -9 9 8
Clair, I’ve told you before, don’t you dare
7 -7 6 5 4 5 6 7 -6 -5 -4
Get back into bed, can’t you see that it’s late
-6 -7 -8 -7 6 5
No you can’t have a drink
-6 7 8 -8 7 -8 8 -9 9
Oh alright then but wait just a bit
6 9 -9 8 8 -9 9 9 -10 -9
While I, in an effort to ba-by sit
-9 8 -8 7
Catch of my breath
-7 7 -8 -8 8 8
What there is left of it
8 -8 7 7 -7 7 -8 8 -8 7 7
You can be murder at this hour of the day
-7 7 -8 8 -8 7 7
But in the morning this hour
-7 7 -8 8 -10 8 -8
Will seem a lifetime away
7 -8 8 -8
Oh Clair —- Clair ~~~~~~~~

Oh Clair (Spoken)

Verse 2

Clair, if ever a moment so rare
Was captured for all to compare
That moment is you
It’s all that you do
But why, inspite of our age difference
Do I cry ?
Each time I leave you
I feel I could die
Nothing means more to me
Than hearing you say
«I’m going to marry you,
Will you narry me, Uncle Ray»
Oh Clair, Clair

By: Joe Manuel, Mack Henshaw & Harry Jentes
Colleen Lovett
Key: C

2 3 3 2 -2
There’s a girl I know
3 2 -1 1 3 3 2 3
Who loves to ride in mo-tor cars
2 -1 1* -1 2 -2
She knows her P’s and Q’s
2 -1 1 3 3 2 3
But she can’t pro-nounce her R’s
2 3 3 2 -2
Cla-rence is her beau
3 2 -1 1 3 3 2 3
And when he takes her for a spin
3 -1 3 3 -3 -4 -5 -5
He loves to tease, he loves to squeeze
-4 4 -5 4 -4 -3 3
But she al-ways shouts at him
3 4 -3 -4 -3* -4 3
Cla-wence, don’t tweat me so wuff
3 -5 -4 4 -4 4 3
Cla-wence, e-nough is e-nough
2 3 4 -3 -3* -4 -3* -4 3 2
I like speed and all the fun that’s in it
-1 -2* -3 4
But we-mem-ber
-4 -5 -3 4 -4 -5 -3 3*
That there al-ways is a lim-it
3 4 -3 -4 -3* -4 3
Cla-wence, don’t lose your con-twol
2 -4 -3* -4 4
Or I’ll tell my pa
-5 -3 -5 -3 -5 6 -5 4
You’re so bwave and so wo-man-tic
-3 3 -3 3 -3 -4 -3 3
I’m a-fwaid you’ll dwive me fwan-tic
-3 -5 -3 -4 6 5
Cla-wence, don’t go too far

By: Bob Hilliard & Carl Sigman
From: Angel In The Wings
The Andrew Sisters
Key: C

5 6 6 -5* 6 -5* 6 -6
Each morn-ing, a mis-sion-ar-y
7 6 -6 -5 6 5 6
Ad-ver-tise with ne-on sign
7 -6* 7 8 8 -8 -8 -7 -7
He tell the na-tive pop-u-la-tion
7 -7 -7-7 7 6 5 -6
that civ-il-i-za-tion is fine
7 7 -8 -8-7* -8 -7 -7 -5
And three ed-u-ca-ted sav-a-ges
-7* -8 -7* -8 -7 -5 -6
Hol-ler from a bam-boo tree
7 -8 -7 7 -7 7 -6
That civ-il-i-za-tion is
6 7 -6 6 -5 5
The thing for me to see

7 6 6 6 6 6 6
But, bon-go, bon-go, bon-go,
-5 5 6 6 6 6 6 6
I don’t wan-na leave the Con-go,
-5 5 6 7 -7 7
Oh no no no no no
8 8 -8 -8 -7 -7
Bin-gle, ban-gle, bun-gle,
7 7 -7 -7 7 7 -6 -6 6 6 7 -5 -5
I’m so hap-py in the jun-gle, I re-fuse to go
7 7 7 7 -6
Don’t want no bright lights,
6 -3 7 -5 6 -3
False teeth, door-bells, land-lords,
7 -7 -6 7
I make it clear
-7 7 -8 -8 -7 -7 7 -6
That no mat-ter how they coax me,
-6 6 -5 5
I’ll stay right here

-4 +5 -5 +6 -7 +7 -6 -7 +6 -6 +5 (x2) +5 -5 -6 +6 -6 +5 -6 +6 -6 +5 +5 -5 +5

-4 5 -5 6 -7 7 -6 -7 6 -6 5
City of stars, Are you shining just for me?
D E F A, B C A B G A E

-4 5 -5 6 -7 7 -6 -7 6 -6 5
City of stars, There’s so much that i can’t see.
D E F A, B C A B G A E

5 -5
Who knows,
E F,

-6 +6 -6 +6 -6 +6 -6 +5…
I felt it from the first embrace
A G A G A G A E

5 -5 5
I shared with you…
E E E E

That now Our dreams,
E D A B
8 -8 -6 -7

They’ve finally come true.
E E D C A
8 8 -8 7 -6

-4 5 -5 6 7 -7 7 -6 -7 6 -6 5
City of stars, Just one thing everybody wants.
D E F A, C B C A B G A E

-4 5 -5 6 , -7 7 -6 -7 6 -6 5 -4 5.. 5 6 5

There in the bars, and through the smokescreen of the crowded
restaurants,
D E F A, C B C A B G A E D E G E

It’s love,
A Bb,
E F
5 -5

Yes, all we’re looking for is love
A, G A G A G A E
-6 +6 -6 +6 -6 +6 -6 +5…

From someone else…
E E F E
5 -5 5

— A rush,
E D
5 -4

— A glance,
E A
5 -6

— A touch,
C B
7- 7

— A dance,
E E
5 5

To look in somebody’s eyes,
E A A A G A B
5 -6 -6 6 -6 -7

To light up the skies,
B B A B B
-7 -6 -7 -7

To open the world and send me whirly,
B B A B C C B B A E
-7 -7 -6 -7 7 7 -7 -7 -6 -6 5

A voice that says, I’ll be here,
E A A A G A B
5 -6 -6 -6 6 -6 -7

and you’ll be alright.
B B A B E
-7 -7 -6 -7 5

I don’t care if I know
A A A G A B
-6 -6 -6 6 -6 -7

Just where I will go
B B A B B
-7 -7 -6 -7 -7

‘Cause all that I need, this crazy feeling,
B B A B C C B B A E
-7 -7 -6 -7 7 7 -7 -7 -6 5

Ra-ta-tat of my heart
E A A A G A B
5 -6 -6 -6 6 -6 -7

I think I want it to stay.
A A C E D C A
-6-6+7+8-8+7-6

City of stars, Are you shining just for me?
D E F A, B C A B G A E
-4 5 -5 6 -7 7 -6 -7 6 -6 5

City of stars,
D E F A
-4 5 -5 6

You never shined so bright-ly.
C A C E D C A
7 -6 7 8 -8 7 -6

-4 -5 -6 -8 -8 +7 -6

Ci ty of stars
-4 +5 -5 +6

Are you shining just for me?
-7 +7 -6 -7 -6 +6 +5

Ci ty of stars
-4 +5 -5 +6

There’s so much that I can’t see
-7 +7 -6 -7 -6 +6 +5

Who knows?
+5 -5

I felt it from the first embrace I shared with you
-6 +6 -6 +6 -6 +6 -5 +5 +5 +5 +5 +5

That now our dreams
+8 -8 -6 -7

They’ve finally come true
6 +8 -8 +7 +7

By: Steve Goodman
Arlo Guthrie, Willie Nelson
Key: G

-5 -5 -5 -5 -5 -5 -5 5 5 -4
Rid-in’ on the Cit-y Of New Or-leans
-4 -4 -4 -4 3 6 6 6 -5 -5 -5
Il-li-nois Cen-tral, Mon-day morn-in’ rail
-5 -5 -5 -5 -5 -5 -5 5 5 -4
Fif-teen cars and fif-teen rest-less rid-ers
-4 -4 -4 3
Three con-duc-tors;
-4 -5 -5 -5 -5 -2* 3
and twen-ty-five sacks of mail

-4 -4 -4 -4 -4 -4 -4 -4 -4
All a-long the south-bound od-ys-sey
-4 -4 -4 -4 -4 -4 -4 -4
the train pulls out of Kan-ka-kee
-4 -5 -5 -5 -5 -5 -5 -5 -5 6 5*
And rolls a-long the hous-es, farms, and fields
-4 -4 -4 -4 -4 -4 -4
Pass-in’ towns that have no name,
-4 -4 -4 -4 -4 -4 -4 -4
and freight yards full of old black men
-5 -5 -5 -5 -3 -4
And the grave-yards of the
4 4 4 -4 -3 3
rust-ed au-to-mo-biles

7 7 -6* -6*-6*-6*-6* 6 -5 3
Good morn-ing, A-mer-i-ca, how are you?
-3 -4 -4 -4 3 6 6 6 -5 -5
Say, don’t you know me? I’m your na-tive son
-5 5 -4 -4 -4
I’m the train they call
-4 -5 -5 -5 6 -4-3 3
the Cit-y Of New Or-leans
3 3 -6 -6 6 6 -5
I’ll be gone five hun-dred miles
-5 -5 -55 -4 3
when the day is done

Dealing card games with the old man in the Club Car
Penny a point — ain’t no one keeping score
Pass the paper bag that holds the bottle
Feel the wheels rumbling ‘neath the floor
And the sons of Pullman Porters, and the sons of Engineers
Ride their father’s magic carpets made of steel
And, mothers with their babes asleep rocking to the gentle beat
And the rhythm of the rails is all they feel

Good morning, America, how are you?
Say, don’t you know me? I’m your native son
I’m the train they call the City Of New Orleans
I’ll be gone five hundred miles when the day is done

Night time on the City Of New Orleans
Changing cars in Memphis Tennessee
Halfway home — we’ll be there by morning
Through the Mississippi darkness, rolling down to the sea
But, all the towns and people seem to fade into a bad dream
And the steel rail still ain’t heard the news
The conductor sings his songs again — the passengers will please
refrain
This train got the disappearing railroad blues

Good night, America, how are ya?
Said, don’t you know me? I’m your native son
I’m the train they call the City Of New Orleans
I’ll be gone five hundred miles when the day is done

By: Steve Goodman
Arlo Guthrie, Willie Nelson
Key: G
Harps: G, D, C

Harp: G

6 6 6 6 6 6 6 -5 -5 5
Rid-in’ on the Cit-y Of New Or-leans

5 5 5 5 4 -6 -6 -6 6 6 6
Il-li-nois Cen-tral, Mon-day morn-in’ rail

6 6 6 6 6 6 6 -5 -5 5
Fif-teen cars and fif-teen rest-less rid-ers

5 5 5 4
Three con-duc-tors;

5 6 6 6 6 -3 4
and twen-ty-five sacks of mail

Harp: D

-3”-3” -3” -3” -3” -3” -3”-3”-3”
-6 -6 -6 -6 -6 -6 -6 -6 -6
All a-long the south-bound od-ys-sey

-3” -3” -3” -3” -3”-3” -3”-3”
-6 -6 -6 -6 -6 -6 -6 -6
the train pulls out of Kan-ka-kee

-3” 4 4 4 4 4 4 4 4 -4 -3
-6 7 7 7 7 7 7 7 7 -8 -7
And rolls a-long the hous-es, farms, and fields

-3” -3” -3” -3” -3” -3” -3”
-6 -6 -6 -6 -6 -6 -6
Pass-in’ towns that have no name,

-3” -3” -3” -3” -3”-3” -3” -3”
-6 -6 -6 -6 -6 -6 -6 -6
and freight yards full of old black men

4 4 4 4 3 -3”
7 7 7 7 6 -6
And the grave-yards of the

Harp: G

-2” -2”-2” 2 -1 1
-5 -5 -5 5 -4 4
rust-ed au-to-mo-biles

4 4 -3 -3 -3 -3 -3 -3” 3 1
7 7 -7 -7 -7 -7 -7 -6 6 4
Good morn-ing, A-mer-i-ca, how are you?

-1 2 2 2 1 -3” -3” -3” 3 3
-4 5 5 5 4 -6 -6 -6 6 6
Say, don’t you know me? I’m your na-tive son

3 -2” 2 2 2
6 -5 5 5 5
I’m the train they call

2 3 3 3 -3” 2-1 1
5 6 6 6 -6 5-4 4
the Cit-y Of New Or-leans

Harp: C

3 3 -5 -5 5 5 -4
6 6 -9 -9 8 8 -8
I’ll be gone five hun-dred miles

-4 -4 -44 -3 3
-8 -8 -87 -7 6
when the day is done

Dealing card games with the old man in the Club Car
Penny a point — ain’t no one keeping score
Pass the paper bag that holds the bottle
Feel the wheels rumbling ‘neath the floor
And the sons of Pullman Porters, and the sons of Engineers
Ride their father’s magic carpets made of steel
And, mothers with their babes asleep rocking to the gentle beat
And the rhythm of the rails is all they feel

Good morning, America, how are you?
Say, don’t you know me? I’m your native son
I’m the train they call the City Of New Orleans
I’ll be gone five hundred miles when the day is done

Night time on the City Of New Orleans
Changing cars in Memphis Tennessee
Halfway home — we’ll be there by morning
Through the Mississippi darkness, rolling down to the sea
But, all the towns and people seem to fade into a bad dream
And the steel rail still ain’t heard the news
The conductor sings his songs again — the passengers will please
refrain
This train got the disappearing railroad blues

Good night, America, how are ya?
Said, don’t you know me? I’m your native son
I’m the train they call the City Of New Orleans
I’ll be gone five hundred miles when the day is done

*=long blow

5 -4 4 5 -4 4 4 5
4-4 5 5 -5 5 4 5 5 -4 4 **4

4 4 4 -4 -2 -2” -2 -2” -3”
My heart is black, and my lips are cold
-3 -3 -3 -3 -3 -3 4 4
Cities on flame with rock and roll
4 4 4 4 -4 -2 -2 -2” 3 -3”
Three thousand guitars they seem to cr-y
1 -3 -3 -3 -3 -3 -3 4 4
My ears will melt, and then m-y eyes

-4 4 -3’ -4 4 -3’-3” -3’ -3’ -3”’-3”
Let the girl, let that gi-rl, rock and ro-ll
3 3 -3” -2 -1 -1 -1 -1 -1 -1
Cities on fla-me now, with rock and roll

4 4 4 -4 -4 -2 -2 -2 -2” 3 -3”
Gardens of nocturne, forbidden de-li-ghts
-3 -3 -3 -3 -3 4 4
Reins of steel, and it’s alright
4 4 4 4 -4 3 3 3 3 -3”
Cities on fla-me, with rock and ro-ll
-3 -3 -3 -3 -3” 4 -3 4 4 4
Marshal will buoy, but Fender control.

-2” -4 4 -3’ -4 4 -3’-3” -3’ -3’ -3”’-3”
So let the girl, let that gi-rl, rock and ro-ll
3 3 -3” -2 -1 -1 -1 -1 -1 -1 -2” -1
Cities on fla-me now, with rock and r-o-ll

(REPEAT 1st VERSE)

-2”
So

(REPEAT 1st CHORUS)

6 6 6 -6 6

6 6 6 -6 6

6 6 6 -6 6 -5 5 -4

5 5 -4 -4 4

Cirmos cica, haj,
hova lett a vaj?
Ott látom a bajuszodon,
most lesz neked jaj!

5 -5 6 -5 5 -5 -6 -4 -4 5 -5 6 -6 6
Cirkeline har fødselsdag, mange gaver hun får

-6 -7 7 -7 -6 -6 7 -4 -4 5 -4-4 4 -4 5
I sin æske på bordet her, har hun boet i et år

5 -5 6 -5 5 -5 -6 -4 -4 5 -5-5 6 -6 6
I sin æske på bordet her, har hun boet i et år

-6 -7 7 7 -7 -6 -6 7 -4 -4 5 -4 -4 4 -3 4
Vi skal med til hendes fødselsdag, vi er spændt på hvad vi får

W: Howard Johnson
M: A. Pestalozza
Frank Sinatra, The Andrew Sisters
Key: F
Time: 3/4

4 -4 -3*-3 4 -3 3 -2 1 -2 3
Ci-ri-bi-ri-bin, a mel-o-dy your heart
-2 1 -3 3 -2 -3*
Can toss up to the sky
-5 5* 5 -3* 6 -5 -3* -3 3
Ci-ri-bi-ri-bin, a song to sing
3 -3 3 -5 -6 6 -5 -5
When-ev-er things have gone aw-ry
5 -4 -3*-3 4 -3 3 -2 1
Ci-ri-bi-ri-bin, when you feel sad
-2 3 -2 1 -3 3 -2 -5
Just hum it for a lit-tle while
6 -5 5* -5 -6 6 -5 5* -5 -6
Ci-ri-bi-ri-bin, soon as you be-gin
-3 3 -2* 3 -3* 2 -3 3 -2
Ci-ri-bi-ri-bin, the world will smile

7 7 7 8 -7
There’s on-ly two types
-6 -7 5 5 -4 5 -4
of peo-ple in the wor-ld.
-7 -7 -6 -7 -6 -7
The ones that en-ter-tain
-6 5 5 5 5 -4 5 -4
and the ones that ob-se-r-ve.
-7 -7 -7
Well ba-by,
8 8 -7 -7 -6 -7 -7 5 5 -4
I’m a put-on—a—show kind of gi-rl.
-7 -7 -6 -7 -6
Don’t like the back-seat,
-7 -7 5 5 -4
got-ta be fir-st.

-7 -7 -7 -7 -6 6
I’m like a ring-lead-er,
-7 -7 -6 -7
I call the shots.
-7 -7 -7 -7 -7 -6 6
I’m like a fi-re-crack-er,
-7 -7 -6 -7
I make it hot,
-7 -7 -8 9 -8 8
when I put on a show.

7 7 7 -7 -7 -7 -7
I feel the a—dre-na-line
7 -7 -7 -7 -6
mov-ing through my veins.
7 7 7 7 7 7 -7 -7 -7 7
Spot-light on me and I’m rea-dy to break.
7 7 7 7 -7 -7
I’m like a per-for-mer,
-7 -7 7 -7 -7 -6
the dance-floor is my stage.
7 7 7 7 7
Bet-ter be rea-dy,
8 -8 7 -7 7 -6
hope that you feel the same.

8 8 8 8 8 8 8 8
All eyes on me in the cen-ter
8 8 8 8 8 7 -7 -7
of the ring just like a cir-cus.
8 8 8 8 8
When I crack that whip,
8 8 8 8 8 8 8 8 7 -7 -7
e-very-bo-dy gon’ trip just like a cir-cus.
8 8 8 -9 8 8
Don’t stand there wat-ching me,
9 8 8 8 8 9 8 -8 8
fol-low me, show me what you can do.
8 8 8 8 8 8 8 8 8 8 8 8
E-very-bo-dy let go, we can make a dance-floor
8 8 7 -7 -7
just like a cir-cus.

5 5 5 5 -4 4 5 -6 7 7 7 7
The circuit ridin’ preacher used to ride across
-7 -6 -6 6 -5 -5 -5 6 -6 6 -6 -5
the land, with a rifle on his saddle and a
5 -5 5 4 5 5 5 5 5 -4 4 5
Bible in his hand; he told the prairie people
-6 -7 7 7 7 -7 -6 -6 -7 -7 6 6
all about the promised land, as he went riding
-6 5 4 5 -6 7 -6 -6 -5
singing down the trail, leaning, leaning,
5 5 -6 6 -6 -7 7 -7 -6
leaning on the everlasting arms
5 5 5 5 -4 4 5 -6 7 7 7
The circuit ridin’ preacher traveled thru the
7 -7 -6 -6 6 -5 -5 -5 6 -6 6 -6 -5
mire and mud, told about the fiery furnace and of
5 -5 5 4 5 5 5 5 5 -4
Noah and the flood; he preached the way to
4 5 -6 -7 7 7 7 -7 -6 -6 -7 -7
heaven was by water and the blood, as he went
-6 6 -6 5 4 5 -6 7 7
riding, singing down the trail. Pow’r, pow’r,
-7 -6 -6 -5 5 6 -6 -7 -6 -7 7
wonder working pow’r in the blood of the Lamb,
5 -6 7 7 -7 -6 -6 -5 5 6
there is pow’r, pow’r, wonderworking pow’r in
-6 -7 -8 7 -7 -7 -6
the precious blood of the Lamb.

2 3 2 1 -1
You came like a cloud
-2 4 -2 2 2
Covered every doubt
3 -3″ -3 4 5 -4
Didn’t even notice
4 -4 5 4 4 3 3
That the sun was faded out

(Chorus)
-5 6 -5 6 -5 5
Smiling
4 -4 4 -4 4 -4 5 -4
Will only save us for a while
4 -5 6 -5 6 -5 5
And wishing
4 6 -5 -5 5 5 -4 -3″
Won’t hide what we’re missing
4, 4 -6 5
Yeah, I love you
4 4 -6 6 5 5 4 -4
But I shouldn’t have said it yet
4 4 -6 6 -6 7 5
And I know you feel it too
4 -4 4 -6 6 6 5 5 -4 5 4 -4
But I was never good at playing hard to get
-4 -4 5 -5 5 -4 4 -3″ 3 -3″ 4 -3″
If we can find a way to start the chase again
-4 -4 -4 5 -5 4 -4 -3 -3 4 5 -4 -3 4
We might rediscover love when we circle ’round the bend

4 4 -4 4 -3 -3
3, -3″, 3 2
Oh, oh, oh
4 -4 4 -3 -3
3, -3″, 3 2
Oh, oh, oh
4 -4 4 -3 -3
3, -3″, 3 2
Oh, oh, oh
2 -1, 2 2 -1 1
Oh, oh

-3 -3 -3 -3 -3 4
We couldn’t turn around
-3″ -3″ -3″ -3″ -3″ -3″ 3
‘Til we were upside down
-3 -3 -3 -3 -3 4
I’ll be the bad guy now
-3″ -3″, -3″ -3″ 3 3 2
But no, I ain’t too proud
5 5 5 5 -4
I couldn’t be there
5 5 5 6 5 -4
Even when I try
5 5 5 5 -4
You don’t believe it
-4 -4 -4 -4 -4 4
We do this every time

(Chorus)
5 -4 -4 4 4 4 -3 -3 -3 4 -3″ 3
Seasons change and our love went cold
5 -4 -4 4 4 4 -3 -3 -3 4 -3″ 3
Feed the flame ’cause we can’t let go
5 -4 -4 4, 4 4 -3 -3 -3 4 -3″ 3
Run away, but we’re running in circles
5 -4 -4, 5 -4 -4
Run away, run away
-4 5 -5 5 6 5 -4
I dare you to do something
4 5 -5 5 6 5 -4
I’m waiting on you again
4 4 4 5 -4 -4 4
So I don’t take the blame
5 -4 -4 4, 4 4 -3 -3 -3 4 -3″ 3
Run away, but we’re running in circles
5 -4 -4, 5 -4 -4, 5 -4 -4 4
Run away, run away, run away

4 -3″
Let go
4 4 4 4 4 4 4 4 -3″ -3″ 3 3
I got a feeling that it’s time to let go
3 4 -3″
I say so
4 4 4 4 4 4 4 -3″ -3″ 3 3
I knew that this was doomed from the get-go
4 4 4 4 4 5 -4, 5 -4
You thought that it was special, special
4 4 4 4 4 5 -4, -4 5 -4
But it was just the sex though, the sex though
4 4 4 4 4 5 -4 (-4 5 -4)
And I still hear the echoes (the echoes)
4 4 4 4 4 4 4 4 -3″ -3″ 3 3
I got a feeling that it’s time to let it go
-3″ -3″ 4 -4 5
Let it go

(Chorus)

5 -4 -4 4 4 4 4 4 4 5 5 -5 5
Maybe you don’t understand what I’m going through
4 5 -4 -4, 4 4 5 5 -5 5?
It’s only me, what you got to lose?

Here’s the complete song. I tabbed the fast part of this song.

2 -3 -4 4

-2 -3 -4 4

<-1 <-2 -3 -4 4 -4 -3 -3 -5 6 -6 <-3 -5 6 -6 6 7 -6 6 <-5 6 2 -3 -4 4 -2 -3 -4 4 <-1 <-2 -3 -4 4 -4 -3 -3 -5 6 -6 6 7 -6 6 <-5 6 6 6 6 5 -3 -4 -3 3 -2 2 2 -3 -4 4 -4 -3 2 -2 -3 -4 4 <-1 <-2 -3 -4 -5 5 -4 4 -3 -3 -5 6 -6 6 -5 5 <-3 -5 6 -6 6 7 7 -6 -6 6 6 <-5 6 -4 -3 3 -2 2 2 -3 -4 4 -2 -3 -4 4 <-1 <-2 -3 -4 5 -5 6 -3 -5 6 -6 6 7 -6 6 <-5 6 6 6 6 5 -3 Enjoy!

Known from the series of «Baantjer»
The 1 overblows can be played as -1 instead.

— = Draw note (blow the others)
‘ = single step bend
» = double step bend
° = overblow
_ = stretch the note

Comments are welcome

Intro
-7 -6 -7 -6 5__ 6 -5 6 -5 4 -4
-7 -6 -7 -6 5__ -4 5__

First part
2 -3″ -3 4__ -2″ -3″ -3 4__ 1° -2 -3″ -3 4 -3 -3″
-3″ -4 5 -5 -3′ -4 5 -5 6 -5 5 -4 5_____

2 -3″ -3 4__ -2″ -3″ -3 4__ 1° -2 -3″ -3 4 -3 -3″
-3″ -4 5 -5 5 6 -5 5 -4 5 5 5___ 4 -3″___

Bridge
2 -3″ -3 -4 4 -3 -3″, 4 -3 -3″ 3 -2″ -3′ -2″ 2
5 -4 -5 -4 4 -3″ , -4 4 -3 -3″ 4 -3″ 2 (4 -3 -3″ 3 -2″)

Second part
2 -3″ -3 4__ -2″ -3″ -3 4__ 1° -2 -3″ -3 4 -3 -3″
-3″ -4 5 -5 -3’ -4 5 -5 6 -5 5 -4 5____

2 -3″ -3 4__ -2″ -3″ -3 4__ 1° -2 -3″ -3 4 -4 5
-2 -4 5 -5 5 6 -5 5 -4 5 5 5___ 4 -3″____

Outro
-7 -6 -7 -6 5__ 6 -5 6 -5 4 -4
-7 -6 -7 -6 5__ -4 5

(-7 -6 -7 -6 7 -6)

Music by Elton John, lyrics by Tim Rice
Performed by Elton John, From «The Lion King»

5 -5 6 -5 -5 6 6 -6 6 -5
From the day we arrive on the planet
-4 -5 -5 -5 6 6 -6 5
And blinking, step into the sun
6 7 7 7 7 -6 -7 7 -8 -8 -8
There’s more to be seen than can ever be seen
-8 -8 -8 -8 8 -9 8 7 -8
More to do than can ever be done

5 -5 6 6 -6 6 -5
Some say eat or be eaten
5 -5 6 6 -6 5
Some say live and let live
6 7 7 7 7 6 6 7 -8 -8 8
But all are agreed as they join the stampede
-8 -8 -8 -8 8 -9 8 7 -8
You should never take more than you give

(Chorus)
6 6 9 8 -8 7
In the Circle of Life
8 8 -9 9 -9 -8
It’s the wheel of fortune
-9 -9 9 8 7
It’s the leap of faith
-9 -9 -9 8 -8
It’s the band of hope
6 6 9 8 8 -8 7 7
Till we find our place ~~~~~~
8 8 -9 9 9 -9
On the path unwinding
7 7 9 9 6 -9 -8 7 7
In the Cir-cle, the Cir — cle of Life

Some of us fall by the wayside
And some of us soar to the stars
And some of us sail through our troubles
And some have to live with the scars

There’s far too much to take in here
More to find than can ever be found
But the sun rolling high
Through the sapphire sky
Keeps the great and small on the endless round

(Chorus repeats)

On the path unwinding
In the Circle, the Circle of Life.

I had this tabbed for C harp, but I din’t like the high octave. This
tab sounds the same, except «Baby can you hear me?» can now be played
correctly. The line, «Circle in the sand» is wrong, but it works just
fine. I have a low F harp that puts this song in the octave I
prefer.

-6 6 -6 -6 5
Sun-down all a-round

-6 -7 -6 6 5 -4 5
Walk-ing through the sum-mer’s end

-6 6 6 6 -6 -6 5
Waves crash. Ba-by, don’t look back

-6 -7 -6 6 5 5 6 -6
I won’t walk a-way a- gain

5 6 -6
Oh

-6 7 -8 7 -6 6 -6 -6
Ba-by, a- ny-where you go,

8 -8 -8 7 -8 8
We are bound to-ge- ther

5 6 -6 -6 7 -8 7 -6
I be-gin, ba-by, where you end

-8 -8 7 -8 -8 8
Some things are for- e-ver

5 5 6 -7 -7 -6
Cir-cle in the sand

-6 5 6
‘Round and ’round

5 5 6 6 -6
Nev-er end-ing love

-6 -7 -7 7
Is what we’ve found

-8 8 7 7 -6 -6 6 6 6
And you com-plete the heart of me

8 8 7 8 8 8 8 -8
Our love is all we need

5 5 6 -7 -7 -6
Cir-cle in the sand

5 5 6 -7 -7 -6
Cir-cle in the sand

Cold wind, tide move in
Shiver in the salty air
Day breaks, my heart aches
I will wait for you right here.

Oh
Baby when you look for me
Can you see forever?
I begin baby, where you end
We belong together

Circle in the sand
‘Round and ’round
Never ending love is what we’ve found
And you complete the heart of me
Our love is all we need
Circle in the sand
Circle in the sand

8 9 9 8 8 -10 9
Ba-by, can you hear me?

7 -8 9 -9 7 -8 -6
Can you hear me call,ing?

Oh
Baby, anywhere you go
We are bound together
I begin, baby, where you end
Some things are forever

Circle in the sand
‘Round and ’round
Never ending love is what we’ve found
And you complete the heart of me
Our love is all we need
Circle in the sand
Circle in the sand
Circle in the sand

7 -6 -6 6 -6
Cir-cle in the sand