4 5 6 6 6 6 67 6
From the Halls of Montezuma
5 -5 6 6 -5-4 4
to the shores of Tripoli.
4 5 6 6 6 6 67 6
We will fight our country’s battles
5 -5 6 6 -5 -4 4
in the air on land and sea.
7 -7 -6 -5 -6 7 6-6 6
First we fight for right and freedom
7 -7 -6 -5 -6 7 6
And to keep our Honor clean.
4 5 6 6 6 6 67 6 5
We are proud to wear the title of
5 -5 6 6 -5 -4 4
(The) United States Marines.
The king of all Mardi Gras songs = )
Played on C harp, Time=4/4, 112bpm.
I
-5 6 -7 -7 -7 -7 -8
If you go to New or—leans,
-7 -7 -7 -7 -5 -5 -7 -7
You ought to go to the Mar—di
-3
Gras.
-5 6 -7 -7 -7 -7 -8
If you go to New or—leans,
-7 -7 -7 -7 -5 -5 -7 -7
You ought to go to the Mar—di
-3
Gras.
-8 -8 -8 -8 -7 -7 -5
When you see the Mar—di Gras,
-5 -5 -5 -5 -7 -7 -5 -5 6 6 -7
some bod-y ‘ll tell you what the car-ni-val’s
-7
for.
II
-5 6 -7 -7 -7 -7 -8
Get your ticket in your hand,
-7 -7 —> -7 -5 —> -7 -7
Go on down to New Or
-3
leans.
-5 6 -7 -7 -7 -7 -8
Get your ticket in your hand,
-7 -7 —> -7 -5 —> -7 -7
Go on down to New Or
-3
leans.
-8 -8 -8 -8 -7 -7 -5
When you get to New Or-leans,
-5 -5 -5 -5 -7 —> -5 -5 6 —> -7
some bod-y ‘ll show you the Zu lu
-7
King.
III
-5 6 -7 -7 -7 -7 -8
You can see the zu-lu King,
-7 -7 —> -7 -5 —> -7 -7
Go on Ram—part and Du
-3
maine.
-5 6 -7 -7 -7 -7 -8
You can see the zu-lu King,
-7 -7 —> -7 -5 —> -7 -7
Go on Ram—part and Du
-3
maine.
-8 -8 -8 —> -7 —> -5 —>
If you stay right there,
-5 -5 -5 —> -7 —> -5 —> 6 —> -7
you might just see the Zu lu
-7
Queen.
Marco: De los Apeninos a los Andes.
En un puerto italiano (muy lejano) al pie de las montañas
5 6 -5 5 -6 7 -7 -6 -6 6 -5 5 -5 5 -4
vive nuestro amigo Marco en una humilde morada.
-5 -5 -5 -5 6 -4 -5 5 5 7 -7 -6 6 -6 7 -7
Se levanta muy temprano
5 6 -5 5 -6 7 -7 -6
para ayudar a su buena mamá.
-7 -7 7 -7 -7 7 -8 7 -7 7 -7 -6
Pero un día la tristeza llega hasta su corazón,
-6 -7 7 7 7 7 7 6 -6 -6 6 -5 5 -5 6
mamá tiene que partir cruzando el mar a otro país.
-6 -7 7 7 7 7 7 6 -7 -6 -6 -6 5 -6 7 -7
No te vayas mamá no te alejes de mi
7 -8 8 -8 7 8 7 -8 8 -8 7 8
adiós mamá pensaré mucho en ti
7 7 -8 8 7 -8 8 -8 7 -8 7 -7
no te olvides mamá que aquí tienes tu hogar.
-7 7 -8 7 -7 7 -6 -7 7 -7 -6 -7
Si no vuelves pronto iré a buscarte donde estés
5 5 7 7 -7 -6 7 5 5 7 7 -7 -6 -7
no me importa donde vayas,¡te encontraré!.
-6 -6 7 7 -7 -6 -7 -7 -7 7 -8 7 -7 -6
MARCIE
By Joni Mitchell
Key: G
-5-5-5 -5 5* 555.. -5-45 -5..
-5 -5 -5-5 5* -5 6 5*
Mar-cie in a coat of flow-ers
5 5 5 -5 -4 5 -5
Steps in-side a can-dy store
-5 -5 -5 -5 5* -5 6 5*
Reds are sweet and greens are so-ur
5 5 5 -5 -4 5 -5
Still no let-ter at her door
7 7 7 7 -6*-6* 7 -7
So she’ll wash her flow-er cur-tains
6 6 6 6 -5* 6 -6*
Hang them in the wind to dry
-5 -5 -5 -5 5* -5 6 5*
Dust her tab-les with his shirt and
5 5 5 -5 -4 5 -5
Wave an-oth-er day good-bye
-5 -5 -5 -5 5* -5 6 5*
Mar-cie’s fau-cet needs a plum-ber
5 5 5 -5 -4 5 -5
Mar-cie’s sor-row needs a man
-5 -5 -5 -5 5* -5 6 5*
Red is au-tumn green is sum-mer
5 5 5 -5 -4 5 -5
Greens are turn-ing and the sand
7 7 7 7 -6* -6* 7 -7
All a-long the o-cean beach-es
6 6 6 6 -5* 6 -6*
Stares up emp-ty at the sky
-5 -5 -5 -5 5* -5 6 5*
Mar-cie buys a bag of peach-es
5 5 5 -5 -4 5 -5
Stops a post-man pass-ing by
7 -6* 6 -6*
And sum-mer goes
-5 6 -6* 7 -6*
Falls to the side-walk
-5 6 -6* 7 -9 8
like string and brown pap-er
-5 -5 -5
Win-ter blows
-4 5* -5 6 5*
Up from the riv-er
-5 7 -6* -5 6 6
There’s no one to take her
5* -5 -5
To the sea
Marcie dresses warm its snowing
Takes a yellow cab uptown
Red is stop and greens for going
Sees a show and rides back down
Down along the hudson river
Past the shipyards in the cold
Still no letters been delivered
Still the winter days unfold
Like magazines
Fading in dusty grey attics and cellars
Make a dream
Dream back to summer and hear how
He tells her
Wait for me
-5 -5 -5 -5 5* -5 6 5*
Mar-cie leaves and does-n’t tell us
5 5 5 -5 -4 5 -5
Where or why she moved a-way
-5 -5 -5 -5 5* -5 6 5*
Red is an-gry green is jeal-ous
5 5 5 -5 -4 5 -5
That was all she had to say
7 7 7 7 -6* -68 7 -7
Some-one thought they saw her sun-day
6 6 6 6 -5* 6 -6*
Win-dow shop-ping in the rain
-5 -5 -5 -5 5*
Some-one heard she bought
-5 6 5* 5 5 5
a one-way tick-et
-5 5 -4 5 -5
And went west a-gain
5 6 -5 5 5 4
4 4 -4 4 4 -3
-5 -5 6 -5 -5 -4
-4 -5 5 -4 -4 4
6 6 -6 6 6 5
-5 -5 6 -5 -5 -4
5 6 -5 5 5 4
-4 -4 4 4
This is tabbed for a 24 hole Echo Celeste tremolo
6 -5 5 -5 6 4 4 4
Bring the good old bugle, boys, we’ll
-3 -4 5 -5 5 3 -2 4 4
Sing a-nother song. Sing it with a
-3 4 -3 5 -5 5 -5 6 -5
Spirit that will start the world along
5 5 -5 6 -6 -3 -3 -3
Sing it as we used to sing it,
4 5 5 -5 6 -5 -5 -5
Fifty thousand strong, while we were
-5 6 -5 5 5 6 7 6 7
Marching thru Georgia, hurrah! Hurrah!
6 5 -5 5 -3 5 6 7 6 7
We bring the jubilee! Hurrah! Hurrah!
6 -5 -5 -5 6 -5
The flag that makes you free.
5 5 -5 6 -6 -3 -3 -3 4 5 5 -5
So we sang the chorus from Atlanta to the
6 -5 -5 -5 -5 6 -5 5 5
Sea, while we were marching thru Georgia.
MARCHING THROUGH GEORGIA
Civil War song
By: Henry Clay Work
Key: G
-8 -7 7 -7 -8 -5 -5
Bring the good old bu-gle, boys,
-5 6 -6* 7 -7 7
we’ll sing an-oth-er song
-4 5 -5 -5 6 -5 6
Sing it with a spir-it that
7 -7 7 -7 -8 -7
will start the world a-long
7 7 -7 -8 8 6 6 6
Sing it as we used to sing it,
-5 7 7 -7 -8
fif-ty thou-sand strong
-7 -7 -7 -7 -8 -7 7 7
While we were march-ing through Geor-gia.
-8 -9 -8 -9 -8 7 7 7 6 7
Hur-rah! Hur-rah! we bring the ju-bi-lee!
-8 -9 -8 -9
Hur-rah! Hur-rah!
-8 -7 -7 -7 -6* -7
the flag that makes you free!
7 7 -7 -7 8 6
So we sang the chor-us
6 6 -5 7 7 -7 -8
from At-lan-ta to the sea
-7 -7 -7 -7 -8 -7 7 7
While we were march-ing through Geor-gia.
Song written in 1865, commemorating General William Tecumseh Sherman’s
epic march the year before. Lively.
Verse 1
8 -8 7 -8 8 6 6 6 -6 -7 7 -8 7
Bring the good old bugle, boys, we’ll sing another song
5 -5 6 6 -6 6 -6 7 -8 7 -8 8 -8
Sing it with a spirit that will start the world along
7 7 -8 8 -9 -6 -6 -6 67 7-8 8
Sing it as we used to sing it, 50,000 strong
-8 -8 -8 -8 -8 -8 7 7
While we were marching through Georgia.
Chorus
8 9 8 9 8 7 7 7 -6 7
Hurrah! Hurrah! we bring the jubilee!
8 9 8 9 8 -8 -8 -8 -7 -8
Hurrah! Hurrah! the flag that makes you free!
7 7 -8 8 -9 -6 -6 -6 6 7 7 -8 8
So we sang the chorus from Atlanta to the sea
-8 -8 -8 -8 -8 -8 7 7
While we were marching through Georgia.
Verse 2
How the darkeys shouted when they heard the joyful sound
How the turkeys gobbled which our commissary found
How the sweet potatoes even started from the ground
While we were marching through Georgia.
Verse 3
Yes and there were Union men who wept with joyful tears,
When they saw the honored flag they had not seen for years;
Hardly could they be restrained from breaking forth in cheers,
While we were marching through Georgia.
Verse 4
«Sherman’s dashing Yankee boys will never make the coast!»
So the saucy rebels said and ’twas a handsome boast
Had they not forgot, alas! to reckon with the Host
While we were marching through Georgia.
Verse 5
So we made a thoroughfare for freedom and her train,
Sixty miles of latitude, three hundred to the main;
Treason fled before us, for resistance was in vain
While we were marching through Georgia.
6 5 4 4 5 5 -5 4
Here we go with Leeds U ni ted
6 6 6 -6 6 -5 6 5
We’re gonna give the boys a hand
6 6 6 7 7 -8 7 7 -6
Stand up and sing for Leeds U ni ted
6 6 -6 6 -5 -4 -3 4
They are the greatest in the land
5 6 4 -4 5 5 6 4
Every day, we’re all gonna say
4 -4 5 -5 5 -5
We love you Leeds! Leeds! Leeds!
-5 -6 -4 5 -5-5 -6 -4
Everywhere, we’re gonna be there
-4 4 -4 5 -5 6
We love you Leeds! Leeds! Leeds!
6 5 7 -7 -7 -6
Marching on to ge ther
-5 -5 4 -7 -6 6 6 -6 6 -5 5 -4
We’re gonna see you win (na na na na na na)
5 5 6 4
We are so proud
5 -5 -5 6 -6
We shout it out loud
-6 6 -5 6 -7 7
We love you Leeds! Leeds! Leeds!
6 5 4 4 5 5 -5 -4
We’ve been through it all to ge ther
6 6 -6 6 -5 6 5
And we’ve had our ups and downs (ups and downs!)
6 6 6 7 7 -8 7 7 -6
We’re gonna stay with you forever
6 6 6 6 -6 -6 -5 -4 -3 4
At least until the world stops going ’round
5 6 4 -4 5 5 6 4
Every day, we’re all gonna say
4 -4 5 -5 5 -5
We love you Leeds! Leeds! Leeds!
-5 -6 -4 5 -5-5 -6 -4
Everywhere, we’re gonna be there
-4 4 -4 5 -5 6
We love you Leeds! Leeds! Leeds!
6 5 7 -7 -7 -6
Marching on to ge ther
-5 -5 4 -7 -6 6 6 -6 6 -5 5 -4
We’re gonna see you win (na na na na na na)
5 5 6 4
We are so proud
5 -5 -5 6 -6
We shout it out loud
-6 6 -5 6 -7 7
We love you Leeds! Leeds! Leeds!
Marching On Together (Leeds United)
Here We Go With Leeds U-ni-ted
7 6 5 5 -5 5 5 -4
Were Gon-na Give The Boys A Hand
7 7 7 -7 7 -6 7 6
Stand Up And Sing For Leeds U-ni-ted
7 7 7 8 8 -9 8 8 -7
They Are The Great-est In The Land
7 7 -7 7 -6 -5 -4 4
Ev-ery Day Were All Gon-na Say
6 7 5 -5 6 6 7 5
We Love You Leeds Leeds Leeds
5 -5 6 -6 6 -5
Ev-ery-where Were Gon-na Be There
-6 -7 -5 6 -6 -6 -7 -5
We Love You Leeds Leeds Leeds
-5 5 -5 6 -6 7
March-ing On To-get-her
7 7 8 -8 -8 -7
Were Gon-na See You Win Na Na Na Na Na Na
-6 -6 6 -8 -7 7 7 -7 7 -6 6 -5
We Are So Proud We Shout It Out Loud
6 6 7 5 6 -6 -6 7 -7
We Love You Leeds Leeds Leeds
-7 7 -6 7 -8 8
MARCHETA (A Love Song From Old Mexico)
By: Victor L. Schertzinger
Perry Como, Mario Lanza
Key: F
Time: 3/4
-3 4 4 -3 -5 -5
Mar-che-ta, Mar-che-ta
-3 4 4 3 -3* -3* 2 -3
I still hear you call-ing me back
-3 1 2 2 1 -1
To your arms once a-gain
-3 4 4 -3 -5
I still feel the spell
-5 -3 4 4 3 -3* -3*
Of your last kiss up-on me
2 -3 -3 1 3 3 1 -2
Since then life has all been in vain
-6 -6 -3 6 6
All has been sad-ness
-3 -5 -5 -5 -6 -6
With-out you Mar-che-ta
-6 6 6 6 -4 -4 -4 6
Each day finds me lone-ly and blue
-3 4 4 -3 -5 -5
My poor heart is brok-en
-3 4 4 3 -3* -3*
I want you Mar-che-ta
2 -2 -2 1 3 3 1 -2
I need you Mar-che-ta, I do
4 5 5 5 5 5
Quand l’ baba cool cradoque
5 5 5 -4 -4 4 -3 4
Est sorti d’ son bus VolksWagen
4 4 5 6 6 6 6 6
Qu’il avait garé comme une loque
6 -5 5 -4
Devant mon rad’
4 4 -4 5 5 5 5 5
J’ai dit à Bob qu’était au flipp’
5 5 5 -4 -4 4 -3 4
» Viens voir le mariole qui s’ ramène
4 4 5 6
Vise la dégaine
6 -5 5 -4
Quelle rigolade »
4 -4 5 5 -5 5
Patchoulli patogasses
5 5 5 6 6 -5 5 -4
Le Guide du Routard dans la poche
-3 4 -4 -4 5 -4
Aré Krishna à mort
-4 -4 5 -5
Cheveux au henné
-5 5 -4 5
Oreilles percées
4 4 -6 -6 -6 -6 -6
Tu vas voir qu’à tous les coups
6 -5 6 6 6 -5 5
Y va nous taper cent balles
-4 4 -4 -4 -4 -4 -4
Pour s’ barrer à Khatmandou
-4 5 -5 5
Ou au Népal
Avant qu’il ait pu dire un mot
J’ai chopé l’ mec par le paletot
5 -4 4 -4
Et j’ ui ai dit
5 5 5 -5 5 -4 4
» Toi tu m’ fous les glandes
4 -4 5 -4 -4 4 -3 4
Pis t’as rien à foutre dans mon monde
4 -4 5 -5 -5 6 -5 5 -4 4
Arrache toi d’ là t’es pas d’ ma bande
4 -4 5 -4
Casse toi tu pues
-4 4 -3 4
Et marche à l’ombre
Une p’tite bourgeoise bécheuse
Maquillée comme un carré d’as
A débarqué dans mon gastos
Un peu plus tard
J’ai dit à Bob qu’était au flipp’
» Reluques la tronche à la pouffiasse
Vises la culasse
Et les nibards »
Collants léopards homologués chez SPA
Monoï et Challimard
Futal en skaï comme Travolta
Qu’est ce qu’è vient nous frimer la tête
Non mais ess’ croit au Palace
J’ peux pas sacquer les starlettes
Ni les blondasses
Avant qu’elle ait bu son cognac
J’ l’ai chopée par le colback
Et j’ui ai dit
» Toi tu m’ fous les glandes
Pis t’as rien à foutre dans mon monde
Arrache toi d’ là t’es pas d’ ma bande
Casse toi tu pues
Et marche à l’ombre »
Un p’tit Rocky bargeo
Le genre qui s’est gouré d’ trottoir
Est v’nu jouer les Marlon Brando
Dans mon saloon
J’ai dit à Bob qu’avait fait tilt
» Arrête j’ai peur c’est un blouson noir
J’ veux pas d’histoires
Avec ce clown »
Derrière ses pauvr’ Raybane
J’ vois pas ses yeux
Et ça m’énerve
Si ça s’ trouve i’ m regarde
Faut qu’il arrête sinon j’ le crève
Non mais qu’est ce que c’est qu’ ce mec
Qui vient user mon comptoir
L’a qu’à r’tourné chez les Grecs
Se faire voir
Avant qu’il ait bu son viandox
J’ l’ai chopé contre l’ juke-box
Et j’ui ai dit
» Toi tu m’ fous les glandes
Pis t’as rien à foutre dans mon monde
Arrache toi d’ là t’es pas d’ ma bande
Casse toi tu pues
Et marche à l’ombre »
Pis j’ me suis fait un punk
Qu’avait pas oublié d’être moche
Et un intellectuel en Loden genre Nouvel Obs’
Quand Bob a massacré l’ flipper
On n’avait plus une tune en poche
J’ai réfléchis
Et j’ me suis dit
» C’est vrai que j’ suis épais
Comme un sandwich SNCF
Et qu’ demain j’ peux tomber
Sur un balaise qui m’ casse la tête
Si c’ mec là me fait la peau
Et que j’ crève la gueule sur l’ comptoir
Si la mort me paye l’apéro
D’un air vicelard
Avant qu’è m’emmène voir la haut
Si y’a du monde dans les bistrots
J’ui dirait
» Toi tu m’ fous les glandes
Pis t’as rien à foutre dans mon monde
Arraches toi d’ là t’es pas d’ ma bande
Casse toi tu pues
Et marche à l’ombre »
» Casse toi tu pues
Et marche à l’ombre »
» Casse toi tu pues
Et marche à l’ombre »
il manque deux lignes.
6 6 5 4 4 5 6 6 6 5 -4
5 -5 -5 -5 -4 6 6 -6 6 -5 -4 4
Marcha Soldado Cabeza de papel.
Quien no marcha derecho va preso al cuartel.
4 (5) (5) (5)
4 6 5 (5)
4 (5) (6) 7
(6) (5) (4) 6 (6) (5)
MARCH OF THE TOREADORS
From the opera: “Carmen”
By: Georges Bizet
Key: G
-8 10 -8 -7 7 -6*6 -6* -4
Lead-ing the pro-ces-sion proud-ly
6 -6* 7 -8 -9* 9*-9* -8
Walk-ing at a mer- ry pace,
-8 10 -8 -7 7 -6* 6 -6* -4
The Al-gua-zil is jeered at loud-ly,
6 -6* 7 -8 -9*9*-9* -8
Al-gua-zil with ug-ly face.
-8 -6* -6* -8 8 -8 -6* -8
Off with the Al-gua-zil Be off!
-10*-10*-10*-10*-10*-10*-10* -9 11
Oh! Be off! Be off! Be off! Be off!
+5 -4 +4 +3
Febo asoma
+5 -4 +4 +3
+5 -4 +4 -4 +5 -5 +6
-5 +5 -5 +5 -4
+5 -4 +4 +3
Tras los muros
+5 -4 +4 -3
+5 -4 +4 -4 +5 -5 +6
-5 +5 -4 +4 -4
(repetir esta última estrofa 2 veces)
(Repeat these 4 last lines twice)
+4 +4 -5
Y el clarín
-5 +5 -4 +4 -4 +5
estridente sonó
-5 -5 -5 +5 -4 +4 -5 +5
+6 -5 +5 -5 -4 +4
+5 -4 +4 +4 -3 +3 +3
Avanza el enemigo
-4 +4 +4 +4 -3 +3 +3
A paso redoblado
+4 +6 -6 +6 -6 +6 -5
-5 -5 +5 -5 +6 -5 +5
+5 -4 -6 -6 -6 -7+7 +5
+7 +6 +5 -5 +5 +4 +4 +4 +4 +4
+5 +5 +4 +5 -5 +5 +3
Cabral soldado heroico
+7 +7 +5 +7 -7 -5 -4
Cubriéndose de gloria
+6 +6 +4 +5 -5 +5 +6
+5 +5 -5 +5 -5 +5 / -7 +7
+8 -7 +7 +7 +7 +7
7 -7 -6 7 7 -8 8 7
-9 8 -8 7 -7 -6 -7 6
7 -7 -6 7 7 -8 8 -10 9 8 -8 8 7
7 -7 -6 7 7 -8 8 7
-9 8 -8 7 -7 -6 -7 6
7 -7 -6 7 7 -8 8 -10 9 8 -8 8 7
MARCH OF THE KINGS
Trad. Christmas carol
Arr: Noble Cain
Robert Shaw
Key: Bb
3 -1 3 -3 -3* -3 -3* 3 -5
Three great kings I met at ear-ly morn
-3* 4 -5 -5* -5 5
With all their ret-i-nue
-3* -3 -5 -3* 3
were slow-ly march-ing
3 -1 3 -3 -3* -3 -3* 3 -5
Three great kings I met at ear-ly morn
-3* 4 -5 -5* -5 4 -3* -3* -3 3
Were on their way to meet the new-ly born
-3 -3 -3 -3* -3 3 -3 -3* 4
With gifts of gold brought from far a-way
-3* 4 -5 3 -3 -3* 4
And val-iant war-riors to guard
-3* -3 3 3 -2*
the roy-al treas-ure
-3 -3 -3 -3* -3 3 -3 -3* 4
With gifts of gold brought from far a-way
-3* 4 -5 -5* -5
Their shields all shin-ing
4 -3* -3* -3 3
in their bright ar-ray
+6 +5 -5 +6
-6 +6 -5 +5
+6 +5 -5 +6
-6 +6 -5 +5
+6 +5 +6 -5 +5
-4 +6 +5 +6 -5 +5
-4 +5 -5 +7 -6 +6 -5 +5 -4
+6 +5 -5 +6
-6 +6 -5 +5
+6 +5 -5 +6
-6 +6 -5 +5
+6 +5 +6 -5 +5
-4 +6 +5 +6 -5 +5
-4 +5 -5 +6 -5 +5 -4 +4
This March of the Fusiliers of Charles III (Marcha de los Fusileros
de la Reina)is played during the Change of Guard at the Cabildo of
Buenos Aires, Argentina
|G Em|Bm G Em|G Em |Bm G Em|
+10——+10——+10—-+10—+10 -10 +9 -9 +8 +8 -8 +7
G Em Bm G Em
-8 -8-8-8 +8 +8 -9 -8 +8
G Em Bm G Em
-8 -8-8-8 +8 +8 -9 -8 +8 +5
Am D
+7 -8 +7 -7 -6+6 -5 -4
G C
-7 +7 -7 -6 +6 -5 +5 +6
F#m7 B7 Em
-5 +5 -4 -6 +6 -5 +5 -7
Am A7 D
+7 -7 -6 +6 -8
G Em Bm G Em
-8 -8-8-8 +8 +8 -9 -8 +8
G Em Bm G Em
-8 -8-8-8 +8 +8 -9 -8 +8
Am D
+7 -8 +7 -7 -6+6 -5 -4
Bm7 Em
-8 +8 -8 +7 -7 -6 +6-7
C Am D7
+8 -8 +7 +8 -9 +8 -7 -9
G D7 G
+9 -9 +8 -9 -9 -9
5 -5 5 5 4
4 -4 4 4 -3
-5 6 -5 -5 -4
-4 5 -4 -4 4
6 -6 6 6 5
-5 6 -5 -5 -4
5 -5 5 5 4
-4 -4 4 4
English title is Marcia Without Hope.
1 2 3 4 5 | -4 4 5 4 | -3 -3″ 4 -3 | 2
1 2 3 4 5 | -4 4 5 4 | -3 -3″ -3 4 | -5
-3′ -3 -4 5 -5 | 5 -4 -5 -4 -4′ -3″ | -2 -2″
-2 -2′ -2 -3 -2 | -3″
-2 -2′ -2 -3 -2 | -3′ -3 -3′ -3 -3′ -3 | -2
1 2 3 4 5 | -4 4 5 4 | -3 -3″ 4 -3 | 2
1 2 3 4 5 | -4 4 5 4 | -4 4 5 4 | -4
-4 5 -5 5 -4 | -5 -4 5 -5 5 -4 | -5 -4 5 -5 5 -4
5 4 -4 5 -4 4 | 5 4 -4 5 -4 4
-3 -2 -3′ -3 -3′ -2 -3 -2 -3′ -3 -3′ [ 1ª TIME: 4 ] [ 2ª TIMES: 4/7]
4 4 4 | -3, -3 -3
-2 -3 -3 -2 | 4, 4 4
4, 4 4 | -3 -2 -3 -3 -2 -3 -2 -2 -3 -3 -2 4, 4 4
4 4 4 | -3, -3 -3
-2 -3 -3 -2 | 4, 4 4
4, 4 4 | -3 -2 -3 -3 -2 -3 -2 -2 -3 -3 -2 4 3 2 1
MARBLES IN MY POCKET
5 6 6 5 6 -6 5 5 4 4 4
MAR-BLES IN MY POC-KET WIN-TER TIMES BE-GUN
5 6 6 5 6 -6 -6 -6 -6 6 5 6
MAR-BLES IN MY POC-KET THAT RAT-TLE WHEN I RUN
-5 -5 -5 -5 -6 -6 5 5 5 5 6
HEA-VY IN MY POC-KET ON THE WAY TO SCHOOL
-4 -4 -4 -4 -4 -5 -4 4 4 4 4
SMOOTH AG-AINST MY FIN-GERS ROUND AND HARD AND COOL
4 4 4 4 4 4 4 4
OH YES ITS MAR-BLE TIMES BE-GUN
5 6 6 5 6 -6
MAR-BLES IN MY POC-KET
2 3 -3 4
5~ 5 -4 5~ 5 -4 5~ 5 -4 5 -4 4 -3 -4 5 4~~
-4~ -4 4 -4~ -4 4 -4~ -4 4 -4 5 4 -3~~
2 3 -3 4
5~ 5 -4 5~ 5 -4 5~ 5 -4 5 -4 4 -3 -4 5 4~~
-4~ 5 4~ 5 5~ -4~~~
7 -6 7 -6 -7 6 5 -7
-6 -5 -6 -5 6 -6 -7 6
7 -6 7 -6 -7 6 5 -7
-6 -5 -6 -5 6 -6 -7 6
4 -4 5 -5 4 -4 5 -5 6 -6 -7 -6 6 7 6 6
7 -6 7 -7 -6 6 -6 -5 5 -5 6 5 -5 -4 4 4
Már én többet nem kapálok, fazekasinasnak állok,
Appró csuprokat csinálok, abból kávéznak a lányok.
Apró csupor, nagy a füle, nem fér a babám kezébe.
A fél fülét le kell vágni, a babámtól el kell válni.
8 8 8 9 8 8 -8 8 8
I miss the taste of a sweeter life
8 8 8 -8 7 -8 8
I miss the conversation
8 8 8 9 8 -8 7 -6
I’m searching for a song tonight
7 7 7 -8 -8 7 -7 -6 -6
I’m changing all of the stations
8 8 8 9 8 8 -8 8 8
I like to think that we had it all
8 8 8 -8 -8 7 -8 8 8
We drew a map to a better place
8 8 8 9 8 8 -8 7 -6
But on that road I took a fall
7 7 7 -8 -8 7 -7 -6 -6
Oh baby why did you run away?
7 -7 -6 -6 -6
I was there for you
-6 6 -6 -6 -6
In your darkest times
7 -7 -6 -6 -6
I was there for you
-6 6 -6 -6 -6
In your darkest night
7 7 -8 8 8 -8 -8 7
But I wonder where were you
7 8 8 8 9 9
When I was at my worst
7 7 8 8 -8
Down on my knees
6 6 -8 -8 -8 -8 -8
And you said you had my back
7 7 -8 8 8 -8 -8 7
So I wonder where were you
6 8 8 8 9 9 7 7 8 8 -8
When all the roads you took came back to me
6 6 -8 -8 -8 -8 -8 8 7 -7 -6
So I’m following the map that leads to you
-6 -6 -6 -6 6 -6
The map that leads to you
-6 -6 -6 -6 6 -6
Ain’t nothing I can do
-6 -6 -6 -6 6 -6
The map that leads to you
9 9 8, 8 8 -8, -8 -8 7 6 -6
Following, following, following to you
-6 -6 -6 -6 6 -6
The map that leads to you
-6 -6 -6 -6 6 -6
Ain’t nothing I can do
-6 -6 -6 -6 6 -6
The map that leads to you
9 9 8, 8 8 -8, -8 -8 7
Following, following, following
6 7 6 7 -6 -5 -5 6 -6 6 5 4
A map is a pic-ture of where we are go-ing
7 6 7 -6 -5 -5 6 -6 6 5 4
Wig-gly lines show us where riv-ers are flow-ing
-4 -4 5 -5 -4 -4 5 5 -5 6 5
Red lines are high-ways on which we will trav-el
-5 -5 6 -6 -4 6 -5 6 7 7 -6
Black lines are by-ways topped some-times with grav-el
7 6 -6 -5 -5 6 -6 6 5
Dots are ci-ties where gas sta-tions are
5 5 -5 -5 6 6 -6 -6 6 -6 -6 7
And each cap-it-al ci-ty is marked with a star
6 7 6 7 -6 -5 -5 6 -6 5 4
So put on your seat belts the engine is go-ing
7 6 7 -6 -5 -5 6 -6 6 5 4
Off down the high-way the traf-fic is flow-ing
-4 -4 5 -5 -4 -4 5 5 -5 6 5
Here comes a cross-road and we take the left one
-5 -5 6 -6 -4 6 -5 6 7 7 -6
Off down the dirt road now we make a right turn
7 6 -6 -5 -5 -5 6 -6 6 5
In-to the park now where pic-nic spots are
5 5 -5 -5 6 6 -6 -6 6 -6 -6 7
Then you turn off the en-gine hop out of the car
7 9 8 8 -7 7 6 6 8 -8 -9 -9 8 -8 8 9 9 8 -9 9 8 8 -7 7 6 6 8 -8 -9 -9
8 -8 8
7 9 8 8 -7 7 6 6 8 -8 -9 -9 8 -8 8 9 9 8 -9 9 8 8 -7 7 6 6 8 -8 -9 -9
8 -8 8
-8 8 -9 -9 -9 8 -9 9 -9 8 -9 10 10 -10 -10 -11
-11 10 10 -8 8 -9 -9 -9 8 -9 9 -9 8 -9 10 10
-10 -10 9 -10 10
-8 8 -9 -9 -9 8 -9 9 -9 8 -9 10 10 -10 -10 -11
-11 10 10 -8 8 -9 -9 -9 8 -9 9 -9 8 -9 10 10
-10 -10 9 -10 10-10 (the ending 10-10 slur together)
Slow and soft with sustained notes-a sad song
8 7 -8 8
Now is the hour
8 8 -8 -9 -7 7
When we must say good-bye
7 -8 -8 8 7
Soon youll be sail-ing
-8 7 -7 7 -8
Far a-cross the sea
8 7 -8 8
While youre a-way
8 8 -8 -9 -7 7
Oh please re-mem-ber me
7 -8 -8 8 7 -9 8
When you re-turn youll find me
-6 -7 7
Wait-ing here.
4 3 4 -5 5 -4 4
6 -6 -4 5 -5 5 -4 4
6 6 -6 -7 7
7 -7 -6 6 6 -5 5 -5 -4
5 -5 6 -6 -4 5 -5
5 4 -6 6 -5 5 -5 6
5 -5 6 -6 -4 5 -5 5 4
-6 6 -5 5 -4 4