Mask Off Intro

4 -4 -5 -6 -5 6 -6 6 -5 5 -5 5 4 -4
Repeat




Mask Off (Future)

Intro:

-1 -2″ -2
-2″ +2 -2″ +2 -1

Main:

-4 -5 -6 -5 +6
-6 +6 -5 +5
-4 +4 -4″ (bend) -4

Main in higher octave:

-8 -9 -10 -9 +9
-10 +9 -9 +8
-8 +7 -7 overdraw -8




Mas Que Nada.

4 5 -6 6 -5 4
O aria rai o
34 34 34
Oba, oba, oba,
4 -6 6 -5 4 5 -6 6 -5 4
O o, o, o, o, a-ria rai o
34 34 34
Oba, oba, oba,

6 -5 4 -6
Mas que na-da
6 -5 6 -5 6 -5 6 -5 4 -6
Sai da min-ha frente eu que-ro pas-sar
6 -5 6 6 -5 6 -5 5
Pois o samba esta animado
-4 4 -4 -4 -4 5 5 -5
O que eu que-ro e sam-bar

5 -5 6 5 -6 6 -5 5 -4 4 -4 5
Es-te sam-ba que e mis-to de ma-ra-catu
5 5 5 5 -6 -6 -6 6
E sam-ba de pre-to vel-ho
-5 5 -4 4 -4 5
Sam-ba de pre-to tu

6 -5 4 -6
Mas que na-da
6 -5 6 -5 6 -5 6 -5 4 -6
Um sam-ba co-mo es-se do le-gal
6 -5 6 6 -5 6 -5 5
Vo-ce no vai querer
-4 4 -4 -4 -4 5 5 -5
Que eu che-gu-e no fi-nal

4 5 -6 6 -5 4
O aria rai o
34 34 34
Oba, oba, oba,
4 -6 6 -5 4 5 -6 6 -5 4
O o, o, o, o, a-ria rai o
34 34 34
Oba, oba, oba,




Mas Que Nada

MAS QUE NADA
By: Jorge Ben
Sergio Mendes & Brazil 66, Black Eye Peas
Key: Am

-3… 4 6 -5 5 -3
Ooo when your eyes meet mine
-3 -3 -3
Pow pow pow
-3… 4 6 -5 5 -3
Ooo I could lose my mind
-3 -3 -3
Ow ow ow
3 -2 2 -3 3 3 3 -2
It’s a feel-ing that be-gins to
3 -3 3 -2 3 -2 2 -3
Grow an’ grow an’ grow in-side me
3 -2 3 3 -2 3 -2 3 2
‘til I feel like I’m gon-na ex-plode
2 -1 1 2 2 3* 3* -3
Oh this is what you do to me
-3 -4 4 -3 -5 -4 -4
Are your lips say-ing things that
-4 3 2 3 -3
You feel in your heart
-3 -3 -3 -3 6 6 6 -5
If your heart is beat-ing mad-ly
-4 3 3 2 3 -3
Then let the mus-ic start
3 -2 2 -3
Hold me, hold me
2 3 -2 3 -2 3 -2
It’s heav-en ooo it’s heav-en
3 -2 2 -3
When you hold me
2 3 -2 3 -2 2
I want you night and day
-1 1 2 2 3* 3* -3
Ooo I want you here to stay




Mary`s Boy Child

6 6 6 7 7 -6 -5 -4 -6 -6 6-7 -6-5 5
Long time ago in Bethlehem, so the Holy Bible say
6 8 -8 7 -6-5 -4 -6 6 7
Mary`s Boy Child, Jesus Christ was born on
-7 -8 7
Christmas Day
8 8 -9 -9 -8-8 8 8 7 7 -8
Hark now hear the angels sing, a new king born
7 -7
to-day
-6 6 8 -8 7 -6-5 -4 -6 6 7
And man will live for-ever more, because of
-7 -8 7
Christmas Day
8 8 -9 -9 -8-8 8 7 7 7 -8
Trumpets sound and angels sing, listen to what
7 -7
they say,
-6 6 8 -8 7 -6-5 -4 -6 6 7
That man will live for-ever more because of
-7 -8 7
Christmas Day




Marys Boy Child

6 6 6 7 7 -6 -5 -4
Long time a-go, in Beth-le-hem,
-6 -6 6 -7 -6 -5 5
So the Ho-ly Bi-ble say,
6 8 -8 7 -6 -5 -4
Ma-ry’s boy child Je-sus Christ,
-6 6 7 -7 -8 7
Was born on Christ-mas Day.
8 8 -9 -9 -8 -8 8
Hark, now hear the an-gels sing,
-8 7 7 -8 7 -7
A new king born to-day,
-6 6 8 -8 7 -6 -5 -4
And man will live for ev-er more,
-6 6 7 -7 -8 7
Be-cause of Christ-mas Day.




Maryland, my Maryland (tremolo)

This is tabbed for a 24 hole Echo Celeste tremolo

4 5 5 5 -5 6 6 6
Thou wilt not cower in the dust,
-5 6 -6 4 -5 5 5 4
Maryland, my Maryland! thy
5 5 5 -5 -6 6 6
Beaming sword shall never rust,
-5 6 -6 -4 -5 5 5
Maryland, my Maryland!
7 7 6 -7 7 7 -6 -6
Remember Carroll’s sacred trust
-6 -6 -5 7 -6 -6 6 6
Remember Howard’s warlike thrust,
4 5 5 5 -5 6 6 6
And all thy slumb’rers with the just,
-5 6 -6 -4 -5 5 5
Maryland, my Maryland!




Maryland! My Maryland! (hi-lo)

MARYLAND! MY MARYLAND! hi-lo
James P. Randall
Key: G
Time: 3/4

3 4 4 4 -4 5 5 5
6 7 7 7 -8 8 8 8
Thou wilt not cow-er in the dust,

-4 5 -5 -3 -4 4 4
-8 8 -9 -7 -8 7 7
Ma-ry-land, my Ma-ry-land!

3 4 4 4 -4 5 5 5
6 7 7 7 -8 8 8 8
Thy beam-ing sword shall nev-er rust,

-4 5 -5 -3 -4 4 4
-8 8 -9 -7 -8 7 7
Ma-ry-land, my Ma-ry-land!

6 6 5 -6 6 6 -5 -6
9 9 8 -10 9 9 -9 -10
Re-mem-ber Car-roll’s sa-cred trust

-6 -5 -4 6 -5 -5 5 5
-10 -9 -8 9 -9 -9 8 8
Re-mem-ber How-ard’s war-like thrust,

3 4 4 4 -4 -4 5 5
6 7 7 7 -8 -8 8 8
And all thy slum-b’rers with the just,

-4 5 -5 -4 -4 4 4…
-8 8 -9 -8 -8 7 7…
Ma-ry-land, my Ma-ry-land!




Maryland! My Maryland! (chrom)

MARYLAND! MY MARYLAND! chrom
James P. Randall
Key: G
Time: 3/4

-1 3 3 3 -3 -4 -4 -4
Thou wilt not cow-er in the dust,
-3 -4 4 -2* -3 3 3
Ma-ry-land, my Ma-ry-land!
-1 3 3 3 -3 -4 -4 -4
Thy beam-ing sword shall nev-er rust,
-3 -4 4 -2* -3 3 3
Ma-ry-land, my Ma-ry-land!
-5 -5 -4 6 -5 -5 5 6
Re-mem-ber Car-roll’s sa-cred trust
6 5 -3 -5 4 4 -4 -4
Re-mem-ber How-ard’s war-like thrust,
-1 3 3 3 -3 -3 -4 -4
And all thy slum-b’rers with the just,
-3 -4 4 -3 -3 3 3…
Ma-ry-land, my Ma-ry-land!




Mary-Anne (hi-lo)

MARY-ANNE hi-lo
Trad. folk
Key: A

3 3 2 4 -3” 3 2 -1 1
6 6 5 7 -6 6 5 -4 4
Oh fare you well, my own true love

3 2 3 4 -4
6 5 6 7 -8
Fare you well, my dear

4 -4 5 5-4 -4 4
7 -8 8 8-8 -8 7
For the ship is wait-ing

4 -3 4 4 3-3” 3
7 -7 7 7 6-6 6
and the wind blows free

3 3-3”-34 4 4 3 2 2 -2”
6 6 -6-77 7 7 6 5 5 -5
And I’m bound a-gain for the sea,

2 -1 1
5 -4 4
Mar-y-Anne

3 3 -3”-34 4 4 3 2 2 -2”
6 6 -6-77 7 7 6 5 5 -5
And I’m bound a-gain for the sea,

2 -1 1
5 -4 4
Mar-y-Anne




Mary-Anne (chrom)

MARY-ANNE chrom
Trad. folk
Key: A

6   6    5*  -7  -6*  6  4*-4  -3
Oh fare you well, my own true love
6    5*  6    -7  -8
Fare you well, my dear
-7  -8   8* 8*-8 -8  -7
For the ship is wait-ing
-7   7*  -7  -76-6*  6
and the wind blows free
6   6 -6*7*-7-7-7 6  5*  5* -5
And I’m bound a-gain for the sea,
4* -4  -3
Mar-y-Anne
6   6 -6*7*-7-7-7 6  5*  5* -5
And I’m bound a-gain for the sea,
4* -4  -3
Mar-y-Anne




Mary, Mary, Quite Contrary

9 9 8 8 -9 8 -9 -8
Mary, Mary, quite contrary

8 8 8 9 8 -8
How does your garden grow?

6 -6 -7 7 6 -6 -7 7
With silver bells and cockle shells

-9 8 -9 8 -8 7 -8 7
And pretty maids all in a row.




Mary, Did You Know

Mary, Did You Know

ญ-6 ญ-7 7 8 8 -ญ6 8 -ญ8 7 -ญ7
Ma-ญry did you know that your bab-ญy boy

ญ-6 -ญ6 -ญ7 7 -ญ8 7 -7
would one day walk on wa-ญter?

ญ-6 -7 7 8 8 -ญ6 8 -ญ8 7 -7
Ma-ญry did you know that your baญb-y boy

-6 -ญ6 -ญ7 7 -ญ8 -ญ9 8
would save our sons and daugh-ญters?

5 -ญ6 -ญ6 -ญ6 7 -ญ7 ญ-6 6
Did you know that your bab-ญy boy

ญ-4 5 5 6 -ญ6 -ญ6
has come to make you new;

5 -ญ5 5 -ญ4 4 -4 5
this Child that you de-ญliv-ญered

-4 5 -ญ5 5 ญ -5 5
will soon de-ญliv-ญer you?

verse 2
Mary, did you know that your baby boy
will give sight to a blind man?
Mary did you know that your baby boy
will calm the storm with His hand?
Did you know that your baby boy
has walked where angels trod,
when you kiss your little baby
you kissed the face of God?

verse 3
Mary, did you know that your baby boy
is Lord of all creation?
Mary did you know that your baby
would one day rule the nations?
Did you know that your baby boy
is Heaven’s perfect Lamb,
and the sleeping Child you’re holding
Is the great I AM?




Mary’s Lullaby

A traditional German Folk tune, played gently. Words by Jan
Pinborough

<-3 <3 3 <-3 <3 3 <-3 4 <-3 <3 3 <3
Lullaby lullaby my little one.

<3 3 -2 -2 <-3 <3 3
Lullaby, my child so dear.

<-3 <3 3 <-3 <3 3 <-3 4 <-3 <3 3 <3
Thy precious life has just begun;

<3 3 -2 4 <-3 -1 <-1
Thy mother holds thee near.

<-1 3 <-3 3 <-1 <-5 4 <-3 <3
While Joseph watches through the night.

<3 3 -2 <-1 -1 4 <-3 <3 3
A star reflects thy, radiant light.

<-3 <3 3 <-3 <3 3 <-3 4 <-3 <3 3 <3
Lullaby, lullaby, my little one.

<3 3 -2 4 <-3 -1 <-1
Lullaby, my child, so dear.




Mary’s Little Boy Child (chrom)

MARY’S LITTLE BOY CHILD chrom
By: Jester Hairston
Harry Belafonte
Key: C

3 3 3 4 3 -3 -2 -1
Long time a-go in Beth-le-hem,
-3 -3 3 -4 -3 -2 2
so the Ho-ly Bi-ble say
3 6 -5 5 -3 -2 -1
Mar-y`s Boy Child, Je-sus Christ
-3 3 4 -4 4 -5 5
was born on Christ-mas Day

6 6 -6 -6 -5 -5 6
Hark now hear the an-gels sing,
5 5 -5 5 -4
“New Kings born to-day
-3 3 6 -5 4 -3 -2 -1
And man will live for-ev-er more,
-3 3 4 -4 4 -5 5
Be-cause of Christ-mas Day”

3 3 3 4
While shep-herds watched
3 -3 -2 -1
Their flocks by night
-3 -3 -3 3 -4 -3 -2 2
They saw a bright new shin-ing star
3 3 6 -5 4 -3 -2 -1
And heard a choir from heav-en sing
-3 3 4 -4 4 -5 5
The mu-sic came from a-far

6 6 -6 -6 -5 -5 6
Hark now hear the an-gels sing,
5 5 -5 5 -4
“New Kings born to-day
-3 3 6 -5 4 -3 -2 -1
And man will live for-ev-er more,
-3 3 4 -4 4 -5 5
Be-cause of Christ-mas Day”

3 3 3 4 3 -3 -2 -1
Now Jo-seph and his wife Mar-y
-3 -3 3 -4 -3 -2 2
Came to Beth-le-hem that night
3 3 6 -5 4 -3 -2 -1
They found no place to bear her Child
-3 -3 3 4 -4 4 -5 5
Not a sin-gle room was in sight
3 3 4 3 -3 -3 -2 -2 -1
By and by they found a lit-tle nook
-3 -3 3 -4 -3 -2 2
In a sta-ble all for-lorn
3 3 6 -5 4 -3 -2 -1
And in a man-ger cold and dark
-3 -3 3 4 -4 4 -5 5
Mar-y’s lit-tle Boy Child was born

6 6 -6 -6 -5 -5 6
Trum-pets sound and an-gels sing,
5 5 5 -5 5 -4
Lis-ten to what they say,
-3 3 6 -5 4 -3 -2 -1
That man will live for-ev-er more
-3 3 4 -4 4 -5 5…
Be-cause of Christ-mas Day




Mary’s Boy Child

Mary’s Boy Child

6 6 6 7 6 — 5 4
Long time a茆-o in Beth-衍e-虐em

6 6 6 7 — 5 5
So the Ho-衍y Bi-苑le say,

6 8 — 7 — 5 —
Mar-軌’s Boy Child, Je-貞us Christ,

6 6 7 7 7 — 7
Was born on Chr-虹st-衫as day,

8 8 — — — 8 8
Hark, now hear the an-茆els sing,

7 7 7 — 7 7
A New King’s born to-苓ay,

6 6 8 — 7 6 5 4
And man will live for-苟v-苟r-衫ore

6 6 7 — 7 8 7
Be-苞ause of Chr-ist-衫as Day.

While shepherds watched their flocks by night,
They saw a bright new shining star,
They heard a choir sing a song;
The music seemed to come from afar

Now Jo-貞eph and his wife Mar-軌
Came to Beth-衍e-虐em that night;
They found no place to bear her Child;
Not a sin-茆le room was in sight.




Mary’s A Grand Old Name

MARY’S A GRAND OLD NAME
By: George M. Cohan
From: “Babes On Broadway”
Key: G

-1 3 -4 -5 -4 -3 2
For it is Ma-ry, Ma-ry
-2* 3 -3-2* -1 -2* 2
plain as an-y name can be,
-1 2 -2* -3 3 -2*
but with pro-pri-e-ty,
2 -2* 3 -3 -1 -3 -3* -4
so-ci-e-ty will say «Ma-rie».

-1 3 -4 -5 -4 -3 2
But it was Ma-ry, Ma-ry
-2* 3 -3 -2* -1 -2* 2
long be-fore the fash-ions came
-1 3 -4 -5 -5* 6
and there is some-thing there
-4 6 -5 5
that sounds so fair,
-4 -3 2 -2* 3
it’s a grand old name.




Mary Lou neu

3 3 3 -3 3 5 5 -5 5

Hello Mary Lou Schau mich an

5 6 6 6 6 6 6 -5 5 6 -5

Und sag mir bitte einmal: I love you

3 3 3 -3 3

Und du Mary Lou

6 6 -5 5

Lach mir doch zu,

5 -5 6 6 6 -5 6 -5 5

so wie ein Sonnenschein, Mary Lou.

2 3 3 3 -3 4 3

Aus dem Hause vis-a-vis

-3 5 5 -5 6 -5 5

Seh ich jeden Morgen früh

5 6 6 6 6 6 6 -5 5 6 -5

Die Mary Lou ein Stück die Strasse geh’n

2 3 3 3 -3 4 3

Schaut sie einmal hinterher

-3 4 4 -5 6 -5 5

Stoppt der ganze Stadtverkehr

5 6 6 6 6 -5 -5 6 -5 5

Und alle Autofahrer bleiben steh’n

Hello Mary Lou …….

Manche Mädchen kann man seh’n

Die in langen Hosen geh’n

Doch Mary Lou hat damit nichts im Sinn

In ihrem hübschen bunten Kleid

Ja da ist sie jeder Zeit

Schöner als die schönste Königin.

Hello Mary Lou …….

so wie ein Sonnenschein, Mary Lou

so wie ein Sonnenschein, Mary Lou




Mary Jane

Harp Solo:

6D 6B 5D 5B 4,5B

6D 6B 5D 5B 5D 5B 4,5D




Mary Janes Last Dance

Solo 1
4 -4 4 -4 4
4 -4 4 -4 4 -4 4

Solo 2
4 -4 4 -4 4 -4 4
4 -4 4 -4 4 -4 4 -4 4

Solo 3
4 -4 4 -4 4 -4 4
4 -4 4 -4 4 -4 4 -4 4

4 -4 4 -4 4 -4 4
4 -4 4 -4 4 -4 4




Mary Jane’s last dance-all solos

Solo 1: (0:36)

«Indiana boys on an Indiana Night»

-6, +6, -5, +5, -4&5&6

-6, +6, -5, +5, -5, +5, -4&5&6

Solo 2: (1:32)

«Tired of this town again»

-6, +6, -5, +5, -5, +5, -6~

-6, +6, -5, +5, -5, +5, -4&5&6,/+4&5,/-4&5&6

Solo 3: (3:38)

«Tired of this town again»

-6, +6, -5, +5, -5, +5, -6~

-6, +6, -5, +5, -5, +5, -4&5,/+4&5,/-4&5

-10, +9,-5, +5, -5, +5~

-10, +9,-5, +5, -5, +5~




Mary Jane’s last dance — intro and last-

You can play this song on a C-harmonica as well.

First Line
hole 6…draw
hole 6…blow
hole 5…draw
hole 5…blow
hole 4&5…draw

Second Line
hole 6…draw
hole 6…blow
hole 5…draw
hole 5…blow
hole 5…draw
hole 5…blow
hole 4&5…draw




Mary Jane’s Last Dance

6D{sus} 6B 5D 5B 4D{sus}
6D{sus} 6B 5D 5B 5D 5B 4D{sus}

5D{sus} 5B 5D 5B 5D 5B 4D{sus}
5D{sus} 5B 5D 5B 5D 5B 4D 4B 4D{sus}

5D{sus} 5B 5D 5B 5D 5B 4D{sus}
5D{sus} 5B 5D 5B 6D 6B 5D 5B 5D{sus}
6D{sus} 6B{sus} 6D 6B 5D 5B 5D{sus}
6D{sus} 6B{sus} 5D 5B 4D 5B 4D{sus}

 

Other version:

SONG FACTS: «Mary Jane’s Last Dance» contains a relly simple harmonica lick, that’s why I decided to create some variations of it, as well as an improvisated sequence.
Song key: D minor
Harmonica key: C
Position: Third
VERSE TABS, PLAYED TWICE:
56, 56+ 45 45+, 45
56, 56+ 45 45+, 45 45+ 45 45+ 45
VARIATION 1 TABS, PLAYED TWICE:
56, 56+ 45 45+, 45 45+ 45 45+ sh^45
56, 56+ 45 45+, 5 5+ 4 4+ 4’ 4 5 4
VARIATION 2 TABS, PLAYED TWICE:
^6, 7+ 6 6+ 56 56+, 5 5+ 5 6+ 5 5+ 56
45, 45+ 5 5+ 4 4+ 4 5+, 5 5+ 4 4+ sh^45
IMPROVISATION TABS, PLAYED TWICE:
^4, 4 4+ 4 6+, 5 4
36+ 25 14, 36+ 25 14, sh^45
6+ 5 4 r6 7+ ^6
r8 7+ 6, 6’ 6+ 5, 6+ 5 4, 5 4 14+
14



Mary Jaes Last Dance

Try this with a diatonic harp in the key of G
First Line
hole 6…draw
hole 6…blow
key Chole 5…blow
hole 4&5…draw

Second Line
hole 6…draw
hole 6…blow
hole 5…draw
hole 5…blow
hole 5…draw
hole 5…blow
hole 4&5…draw




Mary In The Morning

1.
6 6 6 6 6 6 6 6 6 6 -5 5-4
Nothing’s quite as pretty as Mary in the morning
5 5 5 -5 -5 4 4 -4 -4 b-3b-3
When through the sleepy haze I see her lying
-3
there
6 6 6 6 6 6 6 6 -5 5 -4
Soft as the rain that falls on summerflowers
5 5 5 -5 -5 4 4 -4 -4 b-3b-3 -3
Warm as the sunlight shining on her golden hair

-6 -6 -7 7 -6 -6 -7 7 -7 7 -8-7 6
When I awake and see her there so close beside me
-6 -6 -7 7 -6 -6 -7 7
I want to take her in my arms,
-6 -7 7 -8 -6 -7 7 -7 6
The ache is there so deep inside me
2.
Nothing’s quite as pretty as Mary in the morning
Chasing the rainbow in her dreams so far away
And when she turns to touch me I kiss her fingers so softly
And then my Mary wake to love and love again

And Mary’s there in summer days or stormy weather
She doesn’t care how right or wrong the love we share,
We share together
3.
Nothing’s quite as pretty as Mary in the evening
Kissed by the shade of night and starlight in her hair
And as we walk, I hold her close beside me
All our tomorrows for a lifetime we will share




Mary Hamilton (hi-lo)

MARY HAMILTON hi-lo

John Thomas Niles

Key: F

Time: 6/8

 

3   4   4   -4 5 -5 6 4 -66

6   7   7   -8 8 -9 9 7 -109

Rise up, rise up Ma-ry Ham-il-ton

 

-5 5   5   4   -4 -3 4

-9 8   8   7   -8 -7 7

Rise up and tell un-to me

 

6   6-6 6 -5 5 -4   4   3   4 -45

9   9-10 9 -9 8 -8   7   6   7 -88

What did you with that sweet lit-tle boy

 

-5 6-6 6   -5 5-4   6

-9 9-10 9   -9 8-8   9

You dan-dled on your knee

 

6 7-6 5 -5-4 -3   4

9 10-10 8 -9-8 -7  7

You dan-dled on your knee




Mary Hamilton (chrom)

MARY HAMILTON chrom

John Thomas Niles

Key: F

Time: 6/8

 

1   -2   -2 3 -3-3* 4 -2 -54

Rise up, rise up Ma-ry Ham-il-ton

-3* -3 -3   -2 3 2 -2

Rise up and tell un-to me

4   4-5 4 -3*-3 3   -2   1 -2 3-3

What did you with that sweet lit-tle boy

-3* 4-5 4 -3*-3 3   4

You dan-dled on your knee

4 -65 -3 -3*3 2   -2

You dan-dled on your knee




Mary Hamilton

MARY HAMILTON
British folk song
Joan Baez
Key: D

5 -4 45 6 -6 -6 6
Word is to the kit-chen gone,
5-4 4 4 6 5 -4
and word is to the Hall
6 7 7 -7 -6 6 6 5-4 4
And word is up to Mad-am the Queen,
-4 5 -55 -44 -4 4
and that’s the worst of all
6 7 7 -7 -7 -6 6 5-4 4
That Mar-y Ham-il-ton’s borne a babe
4 -4 5 -5 -4 4 -4 4
To the high-est Stu-art of all

Oh rise, arise Mary Hamilton
Arise and tell to me
What thou hast done with thy wee babe
I saw and heard weep by thee

I put him in a tiny boat
And cast him out to sea
That he might sink or he might swim
But he’d never come back to me

Oh rise arise Mary Hamilton
Arise and come with me
There is a wedding in Glasgow town
This night we’ll go and see

She put not on her robes of black
Nor her robes of brown
But she put on her robes of white
To ride into Glasgow town

And as she rode into Glasgow town
The city for to see
The bailiff’s wife and the provost’s wife
Cried Alack and alas for thee

You need not weep for me she cried
You need not week for me
For had I not slain my own wee babe
This death I would not dee

Oh little did my mother think
When first she cradled me
The lands I was to travel in
And the death I was to dee

Last night I washed the Queen’s feet
And put the gold in her hair
And the only reward I find for this
The gallows to be my share

Cast off cast off my gown she cried
But let my petticoat be
And tie a napkin round my face
The gallows I would not see

Then by them come the king himself
Looked up with a pitiful eye
Come down come down Mary Hamillton
Tonight you will dine with me

Oh hold your tongue my sovereign liege
And let your folly be
For if you’d a mind to save my life
You’d never have shamed me here

Last night there were four marys
tonight there’ll be but three
T’was Mary Beaton nd Mary Seton
And Mary Carmichael and me.




Mary Had A Little Lamb (in B minor)

MARY HAD A LITTLE LAMB (B minor)
By: Sam Barry
Key Bm

Played on a C major diatonic

-5 5 -4 5 -5 -5 -5
Ma-ry had a lit-tle lamb
5 5 5 -5 -6 -6
Lit-tle lamb, lit-tle lamb
-5 5 -4 5 -5 -5 -5
Ma-ry had a lit-tle lamb
-5 5 5 -5 5 -4
Whose fleece was white as snow

Wanna have some fun. Play our intrepid leaders
Major key version of this cheerful little ditty.

Then play it this way and make somebody cry!




Mary Had a Little Lamb (Chrom)

2 -1 1 -1 2 2 2
Ma-ry had a lit-tle lamb
-1 -1 -1 2 3 3
Lit-tle lamb, lit-tle lamb
2 -1 1 -1 2 2 2
Ma-ry had a lit-tle lamb
2 -1 -1 2 -1 1
Whose fleece was white as snow