PAW-PAW PATCH hi-lo
Trad. children’s song
Key: F
4 4 4 4 5 6 6 5 4
7 7 7 7 8 9 9 8 7
Where, oh where is dear lit-tle Su-zie
-4 -4 -4 -4 -3 -4 -4 -3 3
-8 -8 -8 -8 -7 -8 -8 -7 6
Where, oh where is dear lit-tle Su-zie
4 4 4 4 5 6 6 5 4
7 7 7 7 8 9 9 8 7
Where, oh where is dear lit-tle Su-zie
6 6 6 -6 6 -5 5 4 4
9 9 9 -10 9 -9 8 7 7
Way down yon-der in the Paw-paw patch
PAW-PAW PATCH chrom
Trad. children’s song
Key: F
-2 -2 -2 -2 -3 4 4 -3 -2
Where, oh where is dear lit-tle Su-zie
3 3 3 3 2 3 3 2 1
Where, oh where is dear lit-tle Su-zie
-2 -2 -2 -2 -3 4 4 -3 -2
Where, oh where is dear lit-tle Su-zie
4 4 4 -5 4 -3* -3 -2 -2
Way down yon-der in the Paw-paw patch
Haindling — Paula 4/4 (Bb-Harp)
-edit: I now tabbed the trumpet, too!
-I think this is pretty accurate, i’m not 100% sure about the bridge though.
-The numbers above the words in the first verse are the tab(numbers)/notes for a Bb-Harmonica.
-Beginners can put a capo on the third fret, the chords are listed at the end.
-Verse #2 is the same as #1 except for the «Duitam Ditam Di»-part (last
syllable missing).
Intro: play 2x
| 7 -8 8 -8 7| -7 7 -7 6 5->6 | -6 -6 -7 -6 5 | 6 -7 7 |
|Bb | Dm | Gm | Dm |
|-6 6 -6 -5 -5 5 -5 | -4 -5 6 -6 -7 7 -7 |6/7 | 8 -8 7 -6 6 -6|
|Cm | F |Bb Gm| Cm F|
Verse:
Bb Dm Gm Dm
5->6 -6 5->6 6 -6 -6 -6 6 -6 6 5 6
Paula, oh Paula, mir fang mer jedn Tag vo vorn o
Cm F Bb F
6 5 -4-4-4 4 -4 4 -4 4 5 4 -3 4
und des Oanzige wos zählt auf dera Welt is a Geld
Bb Dm Gm Eb
5->6 -8 7 -7 7 7 7 -7 7 7 7 -7 7
Paula, Paula, es is zwar traurig aber es is woahr
Cm F Bb
7 -8-8-8 7 -8 -8 -8 7 -8 7 -8 7 8 -7 7
des Oanzige wos wirklich zählt auf dera Welt für di is Geld
F
7->8 -8 7 -8 8 -8
Duitam Ditam Duitam
Bridge:
Cm Eb
Es muaß zwar no wos anders gebm, auf dera Welt
Cm Eb
irgend wos, wos no viel schener is, als ganz viel Geld
Cm Eb
Doch wenn mer jemand frogt, wos wuist Glück oder Geld
Dm Eb
dann gibt’s für eahm nur oans, nur oans wos wirklich zählt
Verse:
Paula, oh Paula, mir fang mer jedn Tag vo vorn o
und des Oanzige wos zählt auf dera Welt is a Geld
Paula, Paula, es is zwar traurig aber es is woahr
des Oanzige wos wirklich zählt auf dera Welt für di is Geld
Duitam Ditam Di
Outro: ->Repeat Intro, end on Bb – F – Bb
Capo on 3th fret: Bb->G
Dm->Bm
Gm->Em
F ->D
Cm->Am
Eb->C
3 3 -3 4 5 5 -5 6 -5 5 -4 4
Vlak-bij de ha-ven staan heel ou-de hu-iz-en
3 3 -3 4 5 5 -5 4 -5 5
Som-ber en don-ker bouw-val-lig en koud
6 -6 6 6 5 5 -5 4 -5 5 -4 4
Daar woont een meis-je ze noe-men haar Pa-t-sy
3 3 -3 4 5 5 -4 4 -3 4
Zij is het mei-sje dat veel van me houd
3 3 -3 4 5 5 -5 6 -5 5 -4 4
Kaal en ver-sle-ten zijn Pat-sy haar kle-r-en
3 3 -3 4 5 5 -5 4 -5 5
On-danks die kle-ren hoort Pat-sy bij mij
6 -6 6 6 5 5 -5 4 -5 5 -4 4
Thuis wil geen mens van mijn mei-sje iets we-t-en
3 3 -3 4 5 5 -4 4 -3 4
Toch gaat mijn lief-de voor haar nooit voor-bij
6 7 -7 -6 6 6 5 -6 -6 -6 -5 5 -4
Pat-sy, ik-hoor toch bij jou nooit wil-ik een an-der als vrouw
4 4 -5 -5 6 -6 -6 -6 6 4 -4 5
Ook al woon-je in een krot met de huis-deur ka-pot
5 4 4 4 -3 4 -4 4
Je weet toch hoeveel ik van je hou
3 3 -3 4 5 5 -5 6 -5 5 -4 4
Ie-de-re nacht lig ik rust-loos te dro-m-en
3 3 -3 4 5 5 -5 4 -5 5
zie hoe je wacht in die som-be-re straat
6 -6 6 6 5 5 -5 4 -5 5 -4 4
Den-kend dat ik niet meer bij je zal ko-m-en
3 3 -3 4 5 5 -4 4 -3 4
Maar als ik kom is-het mis-schien al te laat
3 3 -3 4 5 5 -5 6 -5 5 -4 4
Laatst vroeg een buur-man heel zach-tjes aan va-d-er
3 3 -3 4 5 5 -5 4 -5 5
Ken jij die Pat-sy, ze kwam wel eens hier
6 -6 6 6 5 5 -5 4 -5 5 -4 4
Mei-sje is vroeg aan haar ein-de ge-ko-m-en
3 3 -3 4 5 5 -4 4 -3 4
Gis-ter-en vond men haar in de ri-vier
6 7 -7 -6 6 6 5 -6 -6 -6 -5 5 -4
Pat-sy, ik-hoor toch bij jou nooit wil-ik een an-der als vrouw
4 4 -5 -5 6 -6 -6 -6 6 4 -4 5
Mijn ge-luk is voor-bij jij bent niet meer bij mij
4 4 4 -3 4 -4 4
Pat-sy, straks kom ik bij jou
PATRICK SPENSER hi-lo
Christopher Bell
Key: F
6 -5 5 -4 4 4-4 5 4 -4 -3 3
9 -9 8 -8 7 7-8 8 7 -8 -7 6
Oh, the King stood with his fight-ing men
3 4 4 5 -5 6
6 7 7 8 -9 9
The King sat with his court
6 -6 -6 -6 -6 6 5 4
9 -10 -10 -10 -10 9 8 7
A sail-or man he sore did need
4 -5 5 -4 4 5 4 3
7 -9 8 -8 7 8 7 6
And one of good re-port, re-port
3 4 4 -4 4-4 5 -5 6
6 7 7 -8 7-8 8 -9 9
A sail-or man he sore did need
4 -6 6-5 5-4 4-3 4
7 -10 9-9 8-8 7-7 7
And one of good re-port
PATRICK SPENSER chrom
Christopher Bell
Key: F
4 -3* -3 3 -2 -2 3 -3-2 3 2 1
Oh, the King stood with his fight-ing men
1 -2 -2 -3 -3* 4
The King sat with his court
4 -5 -5 -5 -5 4 -3 -2
A sail-or man he sore did need
-2 -3* -3 3 -2 -3 -2 1
And one of good re-port, re-port
1 -2 -2 3 -23 -3 -3* 4
A sail-or man he sore did need
-2 -5 5-3*-33 -22 -2
And one of good re-port
PATRICK SPENCER hi-lo
Christopher Bell
Key: F
6 -5 5 -4 4 4 -4 5 4 -4 -3 3
9 -9 8 -8 7 7 -8 8 7 -8 -7 6
Oh, the King stood with his fight-ing men
3 4 4 5 -5 6
6 7 7 8 -9 9
The King sat with his court
6 -6 -6 -6 -6 6 5 4
9 -10 -10 -10 -10 9 8 7
A sail-or man he sore did need
4 -5 5 -4 4 5 4 3
7 -9 8 -8 7 8 7 6
And one of good re-port, re-port
3 4 4 -4 4-4 5 -5 6
6 7 7 -8 7-8 8 -9 9
A sail-or man he sore did need
4 -6 6-5 5-4 4-3 4
7 -10 9-9 8-8 7-7 7
And one of good re-port
PATRICK SPENCER chrom
Christopher Bell
Key: F
4 -3* -3 3 -2 -2 3 -3-2 3 2 1
Oh, the King stood with his fight-ing men
1 -2 -2 -3 -3* 4
The King sat with his court
4 -5 -5 -5 -5 4 -3 -2
A sail-or man he sore did need
-2 -3* -3 3 -2 -3 -2 1
And one of good re-port, re-port
1 -2 -2 3 -23 -3 -3* 4
A sail-or man he sore did need
-2 -5 5-3* -33 -22 -2
And one of good re-port
5 6 -5 5 -4 4 -4 5 6
The girl in the song is Patricia.
5 6 -5 5 -4 4 5
The boy in the song is me.
6 -7 -6 6 -5 6
Her phone I keep ringing.
-6 -7 -6 6 -5 6
All day I keep singing
-6 6 6 6 6 -5 5 6
These words put to this melody.
5 -4 4 5 6 7 -8 -7 -6 6
Oh Patricia, my darling, Patricia.
5 -4 4 5 6 7 -8 7 6
I can see all my dreams in your eyes.
5 -5 -4 5 -5 5 -5 5 4 -4 5
Your smile is as gay as a bright summer day.
6 6 -7 -7 -7 -6 6 -5 6
You’re much fairer than Erin’s blue skies.
5 -4 4 5 6 7 -8 -7 -6 6
Oh, Patricia, my lovely Patricia,
5 -4 4 5 6 7 -7 -7 7
You could make all my dreams come true.
-7 7 -6 -7 7 -7
My heart is just drooling,
-6 -7 -6 -6 -7 -6
Patricia, no fooling,
6 -6 -7 7 -8 7 7
I’m falling in love with you.
Patience
Guns & Roses
4 4 4 4 4 -4 -4 5
Shed a tear cause I’m miss-in’ you-
3 5 5 -4 4 4
I’m still al-right to smile-
-4 -4 -4 -4 5 -4 -4 -4 -3 3
Girl, I think a-bout you ev-ery-day- now
4 4 4 4 4 -4 -4 5 4
Was a time when I was-n’t sure-
-4 4 5 5 5 -4 4 4
But you set my mind at ease-
-3b -4 -4 5 5 -4 -4 -4 -3 3
There is no doubt- you’re in- my heart now
Chorus:
-5 -5 6 4 4 4
Said, «Wom-an- take it slow’
4 -3b -5 -5 -5 5 -3b
It-‘ll work it-self- out fine-
-5 -5 -5 -5 -5 5 -4 4 5 -4
All we need- is just a lit-tle pa-tience
-5 -5 6 4 4 4
Said, sug-ar- make it slow-
4 -3b -5 -5 -5 5 -3b
And we come to-get-her fine-
-5 -5 -5 -5 -5 5 -4 -4 6 -5
All we need- is just a lit-tle pa-tience
3 -2 3 -2 -3 3 -3 3
Need a lit-tle pa-tience yeah-
3 -2 3 -2 -3 3 -3 3
Just a lit-tle pa-tience yeah-
(7) (6) 6 (6) (7) (6) 6 5 — (7) (6) 6 (6) 6 (5) 5
6 6 (6) (7) 7 (7) (6) — (7) (6) (7) (6) 6
(6) 6 (6) 6 (5)(6)(5)(6) (7) (6) 6 5 — 6 (6) 6 (7) (6)
7 (7) (6) 6 5 (5) (6) 6 5 — 5 (5) 6 (5) 5 6 5 (5) (6)
PATCHES chromatic
By: Barry Mann & Larry Kolber
Dickey Lee
Key: Db, D, Eb, E
Key: Db
|-2*3*47*…|
5* 5* -5* -6 7*
Down by the riv-er
7* -7* 8* -7* 7* -6
that flows by the coal yards.
5* 5* -5* -6 7*
Stand wood-en hous-es
7* -7* -6* -7* 7*
with shut-ters torn down
8* -9* 8* 87*
There lives a girl
7* 7* -7*-6* -7* 7* -6
Ev-‘ry-bod-y calls Patch-es
5* 5* -5* -6 7* 7* -6* -6 -5* 5*
Patch-es my dar-ling of Old Shan-ty town
Key: D
-5 -5 6 -6* -7 -7 -8
We planned to mar-ry when June
-9 -8 -7 -6*
brought the sum-mer
-5 -5 6 -6* -7 -7 -8 7 -8 -7
I could-n’t wait to make Patch-es my bride
-9 10 -9 8*-8 -7 -7 -8-77 -8 -7 -6*
Now I don’t see how that ev-er can hap-pen
-5 -5 -6* -5 -6* -7 7 -6* 6 -5
My folks say No, and my heart breaks in-side
-9 -10*-10*10 10 9* -8 -7
Patch-es oh what can I do
-8 -9 -9 -9 -7 -7 7 -6*
I swear I’ll al-ways love you
-5 -5 7 7 -7 -8
But a girl from that place
-8 -8 -7 -5 6 -6*
will just bring me dis-grace
-6*-5 -5 -5 5* -5 6 -5
So my folks won’t let me love you
Key: Eb
-5* -5* -6 7 -7*-7* 8 -9* 8 -7* 7
Each night I cry as I think of that shan-ty
-5* -5* -6 7 -7*
And pret-ty Patch-es,
-7* 8 7* 8 -7*
they’re watch-ing the door
-9* -10 -9* -9 9 -7*
She does-n’t know that
-7* 8 7* 8 -7* 7
I can’t come to see her
-5* -5* -6 7 -3* -7* 7* 7 -6 -5*
Patch-es must think that I love her no more
Key: E
6 6 -6* 7* -8 8* 10 8* 7* 7*
I hear a neigh-bor tell-in my fa-ther
6 6 -6* -8 -8 -8 8* -7 8* -8
He says a girl name of Patch-es was found
10 -10* 10 -9*9*-8 -8
Float-ing face down in that
8*-8 -7 -8 -8 7*
dirt-y old riv-er
-4 6 6 -6* 7* -8
That flows by the coal yards
-8 -7 7* -6* 6
in Old Shan-ty Town
10 -10* 11*-10* -9*-9*9*-8
Patch-es oh what can I do
9* 10 10 10 -8 -8-7 7*
I swear I’ll al-ways love you
6 -7 -7 -8 8*
It may not be right
8* 8* -8 6 -6* 7*
But I’ll join you to-night
6 6 6 -5* 6 -6* 6
Patch-es I’m com-ing to you
PATCHES 4-harp version
By: Barry Mann & Larry Kolber
Dickey Lee
Key: Db, D, Eb, E
Key: Db
|-2”-2-36|
4 4 -4 5 6
Down by the riv-er
6 -6 7 -6 6 5
that flows by the coal yards.
4 4 -4 5 6
Stand wood-en hous-es
6 -6 -5 -6 6
with shut-ters torn down
7 -8 7 -76
There lives a girl
6 6 -6 -5 -6 6 5
Ev-‘ry-bod-y calls Patch-es
4 4 -4 5 6 6 -5 5 -4 4
Patch-es my dar-ling of Old Shan-ty town
Key: D
4 4 -4 5 6 6 -6
We planned to mar-ry when June
7 -6 6 5
brought the sum-mer
4 4 -4 5 6 6 -6 -5 -6 6
I could-n’t wait to make Patch-es my bride
7 -8 7 -7-6 6 6 -66-5 -6 6 5
Now I don’t see how that ev-er can hap-pen
4 4 5 4 5 6 -5 5 -4 4
My folks say No, and my heart breaks in-side
7 8 8-8 -8 -7 -6 6
Patch-es oh what can I do
-6 7 7 7 6 6 -5 5
I swear I’ll al-ways love you
4 4 -5 -5 6 -6
But a girl from that place
-6 -6 6 4 -4 5
will just bring me dis-grace
5 4 4 4 -3 4 -4 4
So my folks won’t let me love you
Key: Eb
4 4 -4 5 6 6 -6 7 -6 6 5
Each night I cry as I think of that shan-ty
4 4 -4 5 6
And pret-ty Patch-es,
6 -6 -5 -6 6
they’re watch-ing the door
7 -8 7 -7-6 6
She does-n’t know that
6 -6 -5 -6 6 5
I can’t come to see her
4 4 -4 5 3 6 -5 5 -4 4
Patch-es must think that I love her no more
Key: E
4 4 -4 5 6 -6 7 -6 5 5
I hear a neigh-bor tell-in my fa-ther
4 4 -4 6 6 6 -6 -5 -5 6
He says a girl name of Patch-es was found
7 -8 7 -7-6 6 6
Float-ing face down in that
-6 6 -5 6 6 5
dirt-y old riv-er
3 4 4 -4 5 6
That flows by the coal yards
6 -5 5 -4 4
in Old Shan-ty Town
7 -8 8 -8 -7 -7-6 6
Patch-es oh what can I do
-6 7 7 7 6 6-5 5
I swear I’ll al-ways love you
4 -5 -5 6 -6
It may not be right
-6 -6 6 4 -4 5
But I’ll join you to-night
4 4 4 -3 4 -4 4
Patch-es I’m com-ing to you
(bugle)
3 5 4 4
Patate fayot
3 5 4 4
Patate fayot
-4 -4 -4 -4
C’est le régime
-5 5 -4 5 4
Le régime
3 5 4 4
Patate fayot
3 5 4 4
patate fayot
-4 -4 -4 -4 -5 5 -4 4
C’est le régime du régiment
PATA-PATA (Partial)
By: Miriam Makeba, Jerry Ragovoy
Key: Eb
7 -5*-7*-5*-5* 7 -7* -3* 3* 3* 7* -7*
Pa-ta Sa-gu-qi-ga-sa-thi be-ga nan-tsi
7* -6 7* -5*
Pa-ta Pa-ta
-7*-5*-5* 7 -7* 5 -3* -3* 7* -7*
Sa-gu-qi-ga-sa-thi be-ga nan-tsi
78 -6 7 -6
Pa-ta Pa-ta
-7*-5*-5* 7-7* -3* 3* 3* 7* -7*
Sa-gu-qi-ga-sa-thi be-ga nan-tsi
PATA-PATA (Partial)
By: Miriam Makeba, Jerry Ragovoy
Key: Eb
8 7 9 7 7 8 9 6 -5 -5 8 9
Pa-ta Sa-gu-qi-ga-sa-thi be-ga nan-tsi
8 -8 8 7
Pa-ta Pa-ta
9 7 7 8 9 -6 6 6 8 9
Sa-gu-qi-ga-sa-thi be-ga nan-tsi
8 -8 8 -8
Pa-ta Pa-ta
9 7 7 8 9 6 -5 -5 8 9
Sa-gu-qi-ga-sa-thi be-ga nan-tsi
PAT-A-PAN (Willie Bring Your Little Drum}
By: Bernard de la Monnoye
Key: Bb
3 3 -5 -5 5 -5 -3*
Wil-lie, take your lit-tle drum;
-3 -3* 4 -3 -5 -3* -3
Rob-in, bring your flute and come;
-3 -3* -3 -2* 3 -3 -3*
Aren’t they fun to play up-on?
3 -3 -3* 4 -5 5 -5 4 -3* -3
Tu-re-lu-re-lu, pat-a-pan-a-pan,
-3 -3* -3 -2* 3 -3 -3*
When you play your fife and drum
-3 -3* 4 -3*-3 -5 -3 3
How can an-y- one be glum
When the men of olden days
To the King of Kings gave praise,
On the fife and drum did play,
Tu-re-lu-re-lu,
Pat-a-pan-a-pan,
On the fife and drum did play,
So their hearts were glad and gay!
God and man today become
More in tune than fife and drum,
So be merry while you play,
Tu-re-lu-re-lu,
Pat-a-pan-a-pan,
So be merry while you play,
Sing and dance this Christmas day!
5 -6 -6 -6-6 6 6-7 7 -6 6 6 6 6 -5 5 -5 6
In eighteen hundred and forty one, I put my corduroy breeches on
5 -6 -6 -6 -6 6 -6 -7 7 -6 6 7 -7 -8 7 7
I put my corduroy breeches on, to work upon the railway.
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
6 6 6 6 -5 5 -5 6
Fil-a-mee-o-ry, o-ri, ay
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
-6 6 7-7 -8 7 7
To work upon the railway
5 -6 -6 -6 -6 6 -6-7 7 -6 6 6 6 -5 5 -5 6
In eighteen hundred and forty two I left the old world for the new
5 -6 -6 -6 -6 6 -6 -7 7 -6 6 7-7 -8 7 7
Bad cess to the luck that brought me through to work upon the railway
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
6 6 6 6 -5 5 -5 6
Fil-a-mee-o-ry, o-ri, ay
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
-6 6 7-7 -8 7 7
To work upon the railway
5 -6 -6 -6-6 6 -6-7 7 -6 6 6 6 -5 5 5 -56
In eighteen hundred and forty three ’twas then I met sweet biddy
mcgee
5 -6-6-6 -6 6 -6 -7 7 -6 6 7 -7 -8 7 7
An elegant wife she’s been to me while working on the railway
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
6 6 6 6 -5 5 -5 6
Fil-a-mee-o-ry, o-ri, ay
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
-6 6 7-7 -8 7 7
To work upon the railway
5 -6 -6 -6 6 -6 -7 7 -6 6 6 6 -5 5 -5 6
It’s «Pat, do this,» and «Pat, do that» without a stocking or cravat
5 -6-6 -6 6 -6 -7 7 -6 6 7 -7 -8 7 7
And nothing but an old straw hat, while working on the railway
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
6 6 6 6 -5 5 -5 6
Fil-a-mee-o-ry, o-ri, ay
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
-6 6 7-7 -8 7 7
To work upon the railway
5 -6 -6 -6-6 6 -6-7 7 -6 6 6 6 -5 5 -5 6
In eighteen hundred and forty six they pelted me with stones and
sticks
5 -6 -6 -6 6 -6-6-7 7 -6 6 7 -7 -8 7 7
Oh, I was in a terrible fix, while working on the railway
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
6 6 6 6 -5 5 -5 6
Fil-a-mee-o-ry, o-ri, ay
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
-6 6 7-7 -8 7 7
To work upon the railway
5 -6 -6 -6 -6 6 -6-7 7 -6 6 6 6 6 -5 5 -5
6
In eighteen hundred and forty sev’n sweet biddy mcgee she went to
heav’n
5 5 -6 -6 -6 6 -6 -7 7 -6 6 7-7 -8 7 7
If she left one child, she left elev’n, to work upon the railway
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
6 6 6 6 -5 5 -5 6
Fil-a-mee-o-ry, o-ri, ay
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
-6 6 7-7 -8 7 7
To work upon the railway
5 -6 -6 -6 -6 6 -6-7 7 -6 6 6 6 -5 5 -5
6
In eighteen hundred and forty eight, I learned to take me whiskey
straight
5 5 -6-6-6 -6 6 -6 -7 7 -6 6 7 -7 -8 7 7
‘Tis an elegant drink and can’t be bate, for working on the railway
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
6 6 6 6 -5 5 -5 6
Fil-a-mee-o-ry, o-ri, ay
-6 -6 -6 -6 6 -6 -7 7
Fil-a-mee-o-ry, o-ri, ay
-6 6 7-7 -8 7 7
To work upon the railway
56 56 67 56 56 -3-4 34
56 56 56 56 56 56 56 56 56 67 34
56 56 67 56 56 34
56 56 56 56 56 56 56 56 56 67 34
34 34 34 34 34 34 34
34 34 34 34 34 34 34 34 34 34 34 34
-3-4
56 56 67 56 56 34
56 56 56 56 56 56 56 56 56 67 34
56 56 67 56 56 34
56 56 56 56 56 56 56 56 56 67 34
56 56 67 56 56 34
56 56 56 56 56 56 56 56 56 67 34
4 5 6 4 5 6 -5 5 -4 4
6 -7 -8 6 -7 -8 7 -7 -6 6
7 -7 -6 6 -5 5 6 -5 5 -4
4 5 6 4 5 6 -5 5 -4 4
Pásztorok, pásztorok örvendezve
Sietnek Jézushoz Betlehembe;
Köszöntést mondanak a kisdednek,
Ki váltságot hozott az embernek.
Angyalok Szózata minket is hív,
Értse meg ezt tehát minden hű szív;
A kisded Jézuskát mi is áldjuk,
Mint a hív pásztorok, magasztaljuk.
Üdvözlégy, kis Jézus! reménységünk,
aki ma váltságot hoztál nékünk.
Meghoztad az igaz hit világát,
megnyitád szent Atyád mennyorzágát.
Dicsőség, imádás az Atyának,
Érettünk Született szent Fiának,
És a vigasztaló Szentlélélnek,
Szentháromságban az egy Istennek.
Verse
6 6 -6 6 -5 5 5 -4 -5
-6 -6 -6 6 -5 5 -5 -5 6 5 -4 -3
6 6 -6 6 -5 5 5 -4 -5
-6 -6 -6 6 -5 5 -5 -5 6 5 -4 -3
-4 -4 -4 -4 4 -4 4 -4
6 6 6 -6 -6 6 -5 5 5 -4 -5 3 -3 -3
Refrain
-3 -4 4 5 7 7 7 7 -7 -7 -7 -7 7 7 6 -5 5
-7 -7 -7 7 7 7 7 7 6 -5 5 -5 -5
-4 -4 -4 -4 -4 4 -4 -3 3
6 6 6 -6 -6 6 -5 5 5 -4 -5 3 -3 -3
PASSENGERS ELTON JOHN
KEY OF C
(CHORUS)
5 -5 5 -4 4 4 4 -3b -2 2 1
De-ny the pas-sen-ger, who wan-na get on
5 -5 5 -4 4 4 4 -3b -2 2 1
De-ny the pas-sen-ger, who wan-na get on
5 -5 5 -4 4 4 4 -3b -2 2 1
De-ny the passenger, who wan-na get on
6 6 6 5 -5 -5 -5 -4
Wan-na get on wan-na get on
6 6 6 5 -5 -5 -5 -4
Wan-na get on wan-na get on
VERSE 1
7 -8 -8 -6 -6 7
To make a chain of fools
-5 -6b -5 -6b -6 -6
You need a match-ing pair
5 -8 -8 -6 -6 -6 7
One hy-po-crit-i-cal fool
-6b -6b -6b -5 -6b -6 -6
And a crowd that’s nev-er there
7 -8 -8 -6 -6 7 7
There’s an-ger in the si-lence
-5 -6b -6b -6b -5 -5
There’s wheels up-on the jail
-5 -8 -8 -6 -6 7
A black train built of bones
-6b -6b -6b -5 -5
On a cop-per rail
(CHORUS)
Verse 2 same as 1
Company conductor
You need the salt of tears
Falling on a ticket
That no one’s used in years
Non-commercial native
It’s tattooed in your veins
You’re living in a blood bank
And riding on this train
-5 -6 -6 -6 -6 -6 -6 7 7
The spi-rit’s free, but you al-ways find
7 -7 -7 -7 -7 -7 -8 -8
Pas-sen-gers stand and wait in line
-6 -6 -6 -6 -6 -6 -6 -6 -6 7 7
Some-one in the front and some-one else be-hind
-6b 7 7 7 7 7 7 -7 -7
But pas-sen-gers al-ways wait in line
(CHORUS TO END)
ENJOY!!!
True octave:
3 4 4 4 -3” 3
I roll the window down
-2” -3” -3”-3” 3 2 -2” -2 2
And then begin to br-e-athe in
3 4 -3” -3” 3 -2
The darkest country road
1 1 -3” 3 -2” 2 -2” -2
And the strong scent of evergreen
-2 -2 -2 2 2 2 -1 1
From the passenger seat a-s
-2” 2 -1 2 -1 1
You are driving me home
4 4 -3” -3” 3
Then looking upwards
2 -3” 3 -2 -2” 2 -2” -2
I strain my eyes and t-r-y
3 4 4 4 -3” -3” 3
To tell the difference between
-3” -3” 3 2 2 -2” -2
Shooting stars and satellites
-2 -2 -2 2 2 2 -1 1
From the passenger seat a-s
-2” 2 -1 2 -1 1
You are driving me home
-3” 4 -2” 3 -3 -3”
«Do they collide?» I ask
2 -2” 2
And you smile
-2” -3” 4 2 -2” 3
With my feet on the dash
-3 -3” 2 -2” 2 1
The world doesn’t matter
-2 -3 -3 -3” 4 -3”
When you feel embarrassed
1 -2 -2 2 -3”
Then I’ll be your pride
3 -3 -3 -3” 4 -3”
When you need directions
-3” 5 6 -4 4
Then I’ll be the guide
1 -3’ -3”
For all time
4 5 -4 4
For all ti-me
Higher octave:
6 7 7 7 -6 6
I roll the window down
-5 -6 -6-6 6 5 -5 6 5
And then begin to br-e-athe in
6 7 -6 -6 6 6
The darkest country road
4 4 -6 6 -5 5 -5 6
And the strong scent of evergreen
6 6 6 5 5 5 -4 4
From the passenger seat a-s
-5 5 -4 5 -4 4
You are driving me home
7 7 -6 -6 6
Then looking upwards
5 -6 6 6 -5 5 -5 6
I strain my eyes and t-r-y
6 7 7 7 -6 -6 6
To tell the difference between
-6 -6 6 5 5 -5 6
Shooting stars and satellites
6 6 6 5 5 5 -4 4
From the passenger seat a-s
-5 5 -4 5 -4 4
You are driving me home
-6 7 -5 6 -7 -6
«Do they collide?» I ask
5 -5 5
And you smile
-5 -6 7 5 -5 6
With my feet on the dash
-7 -6 5 -5 5 4
The world doesn’t matter
6 -7 -7 -6 7 -6
When you feel embarrassed
4 6 6 5 -6
Then I’ll be your pride
6 -7 -7 -6 7 -6
When you need directions
-6 8 9 -8 7
Then I’ll be the guide
4 -6’ -6
For all time
7 8 -8 7
For all ti-me
Powderfinger — Passenger
VERSE 1
-7
Caged
-8 -8 7 -7 -6 6 -6 -7 6
You hold so tight until your knuckles show
-4 -7
Escape
-8 -8 7 -7 -6 6 -6-7 6
As far away as you could ever know
-4 6 -6 -7 7
You sink them all down
6 -6 -7 7 -7
And watch them float up
-6 6 8 -8 -7 -6 6
Until the wheel has spun around
6 -6 -7 7 -7 -6 6 -6
You will be bound by what you are
PRE-CHORUS
-7′ 9′ 8 8 -8
You stand in the corner
-8 -7′ 9′ 8 8 -8
With your face stripped of colour
-8 -7′
For what?
CHORUS
9′ 9′ 8 -8 -8-6 -7 -8 -7′
If you want to be a passenger
9′ 8 8 -8 -8 -6 -7 -8 -7′
Climb aboard with me we’re leaving now
9′ 8 8 -8 -8 -6 -7-8 -7′
Step outside and see another world
-7-8 9′ 8 8 -8 -8 -6 -7′ -8-8
Only if you want to be a passenger
VERSE 2
Chained
So many places you’d prefer to be
Than framed
-8 -8 7 -7 -6 6 -6-7-7
By a picket fence and salary
You sink them all down
Then watch them float up
Until the wheel has spun around
You will be bound by who you are
PRE-CHORUS
You’re tied to the corner
With your hope twisted under
In knots
CHORUS
9′ 9′ 8 -8 -8-6 -7 -8 -7′
If you want to be a passenger
9′ 8 8 -8 -8 -6 -7 -8 8
Climb aboard with me we’re leaving now
9′ 8 8 -8 -8 -6 -7-8 -7′
Step outside and see another world
-7-8 9′ 8 8 -8 -8 -6 -7′ -8-8
Only if you want to be a passenger
-4 -7 -6 +6 -5 +6 +6 +6 -6 +6 -6 -7
Vai s’entregar pra mim, co~m’a primeira vez.
+6 +8 -8 -8 +8 +6 -4 +8 -8 -8 +8 +6 -4 -4 -4 +7 -7 -6
Vai de~li~rar d’amor, sentir o~ meu ca~lor, vai me pertencer~~.
-4 -7 -6 +6 -5 +6 +6 +6 +6 -6 +6 -6 -7 -6 +6
Sou pássa~ro de fo~go que canta’o teu ou~vi~do~~~.
-7 -7 -7 -6 +6 +6 +6 +6 +8 -8 -8 +8 +6 +6 -4 -4 -4 -4 -4 +7 -7 -6
Vou ga~nhar es~se jo~go, t’amando feito louco, quero teu a~~mor bandi~do.
-9 +9 -9 +8 -8 -8 -8 +6 +6 +6 +6 +6 +6 +8 -8 +7 -7 +8 -8 +7 -7 +7 -7 +6
Mi~nh’alma vi~a~~jante, co~ra~ção in~de~pendente, por vo~cê corre pe~ri~go~~~.
-9 -9 +9 -9 +8 -8 -8 -8 +6 +6 +6 +6 +6 +6 +8 -8 +7 -7 +8 -8 +7 -7 +7 -8
Tô a~~fim dos teus se~gredos, de ti~rar o~ teu sosse~go, ser bem mais que um a~~mi~go.
-9 +9 -9 +8 -8 +9 -9 +9 -9 -8 +8 -7 -8 -8 -8 -8 +7 +6 +6 -8 -8 +8 -8 +9 +7 -7 -7 -6
Não di~ga que não~~. Não negu’a vo~cê~~~ um no~v’amor~~~, u~~ma no~va paixão~~, diz pra mim~~.
+9 +9 -9 +9 +6 +6 +9 +9 -9 +9 -7 -7 -7 -7 +8 -8 -8 -8 -8 +7 +8 -8
Longe do chão, eu se~rei os seus pés nas a~~sas do so~nho, ru~m’ao teu co~ra~ção.
+6 +9 -9 +9 +9 +6 +9 -9 +9 +9 -7 -7 -7 -7 +8 -8 -8 -8 -8 +7 +8 -8
Permi~ta sentir, s’entrega pra mim, ca~valg’em meu corpo, mi~nh’eterna paixão.
4 4 -4 5 4 4 -4 5 -5 5 -4 4 -4 -4 5 -5
UM TOCADOR DE VIOLÃO, NÃO PO…DE CANTAR, PROSSEGUIR.
6 -5 -4 5 5 5 -5 5 -4 4 5
QUANDO LHEACUSAM DEESTAR MENTINDO
-6 -6 -6 -6 6 6-4 5 4 -4 5 -5 5-4 4
QUER VIRAR PÁSSARO E ROLAR, NO AR, VOAR.
-6 -6 -6 -6 6 6-4 5 4
QUER VIRAR PÁSSARO E SUMIR.
4 4 -4 5 4 4 -4 5 -5 5 -4 4 -4 -4 5 -5
UM TOCADOR DE VIOLÃO, NÃO PO…DE CANTAR, PROSSEGUIR.
6 -5 -4 5 5 5 -5 5 -4 4 5
QUANDO LHEACUSAM DEESTAR MENTINDO
-6 -6 -6 -6 6 6-4 5 4 -4 5 -5 5-4 4
QUER VIRAR PÁSSARO E ROLAR, NO AR, VOAR.
-6 -6 -6 -6 6 6-4 5 4 5-4-5
QUER VIRAR PÁSSARO E SUMIR I I IR
-6 -6 -6 -6 6 6-4 5 4 -4 5 -5 5-4 4
QUER VIRAR PÁSSARO E ROLAR, NO AR, VOAR.
-6 -6 -6 -6 6 6-4
QUER VIRAR PÁSSARO E …
IMPROVISOS GAITA : C Ênfase no -5 (Modo Mixolídeo).
Pass the Wine [Sophia Loren] (The Rolling Stones) E
|4/4| (2x)
Walking down the street with a sad face
Always complaining about the rat race
Nobody said that life was free and easy
Your job it sucks, it’s on the line
Your wife act mean, your kids all crying
I need something that’s guaranteed to please me
But listen, I’ll tell you
I’m glad to be alive and kicking
I’m glad to hear my heart’s still ticking
So pass me the wine, baby, and let’s make some love
Sometimes things don’t work out the way you want
I don’t know if I’m gonna laugh or cry
Your friends will never call you back
You’re feeling such a sad sack
Like some snack that’s gone all cold and greasy, yes
The car you drive a rusty wreck
It’s always you that pays the check
Who said life was warm and peachy?
But listen, yeah, I’ll tell you
I’m glad to be alive and kicking
My blood is up, my pulse is quickening
Pass the wine bowl but let’s make some love
Sometimes things don’t work out the way you want
I wonder why, I wonder why — ah yeah
Sometimes mistakes come back to haunt you, babe
And I don’t know whether to laugh or cry, yeah
2:50
|44[4’4]4+4+|23[3|3’2]|
|4^4444+4+|3’[3’3”3’]2|
|4^44 4+4+|3’[3’3”3’]22|
|223 |4+3 2-|—[45|5|5]~|[4’4]|4+3 -|—[45|5|5]~|
| | | 34|4|4 | | | 34|4|4 |
| | | 23|3|3 | | | 23|3|3 |
|[4’4]|4+3 -|4^44 4+4+|3’3’ 2[22”12]|
|222 |3 4+ -|—(44|4|4)~|
| | | 33|3|3 |
| | | 22|2|2 |
Yeah, come on
Got to be alive and kicking
Glad to be alive and kicking
Glad to have a pot to piss in
Glad to be alive and kicking
You got to be alive and kicking
Got to be… come on…come on….
Got to be alive and kicking
Got to be alive and kicking
Glad to see the plot is thickening
Pass the wine, let’s make some love
Let’s make some love
Let’s make some love
Let’s make some love
4:42
|TBD|
+ = blow
^ = dip bend
‘ = one 1/2 step bend
» = two 1/2 steps bend
(…) = tie
[…] = legato
~ = vibrato
PASS THAT PEACE PIPE
By: Roger Edens, Hugh Martin, Ralph Blane
From: “Good News”
Gene Kelly, Bing Crosby
Key: F
-2 1 -1 2 -2 -2 1 -1 2
If your tem-per’s get-tin’ the top hand,
-2 1 -1 2 -2 -2 3 3* -3*
All ya got-ta do is just stop and
4 4 4 -2
Pass that peace pipe
-2 4 4 -3* 3* 3*
An’ bur-y that hat-chet
3 3 -2 1 1 1 1
Like the Choc-taws, Chick-a-saws,
1 1 1 1 1 1 1 -2
Chat-ta-hooch-ies, Chip-pe-was do.
-2 1 -1 2 -2 -2 1 -1 2
If you’re feel-in’ mad as a wet hen,
-2 1 -1 2 -2 -2 3 3* -3*
Mad as you can pos-si-bly get, then
4 4 4 -2 -2
Pass that peace pipe, an’
4 4 -3* 3* 3* 3
bur-y that tom-a-hawk
-2 1 1 1 1 1 1 1
Like those Chi-chi-mecs, Che-ro-kees,
1 1 1 1 -2
Cha-pul-te-pec’s too.
-3* -3* -3* -3*
Don’t be crank-y
3* 3 -2 -2 3* 3 -2 -2
Try to use a lit-tle re-straint
-3* -3* -3* -3*
Fold that hank-y
-4 4 1 1 1 1 -1* 1
An’ wipe off all-a that war paint
2 -2 1 -1 2 -2 -2 1 -1 2
And if you find your-self in a fur-y
-2 1 -1 2 -2 -2 3 3* -3*
Be your own judge and your own jur-y
4 4 4 -2
Pass that peace pipe
-2 4 4 -3* 3* 3*
An’ bur-y that hatch-et
3 3 -2 1 1 1 1
Like the Choc-taws, Chick-a-saws,
1 1 1 1 1 1 1 -2
Chat-ta-hoo-chies, Chip-pe-was do.
-2 1 -1 2 -2 -2 1 -1 2
If you wan-na hov-er out west too,
-2 1 -1 2 -2 -2 3 3* -3*
You will soon dis-cov-er it’s best to
4 4 4 -2
Pass that peace pipe
-2 4 4 -3* 3* 3*
An’ bur-y that hatch-et
3 3 -2 1 1 1
Like the Cho-cho’s, Chan-go’s,
1 1 1 1 1 1 1 -2
Chat-ta-noo-ga’s, Cheep-ca-rows do.
-2 1 -1 2 -2 -2 1 -1 2
E-ven in co-lo-ni-al days, you
-2 1 -1 2 -2 -2 3 3* -3*
Knew the cer—e-mo-ni-al ways to
4 4 4 -2 -2
Pass that peace pipe an’
4 4 -3* 3* 3* 3
Bur-y that tom-a-hawk
-2 1 1 1 1 1 1 1
Like those Chicu-ti-mees, Che-pe-chets
1 1 1 1 -2
and Chic-a-pees, too.
-3* -3*` -3* -3*
Pull your ears in,
3* 3 -2 -2 3* 3 -2 -2
try to use a lit-tle con-trol.
-3* -3* -3* -3*
Whom all clear’s in,
-4 4 1 1 1 1 -1* 1
you’ll be top man on the totem pole.
2 -2 1 -1 2 -2 -2 1 -1 2
So if you wan-na be an all-right guy
-2 1 -1 2
Not a long faced,
-2 -2 3 3* -3*
blues-in-the-night guy
4 4 4 4 4 -2 4 -3* 3* 3
Write that a-pol-o-gy and dis-patch it!
4 4 4 4
When you quar-relled,
-2 4 -3* 3* 3
it’s grand to patch it!
4 4 4 -2 -2
Pass that peace pipe an’
4 4 4* -5 -5
bur-y that hatch-et
6 6 -6 -2 -2 -2 -2
Like the Choc-taws, Chick-a-saws,
-2 -2 -2 -2 -2 -2 -2
Chat-ta-hoo-chee’s, Chip-pe-was
-2 -2 -2 -2 -2 -2 -2 -2
And those Chi-chi-mecs, Che-ro-kees,
-2 -2 -2 -2
Che-pul-te-pecs
-2 -2 -2 -2 -2 -2 -2 -2 -2
And those Chi-cu-ti-mecs, Che-pe-cheps
-2 -2 -2 -2 -2 -2 -2 -2
And Chic-a-pees, Cho-cho’s, Chang-o’s,
-2 -2 -2 -2 -2 -2 -2 -6
Chat-ta-noog-as, Cheep-ca-rows do
5 -4 4 -3 4 -3 3 4
Pass me not, O gent-le Sav-iour,
-4 -4 4 -4 5
Hear my humb-le cry,
5 -4 4 -3 4 -3 3 -3 4
While on oth-ers Thou art call-ing,
-4 4 5 -4 4
do not pass me by.
chorus
6 5 -4 4 3 4 4 5 -4 4 -4
Sav-iour, Sa-v-iour, hear my hum-ble cry;
5 -4 4 -3 4 -3 3 4
While on oth-ers Thou art call-ing,
-4 4 5 -4 4
Do not pass me by.
8 -8 7 -7 7 -6 6-6 7
Pass me not, O gent-le Sav-iour,
-8 -8 7 -8 8
Hear my humb-le cry,
8 -8 7 -7 7 -6 6 -6 7
While on oth-ers Thou art call-ing,
-8 7 8 -8 7
do not pass me by.
chorus
9 8 -8 7 -6 6 7 8 -8 7 -8
Sav-iour, Sa-v-iour, hear my hum-ble cry;
8 -8 7 -7 7 -6 6 -6 7
While on oth-ers Thou art call-ing,
-8 7 8 -8 7
Do not pass me by.