**Verse 1**

7 7 -8 -8 7 7 -7 7 6 6 6
The Light was leavin in the west it was blue

6 -6 -7 7 -8 7
The children’s laughter sang

7 7 -8 -8 7 -7 7 6 6
skipping just like the stones they threw

6 -6 -7 7 7 7 -8 7 7
theyre voices echoed along the way

6 -6 7 -7 -6 6
Its getting l a t e

**CHORUS**

6 7 6 -6 -6 7 7 -7 -6 6
and it was just another n i g h t

-6 -6 -7 -7 7 -8
With a sunset and a

7 6 -6 -6 7 7 -7 -6 6
Moonrise lost so far b e h i n d

-6 -6 -6 -7 -7 7 -8
To give us just enough light

7 7 6 -6 -6 7 7 -7 -6 6
To lay down underneathe the s t a r s

-6 -6 -6 7 -7 -7 -7 7 -8
And listen to papa’s translations

7 6 -6 -6 -6 7 7 -7 -6 6
Of the stories across the s k y

-6 -6 7 -7 -7 -7 7 -8
And drew our own constellations.

(Guitar Solo)

**Verse 2** (Repeat Melody from verse 1)

**Chorus**

5 -7 -6 -7 7 5 -5
Even through the darkest phase
5 -7 -6 -7 7
Be it thick or thin
5 -7 -6 -7 7 5 -5
Always someone marches brave
5 -7 -6 -6 -7 7
Here be—neath my skin

-6 7 -7 -7 -6 -6
and Constant crav—ing
-6 7 -7 -7 -6 -6
Has al—ways- been

5 -7 -6 -7 7 5 -5
Maybe a great magnet pulls
5 -7 -6 -7 7
All souls towards truth
5 5 -7 -6 -7 7 5 -5
Or maybe it is life itself
-4 -4 5 -7 -6 -6 -7 7
That feeds wisdom— To its youth

-6 7 -7 -7 -6 -6
and Constant crav—ing
-6 7 -7 -7 -6 -6
Has al—ways- been

-7 -6 -6
Crav—ing
7 -8 8
Ah ha—
7 -7 -7 -6 -6
Constant crav—ing
-7 -7 7 -6
Has always been
-6 -7 -6 6 -5 5 5 -5 -5
Has al————ways been

7 -7 -7 -6 -6
Constant crav—ing
-6 7 -7 -7 7
Has al—ways been

Type: English country dance (Morris)
Tuning: Paddy Richter
Original key in: A
Time: 6/8

Repetition marked with «|: :|»
or as parts: AABBC, sometimes AABBCBBC

A |:-2 4
6 5 4 5 -5 -4 -3 -2
5 -4 4 3 -2 -2 3 -3 4 😐

B |: 5 -5 6 -6
-4 5 -5 6 😐

C | *6 -6 -7 7
6 5 4 5 -5 -4 -3 -2
5 -4 4 3 -2 -2 3 -3 4 |

*) Slide fill triplet [6 -6 -7]

Con-sid-er Your-self At Home

3 2 -2 *-2 3 6 5

Con-sid-er Your-self One Of The Fam-i-ly

3 2 -2 *-2 3 3 -3 3 -2 2 -1

We’ve Tak-en To You So Strong

3 2 -2 *-2 3 6 5

It’s Clear, We’re Go-ing To Get A-long

6 -5 -5 5 -5 5 -4 -3 3

Con-sid-er Your-self Well In

3 2 -2 *-2 3 6 5

Con-sid-er Your-self Part Of The Fur-nit-ure

3 2 -2 *-2 3 3 -3 3 -2 2 -1

There Is-n’t A Lot To Spare

3 2 -2 *-2 3 6 5

Who Cares….What Ev-er We’ve Got To Share

6 -5 -4 4 -5 5 -4 -3 3

If It Should Chance To Be That We Should See Some Har-der Days

3 -3 *-3 -3 *-3 -3 *-3 -3 *-3 -3 *-3 -3 *-3 -3

Emp-ty Lar-der Days Why Grouse

5 *-3 3 *3 -3 *3 -3

Al-ways A Chance We’ll Meet Some-bod-y To Foot The Bill

-3 -4 4 -4 4 -4 5 -4 5 -4 5 -4 5

Then The Drinks Are On The House

-5 5 -4 -4 4 *4 -5

Con-sid-er Your-self Our Mate We Don’t Want To Have No Fuss

3 2 -2 *-2 3 6 5 -3 -2 3 *3 -3 -6 -5

For Af-ter Some Con-sid-er-a-tion We Can State

*-5 6 *-5 6 *-5 6 *-5 6 *-5 6 -5 *5

Con-sid-er Your-self One Of Us

6 -6 -6 -6 -6 -5 6 5 -4 -3 3 4 1 1 1 1

By Lionel Bart
From Oliver
Key: Bb

-2 -1 -1* 2 -2 -5 -3*
Con-sid-er your-self at home.
-2 -1 -1* 2 -2 -2 3 -2 -1*-1 1
Con-sid-er your-self one of the fam-i-ly.
-2 -1 -1* 2 -2 -5 -3*
We’ve tak-en to you so strong.
-5 4 4 -3* 4 -3* -3 3 -2
It’s clear we’re go-ing to get a-long.

-2 -1 -1* 2 -2 -5 -3*
Con-sid-er your-self well in
-2 -1 -1* 2 -2 -2 3 -2 -1* -1 1
Con-sid-er your-self part of the fur-ni-ture.
-2 -1 -1* 2 -2 -5 -3*
There is-n’t a lot to spare.
-5 4 4 -3* 4 -3* -3 3 -2
Who cares?..What ev-er we’ve got we share!

-2 -2* 3 3* 3 3*
If it should chance to be
3* 3 3* 3 3* 3 3*
We should see some hard-er days
-3* 3* 3 -2* 3 -2* 3
Emp-ty lard-er days. Why grouse?
3 3* -3 -3* -3 -3*
Al-ways a-chance we’ll meet
-3* -3 -3*-3 -3* -3 -3*
Some-bod-y to foot the bill
4 -3* -3 -3 -3* -4 4
Then the drinks are on the house!
-2 -1 -1* 2 -2 -5 -3*
Con-sid-er your-self our mate.
3 -1* -2 -2* 3 -5* 5
We don’t want to have no fuss,
5* -5 5* -5 5* -5 5*-5 5*
For af-ter some con-sid-er-a-tion,
-5 5 -4
we can state…
-5 -5*-5* -5* -5* 5 -5 -3*
Con-sid-er your-self one of us!

Con-sid-er Your-self At Home

3 2 -2 *-2 3 6 5

Con-sid-er Your-self One Of The Fam-i-ly

3 2 -2 *-2 3 3 -3 3 -2 2 -1

We’ve Tak-en To You So Strong

3 2 -2 *-2 3 6 5

It’s Clear, We’re Go-ing To Get A-long

6 -5 -5 5 -5 5 -4 -3 3

Con-sid-er Your-self Well In

3 2 -2 *-2 3 6 5

Con-sid-er Your-self Part Of The Fur-nit-ure

3 2 -2 *-2 3 3 -3 3 -2 2 -1

There Is-n’t A Lot To Spare

3 2 -2 *-2 3 6 5

Who Cares….What Ev-er We’ve Got To Share

6 -5 -4 4 -5 5 -4 -3 3

If It Should Chance To Be That We Should See Some Har-der Days

3 -3 *-3 -3 *-3 -3 *-3 -3 *-3 -3 *-3 -3 *-3 -3

Emp-ty Lar-der Days Why Grouse

5 *-3 3 *3 -3 *3 -3

Al-ways A Chance We’ll Meet Some-bod-y To Foot The Bill

-3 -4 4 -4 4 -4 5 -4 5 -4 5 -4 5

Then The Drinks Are On The House

-5 5 -4 -4 4 *4 -5

Con-sid-er Your-self Our Mate We Don’t Want To Have No Fuss

3 2 -2 *-2 3 6 5 -3 -2 3 *3 -3 -6 -5

For Af-ter Some Con-sid-er-a-tion We Can State

*-5 6 *-5 6 *-5 6 *-5 6 *-5 6 -5 *5

Con-sid-er Your-self One Of Us

6 -6 -6 -6 -6 -5 6 5 -4 -3 3 4 1 1 1 1

36666-553
consider the lilies of the field
-553
how they grow
-556
how they grow
36666-553
consider the birds in the sky
-553
how they fly
-556
how they fly
477-77-67-5
He clothes the lilies of the field
4-5-5-5-55-56
He feeds the birds in the sky
477-77-675
and He will feed those who trust him
4-55-444
and guide them with His eye

Best played in D, but it sounds ok on a C harp too.

B.Smith, P.Percival — Consider Christ

5 5 -5 6 6 6 5 -5 6 6 -5
Consider Christ, the source of our salvation.
4 4 -4 5 5 5-4-4 4 4
That He should take the penalty for me.
5 5 -5 6 6 6 5 -5 6 6 -5
Though He was pure, a lamb without a blemish
4 4 -4 5 5 5 -4 -4 4 4
He took my sins, and nailed them to the tree.

CHOROUS
-2 6 6 6
My Lord and God
6 -5 5 5 -4 4 -4
You are so rich in mercy
4 4 -455-6 -7 7 -7 -6 6 6
Mere words alone are not sufficient thanks.
-2 6 6 6
So take my life
6 -5 5 5 -4 4 -4
Transform, renew and change me
4 4-4 5 5-6 5 -4 4 5 -4 4 4
That I might be a living sacrifice.

CHOROUS

Consider Christ, that He could trust His father
In the garden of Gethsemane.
Though full of dread and fearful of the anguish
He drank the cup that was reserved for me.

CHOROUS

Consider Christ for death He has defeated.
And He arose, appeared for all to see.
And now He sits at God’s right hand in heaven;
Where He prepares a resting place for me.

5 -6 7 -7 -6 -6 -8 7 -7 -6
Con-quis-ta-dor— your stallion stands
-4 6 -7 -6 6 -7
In need of company
5 -6 7 -7 -6 -6 -8 7 -7 -6
And like some an—gels haloed brow-
-4 6 -7 -6 6 -7
You reek of purity-
-7 7 -8 8 7 -8 8 -9
I- see your armour-plated breast
-8 -8 -7 7 -8 8
Has long since lost its sheen
8 8 7 -8 8 -9
And in your death mask face
-8 -8 -8 -8 -7 8 8 8 8
There are no signs which can be seen

8 -8 7 8 8
And though I hoped for
8′ -8 8′ -8 7
something to find
-8 7 8 8
I- can see no
8′ -8 8′ -8 7
maze to unwind—

5 -6 7 -7 -6 -6 -8 7 -7 -6
Con-quis-ta-dor— a- vulture sits-
-4 6 -7 -6 6 -7
Upon your silver shield
5 -6 7 -7 -6 -6 -8 7 -7 -6
And in your rus—ty scabbard now—
-4 6 -7 -6 6 -7
The sand has taken seed
-7 7 -8 8 7 -8 8 -9
And though your jewel-encrusted blade
-8 -8 -7 7 -8 8
Has not been plundered still
8 8 7 -8 8 -9
The sea has washed across
-8 -8 -8 -8 -7 8 8 8
your face and taken of its fill

8 -8 7 8 8
And though I hoped for
8′ -8 8′ -8 7
something to find
-8 7 8 8
I- can see no
8′ -8 8′ -8 7
maze to unwind—

5 -6 7 -7 -6 -6 -8 7 -7 -6
Con-quis-ta-dor— there is no time-
-4 6 -7 -6 6 -7
I- must pay my respect
5 -6 7 -7 -6 -6 -8 7 -7 -6
And though I came- to jeer at you—
-4 6 -7 -6 6 -7
I- leave now with regret
-7 7 -8 8 7 -8 8 -9
And as the gloom begins to fall
-8 -8 -8 -8 -7 7 -8 8
I- see there is no, only all
8 8 8 7 -8 8 -9
Though you came with sword held high
-8 -8 -8 -8 -7 8 8 8
You did not conquer, only die

8 -8 7 8 8
And though I hoped for
8′ -8 8′ -8 7
something to find
-8 7 8 8
I- can see no
8′ -8 8′ -8 7
maze to unwind—

Flute (midi at 0:03 and 2:06)
4 -4 5 6 5 -4 4
5 6 -6 7 -7 6 5 -5 5 -4
4 -4 5 6 5 -4 4 -4 4
5 6 -6 6 5 5 -4 4 -4 4

Violin (0:26)
5 6 -6 -6 -6 7 6 -5 6
4 -4 5 5 -5 -5 5 -5 4
(4 -4) 5 6 -6 -6 7 -6 6 -5 6 5 (5 6 -5 5)

-3 -9 8 -8 -7 -8 8 -7 -6

-6 -9 8 -8 -7 -8 8

7 -10 9 -9 8 -9 9 8 7

7 6 7 -8 7 6 -6

A :

-3 -4 -4 6 -4 -4 5 -4 5 6 -4 4

-3 -4 -4 6 -6 -7 6 5 5 5 -4 4

-3 -4 -4 6 -4 -4 5 -4 5 6

-7 7 -7 -6 6 -7 -6 6 5 5 5.

B :

-7 8 8 -7 -8 -8 -7 -6 -7 6 -6 -7

-7 8 8 -7 -8 -8 -7 -6 6 -6.

-7 8 8 -7 -8 -8 -7 -6 -7 6 -6 -7

7 -7 -6 6 -7 -6 6 5 5 5.

7 7 6 -6 7 7 5 -5 6 5
7 7 6 -6 7 7 -6 6 -5
7 7 6 -6 7 7 5 -5 6 5
7 7 6 -6 7 7 -6 6 -5

5 -5 5 -5 6
6 -6 7 7 5 5 -5
5 -5 5 -5 6
6 -6 7 7 5 5 -5

CON-GRAT-U-LA-TIONS AND CEL-E-BRA-TIONS

5 -5 6 -6 5 -6 6 -6 7 -5

WHEN I TELL EVE-RY-ONE THAT YOUR IN LOVE WITH ME

-5 6 -6 -7 7 7 -6 -6 6 -5 6 5

CON-GRAT-U-LA-TIONS AND JU-BI-LAT-IONS

5 -5 6 -6 5 -6 6 -6 7 -5

I WANT THE WORLD TO KNOW I’M HAP-PY AS CAN BE

-5 6 -6 -7 7 7 -6 -6 6 -5 6 -6

WHO COULD BE-LEIVE THAT I COULD BE HAP-PY AND CON-TEN-TED

-6 6 -5 5 5 5 5 5 -5 5 4 -4 -5 5

I USED TO THINK THAT HAP-PI-NESS HAD’-NT BEEN IN-VEN-TED

-6 6 -5 5 5 5 5 5 -5 5 4 -4 -5 5

BUT THAT WAS IN THE BAD OLD DAYS BEF-ORE I MET YOU

-6 6 -5 5 5 5 5 -5 6 -6 7 -7 7

WHEN I LET YOU WALK IN-TO MY HEART

6 -6 -7 7 -5 -5 6 -6 7

CON-GRAT-U-LA-TIONS AND CEL-E-BRA-TIONS

5 -5 6 -6 5 -6 6 -6 7 -5

WHEN I TELL EVE-RY-ONE THAT YOUR IN LOVE WITH ME

-5 6 -6 -7 7 7 -6 -6 6 -5 6 5

CON-GRAT-U-LA-TIONS AND JU-BI-LAT-IONS

5 -5 6 -6 5 -6 6 -6 7 -5

I WANT THE WORLD TO KNOW I’M HAP-PY AS CAN BE

-5 6 -6 -7 7 7 -6 -6 6 -5 6 -6

Congratulations and celebrations
4-45-54 -5 5-56-4

When I tell everyone that you’re in love with me
-4 5 -5 -666 -5 -5 5 -4 5 4

Congratulations and jubilations
4-45-54 -5 5-56-4

I want the world to know I’m happy as can be.
-4 5 -5 -6 6 6 -5 -55 -4 5 -5

Who could believe that I could be happy
-5 5 -44 4 4 4 4 -44

and contented
3 -3-44

I used to think that happiness hadn’t
-5 5 -4 4 4 444 -44

been invented
3 -3-44

But that was in the bad old days before I met you
-5 5 -4 -4 -4 -4 -4 -4 5-5 6 -6 6

When I let you walk into my heart
5 -5 -6 6 -4 -45 -5 6

Congratulations…

I was afraid that maybe you thought you
were above me
That I was only fooling myself to think you
loved me
But then tonight you said you couldn’t live
without me
That round about me
You wanted to stay

Congratulations…

Congratulationsand jubilations
I want the world to know I’m happy as can be
I want the world to know
I’m happy as can be

.. = long note
…… = extra long note

-6 -6 6 -6 7…
-6 -6 -6 6 -6…
-6 -6 -6 6 -6 7
-6 -5 6 -5…

-8… -6
6 -6 -6 7 -6 -6 6 -6…
-8… -6
-6 -6 -6 6 -5 5 -4…

-6 -6 -6 6 -6 7…
-6 -6 -6 6 -6…
7 -6 -6 6 -6 7…
-6 -5 6 -5…

6 -6 -7 -7 -6 -7 -8…
-7 -7 -7 -6 -7…
-7 -7 -7 -6 -7 -8…
-7 6 -6 6…

8… -7
-6 -7 -7 -8 -7 -7 -6 -7…
8… -7
-7 -7 -7 -6 6 (56) 5

-7 -7 -7 -6 -7 -8…
-7 -7 -7 -6 -7…
-8 -7 -7 -6 -7 -8…
-7 6 -6 6…

Drumming interlude

-7…….
5…….

-6… 6 -6 7
-7 -6… 6 4…

5 -6… 6 -6 7
8 -8… 7 -5…

Trumpet solo:
4 -4 5…
-4 5 6… 6 6
-5 5 -4 -2»
-2 -3» -4 5…
-3»… 2 -2’…

-5+6-6-3… -5+6-6+6…
-5+6-6-3… -5+6-6+6…

-5+6-6-3…
Subaek beon seonggonghanjeok eopsneun gobaek
-5+6-6+6…
Jasingami eopsneun na Should I just go back
-5+6-6-3…
Bandeusi gobaekhanda malman hamyeon mwohae
-5+6-6+6…
In the end Ni apeseo deul su eopsneun naui gogae

-3-3-3 -2 -3-3-3 -4-3+3 -4-4…
Nan niga joha I mari Dodaeche wae eoryeounji
-6-6-6-6-6-6 -3-3-3-3-3-3
Mal haryeoda mallyeoda Mal haryeoda mallyeoda

-3-3-3 -2 -3-3-3 -4-3+3 -4-4…
Pyeonjireul sseoseo juneun geot majeodo Wae himi deulji
-6-6-6-6-6-6 -3-3-3-3-3-3
Sseodaga tto jjijeoda Sseodaga tto jjijeoda

-3+6 -5-5-3 +3-4-5-6 -3+3…
Neoui maeumi nawa dalla
-3 -5-5-5-5 +4-5…
Neoreul du beon dasin mot bolkka bwa
-3-5 -5-5 -3-4-3
Geuge neomu duryeowoseo

-3-6 -5-5-3 +3-3+3
Malhal yonggiga najil anha
-3 -5-5-5-5 +4-5…
Ireohge noraereul billyeo
-3-5 -5-5 +6+6…
Naui maeumeul neoege yeolge

-5+6-6-3 -6+6…
I love you, baby i, I love you
-5+6-6 +6-5
(Aju orae jeonbuteo)
+7-6+6-5 +6-6…
I love you, baby i, I love you
-2+3
(I do)

-3-4 -5+6-6 -3 -6 +6-6+6…
Haru jongil neoui dapjangeul gidaryeo
-5+6-6 +6-5 +7-6 +6-5+6 -5+6-5
Hoksirado mal silsu halkka bwaseo

+2-2 +6+3 +6+3 +6+3 +6+3
Sseoda jiwodareul banbokhae
+6-2 +6-2 +6-2 +6-2
Naui jinsimgwan dalli mari heot naone
+6+3 +6+3 +6+3 +6+3
Geoureul bomyeo yeonseuphaedeon deurama gateun
+6-2 +6-2 +6-2 -7…
Daesadeureun ne ape seomyeon

-5-5-5-5-5-5 +5-5
Kkameogeun chaero heodungdae
+6+6+6+6+6+6 -5
Nae soneun neoui son apeseo meomchishae
-6-6-6-6-6-6-6
Simjangsoriga neoege
-5-5-5-5-5 +6 -7…
Deullil deusi keojine yeah

-3+6 -5-5-3 +3-4-5-6 -3+3…
Neoui maeumi nawa dalla
-3 -5-5-5-5 +4-5…
Neoreul du beon dasin mot bolkka bwa
-3-5 -5-5 -3-4-3
Geuge neomu duryeowoseo

-3-6 -5-5-3 +3-3+3
Malhal yonggiga najil anha
-3 -5-5-5-5 +4-5…
Ireohge noraereul billyeo
-3-5 -5-5 +6+6…
Naui maeumeul neoege yeolge

-5+6+7 -3+7+6…
I love you, baby i, I love you
-5+6+7 +6-5
(Aju orae jeonbuteo)
+7+7+6 -5+5-5…
I love you, baby i, I love you
-2+3
(I do)

-3-4 -5+6-6 -3 -6 +6-6+6…
Nae simjangeun drum soricheoreom dugeungeoryeo
-5+6-6 +6-5 +7-6 +6-5+6 -5+6-5
Nae pumeun neoreul kkwak aneul nalman gidaryeo

-3-4 -5+6-6 -3 -6 +6-6+6…
Nae dallyeogeun ppalgan pyosimaneul gidarigo
-5+6-6 +6-5 +7-6 +6-5+6 -5+6-5
Nae gobaegeun naui yonggimaneul gidaryeo
-5-5-5-5-5-5 +5-5
Yeojeonhi naneun sosimhan babojiman
+6+6+6+6+6+6 -5
Sumanheun bameul saemyeo sseodeon I noraega
-6-6-6-6-6-6-6
Naui jinsimeul jeonhaejugil wonhae
-5-5-5-5-5 +6 -7…
Ieopon han jjogeul neoui sone

-3+4
Eottae?

-5+6+7-3… +7 +6+7+6…
I love you, baby i, I love you
-5+6+7 +6-5
(Aju orae jeonbuteo)
+7+7-6-5… -6 -5-6-5…
I love you, baby i, I love you
-2+3 -2+3
(I do I do)

-5+6+7+6… +7+7+6-5… -5-6-5 -5… +7+7+6 -5… -6…
-5+6+7+6… +7+7+6-5… -5-6-5 -5… +7+7+6 -5… -6…

5 (4) 5 (4) 5 4 6 (6) 6 (5)5
Tengo un conejito dulce y dormilón
4 (4)(4) (4) 4 (3)(3) 4 (5) 5 (5)5(4)4
Su nombre es Pelusita y me alegra el corazón
5 (4) 5 (4) 5 4 6 (6) 6 (5)5
Toda su barriga parece de algodón
4 (4)(4) (4) 4 (3)(3) 4 (5) 5 (5)5(4)4
Su rabito blanco una pompa de jabón
(6) 6 (6)6 (6) (5) 6 (5) 5 (5) 6
Suave conejito, dulce y juguetón
(5) 5 (5) 5 (5) (4) 5 (4) 5 (5) 6
Eres terciopelo, eres “puro amor”
(6) 6 (6)6 (6) (5) 6 (5) 5 (5) 6
Suave conejito, tierno y dormilón
(5) 5 (5) 5 (5) (4) 5 (5)5(4)4
Suave suavecito es tu corazón

Es muy facil, es de una antigua propaganda de Gatorade 😀

-5 -5 5 5 5 4 -4 -4 5
She walks to school with the lunch she packed
-5-5 6 6 -6 -4 -4 4 4
Nobody knows what she’s holdin’ back
-5 -5 5 5 -4 4 -4 -4 4 5
Wearin’ the same dress she wore yesterday
-5 -5 6 6 5 -4 -4 4 4 4
She hides the bruises with linen and lace

-5 -5 5 5 5 -4 4 -4 -4 5
The teacher wonders but she doesn’t ask
-5 -5 5 5 5 -4 4 -4 4 4
It’s hard to see the pain behind the mask
-5 -5 6 6 6 5 4 -4 -4 5
Bearing the burden of a secret storm
-5 -5 5 5 5 -4 4 -4 4 4
Sometimes she wishes she was never born

6 7 7 -6 7 7
Through the wind and the rain
6 7 8 -9 8 7
She stands hard as a stone
6 -8 7 6 -8 7 6 5 -5
In a world that she can’t rise above
6 7 7 6 7 7
But her dreams give her wings
6 7 8 -9 8 7 6 -8 -8 7
And she flies to a place where she’s loved
-9 8 -8 7
Concrete angel

-5 -5 5 5 4 -4 -4 -4 -4 4 5
Somebody cries in the middle of the night
-5 -5 5 5 -4 4 -4 4 4 4
The neighbors hear, but they turn out the lights
-5 -5 6 6 5 -4 4 -4 -4 5
A fragile soul caught in the hands of fate
-5 -5 5 5 -4 4 -4 4 4
When morning comes it’ll be too late

6 7 7 -6 7 7
Through the wind and the rain
6 7 8 -9 8 7
She stands hard as a stone
6 -8 7 6 -8 7 6 5 -5
In a world that she can’t rise above
6 7 7 6 7 7
But her dreams give her wings
6 7 8 -9 8 7 6 -8 -8 7
And she flies to a place where she’s loved
-9 8 -8 7
Concrete angel

-5 -5 5 5 5 4 -4 -4 5
A statue stands in a shaded place
-5 -5 5 5 -4 4 -4 4 4
An angel girl with an upturned face
-5 -5 6 6 6 5 4 -4 -4 5
A name is written on a polished rock
-5 -5 5 5 -4 4 -4 4 4
A broken heart that the world forgot

6 7 7 -6 7 7
Through the wind and the rain
6 7 8 -9 8 7
She stands hard as a stone
6 -8 7 6 -8 7 6 5 -5
In a world that she can’t rise above
6 7 7 6 7 7
But her dreams give her wings
6 7 8 -9 8 7 6 -8 -8 7
And she flies to a place where she’s loved
-9 8 -8 7
Concrete angel

+6 +6 +6 -6* +7 -7 +7 -6* -6* +6 +7 -6*
You to me as sweet as roses in the morning
-5 +6 +6 +6 -6* +7 -7 +7 -6* -6* +6 +7
And you to me as soft as summer rain at dawn
-6* +6 -5 +6 -8 -8 -7 -7
In love we share that something rare
-7 -7 +7 +7 -6* +6
The sidewalks in the street
-6* +6 +6 -6* +7 +7
The concrete and the clay

-7 -8 +8* -9 -9 -9 -9 +10 -9
Beneath my feet begins to crumble
-10* -10* +10 +10 -9 +9*
But love will never die
-7 -8 +8* -9 -9 -9 -9 +10 -9
Because we’ll see the mountains tumble
-10* -10* +10 +10 -9 +9*
Before we say good-bye
-8 -7 +7* +7 -7 -8 -8 +9* -8 -7* -8 +9*
my love and I will be in love eternally

+6 +6 +6
That’s the way
-8 -7 +7 -6* -6* 6 +7
That’s the way it’s meant to be.

All around I see the purple shades of evening
And on the ground the shadows fall
And once again you’re in my arms so tenderly

The sidewalks in the street
The concrete and the clay

Beneath my feet begins to crumble
But love will never die because we’ll see the mountains tumble
Before we say good-bye my love and I will be in love eternally

That’s the way
That’s the way it’s meant…

This is a Spanish composition of Rodrigo. (symplified tabs of course!)

I play it with a C-paddy harp. Playing it with a «normal» C means that all 3 blow-notes must be played with a 3 draw-note bended. (but it sound ugly!!)
When I set the numbers close to each-other I mean, that those are rather quick notes. You have to try en to improvise with it. A few dots after the notes means a kind of fade out.
Perhaps these tabs are not so very perfect, but I hope it will give you a direction of how to play. Sometimes it is a question of try and error.

Success!

5 -4 5
5 -5 6 -6 6 -5
5 -4 5
5 -56-6 -7 7 -6 -6 6 -5 5 -5
5 4 -3 4 -4 -3 3 -3
-3 -3 4 -4 4 -3 -3 3 3 …..

3 -3 4 -4 5 -6 6 -6 ……
-6 -6 -7 7 -7 -6 6 -5 6
-7-7-7-7 -6 6 -6 6 -5 5 -5 5 -4 4 -4 5 4 -4 -3 3 -3
-3 -3 4 -4 4 -3 -3 3 3 …..

3 -3 4 -4 5 -6 6 -6
3333 -4 5 -5 -5
-8 7 -7 -7 -6 -6 …………

+5 -4 +5
+5 -5 +6 -6 +6 -5 +5 -5 +5 -4 +5
+5 -5 +6 -6 -7 +6 -5 +5 -4 +4 -4
+5 +4 -3 +4 -4 -3 -3» -3
-3 +4 -4 +4 -3 -3 -3» -3 » ‘ -3»
+5 -4 +5
+5 -5 +6 -6 +6 -5 +5 -5 +5 -4 +5
+5 -5 +6 -6 -7 +6 -5 +5 -4 +4 -4
+5 +4 -3 +4 -4 -3 -3» -3
-3 +4 -4 +4 -3 -3 -3» -3 » ‘ -3»
-6 +6 -6
-6 -7 +7 -7 -8 -7 -6 -6 +6
-7 -7 -6 -6
+6 -5 +6 -6
+6 -5 +5 -5
+5 -4 +4 -4
+4 -4 +5 -5 +5 -4 +4 -4 +5
-3» -3 +4 -4
+4 -3 +4 -3»
-3» -3 +4 -4
+4 -3 +4 -4 +5
+5 -4 +5 -5 -4 -6′
+5 -4 +5
+5 -5 +6
-6 +6 -5 +5 -5 +5 -4 +5
+5 -5 +6 -6 -7 +6 -5
+5 -4 +4 -4
+5 +4 -3 +4
-4 -3 -3» -3
-3 +4 -4
+4 -3 -3
-3» -3»’ -3»
-6 +6 -6
-6 -7 +7 -8 -7 -7 -6 +6
-7 -7 -6 -6 +6 -5 +6 -6
+6 -5 +5 -5
+5 -4 +4 -4
+4 -4 +5 -5 +5 -4 +4 -4 +5
-3» -3 +4 -4
+4 -3 -3 -3»
-3» -3 +4 -4
+4 -3 +4 -4 +5
+5 -4 +5 -5 -4 -6′
-6 +5 +4
-3 » -3 +4 +5 +6

4 -4 5 6 5 -4 4
5 6 -6 7 -7 -6 5 -5 5 -4
4 -4 5 6 5 -4 4 -4 4
5 6 -6 6 5 5 -4 4 -3 4

5 -5 6 6 6 -6 6 5 6
4 -4 5 -5 5 5 -4

Concerning Hobbits:

4 -4 5 6 5 -4 4
5 6 -6 7 -7 6 5 -5 5 -4
4 -4 5 6 5 -4 4 -4 4
5 6 -6 6 5 5 -4 4 -4 4

4 -4 5 6 5 -4 4

4 -4 5 6 -6 6 5 -5 5 -4

-4 4 5 -6 6 5 -5 -4

5 6 -6 7 -7 6 5 -5 5 4

-4 4 5 6 5 — 4 -4 4 -4

WORDS AND MUSIC BY
LAUREN CHRISTY
GRAHAM EDWARDS
SCOTT SPOCK
AND AVRIL LAVIGNE

4 4 4 4 4 4 4
Chill out what-cha yell-ing’ for

4 4 4 4 4 4 4 4
Lay back it’s all been done be-fore

4 4 4 4 4 4 4 4 4
And if you could on-ly let it be

4 -5b- 6b
you will see

4 4 4 4 4 4 4
I like you the way you are

4 4 4 4 4 4 4
When we’re driv-inG in your car

4 4 4 4 4 4
and you’re talk-ing to me

4 4 4 4 4 -5b -6b
one on one but you be-come

5 -4 4 4 4 5 -4 4 4
Some-bo-dy else round eve-ry-one else

5 -4 4 4 4 5 -4 4 4
Watch-ing your back like you can’t re-lax

4 5 -4 4 4 4 5 -4 4 4 4 -4
You try to be cool you look like a fool to me

-5b -5b
Tell me

5 -4 5 -4 5 5
Why you have to go and

5 5 -4 5 6 5 -4
make things so com-pli-ca-ted

-4 6 -5b 5 -4 5 -4
I see the way you’re act-ing

5 5 -4 5 5 5 5
like some-bo-dy else gets me

6 5 -4
Frus-tra-ted

-4 6 -5b 5 -4
And Life’s like this you

4 4 6 4 4 6 4 4 6
And you fall and you crawl and you break

4 4 6 4 4 6
and you take what you get

4 4 6 -5b 5 -4 5 -4 5
and you turn it in-to hon-est-ly

-4 5 -4 5
you pro-mised me

5 5 -4 5 -4 5 6 5 -4
I’m ne-ver gon-na find you fake-in

-5b 5 4
no no no

4 4 4 4 4 4 4
You come o-ver un-an-nounced

4 4 4 4 4 4 4
dressed up like you’re some-thing else

4 4 4 4 4 4 4 4 4
where you are and where it’s at you see

4 4 -5b -5b
you’re ma-king me

4 4 4 4 4 4 4
laugh out when you strike a pose

4 4 4 4 4 4 4
take off all your prep-py clothes

4 4 4 4 4 4 4 4 4
you know you’re not foo-ling an-y-one

4 4 -5b -5b
when you be-come

4 4-5b 44 4 4-5b 4 4 4 -5b -4
no no no, no no no no no no no

4 4 4 4 4 4 4
Chill out what-cha yell-ing’ for

4 4 4 4 4 4 4 4
Lay back it’s all been done be-fore

4 4 4 4 4 4 4 4 4
And if you could on-ly let it be

4 -5b -5b
you will see

5 -4 4 44 4 5 -4 4 4
Some-bo-dy else round eve-ry-one else

5 -4 4 4 4 5 -4 4 4
Watch-ing your back like you can’t re-lax

4 5 -4 4 4 4 5 -4 4 4 4 -4
You try to be cool you look like a fool to me

-5b -5b
Tell me

5 -4 5 -4 5 5
Why you have to go and

5 5 -4 5 6 5 -4
make things so com-pli-ca-ted

-4 6 -5b 5 -4 5 -4
I see the way you’re act-ing

5 5 -4 5 5 5 5
like some-bo-dy else gets me

6 5 -4
Frus-tra-ted

-4 6 -5b 5 -4
And Life’s like this you

4 4 6 4 4 6 4 4 6
And you fall and you crawl and you break

4 4 6 4 4 6
and you take what you get

4 4 6 -5b 5 -4 5 -4 5
and you turn it in-to hon-est-ly

-4 5 -4 5
you pro-mised me

5 5 -4 5 -4 5 6 5 -4
I’m ne-ver gon-na find you fake-in

-5b 5
no no

ENJOY!!

C Tenor — Low C

-6 5 <-3 -3 <-3 -3 -2 Chill out whatcha yelling' for? -6 5 -3 <-3 -3 <-3 -3 -2 Laid back it's all been done before -6 5 <-3 -3 <-3 <-3 4 4 -6 -6 And if you could only----- let it be 4 -7 -9 -7 you will see-- -6 4 <-3 -3 <-3 -3 -2 I- like you the way you are -6 4 <-3 -3 <-3 -3 -2 When we're drivin' in- your car -6 4 <-3 -3 <-3 4 and you're talking to me 4 -6 -6 5 5 -7 <-7 -7 one on one but you become--- -7 7 -6 -6 5 -6 7 -6 -6 Somebody else round everyone else 5 -7 7 -6 -6 5 -7 7 -6 -6 -5 You're watching your back like you can't relax--- 5 -7 7 -6 -6 5 -7 7 -6 -6 -5 7 -5 5 You're tryin' to be cool you look like a fool to me---- <-7 -7 -7 Tell-- me -7 7 -7 7 -7 7 -7 -7 -7 -7 -7 -7 -7 Why'd you have to go and make things so complicated? 8 <-7 -7 7 -7 7 -7 7 -7 7 -7 7 -7 -7 -7 8 -7 7 7 See the way you're acting like you're somebody else gets me frustrated 8 <-7 -7 7 Life's like this you -6 8 -6 -6 8 -6 -6 8 you fall and you crawl and you break -6 -6 8 -6 -6 8 -6 -6 8 <-7 -7 7 -7 7 -7 and you take what you get and you turn it into honesty 7 -7 7 -7 7 -7 7 -7 7 -7 8 -7 7 7 and promise me I'm never gonna find you fake it <-7 -7 -6 no- no no -6 5 <-3 -3 <-3 -3 -2 You come over-- unannounced -6 5 -3 <-3 -3 <-3 -3 -2 dressed up-- like you're somethin' else -6 5 <-3 -3 <-3 <-3 4 4 -6 -6 where you are ain't where it's- at you see 4 4 -7 -9 -7 you're making me--- -6 4 <-3 -3 <-3 -3 -2 laugh out when you strike your pose -6 4 <-3 -3 <-3 -3 -2 take off all your preppy clothes -6 4 <-3 -3 <-3 4 4 -6 -6 5 5 -7 <-7 -7 you know you're not fooling anyone 5 5 -7 <-7 -7 when you've become--- -7 7 -6 -6 5 -6 7 -6 -6 Somebody else round everyone else 5 -7 7 -6 -6 5 -7 7 -6 -6 -5 You're watching your back like you can't relax--- 5 -7 7 -6 -6 5 -7 7 -6 -6 -5 7 -5 5 You're tryin' to be cool you look like a fool to me---- <-7 -7 -7 Tell-- me -7 7 -7 7 -7 7 -7 -7 -7 -7 -7 -7 -7 Why'd you have to go and make things so complicated? 8 <-7 -7 7 -7 7 -7 7 -7 7 -7 7 -7 -7 -7 8 -7 7 7 See the way you're acting like you're somebody else gets me frustrated 8 <-7 -7 7 Life's like this you -6 8 -6 -6 8 -6 -6 8 you fall and you crawl and you break -6 -6 8 -6 -6 8 -6 -6 8 <-7 -7 7 -7 7 -7 and you take what you get and you turn it into honesty 7 -7 7 -7 7 -7 7 -7 7 -7 8 -7 7 7 and promise me I'm never gonna find you fake it <-7 -7 -6 -7 <-7 -7 -6 -7 <-7 -7 -6 -7 <-7 -7 -6 -7 no- no no no no- no no no no- no no no no- no no no -7 -6 no no -6 5 <-5 -3 <-5 -3 -2 Chill out whatcha yelling for? -6 4 4 <-3 -3 <-3 -3 -2 Lay back, it's all been done before -6 4 <-3 -3 <-3 4 4 -6 -6 5 -7 <-7 -7 And if you could only- let it be 5 -7 <-7 -7 You will see--- -7 7 -6 -6 5 -6 7 -6 -6 Somebody else round everyone else 5 -7 7 -6 -6 5 -7 7 -6 -6 -5 You're watching your back like you can't relax--- 5 -7 7 -6 -6 5 -7 7 -6 -6 -5 7 -5 5 You're tryin' to be cool you look like a fool to me---- <-7 -7 -7 Tell-- me -7 7 -7 7 -7 7 -7 -7 -7 -7 -7 -7 -7 Why'd you have to go and make things so complicated? 8 <-7 -7 7 -7 7 -7 7 -7 7 -7 7 -7 -7 -7 8 -7 7 7 See the way you're acting like you're somebody else gets me frustrated 8 <-7 -7 7 Life's like this you -6 8 -6 -6 8 -6 -6 8 you fall and you crawl and you break -6 -6 8 -6 -6 8 -6 -6 8 <-7 -7 7 -7 7 -7 and you take what you get and you turn it into honesty 7 -7 7 -7 7 -7 7 -7 7 -7 8 -7 7 7 and promise me I'm never gonna find you fake it <-7 -7 -6 no- no no -7 7 -7 7 -7 7 -7 -7 -7 -7 -7 -7 -7 Why'd you have to go and make things so complicated? 8 <-7 -7 7 -7 7 -7 7 -7 7 -7 7 -7 -7 -7 8 -7 7 7 See the way you're acting like you're somebody else gets me frustrated 8 <-7 -7 7 Life's like this you -6 8 -6 -6 8 -6 -6 8 you fall and you crawl and you break -6 -6 8 -6 -6 8 -6 -6 8 <-7 -7 7 -7 7 -7 and you take what you get and you turn it into honesty -7 7 -7 7 -7 7 -7 7 -7 8 -7 7 7 promise me I'm never gonna find you fake it <-7 -7 -6 no- no no

Andrea Bocelli

Verse 1:

1 -1 2 -1 2 <-2 2 <-2 3 <-2 3 -3 3 2 -3 -4 4 -4 Quando sono solo E sogno all'orizzonte E mancan le parole 1 -1 2 -1 2 <-2 2 <-2 3 <-2 3 -3 3 2 -3 -4 4 -4 Sì lo so che non c'è luce In una stanza quando manca il sole 3 <-2 2 <-2 4 -4 2 2 <-2 Se non ci sei tu con me, con me -1 2 -1 -1 -1 Su le finestre 3 <-2 -1-1 -1 -1 -1 -1 -1 -1 Mostra a tutti il mio cuore -4 4 3 3 <-2 Che hai acceso -1 -1 2 -1 -1 Chiudi dentro me 3 <-2 -3 2 La luce che -3 -3 -4 4 3 3 3 <-2 Hai incontrato per strada Chorus 1: -1 3 <-2 -3 3 Con te partirò -3-4-4 -3 4 -4 3 Paesi che non ho mai 7<-6 -5 7<-6 -5 -4 -5 Veduto e vissuto con te -3 4 -4 -3 3 <-2 -1 Adesso si li vivrò 3 3 <-2 -3 3 Con te partirò -3 -4 -4 -4 -4 -4 Su navi per mari -3 4 -4 3 Che, io lo so 7<-6 -5 7<-6 -5 -4 -5 No, no, non esistono più -3 4 -4 -3 3 <-2 -1 Con te io li vivrò Verse 2: 1 -1 2 -1 2 <-2 2 <-2 3 <-2 3 -3 3 2 -3 -4 4 -4 Quando sei lontana Sogno all'orizzonte E mancan le parole 1 -1 2 -1 2 <-2 2 <-2 -3 3 -4 E io sì lo so Che sei con me, con me 1 -1 2 -1 2 <-2 2 <-2 3 Tu mia luna, tu sei qui con me 1 -1 2 -1 2 <-2 2 <-2 -3 Mio sole tu sei qui con me 3 -4 -3 4 -4 -1 Con me, con me, con me Chorus 2: -1 3 <-2 -3 3 Con te partirò -3-4-4 -3 4 -4 3 Paesi che non ho mai 7<-6 -5 7<-6 -5 -4 -5 Veduto e vissuto con te -3 4 -4 -3 3 <-2 -1 Adesso sì li vivrò 3 3 <-2 -3 3 Con te partirò -3 -4 -4 -4 -4 -4 Su navi per mari -3 4 -4 3 Che, io lo so 7<-6 -5 7<-6 -5 -4 -5 No, no, non esistono più -3 4 -4 -3 3 <-2 2 Con te io li rivivrò -3 -3 <3 -4 -3 Con te partirò -4 <4 <4 <4 <4 <4 Su navi per mari -4 -5 <4 -3 Che, io lo so -7 <7 6 -7 <7 6 <5 6 No, no, non esistono più -4 -5 <4 -4 -3 <3 2 Con te io li rivivrò -3 -3 <3 -4 -3 Con te partirò 6 <-6 <7 -7 Io con te!

The intro for Complicated Situation by BRMC — Harmonica by Peter
Hayes.

4 5 -5 6 -6 -5 4 -4 4 -4 5 -5 5 4
-4 5 -5 6 6 5 4 -4 4 -4 5 -5 5 4

-2 -3 4 -3 -3′ -3 3 2
-3 4 -3 -3′ -3 3 2
-3 4 -4 -4′ -4 4 2
-3 4 -3 -3′ -3 3 2