YA YA
By: Morris Levy & Clarence Lewis
Lee Dorsey
Key: G

3 -3” 4 -3” -3” 4 4 -3”
Oh well I’m sit-ting here la la
-2 -3” -3” 4 -3” 4 -3” -2 4
er wait-ing for my Ya Ya uh huh
-3” 4
uh huh
6 -6 -6 6 5 4
er sit-ting here la la
4 -4 -4 4 -3” 4 -4 4
er wait-ing for my Ya Ya huh
-3” 4 -3” -3 -4 5 5
Uh huh it may sound fun-ny
-4 -2 -3” 4 4 -3” -4 4 4 4
But I don’t be-lieve she’s com-in’ uh huh
-3” 4 -3” 4 4-3”-2 -3” 4 -3” 4 -3”
Uh huh ba-by hon-ey don’t leave me wor-ied
-2 4 -3” 4
Uh huh uh huh
6 -6 6 5 4 4 -4 4 -3” 4 -4
Er ba-by hon-ey er don’t leave me wor-ried
-3” 4 -3” 4
Uh huh uh huh
-3” -3 -4 -4 5 -4-2
you knew that l love you
-3”4 4 -3” -4 4 4 4 -3” 4
Oh how I love you uh huh uh huh

REPEAT

Y.M.C.A

Young Man Theres No Need To Feel Down

7 6 6 -5 5 -5 6 7

I Said Young Man Pick Your-self Off The Ground

6 7 -7 6 6 -5 5 -5 6 7

I Said Young Man Cause Your In A New Town

6 7 -7 -6 -6 6 -5 6 -6 -7

Theres No Need To Be Un-hap-py

8 -7 -8 -7 7 -6 6 -5

Young Man Theres A Place You Can Go

7 6 6 -5 5 -5 6 7

I Said Young Man When You’re Short On Your Dough

6 7 -7 6 6 -5 5 -5 6 7

You Can Stay There And I’m Sure You Will Find

6 7 -7 -6 -6 6 -5 6 -6 -7

Man-y Ways To Have A Good Time

8 -7 -8 -7 7 -6 6 -5

Its Fun To Stay At The Y – M – C – A

6 7 6 7 6 7 -7 7 -7 7

Its Fun To Stay At The Y – M – C – A-a

6 7 6 7 6 5 -5 6 -5 5 -4

They Have Ev-er-y-thing For A Man To En-joy

8 -7 8 8 8 -7 8 -7 8 8 8 -7

You Can Hang Out With All The Boy-s

8 -7 8 -7 7 8 8 -7 7

Y M C A Its Fun To Stay At The Y M C A-a

-7 7 -7 7 6 7 6 7 6 5 -5 6 -5 5 -4

You Can Get Your-self Clean You Can Have A Good Meal

8 -7 8 8 8 -7 8 -7 8 8 8 -7

You Can Do What-ev-er You Fee-l

8 -7 8 -7 7 8 8 -7 7

8 -8 -6 8 -8 9 8 8 -8 -6 8 -8 -6 8 -8 9 8 8 -8 -6
7 8 9 -10 9 8 / 8 -8 7 -8 8 9 8 9 -10 8 / 8 -8 7 -8 8 9 8 9 -10 9 / -9
8 -8 8 -9 -10 10 -10 10b -10 9 -9 8 -8 9 8 / 8 -8 7 -8 8 9 8 9 -10 8 /
8 -8 7 -8 8 9 8 9 -10 -9 / -9 8 -8 8 -9 -10 10 -10 10b -10 9 -9 8 -8 9
9 9 9 9 8 9 8 9 8 9
-10 9 -10 9 8 8 -8 -8 7 7 -6 -8 7 -8 7 -6 10 10 -10 10 10 10 -10 9 -10
10 10 10 -10 9 -10 10 -10 10 10 10 -10 9 / 8 -8 -6 8 -8 9 8 8 -8 -6 -8
9b -10 10b 10b -10 10b -10 9b 9b 8 8 -8 -8 -7 8 -8 8 -8 -7 -8 -8 -7 -8
-8 -8 -7 -6 -7 -8 -8 -8 -7 -6 -7 -8 -7 -8 -8 -8 -7 -6 / -7 -6 -7 -6 -8
-8 -8

6 5 5 -4 4 -4 5 6
Young man, there’s no need to feel down.

5 6 -6 5 5 -4 4 -4 5 6
I said, young man, pick your-self off the ground.

5 6 -6 -5 -5 5 -4 5 -5 -6
I said, young man, ’cause you’re in a new town

7 -6 -7 -6 6 -5 5 -4
There’s no need to be un-hap-py.

6 5 5 -4 4 -4 5 6
Young man, there’s a place you can go.

5 6 -6 5 5 -4 4 -4 5 6
I said, young man, when you’re short on your dough.

5 6 -6 -5 -5 5 -4 5 -5 -6
You can stay there, and I’m sure you will find

7 -6 -7 -6 6 -5 5 -4
Ma — ny ways to have a good time.

6 6 6 6 6
> > > > >

5 6 5 6 5 6 -6 6 -6 6
It’s fun to stay at the Y — M — C — A.

5 6 5 6 5 4 -4 5 -4 4 -3
It’s fun to stay at the Y — M — C — A_____

7 -6 7 7 7 -6 7 -6 7 7 7 -6
They have ev- e -ry-thing for a man to en-joy,

7 -6 7 -6 6 7 7 -6 6
You can hang out with all the boys

5 6 5 6 5 6 -6 6 -6 6
It’s fun to stay at the Y — M — C — A.

5 6 5 6 5 4 -4 5 -4 4 -3
It’s fun to stay at the Y — M — C — A.

7 -6 7 7 7 -6 7 -6 7 7 7 -6
You can get your-self clean, you can have a good meal

7 -6 7 -6 6 7 7 -6 6
You can do what- e -ver you feel____

Young man, are you listening to me?
I said, young man, what do you want to be?
I said, young man, you can make real your dreams.
But you’ve got to know this one thing!

No man does it all by himself.
I said, young man, put your pride on the shelf,
And just go there, to the Y.M.C.A.
I’m sure they can help you today.

It’s fun to stay at the Y-M-C-A.
It’s fun to stay at the Y-M-C-A.

They have everything that you need to enjoy,
You can hang out with all the boys …

It’s fun to stay at the Y-M-C-A.
It’s fun to stay at the Y-M-C-A.

You can get yourself clean, you can have a good meal,
You can do whatever you feel …

Young man, I was once in your shoes.
I said, I was down and out with the blues.
I felt no man cared if I were alive.
I felt the whole world was so jive …

That’s when someone came up to me,
And said, young man, take a walk up the street.
It’s a place there called the Y.M.C.A.
They can start you back on your way.

It’s fun to stay at the Y-M-C-A.
It’s fun to stay at the Y-M-C-A.

They have everything that you need to enjoy,
You can hang out with all the boys …

YMCA
It’s fun to stay at the Y-M-C-A
Young man, young man there’s no need to feel down
Young man, young man pick yourself off the ground

Y-M-C-A
then just go to the Y-M-C-A
young man, young man I was once in your shoes
young man, young man I said, I was down and out with the blues.
Y-M-C-A

5 6 -7 -7 -7 7 -7 -7 -7 7 -7

-7 7 -6 6 -6 -5 -6 6 -5 5 6 -5

5 6 -7 -7 -7 -7 7 -7 -7 -7 7 -7 -7 7 -7 -7 -5 -6 -6 7 7 -7 -6
-7

-7 7 7 7 7 -7 -6 6 -5 -5 6 -5 -5 -5 6 -5 -5 -5 -7

6 -7 -7 -8 8 -8 -7 6 -7 8

This is a welsh folk song, the tune is by Gustav Holst. BUT — to
really get the correct sound of this, it has to be played in a minor
key (I use my Hohner Special 20 «A Natural Minor») because of the
«accidentals». Listen to the version by Sian James on her album «Pur»
and you’ll hear what I mean.

4 -3 3 2

-3 -3 -3 4 -3

4 -3 3 2

-3 -3 -3 4 -3

3 3 3 5 -5 5 4 -4 4

4 5 -4 4

4 -3 3 2 3….

3 3 4 -3 4

2 1 -1 1

[(6) (7) 7 (7) (6) 6 (6) 5 (4) 4 (4) 4 (4) 5 4

(6) (6) 6 (6) 6 (6) 6 (6) 6 (6) 6 7] x2

(6)(6)(6)(6)(6)(5)(5)7(7)7(7)7(7)66

56565(6)5(4)4(4)4(4)45

(4)5(5)5(4)4(5)5(5)66 56566(6)

56(6) 7(7)(6)6(6)(6)6(6)7(6)

56(6) 57(7)(6)(7)(8)(8)76

56(6) 7(7)(6)6(8)7

(6)(7)7777(8)7(7)6(6)

56(6) 7(7)(6)6(6)(6)6(6)7(6)

56(6) 57(7)(6)(7)(8)(8)76

56(6) 7(7)(6)6(8)7

(6)(7)7777(8)(8)(8)(8)(8)7(6)

(6) (6)656(6) (6)6(6)6(6)67

(6) (6)666(6) (8)7(8)(8)8(8)7

(8)7(8)(8)8(8)7(6)

6 4 4 -4~
Your love is bright as ever

4 -4 5 -5 5 4~
Even in the shadows

-3 4 6 4~ / -4 -4 -4 5 -4 4~
Baby kiss me before they turn the lights out

4 4 4 6 4 4 -4~
Your heart is glowing

4 -4 5 -5 5 4~
And I’m crashing into you

-3 4 / 6 4 / 6 4
Baby kiss me, kiss me

-4 -4 5 -4 4~
Before they turn the lights out

-4 -4 5 -4 4~
Before they turn the lights out

-4 -4 6 5~
Baby love me lights out

6 5 6 5 6 -6~
In the darkest night hour

6~ -6~ 5~ -4~
I’ll search through the crowd

4 4 6~ 5~ -4
Your face is all that I see

5 5~ -4 -4~ -4
I’ll give you everything

-4 -4~ -4~ 4~~
Baby love me lights out

-4 -4~ -4~ 4~~
Baby love me lights out

6 5 6 5 6~ -6~~
We don’t have forever

6 -6 5 -4
Baby, daylight’s wasting

4 4 6~5 -4
You better kiss me

5 5 -4 -4~
Before our time is run out

-4 -4 4~~ -4 -4 4
Nobody sees what we see

-4 -4 -4 4~
They’re just hopelessly gazing

-3 4 / 6 4 / 6 4
Baby take me, take me

-4 -4 5 -4 4~
Before they turn the lights out

-4 -4 5 -4 4~
Before our time is run out

-4 -4 6 5~
Baby love me lights out

6 5 6 5 6 -6~
In the darkest night hour

6~ -6~ 5~ -4~
I’ll search through the crowd

4 4 6~ 5~ -4
Your face is all that I see

5 5~ -4 -4~ -4
I’ll give you everything

-4 -4 6 5~
Baby love me lights out

-4 -4 6 5~
Baby love me lights out

-4 -4 5 -4 4~
You can turn my lights out

6 5 6 5 6 -6~
I love you like XO

6~ -6~ 5~ -4~
You love me like XO

4 4 6~ 5~ -4
You kill me girl XO

5 5~ -4 -4~ -4
You love me like XO

(You need a 12 hole chromatic.)

3,5,<-5,-5,5,3

3,5,<-5,-5,5<3

3,5,<-5,-5,5<-5

-5,5,3

5,-6,<7,7,-6,5

5,-6,<7,7,-6,<5

5,-6,<7,7,-6,<7

7,-6,5

<7,7,-6 x4(repeat four times)

<-7,<7,7 x4

8,<-7,<7 x4

9,9,<11,11

4 5 -5 -6 6 -5 5 6 -5 5 -4

5 4 -4 5 -4 -5 -5 5

-5 -6 6 -5 5 6 -5 5 -4

5 4 -4 5 -4 -5 -5 5

Congratulations you have now mastered the art of the
shakashuri.

Rest coming soon. (maybe)

-4 -6 6 -6 7 -6

-4 -6 6 -6 -8 -6

7 -7 -6 6 -6 5 -6 5

7 -7 -6 6 -6 5 -6 5

-6 5

3 3 4 -4 5
Oh give me a home,
4 -3 3 -5 -5 -5
Were the buf-fa-lo roam,
-5 -5 5 -4 4 -3 4 -4 4
And the deer and the antelope play,
3 3 4 -4 5
were seldom is heard,
-4 4 -3 -5 -5 -5
A dis-cour-ag-ing word,
-5 -5 5 -4 4 -3 4 -4 4
And the skys are not cloudy all day,
6 -5 5 -4 5
Home, Home on the range.

-6 8 -8 8 9 8 8
-6 8 -8 8 -10 8 8
10 10′ -10 9 -10 8 8
10 10′ -10 9 -10 8
-6 8 -8 8 9 8 8
-6 8 -8 8 9 8 8
-10 8

X & Y COLDPLAY

KEY OF D

-6 -7 -6 -5 -6b -6b
Try-ing hard to speak and

-8 8 -8 -6b -8 -8
Fight-ing with my weak hand

-6 -7 -6 -5 -6b -6b
Driv-en to dis-trac-tion

-6b -8 8 -8 -7 -8
It’s all part of the plan

-6 -7 -6 -5 -6b -6b
When some-thing is bro-ken

-8 8 -8 -7 -8 -8 -6 -7 -6 -5 -6b -6b
And you try to fix it try-ing to re-pair it

-8 8 -8 -6b -7 -6 -6 -7 -6 -5 -6b -6b
An-y-way you can I dive in at the deep end

-8 8 -8 -6b -8 -8 -7 -6 -5 -6b -6b
You be-come my best friend I want to love you

-6b -6b -8 8 -8 -6b -8
But I don’t know if I can

-6b -5 -6b -6 -6 -6b -6b
I know some-thing is bro-ken

-6b -6 -7 7 -6 -6 -5 -6b -6 -7 -6b -6b
And I’m try’n to fix it try-ing to re-pair it

-6b -6 -7 7 -6
An- y-way I can

9 9 9 9
Ooh ooh ooh ooh

-8 -8 -8 -5 -8 -8 -8 -8 -8 7 7
You and me are float-ing on a ti-dal wave

-6b -7 7
To-geth-er

-8 -8 -8 -5 -8 -8 -8 -8 -8 7 7
You and me are drift-ing in-to out-er space

-6b -7 7
And sing-ing

9 9 9 9
Ooh ooh ooh ooh

REPEAT LAST SECTION TO END

ENJOY!!!

For anyone who is a die hard of this song, I changed it slightly; I
think it sounds better this way for the harmonica.

6 5 6 6 -6 54 4 4 -5 4 -5 -6 7
There’s magic in the wind, and a brightness in the sky

7 7 7 7 7 -6 6 5 4 -4 5 5
There’s a promised land awaiting and we’ll get there

-4 4 -4
bye and bye.

6 5 6 -6 6 4 7 -6 7 -6 6
Westward Ho The Wagons! Always westward roll

6 5 6 -6 6 4 -4 55 -4 -4 4
Westward roll the wagons for Oregon’s our goal

3 4 -4 5 -6 6 3 4 -4 5 -5 -4 3

-4 5 -5 7 -7 -6 6 -6 6 -5 5 3

4 -4 5 -6 6 3 4 -4 5 -5 -4 3

-4 5 -5 7 -7 -6 6 -6 6 -3 4

7 -7 -6 -7 7 5 5 -4 4 5 -4 5 -5

-7 -6 -6 -7 7 -7 6 -6 6 -5 5

7 -7 -6 -7 7 5 5 -4 4 5 -4 5 -5

-7 -6 -6 -7 7 -7 6 -5 5 -4 4

This is for the 2nd fiddle part of the song

4 5 -5 6 7 5 4 5 -5 6 -6 -5 -3
-5 6 -6 8 -8 7 -7 7 -7 -6 6 4
4 5 -5 6 7 5 4 5 -5 6 -6 -5 -3
-5 6 -6 8 -8 -8 7 -7 7 -7 -6 6
8 -8 7 -8 8 6 6 -5 5 6 -5 6 -6
-8 7 -7 7 -8 -7 6 -6 6 -5 5
8 -8 7 -8 8 6 6 -5 5 6 -5 6 -6
-8 7 -7 7 -8 -7 6 6 6 -5 5

This is the hour chime from Big Ben clock tower, and is the most
widely used chimes for clocks.

6 <7 <-6 -4

6 <-6 <7 6

<7 6 <-6 -4

-4 <-6 <7 6

4 4 -4 4 -5 6 -6

-4 -4 6 -6 -8 -4 -4

6 6 6 6 -5 -6 -6 -5 -6

7 7 7 -7 -6 7  4 -5

-6 -8 7 -6 -7 -8 -9 -8 7 -6 -6 -6 -6 -6 -6 -6 -6

7 -7 -7 6 6 -6 -7 6

-5 5 5 4 4 4 -6 6 -5

6 6 -6 6 -6 6 -6 7
1.AL-MOST HEAV-EN,WEST VIR-GIN-IA
2.ALL MY MEM’-RIES GATH-ER ‘ROUND HER

-8 -8 8 -8 -6 -6 -6 6 6 -6 7
1.BLUE RIDGE MOUN-TAINS,SHEN-AN-DOAH RIV-ER
2.MIN-ER’S LA-DY,STRAN-GER TO BLUE WA-TERS

6 6 -6 6 -6 7 7 8 8
1.LIFE IS OLD THERE,OLD-ER THAN THE TREES
2.DARK AND DUST-Y,PAINT-ED ON THE SKY

-8 -8 -8 -8 8 -8
1.YOUNG-ER THAN THE MOUN-TAINS
2.MIST-Y TASTE OF MOON-SHINE

-6 7 7 -8 7
1.GROW-IN’ LIKE A BREEZE
2.TEAR-DROP IN MY EYE

7 -8 8 8 7 -8 8 -8 7 8 9 -10
COUN-TRY ROADS,TAKE ME HOME TO THE PLACE I BE-LONG

-10 -10 9 8 8 -8 7 -8
WEST VIR-GIN-IA,MOUN-TAIN MOM-MA

8 -8 7 7 -8 7
TAKE ME HOME,COUN-TRY ROADS

7 7 7 -7 7 -8 8 8 8 8 8 7
I HEAR HER VOICE, IN THE MORN-ING HOURS SHE CALLS ME.

7 -9 -9 -9 -9 -9 8 -8 7 -8 8 8 -8
RA-DIO RE-MINDS ME OF MY HOME FAR A-WAY

-8 8 8 8 8 -8 -8 -8 -8 7 7
AND DRV-IN’ DOWN THE ROAD I GET A FEEL-IN’

7 7 7 7 7 7
THAT I SHOULD HAVE BEEN HOME

-8 8 -8 -8 8 -9
YES-TER-DAY,YES-TER-DAY

Key of G Music Range: C4 to B5
This piece can also become a duet with one player continuously playing
the Intro riff in the background while the other plays the melody.

Intro:
-8 -7 -7 7 -5 -5 6 -5
-8 -7 -7 7 -5 -5 6 -5
-8 -7 -7 7 -5 -5 6 -5
-8 -7 -7 7 -5 -5 6 -5

-1 3 3 3 3 2 -1
I saw a were-wolf with a

3 3 3 3 3 3 2 -1
Chi-nese men-u in his hand__

3 3 3 2 3
walk-ing through the streets

2 2 3 3 3 3 3
of__ So-ho in the rain.

2 2 3 2 3 2 3
He was look-ing for a place

3 3 3 -1
called Lee Ho Fook’s.

3 3 3 2 3 3
Gon-na get a big dish

2 3 3 -1
of beef chow mein.

3 7 (sus) 3 3 3 3 -1
A-woo___, were-wolves of Lon-don,

3 7 (hold sustain)
A-woo!__________

3 7 (sus) 3 3 3 3 -1
A-woo,____ were-wolves of Lon-don,

3 7 (hold sustain)
A-woo!__________

-1 3 3 3 3 2 -1 3 3
If you hear him howl-ing a-round

3 3 3 2 -1
your kitch-en door,__

3 3 3 2 3 2
you bet-ter not

2 3 3 3 3 3
let him in.

2 2 3 2 3
Lit-tle old la-dy got

2 3 3 3 3 -1
mu-ti-lat-ed late last night,

3 3 3 2 3 3 2 3 3 -1
Were-wolves of Lon-don a-gain.

3 7 (sus) 3 3 3 3 3 -1
A-woo,__ werewolves of Lon-don,

3 7 (hold sustain)
A-woo!_________

3 7 (sus) 3 3 3 3 3 -1
A-woo,__ were-wolves of Lon-don,

3 7 (hold sustain)
A-woo!_________ (Huh!)

-4 -4 3 3 3 2
He’s the hairy-headed gent,

-1 3 3 3 3 3 2 -1
who ran a-muck in Kent.___

3 3 3 2 3 2
Late-ly he’s been over-heard

2 3 3 3 3 3
in May-fair.

-3 -4 -3 -4 4 -3 -3
Bet-ter stay a-way from him.

-3 -4 -3 4 3 3
He’ll rip your lungs out, Jim.

3 3 3 3 3 3 3
(Huh!) I’d like to meet his tailor,

3 7 (sus) 3 3 3 3 -1
A-woo,__ were-wolves of Lon-don,

3 7 (hold sustain)
A-woo!_______

3 7 (sus) 3 3 3 3 -1
A-woo,__ were-wolves of Lon-don,

3 7 (hold sustain)
A-woo!_______

-1 -1 3 3 3 3
Well, I saw Lon Cha-ney

3 3 3 3 3 -1
walk-ing with the Queen,

-3* -3* -3 3 3 3 3 3 3
Do-ing the were – wolves__ of London.__

1 3 3 3 3 3 -4 3 3
I saw__ Lon Cha-ney Ju-nior___

3 3 3 3 -1
walk-ing with the Queen, (uh!)

-3 -3 -3 -3 -3 3 2 3 3
do-ing the were — wolves of Lon-don.

-1 -3 -3 -3 3 3 3 3 3
I saw a were-wolf drink-ing a

3 3 3 3 3 3 3 3 -1
pi-na co-la-da at Trad-er Vic’s

-1 -1 3 -1 3 -1
And his hair was per-fect.

Outro:

3 7 (hold sustain) 3 3 3
A-woo,_________ Were – wolves

-1 3 3
of Lon-don (Huh!)

-3 3
Draw blood.

-3 7 (hold sustain) 3 3 3
A-woo,_________ Were – wolves

-1 3 3
of Lon-don (Fade)

words and music by Warren Zevon,
Robert Wachtel and LeRoy Marinel

3 4 4 4 4 -3″ 3 4 4 4 4 4 4 3
I saw a werewolf with a chinese menu in his hand

4 4 4 -3″ 4 -3″ 4 4 4 4 4
walkin’ through the streets of Soho in the rain.

-3″-3″ 4 -3″ 4 -3″ 4 4 4 4 -3″
He was lookin’ for a place called Li Ho Fook’s.

4 4 4 4 4 4 -3″ 4 4 -3″
Wanna get a big dish of beef chow mein.

chorus:
4 7 4 4 -3″ 4 -3″ 4 7
Ow oooh, werewolves of London, ow oooh.

4 7 4 4 -3″ 4 -3″ 4 7
Ow oooh, werewolves of London, ow oooh.

verse:
3 4 4 4 4 4 4 4 4 3
I saw Lon Chaney walkin’ with the Queen,

-4 -4 -4 -4 4 4 4 4
doin’ the werewolves of London.

3 4 4 4 4 6 4 4 4 4 4 3
I saw Lon Chaney junior walkin’ with the Queen,

-4 -4 -4 -4 4 4 4 4
doin’ the werewolves of London.

4 -4 -4 -4 4 4 4 4 4 4 4 4 4 4 4 4 -3″
I saw a werewolf drinkin’ a pina colada at Trader Vics.

3 4 -2″ 4 3
His hair was perfect.

chorus:

Verse:
You hear him howlin’ around your kitchen door.
You better not let him in.
Little old lady got mutilated late last night.
Werewolves of London again.

He’s been a heavy handed gent who ran amuck in Kent.
Lately he’s been overheard in Mayfair.
You better stay away from him,
he’ll rip your lungs out, Jim.
Huh! I’d like to meet his tailor.

Didn’t turn out like I thought it would.
But don’t complain to me, that’s the way it was written.

WERE YOU THERE?
Trad. Spiritual
Randy Travis, Sam Cooke
Key: Eb

-3* 4 -5* 7 7
Were you there when they
-6 -5* 7 -6 -5*
cru-ci-fied my Lord?
-5* 7 -7* -7* -7*
Were you there when they
8 -7* -7* 7 -6
cru-ci-fied my Lord?
-7*-9*9-7*
Oh!
8 -7* 7 7 -6 -5* 7 -6 -5*
Some-times it caus-es me to trem-ble,
-5* -5* 5 -3*
trem-ble, trem-ble.
-3* 7* 7 7 7
Were you there when they
-6 -5* 7 -6 -5*
cru-ci-fied my Lord?

African-American Spiritual
4/4 time — slow.

3 4 5 5 5 -4/ 4 5 -4 4
Were you there when they cru-ci-fied my Lord?

4 5 6 6 6 -6 6 6 5 -4
Were you there when they cru-ci-fied my Lord?

6 7 -6 6
O- o — o- h!

-6 6 5 5 -4 4 4 -4/ 4 4 4 -6 6
Sometimes it causes me to trem-ble, trem-ble, trem-ble.

4 -5 5 5 5 -4/ 4 5 –4 4
Were you there when they cru-ci-fied my Lord?

Were you there when they nailed Him to the tree?
Were you there when they nailed Him to the tree?
Oh! Sometimes it causes me to tremble, tremble, tremble.
Were you there when they nailed Him to the tree?

Were you there when they laid Him in the tomb?
Were you there when they laid Him in the tomb?
Oh! Sometimes it causes me to tremble, tremble, tremble.
Were you there when they laid Him in the tomb?

*The -4/ bend down 1/2 step.

Here’s a way to play this song without bends. On a C harp you’d be
playing in the Key of F

Were you there when they cru-ci-fied my Lord?
4 5d 6d 6d 6d 6 5d 6d 6 5d

Were you there when they cru-ci-fied my Lord?
5d 6d 7 7 7 8d 7 7 6d 6

O—0—0—0
7 9d 8d 7

Were you there when they cru-ci-fied my Lord?
4 5d 6d 6d 6d 6 5d 6d 6 5d

WERE YOU THERE? II hi-lo
African-American Spiritual
Key: D

3 4 5 5 5
6 7 8 8 8
Were you there when they

-4 4 5 -4 4
-8 7 8 -8 7
Cru-ci-fied my Lord

4 5 6 6 6
7 8 9 9 9
Were you there when they

-6 6 6 5 -4
-10 9 9 8 -8
Cru-ci-fied my Lord

67-66 -6 6 5 5 -4 4 4
910-109 -10 9 8 8 -8 7 7
O Some-times it caus-es me to

-4 4 4 4 -3” 3
-8 7 7 7 -6 6
trem-ble, trem-ble, trem-ble

4 -5 5 5 5
7 -9 8 8 8
Were you there when they

-4 4 5 -4 4
-8 7 8 -8 7
Cru-ci-fied my Lord

WERE YOU THERE? II chrom
African-American Spiritual
Key: D

-3 -5 -6* -6* -6*
Were you there when they
6 -5 -6* 6 -5
Cru-ci-fied my Lord
-5 -6* -7 -7 -7
Were you there when they
-8 -7 -7 -6* 6
Cru-ci-fied my Lord
-7-9-8-7 -8 -7 -6* -6* 6 -5 -5
O Some-times it caus-es me to
6 -5 -5 -5 -4 -3
trem-ble, trem-ble, trem-ble
-5 7 -6* -6* -6*
Were you there when they
6 -5 -6* 6 -5
Cru-ci-fied my Lord

Gospel/Rock, s-l-o-w, with lots of feeling.

3 4 5
Were you there?
5 4 -4 4 5 -4 4
When they cru-ci-fied, the Lord.
4 5 6
Were you there?
6 6 -6 6 6 5 -4
When they cru-ci-fied, the Lord.
6 -6 7
Were you there?
7 7 5
Were you there?
5 6 -5
Were you there?
6 6 5
Were you there?
4 5 6
Were you there?
6 5 -5 5 6 -5 5
When they cru-ci-fied, the Lord.

Were you there?
When they nailed Him to the cross.
Were you there?
When they nailed Him to the cross.
Were you there? Were you there?
Were you there?
When they nailed Him to the cross.

Were you there?
When they rolled that stone away.
Were you there?
When they rolled that stone away.
Were you there? Were you there?
Were you there?
When they rolled that stone away.

3 4 5 5 5 -4 4 5 -4 4
Were you there when they cru-ci-fied my Lord?
4 5 6 6 6 -6 6 6 5 -4
Were you there when they cru-ci-fied my Lord?
6 7 -6 6
O- o — o- h!
-6 6 5 5 -4 4 4 -4 4 4 4 4 3
Sometimes it causes me to trem-ble, trem-ble, trem-ble.
4 -5 5 5 5 -4 4 5 -4 4
Were you there when they cru-ci-fied my Lord?

Were you there when they nailed him to the tree?
Were you there when they nailed him to the tree?
Oh, sometimes it causes me to tremble, tremble, tremble.
Were you there when they nailed him to the tree?

Were you there when they laid him in the tomb?
Were you there when they laid him in the tomb?
Oh, sometimes it causes me to tremble, tremble, tremble.
Were you there when they laid him in the tomb?

Were you there when God raised him from the tomb?
Were you there when God raised him from the tomb?
Oh, sometimes it causes me to tremble, tremble, tremble.
Were you there when God raised him from the tomb?