By Shinedown
Tabbed for EITHER an ORCHESTRA tuned diatonic (Seydel’s
ORCHESTRA S in LC)
OR an ORCHESTRA tuned Chromatic
OR a 14 hole Chromatic

Tab notations: none = blow — = draw

-9 -7 8 -8 8 -7 -9 -7 8 -8 -9

-9 -7 8 -8 8 -7 -9 -7 8 -8 -9

-9 -7 8 -8 8 -7
Freedom, la la la la)

-9 -7 8 -8 -9
(Freedom, follow me)

-9 -7 8 -8 8 -7
(Freedom, la la la la)

-9 -7 -9 -9
(Freedom) CUT IT!

-9 -7 8 -8 8 -7
(Freedom, la la la la)

-9 -7 8 -8 -9
(Freedom, follow me)

-9 -7 8 -8 8 -7
(Freedom, la la la la)

-9 -7
(Freedom)

By Shinedown
Tabbed for a 12 hole Key of C Solo tuned Chromatic

Tab notations: none = blow — = draw

-7 -5 6 -6 6 -5 -7 -5 6 -6 -7

-7 -5 6 -6 6 -5 -7 -5 6 -6 -7

-7 -5 6 -6 6 -5
(Freedom, la la la la)

-7 -5 6 -6 -7
(Freedom, follow me)

-7 -5 6 -6 6 -5
(Freedom, la la la la)

-7 -5 -7 -7
(Freedom) CUT IT!

-7 -5 6 -6 6 -5
(Freedom, la la la la)

-7 -5 6 -6 -7
(Freedom, follow me)

-7 -5 6 -6 6 -5
(Freedom, la la la la)

-7 -5
(Freedom)

W: Ted Koehler
M: Ray Henderson
Sung by: John Boles in the movie “Curly Top”
Key: C

-3 -3 -3 -1* 2 -4 -3 3 3 -5
Curl-y Top, you lit-tle bun-dle of joy
-3 -3 -3 -2* 3 -4 -3 3 3 6
Curl-y Top you’re like a won-der-ful toy
6 -5* 6 -5* 6 -5* 6
You’re just so full of sun-shine
-4 -4 -4
Folks a-gree
-5 5* -5 5* -5 5*
You could sup-ply the world
-5 -3 -3 -3 -3
With vi-ta-min D
3* -3 -3 -3 -1* 2 -4
Two eyes that make the heav-ens
-3 3 3 -5
Proud to be blue
-3 -3 -3 -2* 3 -4 -3 3 3 6
An-gel cake it’s just a cop-y of you
6 -5* 6 -5* 6 -5*
Take ev-‘ry-thing that’s sweet
6 -5 5 -5 5
All rolled in-to one
-4 -3 -3 -3 3 6 5
That can’t top you Curl-y Top

By Shinedown
Tabbed for a Key of C Richter tuned diatonic

Tab notations: none = blow — = draw

-6 -4 5 -5 5 -4 -6 -4 5 -5 -6

-6 -4 5 -5 5 -4 -6 -4 5 -5 -6

-6 -4 5 -5 5 -4
Freedom, la la la la)

-6 -4 5 -5 -6
(Freedom, follow me)

-6 -4 5 -5 5 -4
(Freedom, la la la la)

-6 -4 -6 -6
(Freedom) CUT IT!

-6 -4 5 -5 5 -4
(Freedom, la la la la)

-6 -4 5 -5 -6
(Freedom, follow me)

-6 -4 5 -5 5 -4
(Freedom, la la la la)

-6 -4
(Freedom)

7 -7 -6 6 -5 -4 4 5 5 5 7 -7
-6 6 -5 5 -4 4 -4 -4 -4 7 -7
-6 6 -5 5 -4 4 5 5 5 6 6 -6 -7 7 6 5 -4
5 -5 6 5 6 5 6 5 6 7 -7 -6 -5 -6 -5 -6 -5 -6 -7
7 -8 8 -8 7 -7 -6 6 6 6 -6 -7 7 6 5 -4

7 -7 -6 6 -5 -4 4 5 5 5 7 -7
-6 6 -5 5 -4 4 -4 -4 -4 7 -7
-6 6 -5 5 -4 4 5 5 5 6 6 -6 -7 7 6 5 -4
5 -5 6 5 6 5 6 5 6 7 -7 -6 -5 -6 -5 -6 -5 -6 -7
7 -8 8 -8 7 -7 -6 6 6 6 -6 -7 7 6 5 -4 4

-4 -4 -4 -5 -4
This is a night-mare.
-4 -6 6 -4 -6 6 -5 -4
Is my An-na-bel real-ly gone?
-4 -4 -4 -5 -4 -4
Her bo-dy tea-ses me,
-4 -6 6 -4 -6 6 -5 -4
as the sun re-ve-als the dawn.

-4 -4 -4 4 4 -4
Ba-by lay in my arms.
5 -5 5 -4
Cud-dle me close.
5 5 5 -5
Soon this will be
-6 -6 6 6 -5 5 -5
just an aw-ful me-mo-ry.

-6 -6 -6 -6 6 6
My an-gel lie to me,
5 5 5 -5 6 -5
and tell me I’m dream-ing.
-4 5 -5 5
Please wake me up.
4 -4 4
Please wake me.
-6 6 -5 -4 -6 6 -5
I feel like you will al-ways
5 5 5 5 -5 -5 6 6
be such a tra-gic part of me.

-4 -4 -4 -5 -4
I watch the blood drip,
-4 -6 6 -4 -6 6 -5 -4
from the cor-ners of yo-ur mouth.
-4 -4 -4 -5 -4
I’m star-ting to believe
-4 -6 6 -4 -6 6 -5 -4
what my eyes are see-in-g now.

-4 -4 -4 4 4 -4
Ba-by lay in my arms.
5 -5 5 -4
Cud-dle me close.
5 5 5 -5
Soon this will be
-6 -6 6 6 -5 5 -5
just an aw-ful me-mo-ry.

-6 -6 -6 -6 6 6
My an-gel lie to me,
5 5 5 -5 6 -5
and tell me I’m dream-ing.
-4 5 -5 5
Please wake me up.
4 -4 4
Please wake me.
-6 6 -5 -4 -6 6 -5
I feel like you will al-ways
5 5 5 5 -5 -5 6 6
be such a tra-gic part of me.

4 3 4 -4 -4 4 4 4 6 5
Emp-ty eyes a-cuse a face so e-vil.
4 6 5 4 4
I’m com-ing un-done.
4 3 4 4 -4 -4
The mir-ror says it all,
4 3 4 6 5 4 6 5 4 4
a crim-son sto-ry of in-no-cence lost.
4 3 4 -4 -4 4 4 4 6 5
Emp-ty eyes a-cuse a face so e-vil.
4 3 4 -4 -4 4 4 4 6 5
Emp-ty eyes a-cuse a face so e-vil.
4 6 5 5 -5 5
I’m com-ing un-do-ne.

7 -6 6 -6
Lord for-give me.
7 -6 6 -6
I’m a mons-ter.

-6 -6 6 6 -5 5 5
Such an aw-ful me-mo-ry.

-6 -6 -6 -6 6 6
My an-gel lie to me,
5 5 5 -5 6 -5
and tell me I’m dream-ing.
-4 5 -5 5
Please wake me up.
4 -4 4
Please wake me.
-6 6 -5 -4 -6 6 -5
I feel like you will al-ways
5 5 5 5 -5 -5 6 6
be such a tra-gic part of me.

5 5 -4 5 -4 5 -4 5 -4 4 4
I got my ticket for the long way round
-6 -6 6 -6 6 -6 6 5
Two bottles of whiskey for the way
5 6 -6 -6 6 6 6 5 -4 4
And I sure would like some sweet company
4 -4 5 5 5 -4 -4
And I’m leaving tomorrow
5 -4 4
what you say

4 -3 3
When I’m gone…
4 4 4-4 5
When I’m gone..
-6 -6 6 -6 6 -6 6 6
You’re gonna miss me when I’m gone
5 -5 6 -6 -6 -6 6 5
You’re gonna miss me by my hair
4 4 4 4 4 4 -4 5 -4
You’re gonna miss me everywhere
4 5 5 5 -4 -4 5 -4 4
Oh, you’re gonna miss me when I’m gone

5 5 -4 5 -4 5 -4 5 6 6
I got my ticket for the long way round
-6 -6 6 -6 -6 -6 6 6
The one with the prettiest of views
5 6 -6 -6 -6 6 5 4
It’s got mountains, it’s got rivers
4 4 4 4 4 -4 5 -4
Its got sights to give you shivers
4 -4 5 5 5 -4 -4 5 -4 4
But it sure would be prettier with you

its the correct version ,that i wrote my self
5 ,-5 ,5 -4 4
Every breath you take
5 -5 5 -4 5
and every move you make
4,4 5 -5 4
every bond you brake
4,4 -5 5 -4 -4 4 5,4 4
every step you take ill be watching you.
5 ,-5 ,5 -4 4
Every single day
5 -5 5 -4 5
and every word you say
4,4 5 -5 4
every game you play
4,4 -5 5 -4 -4 4 5,4 4
every night you stay ill be watching you.
5, -5, 6, -6
oh cant you see?
-6, -6,6 ,4,5
you belong to me
thats all i could do ,i hope you like it ,if you got a way for the next of the song please send a messege.

W: Sidney D. Mitchell
M: Lew Pollack
Dedicated to Shirley Temple
Key: C

5 -5 3 3
Blow your whis-tles
1 -1 2 3 -4 -3 3
This is Curl-y Top’s birth-day
1 -1 2 3 -3* -5
Ev-‘ry girl-ie and boy
-3 5 3 -4
Will get a toy
-2 -3 -2 2 3 3 3
And lots of can-dy and cake
5 -5 3 3
Shake your rat-tles
1 -1 2 3 -4 -3 3
‘Cause it’s Curl-y Top’s birth-day
1 -1 2 3 -3* -5
With a hop and a skip
-3 4 3 -4
We’ll board and ship
-2 -3 3 -3 4 4 4
Up-on the lem-on-ade lake
-5 5 -4 -3 -4 4 3
Old Cap-tain Jan-u-ar-y
-3 -4 -2 -2 -4 -3
Will smile and wel-come you
-5 5 -4 3* -4 4 3 3
He’ll sail the Good Ship Lol-li-pop
-3 -4 -4 4 -3 -5
And we will be the crew
5 -5 3 3
Beat the tin pans
1 -1 2 3 -3* -5 4
This is Curl-y Top’s birth-day
1 -1 -2 3 3* -5
From the ends of the earth
-3 4 -3 -4 3 -5 5
A hap-py birth-day to you

5 -5 5 3 -3 -4 -4 4
She’s my curly headed baby
4 5 6 5 4 5 -4
Used to sit on daddy’s knee
5 -4 4 4 5 6 6 -5
She’s my curly headed baby
5 -5 5 3 -3 -4 4
Comes from sunny Tennessee

5 -5 5 3 -3 -4 -4 4
I have loved her since I met her
4 5 6 5 4 5 -4
She is all the world to me
5 -4 4 4 5 6 6 -5
She’s my curly headed baby
5 -5 5 3 -3 -4 4
Comes from sunny Tennessee

5 5 5 -5 5 3 -3 -4 -4 4
I’m a-gonna tell you ’bout these women
4 4 4 5 6 5 4 5 -4
I’m a-gonna tell you what they do
5 -4 4 4 5 6 6 -5
Hang their heads upon your shoulder
5 -5 5 3 3 -3 -4 4
Flirt around with another two

4 5 -5 5 3 -3 -4 -4 4
I’d rather be in some dark holler
4 5 6 5 4 -4 5 -4
Where the sun refuses to shine
5 -4 4 4 5 6 6 -5
Than to see you with another
5 -5 5 3 -3 -4 4
When you promised to be mine

5 -5 5 3 -3 -4 -4 4
I was happy when I kissed her
4 5 6 5 4 5 -4
And she gave her love to me
5 -4 4 4 5 6 6 -5
She’s the prettiest little baby
-5 5 -5 5 3 -3 -4 4
That ever fell in love with me

5 -5 5 3 -3 -4 -4 4
She’s my curly headed baby
4 5 6 5 4 5 -4
And I hope someday to be
5 -4 4 4 5 6 6 -5
Walking by her side forever
5 -5 5 3 -3 -4 4
Down in sunny Tennessee

7 6 7 6 5 -6
Cupid, draw back your bow
-6 5 -4 4 -4 4
And let your arrow go
5 5 5 -5 -4 -4 -4 5 -6 -5
Straight to my lovers heart for me, for me
7 6 7 6 5 -6
Cupid, please hear my cry
-6 5 -5 4 -4 4
And let your arrow fly
5 5 5 -5 -4 5 -4 4
Straight to my lovers heart for me

6 6 6 6 6 6 -6 6
Now, I don’t mean to bother you
5 6 -5 5 -5
But I’m in distress
-4 -5 5 -5 5 -5 5
There’s danger of me losing
-5 6 -5 5 5 5
All of my happiness
6 -6 6 5 6 6 6 5 -5 -5 6 -6
For I love a girl who doesn’t know I exist
6 -5 5 -4 4
And this you can fix

5 7 6 7 6 5 -6
Oh — Cupid, draw back your bow
-6 5 -4 4 -4 4
And let your arrow go
5 5 5 -5 -4 5 -4 4
Straight to my lovers heart for me

6 6 6 6 6 6 -6
Now, Cupid if your arrow
6 5 6 -5 5 -5
Makes her love strong for me
-4 -5 5 -5 5 -5 5 -5 6 -5 5 5 5
I promise I will love her until et-er-ni-ty
5 6 -6 6 5 6 6 6
I know between the two of us
5 -5 -5 6 -6
Her heart we can steal
6 -5 5 -4 4
Help me if you will

7 6 7 6 5 -6
Cupid, draw back your bow
-6 5 -4 4 -4 4
And let your arrow go
5 5 5 -5 -4 -4 -4 5 -6 -5
Straight to my lovers heart for me, for me
7 6 7 6 5 -6
Cupid, please hear my cry
-6 5 -5 4 -4 4
And let your arrow fly
5 5 5 -5 -4 5 -4 4
Straight to my lovers heart for me

Mountain banjo tune
Key: C

6 7 7 -6 -6 6 6 6 5 5
9 10 10-10 -10 9 9 9 8 8
A-way, a-way, we’re bound for the moun-tain

-5 -5 -5 -4 -4
-9 -9 -9 -8 -8
Bound for the moun-tain,

6 6 6 5 6
9 9 9 8 9
Bound for the moun-tain

7 7 7 -6 -6 6
10 10 10 -10 -10 9
O-ver the hills, the field

6 6 5 5
9 9 8 8
And the foun-tain

5 -5 -5 -5 -4 -3 4 5 4
8 -9 -9 -9 -8 -7 7 8 7
A-way to the chase, a-way, a-way

7 7 -6 -6 6 6 6 5
10 10 -10 -10 9 9 9 8
Now we’re set just right for the race

5 -5 -5 -4 -4 6 6 6 6 5 6
8 -9 -9 -8 -8 9 9 9 9 8 9
The old hound dogs are rea-dy for the chase

7 7 7 -6 -6 6
10 10 10 -10 -10 9
O-ver the hills, the field

6 6 5 5
9 9 8 8
And the foun-tain

5 -5 -5 -5 -4 -3 4 5 4
8 -9 -9 -9 -8 -7 7 8 7
A-way to the chase, a-way, a-way

Tabbed for a chromatic harmonica:

SECTION A (play 2x)
-5 -5 -5
+9 -7 <-6
-5 <-5 -5 <+5 -5
-5
-9 <-7 +7
-5 <-5 -5 <+5 -5
-5
+9 -7 <-6
-5 <-5 -5 <+5 -5
-5
-9 <-7 +7

<-9 -9 <+9 +9 -8 <-7 -7 <+7 +7
<-6 -6 +6 <-5 -5 <+5 +5

+7 <-6 +7
+7 +7 <-6 +7 <-6 +7 <-6 <-3
+7 <-6 +7
<-6 +7 <-6 +7 <-6 +7 <-6 -3
-5 +5 -5
+5 <-3 -3 +3 <-2 +3

<-9 -9 +9 <-7 -7 +7 -5 <-6 +7

SECTION B
+3 -3 <-3 +3 -3 <-3 -3 +3
-9 <-7 +7
-9 +9 <-7 -7 +7
+7 +7 +7
-6 -6
<-5 <-5 -5 -5 <-5 -5 <+5 +5

-7 -7 -7
+7 +7
<-6 <-6
<-5 <-5 <-5 -5 -5 +5 +9

+5 <-3 -3 +3 <-2 +3 -3 <-3 -3 <-3 +5 -5
<+5 -5 <-5 -5 +5 <-3 -3 +3 -3 <-3
+3 -3 <-3 -3 +3

-9 <-7 +7
-9 +9 <-7 +7
+7 +7 +7
-6 -6
<-5 <-5 -5
+5 -4 +5 -5 <-5 -5 <-5 -6 +7 <-6 +7 <+7
+7 -6 <-5 -5 +5 <-5
+7 <-6 +7

<-3 -5
+7 <-6 +7
-5 -7 <-6 -5 +5 <-2 +3 -5 <-6 +7

SECTION C (very quick: 16th notes; play 2x)
-5 -5 -5 -5
+9
-5 -5 -5
-7
-5 -5 -5
<-6
-5 -5 -5 -5 -5 -5 -5 -5 -5 -5 -5
<-5 -5 <+5 -5 <-5 -5 <+5 -5

-5 -5 -5 -5
-9
-5 -5 -5
<-7
-5 -5 -5
+7
-5 -5 -5 -5 -5 -5 -5 -5 -5 -5 -5
<-5 -5 <+5 -5 <-5 -5 <+5 -5

SECTION D
+5 -4 +5 -5 <-5 -5 <-5 -6 +7 <-6 +7 -8 +9
-8 +9 -9 <-9 -9 <+9 -9 <-9 -9 <+9 -9 <9 -9
<+9 -9 <-9 +10 -10 <-10 +11 -11 +11 <-10 -10
+10 <-9 -9 <+9 -9 <-9 -9 <-7 +7
<-9 -9 <-7 +7 <-7 +7 <-5 -5 <-5 -5
<-3 +3 <-3 +3 -2 <-1 -1 <+1 -1 +2 <-2 -2 <-2
+3 -3 <+3 -3 -4 +5 -4 +5 <+5 -5 <+5 -5 +6
<-6 -6 <-6 +7 -7 <-6 -5 <-5 -5 +5 <-3 -3 +3

<-9 -9 +9 <-7 -7 +7 <-6 <-5 -5 +5 <-3 -3 +3
<-2 -3 +3
-5 <-6 +7

SECTION E
+7 <-6 +7
<-7 -7
+7 <-6 +7 -7 <-7 -7 <-7 +9 -9
+9 <-7 -7 +7 -7 +7 -6 <-5 -5 <-5 -6
+7 <-5 -5 <+5 -5
<-6 +7 <-6 +7 -7 <-7 -7 <-7 +9 -9
+9 <-7 -7 +7 <-6 +7 -7

<-7 -7
+7 <-6 +7 -7 <-7 -7 <-7
+9 -9 +9 <-7 -7 +7 -7 +7 -6 <-5 -5 <-5 -6

+7 <-5 -5 <+5 -5 <-6 +7 <-6 +7 -7 <-7 -7 <-7
+9 -9 <-9 +10 <-10 +11

-9 <-9 -9 -9 +9 +9 <-9 -9
+9 -9 +9 +9 <-7 <-7 -9 +9 <-7 +9 <-7
<-7 -7 -7 +9 <-7 -7 +7 <-6 +7 -5 <-6 +7

SECTION F
-1 -1 -1
<-2 <-2 <-2 <-2
-3 -3 -3 -3
+5 +5 +5 +5
<-5 <-5 <-5 <-5
-5 -5 -5 -5
+5 +5 +5 +5
-3 -3 -3 -3
<-3 <-3 <-3 <-3
-5 -5 -5 -5
+7 +7 +7 +7
-7 -7 -7 -7
<-7 <-7 <-7 <-7
-7 -7 -7 -7
+7 +7 +7 +7
<-6 <-6 <-6 <-6
-7 -7 -7 -7
<-6 <-6 <-6 <-6
-5 -5 -5 -5
+5 +5 +5 +5
-3 -3 -3 -3
<-2 <-2 <-2 <-2
-1 -1 -1 -1
<-2 <-2 <-2 <-2
+3 +3 +3 +3
-1 -1 -1 -1
<-3 <-3 <-3 <-3
+3 +3 +3 +3
-5 -5 -5 -5
<-3 <-3 <-3 <-3
-5 -5 -5 -5
-4 -4 -4 -4
+5 +5 +5 +5
<-5 <-5 <-5 <-5
+7 +7 +7 +7
<-6 <-6 <-6 <-6
+7 +7 +7 +7
-7 -7 -7 -7
<-7 <-7 <-7 <-7
-7 -7 -7 -7
+7 +7 +7 +7
<-6 <-6 <-6 <-6
-6 -6 -6 -6
+6 +6 +6 +6
<-5 <-5 <-5 <-5
-5 -5 -5 -5
<+5 <+5 <+5 <+5
-5 -5 -5 -5
<-5 <-5 <-5 <-5
-5 -5 -5 -5
+5 +5 +5 +5
-3 -3 -3 -3
<-2 <-2 <-2 <-2
-1 -1 -1 -1
<-2 <-2 <-2 <-2
-3 -3 -3 -3 +3

<-9 -9 +9 <-7 -7 +7 <-6 <-5 -5
+5 <-3 -3 +3 <-2 -3 +3
-5 <-6 +7

Mountain banjo tune
Key: C

7 8 8 -7 -7 7 7 7 6 6
A-way, a-way, we’re bound for the moun-tain
-6 -6 -6 -5 -5
Bound for the moun-tain,
7 7 7 6 7
Bound for the moun-tain
8 8 8 -7 -7 7
O-ver the hills, the field
7 7 6 6
And the foun-tain
6 -6 -6 -6 -5 -4 5 6 5
A-way to the chase, a-way, a-way

8 8 -7 -7 7 7 7 6
Now we’re set just right for the race
6 -6 -6 -5 -5 7 7 7 7 6 7
The old hound dogs are rea-dy for the chase
8 8 8 -7 -7 7
O-ver the hills, the field
7 7 6 6
And the foun-tain
6 -6 -6 -6 -5 -4 5 6 5
A-way to the chase, a-way, a-way

Key: C

7 8 8 -7 -7 7 7 7 6 6
A-way, a-way, we’re bound for the moun-tain
-6 -6 -6 -5 -5
Bound for the moun-tain,
7 7 7 6 7
Bound for the moun-tain
8 8 8 -7 -7 7
O-ver the hills, the field
7 7 6 6
And the foun-tain
6 -6 -6 -6 -5 -4 5 6 5
A-way to the chase, a-way, a-way

8 8 -7 -7 7 7 7 6
Now we’re set just right for the race
6 -6 -6 -5 -5 7 7 7 7 6 7
The old hound dogs are rea-dy for the chase
8 8 8 -7 -7 7
O-ver the hills, the field
7 7 6 6
And the foun-tain
6 -6 -6 -6 -5 -4 5 6 5
A-way to the chase, a-way, a-way

Southern American folk song
Key: D
Time: 2/4

6 6 5-4 4 4 5 6 -6
9 9 8-8 7 7 8 9 -10
Me an’ my wife an’ my wife’s pap

-6 6 5 -4 4 3 -3” 4 4 4
-10 9 8 -8 7 6 -6 7 7 7
We all live down in Cum-ber-land Gap

6 5 -4 4 5 5 6 -6
9 8 -8 7 8 8 9 -10
Cum-ber-land Gap Cum-ber-land Gap

-6 6 5 5 3 -3” 4 4 4
-10 9 8 8 6 -6 7 7 7
‘Way down yon-der in Cum-ber-land Gap

Southern American folk song
Key: D
Time: 2/4

-7 -7 -6*6 -5 -5 -6* -7 -8
Me an’ my wife an’ my wife’s pap
-8 -7 -6*6 -5 -3 -4 -5 -5 -5
We all live down in Cum-ber-land Gap
-7 -6* 6 -5 -6* -6* -7 -8
Cum-ber-land Gap Cum-ber-land Gap
-8 -7 -6* -6* -3 -4 -5 -5 -5
‘Way down yon-der in Cum-ber-land Gap

Southern American folk song
Key: D
Time: 2/4
Harp: G

-4 -4 -3-3” 3 3 -3 -4 5
-8 -8 -7-6 6 6 -7 -8 8
Me an’ my wife an’ my wife’s pap

5 -4 -3-3” 3 -1 2 3 3 3
8 -8 -7-6 6 -4 5 6 6 6
We all live down in Cum-ber-land Gap

-4 -3 -3” 3 -3 -3 -4 5
-8 -7 -6 6 -7 -7 -8 8
Cum-ber-land Gap Cum-ber-land Gap

5 -4 -3 -3 -1 2 3 3 3
8 -8 -7 -7 -4 5 6 6 6
‘Way down yon-der in Cum-ber-land Gap

A :

7 6 6 -7

7 7 7 7

6 7 8 -8 -8 -8 -8

-7 -8 -9 8 6 7 8 -8

6 -6 -7 7 -8 8 7 6 -6 -7 6

7 7 7 7 6 7 8

-8 7 -7 -6 6

-7 -8 -9 8 6 7 8 -8

6 -6 -7 7 8 -8 -7 7

B :

5 7 6 5 7 6 5 6

-4 6 -5 -4 6 -5 -4 -5

6 -8 -7 6 -9 -8 -6 -7 7

8 -8 7 -7 -6 6 -5

5 7 6 5 7 6 5 6

-4 6 -5 -4 6 -5 -4 -5

6 -8 -7 6 -9 -8 -6 -7 7

8 -8 -7 7

-5 6 -6
cuén-ta-me

-6 -7 -6 -6 6
Co-mo teha i-do

6 -6 6 -5 -5 6 6 6 -5 6 -6
en tu via-jar por e-se mun-do dea-mor

-5 6 -6
vol-ve-rás

-6 -7 -6 -6 6
di-jea-quel dí-a

6 -6 6 6 -5 -5 6 6 6 -5 6 -6
na-da te-ní-a y tu te fuis-te de mi

-6 7 -8 7 7 -6 7 -8 -6 6 -5
ha-bla-me de lo quehas en-con-tra-do

-8 7 7 -6 7 -8 6
en tu lar-go ca-mi-nar

-5 6 -6 6 -7 -6 -6 6 6 -6 6 6 -5 -5 -4 -5 6 -5
cuén-ta-me có-mo teha i-do sihas-co-no-ci-do la fe-li-ci-dad

-4 -7 -7 -6 -7 +7 -8 -8 +7 -7 -6 +6 -5 +6 -6 -6
Cheguei na beira do porto on~de as on~das se es~pai~a~.
-4 -7 -7 -6 -7 +7 -8 -8 +7 -7 -6 +6 -5 +6 -6 -6
As garça dá meia~ volta e senta na beira da praia.
-5 -5 -5 +5 +5 -4 -4 -4 -6 -7 +7 -8 +7 -7 -6 +6 +6
E o cuite~li~nho não gosta que o bo~tão de ro~sa caia~~ia.
================================================================
-4 -4 -7 -7 -6 -7 +7 -8 -8 +7 -7 -6 +6 -5 +6 -6 -6
Aí quando eu vim da mi~nha terra despe~di das pa~rentaia~.
-4 -7 -7 -6 -7 +7 -8 -8 +7 -7 -6 +6 -5 +6 -6 -6
Eu en~trei no Ma~to Grosso dei em terras pa~ra~guaias.
-5 -5 -5 +5 +5 -4 -4 -6 -7 +7 -8 +7 -7 -6 +6 +6
Lá ti~nha re~vo~lu~ção, en~frentei fortes ba~taiai~ai.
================================================================
-4 -7 -7 -6 -7 +7 -8 -8 +7 -7 -6 +6 -5 +6 -6 -6
A~ tu~a~ sauda~de corta co~mo a~~ço de na~va~lha.
-4 -4 -7 -7 -6 -7 +7 -8 -8 +7 -7 -6 +6 -5 +6 -6 -6
O~ co~ra~ção fi~ca a~~flito, ba~te u~~ma, a ou~tra fa~lha.
-5 -5 -5 +5 +5 -4 -4 -4 -6 -7 +7 -8 +7 -7 -6 +6 +6
Os o~~lhos se en~chem d’água, até a vista se a~~trapaiai~ai

W: Otto Hauerbach
M: Karl Hoschna
Dean Martin
Key: C

4 -4 4 -4 -5 4 3 2 3 -3 -4
Cud-dle up a lit-tle clos-er, lov-ey mine
-5 5* -5 5* 6 -5 -4 3 -5 -5* 6
Cud-dle up and be my lit-tle cling-ing vine
6 -5* 6 -5* 6 -3 6 -5*
Like to feel your cheek so ro-sy
-5 5* -5 5* -5 3 -5 5
Like to make you com-fy co-zy
-5 5 -5 5 -5 5 -3 3
‘Cause I love from head to toe-sy
6 -4 4
Lov-ey mine

REPEAT

By Jose Norman
Jim Carrey, “The Mask” theme song
Key: C

3 -3 -4 4 -3 4
They call him Cu-ban Pete
-4 4 -4 -3 3 -3 2 -3
He’s the king of the rum-ba beat
3 -3 3 -2 2 3 -2
When he plays the ma-ri-cas
2 -1 3 -2 2 -1
He goes chick, chick-y bom,
3 2 -1 1
Chick, chick-y bom
3 -3 -4 4 -3 4
Yes sir he’s Cu-ban Pete
-4 4 -4 -3 3 -3 2 -3
He’s the craze of his na-tive street
3 -3 3 -2 2 3 -2
When he plays the ma-ri-cas
2 -1 3 -2 2 -1
He goes chick, chick-y bom,
3 2 -1 1
Chick, chick-y bom
1 -1 2 3 -3* -3 4
The sen-o-ri-tas, they sing
3 -3* -3 4
And how they swing
3 -3* -3 4 3
With this rum-ber-o
3 -2 2 -1 3 -2 3 -3
He’s ver-y nice, so full of spice
-1 2 -2* -3 4 -4 -5
And to the me-tre they bring
-3 4 -4 -5
A hap-py ring
-3 4 -4 -5 -3 -3 3 -3 -4
Nev-er a care of sing-ing a song
4 -4 4 -5
All the day long
3 -3 -4 4 -3 4
Hey, hey for Cu-ban Pete
-4 4 -4 -3 3 -3 2 -3
He’s the king of the rum-ba beat
3 -3 3 -2 2 3 -2
When he plays the ma-ri-cas
2 -1 3 -2 2 -1
He goes chick, chick-y bom,
3 2 -2 1
Chick, chick-y bom

7 7 7 7 7 7 (6) 6 (6) 7
cuando te conocí ya no salías
7 8 (8)(8)8 (7) 7 (8)8 6 6(6)6
con el primero que te había abandonado
6 (6)4 4 4(5) 5 5
no vale la pena hablar
5 (5) 6 (5)5 (5)5(5)
de aquellos años pasados

7 7 7 7 7 7 (6) 6 (6) 7
cuando te conocí ya no salías
7 8 (8) (8) 8 6(6)6
con aquel chico casado
6 6 (5)5 44 6 6 (5)5 44
que te prometía que la dejaría
3 (5)5 64 4 4 44 (5)5 5(4)
y todavía no se había divorciado

7 7 (6) 6(6)7 7 77
cuando te conocí salías
7 8 (8)(8)8 (7) 7 (8)8 6 6(6)6
con un am-ig-o de los pocos que tenías
7 7 (6) 4 4 (4) 4 4(4)
eras lo mejor de su vida
6(6) 4 4 (5)(5)(5)(5) 4 5(5)
pero fuiste lo me-jor de la mí-a

7 7 (6) 6(6)7 7 7 7 8 (8)(8)8
cuando te conocí miré por un agujero
7 (6) 6 6(6)
en tus pantalones
(7) 5 5(5) 5 5
y dos años después
6 (5)5 4 4 4 4 (5)5 5(4)
ya tomabas todas las decisiones

7 7 (6) 6(6)7
cuando te conocí
7 8(8)(8)8 7 (7) 7(7)
te reconocí por tus botas
7 (7) 5 5 5(5) 5 5(4)
y mientras tomabas tequila
6(5)5 4 4 4 (5)5 5(4)
dejamos atrás dos almas rotas

7 7 (6) 6(6)7 7 7 8(8)
cuando te conocí me dijiste
(8) 8 8 8 (9)8 7 7 (7)
que por mí no ibas a cambiar
(6)5 5 5 5 (5) 5 (4)
ibas a seguir siendo igual
(6)5 5 5 5 (5) 5 (4)
ibas a seguir siendo igual

7 7 7 7 7 7 7 7 7 7(7)
y en el fondo es tan hondo mi dolor
7 9 (9) 8 8 (8) 8 (9) 8 7 (7)
porque me voy, y no se puede cambiar
6 (6)(6)(6) 6(5) 4 4 4 4
de co-ra-zón como de sombrero
6 6(6) 4 4(5) 5 5(4)
sin haber sufrido primero

7 7 (6) 6(6)7 7 7 8(8)
cuando te conocí me dijiste
(8) 8 8 8 (9)8 7 7 (7)
que por mí no ibas a cambiar
(6)5 5 5 5 (5) 5 (4)
ibas a seguir siendo igual
(6)5 5 5 5 (5) 5 (4)
ibas a seguir siendo igual

7 7 7 7 7 7 7 7 7 7(7)
y en el fondo es tan hondo mi dolor
7 9 (9) 8 8 (8) 8 (9) 8 7 (7)
porque me voy, y no se puede cambiar
6 (6)(6)(6) 6(5) 4 4 4 4
de co-ra-zón como de sombrero
6 6(6) 4 4(5) 5 5(4)
sin haber sufrido primero

7 7 7 7 7 7 7 7 7 7(7)
y en el fondo es tan hondo mi dolor
7 9 (9) 8 8 (8) 8 (9) 8 7 (7)
porque me voy, y no se puede cambiar
6 (6)(6)(6) 6(5) 4 4 4 4
de co-ra-zon como de camisa
5 5 (5) 5 (5)(5)4
sin perder la sonrisa

Cuando pienses en volver — Pedro Suárez-Vértiz (Perú)

4-45… 4343

Cuando pienses en volver

35556-66, 65-66656

aquí están tus amigos, tu lugar y tu mujer

56-665

y te abrazarán

4-565-4-445

dirán que el tiempo no pasó

55-4-44… -44434

y te amarán con todo el corazón

355 55 5-55 5-44-465

Trabajas hasta muy tarde y no puedes descansar

4-6-6 66 55-4 455-44-4

las palabras de tu madre empiezan a sonar

4-6-66-66-66 5655-45

cuando tú te estés muriendo por un poco de amor

4-6-66-66-66 5655-45

hijito sigue adelante domina al corazón

434-43 -454 5-554-4

debes sacar los tormentos de tu corazón

434-43 -454 5-554-4

pues el dolor no es eterno y pronto saldrá el sol

55-44….

saldrá el sol

(Se repite en el 2da parte)

Cuando pienses en volver

aquí están tus amigos, tu lugar y tu mujer y te abrazarán

dirán que el tiempo no pasó

y te amarán con todo el corazón

puede ser que en tu tierra no había a donde ir

puede ser que tus sueños no tenían lugar

pero solo en tu cuarto tú tendrás que admitir

que podía haber pobreza pero nunca soledad

quieres sacar los tormentos de tu corazón

pues el dolor no es eterno y pronto saldrá el sol

saldrá el sol.

Cuando pienses en volver

aquí están tus amigos, tu lugar y tu mujer

y te abrazarán

dirán que el tiempo no pasó

y te amarán con todo el corazón

Quieres sacar los tormentos de tu corazón

pues el dolor no es eterno y pronto saldrá el sol

saldrá el sol

Cuando pienses en volver

aquí están tus amigos, tu lugar y tu mujer

y te abrazarán

dirán que el tiempo no pasó

y te amarán con todo el corazón

cuando ya tú estés acá

trabaja hasta las lágrimas como lo hacías allá

solo así verás que tu país no fracasó

sino que tanto amor te relajó

y te abrazarán

dirán que el tiempo no pasó

y te amarán con todo el corazón

6 6 6 5 6 6 6 -6 -6 -5 -6
Señor mi Dios al comtemplar los cielos
-6 -6 -6 6 5 6 6 -5 -5 5
el firma mento y las estrellas mil
6 6 6 6 5 6 6 6 -6 -6 -5 -6
Al oír tu voz en los po tentes truenos
-6 -6 -6 6 5 6 6 -5 -5 5
y ver brillar el sol en su cenit.
5 6 7 8 -8 7 -7 7 -6 6
Mi corazón en tona la canción
7 7 -7 -5 6 -6 6 5
¡Cuán grande es él! ¡Cuán grande es él!
5 6 7 8 -8 7 -7 7 -6 6
Mi corazón entona la canción
7 -7 7 -8 8 -9 -8 7
¡Cuán grande es él! ¡Cuán grande es él!

6 -6 6 5

6 -6 6 5

6 6 6 -6 6 6 5 4 6 6 5

6 6 6 -6 6 5 6 6 6 -6 6 5

-4 -4 -4 -4 -4 -4 -4 -4

Csip-csip csóka,
vak varjúcska,
Komámaszszony kéreti a szekerét,
Nem adhatom oda, tsúkok ülnek rajta.
Hess le, tyúkok, hess le, hess le!

-4 5 -5 -6 -5 5 -4

-5 -6 -5 5 -4 -4 -4

-4 5 -5 -6 -5 5 -4

-5 -6 -5 5 -4 -4 -4

-6 -6 -5 -5 -6 -5 -6 -6 -5

-6 -6 -5 -5 -6 -6 -5 -5 -6 -6 -5

-6 -6 -6 -7 -6 -6 -5

-6 -6 -6 -7 -6 -6 -5

-6 -6 -7 -6 -5

-6 6 -5 5 -4 -4

-6 -6 -6 -7 -6 -6 -5

-6 -6 -6 -7 -6 -6 -5

-6 -5 -6 -5

-6 6 -5 5 -4 -4

Csigabiga gyere ki,
Ég a házad ideki!
Ha nem látod, tekints ki,
Majd meglátod ideki.
Csigabiga told ki zarvadat,
Ha nem tolod,
össze-töröm házadat!
Csigabiga gyere ki!
Ég a házad ideki.
Kapsz tejet, vajat,
Holnapra is marad.
Csigabiga gyere ki!
Ég a házad ideki.
Szátsunk, vessünk, vessünk,
Hogy jobban élhessünk’

4 4 3 -3bb 4 -4 -4 4 -3 4 3

Még nem tudom, hogy hol alszom ma éjjel

4 4 3 -3bb 4 4 -4 4 3 -3bb 3

A holnap még olyan szörnyen messze van

4 4 -3 -3bb 4 -4 -4 -4 4 -3 4 -4 4 -3

Az ország út a lábam alatt és
fölöttem az

-3bb 4 -3bb 3 3 3 5 5 -5 -4 4 -3 4

ég ez a két dolog, amit tudok biztosan.

NOTE: «-3bb» is not a full bending, it’s not that you go down and
back. You play a single «A» note. The song is in Hungrian.

Top line is for tremolo players, bottom line
Is for diatonic players, numbers in parenthesis
Are slurred together

5 -7 -7 -7 -8 8 8 -8 -7 7 -7
4 -6 -6 -6 -7 7 7 -7 -6 6 -6
I ne-ver did fit in too well with folks you
-8 5 5 7 7 7 7 -7 -8 -8
-7 4 4 6 6 6 6 -6 -7 -7
Knew, it was plain to see that the likes of
-7 7 7 -6 7 -7 8 -8 -7 -7 -7
-6 6 6 -5 6 -6 7 -7 -6 -6 -6
Me didn’t fit with you; so you traded me
-7 -8 8 8 -8 -8 -7 7 -7 -8 (-7-8)
-6 -7 7 7 -7 -7 -6 6 -6 -7 (-6-7)
for the gaiety of the well-to-do, and
8 8 -7 7 -7 -8 7 -6 6 -6
7 7 -6 6 -6 -7 6 -5 5 -5
Turned away from the love I offered you

Chorus
5 -7 -7 -7 -8 8 8 -8 -7 -7 7
4 -6 -6 -6 -7 7 7 -7 -6 -6 6
The crystal chandeliers light up the paintings
7 -7 -8 5 7 7 7 -7 -8 -8
6 -6 -7 4 6 6 6 -6 -7 -7
On your wall, the marble statuettes are
-7 7 7 -6 -6 7 -7 8 8 -8
-6 6 6 -5 -5 6 -6 7 7 -7
Standing stately in the hall, but will the
-7 -7 -7 7 -7 -8 8 8 -8
-6 -6 -6 6 -6 -7 7 7 -7
Timely crowd that has you laughing loud
-8 -7 7 -7 -8 -7 -8 8 8
-7 -6 6 -6 -7 -6 -7 7 7
Help you dry your tears? When the new wears
-7 7 -7 -8 7 -6 6 -6
-6 6 -6 -7 6 -5 5 -5
Off of your crystal chandeliers.

Verse 2

I see your picture in the news most every
Day, you’re the chosen girl of the social
World, so the stories say. But a paper
Smile only lasts awhile, then it fades away
And the love we knew will come home to you
Some day.

Chorus

4 -4 5 5 5 5 5
Oh, it’s cryin’ time again,

4 5 -5 5 -4
you’re gonna leave me

-4 5 -5 -5 -5 -5-5 -6
I can see that far away look

6 -5 5
in your eyes

5 -5 6 6 6 6 -6 -6 6 6 -5
I can tell by the way you hold me darlin’

4 -4 5 5 5 -5 5 -4 4-3 4
That it won’t be long before it’s cryin’ time

4 -4 5 5 5 5
Now they say that absence

5 5 5 -5 5 -4
makes the heart grow fonder (fonder)

-4 5 -5 -5 -5-5 -5 -6 6 -5 5
And that tears are only rain to make love grow

5 -5 6 6 6
Well my love for you

6 6 -6 -6 6 6 -5
could never grow no stronger (stronger)

4 -4 5 5 5 -5 5 -4 4 -3 4
If I lived to be a hundred years old

verse 2
Oh, it’s cryin’ time again, you’re gonna leave me
I can see that far away look in your eyes
I can tell by the way you hold me darlin’. Yeah now
That it won’t be long before it’s cryin’ time
Now you say you’ve found someone
that you love better (better)
That’s the way it’s happened every time before
And as sure as the sun comes up tomorrow (‘morrow)
Cryin’ time will start when you walk out the door
Oh, it’s cryin’ time again, you’re gonna leave me
I can see that far away look in your eyes
I can tell by the way you hold me darlin’.
Alright now
That it won’t be long before it’s cryin’ time
(That it won’t be long before it’s cryin’ time)