W: Eddie Pola
M: Fred Spielman
Jaye P. Morgan
Key: Bb

-5 5* -5 -5* -5 -5
I took the long-est walk
5* -5 -5* -5 -5
In the world last night:
5* -5 -5* -5 7 -5 -5 5
From your arms to your front door.
7 -6* 7 -7 7 7
I heard the sad-dest words
-6* 7 -7 7 7
In the world last night,
7 -7 7 -6 6 -7 7 7 -6
When you said you loved me no more.
-5 5* -5 -5* -5 -5
I won’t be-lieve its true.
5* -5 -5* -5 -5
I’ll keep af-ter you
5* -5 7* 7* 7* 7 -5 -6-5*
Till we love like we loved be-fore.
7 -6* 7 -7 7 -7
And then the long-est walk
7 -6* 7 8 -7* -7*
Will be the short-est walk:
-9 -7* 7 7 -6 -5 5 -3*
Back to your arms once more

REPEAT & end with:

-9 -7* 7 7 -6 7 -7*
Back to your arms once more

One part of this tab doesn’t match the song that well, but I’m working
to fix that.

7 -7 7 -6
woooo- ohhhh- ohhhh ohh

-7 -6 -7 -6 6
For the long- est time

-7 7 -6
woooo- ohhhh- oh

-7 -6 -7 -6
For the long- est

3 4 5 -7 -7 7 -6 6 6
If you say good bye to me to- night

3 4 5 -7 -7 7 -6 6 6
there will still be mu- sic left to right

6 -6 7 -8 7
What else could i do?

6 -6 7 -9 8 -8 7
I’m so in- spi- red by you

6 -6 7 -9 8 -8 7 -8 7 7
This has- n’t hap- pened for the long- est time

3 4 5 -7 -7 7 -6 6 6
Once I thoguht my in- no cense was gone

3 4 5 -7 -7 7 -6 6 6
Now I Know that hap- pi- ness goes on

6 -6 7 -8 7
That’s where you found me

6 -6 7 -9 8 -8 7
When you put your arms around me

6 -6 7 -9 8 -8 7 -8 7 7
I have- n’t been there for the long- est time

7 -7 7 -6
woooo- ohhhh- ohhhh ohh

-7 -6 -7 -6 6
For the long- est time

-7 7 -6
woooo- ohhhh- oh

-7 -6 -7 -6
For the long- est

3 4 5 -7 -7 7 -6 6 6
I’m that voice you’re hear- ing in the hall

3 4 5 -7 -7 7 -6 6 6
And the grea- test mi- ra- cle of all

6 -6 7 -8 7
Is how I need you

6 -6 7 -9 8 -8 7
And how you nee- ded me too

6 -6 7 -9 8 -8 7 -8 7 7
That has- n’t hap- pened for the long- est time

-8 -8 -8 -8 -8 7 -7 7
May- be this won’t last ve- ry long

-6 -8 7 -7 7
but you feel so right

-6 7 -7 -6 6
and i could be wrong

-8 -8 -8 -8 -8 7 -7 7
May- be I’ve been ho- ping to hard

-6 -8 7 -7 7
But I’ve gone this far

-6 -6 -8 7 -7 -6 6
and it’s more then i hoped for

3 4 5 -7 -7 7 -6 6 6
Who knows how much fur- ther we’ll go on

3 4 5 -7 -7 7 -6 6 6
May- be I’ll be sor- ry when you’re gone

6 -6 7 -8 7
I’ll take my chan- ces

6 -6 7 -9 8 -8 7
I for- got our nice ro- mances

6 -6 7 -9 8 -8 7 -8 7 7
I have- n’t been there for the long- est time

-8 -8 -8 -8 -8 7 -7 7
I had se- cond thoughts at the start

-6 -8 7 -7 7
I said to my- self

-6 7 -7 -6 6
hold on to your heart

-8 -8 -8 -8 -8 7 7 -7 7
Now I know the wo- man that you are

-6 -8 7 7 -7 7
You’re won- der- ful so far

-6 -6 -8 7 -7 -6 6
And it’s more then i hoped for

3 4 5 -7 -7 7 -6 6 6
I don’t care what con- se- quence it brings

3 4 5 -7 -7 7 -6 6 6
I have been a fool for less- er things

6 -6 7 -8 7
I want you so bad

6 -6 7 -9 8 -8 7
I think you ought to know that

-6 6 -6 6 -9 8 -8 7 -8 7 7
I in- tend to hold you for the long- est time

7 -7 7 -6
woooo- ohhhh- ohhhh ohh

-7 -6 -7 -6 6
For the long- est time

-7 7 -6
woooo- ohhhh- oh

-7 -6 -7 -6
For the long- est

I tabbed it low

2 -2 3 4 -4 -3 3 -1

-1 2 -2 -3 3 -2 2

2 -2 3 4 -4 4 -5 -3

4 -4 3 -4 -5 5

5 -5 6 7 -7 -6 6 -4
-4 5 -5 -7 -6 6 5
5 -5 6 7 -7 7 -8 -6
7 -7 6 -7 -8 7

5 5 5 -6 -6 6 -5 -6 5 -6 -6 6
Since I started for the kingdom Since my life He
-6 -7 7 7 -7 -6 -5 -6 -8 7 -7
controls since I gave my heart to Jesus the
7 7 -8 7-7 -6 -6 6 -6 -7 -6
longer I serve Him the sweeter He grows

Chorus
5 -7 -7 -7 -7 -6 6 -6 -6 -6 -6 5
The longer I serve Him the sweeter He grows the
-7 -7 -7 -7 -6 -7 7 -6 -5 5 5
more that I love Him more love He bestows each
7 7 7 7 -7 -6 -6 -5 -6 -8 -8 7 7
day is like heaven my heart overflows the longer
-8 7 -7 -6 -6 6 -6 -7 -6
I serve Him the sweeter He grows

verse 2

Every need He is supplying plenteous grace He bestows every day my way
gets brighter the longer I serve Him the sweeter he grows

Chorus

-7 7 -7 6 5 -6
the long and wind-ing road

-6 6 -6 -7 -6
that leads to your door

-6 -7 7 6 5 -6
will nev-er dis-ap-pear

-5 -5 -5 6 -6 6
i’ve seen that road be-fore

-6 -7 7 6 5 -6
it al-ways leads me here

-6 -6 -7 7 7
lead me to your door

7 7 7 7 -8 7 -6
man-y times i’ve been a-lone

4 5 6 4 5 6
and man-y times i’ve cried

7 7 7 -6 -8 7 -6
an-y-way you’ll nev-er know

-5 5 6 4 5 6
the man-y ways i’ve tried

6 7 -7 6 5 -6
but still they lead me back

-6 5 6 -6 -7 -6
to the long wind-ing road

-6 -7 7 6 5 -6
you left me stand-ing here

-5 -5 -5 6 -6 6
a long,long time a-go

-6 -7 7 6 5 -6
don’t leave me stand-ing here

-6 -6 -7 7 7
lead me to your door

written by: Don Henley and Glen Frey

4 5 6 -6 6 5 6
I used to hurry alot

4 5 6 -6 6 5 6
I used to worry alot

4 -4 5 -5 -5
I used to stay out

-5 -5 5 -4 4
til the break of day

-6 6 6 5 6 -6
Oh that didn’t get it

5 6 -6 6 5 6 -6
It was high time I quit it

5 5 -5 -5 -5 -5 5 -4 4 4
I just couldn’t carry on that way

5 5 5 -4 5 -4
Oh, I did some damage

4 5 6 6 -4 5
I know it’s true

5 6 -6 5 -4 4 -4 4
Didn’t know I was so lonely

4 5 6 6 -4 5
til I found you

5 6 6 5 6 -6
You can go the distance

-6 6 5 -4 4
We’ll find out

4 4 -4 4
In the long run
4 4 -4 4
(in the long run)

5 6 -6 6 6 5 6 -6
We can handle some resistance

-6 6 5 -4 4 4 -4 4
if our love is a strong one
-4 4 4 -4 4
(is a strong one)

4 4 5 6 5 5 -6
People talkin’ about us

5 6 -6 6 6 5 6
they got nothin’ else to do

5 6 -6 6 -6
When it all comes down

5 6 -6 6 5 -4 4
we will still come through

4 4 -4 4
In the long run

6 -5 -5 -5 5 4
Ooh I want to tell you

4 4 -4 4
it’s a long run

By Don Henley & Glenn Frey
The Eagles
Key: C

5 6 7 -7 7 6 7
I used to hur-ry a lot,
5 6 7 -7 7 6 7
I used to wor-ry a lot
5 -5 6 -6 -6 -6 -6 -5* -55 5
I used to stay out till the break of day
-7 7 7 6 7 -7
Oh, that did-n’t get it,
6 7 -7 7 6 7 -7
It was high time I quit it
6 6 -6 -6 -6 -6 -5* -55 5-4
I just could-n’t car-ry on that way
6 6 6 -5 6 -3 5 6 7 7 6
Oh, I did some dam-age, I know it’s true
6 7 -7 -5* -5 4 4 -3
Did-n’t know I was so lone-ly,
5 6 7 7 6
till I found you

6 7 7 6 7 -7
You can go the dis-tance
-7 7 6 5 -3 4 -55 5
We’ll find out in the long run
-3 4 -5 5 5
(in the long run)
6 7 -7 7 7 6 7 -7
We can han-dle some re-sis-tance
-7 7 6 5 -3 4 -5 4 4 -3 4 -5 4 4
If our love is a strong one (is a strong one)
5 5 6 7 6 7 -7
Peo-ple talk-in’ a-bout us
6 7 -7 7 7 6 7
they got noth-in’ else to do
6 7 -7 7 -7 6 7
When it all comes down we will
-7 7 6
still come through
-3 4 -55 5
In the long run

7 -6 -6 -6 -5* 5 5 5 -5 5 5
Ooh, I want to tell you, it’s a long run
4 -33-3 3-1*-1 1…

You know I don’t understand why you don’t
treat yourself better
do the crazy things that you do
‘Cause all the debutantes in Houston, baby,
couldn’t hold a candle to you
Did you do it for love?
Did you do it for money?
Did you do it for spite?
Did you think you had to, honey?
Who is gonna make it?
We’ll find out in the long run
(in the long run)
I know we can take it
if our love is a strong one
(is a strong one)
Well, we’re scared, but we ain’t shakin’
Kinda bent, but we ain’t breakin’
in the long run
Ooh, I want to tell you, it’s a long run
in the long run
in the long run,

By: John Lennon & Paul McCartney
The Beatles
Key: C

10 -10 10 9 -7 -9
6 -6 6 5 -3 -5
The long and wind-ing road

-9-9-7 8 -9 -9* -9
-5-5-3 4 -5 -5* -5
that leads to your door

-9 10 -10 9 -7 -9
-5 6 -6 5 -3 -5
Will nev-er dis-ap-pear,

-5 -7* -7* 8 -9 8-76-6
-1 -3* -3* 4 -5 4-32-2
I’ve seen that road be-fore;

-9 10 -10 8 -7 -9
-5 6 -6 4 -3 -5
It al-ways leads me here,

-9 -9 10 10-10 -10
-5 -5 6 6 -6 -6
Lead me to your door.

Chorus:

-10-10 -9 -10 11 -10 -9
-6 -6 -6 -6 7 -6 -5
Man-y times I’ve been a-lone

-6 -7 8 -6 -7 8 -9
-2 -3 4 -2 -3 4 -5
And man-y times I’ve cried,

-10-10-10 -9 11 -10 -9
-6 -6 -6 -5 7 -6 -5
An-y-way you’ll nev-er know

-7* -7 8 -6 -7 8 -9
-3* -3 4 -2 -3 4 -5
the man-y ways I’ve tried.

9 -10 10 8 -7 -9
5 -6 6 4 -3 -5
And still they lead me back

-9 -10 -9 9 -9 -9* -9
-5 -6 -5 5 -5 -5* -5
to the long wind-ing road;

-9 10 -10 9 -7 -9
-5 6 -6 5 -3 -5
You left me stand-ing here,

7* -7* -7* 8 -9 8-77-6
3* -3* -3* 4 -5 4-33-2
a long long time a- go;

-9 11 -10 10 -10 -9
-5 7 -6 6 -6 -5
Don’t leave me wait-ing here,

-9 -9 10 10-10 -10
-5 -5 6 6 -6 -6
lead me to your door.

Verse 2:
The wild and wind-y night
that the rain washed a-way
has left a pool of tears
-cry-ing for the day;
Why leave me stand-ing here,
Let me know the door.

Repeat Chorus.

By: John Lennon & Paul McCartney
The Beatles
Key: Bb

-5 -5* -5 -3* 3 4
The long and wind-ing road
4 4 3 -3* 4 4* 4
that leads to your door
4 -5 -5* -3* 3 4
Will nev-er dis-ap-pear,
1 3* 3* -3* 4 -3*3-2-1*
I’ve seen that road be-fore;
4 -5 -5* -3* 3 4
It al-ways leads me here,
4 4 -5 -5-5* -5*
Lead me to your door.

Chorus:
-5*-5* -5* -5* -6 -5* 4
Man-y times I’ve been a-lone
-1* 3 -3* -1* 3 -3* 4
And man-y times I’ve cried,
-5*-5*-5* 5 -6 -5* 4
An-y-way you’ll nev-er know
3* 3 -3* -1* 3 -3* 4
the man-y ways I’ve tried.
-3* -5* -5 -3* 3 4
And still they lead me back
4 -5* 4-3* 4 4* 4
to the long wind-ing road;
4 -5 -5* -3* 3 4
You left me stand-ing here,
-2* 3* 3* -3* 4 -3*3-2-1*
a long long time a- go;
4 -6 -5* -5 -5* 5
Don’t leave me wait-ing here,
5 5 -5 -5-5* -5*
lead me to your door.

Verse 2:
The wild and wind-y night
that the rain washed a-way
has left a pool of tears
-cry-ing for the day;
Why leave me stand-ing here,
Let me know the door.

Repeat Chorus.

4/4 time — slowly.

-7 7 -7 6 5 -6
The long and wind-ing road

-6 5 6 -6 -7/ -6
that leads to your door

-6 -7 7 6 5 -6
Will nev-er dis-ap-pear,

-5 -5 -5 6 -6 6
I’ve seen that road be-fore;

-6 -7 7 6 5 -6
It al-ways leads me here,

-6 -6 -7 7 7
lead me to your door.

Chorus:
-7 7
The way.

7 7 7 7 -8 7 -6
Man-y times I’ve been a-lone

4 5 6 4 5 6
and man-y times I’ve cried,

7 7 7 -6 -8 7 -6
An-y-way you’ll nev-er know

-5 5 6 4 5 6
the man-y ways I’ve tried.

6 7 -7 6 5 -6
But still they lead me back

-6 5 6 -6 -7/ -6
to the long wind-ing road;

-6 -7 7 6 5 -6
You left me stand-ing here,

-5 -5 -5 6 -6 6
a long long time a-go;

-6 -7 7 6 5 -6
Don’t leave me wait-ing here,

-6 -6 -7 7 7
lead me to your door.

Verse 2:
The wild and wind-y night
that the rain washed a-way
has left a pool of tears
-cry-ing for the day;
Why leave me stand-ing here,
Let me know the door.

Repeat Chorus.

*The -7/ indicates bending
the note down from a natural B
to a Bb (flat).

7 7 7 -6 6 6 6 6 6 5
William Zanzinger killed poor Hattie Carroll
-6 -6 7 7 7 7 -6 -6 6 6 6 6 6 5
With a cane that he twirled around his diamond ring finger
5 5 4 4 -4 5 4 5 6 6 6 6 5
At a Baltimore hotel society gath’rin’.
5 5 4 4 -4 5 5 5 6 6 6 6 5
And the cops were called in and his weapon took from him
5 -4 4 4 -4 5 -4 4 6 6 6 6 5
As they rode him in custody down to the station
5 4 4 4 -4 5 4 5 6 6 6 6 5
And booked William Zanzinger for first-degree murder.
6 7 -7 -6 6 6 6 5 5 5 -6 -6 6 -5 5
But you who philosophize disgrace and criticize all fears,
7 7 -7 6 6 5 -4 4
Take the rag away from your face.
-5 -5 -5 5 4 4 4
Now ain’t the time for your tears.

William Zanzinger, who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the politics of Maryland,
Reacted to his deed with a shrug of his shoulders
And swear words and sneering, and his tongue it was snarling,
In a matter of minutes on bail was out walking.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain’t the time for your tears.

Hattie Carroll was a maid of the kitchen.
She was fifty-one years old and gave birth to ten children
Who carried the dishes and took out the garbage
And never sat once at the head of the table
And didn’t even talk to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level,
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room,
Doomed and determined to destroy all the gentle.
And she never done nothing to William Zanzinger.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain’t the time for your tears.

In the courtroom of honor, the judge pounded his gavel
To show that all’s equal and that the courts are on the level
And that the strings in the books ain’t pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught ’em
And that the ladder of law has no top and no bottom,
Stared at the person who killed for no reason
Who just happened to be feelin’ that way without warnin’.
And he spoke through his cloak, most deep and distinguished,
And handed out strongly, for penalty and repentance,
William Zanzinger with a six-month sentence.
Oh, but you who philosophize disgrace and criticize all fears,
Bury the rag deep in your face
For now’s the time for your tears.

This is tabbed for a 24 hole Echo Celeste tremolo

notes together without a space are slurred together

-3-4 5 5 5 -4 -3
I ain’t got no father,
56 6 6 6 -5 5
I ain’t got no father,
-35 6 6 6 -6 6
I ain’t got no father,
5 5 -4 -3 5 -4
To buy the clothes I wear

Chorus:
6 -5 5 5 5 -4 -3
I’m a poor lonesome cowboy
-3 5 6 6 6 -6 5
I’m a poor lonesome cowboy
-3 5 6 6 6 -6 6
I’m a poor lonesome cowboy
-6 -6 6 5 -4 -3
And a long way from home.

Verse 2:
I ain’t got no brother,
I ain’t got no brother,
I ain’t got no brother
To ride the range with me

Verse 3:
I ain’t got no sweetheart,
I ain’t got no sweetheart,
I ain’t got no sweetheart,
To sit and talk to me.

By: Neil Young
Crosby, Sills, Nash, & Young,
Crazy Horse
Key: D

This song is tabbed on a C diatonic
3rd pos.

-8 -8 -9 -9 -9 7
-4 -4 -5 -5 -5 4
He’s the per-fect strang-er,

-8 -8 -9 7 -8 -8 7 -8 -87
-4 -4 -5 4 -4 -4 4 -4 -44
Like a cross of him-self and a fox.

-8 -8 -9 -9 -9 -9 -8
-4 -4 -5 -5 -5 -5 -4
He’s a feel-ing ar-rang-er

-8 7 7 7 7 7 7 6 -10-8
-4 4 4 4 4 4 4 3 -6-4
And a chang-er of the ways he talks.

-8 -8 -9 -9 -9 -9 -8
-4 -4 -5 -5 -5 -5 -4
He’s the un-fore-seen dan-ger

-8 -9 -9 -9 -9 -9 -8 7 -8 7
-4 -5 -5 -5 -5 -5 -4 4 -4 4
The keep-er of the key to the locks.

-9 8 -8 9 8
-5 5 -4 6 5
Know when you see him,

-9 8 -8 9 -10
-5 5 -4 6 -6
Noth-ing can free him.

-9 8 -8 9 -9 8 -8
-5 5 -4 6 -5 5 -4
Step a-side, o-pen wide,

7 7 8 7 7
4 4 5 4 4
It’s the lon-er.

If you see him in the subway,
He’ll be down at the end of the car.
Watching you move
Until he knows he knows who you are.
When you get off at your station alone,
He’ll know that you are.
Know when you see him,
Nothing can free him.
Step aside, open wide,
It’s the loner.

There was a woman he knew
About a year or so ago.
She had something that he needed
And he pleaded with her not to go.
On the day that she left,
He died, but it did not show.
Know when you see him,
Nothing can free him.
Step aside, open wide,
It’s the loner.

By: Neil Young
Crosby, Stills, Nash, & Young,
Crazy Horse
Key: D

-5 -5 -6 -6 -6 5
He’s the per-fect strang-er,
-5 -5 -6 5 -5 -5 5 -5 -55
Like a cross of him-self and a fox.
-5 -5 -6 -6 -6 -6 -5
He’s a feel-ing ar-rang-er
-5 5 5 5 5 5 5 3 -7-5
And a chang-er of the ways he talks.
-5 -5 -6 -6 -6 -6 -5
He’s the un-fore-seen dan-ger
-5 -6 -6 -6 -6 -6 -5 5 -5 5
The keep-er of the key to the locks.
-6 6 -5 7 6
Know when you see him,
-6 6 -5 7 -7
Noth-ing can free him.
-6 6 -5 7 -6 6 -5
Step a-side, o-pen wide,
5 5 6 5 5
It’s the lon-er.

If you see him in the subway,
He’ll be down at the end of the car.
Watching you move
Until he knows he knows who you are.
When you get off at your station alone,
He’ll know that you are.
Know when you see him,
Nothing can free him.
Step aside, open wide,
It’s the loner.

There was a woman he knew
About a year or so ago.
She had something that he needed
And he pleaded with her not to go.
On the day that she left,
He died, but it did not show.
Know when you see him,
Nothing can free him.
Step aside, open wide,
It’s the loner.

-6 6 -6 -6 6 -6

-4 -4 5 5 -5 -5 -6 -8 7 -8

7 -7 7 6 -6

-4 -4 5 5 -5 -5 -6 -8 7 -8

7 -7 7 6 -6

-6 6 -5 -5 -8 7 -7 -7 6 -5 5 5

7 -7 -6 -6 -6 6 -5 -5

-9 8 -8 -8 7 6 -6

Repeat all of above. That’s it.
_____________________________________
_____________________________________

Here’s a midi version I found.
I transposed the midi version down
to the same key as the Michael Hirte version.

-6 6 -6 -6 6 -6

-4 -4 5 5 -5 -5 -6 -8 7 -8

7 -7 7 6 -6

-4 -4 5 5 -5 -5 -6 -8 7 -8

7 -7 7 6 -6

-6 6 -5 -5 -8 7 -7 -7 6 -5 5 5

7 -7 -6 -6 -6 6 -5 -5

-9 8 -8 -8 7 6 6 -6 6 -6 -6 6 -6

-7 -6 -7 7 -7 7

-8 7 7 -7 -7 -6 -6 6 6 -5 -5

-8 7 -8 -9 -8 -9

9 -9 -9 8 8 -8 -8 7 7

-6 6 -5 -5 -8 7 -7 -7

-7 -7 -6 -6 6 6 -5 -5 5 7

-4 -4 5 5 -5 -5 -6 -8 7 -8 7 -7 7

-8 7 -7 -6 6 -6

-4 -4 5 5 -5 -5 -6 -8 7 -8

8 -9 9 -9 -9 -8 7 -7 7

-8 -8 7 -7 -6 6 -6

-6 7 6 6 -6

-4 5 -5 -6 -6 -7 7 -6 -7 -8 7 -6 7 -6

-8 7 -8 7 -6 6 -5 6 -5 5-4 -4

This is in 4/4 time I have put a / to represent
each bar to help with the timing, You can see
Herb play this on Youtube.

/-8 8 -9 8 -8/ -7 -6* -6* 7 -7/ 7 -5 -5 7 -5/

/-6 ~~~~~~~ / -8 8 -9 8 -8/ -7 -6 -6 7 -7/

7 7 7-6* 6-6*/ 7~~~~~~~~~/ 6 7 6 -6* 7 -7 -6*/

7 -8 8 -9 8 -8/ (REPEAT THEN PLAY)

7 ~~~~~~/7~~~~~/10 9 -8 -7/ 7 -5~~~~/ -5 -6 7/

-5~~~~~/ 10 9 -8 -7/ 7-5~~~~~/ 6 6 6 6 -6* 7/

-7~~~~~~~/~~ -7~~~~~/~~ -7 -8 8 -9 8 -8/

Trad. folk
Key: D
Time: 3/4

6 6 6 5 6 -5 -5 -4
9 9 9 8 9 -9 -9 -8
There was a man went up and down

-5 -5 5 -4 -6 6 5 576
-9 -9 8 -8 -10 9 8 8109
To seek a din-ner thru the Town

6 6 6 5 6 -5 -5 -4
9 9 9 8 9 -9 -9 -8
There was a man went up and down

-5 -5 5 -4 -6 6 -3 4
-9 -9 8 -8 -10 9 -7 7
To seek a din-ner thru the Town

Trad. folk
Key: D
Time: 3/4

-3 -3 -3 -2* -3 3 3 2
There was a man went up and down
3 3 -2* 2 -4 -3 -2* -2*-5-3
To seek a din-ner thru the Town
-3 -3 -3 -2* -3 3 3 2
There was a man went up and down
3 3 -2* 2 -4 -3 1* -1
To seek a din-ner thru the Town

5 -4 5 -4 5 -4 -7 -7 -7
we represent the lollipop guild

-4 4 -6 -6 -6 4 -3 6 6 6
the lollipop guild, the lollipop guild

5 -4 5 -4 -4 5 -4-4-7 -8
and in the name of the lollipop guild

-8 7 -7 -66 -5b 8 5-5b 6
we wish to welcome you to munchkin land

-1 2 2 2
When I was young

1 1 -1 -1 2 2 -1 1 1
It seemed that life was so won-der-ful

-1 -1 1 1
A mir-a-cle

-1 -1 1 1 1 1 1 1 1
Oh it was beau-ti-ful mag-ic-al

1 1 -1
And all the

-1 2 2 2
Birds in the trees

1 1 -1 -1 2 2 -1 1 1
Well they’d be sing-ing so hap-pi-ly

-1 -1 1 1
Oh joy-ful-ly

-1 1 1 1 1 1 1 1
Oh play-ful-ly wat-ch-ing me

1 1 -1
But then they

-1 2 2 2
sent me a-way

1 1 -1 -1 2 2 -1 1 1
to teach me how to be sen-si-ble

-1 1 1
log-ic-al

-1 -1 1 1 1 1 1 1
oh re-spon-si-ble prac-ti-cal

1 1 -1
and then they

-1 2 2 2
showed me a world

1 1 -1 -1 2 2 -1 1 1
where I could be so de-pen-a-ble

-1 -1 1 1
oh clin-i-cal

-1 -1 1 1 1 1 1 1 1
oh in-tell-ec-tu-al cyn-ic-al

1 -1 2
there are times

-2b 2 -1 1 -1 2
when all the world’s a-sleep

-2b 2 -1 1 -1 2
the ques-tions run too deep

-2b 2 -1 1 -1 -1
for such a sim-ple man

1 -1 2
wont you please

-2b 2 -1 1 -1 2
please tell me what we’ve learned

-2b 2 -1 1 -1 1
I know it sounds ab-surd

-2b 1 -1 1 -1 -1
Please tell me who I am

-1 2 2 2
Watch what you say

1 1 -1 -1 2 2 -1 -1 1 1
Or they’ll be call-ing you a rad-i-cal

-1 -1 1 1
A lib-er-al

-1 -1 1 1 1 1 1 1 1
Oh a fa-nat-ic-al crim-in-al

1 1 -1
Oh wont you

-1 2 2 2
Sign up your name

1 1 -1 -1 2 2 -1 1 1
We’d like to feel your ac-cept-a-ble

-1 -1 1 1
Re-spect-a-ble

-1 -1 1 1 1 1 1 1 1
Oh pre-sent-a-ble a veg-‘ta-ble

1 -1 2
there are times

-2b 2 -1 1 -1 2
when all the world’s a-sleep

-2b 2 -1 1 -1 2
the ques-tions run too deep

-2b 2 -1 1 -1 -1
for such a sim-ple man

1 -1 2
wont you please

-2b 2 -1 1 -1 2
please tell me what we’ve learned

-2b 2 -1 1 -1 1
I know it sounds ab-surd

-2b 1 -1 1 -1 -1
Please tell me who I am

2 -2b -2b
Who I am

-2 -3b -3b
Who I am

-3 4 4
Who I am

ENJOY!!!

THANK YOU THANK YOU THANK YOU VERY MUCH

-4 -4 -4 -4 -7 6 -4 -4 -4 5 7 -6 5
If you should ask a- ny girl from the pa- rish a- round

5 -4 -5 -6 -8 -8 -8 8 -8 7 -8
What plea- ses her most from her head to her toes,

-4 -4 -7 6 -4 4 -4 5 7 -6 5
She’ll say, «I’m not sure that it’s bus- ‘ness of yours,

5 5 -4 -8 -8 -8 7 -6 -7 6 6
But I do like to waltz with a log dri- ver.»

-8 8 -9 9 -8 -7 -8 7 8 8 7
Cho: For he goes bir- ling down, a- down white wa- ter;

-7 -8 -8 -8 7 -7 -6 -8 -8 -8 8
That’s where the long dri- ver learns to step light- ly,

-9 9 -8 -7 -8 7 8 8 7
It’s bir- ling down, a- down white wa- ter;

7 -7 -8 -8 -8 7 -7 -6 -8 -7 6
A log dri- ver’s waltz plea- ses girls com- plete- ly.

When the drive’s nearly over, I like to go down
To see all the lads while they work on the river.
I know that come evening they’ll be in the town
And we all want to waltz with a log driver.

To please both my parents I’ve had to give way
And dance with the doctors and merchants and lawyers.
Their manners are fine but their feet are of clay
For there’s none with the style of a log driver.

I’ve had my chances with all sorts of men
But none is so fine as my lad on the river.
So when the drive’s over, if he asks me again,
I think I will marry my log driver.

4 -4 4 -4 5 4 3 -3b 3 -3b 4
Ev-ry body’s doin a brand new dance now
6 6 6 6 -6 -6 -6 -6 -6 -6
C’mon ba-by do the lo — co — mo — tion
3 4 -4 4 -4 5 -4
I know you’ll get to like it
4 3 -3b -3b 3 -3b 4
If you give it a chance now
6 6 6 6 -6 -6 -6 -6 -6 -6
C’mon ba-by do the lo — co — mo — tion
4 -5 6 -5 6 -6 -5 4 -4 -4 4 -4
My little ba-by sister can do it with ease
4 -5 6 -5 6 -6 -6 -5 4 5 -4 4 -4
It’s ea-si-er than lear~~nin’ your A B C’s ~~~~
4 -6 6 5 4 -4 -4 5 -4 5 -4 5 4
So c’mon, c’mon do the lo-co-mo-tion,with me
4 5 6 -6 6 5 4 5 -4 4 -4
You gotta swing your hips now, c’mon ba-by
-6 6 5 4
Jump up, jump back
4 5 6 -6 6 6 -6 6
Oh well, I think you got the knack
4 -4 4 -4 5 -5 4 -3b -3b 3 -3b -3b 4
Now that you can do ~~it, lets make a chain ~~ now
6 6 6 6 -6 -6 -6 -6 -6 -6
C’mon ba-by do the lo — co — mo — tion
3 4 -4 4 -4 5 -4
A chug -a — chug — a motion
4 3 -3b 3 -3b -3b 4
Like a rail road train ~~~ now
6 6 6 6 -6 -6 -6 -6 -6 -6
C’mon ba-by do the lo — co — mo — tion
-5 6 -5 6 -6 6 -5 4
Do it nice and ea-sy now ~~~
-4 -4 4 -4 -4
Don’t lose control ~~~~
4 -5 6 -5 6 -6 6 -5 4 5 -4 4 4
A little bit of rythem and a lot of soul ~~~
-6 6 5 4 -4 -4 5 -4 5 -4 5 4
C’mon, c’mon do the lo-co-mo-tion,with me
6 6 6 6 -6 -6 -6 -6 -6 -6
C’mon ba-by do the lo — co — mo — tion
6 6 6 6 -6 -6 -6 -6 -6 -6
C’mon ba-by do the lo — co — mo — tion
Repeat to fade

By: Gerry Goffin & Carole King
Little Eva, Grand Funk Railroad
Key: Eb

7 -8 7 -8 8 7 6 -6 6 -6 7
Ev-ry body’s doin a brand new dance now
9 9 9 9 -10 -10 -10 -10 -10 -10
C’mon ba-by do the lo -co -mo -tion
6 7 -8 7 -8 8 -8
I know you’ll get to like it
7 6 -6 -6 6 -6 7
If you give it a chance now
9 9 9 9 -10 -10 -10 -10 -10 -10
C’mon ba-by do the lo -co -mo -tion
7 -9 9 -9 9 -10 -9 7 -8 -8 7 -8
My little ba-by sister can do it with ease
7 -9 9 -9 9 -10-10 -9 7 8 -8 7 -8
It’s ea-si-er than lear~~nin’ your A B C’s
7 -10 9 8 7 -8 -8 8 -8 8 -8 8 7
So c’mon, c’mon do the lo-co-mo-tion,with me
7 8 9 -10 9 8 7 8 -8 7 -8
You gotta swing your hips now, c’mon ba-by
-10 9 8 7
Jump up, jump back
7 8 9 -10 9 9 -10 9
Oh well, I think you got the knack
7 -8 7 -8 8 -9 7 -6 -6 6 -6 -6 7
Now that you can do ~~it, lets make a chain now
9 9 9 9 -10 -10 -10 -10 -10 -10
C’mon ba-by do the lo -co -mo -tion
6 7 -8 7 -8 8 -8
A chug a-chug-a motion
7 6 -6 6 -6 -6 7
Like a rail road train now
9 9 9 9 -10 -10 -10 -10 -10 -10
C’mon ba-by do the lo -co -mo -tion
-9 9 -9 9 -10 9 -9 7
Do it nice and ea-sy now
-8 -8 7 -8 -8
Don’t lose control
7 -9 9 -9 9 -10 9 -9 7 8 -8 7 7
A little bit of rhythm and a lot of soul
-10 9 8 7 -8 -8 8 -8 8 -8 8 7
C’mon, c’mon do the lo-co-mo-tion,with me
9 9 9 9 -10 -10 -10 -10 -10 -10
C’mon ba-by do the lo `co -mo -tion
9 9 9 9 -10 -10 -10 -10 -10 -10
C’mon ba-by do the lo -co -mo -tion

By: Gerry Goffin & Carole King
Little Eve, Grand Funk Railroad
Key: Eb

-5* -6 -5* -6 7 -5* -3* 5 -3* 5 -5*
Ev-‘ry-bod-y’s do-in’ a brand new dance, now
-7* -7* -7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)
-3* -5* -6 -5* -6 7 -6
I know you’ll get to like it
-5*-3* 5 5 -3* 5 -5*
if you give it a chance now
-7* -7* -7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)
-5* 7* -7* 7* -7* 8-7*7* -5* -6 -6 -5* -6
My lit-tle ba-by sis-ter can do it with ease;
-5* 7*-7*7* -7* 8-7*7* -5* 7-6 -5*
It’s eas-i-er than learn-ing your A-B-C’s,
-5* 8 -7* 7 -5*
So come on, come on,
-6 -6 7 -6 7 -6 7 -5*
do the Lo-co-mo-tion with me.
-5* 7 -7* 8 -7* 7 -5*
You got-ta swing your hips, now.
-6* -6 -5* -6
Come on, ba-by.
8 -7* 7 -5* -5* 7
Jump up. Jump back. Oh well,
-7* 8 -7* -7* 8 -7*
I think you got the knack.

-5* -6 -5* -6 7-6-5*
Now that you can do it,
5 5 -3* 5 -5*
let’s make a chain, now.
-7* -7* -7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)
-3*-5* -6 -5* -6 7 -6
A chug-a chug-a mo-tion
-5* -3* 5 -3* 5 -5*
like a rail-road train, now.
-7* -7*-7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)
7* -7* 7* -7* 8 -7* 7* -6 -6 -5* -6
Do it nice and eas-y, now, don’t lose con-trol:
-5*7* -7* 7* -7* 8 -7* 7*-5* 7 -6 -5*
A lit-tle bit of rhy-thm and a lot of soul.
8 -7* 7 -5* -6 -6 7 -6 7 -6 7 -5*
Come on, come on, do the Lo-co-mo-tion with me.

-5* -6 -5* -6 7 -6-5*-5* 5 -3* 5 -5*
Move a-round the floor in a Lo-co-mo-tion.
-7* -7* -7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)
-5*-6 -5* -6 7 -6 -5*-3*
Do it hold-ing hands if
5 5 -3* 5 -5*
you get the no-tion.
-7* -7* -7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)
8 7* -7* 7* -7* 8-7*
There’s nev-er been a dance
7* -5* -6-6 -5*-6
that’s so eas-y to do.
-5*7* -7* 7* -7* 8 -7*
It ev-en makes you hap-py
7* -5* 7 -6 -5*
when you’re feel-ing blue,
-5* 8 -7* 7 -5*
So come on, come on,
-6 -6 7 -6 7 -6 7 -5*
do the Lo-co-mo-tion with me.
-7* -7* -7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)
-7* -7* -7*-7* 8 8 8 8 8 8
(Come on ba-by, do the Lo-co-mo-tion)

I didn’t know whether to post Little Eva
or Grand Funk,
So I flipped a coin…..I lost.

I take that back I like ’em both!
Let’s go..

4 -4 4 -4 5 -4 4
Ev-‘ry bo-dy’s do- in’

-2 -3′ -2 -3′ 4
a brand new dance now

6 6 6 6 -6 -6 -6 -6 -6 -6
Come on ba-by, do the Lo-co-Mo-tion

-2 4 -4 4 -4 5 -4 4
I know you’ll get to like it if

-2 -3′ -3′ -2 -3′ 4
you give it a chance now

6 6 6 6 -6 -6 -6 -6 -6 -6
Come on ba-by, do the Lo-co-Mo-tion

4 -5 6 -5 6 -6 -5
My lit-tle ba-by sis-ter

4 -4 -4 4 -4
Can do it with ease

4 -5 6 -5 6 -6 6 -5
It’s eas-i-er than learn-in’

4 5 -4 4 4 -6 6
You’re A B Cs, so come on

5 4 -4 4 5 -4 5 -4 5 4
Come on do the Lo-co-Mo-tion with me

4 5 6 -6 6 5 4
You got to swing your hips now

5 -4 4 -4 -6 6 5 4
Come on, ba-by. Jump up. Jump back.

4 5 6 -6 6 6 -6 6
Oh, well, I think you got the knack
_____________________________________
(You’ll repeat back to here.)
4 -4 4 -4 5 -4 4
Now that you can do it
Move a- round the floor in

-2 -3′ -3′ -2 -3′ 4
Let’s make a chain now
A lo- co mo- tion

6 6 6 6 -6 -6 -6 -6 -6 -6
Come on ba-by, do the Lo-co-Mo-tion
Come on ba-by, do the Lo-co-Mo-tion

-2 4 -4 4 -4 5 4
A chug-a chug-a mo-tion
Do it hold-in’ hands

4 -2 -3′ -3′ -2 -3′ 4
Like a rail- road train now
If you get the no- tion

6 6 6 6 -6 -6 -6 -6 -6 -6
Come on ba-by, do the Lo-co-Mo-tion

4 -5 6 -5 6 -6 6 -5 4
Do it nice and ea-sy now
There’s ne-ver been a dance that’s so

-4 -4 4 -4
Don’t lose cont-rol
Ea- sy to do

4 -5 6 -5 6 -6 6
A lit-tle bit of rhy-thm
It e- ven makes you hap-py

-5 4 5 -4 4
And a lot of soul
When you’re feel-in’ blue

4 -6 6 5 4 -4
Come on, come on, do
So come on, come on, do

-4 5 -4 5 -4 5 4
The Lo-co-Mo-tion with me
The Lo-co-Mo-tion with me

(Now repeat back to that line I drew,
Then play below this line.)
____________________________________

6 6 6 6 -6 -6 -6 -6 -6 -6
Come on ba-by, do the Lo-co-Mo-tion
(Play that a bunch of times,
Then go):

6 6 6 6
Come on ba-by,

-6 6 -6 6 -6 7 -6 6 4
Do the Lo-co-Mo-tion with me

Now the seats are all em-pty
3 -3 -4 -4 4 -5 -4-33
Let the road-ies take the stage
7 -6* -6* 6 6-5 -4 -4
Pack it up and tear it down
-4 -3 -3 3 -4 -3 -33
They’re the first to come
3 -3 -4 -5 -5
and last to leave
-4 -3 -3 -4-33
Work-ing for that min-i-mum wage
7 -6* -6* 6 6 -5 5 -4
They’ll set it up in an-oth-er town
-4 -4 -3 -3 3 3 -4 2 2-1
To-night the peo-ple were so fine
6 6 6 6 6 -6* 7-6* -6*
They wait-ed there in line
6 6 6 6 -5 -4-3
And when they got up on their feet
-1 3 -3 -4 -5 -5-4 -4 6
they made the show
3 -4 -3 -33
And that was sweet—
-1 3 -3 -4
But I can hear the sound
-1 -4 4 -5 -5 -4-33
Of slam-ming doors
3 7 -6* -6*6
and fold-ing chairs
-5 5 5 -4
And that’s a sound
-1 -4 -3 3
they’ll nev-er know
3 -4 -3 3

Now roll them cas-es out
-1 -4 -5 -5 -4 -4
and lift them amps
-3 -3 3 -3
And haul them truss-es down
-1 -4 -5 -5 -4 -4
and get ‘em up them ramps
-3 -3 3 3 3 -3
’cause when it comes to mov-ing me
-1 -4 -5 -5 -4 -5 -5 -4-33
You know you guys are the champs
7 -6* -5 -5 -5 -4 6
But when that last gui-tars
-5 6 -6* 7 6 6
been packed a- way,
-4 -3 3 -4-33
You know that I still want to play
-4 -4 -3 -3 3 3 -2* 3
So just make sure you’ve
-1 -4 -3 3 3
got it all set to go
3 3 3 3 2 2
Be-fore you come for my pi-an- o
3 3 3 -4 -3 -3 3 3 2-1
But the band’s on the bus
6 6 6 -6* 7 -6*
And they’re wait-ing to go
6 6 6 -5 -3 -33
We got to drive all night
-1 3 -3 -4 -5-4 6
and do the show in Chi-ca- go
2 3 3 -4 -3 3 -3 32-1
Or De-troit, I don-t know
3 -3 -4 -4 -3 -4-33
We do so man-y shows in a row
7 7 -6* -6* 6 6 -5 5 -4
And these towns all look the same
-1 -4 -4-33 3 -4 -3 -33
We just pass the time
3 -3 -4 -5 -5
in the ho-tel rooms
-4 -3 -3 3 3
And wan-der ‘round back-stage
2 3 3 3 -33 3
Till those lights come up
-1 2 3 3 3
and we hear that crowd
-1 2 3 3 3

And we re-mem-ber why we came
3 3 3 3 -4 -5-4 -4 6
Now we got coun-try and
3 3 3 6 -5 3
west-ern on the bus
-4 3 3 3 -4
R and B, we got dis-co in eight tracks
2 -1 2 -4 -3 -3 3 2 -4 -4
and cas-settes in ster-e-o
3 2 3 2 -3 3 3
And we got rur-al scenes
3 -3 3 6 -5 6
and mag-a- zines
3 -4 -3 -4-33
And we got truck-ers on c- b
-1 -4 -3 -3 3 3 -4 3
And we got Rich-ard Pry-or
2 -4 -4 -4 -3 -3 3
on the vid-e-o
3 3 -4 2 2
We’ve got time to think
3 3 6 -5 6
of the ones we love
-5 3 -4 -3 -4-33
While the miles roll a-way
-4 -3 -33 3 -2* 3
But the on-ly time that seems too short
3 2 3 3 3 2 3 3 3
Is the time that we get to play
3 3 -4 -5 -5 -5 -4 6
Peo-ple you’ve got the pow-er
-4 -5 6 -4 -3 -3 3
Ov-er what we do
3 2 3 3 -3
You can sit there and wait
-4 -5 6 -4 -3 -3
Or you can pull us through
3 3 2 3 3 -3
Come a- long, sing the song
-4 -5 -4-33 -4 -5 6
You know that you can’t go wrong
7 -6* -5 -5 -5 -5-4 6-5
’cause when that morn-ing
-5 6 -6* 7 6
sun comes beat-ing down
6 -4 -3 3 3

You-re gon-na wake up in your town
-4 -3 3 3 3 3 -3 3
But we’ll be sched-uled to ap-pear
-1 -4 -3 -3 3 3 2 2
A thous-and miles a-way from here.
3 -4 -3 -3 2 3 2 2-1

(Guitar Solo at the end)

4, 4, 5, -5, 6
5, 6
6, -6, 6, -5, 4
-6, 6,-5, 5, 4, 4
6, -4, 5, -5, 4
-5, 5, 4, -4

4, 4, 5, -5, 6
5, 6
6, -6, 6, -5, 4
-6, 6,-5, 5, 4, 4
6, -4, 5, -5, 4
-5, 5, 4, -4

-3, -4, 4, -4, -5, -6, 6
-5, -5, 5, -5, -5, 4, 4, -4
5, 6, 5, 6, -6, -7, 6
-7, -6, -5, -6, 6, 4

4, 4, 5, -5, 6
5, 6
6, -6, 6, -5, 4
-6, 6,-5, 5, 4, 4
6, -4, 5, -5, 4
-5, 5, 4, -4

8 8 8 -8 -8 7 8 8 8 -8 -8
Ev-ry gen-er-a-tion, blames the one be-fore,
-6 8 8 8 -8 -8 7
and all to their frus-tra-tions,
-6 8 8 8 -8 -8
come beat-ing on your door.
-8 9 9 9 -9 -9 8
I know that Im a pris-ner,
8 8 -9 9 9 9 -9 8
to all my fa-ther held so dear,
-6 9 9 9 -9 -9 8
I know that Im a hos-tage,
-8 9 9 -10 8 8
to all his hopes and fears.
7 7 -9 -9 -9 8 8 -8
I just wish I could have told him,
-9 9 8 -8 7
in the liv-ing years.

CHORUS

7-8 5 -5 6 6 7 -6
Oh, Say it loud, say it clear,
-6 -6 -8 8 -9 -9 8 -8 8
you can lis-ten as well as you hear.
5 -5 6 6 7 -6
Its too late, when we die,
-6 -6 -8 8 -9 -9 8 -8 7
to ad-mit we dont see, eye to eye.

VERSE 2

So we crum-pled bits of pa-per,
filled-with im-per-fect thought,
stilt-ed con-ver-sa-tions,
Im a-fraid thats all weve got.
You say you just dont see it,
he says it makes per-fect sense.
You just cant get a-gree-ment,
in this pres-ent tense.
We all talk a dif-frent lan-guage,
talk-ing in de-fense

CHORUS (Omit the word Oh from here on)

VERSE 3

So we o-pened up the quar-rel,
be-tween the pres-ent and the past.
We on-ly sac-ri-fice the fu-ture,
its the bit-ter-ness that lasts.
So dont yield to the for-tunes,
you some-times see as fate.
It may have a new per-spec-tive,
on a dif-frent day.
And if you dont give up and dont give in,
you may just be O K

CHORUS

VERSE 4

I wasnt there that morning,
my fa-ther passed a-way. I did-nt get to tell him
all the things I had to say.

W: Walt Barrows
M: Bernard Zaritzky
Burl Ives
Key: F

1 1 -2 -2 -3 -2
There’s a lit-tle white duck,
-3 -3 3 -2 2 3
Sit-ting in the wa-ter
1 2 2 3 2
A lit-tle white duck,
3 3 -2 2 -2 -3
do-ing what he ought-er
-2 -3* -5 -3* -5-3* 4 -3 -3
He took a bite of a li-ly pad
3 3 3
Flapped his wings
-3 -4 4 1 1
and he said, «I’m glad
-1 2 -2 -2 -3 -2
I’m a lit-tle white duck
-3 -3 3 -2 2 3
Sit-ting in the wa-ter
4 2 -2
Quack, quack, quack

There’s a little green frog swimming in the water
A little green frog, doing what he oughter
He jumped right off of the lily pad
That the little duck bit and he said, «I’m glad
I’m a little green frog swimming in the water
Glump glug, glump glug, glump glug glug»

There’s a little black bug floating on the water
A little black bug doing what he oughter
He tickled the frog on the lily pad
That the little duck bit and he said, «I’m glad
I’m a little black bug floating on the water

Chirp bzz, chirp bzz, chirp bzz bzz»

There’s a little red snake playing in the water
A little red snake doing what he oughter
He frightened the duck and the frog so bad
He ate the little bug and he said, «I’m glad
I’m a little red snake laying in the water
Wriggle hiss, wriggle hiss, wriggle hiss hiss»

Now there’s nobody left sitting in the water
Nobody left doing what he oughter
There’s nothing left but the lily pad
The duck and the frog ran away, I’m sad
‘Cause there’s nobody left sitting in the water
Boo, boo, boo