The Moon Song

3 (5)(4) (3)(4) 5
I’m ly-ing on the moon

3 (5) (4) (3) (4) 5
My dear, I’ll be there soon

5 (4) 4 (6) 6 (5) 5
It’s a quiet s-ta-rry place

5 (4) 4 (6) 6
Time’s we’re swa-llowed up

(4) 5 (4) 5 (4)6 (5) 6 (5) 5
In space we’re here a mi-llion miles a-way

3 (5) (4)(3) (4) 5
There’s things I wish I knew

(4) 4 (5) (4)(3) (4) 5
There’s no thing I keep from you

5 (4) 4 (6) 6 (5) 5
It’s a dark and shi-ny place

5 (4) 4 (6) 6
But with you my dear

(4) 5 (4) 5 (4) 6 (5) 6 (5) 5
I’m safe and we’re a mi-llion miles a-way

3 (5)(6) 6 (5) 5
We’re ly-ing on the moon

5 (4) 4 (6) 6 (5) 5
It’s a per-fect a-fter-noon

4 (5) (4) 4 (6) 6 (5) 5
Your sha-dow fo-llows me all day

5 (4) 4 (6) 6 (4) 5
Ma-king sure that I’m o-kay

(4) 5 (4) 6 (5) 4 (4) 4
And we’re a mi-llion miles a-way




The Moomins Ending Theme

-4 -5 -5 -5 6 -5 -4 -5 -5 -5 6 -5
-5 -8 7
-4 -5 -5 -5 6 -5 -4 -5 -5 -5 6 -5
-5 8 -7
-4 -5 -5 -5 -5 -5 -5 6 6 6
6 7 7 7 7 -7 7 -7* 7 -7 7
7 10 -9
7 10 -9




The Monaghan Jig

A :

5 4 3 -3 3 5 4 3 -3 4 -4

5 4 3 -3 3 -4 -3 -2 -3 4 -4

5 4 3 -3 3 5 4 3 -3 4 -4

6 -5 5 -4 5 4 -3 -2 -3 -4 -3 -2

B :

3 4 5 -6 -7 7 -7 -6 6 -6 6 5

-2 -3 -4 6 -4 4

-3 -3 -4 -3 -2

3 4 5 -6 7 -7 -6 6 -6 6 5

6 -5 5 -4 5 4 -3 -2 -3 -4 -3 -2

C :

(7 -6 -6 5 -6 7 -6 7 8 7 -6

7 -6 -6 5 -6 -7 6 -7 -8 -7 6

7 -6 -6 -7 -6 7 -6 7 8 7 -6

6 5 -4 5 4 -3 -2 -3 -4 -3 -2)

4 3 3 2 3 4 3 4 5 4 3

4 3 3 2 3 -3 -2 -3 -4 -3 -2

4 3 3 -3 3 4 3 4 5 4 5

6 5 -4 5 4 -3 -2 -3 -4 -3 -2

D :

3 4 5 -6 5 4 5 4 3 -3

3 4 5 -6 5 4 -3 -2 -3 -4 -3 -2

3 4 5 4 5 -6 5 -6 7 7

6 -5 5 -4 5 4 -3 -2 -3 -4 -3 -2 3




The Molly Maguires

*anything in brackets is optional so feel free to leave it out or
modify it*

The Molly Maguires

CHORUS

-5 -5 6 -6 7 6 6 6
Make way for the Molly Maguires

7 -8 -8 7 -8 7 7 -6 7 (-8 7 -8 7 -6 6 -5)
They’re drinkers they’re lyers but they’re men

-5 -5 6 -6 7 6 6 6
Make way for the Molly Maguires

7 -8 -8 -8 7 -8 7 -6 6 -5
You’ll never see the likes of them again

FIRST VERSE

(-6 sustained as an interlude)

-4 5 -5 6 -6 7 7
Down the mines no sunlight shines

-8 7 -6 -5 6 -4
Those pits they’re black as hell

5 -5 6 -6 7 -8 -9 -9
In mud and slime they do their time

-8 7 -6 6 -5 -5
It’s Paddy’s prison cell

-6 7 -8 8 -9 8 -8 7 -6
And they curse the day they travelled far

7 -8 8 -9 8 -8 7
Then drown their tears with a jar

So
(-6)

REPEAT CHORUS

SECOND VERSE

-4 5 -5 6 -6 7 7
Backs will break and muscles ache

-8 7 -6 -5 6 -5 -4
Down there there’s no time to dream

5 -5 6 -6 7 -8 -9 -9
Of fields and farms a womans arm

-8 7 -6 6 -5 -5
Just dig that bloody seam

-6 7 -8 8 -9 8 -8 7 -6
Though they drain their bodies underground

7 -8 8 -9 8 -8 7
Who’ll dare to push them around

So
(-6)

REPEAT CHORUS X2




The Misty Mountains Cold

Legend: + = blow, — = draw, » = whole step bend

Main:

+2 +3 -3″…..+4 -4 +5 -4 +4 -3 -3″
+2 +3 -3″ -3 +4 -4 +5 -4 +4 -3 -3″

+2 +3 -3″ -3″ +4 -4 +5 -4 +4 -3 -3″ -3″
+2 +3 -3″ -3 +4 -4 +5 -4 +4 -3 -3″ -3″

Middle:

-7 +7 -7 +8
-7 +7 -6 -7
+5 +6 -6 -7
-7 +7 +6 -6

Main (octave higher)

+8 +9 -10 -10 +10 -8 +8 -8 +7 -7 -6
+8 +9 -10 -10 -10 -8 +8 -8 +7 -6 -6

Final

-7 +7 -7 +8
-7 +7 -6 -7
+5 +6 -6 -7
-7 +7 +6 -6




The Missouri Waltz

By: J.R.Shannon & John V. Eppel
Missouri State Song
Eddy Arnold, Johnny Cash
Key: F
Time: 3/4

-3 3* -3 -2 3 -2*
Hush a-bye ma ba-by
3 3* -3 3* -3 3 -2
Slum-ber time is com-in’ soon
-3 3* -3 -2 3 -2* 3
Rest yo’ head up-on my breast
3* -3 3* -3 3 -2
While mam-my hums a tune
2 -1 -2 3 -2 -1
The sand-man is call-in’
1* 1 -2 3 -2 1
Where sha-dows are fall-in’
-2 -2* 3 -2* 3 -1
While the soft breez-es sigh
2 -2 3 -2* 3 4
As in days long gone by
-3 3* -3 -2 3 -2*
Way down in Mis-sou-ri
3 3* -3 3* -3 3 -2
Where I heard this mel-o-dy
-3 3*-3 -2 3 -2* 3 3*
When I was a hap-py young-ster
-3 3* -3 3 -2
On ma mam-my’s knee
2 -1 -2 3 -2 -1
The young folks were hum-min’
1* 1 -2 3 -2 1
Their ban-joes were strum-min’
1 1* -1 -3 -2
So sweet and low

-3 -6 -5 -5 -3
Strum strum strum strum strum
-3* -3* 3 3 -3 -3*
Seems I hear those ban-jos
-3 3* -3 -2 -1
Play-in’ once a-gain
-3 -6 -5 -5 -3
Hum hum hum hum hum
-1 2 -2 -2 2 2 -1
That same old plain-tive strain
-3 -3 4* 4* -3 -3 4*
Hear that mourn-ful mel-o-dy
-2 3 -3 -5 -5 4 -4 4 -5
It just haunts you the whole day long
-2 2 -1 -2 2 -1
And you wan-der in dreams
-1 1* 1 -2 3 -2
Back to Dix-ie it seems
1 1* -1 -1 -3 -3 -2
When you hear that old time song




The Minstrel Boy (chrom)

W: Thomas Moore
Irish folk song
Key: D

-3 -5 -5 7-6* 6 -5 -6* -7 -9
The min-strel boy to the war is gone
9* -9 -8 -7 -6* 7 -7 -6* 6 -5
In the ranks of death you’ll find him
-3 -5 6 7 -6* 6 -5 -6* -7 -9
His fa-ther’s sword he has gird-ed on
9* -9 -8 -7 -6*7 -7-6* 6 -5
And his wild harp slung be-hind him
-9 9* -8 9* -9 9* -8 -7
Land of song said the war-rior bard
-7* -8 -6* -6* -7* -8 8* -9…
Though all the world be-trays thee
-9 -5 6 7 -6*
One sword at least
6-5 -6* -7 -9
Thy rights shall guard
9*-9 -8 -7 -6*7 -7-6* 6 -5
One faith-ful harp shall praise thee




The Minstrel Boy

b=half step bend

3 4 -4 -5 5 -4 4 5 6 7 -7 7 -6 6 5 -5 6 5 -4 4
3 4 -4 -5 5 -4 4 5 6 7 -7 7 -6 6 5 -5 6 5 -4 4

6 7 -7 -6 -7 7 -7 -6 6 6b -6 5 5 6b -6 -7 -6 6
-6 -7 7 7
4 -4 -5 5 -4 5 6 -7 7 -6 6 5 -5 6 5 -4 4




The Miller’s Daughter

(La Fille de la Meuniere)
French folk song from Auvergne
Key: G
Time: 2/4

-1 3 -4 -3* -4 4 -4 -3
There she goes, the mill-er’s daugh-ter
-1 -2* -3 3* -3 -4 3
Who is danc-ing there with Tom
-1 3 -4 -3* -4 4 -4 -3
You can see she’s lost her gar-ter
-1 -2* -3 3* -3 -4 3
But her stock-ing’s stay-ing on
3 -3 -4 3 -3 -4
Kick it up, kick it up,
3 -3 -4 -4 -3
Kick it up, high-er
-2* 3 -3 -2* 3 -3
Kick it up, kick it up,
-2* 3 -3 3
Kick it up, high
3 -3 -4 3 -3 -4
Kick it up, kick it up,
3 -3 -4 -4 -3
Kick it up, high-er
-2* 3 -3 -2* 3 -3
Kick it up, kick it up,
-2* 3 -3 3
Kick it up, high




The Mikado: So Please You Sir

Act 1: So Please You Sir
(Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah, Pish-Tush, and Chorus)

* * * * * * VERSE 1 * * * * * *

YUM-YUM, PEEP-BO, and PITTI-SING:

-8 -8 -8 -8 -8 -8 -8 9 -8 -8
So please you Sir, we much regret if we
-7 -7 -6 -7 -6 6
Have failed in etiquette
-8 -8 -8 -8 -8 -8 -8 9 -8 -8 -7 -7 -6 -7 -6 -8
Towards a man of rank so high — we shall know better by and bye.

YUM-YUM:
-8 -8 7 7 -7 -7 -6 -6
But youth of course must have its fling,
-6 7 -7 -7 -7 -7 -6 -6
So pardon us — so pardon us.

PITTI-SING:
6 -6 6 -6 6 -6 6 -5 -4 -5 5 5 5 5 -4 -4
And don’t in girlhood’s happy spring be hard on us, be hard on us,
-4 5 -4 5 -4 5 -6 -4
If we’re inclined to dance and sing!

* * * * * * REFRAIN * * * * * *

CHORUS:
-4 -4 -4 -4 -4 -4 -4 -4
Tra la la la la la, la la —

YUM-YUM, PEEP-BO, and PITTI-SING:
-8 9 8 7 -7 7 -8 8 7 -8 8 -8 7 -8
But youth of course, must have its fling so pardon us,
-8 9 8 7 -7 7 -8 8 7 -8 8 -8 7 -8
And don’t in girlhood’s happy spring be hard on us.

CHORUS
-8 9 8 7 -7 7 -8 8 7 -8 8 -8 7 -8
But youth of course, must have its fling so pardon us —

CHORUS + YUM-YUM, PEEP-BO, and PITTI-SING:

(TRILL)
6 6 -6 6 -6 6 6 6 8
Tra la- la- la- la- la la la la!

8 -8 8 -8 8 -8 -8 -8 -8 -7
Tra la- la- la- la- la la la la—-

6 6 -6 6 -6 6 6 6 8
Tra la- la- la- la- la la la la!

(STACCATO)
8 -8 -8 -8 -8 -8 -8 -8 -8
Tra la- la- la- la la- la- la- la

-8 -8 -8 -8 9
(TWICE AS FAST) La-la-la-la x4 LAAA!

* * * * * * VERSE 2 * * * * * *

POOH-BAH:
-4 -4 -4 -4 -4 -4 -4 -4
I think you’d better recollect
6 -7 -6 -7 -6 -7 -6 6
You cannot show too much respect
-4 -4 -4 -4 -4 -4 -4 -4
Towards the highly-titled few;
6 -7 -7 -7 -7 -6 -7 -6 -4
But nobody does so why should you?

PISH-TUSH:
-8 -8 7 7 -7 -7 -6 -6
That youth of course should have its fling,
-6 7 -7 -7 -7 -7 -6 -6
Is hard on us, is hard on us;

POOH-BAH:
6 -6 6 -6 6 -6 6 -6
To our prerogative we cling —
-4 -5 5 5 5 5 -4 -4
So pardon us, so pardon us
-4 5 -4 5 -4 5 -6 -4
If we decline to dance and sing:

(Tra la la la la etc.)

* * * * * * (Play Refrain Once More) * * * * * *




The Mikado Act I Finale: Oh Fool

THE MIKADO (or, The Town Of Titipu)

Act I: Finale: Katisha and Chorus: Oh Fool that Flee-est

* * * * * *

Cue:
NANKI-POO: Ah! Tis’ Katisha, the maid of whom I told you.
KATISHA: No! You shall not go, these arms shall thus enfold you.

* * * * * *

(V = Vibrato)

* * * * * *

-7 -7 -6 6 6
Oh fool that flee-est
6 6 -5 5
My hallowed joys!
-7 -7 -6 6 6
Oh blind, that see-est
6 6 -5 5
No equipoise!
6V 7 7 7 -7 -6 7 -7 -6 -7
Oh rash, that jusdgest from half, the whole!
-6V -8 7 7 -7 -6 -6 6 -5 6V
Oh base, that grudgest Love’s lightest dole!
8 8V -6 -7
Thy heart —— unbind!
-6 -5 6 5
Oh fool, oh blind!
-7 8V -6 -7
Give me —— my place!
-6 -5 6 5
Oh rash, oh base!
5 6 6 -7 -7 -7 -6 -7
Thy heart unbind, give me my place,
-6 6 6 -7 -7 -7 -6 -7
Oh fool, oh blind, oh rash, oh base,
-6 -7 7V -7 7V -7 8V
Thy heart un — bind!
6 -7 4 6V -5 5
Give me, give me —— my place.

6 7 -7 7 6 -7 -6 6
CHORUS: If she’s thy bride, restore her place:
5 6 -5 5 -3 5 -4 4
oh fool, oh blind, oh rash, oh base!




The Mighty Ship

d4 d4 d4 d4 b4- (2) b3 d5 b5 d4 b4 (3)d4 d4 d4 d4 b4 d4d4 (4)
d5 d5 d5 d5 b5 d4 b4 d5 (5) d5 b5 b4 d5 b5 d4d4 (6)end d5 b5 d4
b4b4 the housemartins the mighty ship . b side to happy
hour(ithink)




The Mighty Quinn

refrain:

4 4 3 4 -4 -4 -3 4
Come all without, come all within

5 6 6 -6 6 5 -4 4 4 4
You’ll not see nothing like the Mighty Quinn

4 4 3 4 -4 -4 -3 4
Come all without, come all within

5 6 6 -6 6 5 -4 4 4 4
You’ll not see nothing like the Mighty Quinn

verse 1

5 5 5 5 -4 4 4 4 -4
Everybody’s building ships and boats

5 5 5 5 -4 4 -4 5 5 5
Some are building monuments, others are

5 5 -4 4
jotting down notes

5 5 5 5 -4 4 -4 5 5 5 5 -4
Everybody’s in despair, every girl and boy

4 -4 5 5 5 -4 4 -4 -4
But when Quinn the Eskimo gets here

4 4 4 4 4 4 5 -4 4
Everybody’s gonna jump for joy

4 4 3 4 -4 -4 -3 4
Come all without, come all within

5 6 6 -6 6 5 -4 4 4 4
You’ll not see nothing like the Mighty Quinn

verse 2
I like to go just like the rest, I like my sugar sweet
But jumping queues and makin’ haste, just ain’t my cup of meat
Everyone’s beneath the trees, feedin’ pigeons on a limb
But when Quinn the Eskimo gets here
All the pigeons gonna run to him

refrain:

verse 3
Let me do what I wanna do, I can’t decide ’em all
Just tell me where to put ’em and I’ll tell you who to call
Nobody can get no sleep, there’s someone on everyone’s toes
But when Quinn the Eskimo gets here
Everybody’s gonna wanna doze
refrain:
repeat refrain:




The Midnight Special

-8 -7 -8 +7 -7 +7 -7 +7

-7 +7 -7 +7 -5

+6 -5 +6 -5 +6 -5 -8 -7

+7 -7 -8 -7 +7 +6

+7 -8 -7 -8 +7 -7 +7 -7 +7

-7 +7 -7 +7 -7 +7 -5

+6 -5 +6 -5 +6 -5 -8 -7

+7 -7 -8 -7 +7 +6 -7

-8 -7 -8 -7 +7 -7 +7

-7 +7 -7 +7 -5

+6 -5 +6 -5 -8 -7

+7 -7 -8 -7 +7 +6 +7 -7 +7bend




The Middle

4, 3 4 4 4 -4 -3
Hey, don’t write yourself off yet
-3 -3 -3 -3 -3 -3 -3 4 -2 3 3 3 4 -3 3.
It’s only in your head you feel left out or looked down on.
3 4 4 4, 3 4 4 4 -4 -3.
Just try your best, try everything you can.
-3 -3 -3 -3 -3 -3 -3 4 -2 3 3 3 4 -3 4.
And don’t you worry what they tell themselves when you’re away.

(Chorus)
5 5 5 4 4,
It just takes some time,
4 4 4, 4 5 5 5 5 -4 -3 -3.
Little girl, you’re in the middle of the ride.
-3 -3 -3, -4 -4 -4 -4 4 4 4,
Everything, everything will be just fine,
-3 -3 -3, -3 -3 -3 -3 4 4 4, 4 4.
Everything, everything will be alright, alright.

4, 3 4 4 4 -4 -3.
Hey, you know they’re all the same.
-3 -3 -3 -3 -3 -3 -3 4 -2 3 3 3 4 -3 3.
You know you’re doing better on your own (on your own), so don’t buy in.
4 4 4, 3, 4 4 -4 -3.
Live right now, yeah, just be yourself.
-3 -3 -3 -3 -3 -3 -3 4 -2 3 3 3 4 -3 4.
It doesn’t matter if it’s good enough (good enough) for someone else.

(Chorus) x2

4, 3 4 4 4 -4 -3.
Hey, don’t write yourself off yet.
-3 -3 -3 -3 -3 -3 -3 4 -2 3 3 3 4 -3 3.
It’s only in your head you feel left out or looked down on.
3 4 4 4, 3 4 4 4 -4 -3
Just do your best (just do your best), do everything you can (do everything you can).
-3 -3 -3 -3 -3 -3 -3 4 -2 3 3 3 4 -3 4.
And don’t you worry what the bitter hearts are gonna say.

(Chorus) x2




The Mickey Mouse Club March

By: Jimmie Dodd
From: Walt Disney’s TV series
Mickey Mouse Club
Key: F
Time: 2/4

-2 -2 -2 -2 -2 -2 -2
Who’s the lead-er of the club
-2 3 -2 2 -1 1
That’s made for you and me
-2-2 -2 -2 -2 -2 -3 -2 3 2 -2
M I C K E Y M O U S E

-2 -2 -2 -2 -2 -2
Hey, there! Hi, there! Ho, there!
-2 -2 3 -2 2 -1 1
You’re as wel-come as can be
-2-2 -2 -2 -2 -2 -3 -2 3 2 -2
M I C K E Y M O U S E

-2 -2 -1 -2 -2 1
Mick-ey Mouse Mick-ey Mouse
1 -1 -1 -1 -1 -1 -1 2 -2 3
For-ev-er let us hold our ban-ner high
-2 -2 -2 -2 -2 -2 -2
Come a-long and sing a song
-2 3 -2 2 -1 1
And join the jam-bor-ee!
-2-2 -2 -2 -2 -2 -3 -2 3 2 -2
M I C K E Y M O U S E




The Merry-Go-Round

F
-2 4 4 4 4 5 6 5 4
The merry-go-round goes round and round,

C7
4 -4 -4 -4 5 -4 -3 -2
The children laughed and laughed and laughed,

F
-2 4 4 4 4 5 6 5 4
So many were going round and round,

C7 F
4 4 -4 -4 -4 -2 -2 4
That the merry-go-round collapsed.




The Merry Widow Waltz

3 4 -4 5 3 4
Gol-den glow-ing lamps are
-4 5 -5 5 -4
throw-ing light a-bove.
3 -4 5 -5 3 -4 5 -5
While the sway-ing tune is say-ing
6 -5 5
«Love, Love, Love»
-6 -6 -7 -6 6 4
And the feet of danc-ers
-5 -5 6 -5 5
sound-ed as they go.
-4 -4 5 -4 6 5 4
Don’t you hear them say,my dear,
4 4 -4 4
«I love, you so.»




The Merry Blacksmith

A :

-2 3 4 -2 3 -2 2 -2

-2 3 4 -2 3 -2 2 -2

-2 3 4 -4 5 -4 4 3

-4 -4 4 -4 -5 5 -4

4 -2 2 -2 -2 3 4 -2 3 -2 2 -2

-2 3 4 -4 5 4 -4 -3 4 3 -2 2 1

B :

5 -5 6 -5 5 -4 4

-2 3 -2 2 -2 -2 3 4 -4 5 4 -4 4

3 -4 -4 4 -4 -5 5 -4

6 -6 6 -5 5 -5 5 -4

4 -3 4 -2 3 -2 2 -2

-2 3 4 -4 5 4 -4 -3 4 3 -2 2 1




The Mermaid (chrom)

Luke & Brent Crawley

Key: Dm

-7 -7 7 6 -5 -9 -99 10 -9

One Sat-ur-day night, as we set sail

-7 -77-6 -5-6 -7 -8

Not ver-y far from land

-7 -9 -9 -10-98 -7 7 6 -5

We there did spy a pret-ty mer-maid

-3 -3 -5 -5 -5 -6 7 7 -7

With a comb and a glass in her hand

-3 -3 -5 -5 -5 -6

With a comb and a glass

7 7 -7 -7 -7 -7 -8

In her pret-ty, pret-ty hand

-7 -7 -9 -7 -7 7 -6 6 -5

With a comb and a glass in her hand




The Mermaid (12th pos)

THE MERMAID 12th pos

Luke & Brent Crawley

Key: Dm

Harp: C

-6 -6 6 5 -4 -8 -87 8 -8

One Sat-ur-day night, as we set sail

-6 -66-5 -4-5 -6 -7

Not ver-y far from land

-6 -8 -8 -9 -87 -6 6 5 -4

We there did spy a pret-ty mer-maid

-3”-3” -4 -4 -4 -5 6 6 -6

With a comb and a glass in her hand

-3”-3” -4 -4 -4 -5

With a comb and a glass

6 6 -6 -6 -6 -6 -7

In her pret-ty, pret-ty hand

-6 -6 -8 -6 -6 6 -5 5 -4

With a comb and a glass in her hand




The Men Of The West (chrom)

By: William Rooney
Irish folk song
Key: D
Time: 6/8

-7 -7 -5 -5 -5 -6* 6 -5 -7 -8
When you hon-or in song and in stor-y
-9 -7 -6* 6 -5 6 -6* -4
The names of the pa-tri-ot men
5* -5 -5 -5 -6* 6 -5 -7 -8
Whose val-or has cov-ered with glo-ry
-9 -7 -6*-5 6 -6* 6 -5
Full man-y a moun-tain and glen
-7 -7 -6* -7 -7 -8 8* -9 -8
For-get not the boys of the heath-er
-9 -7 -6* 6 -5 6 -6* -4
Who mar-shalled the brav-est and best
5* -5 -5 -5 -6* 6 -5 -7 -8
When Ire-land was bro-ken in Wex-ford
-9 -7 -6* -5 6 -6* 6 -5
And looked for re-venge to the West




The Men Of The West

By: William Rooney
Irish folk song
Key: D
Time: 6/8

6 6 4 4 4 5 -4 4 6 -6
When you hon-or in song and in stor-y
7 6 5 -4 4 -4 5 -3”
The names of the pa-tri-ot men
-3 4 4 4 5 -4 4 6 -6
Whose val-or has cov-ered with glo-ry
7 6 5 4 -4 5 -4 4
Full man-y a moun-tain and glen
6 6 5 6 6 -6 -7 7 -6
For-get not the boys of the heath-er
7 6 5 -4 4 -4 5 -3”
Who mar-shalled the brav-est and best
-3 4 4 4 5 -4 4 6 -6
When Ire-land was bro-ken in Wex-ford
7 6 5 4 -4 5 -4 4
And looked for re-venge to the West




The Memphis Blues Again

Stuck Inside Of Mobile With
The Memphis Blues Again

+6 +6 +6 +6 +5 -6 +5

+6 +6 +6 +5 -6 +5

+6 +6 +6 +5 -6 -5 -5

+4 -4 -5 -3bb +4 -3bb -5

-6 -7 +7 +7 -6 -5 +6

+6 +6 -6 -6 -6 +5 +6

+6 -6 -6 -6 -5 -6 -4

-5 +4 -4 +4 +5 -7 -6

+5 +6 +5 -6 +5 +6 +5 -6

-6 +6 +7 +6 -7 +6 +7

+5 +5 +5 -5 +5 +7 +4 +5

Oh, the ragman draws circles
Up and down the block.
I’d ask him what the matter was
But I know that he don’t talk.
And the ladies treat me kindly
And furnish me with tape,
But deep inside my heart
I know I can’t escape.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

Well, Shakespeare, he’s in the alley
With his pointed shoes and his bells,
Speaking to some French girl,
Who says she knows me well.
And I would send a message
To find out if she’s talked,
But the post office has been stolen
And the mailbox is locked.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

Mona tried to tell me
To stay away from the train line.
She said that all the railroad men
Just drink up your blood like wine.
An’ I said, «Oh, I didn’t know that,
But then again, there’s only one I’ve met
An’ he just smoked my eyelids
An’ punched my cigarette.»
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

Grandpa died last week
And now he’s buried in the rocks,
But everybody still talks about
How badly they were shocked.
But me, I expected it to happen,
I knew he’d lost control
When he built a fire on Main Street
And shot it full of holes.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

Now the senator came down here
Showing ev’ryone his gun,
Handing out free tickets
To the wedding of his son.
An’ me, I nearly got busted
An’ wouldn’t it be my luck
To get caught without a ticket
And be discovered beneath a truck.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

Now the preacher looked so baffled
When I asked him why he dressed
With twenty pounds of headlines
Stapled to his chest.
But he cursed me when I proved it to him,
Then I whispered, «Not even you can hide.
You see, you’re just like me,
I hope you’re satisfied.»
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

Now the rainman gave me two cures,
Then he said, «Jump right in.»
The one was Texas medicine,
The other was just railroad gin.
An’ like a fool I mixed them
An’ it strangled up my mind,
An’ now people just get uglier
An’ I have no sense of time.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

When Ruthie says come see her
In her honky-tonk lagoon,
Where I can watch her waltz for free
‘Neath her Panamanian moon.
An’ I say, «Aw come on now,
You must know about my debutante.»
An’ she says, «Your debutante just knows what you need
But I know what you want.»
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.

Now the bricks lay on Grand Street
Where the neon madmen climb.
They all fall there so perfectly,
It all seems so well timed.
An’ here I sit so patiently
Waiting to find out what price
You have to pay to get out of
Going through all these things twice.
Oh, Mama, can this really be the end,
To be stuck inside of Mobile
With the Memphis blues again.




The Meadow (New Moon Soundtrack Theme)

Assuming you are listening to the 4:10 recording

(Begining)
5 7 -7 -6
-5 7 -7 -6
-4 -7 -6 6
6 5 8 -9 8
(0:11 take a break)

(0:14 main theme)
8 -6 7 8
-9 -6 7 -9
-8 6 -7 -8
6 -7
8 6 -7 8 -8 8
(0:23 take a break)

(0:27 main theme)
8 -6 7 8
-9 -6 7 -9
-8 6 -7 -8 -7 6 -7
8 6 -7 8 -9 8

(0:38 part where many long notes are being held)
8 8
-9
9
8

(0:46)
8 8
-10
9
8

(0:55)
8 8
9
-9
8

(1:01)
8 8
-11 10 10 -10
9 -9 -9 8 -8
-8 7 -8 8
(1:11 take a break)

(1:16 back to main theme)
8 -6 7 8
-9 -6 7 -9
-8 6 -7 -8
6 -7
(small break)
8 6 -7 8 -8 8

(1:23)
-10 10 9 -9

(1:28 main theme again)
8 -6 7 8
-9 -6 7 -9
-8 6 -7 -8 -7 6 -7
8 6 -7 8 -9 8

1:38)
-6 -7 7 -9
(take a break)

(1:43 these next three notes should be held till next timing)
8
(1:47)
-9
(1:51)
-7

(1:55 the chords part)
-6 -6 -6 -8 -8 7
-8 -8 -8 9 9 -10
(small break)

(2:11 high repetitive part)
7 -7 -6
7 -7 -6
-7 -6 6 6 5 8 -8 8
(2:19)
7 -7 -6
7 -7 -6
-7 -6 6 6 5 8 -9 8
(small break)

(2:30 a small scale will go up, this is the same note being repeated
part)
-10 -10 -10
-10 -10 -10
-10 -10 -10
-10 -10 -10
-10 -10 -10
-10 -10 -10
-10 -10 -10

(2:48 main theme again)
8 -6 7 8
-9 -6 7 -9
-8 6 -7 -8
6 -7
8 6 -7 8 -8 8
-10 10 9 -9 8

(3:02 main theme but high pitch in the recording)
8 -6 7 8
-9 -6 7 -9
-8 6 -7 -8
6 -7
8 6 -7 8 -9 8

(3:13)
8 8
-9
9
8

(3:21)
8 8
-10
9
8

(3:30)
8 8
9
-9
8
(small scale being played)

(3:38)
8 8 7 -7 -7 -6 6 -5 -5 5 -4
(3:47)
-4 4 -4 5
(scale)

(3:54)
8 8 -10

(4:00 final chord)
4




The Masquerade

W: Paul Francis Webster
M: John Jacob Loeb
Ted Black & His Orchestra
Key: G
Time: 3/4

-1 2 -2* 2 -1
Twi-light soon will fade
-1 2 -2* 3 2 -2* 2 -1
I’ll meet you at the mas-quer-ade
-5 -5 -5 -5 -6* 6
While our hearts are swing-ing
5 6 -5 -4 -5 4 -3 3…
To vi-o-lins sing-ing till dawn

-1 2 -2* 2 -1
Lov-er dressed in jade
-1 2 -2* 3 2 -2* 2 -1
Hold me tight at the mas-quer-ade
-5 -5 -5 -5 -6* 6
If the mus-ic halts, dear
5 6 -5 -4 -5 5 -3 3…
Then my heart will waltz, dear, right on

-2* 3* -3* -4 4* -5
Twelve o’clock is chim-ing
-3* -4 -6* -2* 3* -3*
On the clock up a-bove
-3 -4 4* -5 6 -6* 5*
Now if you’ll un-mask your heart
-5 -6* 6 6 -5
I’ll love you, love you

-1 2 -2* 2 -1
Mid-night shad-ows fade
-1 2 -2* 3 2 -2* 2 -1
No one else at the mas-quer-ade
-5 -5 -5 -5 -6* 6
Ev-`ry-thing is through, dear
5 6 -5 -4 -5 5 -3 3…
But my love for you, dear, lives on




The Marvelous Toy

By Tom Paxton
Key: D

-3 -1 -1 -1 -2* 2 2 2 2
When I was just a wee lit-tle lad,
-1 -1 -1 -2* 2
Full of health and joy,
-3 -4 -4 -4 3 -3 -3 -3
My fa-ther home-ward came one night
-1 2 2 2 -2* 2
And gave to me a toy.
-3 -1 -1 -1 -2* 2 2 2
A won-der to be-hold it was
2 -1 -1 -2* -3 3
With man-y col-ors bright
-4 -4 -4 -4 -5 -4 -3 -3 -2*
And the mo-ment I laid eyes on it,
-1 -1 2 2 -2* -1 2
It be-came my heart’s de-light.

[Refrain:]

-3 -3 -1 -1 -1 -1
It went «Zip» when it moved
-2* 2 2 2 2
and «Bop» when it stopped,
-2* -1 -1 -2* -3 3
and «Whirrr» when it stood still
-4 -4 -4 -5 -4 -3 -3 -2*
I nev-er knew just what it was
-1 -1 2 3 -2* 2 -1
and I guess I nev-er will.

The first time that I picked it up
I had a big surprise
Cause right on the bottom were two big buttons
That looked like big green eyes
I first pushed one and then the other,
Then I twisted its lid
And when I set it down again,
here is what it did:

[Refrain]

It first marched left, and then marched right
And then marched under a chair
And when I looked where it had gone
It wasn’t even there
I started to cry, but my daddy laughed
‘Cause he knew that I would find,
When I turned around my marvelous toy
Would be chugging from behind.

[Refrain]

The years have gone by too quickly it seems,
I have my own little boy
And yesterday I gave to him
My marvelous little toy:
His eyes nearly popped right out of his head
And he gave a squeal of glee!
Neither one of us knows just what it is
But he loves it just like me!

It still goes… [Refrain]




The Marines Hymn

Played in The First Position.

4 5 6 6 6 6 6 6 7 6 5 -5
From the halls of Montezuma to the

6 6 -5 -4 4 4 5 6 6 6 6
shores of Tripoli. We will fight our countrys

6 7 6 5 -5 6 6 -5 -4 4 7 -7
battles in the air on land and sea. First to

-6 -5 -6 7 6 -6 6 7 -7 -6 -5
fight for right and freedom and to keep our

-6 7 6 4 5 6 6 6 6 6 7
hornor clean. We are proud to claim the title

6 5 -5 6 6 -5 -4 4
of United States Marines.




The Maple Leaf Forever

-5 -4 -5 -8 -7 6 -7 -5
In Days of yore, from Bri- tain’s shore,

-6 -7 7 -7 -6 6 -5
Wolfe the daunt- less he- ro came,

5 -4 -5 -7 -7 -8 -7 6
And plant- ed firm Bri- tan- nia’s flag,

-6-7 7 7 -7 -6 6 -5 -5
On Ca- na- da-‘s fair do- main.

-5 6 -5 -7
Hear may it wave,

-5 6 -7 -5
Our boast, our pride,

-5 6 6 8 -8 -8 7
And joined in love to- geth- er,

-5 -9 -8 -7 -6 6 -7 -5
The this- tle, sham- rock, rose en- twined,

-5 6 8 -8 7 7 -7
The Ma- ple Leafe For- ev- er.

-5 -4 -5 -7 -5 6 -7 -5
Cho: The Ma- ple Leaf Our Em- blem Dear,

-5 -5 -5 8 -8 -8 7
The Ma- ple Leaf For- ev- er.

-5 -9 -8 -7 -6 6 -7 -5
God save our Queen and heav- en bless.

-5 6 8 -8 7 7 -7
The Ma- ple Leaf For- ev- er.




The map room at Dawn, Raiders Lost Ark

from Raiders of the lost Ark, the haunting tune which played whenever
the Ark was shone or talked about.

7 <-6 5 7 <-6 5 8 <-8 <-5 <-7 6 <7 7 <-6 5 7 <-6 5 8 <-9 -9 <-7 7 -9 -9