ORIGINAL KEY INTERMEDIATE

dedicated to Rob…. Who played Phantom brilliantly for many years
until his recent Passing

5 4 -4 4 4 -4
Night time shar-pens, height-ens

5 -5b -4 -5
each sen-sa-tion

5 4 -4 4 4 -4 5 -5b -4 -5
Dark-ness wakes and stirs i-ma-gi-na-tion

-6b 7 -7 7 -7 7
Si-lent-ly the sen-ses

-6 -6b 7 7 7 -7 7
a-ban-don their de-fen-ces

-6b 7 7 7 -67 7 -6b 5 -45
You a-lone can make my song take flight

5 4 -4 4 4
Slow-ly, gent-ly, night

4 -4 4 4 -4
un-furls its splen-dour

5 4 -4 4 4 -4 5 -5b -4 -5
Grasp it, sense it, trem-u-lous and ten-der

-6b 7 -7 7 -7
Turn your face a-way

7 -6 -6b 7 7 7 -7
from the gar-ish light of day

7 -6 -6b 7 7 7 -7
Turn your thoughts a-way from cold,

-67 7 -6b -45
un-feel-ing light

5 5 -4 -4 5 -5b -5 5 -4 4
And lis-ten to the mus-ic of the night

5 -5 -7 7 -6 -6b -5
Close you eyes and sur-ren-der

-6b -5 -456 -5b 54
to your dark-est dreams

-5 -6 345 -7
purge your thoughts of

7 7 -6 -6 -6b -456
the life you knew be-fore

-7 -7 -567
Close your eyes,

7 -6 -6b -5 -6b -5 456
let your spi-rit start to soar

-6 -6 -456
And you’ll live

-6 -6 -6 -6b -6 7 -456
as you’ve nev-er lived be-fore

5 -4 -4 5 -5b -5 5 -4 567
Help me make the mus-ic of the night!

ENJOY!!!

From: The Phantom Of The Opera
W: Charles Hart & Richard Stilgoe
M: Andrew Lloyd Webber
Key: Db, E

Key: Db

-6 3* -5* 3*
Night time sharp-ens,
5* -5* -6 -6* -5* 7*
height-ens each sen-sa-tion
-6 3* -5* 3* 5* -5* -6-6*-5* 7*
Dark-ness stirs and wakes im-ag-i-na-tion
-7* 8* 8* 8* -9* 8*
Si-lent-ly the sen-ses
8 -7* 8* 8* 8* -9* 8*
a-ban-don their de-fen-ces

-7*8*8*8*-9*8*-7*-6

-6 3* -5* 3*
Slow-ly, gent-ly,
4* -5* -6 -6* -5* 7*
night un-furls its splen-dor
-6 3* -5* 3*
Grasp it, sense it,
4* -5* -6 -6* -5* 7*
trem-u-lous and ten-der
-7* 8* 8* 8*-9*
Turn your face a-way
8* 8 -7* 8* 8* 8* -9*
from the gar-ish light of day
8* 8* -7* 8* 8* 8* -9*
Turn your thoughts a-way from cold,
8* -7* -6 7*
un-feel-ing light
-6 -6 -5* -5* -6 -6* 7* -6 -5* 5*
And lis-ten to the mus-ic of the night
-6 7*
Close your

Key: E

-9* 88 -8 -7* 7*
eyes and sur-ren-der
-6* 7* 7* -6* 6
to your dark-est dreams
7* -8 10 -9*
purge your thoughts of
8* 8* -8 -8
the life you knew

Key: Db

8 -7*
be-fore
-9* -9* -9*
Close your eyes,
8* 8 -7* 7* -7* 7* -11*
let your spir-it start to soar
9* 9* 8
And you’ll live
8 8 8 -7* 8 8* 8
as you’ve nev-er lived be-fore
-6 -2* -5* -2* 4* -5* -6 -6* -5* 7*
soft-ly, deft-ly mu-sic shall ca-ress you
-6 -2* -5* -2* 4* -5* -6 -6* -5* 7*
hear it, feel it, se-cret-ly pos-sess you
-7*8* 8* 8* -9* 8* 8
o-pen up your mind, let your
-7* 8* 8* 8* -9*
fan-ta-sies un-wind
8* 8 -7* 8* 8* 8* -9*
in this dark-ness which you know
8* -7* -6 7*
you can-not fight
-6 -6 -5* -5* -6 -6* 7* -6 -5* 5*
the dark-ness of the mu-sic of the night
8* 8*
let your

Key: E

-9* 8* -8 -7* 7*
mind start a jour-ney
-6* 7* 7* -6* 6
through a strange new world
7* -8 10
leave all thoughts
-9* 9* 9* -8 -8 8 -7*
of the world you know be-fore

Key: Db

-9* -9* -9* 8* 8 -7*
let your soul take you where
7* -7* 7* 11*
you long to be
9 9 9 9 9 -7* 9 9* 9
on-ly then can you be-long to me

-6 3* -5* 3* 5* -5* -6 -6*-5* 7*
float-ing fall-ing sweet in-tox-i-ca-tion
-6 3* -5* 3* 5* -5* -6 -6* -5* 7*
touch me trust me sa-vour each sen-sa-tion
-7* 8* 8* 8* -9*
let the dream be-gin
8* 8 -7* 8* 8* 8* -9*
let your dark-er side give in
8* 8* -7* 8* 8* 8* -9* 8* -7* -6 7*
to the pow-er of the mu-sic that I write
-6 -6 -5* -5* -6 -6* 7* -6 -5* 5*
the pow-er of the mu-sic of the night

|5*-5*-6-6*-5* 7* |-6 7* -5* 7* |
|5*-5*-6-6*-5* 7* |-7*8*8*8*-9* 8*8|
|-7*8*8*8*-9* 8*8|

-7* 8* 8* 8* -9* 8* -7* -6 7*
you a-lone can make my song take flight
-6 -5* -5* -6 -6* 7* -6 -5* 8*
Help me make the mus-ic of the night!

5 3 -4 3
Soft-ly, deft-ly,
4 -4 5 -5 -4 6
Mus-ic shall ca-ress you,
5 3 -4 3
Hear it, feel it,
4 -4 5 -5 -4 6
Se-cret-ly pos-sess you,
-6 7 7 7 -8
O-pen up your mind,
7 -7 -6 7 7 7 -8
Let your fan-tas-ies un-wind,
7 -7 -6 7
In the dark-ness,
7 7 -8
Which you know,
7 -6 5 6
You can-not fight,
5 5 -4 -4 5 -5 6 5 -4 4
The dark-ness of the mu-sic, of the night.

W; “Red” Hodgson
M: Edward Farley, Michael Riley
Tommy Dorsey, Ella Fitzgerald
Key: C

3 4 4 4
6 7 7 7
I blow thru here

3 4 4 4 4 -3 -3 -4
6 7 7 7 7 -7 -7 -8
The mu-sic goes ’round and a-round

-3 -3”4 -3”2 3
-7 -6 7 -6 5 6
Whoa-ho-ho-ho-ho-ho

3 3 -2” 2 1
6 6 -5 5 4
And it comes up here

3 4 4 4 4 4
6 7 7 7 7 7
I push the first valve down

3 4 4 4 4 -3 -3 -4
6 7 7 7 7 -7 -7 -8
The mu-sic goes down and a-round

-3 -3”4 -3”2 3
-7 -6 7 -6 5 6
Whoa-ho-ho-ho-ho-ho

3 3 -2” 2 1
6 6 -5 5 4
And it comes out here

2 4 4 -3 -3 -3 -3”2
5 7 7 -7 -7 -7 -6 5
I push the mid-dle valve down

2 4 4 4 -3 -3” -3” 2 2
5 7 7 7 -7 -6 -6 5 5
The mu-sic goes down a-round be-low

2 2 2 2 4 -4 4 -3 -4 -3
5 5 5 5 7 -8 7 -7 -8 -7
Be-low, be-low, dee-dle-dee-ho-ho-ho

-3” -3” -3”-3” -3”3 3 3
-6 -6 -6 -6 -6 6 6 6
Lis-ten to the jazz come out

3 4 4 4 4 4 4
6 7 7 7 7 7 7
I push the oth-er valve down

3 4 4 4 4 -3 -3 -4
6 7 7 7 7 -7 -7 -8
The mu-sic goes ’round and a-round

-3 -3”4 -3”2 3
-7 -6 7 -6 5 6
Whoa-ho-ho-ho-ho-ho

3 3 -2” 2 1
6 6 -5 5 4
And it comes out here

W; Red Hodgson
M: Edward Farley, Michael Riley
Tommy Dorsey, Ella Fitzgerald
Key: C

3 4 4 4
I blow thru here
3 4 4 4 4 -4 -4 -5
The mu-sic goes ’round and a-round
-4 -3 4 -3 2 3
Whoa-ho-ho-ho-ho-ho
3 3 -2 2 1
And it comes up here
3 4 4 4 4 4
I push the first valve down
3 4 4 4 4 -4 -4 -5
The mu-sic goes down and a-round
-4 -3 4 -3 2 3
Whoa-ho-ho-ho-ho-ho
3 3 -2 2 1
And it comes out here
2 4 4 -4 -4 -4 -3 2
I push the mid-dle valve down
2 4 4 4 -4 -3 -3 2 2
The mu-sic goes down a-round be-low
2 2 2 2 4 -5 4 -4 -5 -4
Be-low, be-low, dee-dle-dee-ho-ho-ho
-3 -3 -3 -3 -3 3 3 3
Lis-ten to the jazz come out
3 4 4 4 4 4 4
I push the oth-er valve down
3 4 4 4 4 -4 -4 -5
The mu-sic goes ’round and a-round
-4 -3 4 -3 2 3
Whoa-ho-ho-ho-ho-ho
3 3 -2 2 1
And it comes out here

Trad. folk
Aunt Selina Metcalf
Key: Dm
Time: 3/4

-3 -3-2 2 -1 -2 3 -3-4 3 -3
How come that blood on your own coat sleeve
-2 3 -3-2 -3 3 2 1 -1
Lit-tle son pray come tell me
-3-56 5 -5 4 -3* -3 -4 3 -3
It is the blood of that skin-ny grey-hound
-3 -3 -2 -1 3 2 1 -12-2
That tra-ced the fox for me
3 -3 -5…-3 3 2 1 -1
That tra-ced the fox for me

Trad. folk
Aunt Selina Metcalf
Key: Dm
Time: 3/4

-3” -3”-2” 2 -1 -2” 3 -3”-3 3 -3”
How come that blood on your own coat sleeve
-2” 3 -3”-2”-3” 3 2 1 -1
Lit-tle son pray come tell me
-3”-45 4 -4 4 -3”’ -3” -3 3 -3”
It is the blood of that skin-ny grey-hound
-3” -3” -2” -1 3 2 1 -12-2”
That tra-ced the fox for me
3 -3” -4 -3”3 2 1 -1
That tra-ced the fox for me

Miss Katherine Pettit
Key: Em
Time: 3/4

-1 3 -3 -2* 3 -1
Oh Broth-er, dear Broth-er
-3 4 -5 -4 -3
Pray toss me a stone
-3 -5 -4 -3 -6*6 -5 4 -3
Oh Broth-er, come play at ball
3-2*3-3-2* 2 -1 -3 4-5 -4 -3
I am too lit-tle, I am too young
-3 -5 -4 -3 -6* 6 -5 4 -3
Oh Broth-er, pray let me a-lone
3 -2* 3 -3 3 -2* 2 -1
Oh Broth-er, pray let me a-lone

Miss Katherine Pettit
Key: Em
Time: 3/4

3 4 -4 -3 4 3
Oh Broth-er, dear Broth-er
-4 -5 6 5 -4
Pray toss me a stone
-4 6 5 -4 -7-6 6 -5-4
Oh Broth-er, come play at ball
-4-34-4 -3 -3” 3 -4 -56 5 -4
I am too lit-tle, I am too young
-4 6 5 -4 -7 -6 6 5 -4
Oh Broth-er, pray let me a-lone
4 -3 4 -4 4 -3-3” 3
Oh Broth-er, pray let me a-lone

7 7 -6 -7 -6 -7 6
Its time to play the music

7 7 -6 -7 -6 6
Its time to light the lights

5 5 6 -5 5 -5 7 4 -4 5 5 5 6
Its time to meet the muppets on the muppet show tonight

Repeat

Its time to put on make up
Its time to dress up right
Its time to raise the curtains
on the muppet show tonight

7 7 -6 -7 -6 -7 6
Its time to put on make up

7 7 -6 -7 -6 6
Its time to dress up right

5 5 6 -5 5 -5 7
Its time to get things started

4 -4 5 5 5 5 4 5
on the most sen-sa-tion-al

-6 -6 -6 5 -6
in-spir-ra-tion-al

7 7 7 -6 7 8 8 8 7 8
cel-e-bra-tion-al muppet-a-tion-al

-6 -7 7 -8 8 8 8 8 10
this is what we call the muppet show

On the 21st bar of the song she starts singing whole notes:
-6 7 6 -6 -5 6 -6
Ooh________________aah________ .

-6 7 6 -6 -5 6 5
Ooh_________________aah_______.

Play /verse, chorus/verse, chorus/verse, chorus, chorus/.

Verse:
-4 -4 -6 -4 5 -4 4 4 4
In the spring- time of the year

-3″‘ -3″‘ 5 5 5 -4 -4
When the trees are crowned with leaves

4 -4 -4 -6 -4 -4 5 -4 4 4 4
When the ash and oak and the birch and yew

-3′ 5 5 5 -4 -4
Are dressed in rib-bons fair

-4 -4 -6 -4 5 -4 4 4
When owls call the breath-less moon

4 -3′ 5 5 5 -4 -4
In the blue veil of the night

4 -4 -6 -4 -4 5 -4 4 4
The sha-dows of the trees ap-pear

-3’ 5 5 5 -4 -4
A-midst the lan-turn light
Chorus: -6 -8 -8 8 -8 7
We’ve been rambling all the night

-7 7 -7 -7 -7 -6
And some time of this day

6 -6 -8 -8 -8 8 -8 7
Now re- turn-ing back a-gain

-7 7 -7 7 -7 -6
We bring a gar-land gay

Verse 2 Who’ll go down to those shady groves
And summon the shadows there
And tie a ribbon on those sheltering arms
In the springtime of the year

Songs of birds seem to fill the wood
That when the fiddler plays
All their voices can be heard
Long past their woodland days
Verse 3 And so they linked their hands and danced
Round in circles and in rows
And so the journey of the night descends
When all the shades are gone

A garland gay we bring you here
And at your door we stand
It is a sprout well budded out
The work of our Lord’s hand

A :

5 -4 4 -4 5 4 -4 -2 -2

4 -4 5 6 -6 -7 7 -8 8 9 -8 -7 7

-7 6 -6 7 6 5 -4 -5 5 -4

5 -4 4 -4 5 4 -4 -2 -2

4 -4 5 6 -6 -7 7 -8 8 9 -8 -7 7 -6 6 -5 5 -5 -4 5 4

B :

6 -7

7 8 7 9 7 8 7 9 8 7 8 -8 7 -6 6

7 8 7 9 7 8 7 -6 -8 -8 8 -8 7 -6 6

7 8 7 9 7 8 -10 9 8 7 8 -8 7 -6 6

7 -9 8 -8 7 -6 6 5 6 5 -4 5 4

American game song
Key: C

-2” -2”-2” -2” -3” 4 4 -3” -2”
-5 -5 -5 -5 -6 7 7 -6 -5
Here we go ’round the mul-ber-ry bush,

-2” 3 3 3 3 -3” 3 3 2 1
-5 6 6 6 6 -6 6 6 5 4
The mul-ber-ry bush, the mul-ber-ry bush.

-2” -2”-2” -2” -3” 4 4 -3” -2”
-5 -5 -5 -5 -6 7 7 -6 -5
Here we go ’round the mul-ber-ry bush,

-2” 3 3 1-1 2 -2” -2”
-5 6 6 4-4 5 -5 -5
So ear-ly in the morn-ing.

This is the way we wash our clothes,
Wash our clothes, wash our clothes.
This is the way we wash our clothes,
So early Monday morning.

This is the way we iron our clothes,
Iron our clothes, iron our clothes.
This is the way we iron our clothes,
So early Tuesday morning.

This is the way we mend our clothes,
Mend our clothes, mend our clothes.
This is the way we mend our clothes,
So early Wednesday morning.

This is the way we sweep the floor,
Sweep the floor, sweep the floor.
This is the way we sweep the floor,
So early Thursday morning.

This is the way we scrub the floor,
Scrub the floor, scrub the floor.
This is the way we scrub the floor,
So early Friday morning.

This is the way we bake our bread,
Bake our bread, bake our bread.
This is the way we bake our bread,
So early Saturday morning.

This is the way we go to church,
Go to church, go to church.
This is the way we go to church,
So early Sunday morning.

American game song
Key: C

-2 -2 -2 -2 -3 4 4 -3 -2
Here we go ’round the mul-ber-ry bush,
-2 3 3 3 3 -3 3 3 2 1
The mul-ber-ry bush, the mul-ber-ry bush.
-2 -2 -2 -2 -3 4 4 -3 -2
Here we go ’round the mul-ber-ry bush,
-2 3 3 1-1 2 -2 -2
So ear-ly in the morn-ing.

This is the way we wash our clothes,
Wash our clothes, wash our clothes.
This is the way we wash our clothes,
So early Monday morning.

This is the way we iron our clothes,
Iron our clothes, iron our clothes.
This is the way we iron our clothes,
So early Tuesday morning.

This is the way we mend our clothes,
Mend our clothes, mend our clothes.
This is the way we mend our clothes,
So early Wednesday morning.

This is the way we sweep the floor,
Sweep the floor, sweep the floor.
This is the way we sweep the floor,
So early Thursday morning.

This is the way we scrub the floor,
Scrub the floor, scrub the floor.
This is the way we scrub the floor,
So early Friday morning.

This is the way we bake our bread,
Bake our bread, bake our bread.
This is the way we bake our bread,
So early Saturday morning.

This is the way we go to church,
Go to church, go to church.
This is the way we go to church,
So early Sunday morning.

7 6 -7 -7 -7 -8 -9 9 -9 -8 8 -7 -8 7 7 -9 7 7

-8 -9 8 -8 -7 7 6 -7 -7 -7 -8 -9 9 -9 9 -11 10

9 -9 8 -8 8 -9 9 8 -7 -7 (repeat)

-10 10 9 -10 10 -11 10 9 -10 10 -9 8 -8 7 7 -9

7 7 -8 -9 8 -8 -7 7 10 9 -10 10 -11 10 9 -10

10 -9 9 -9 8 -8 8 -9 9 8 -7 -7 -10 10 9 -10 10

-11 10 9 -10 10 -9 8 -8 7 7 -9 7 7 -8 -9 8 -8

-7 7 6 -7 -7 -7 -8 -9 9 -9 9 -11 10 9 -9 8 -8 8

-9 9 8 -7 -7

American version of an English folk song
Key: F
Time: 2/4

1 -2 -2 3 -3 -2 -2
Do you know the muf-fin man
2 -1 3 3 -2 2 1 1
The muf-fin man, the muf-fin man
1 -2 -2 3 -3 -2 -2
Do you know the muf-fin man
-2 3 3 1 1 -2
Who lives in Dru-ry Lane
1 -2 -2 3 -3 -2 -2
Yes we know the muf-fin man
2 -1 3 3 -2 2 1 1
The muf-fin man, the muf-fin man
1 -2 -2 3 -3 -2 -2
Yes we know the muf-fin man
-2 3 3 1 1 -2
Who lives in Dru-ry Lane

American version of an English folk song
Key: F
Time: 2/4

1 -2” -2” 3 -3” -2” -2”
4 -5 -5 6 -6 -5 -5
7 -9 -9 9 -10 -9 -9
Do you know the muf-fin man

2 -1 3 3 -2” 2 1 1
5 -4 6 6 -5 5 4 4
8 -8 9 9 -9 8 7 7
The muf-fin man, the muf-fin man

1 -2” -2” 3 -3” -2” -2”
4 -5 -5 6 -6 -5 -5
7 -9 -9 9 -10 -9 -9
Do you know the muf-fin man

-2” 3 3 1 1 -2”
-5 6 6 4 4 -5
-9 9 9 7 7 -9
Who lives in Dru-ry Lane

1 -2” -2” 3 -3” -2” -2”
4 -5 -5 6 -6 -5 -5
7 -9 -9 9 -10 -9 -9
Yes we know the muf-fin man

2 -1 3 3 -2” 2 1 1
5 -4 6 6 -5 5 4 4
8 -8 9 9 -9 8 7 7
The muf-fin man, the muf-fin man

1 -2” -2” 3 -3” -2” -2”
4 -5 -5 6 -6 -5 -5
7 -9 -9 9 -10 -9 -9
Yes we know the muf-fin man

-2” 3 3 1 1 -2”
-5 6 6 4 4 -5
-9 9 9 7 7 -9
Who lives in Dru-ry Lane

6 7 7 -8 8 7 7
Do you know the muffin man,

-7 -6 -8 -8 7 -7 6 6
The muffin man, the muffin man?

6 6 7 7 -8 8
Oh, do you know the man

7 7 7 -8 -8 -7 -7 7
Who sells his muffins on the street?

-8 6 6 6 8 7 7
Do you know the muffin man,

7 -9 -8 8 7 -8 -7 6
The muffin man, the muffin man?

-6 6 7 7 -8 8 7 7
Oh, do you know the muffin man—

7 -8 -8 -7 -7 7
His wares are such a treat

Trad. Scottish folk song
Key: D
Time: 6/8

||:3-3”3323|4 -45 6|6 -45 4|
||:6-66656|7 -88 9|9 -88 7|

|-4 4-3”-34|3-3”3323|4-45 6|
|-8 7-6-77|6-66656|7-88 9|

|654-45-4|4 4-3-3”:||
|987-88-8|7 7-7-6:||

||:-5 -5-56-6|5 55-56|-45-4-44-4|
||:-9 -9-99-10|8 88-99|-88-8-87-8|

|5-44-3”-34|3-33323|4 -45 -5|
|8-87-6-77|6-66656|7 -88 -9|

|654-45-4|4-444 :||
|987-88-8|7-877 :||

Trad. Scottish folk song
Key: D
Time: 6/8

||:-3-4-3-3-2*-3|-5 6-6* -7|7 6-6* -5|

|6 -5-45*-5|-3-4-3-3-2*-3|-5 6-6* 7|

|-7-6*-56-6*5|-5 -55*-4:||

||:7 77-7-8|-6* -6*-6*7-7|6-6*66-56|

|-6*6-5-45*-5|-3-4-3-3-2*-3|-5 6-6* 7|

|-7-6*-56-6*6|-56-5-5 :||

-4 +4 -4 +5 -4 +4 -4 +5 -4 +4 -4 +5 -4 +4 +5 -4 +4 +6__+5+4-4

The Mountains Of Mourne By Percy French
For Lee Oscar Melody Maker

-4 -4 -7 -7 -7 -6 -6 6 6 6 6
Oh Mar=ry this Lon-dons a won-der-ful sight

-5 5 5 -4 -4 -4 5 -5 -6 6 6 6
Wid the peo-ple here work-in by day and by night

-4 -4 -7 -7 -7 -6 -6 -6 6 6 6
They don’t sow pot-at-oes nor bar-ley nor wheat

-5 5 5 -4 -4 -4 5 -5 -6
But there’s gangs o’ them dig-gin for gold

6 6 6
in the street

-4 -4 7 7 7 7 7 7 -7 -6 -7
At least when I axed them thats what I was told

-4 -4 -4 6 -7 -8 7 -7 -7 -6 6 -6
So I just took a hand at this dig-gin for gold

-4 -4 -4 -7 -7 -7 -6 -6 -6 6 6 6
But for all that I found there I might as well be

-5 5 5 -4 -4 -4 5
Where the Mount-ains of Mourne

-5 -6 6 6 6
Sweep down to the sea.

Here’s a song Ernest Stoneman (Pops Stoneman) recorded with his
wife. He played the tune in first position with tongue blocked octaves
as in the video example. The video is played on a D harp. Both the
video and tab show the tune in the upper and lower octaves. It’s a
real fun tune, hope you like it!

The Mountaineer’s Courtship

6 7 7 7 -8 8 8 -8 -8 8 -8 7
So when you gonna court me, court me, court me?

6 7 7 7 -8 8 8 8 -8 -8 -8 -8 8 -8 7
So, when you gonna court me, my pretty little wreckless boy.

3 4 4 4 -4 5 5 5 -4 -4 -4 5 -4 4
I guess I’ll court you Saturday,Saturday, Saturday.

3 4 4 4 -4 5 5 5 4 -4 -5-5 5 4 -4 4
I guess I’ll court you Saturday—that is if the weather is good.

Play chorus first

I don’t want a pick-le,
4 4d 5d 4d 5d 6

Just want to ride on my mo-tor-sick-le,
6d 6d 6 6d 5d 4d 5d 5d 4d 4

And I don’t want a tick-le,
4 4 4d 5d 4d 5d 6

Cause I’d rath-er ride on my mo-tor-sick-le
4 6d 6d 6 6d6 5d 4d 5d 5d 4d 4

And I don’t wan-na die,
5d 8d 7 7 6d 6d

Just want to ride on my mo-tor-cy———cle
6d 6d 6 6d6 5 4d 5d 5d 4d4 4

1.
It was late last night the oth-er day,
5d 4d 5d 5d 5d 4 5d 5d 6d

I thought I’d go up and see Ray,
5d 6d 6d 6d 6d 5d 5d 4

So I went up and I saw Ray,
4 4d 5d 5d 5d 5d 5d 6d

There was on-ly one thing Ray could say, was
6d 6 6d 6 6d 6d 6d 6 5d 4d (go back to chorus)

2.
Late last week I was on my bike,
Ran into my good friend Mike
Ran into my good friend Mike,
Mike no long-er has a bike, he cries (chorus)

By Rogers & Hart
From Jumbo
Tommy Dorsey, Tony Bennett
& Frank Sinatra
Key: F
Waltz 3/4 time

1 -1 2 1 -1 2 1 -1 2
The most beau-ti-ful girl in the world
3 -2 2 2
picks my ties out
3 -2 2 2 -2 -1 1 1
Eats my can-dy, drinks my bran-dy
1 -1 2 -2 3 3 -3 3 4
The most beau-ti-ful girl in the world
1 -1 2 1 -1 2 1 -1 2
The most beau-ti-ful star in the world,
3 -2 2 2 3 -2 2 2
Is-n’t Gar-bo Is-n’t Die-trich,
-2 -1 1 1
but the sweet trick
1 -1 2 -2 3 3
Who can make me be-lieve
-3 -3* 4 -5 5 -5*
it’s a beau-ti-ful world

6 6 6 6 5 6 6 6 6 5
Soc-ial ? Not a bit! Nat-‘ral kind of wit
-5 -5 -5 -5 3
She’d shine an-y-where,
3 -3 -3* 4 -3* 4 -3* 4 3
and she has-n’t got plat-i-num hair

1 -1 2 1 -1 2 1 -1 2
The most beau-ti-ful house in the world
3 -2 2 2
has a mort-gage
3 -2 2 2 -2 -1 1 1
What do I care ? It’s «Good-bye, care»
1 -1 2 -2 3 3
When my slip-pers are next
-3 -3* 4 -5 5 -5*
to the ones that be-long
-5 6 -6 -5 -6 -5
To the one and on-ly
-6 -5 6 -6 -5 6 -6
beau-ti-ful girl in the world

6 6 6 6 5 6 6 6 6 5
Soc-ial ? Not a bit! Nat-‘ral kind of wit
-5 -5 -5 -5 3
She’d shine an-y-where,
3 -3 -3* 4 -3* 4 -3* 4 3
and she has-n’t got plat-i-num hair

1 -1 2 1 -1 2 1 -1 2
The most beau-ti-ful house in the world
3 -2 2 2
has a mort-gage
3 -2 2 2 -2 -1 1 1
What do I care ? It’s «Good-bye, care»
1 -1 2 -2 3 3
When my slip-pers are next
-3 -3* 4 -5 5 -5*
to the ones that be-long
-5 6 -6 -5 -6 -5
To the one and on-ly
-6 -5 6 -6 -5 6 -6
beau-ti-ful girl in the world

Words and Music by Billy Sherrill, Norris Wilson
and Rory Bourke

3 -3 -4 5-4 5 -4 -3 -4 4 -4 4
Hey, did you happen to see the most beautiful
3 -3 -4 4
girl in the world?
2 3* -4 4 8 -4 -4 4-4-3 3-3 3 -2*
And if you did, was she cry—ing, cry—ing?
3 -3 -4 5-4 5 -4 -3 -4 4 -4 4
Hey, if you happen to see the most beautiful
3 -4 4 -4 4 -3
girl that walked out on me
3 -3 -3* -3-3
Tell her, «I’m sorry.»
3 -3 -3* 7 -5 -3*-3*
Tell her, «I need my ba-by.»
4 4 -3* -3 -3 -1 -4 -3 -3
Oh…. Won’t you tell her that I love her.

3 3 3 -4 -4 -4 2 -3 3 -3 -3 -4 -3
I woke up this morning and realized what I had
2
done
-3 -3 -3-3 3 3 -2* 3-2* -2* 2* 2
I stood al-one in the cold gray dawn
-1 2 2 2 2 2 2 -1
I knew I’d lost my morning sun
-4 -4 -4 -3 -3 -4 -3 3 3 -2
I lost my head and I said some things
5 5 5 -4 -4 -4 -4 -3 2
Now come the heartaches that morning brings
-3 -3 -3 -3 2 -4 -3 -4 -3
I know I’m wrong and I couldn’t see
3 3 -2* 2 2 -2*-1 -1 -1
I let my world slip aw-ay from me
-1
So…….

(rEPEAT THE SAME NOTES AS ABOVE FOR THE REST OF THE SONG)

Hey, did you happen to see the most beautiful girl in the world?
And if you did, was she crying, crying?
Hey, if you happen to see the most beautiful girl that walked out on
me
Tell her, «I’m sorry.»
Tell her, «I need my baby.»
Oh…. Won’t you tell her that I love her.

( break )

Hey, did you happen to see the most beautiful girl in the world?
And if you did, was she crying, crying?
Hey, if you happen to see the most beautiful girl that walked out on
me
Tell her, «I’m sorry.»
Tell her, «I need my baby.»
Oh…. Won’t you tell her that I love her.

If you happen to see the most beautiful girl that walked out on me
Tell her, «I’m sorry.»
Tell her, «I need my baby.»
Oh…. Won’t you tell her that I love her

5 5 -4 5 4 3 -3
4 5 6 -6 6 7 6
5 5 -4 5 4 3 -3
4 5 -4 -3 4 4 -4

5 6 -6 -7 7 7 -6
-7 -6 6 -7 -6 6 5 -4
5 6 -6 -7 7 -8 7
-7 -6 6 5 -6 6

5 6 -6 -7 7 7 -6
-7 -6 6 -7 -6 6 5 -4
5 6 6 5 6 -6 -7
7 7 -8 7 -7 -6 6

5 6 -6 6 -5 5 4 4 -4 3 3 5 4
the more we are to-geth-er to-geth-er to-geth-er
4 6 -6 6 -5 5 4 4 -4 -4 3 3 4
the more we are to-geth-er,the happ-i-er we`ll be
4 -4 3 3 5 4
for your friends are my friends
4 -4 3 3 5 4
and my friends are your friends
4 6 -6 6 -5 5 4 4 -4 -4 3 3 4
the more we are to-geth-er,the happ-i-er we`ll be.

this tune is played staccato style,and is quite
familiar.

3 4 4 4 3 4 6 6 6 -4
The more I see you, the more I want you
3 4 4 4 3 4 6 -5 6
Somehow this feeling, just grows and grows
6 6 6 6 6 6 6 -7 -6 -5 5 4
With every sigh I become, more mad about you
6 -5 5 -4 4 5 4 3 -4
More lost without you, and so it goes

3 4 4 4 3 6 6 6 6 -4
Can you imagine, how much I love you?
3 4 4 4 3 4 -6 6 -6
The more I see you, as years go by
6 -5 5 7 -6 6 -5 -6 -6 -6 -6 6 6
I know, the only one for me, can only be you
3 4 -4 5 5 5 4 5 5 4
My arms won’t free you, and my heart won’t try

Sung & recorded by Chris Montez in early 60’s. If I recall correctly
he used just the refrain but here I have included the opening verse.
~~~~~ (means extend the note)

3 4 -4 5 6 -6 6 -6 -7 -6 6~~~~
Each/time I look at you is like the/first time—

5 6 5 6 -3~~ 5 4 -4
each time you’re/near me—the thrill is/

5~~~~ 3 4 -4 5 6 -6 6 -6 -7
new—and/there is noth-ing that I would-n’t/

-6 6 6 -7 6 -7 4~~~ 6 5 -5
do for— the rare de-/light of— the sight of/

5 -4~~~~~~~~
you for—/— /

refrain;
3 4 -3 4 3~~~~~ 4 6 -5 6 -4~~~~~
The more I/see you—/-the more I/want you—/

~~ 3 4 -3 4 3~~~~~~ 4 6 -5
—some-how this/fee-ling—/-just grows and/

6~~~~~~~ 6 6 6 6 6 6 6 -7 6 -5
grows—/-with ev-ry/sigh I be-/come more mad a/

5 5~~~~~ 6 5 -4 4 4~~~~~ 5 4 3
bout you—/-more lost with-/out you—/-and so it/

-4~~~~~ 3 4 -3 4 3~~~~~ 4 6 -5
goes—/-can you im-/ag-ine—/-how much I’ll/

6 -4~~~~~ 3 4 -3 4 3~~~~~ 4 -6 6
love you—/-the more I/see you—/-as years go/

-6~~~~6 -5 5 7 -6 6 5 -6 -5 4 -4
by—/-I know the/on-ly one for/me can on-ly/

6 3~~~~~3 4 -4 5 3~~~~
be you—/-my arms won’t/free you—/

~5 4 -4 4~~~~~~~~~~
-my heart won’t/try—/——/ fin.