7 -9 9 -8 -7 -8 7 -5

6 10 -9 9 -8 <-8 -7 <-10 -7 11 <-10 10 -9 <-8 <-7 7 -7 <-7 7 11 <-10 <-10

Theme from Coptic Watos Doxology
T= 100 [2/4] Diatonic Greek Tetrachord

| -5 6 | -6 6 | -5 5 | `-5 `6 -5 | -6 6 | -6 -5 | 6 `6 `-5 | 5_ |
| -5 6 | -6 6 | -5 5 | `-5 `6 -5 | -6 6 | -6 -5 | 6 `6 `-5 | 5_ ||

10 Hole Harmonica Tablature System

1. Holes 1-10, 1-12, 1-14, 0 is for pause
2. Blow: no sign, Draw: — (minus/hyphen sign)
3. Time signature is written as (4/4, 3/4 etc.)
4. Bars: Barline |, Repeat bar :|, End bar ||
5. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`) eg `-4, 16 («) eg «-4, 32 («`) 64 («`), triplet -3-(4 5 6) dotted 6., double dotted 6..
6. Blowbend 4′ or drawbend : -4′, double bend -4″, slur ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0«, 0«`,. 0«`, 0;,
17. flutter r eg r4
18. wawa w eg w-4

Theme from Coptic Saturday Tadakeya

T=140 [2/4]

2nd position — Egyptian suspended minor pentatonic

6 6 | 6 6 | -6 -5 | 6 0 |

6 6 | 6 6 | -6 -6 | -6 6 |

-5 6 | -5 6 | -5 6 | -6 -6 |

7 -6 | -6 6 | 6 -5 | -6 _ | _ 0 | 6 _.) ||

10 Hole Harmonica Tablature System

1. Holes 1-10, 1-12, 1-14, 0 is for pause
2. Blow: no sign, Draw: — (minus/hyphen sign)
3. Time signature is written as (4/4, 3/4 etc.)
4. Bars: Barline |, Repeat bar :|, End bar ||
5. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`) eg `-4, 16 («) eg «-4, 32 («`) 64 («`), triplet -3-(4 5 6) dotted 6., double dotted 6..
6. Blowbend 4′ or drawbend : -4′, double bend -4″, slur ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0«, 0«`,. 0«`, 0;,
17. flutter r eg r4
18. wawa w eg w-4

T: Theme from Coptic Sunday Adam Psali
C: Traditional Coptic tune, transcription based on Hosam Adeeb
K: Hexachord, for Gm Harmonic Minor Harmonica [1st position]
Q: 130
M: 3/2

| 5 `-4 `4 -4 `4 `-3 4 -3 | 4 -3 4 -4 5 `-4 `5 |
| -5 `5 `-4 4 -4 5 -4 | 5 4 -5 `5 `-4 4_ |
| -5 -5 `6 `-5 5 `-5 `5 -4 | `-5 `6 `6 `-5 `-5 `5 `-4 5 `-4 `5 |
| -5 `5 `-4 4 -4 5 -4 | 5 4 -5 `5 `-4 4_ |]

10 Hole Harmonica Tablature System

01. Holes 1-10, 1-12, 1-14, 0 is for pause [0=pause: credits to Numbered Notation: Jianpu]
02. Blow: no sign, Draw: — (minus/hyphen sign)
03. Time signature is written as (Q: 4/4, 3/4 etc.) [Credits to ABC Notation]
04. Bars: Barline |, Repeat bar :|, double bar ||, End bar |] [Credits to ABC notation]
05. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`)
eg `-4, 16 («) eg «-4, 32 («`) 64 («`),
triplet ={III}= -(4 5 6) dotted 6., double dotted 6.. [credits to PMW]
6. Blowbend 4′ or drawbend : -4′, double bend -4″, glissando ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0«, 0«`,. 0«`, 0;,
17. flutter r eg r4
18. wawa w eg w-4
19. / Scooped note / hit bent & release [Credits to Indiara Sfair]
20. Hit not then bend [Credits to Indiara Sfair]
21. T: Title [Credits to ABC Notation]
22. C: Composer [Credits to ABC Notation]
23. M: Meter [Credits to ABC Notation]
24. Q; Tempo [Credits to ABC Notation]
25. K: Key [Credits to ABC Notation]

T: Theme from Coptic Sunday Adam Psali
C: Traditional Coptic tune, transcription based on Hosam Adeeb
K: Minor Hexachord [3rd position slant harp ]
Q: 130
M: 3/2

| -5 `5 `-4 5 `-4 `-4′ -4 -4′ | -4 -4′ -4 5 -5 `5 `-5 |
| 6 `-5 `5 -4 5 -5 5 | -5 -4 6 `-5 `5 -4_ |
| 6 6 `-6 `6 -5 `6 `-5 5 | `6 `-6 `-6 `6 `6 `-5 `-5 `5 `5 -5 `5 `-5 |
| 6 `-5 `5 -4 5 -5 5 | -5 -4 6 `-5 `5 -4_ |]

10 Hole Harmonica Tablature System

01. Holes 1-10, 1-12, 1-14, 0 is for pause [0=pause: credits to Numbered Notation: Jianpu]
02. Blow: no sign, Draw: — (minus/hyphen sign)
03. Time signature is written as (Q: 4/4, 3/4 etc.) [Credits to ABC Notation]
04. Bars: Barline |, Repeat bar :|, double bar ||, End bar |] [Credits to ABC notation]
05. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`)
eg `-4, 16 («) eg «-4, 32 («`) 64 («`),
triplet ={III}= -(4 5 6) dotted 6., double dotted 6.. [credits to PMW]
6. Blowbend 4′ or drawbend : -4′, double bend -4″, glissando ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0«, 0«`,. 0«`, 0;,
17. flutter r eg r4
18. wawa w eg w-4
19. / Scooped note / hit bent & release [Credits to Indiara Sfair]
20. Hit not then bend [Credits to Indiara Sfair]
21. T: Title [Credits to ABC Notation]
22. C: Composer [Credits to ABC Notation]
23. M: Meter [Credits to ABC Notation]
24. Q; Tempo [Credits to ABC Notation]
25. K: Key [Credits to ABC Notation]

T: Theme from Golgota
K: Tetrachord
C: Traditional Coptic Tune, transcription based on Fr Abraam Guirguis
Q: 80
M: 2/4

| 4 4 | -4 -5 | 5 `-4 `4 | -4_ |
| -4 `4 `-4 | 5 5 | `-4 `5 `-5 «5 «-4 | 4. `-2 |
| 4 4 | -4 -5 | 5 `-4 `4 | -4_ |
| -4 `4 `-4 | 5 5 | `-4 `5 `-5 «5 «-4 | 4 4|
| 6 -5 | 5 `4 `5 | `-5 `6 `5 `6 | -5. `4 |
| 6 -5 | 5 `4 `5 | `-5 `6 `5 `6 | -5. `-5 `-5 |
| 4 4 | -4 -5 | 5 `-4 `4 | -4_ |
| -4 `4 `-4 | 5 5 | `-4 `5 `-5 «5 «-4 | 4_ |]

10 Hole Harmonica Tablature System

01. Holes 1-10, 1-12, 1-14, 0 is for pause [0=pause: credits to Numbered Notation: Jianpu]
02. Blow: no sign, Draw: — (minus/hyphen sign)
03. Time signature is written as (Q: 4/4, 3/4 etc.) [Credits to ABC Notation]
04. Bars: Barline |, Repeat bar :|, double bar ||, End bar |] [Credits to ABC notation]
05. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`)
eg `-4, 16 («) eg «-4, 32 («`) 64 («`),
triplet ={III}= -(4 5 6) dotted 6., double dotted 6.. [credits to PMW]
6. Blowbend 4′ or drawbend : -4′, double bend -4″, glissando ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0«, 0«`,. 0«`, 0;,
17. flutter r eg r4
18. wawa w eg w-4
19. / Scooped note / hit bent & release [Credits to Indiara Sfair]
20. Hit not then bend [Credits to Indiara Sfair]
21. T: Title [Credits to ABC Notation]
22. C: Composer [Credits to ABC Notation]
23. M: Meter [Credits to ABC Notation]
24. Q; Tempo [Credits to ABC Notation]
25. K: Key [Credits to ABC Notation]

T: Theme from Coptic Conlusion of Watos Doxologies
C: Traditional Coptic Tune, based on transcription based by Hosam Adeeb
SK: Hexachord
HK: Bb [Country tuned Harp] [4th position]
Q: 100
M: 3/2
|: -6 -6 -7 6 `-6 `-7 `6 `-6 | -7 -7 `7 `-7 -6 -7 -6 |
| 6 `-5¬ `5 6 -6 `-7 `7 `-7 `-6 | -6 5 6 -7 -6_ 😐

10 Hole Harmonica Tablature System

01. Holes 1-10, 1-12, 1-14, 0 is for pause [0=pause: credits to Numbered Notation: Jianpu]
02. Blow: no sign, Draw: — (minus/hyphen sign)
03. Time signature is written as (Q: 4/4, 3/4 etc.) [Credits to ABC Notation]
04. Bars: Barline |, Repeat bar :|, double bar ||, End bar |] [Credits to ABC notation]
05. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`)
eg `-4, 16 («) eg «-4, 32 («`) 64 («`),
triplet ={III}= -(4 5 6) dotted 6., double dotted 6.. [credits to PMW]
6. Blowbend 4′ or drawbend : -4′, double bend -4″, glissando ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0«, 0«`,. 0«`, 0;,
17. flutter r eg r4
18. wawa w eg w-4
19. / Scooped note / hit bent & release [Credits to Indiara Sfair]
20. Hit not then bend [Credits to Indiara Sfair]
21. T: Title [Credits to ABC Notation]
22. C: Composer [Credits to ABC Notation]
23. M: Meter [Credits to ABC Notation]
24. Q; Tempo [Credits to ABC Notation]
25. K: Key [Credits to ABC Notation]
26. SK: Song Key: the key of the song irrespective of the Harp’s Key
27. HK: Harp Key: the key of the harp
mostly named according to its 1st position; except Melody Maker (labelled in 2nd position)
28: RT: Richter Tuning
29. PRT: Paddy Richter Tuning [higher step on 3]
30. CT: Country Tuning [higher half step on -5]
31. MM: Melody Maker
32. NM: Natural Minor [labelled in 1st position]
33. HM: Harmonic Minor [labelled in 1st position]
34. Half bend [3/4 tone interval] symbol: ¬ after number eg -5¬

W: Mack Discant
M: Max Steiner
The Lettermen
Key: Bb

-6 7 -7* -7 -6
There’s a sum-mer place
7 -7* -7 -9 -7 7
Where it may rain or storm
-7 8 -9 -7 7
Yet I’m safe and warm
-7 8 -6 7 -7* -7 -6
For with-in that sum-mer place
7 -7* -7 -9 -7 7
Your arms reach out to me
-7 8 -9 -7 7 -7 8 -7*
And my heart is free from all care
-7 8 -7*
For it knows

-7 8 -7* -7 -9 -7
There are no gloom-y skies
7 -6 7 -7* -6
When seen through the eyes
-5* -5 -5* 7 -7 -9 8
Of those who are blessed with love

-2 3 -3 5 7 -6
And the sweet se-cret of

7 -7* -7 -6
A sum-mer place
7 -7* -7 -9-7 7
Is that it’s an-y-where
-7 9 -9 -7 7
When two peo-ple share
-7 8 -7*
All their hopes
-7 8 -7*
All their dreams
-7 8 -7*
All their love

Listen to the piece first. (Search for it on YouTube!)

8 -6 8 7 -7 -6

-7 -6 6 -6

-4 -5 6 -5 6 -6

8 -6 8 7 -7 -6

-7 -6 6 -6

-4 -5 6 -5 5 -4

-3bb -2bb 2 -2bb 2 -2bb 2 -1

-3bb -2bb 2 -2bb -2 -2bb 2 -1

(Listen to the actual song first!)

5 -5 6 7 -4 5 -5

6 -6 -7 -9 -6 -7 7 -8 8

5 -5 6 7 -8 8 -9

6 6 8 -8 6 8 -8 6

8 -8 6 -9 8 -8 7

Intro
(78) -6 7 -9 -10 (6789)(6789)
(45)b-3 4 -5 -6 (3456)(3456)
verse 1
4 4 4 4 4 4 -4 4 4
Making your way in the world today
4 4 4 -5 -5 6
takes everything you`ve got
4 4 4 4 4 -4 5 -4 4
Taking a break from all your worries
4 4 -5 -5 6
sure would help a lot
6 6 6 b6 b6 6 -6 4
Wouldn`t you like to get away

chorus
-6 -6 6 -6 b-7 7 7 7 7 -8 7 b-7
Sometimes you wanna go where everybody knows
-6 b-76-5
your name
7 7 -8 7 b-7 -6 b-76-5
and they`re always glad you came
7 7 7 7 -6 6 -5 -5 -5 7 7 7
You wanna be where you can see our troubles are
7 -6 6 -5
all the same
7 7 7 7 -6 6 -5-5-5 6 -5 -5
You wanna be where everybody knows your name

(intro riff)
7 7 7 7 -6 6 -5 6 7 7 7 7
You wanna go where people know people are all
-6 6 -5
the same
7 7 7 7 -6 6-5 -5 -5 6 -5 -5
You wanna go where everybody knows your name

(intro riff)
Verse 2
Climbing the walls when no-one calls you`ve lost
at love again
And the more you`re down and out the more you
need a friend
When you long to hear a kind hello (to chorus)

68
8-8-77-8
7-7-77-6

68
8-99-9
-98-8-98
78-87-8

7-88
7-8
7-7-6-

68
8-87-7-6

6-676-6

6 -6 6 -5 6 -5 5 -5 5 -4 4
4 5 4 5 4 5 4 5 4 6 5 4 5
4 5 4 -4 4 5 4 -4 5 -5 -6
4 5 4 5 4 5 4 5 4 7 6 5 6
-6 6 -6 6 -6 6 -6 -7 6
-7 -7 -8 -8 7 -6 6 5 -6 6
-6 -6 7 -7 6 5 -4 5 6

Title Theme
6~ -6 6 -6 6~~
5~ -5 5 -5 5~~
6~ -6 6 -6 6~
-5 5 -5 5
-4 4 -4 4~~

Main Theme
6 6 6 6 9 6 6 8 6 -6~

6 6 6 6 9 6 6 8 6 -6~

6 6 -5 6 6 -5 6

6 8 6 -6~
6 8 6 -6~
-7 -7~ -6 -7 -6 6~ 5 -5 6 -5 5~~

6 6 6 6 9 6 6 8 6 -6~

6 6 6 6 9 6 6 8 6 -6~

6 6 -5 6 6 -5 6

9 -10 9 -10 9~~
8~ -9 8 -9 8~~
9 -10 9 -10 9~~
-9 8 -9 8~
-8 7 -8 7~~~

8 7 6 -6 7 7~
-6 6 7 7 9 8 -8~
8 7 6 -6 7 7~
6 -6 7 -9 8 -8 7~

8 7 6 -6 7 7~
-6 6 7 7 9 8 -8~
8 7 6 -6 7 7~
6 -6 7 -9 8 -8 7~

8 7 6 8 7~ 8 7 6 8 -8~
8 7 6 8 7~ 8 7 6 9~

8 7 6 -6 7 7~ -8 8 7 6 -6 7~

6~ 9 -10 9 -10 9~ 6 -9 8 -8 7~~

7 -6 7 -8 8 -8 7 -7~
7 -6 7 -8 8~~
7 -6 7 -8 8 -9 9 -10
7 -6 7 -8 7~~

(-3) 4~ 3~ 6 6~ 4~ 6 6 -5 4 -5~
6 5 3~ 4 4~ -4 4 -3~ 3~
4~ 3~ 6 6~ 4~ 6 6 -5 4 -5~
6 5 3~ 4 4~ -4 4 -3~ 3 4~

5 5 -5~ -4~
5 -5~ -6~ 6~
5 5 -5~ -4~ -6~ -5~ 5~~

8 8 8 7 8 9~ 6~~~
7 6 5 -6 -7 -6 6
5 8 9 -10 -9 9 8 7 -8 -7~
7 6 5 -6 -7 -6 6
5 8 9 -10 -9 9 8 7 -8 -7~

9 -9 -9 -8 8 6 -6 7 -6 7 -8
9 -9 -9 -8 8 10 10 10
9 -9 -9 -8 8 6 -6 7 -6 7 -8 8~ -8~ 7~

9 -9 -9 -8 8 6 -6 7 -6 7 -8
9 -9 -9 -8 8 10 10 10
9 -9 -9 -8 8 6 -6 7 -6 7 -8 8~ -8~ 7~

7 7 7~ 7 -8 8 7 -6 6~
7 7 7~ 7 -8 8~~~
7 7 7~ 7 -8 8 7 -6 6~
8 8 8 7 8 9~ 6~~~

7 6 5 -6 -7 -6 6
5 8 9 -10 -9 9 8 7 -8 -7~
7 6 5 -6 -7 -6 6
5 8 9 -10 -9 9 8 7 -8 -7~

8 7 6 -6…?

5 -5 6 -6 5 6 6 -6~
5 -5 6 -6 -7 -7 -6 6~

-4 5 -5 6 -4 5 5 -5~
-4 5 -5 6 -6 -6 6 -5~

5 -5 6 -6 5 6 6 -6~
5 -5 6 -6 -7 -6~~

6 -6 -7 7 -8 -6 -7 7 -8 7~ -8 8 8 7 6 -7,-7~ -6~
6 -6 -7 7 -8 -6 -7 7 -8 8~ 7~~~

5 -4 4~ -4 5 3 5 -4~
4 -4 5~ -6 6 5 4 -4~
5 6 7~ -7 7 -8 7 -6~
6 -6 -7 7 -7 -6 -6 6 -6~

(Game Over: 5 5~ -5 5 -4 6 6 -6)

By Maceo Pinkard, William Tracey, Doris Tauber
Billie Holiday
Key: C

Bounce this puppy!

7 6 -5 5 -5 6
I fell in love with you
7 6 -5 5 -5 6
first time I looked in-to
-7 -7 -7
Them there eyes
7 6 -5 5 -5 6
You’ve got a cer-tain lil’
7 6 -5 5 -5 6
cute way of flirt-in with
-7 -7 -7
Them there eyes
-7 7 -6 -7 7 -6
They make me feel hap-py
-7 7 6 5
They make me blue
8 -8 -7 8 -8 -7
No stall-in I’m fall-in
-8 8 8* -9 -5 -5 6 -6 5* 6 -5
Go-ing in a big way for sweet lit-tle you
7 6 -5 5 -5
My heart is jump-in
6 7 6 -5 5 -5 6
You sure start-ed some-thin with
-7 -7 -7
Them there eyes
8 8 8 8 -7 7 6 -5
You’d bet-ter watch them if you’re wise
8 -8 -7 8 -8 -7
They spar-kle They bub-ble
8 6 -5* 6 7 -7 7 -8 -7 -8 -7 7
They’re gon-na get you in a whole lot of trou-ble
7 6 -5 5 -5 6
You’re ov-er-work-in ’em
7 6 -5 5 -5 6
There’s dan-ger lurk-in in
-7 -7 -7
Them there eyes

REPEAT then end with:

-7 -8 8
Them there eyes

7 7 -7 8 -8 -8
Them crazy, them crazy
6 -6 6 7 7 7 7
We gonna chase those crazy
7 7 -8 -8 7
Baldheads out of town;
8 8 8 8 -9 -9
Chase those crazy baldheads
9 9 9 -10
Out of our town.

9 9 9 9 8 -9 -9
I’n’I build a cabin;
9 9 9 9 -10 -9
I’n’I plant the corn;
8 8 -9 9 9 7 9 -9
Didn’t my people before me
9 8 9 -10 -9
Slave for this country?
7 -8 8 8 8 8 -8
Now you look me with that scorn,
7 -8 8 8 -9 9 -9
Then you eat up all my corn.

6 -6 6 7 7 7 7
We gonna chase those crazy
-8 7 -8 -8
Chase them crazy
8 -9 9 7 9 -9 8 9 7
Chase those crazy baldheads out of town!

— Scat singing —

Build your penitentiary, we build your schools,
Brainwash education to make us the fools.
Hate is your reward for our love,
Telling us of your God above.

6 -6 6 7 7 7 7
We gonna chase those crazy
-8 7 -8 -8
Chase them crazy
8 -9 9 7 9 -9 8 9 7
Chase those crazy baldheads out of town!

— Instrumental break —

6 -6 6 7 7 7 7
We gonna chase those crazy
-8 7 -8 -8
Chase them crazy
8 -9 9 7 9 -9 8 9 7
Chase those crazy baldheads out of town!

9 9 7 9 -9
Here comes the conman
8 -9 9 7 9 -9
Coming with his con plan.
8 -9 9 10 9 -9
We won’t take no bribe;
8 8 -9 9 10 -9
We’ve got to stay alive.

6 -6 6 7 7 7 7
We gonna chase those crazy
-8 7 -8 -8
Chase them crazy
8 -9 9 7 9 -9 8 9 7
Chase those crazy baldheads out of town!

+5 +8 -8 +7 -6 +6 -5 -5 +5
Na-na-na-na-na-na-na-na-na;
+5 +8 -8 +7 +7 +7 -9 -9 +8
Na-na-na-na-na-na-na-na-na;
-6 +8 -8 +7 -6 +6 -5 -5 +5
Na-na-na-na-na-na-na-na-na;
+5 +8 -8 +7 +7 +7 -9 -9 +8
Na-na-na-na-na-na-na-na-na.

+7 +8 -8 +7 -6 +6 -5 +5
Them belly full but we hungry.
+7 +8 -8 +7 +7 +7 -9 -9 +8
A hungry mob is a angry mob.
+7 +8 -8 +7 -6 +6 -5 -5 +5
A rain a-fall but the dirt it tough;
+7 +8 -8 +7 +7 +7 -9 -9 +8
A pot a-cook but the food no ‘nough.
+7 -8 +7 +8 -8 +7 -8 +8 +7
You’re gonna dance to JAH music, dance.
+7 -8 +7 +8 -8 +7 -8 +8 +7
We’re gonna dance to JAH music, dance.

-6 +7 -6 -8 +8 -7 +7
Forget your troubles and dance.
-6 +7 +7 -8 +8 -7 +7
Forget your sorrow and dance.
-6 +7 +7 -9 +8 -7 +7
Forget your sickness and dance.
-6 +7 +7 -9 +8 -7 +7
Forget your weakness and dance.
+8 +8 +8 +8 -9 -9 +8
Cost of living get so high,
+8 +8 +8 +7 -8 +7 +8
Rich and poor, they start a cry.
+8 +9 +8 -9 -9 +8
Now the weak must get strong.
+7 -8 +8 +7 -8 +8 +7 -8 +7
They say, «Oh, what a tribulation.»

+7 +8 -8 +7 +7 +7 -9 +8
Them belly full but we hungry.
+8 +8 -8 +7 +7 +7 -9 -9 +8
A hungry mob is a angry mob.
+8 +8 -8 +7 +7 +7 -9 -9 +8
A rain a-fall but the dirt it tough;
+8 +8 -8 +7 +7 +7 -9 -9 +8
A pot a-cook but the food no ‘nough.
+7 -8 +7 +8 -8 +7 -8 +8 +7 -6
We’re gonna chuck to JAH music, chuckin’.
+7 +8 +8 -8 +7 -8 +8 +7 +7 +7
We’re chuckin’ to JAH music, we’re chuckin’.

+7 +8 -8 +7 -6 +6 -5 +5
A belly full but them hungry.
+7 +8 -8 +7 +7 +7 -9 -9 +8
A angry mob is a angry mob.
+7 +8 -8 +7 -6 +6 -5 -5 +5
A rain a-fall but the dirt it tough;
+7 +8 -8 +7 +7 +7 -9 -9 +8
A pot a-cook but the food no ‘nough.

+7 +8-8 +7 +7 +7 -9 -9 +8
A angry man is a angry man.
+7 +8 -8 +7 -6 +6 -5 -5 +5
A rain a-fall but the dirt it tough;
+7 +8 -8 +7 +7 +7 -9 -9 +8
A pot a-cook but the food no ‘nough.
+7 +8-8 +7 +7 +7 -9 -9 +8
A angry man is a angry man.
+7 +8 -8 +7 -6 +6 -5 -5 +5
A rain a-fall but the dirt it tough;
+7 +8 -8 +7 +7 +7 -9 -9 +8
A pot a-cook but the food no ‘nough.
+7 +8-8 +7 +7 +7 -9 -9 +8
A angry mob is a angry mob.

5 5 5 -4 4 -4 5
Thel-ma Brown lived in a zoo

3 3 -5 -5 -5 5 5
There were cows in her kit-chen

5 -4 5 -4 3
and roos-ters on view

5 5 5 5 5 5 -4 4 -4 5
Dogs in her din-ing room cats in there too

3 3 -5 5 -4 6 3
And a hus-band called ced-ric

3 3 -3 -4 -3 4
and a big kan-ga-roo

-3 -3 5 5 -3 -3 3 -3
Ev-`ry morn at six o clock sharp

-3 -3 5 5 -3 -3 3 -3
Thel-ma brown a-rose in the dark

-5 -5 -5 5 5 5 5
Cats and dogs roo-sters and cows

-4 -4 5 -4 -4 3
kan-ga-roos to at-tend

3 3 -5 5 -4 6 3
And a hus-band called ced-ric

3 3 -3 -3 -4 -3 4
who was go-ing round the bend

-3* -3 3*
I’ve got those
3 -2* 3 -3* 4 -3*
«God-why-don’t-you-love-me-
3 -1* 3 -2* 3 -3* -5* 4 1
oh-you-do-I’ll-see-you-la-ter» blues,
3 -2 2 -2 3* -3* 3*
That «Long-as-you-ig-nore-me-
-2 -1 -2 2 -2 3* -4 -3* 1* -3*
you’re-the-on-ly-thing-that-mat-ters» feel-in,
-2 -1* -2 -1*-2 -2* 3* -3
that «If-I’m-good-e-nough-for-you-
-2* -1* -1 1* 1
you’re-not-good-e-nough»
-2 -1* -1 -1* -2 -2* -2
and, «Thank-you-for-the-pres-ent-
3 -3 -3* -3 -3* 3*
but-what’s-wrong-with-it?» Stuff,
-2* 3 -3* 3 -3* 4 -3*
those «Don’t-come-an-y-clos-er-
3 -1* 3 -2* 3 -3* -5* 5 -5* 4
’cause-you-know-how-much-I-love-you» feel-ings,
3 -2 2 -2 3* -3* 3*
Those «Tell-me-that-you-love-me-
-2 -1 -2 2 -2 3* 4 -3* -1*
oh-you-did-I-got-ta-run-now» blues.

I’ve got those
«Whisper-how-I’m-better-than-I-think-
but-what-do-you-know?» Blues,
That Why-do-you-keep-telling-me-I-stink-
when-I-adore-you?» Feeling.
That «Say-I’m-all-the-world-to-you-
you’re-out-of-your-mind-
I-know-there’s-someone-else-
and-I-could-kiss-you-behind,»
Those «You-say-I’m-terrific-but-

your-taste-was-always-rotten» Feelings,

3 -2* 3 -1* 1 -2* 3
Those «Go-a-way-I-need-you,»
-2* 3 -1* 1 -2* 3
«Come-to-me-I’ll-kill-you,»
-2* 3 -1* 1 -2* 3 -1*
«Dar-ling-I’ll-do-an-y-thing-
1 -2* 3 -1* 1
to-keep-you-with-me-
-2* 3 -2 2 -2 3* -3* 3*
till-you-Tell-me-that-you-love-me-
-2 -1 -2 3* 4 -3* -5 5 -5*
oh-you-did-now-beat-it-will-you?» Blues!

5 5 5 5
The zeal of God

3 5 5 -5 5 -4
has consumed me,

5 5 5 3 5 5 -4
it burneth in my soul.

-4 5 5 5 5
A mighty force

3 5 5 -5 5 -4
that can-not be stopped

-4 5 -4 5 -4
a fire that

5 -4 4 -3 3
can-not be quenched.

2. Oh Hallelujah, Hal-le-lu-jah
Hallelujah.
Oh Hallelujah, Hal-le-lu-jah
Halle, Halle, Halle-lujah.

-5 -5 -5 -4 -5 -6
Once in every lifetime
5 5 5 6 5
Comes a love like this.
5 5 -4 -4 5 -4 -4
Oh I need you, you need me.
6 6 6 -6 -5 -5 5
Oh my darling can’t you see.
-4 4 4
The young ones,
5 -4 4 -3 -3»2 -3»
Darling we’re the young ones
-2 4 -2 4
The young ones,
-5 -5 -5 -5 4
Shouldn’t be afraid
-2 4 -4
To live, love,
5 5 5 -44 -5
While the flame is strong
6 -5 5 4 4 5 -4 -2 -4 4 4
For we may not be the young ones very long

American folk song
Key: G

3 4 4 4 -3”3
6 7 7 7 -6 6
I’ll sing you a song

3 3 4 3 3 -3”
6 6 7 6 6 -6
And it’s not ver-y long

3 4 4 4 -3”
6 7 7 7 -6
A-bout a young man

3 4 4 -4 5
6 7 7 -8 8
Who would-n’t hoe corn

5 5 6 5 -4 5 -3”
8 8 9 8 -8 8 -6
The rea-son why I can’t tell

-3” -3” 5 -4 4 -3” 3 -3”
-6 -6 8 -8 7 -6 6 -6
For this young man was al-ways well

American folk song
Key: G

-1 3 3 3 2 -1
I’ll sing you a song
-1 -1 3 -1 -1 2
And it’s not ver-y long
-1 3 3 3 2
A-bout a young man
-1 3 3 -3 -4
Who would-n’t hoe corn
-4 -4 -5 -4 -3 -4 2
The rea-son why I can’t tell
2 2 -4 -3 3 2 -1 2
For this young man was al-ways well

American folk song
Key: G
Harp: C

-1 3 3 3 2 -1
-4 6 6 6 5 -4
I’ll sing you a song

-1 -1 3 -1 -1 2
-4 -4 6 -4 -4 5
And it’s not ver-y long

-1 3 3 3 2
-4 6 6 6 5
A-bout a young man

-1 3 3 -3” -3
-4 6 6 -6 -7
Who would-n’t hoe corn

-3 -3 -4 -3 -3” -3 2
-7 -7 -8 -7 -6 -7 5
The rea-son why I can’t tell

2 2 -3 -3” 3 2 -1 2
5 5 -7 -6 6 5 -4 5
For this young man was al-ways well