+7 -6 +7 -6 +7 +8 +9 +10

+7 -6 +7 -6 +7 +8 +9 +10 +9

+10 -10 +10 -10 -10 +9 +10 -10 +10 -10 +10

+10 -10 -10 +9 +10 -10 +9 -10 -9

+10 -10 +9 +8 -8 +7 +8 -8

+10 -10 +9 +8 -8 +7 +8 -8

+7 -7 -8 +7 -7 -6 +7 -7 -6 -6 -10 -10

Tranes Blues……………………….

£ = whole note rest

$ = half note rest

* = quarter note rest

^ = eighth note rest

& = sixteenth note rest

Key Bb 4/4 time

-3</-7< ^ 8<-7</7<-7< 7<-6-5<-6-5< 5</ -3< 3< $ / $ * -3</-7 ^ 8<-7</ 7<-7< 7<-6-5<-6-5< 5</-3< 3< $ / $*-3</-7<-7<8<7</7<-7<7<-6-5<-6-5< 5</ -3< -3< $/$ * -3<// -7< ^ 8<-7</7<-7<7<-6-5<-6-5<5</ -3< 3< $ /$ * -3</-7< ^ 8<-7</ 7<-7< 7<-6-5<-6-5< 5</-3< 3< $ / $*-3</-7< ^ 8<-7</7<-7<7<-6-5<-6-5< 5</ -3< -3< $ /$ * /

This is tabbed for a 24 hole Echo Celeste tremolo

5 -5 6 7 6 -5 5 -5 6 -5 -3
Oh come all ye tramps and hawker lads
4 -3 5 -5 5
Ye gatherers oblaw
6 -6 7 7 6 -6 7 -7 8 -7
That tramps the country round and round
7 6 -5 5 -5 6 -5 5 -3
Come li-st-e-n on-e and all
-6 7 7 7 -6 7 -7 8 -7
I’ll tell to you a rovin tale
7 6 -5 5 -5 -5 5 -3
Of sights that I have seen
5 -5 6 7 -5 5 -5 6 5
It’s far into the snow-y north
-3 4 -3 5 -5 5
And south by Gretna Green

4 -4 5 6 5 -4 4 -4 5 -4 -3”
Oh come all ye tramps and hawker lads
3 -3” 4 -4 4
Ye gatherers oblaw
5 -5 6 6 5 -5 6 -6 7 -6
That tramps the country round and round
6 5 -4 4 -4 5 -4 4 -3”
Come li-st-e-n on-e and all
-5 6 6 6 -5 6 -6 7 -6
I’ll tell to you a rovin tale
6 5 -4 4 -4 -4 4 -3”
Of sights that I have seen
4 -4 5 6 -4 4 -4 5 4
It’s far into the snow-y north
-3” 3 -3” 4 -4 4
And south by Gretna Green

Verse:
6 5 5 6 7 -8 7
In the pri-son cell I sit

7 -7 -6 7 7 -6 6
Think-ing Mo-ther dear of you

6 -5 5 6 7 -8 8
And our bright and hap-py home

8 -8 7 -8
So far a-way

6 -5 5 6 7 -8 7
And the tears they fill my eyes

7 -7 -6 7 7 -6 6
`Spite of all that I can do

8 -8 7 -7 7 -6
Though I try to cheer my

-7 6 -7 -8 7
Com-rades and be gay

Chorus:
8 8 8
Tramp! tramp! tramp!

-8 7 -6 6 7
The boys are march-ing

-8 -8 8 -8 7 8 -8
Cheer up com-rades, they will come

6 -5 5 6 7 -8 7
And be-neath the star-ry flag

7 -7 -6 7 7 -6 6
We will breathe the air a-gain

8 -8 7 -7
Of the free land

7 -6 -7 6 -7 -8 7
In our own be-lov-ed home

Verse:
In the battle-front we stood
When their fiercest charge they made
And they swept us off
A hundred men or more.
But before we’d reached their lines
They were beaten back dismayed
And we heard the cry of
«Vict’ry!» o’er and o’er.

Chorus

Now within the prison cell
We are waiting for the day
That will come to open
Wide the iron door.
And the hollow eye grows bright
And the poor heart almost gay
When we think of seeing home
And friends once more.

Chorus

By: George F. Root
From: the American civil war
Key: A

2 -1 1* 2 -3 -4 -3
In the pris-on cell I sit
-3 3* -2* -3 -3 -2* 2
Think-ing moth-er dear of you
2 -1 1* 2 -3 -4 4*
And our bright and hap-py home
4* -4 -3 -4
So far a-way
2 -1 1* 2 -3 -4 -3
And the tears they fill my eyes
-3 3* -2* -3 -3 -2* 2
`Spite of all that I can do
4* -4 -3 3* -3 -2*
Tho’ I try to cheer my
3* 2 3* -4 -3
Com-rades and be gay

4* 4* 4*
Tramp! tramp! tramp!
-4 -3 -2* 2 -3
The boys are march-ing
-4 -4 4* -4 -3 4* -4
Cheer up com-rades, they will come
2 -1 1* 2 -3 -4 -3
And be-neath the star-ry flag
-3 3* -2* -3 -3 -2* 2
We shall breathe the air a-gain
4* -4 -3 3*
Of the free land
-3 -2* 3* 2 3* -4 -3
In our own be-lov-ed home

W: Hal Foster
M: Burt Bacharach
Dionne Warwick, The Everly Bros.
Key: Am (C)

3 2 -2 2 3 2 -2 2 3
Trains and boats and planes are pass-ing by
2 -2 3 -3 -3* -3 3 -2 -3
They mean a trip to Par-is or Rome
3 -2 2 3 2 -2 2 3
to some-one else but not for me
2 -2 2 -1 1 -1 2
The trains and the boats and planes
-2 3 -2 2 -1 1 -1 2
Took you a-way, a-way from me
3 2 -2 2 3
We were so in love
2 -2 2 3 2 -2 3 -3
And high a-bove we had a star
-3* -3 3 -2
to wish up-on.
-3 3 -2 2 3
Wish and dreams come true
2 -2 2 3
But not for me
2 -2 2 -1 1 -1 2
The trains and the boats and planes
-2 3 -2 2 -1 1 -1 2
Took you a-way, a-way from me

4 -3 -4 4 -5 4 -4 -3 3 -3
You are from an-oth-er part of the world
6 -5 4 -4 -3 3 -3 3 -3
You had to go back a while and then
6 -5 4 -4 -3 3 -3 3 -3
You said you soon would re-turn a-gain
6 -5 4 -4 -3 3 -3 3 -3
I`m wait-ing here like I prom-ised to
3 -3 3 -3 3 -3 3 -3
I`m wait-ing here but where are you?

3 2 -2 2 3
Trains and Boats and Planes
2 -2 2 3
Took you a-way
2 -2 3 -3 -3* -3 3 -2 -3
But ev-`ry time I see them I pray
3 -2 2 3 2 -2 2 3
And if my prayers can cross the sea
2 -2 2 -1 1 -1 2
The trains and the boats and planes
-2 3 -2 2 -1 1 -1 2
Will bring you back, back home to me

Intro
1 -2 4 1 -2 4

6 5 -5 5 6 5 -5 5 6
Trains and boats and planes are passing by
5 -5 6 -6 b-7 -6 6 -5 -6
They mean a trip to Paris or Rome
6 -5 5 6 5 -5 5 6
to someone else but not for me
5 -5 5 -4 4 -4 5
The trains and the boats and planes
-5 6 -5 5 -4 4 -4 5
took you away away from me
6 5 -5 5 6 5 -5 5 6 5 -5 6 -6
We were so in love and high above we had a star
b-7 -6 6 -5 -6 6 -5 5 6
to wish upon. Wishes and dreams come true
5 -5 5 6
but not for me
5 -5 5 -4 4 -4 5~~~ -5 6 -5 5
The trains and the boats and planes took you away
-4 4 -4 5
away from me
7 -6 -7 7 -8 7 -7 -6 6 -6
You are from another part of the world
8 -8 7 -7 -6 6 -6 6 -6
You had to go back a while and then
8 -8 7 -7 -6 6 -6 6-6
you said you soon would return again
8 -8 7 -7 -6 6 -6 6 -6
I`m waiting here like I promised to
6 -6 6 -6 6 -6 6 -6
I`m waiting here but where are you?
6 5 -5 5 6 5 -5 5 6
Trains and Boats and Planes took you away
5 -5 6 -6 b-7 -6 6 -5 -6 6 -5 5
but every time I see them I pray and if my
6 5 -5 5 6 5 -5 5 -4
prayers can cross the sea the trains and the
4 -4 5 -5 6 -5 5
boats and planes will bring you back
-4 4 -4 5
back home to me

This is the intro to «Train Train.» It may be off some, but it is
the closest I can get it.

-3 2 -3 2

-3 3 2 1 -1 -1

-3-3 44 -3-3 22 (repeat many times)

-3 -2

-3 -2 -3 -3 -3 -3 -3 3 -2 2

This is a train song I created. It’s divided into four parts.
Thanks to David Harp & Dave Oliver.

Part One(Intro):
-2 +3 -3 +4 -3
At the Train sta- -tion

-2 +3 -3 +5 -4
At the Train sta- -tion

-4 +4 -3
Board the train

Part Two(Train Rhythm):
[(-123)(-123) (+123)(+123)]*2
(-123).. (-123)… (+123).. (+123)…. (-45)~~~

Part Three(Boarding The Train):
[-6__-4,+4]*2
[-5__-3,+3]*2
[+7__+5,-5]*2
-5__-3,+3
-5__-3,+3…

Part Four(Train Leaving):
-1 -1 +1 +1
(-12) (-12) (+12) (+12)
(-123)(-123) (+123)(+123) (-45)~~~ (+45)~~~~

Key:
[#]*2 = Play twice
#.. #… = Play longer
(-45)~~~ = Train whistle effect
(+45)~~~~ = fade out whistle

The following riffs and rhythms are useful for playing train imitations, in a similar way to chugging.

Although you can play these in any key, it is preferable to use a low key such as G or A, since these sound most like a train.

Firstly, a train whistle. These should work on any chord near the bottom end of the harp, but he best chords are:

234, 345, and sometimes 123

A warble is also a good whistle, best used at the climax of the song for maximum effect.

Good vibrato is essential to achieve the best results when playing train whistles.

Next, some chugging-style rhythms:

123 123+ (say «nukka» on the draw and «tukka» on the blow)

2 123+ 123+ 1 123+ 123+ (best tongue-blocked)

2 123+ 123+ (good one for playing fast)

2 123 123 2+ 2 123+ 123+ (inspired by Sonny Terry, perhaps the best train songs)

For the above lick, it is important to breath around the harp (by opening your mouth wide), especially on the chords so that you don’t run out of breath.

This is by no means an extensive list of possible train licks and rhythms. For a player of advanced beginner or above, creating your own groovy riffs should be relatively easy.

Also, the articulation of each riff can be changed to suit the music. The most important thing is the feel the groove of the music.

4/4 time
-1 2 -2
-2 -(234) 4 b-3 -2 -3 -2 -(234) 2 -2
-(234) -2 2 -1 -2

Each line is a bar to give some idea
of timing a C harp sounds good with
this one

34 34 34

Just blow 3 and 4 simultaneously three times. How to play
this is more about technique than anything else. On the first
two blows, plug the hole for a split second during the blow. On
the third blow, raise your tongue to the roof of your mouth.

One apostrophe (‘) means a half step bend.
Two apostrophes (») mean a full step bend.
Slash (/) means wah. Look it up.
Negative number means draw

-3» -3 4 -4/

-3» -3 4 -4/ -4/ 4 -3 -2

-3′ -3′ 3 -3′

-3» -3 -4 4/

-4 -3’ -2

x = Blow, -x = Draw, x» = Bend

-3 +4 +5 +6 +7 -7 +6 -6

-4 -5 -6 -8 +7 -6 +7 -7 +7 -7 +6 +7 -7 +6 +5

-6 -7 +7 -6 -5 -4 -3» -8 -6 -5 -4 -3»

-3» +4 +5 +6 -7 -6 +6 +5 -6 -5 -4

+4 -3 +4 +4 +5 +6 +7 -7 +6 +7

8 -8 8 7 -6
So let’s re-wi-nd
8 -8 7 8
back to the time.
8 -8 8 7 -6
Two thou-sand-fiv-e,
7 -8 7 8
I al-most died.
-8 8 -8 7 8
I o-ver-do-sed.
8 -8 7 8 -9 8
I did not kn-o-w.
7 -9 8 -8
That I pro-voked,
-8 -9 8 -8
this e-vil ghost.
8 -8 7
Dis-as-ter.

8 7 7 7 7
Ma-gic-ally I turned
-9 -8 -8 -9 8 -8 -7 6
Tra-ge-dy in-to me-lo-dy.
-6 -7 7 6 5
Sold for cat-chy beats.

8 -8 7 8 7 6
It comes so na-tur-ally.
-9 -8 -8 -8 -7 6
So smooth and ca-sua-lly.
-6 -7 7 6 5
That’s why they call me
-6 -7 7 6 5 5
king of the mus-ic scene.

7 7 7 -8 7
La la la la la.
7 7 7 -8 7
La la la la la.
7 7 7 -7 -7
La la la la la.
7 7 7 6 6
La la la la la.

4, 5, 6, -6, 6, 5
4, 5, 6, -6, 6
4, 5, 6, -6, 6, 5
5, -5, 5, -4, 4

Fad-ed pho-to-graph,
-2* 3 -3 -4 -3
Cov-ered now with lines and creas-es,
-3 3 -2* 2 -1* -1* 2 -2*
Tick-ets torn in half
2 -2* 3 -3 3
Mem-or-ies in bits and piec-es
3 -2* 2 -1 1* 1* -1 2
Trac-es of love long a-go
-2* -4 4* -5 4* -4 -5
That did-n’t work out right
-5 6 -5 4* 4* -4-3*-3
Trac-es of love
-3 3 -2* 2

Rib-bons from her hair,
-2* 3 -3 -4 -3
Sou-ven-irs of days to-geth-er
-3 3 -2* 2 -1* -1* 2 -2*
The ring he used to wear
2 2 -2* 3 -3 3
Pag-es from an old love let-ter
3 -2* 2 -1 1* 1* -1 2
Trac-es of love long a-go
-2* -4 4* -5 4* -4 -5
That did-n’t work out right
-5 6 -5 4* 4* -4-3*-3
Trac-es of love
-3 3 -2* 2
With me to-night
-2* -2* 2 -1

I close my eyes and say a pray-er
-5 -5 -5 5*-4-3 -5 6 -5 5*-4 -3
That in her heart she’ll find
-1 -4 -4 4* -4 -3
A trace of love still there
-3 -4 -3 -1 2 -2*
Some-where,
-3 -3

Trac-es of hope in the night
-2* -4 4* -5 4* -4 -5
that she’ll come back and dry
-5 6 -5 4* 4* -4-3*-3
These trac-es of tears
-3 -3 3 -2* 2
From my eyes
-2* 2 -1

Fad-ed pho-to-graph,
-2* 3 -3 -4 -3
Cov-ered now with lines and creas-es,
-3 3 -2* 2 -1* -1* 2 -2*
Tick-ets torn in half
2 -2* 3 -3 3
Mem-or-ies in bits and piec-es
3 -2* 2 -1 1* 1* -1 2
Trac-es of love long a-go
-2* -4 4* -5 4* -4 -5
That did-n’t work out right
-5 6 -5 4* 4* -4-3*-3
Trac-es of love
-3 3 -2* 2

Rib-bons from her hair,
-2* 3 -3 -4 -3
Sou-ven-irs of days to-geth-er
-3 3 -2* 2 -1* -1* 2 -2*
The ring he used to wear
2 2 -2* 3 -3 3
Pag-es from an old love let-ter
3 -2* 2 -1 1* 1* -1 2
Trac-es of love long a-go
-2* -4 4* -5 4* -4 -5
That did-n’t work out right
-5 6 -5 4* 4* -4-3*-3
Trac-es of love
-3 3 -2* 2
With me to-night
-2* -2* 2 -1

I close my eyes and say a pray-er
-5 -5 -5 5*-4-3 -5 6 -5 5*-4 -3
That in her heart she’ll find
-1 -4 -4 4* -4 -3
A trace of love still there
-3 -4 -3 -1 2 -2*
Some-where,
-3* -3*
(Interlude)

Trac-es of hope in the night
3 4 -5 -5* -5 4 -5*
that she’ll come back and dry
-5* -6 -5* -5 -5 4 -4 -3*
These trac-es of tears
-3* -3* 3* 3 -2
From my eyes
3 -2 -1*

3 3* -3* 4 -3*
-3* 3* 3 -2 2 2 -2 3
-2 3 3* -3* 3*

This song plays with karaoke music run time 2:45.

6 6 6 6 -5 5 -5 6 6
Szuper találmány a négyzeten,
6 6 6 -5 6 -7 6 -56
Szuper gép ez nem ámítás.
6 6 6 6 6 -5 5 -5 6 6
A legjobb öltönyöm meg elszakadt,
6 6 6 6 -5 6 -7 6 -56
Izomból tekerem a kormányt.

6 6 6 6 6 -5 5 -5 6 6
Tövig benyomhatom a gázpedált,
6 6 -5 6 -7 6 -5 -56
Messze van még Amerika,
6 6 6 6 -5 5 -5 6 6
Lehúzott ablakon a fejem,
6 6 6 6 -5 6 -7 6 -5 -56
Kihajtom és kész az új frizura.

5 5 5 5 -4 4 5 5 -4 5 -4 4
A duda bombajó, irígy a komphajó,
4 6 6 -5 6 -6 6
A tükör varázslatos,
6 6 6 -5 5 4 6 6 -5 5 4
Mikor elindulok, abban integet
4 -4 -4 -5 -5 -5 6 6 6 -6
Az összes szomszéd, na meg a Lajos.

Ref.:
-5 6 6 -6 6 -5 6 5
Trabanton szállni élvezet,
-6 -6 -6 -7 -6 -6 6 -5 -6
Gyorsabban száll, mint a képzelet,
6 6 6 -6 6 -5 5 -5 5
Döcög és pöfög, hú, de kafa!
5 -5 5 -5 5 -5 -5 5 -7 6 -5
Az orrod alá dörgölök kispofa.

6 6 6 6 -5 5 -5 6 6
Pipámra rágyújtok hirtelen,
6 6 6 -5 6 -7 6 6 6 -56
Élvezem ahogy fut velem a táj,
6 6 6 6 -5 5 -5 6 6
Szemembe húzom a kalapom,
6 6 6 -5 6 -7 6 -56
Ne is lássam, hogy elhagytál.

6 6 6 6 -5 5 -5 6 6
Szerelmeim mind a mûszerek,
6 6 6 6 -5 6 -7 6 6 -5 6
imádom azt, ahogy összekuszálnak,
6 6 6 6 -5 5 -5 6 6
Idáig kellett, hogy várjak rá,
6 6 6 6 -5 6 -7 6 -5 6
hogy hasznát vegyem a diplomámnak.

5 5 5 5 -4 4 5 5 -4 5 -4 4
Keleti kényelem, nyugati izgalom,
4 6 6 -5 6 -6 6
A motor meg robban, ó,
6 6 6 -5 5 4 6 6 -5 5 4
Ez nem hintaló, sõt nem is ûrhajó,
4 -4 -4 -5 -5 -5 6 6 6 -6
Csak neked zenél a kipufogó.

Ref.:
-5 6 6 -6 6 -5 6 5
Trabanton szállni élvezet,
-6 -6 -6 -7 -6 -6 6 -5 -6
Gyorsabban száll, mint a képzelet,
6 6 6 -6 6 -5 5 -5 5
Döcög és pöfög, hú, de kafa!
5 -5 5 -5 5 -5 -5 5 -7 6 -5
Az orrod alá dörgölök kispofa.

(low D=true octave. normal D=fine).

7 7 7 7 -8
In the attic lights
-7 6 7
Voices scream
7 6 -5 -5
Noth-i-n’ seem
7 6 -6
Real’s the dream

9 9’ 8 -8 7 -6 -7 -6 7
Leaving the things that are real behind
-8 9 9’ 8 -8 7 -6 -7 -6 -6 7
But even the things that you lo-ve remind
9 9’ 8 -8 7 -6 -7 -6 -6 7
All of the things that you lea-rn from fears
9 9’ 8 -8 7 -6 -7
Nothing is left but the years

-7 -6 7
Voices scream
7 6 -5 -5
Noth-i-n’ seem
7 6 -6
Real’s the dream

-9 -9 -9 -9 -9 -9 -9
Toys, toys, Toys In The Attic (x3)
-9 -9 -9 -9 -9 8 -8
Toys, toys, Toys In The Attic

9 -8
Ligh-ts

-7 -6 7
Voices scream
7 6 -5
Nothin’s seem
7 6 -6 -7
Real’s the dre-am

9 9’ 8 -8 7 -6 -7 -6 7
Leaving the things that are real behind
-8 9 9’ 8 -8 7 -6 -7 -6 -6 7
But even the things that you lo-ve remind
9 9’ 8 -8 7 -6 -7 -6 -6 7
All of the things that you lea-rn from fears
9 9’ 8 -8 7 -6 -7
Nothing is left but the years

-7 -6 7
Voices scream
7 6 -5 -5
Noth-i-n’ seem
7 6 -6
Real’s the dream

-9 -9 -9 -9 -9 -9 -9
Toys, toys, Toys In The Attic (x8)

By: George Duning, Joe Sherman,
George D. Weiss
From: “Toys In The Attic”
Jack Jones
Key: C

-3 5 6 7 -8 7 -8 7
A time for mem-‘ries re-turn-ing,
-3 5 6 7 -8 7 -8 -9
A time for long-ing and yearn-ing,
8 -7 7 -7* -7 -6
Shades of blue, crowd-ing through,
7* 7 6 6 6 6 -5 5 -5
As I sit here re-mem-ber-ing you.
-3 5 6 7 -8 7 -8 7
A time for won-d’ring what hap-pened,
-3 5 6 7 -8 7 -8 -9
For won-d’ring why did it hap-pen.
-9* 8 7* -9 -7* 7
No good-bye, not a sigh,
8 7* -6 7 7*-9* -9 -8 7
How could love slip a-way and just die.

-7 7 5 -5 5 -5
I thought that you, the night,
5 -5 5 -5
The sum-mer-time
-7 7 5 -5 5 -5 5 -5
were out of sight and out of mind.
8 -8 6 -6*
Yet here you are
6 -6* 6 -6* 6 -6*
The night, the sum-mer-time
6 7 -8 -9 -8 8 -7
Still in my heart, I was blind.
-3 5 6 7 -8 7 -8 7
A time for mem-‘ries re-turn-ing,
-3 5 6 7 -8 7 -8 -9
With too much heart-ache and yearn-ing,
8 -9 -9* -9 8 -7 7 5 -7
So I’d bet-ter store these dreams a-way,
-3 5 6 7 -7 7 -8 7
Like bro-ken toys in the at-tic
6 7 6 5 6 5 -3 5
The mem-‘ries of my yes-ter-day

5 6 5 -6 6
Oh what a feel-ing,
5 -4 4
Toy-o-ta.

-7 6 7 6
Toyland, toy land
-6 7 -6 6 -5 -3 3
Li-ittle girl and boy land
5 -4 5 -5 6 7
While you dwell within it
-6* 7 -7 -8 -7 -5 -5
You are ever happy there

-7 6 7 6
Childhood’s joy land
-6 7 -6 6 -5 -3 3
Mi-istic merry toy land
5 -4 5 -5 6 7
Once you pass its borders
-7 -3 -3 7 -6 -5 6 5 (Slow On Repeat)
You can ne’er return again
(Repeat)

When you’ve grown up my dears
And are as old as I
You’ll laugh and ponder on the years
That roll so swiftly by my dears
That roll so swi-iftly by-why

Childhood’s joy land
Mi-istic merry toy land
Once you pass its borders
You can ne’er return again

This song plays with karaoke music run time 2:07.

W: Glen MacDonough
M: Victor Herbert
Perry Como, Doris Day
Time: 6/8
harps: C, G

Harp: C
-6 5 6 5
-10 8 9 8
Toyland, toy land

-5 6 -5 5 -4 -3” 3
-9 9 -9 8 -8 -6 6
Li-ittle girl and boy land

Harp: G
-2” 2 -2” 3 -3”4
-5 5 -5 6 -6 7
While you dwell within it

-3 4 -4 5 -4 3 3
-7 7 -8 8 -8 6 6
You are ever happy there

Harp: C

-6 5 6 5
-10 8 9 8
Childhood’s joy land

-5 6 -5 5 -4 -3” 3
-9 9 -9 8 -8 -6 6
Mi-istic merry toy land

4 -3 4 -4 5 6
7 -7 7 -8 8 9
Once you pass its borders

-6 -3” -3” 4 -3”-2” 3 2
-10 -6 -6 7 -6 -5 6 5
You can ne’er return again

-5 -3 4 -3 <-3 4 <-3 -3 3 -1 1 Toyland, toyland, little girl and boy land -2 2 -2 3 -3 4 While you dwell within it -4 4 -5 6 -5 3 3 You are ever happy then -5 -3 4 -3 <-3 4 <-3 4 3 -1 1 Childhood's joyland mystic mercy toyland -2 2 -2 3 -3 4 Once you pass it's borders, -5 -1 -1 4 <-3 3 -2 -2 You can ne'er return again

blow
— draw
‘ bend 1/2 step
» bend 1 step
( ) chord

[-3″ slur to -3 to -3″] -2

-1 (123) -(123) -(23)

[-3 slur to -3″ to -3] (234) -(234)

(45) [trill -4 -5]

— And I added something simple to end it —

[-4’ slur to -4] 4 [-3″ slur to -3] -4 -3 -2

tabbed by weksa

5 -5b -5 -5b 5 5 -5 -5
Ba-by, can’t you see I’m call-in

5 -5 -5b 5 5 5 5 -5 -5
A guy like you should wear a warn-in

-4 -5b 5 -4 -3b -4 -3b
It’s dan-ger-ous I’m fall-ing

Verse 2 SAME AS 1
There’s no escape I can’t wait
I need a hit Baby, give me it
You’re dangerous I’m loving it

(CHORUS)

-6 7 -7 9 7
Too high can’t come down

-6 -6 -6 7 7 7 -7 9 7
Los-ing my head spin-nin round and round

-6b -6 -7 -6 -6b
Do you feel me now

-6 -7 8 -8 -7 -8
Oh the taste of your lips

-6 -6b -5 -7
I’m on a ride

-8 -6 -8 -6 -8 -8 -6 -6
You’re tox-ic I’m slip-pin’ un-der

-6 -7 8 -8 -7 -7 -6 -6b -5 -7
Oh the taste of a poi-son par-a-dise

5 -5 -6 -5 5 -5
I’m ad-dic-ted to you

5 -5 -6 -6b -5 -6b -6b
Don’t you know that you’re tox-ic

5 -5 -6 -6b -5 -5
And I love what you do

5 -5 -6 -6b -5 -6b -6b
Don’t you know that you’re tox-ic

VERSE 3 SAME AS 1
It’s getting late
To give you up
I took a sip
From my devil cup
Slowly,
It’s taking over me

CHORUS

Don’t you know that you’re tox-ic

(CHORUS 2ND PART)

5 -5 5 -5 5 -5
In-tox-i-cate me now

-5 5 -5 5 -5
With your lov-in’ now

5 -5 5 -5 5 -5
I think I’m rea-dy now

5 -5 5 -5 5 -5
I think I’m rea-dy now

5 -5 5 -5 5 -5
In-tox-i-cate me now

-5 5 -5 5 -5
With your lov-in’ now

5 -5 5 -5
I’m rea-dy now

ENJOY!!

W: Ned Washington
M: Dimitri Tiomkin
From: «Town Without Pity»
Gene Pitney
Key: Am (C)

8 6 -8 -8 8 6 -8 -8 6
When you’re young and so in love as we
-8 6 -7 -7 -8 -6 -7 -7 -5
And be-wil-dered by the world we see
-7 -5 7 7 -7 5* 7
Why do peo-ple hurt us so
7 -3 -6 -6 7 -3 6
On-ly those in love would know
6 6 6 6 -5* -5 -5 -5* 6
What a town with-out pit-y can do

8 6 -8 -8 8 6 -8 -8 6
If we stop to gaze up-on a star
-8 6 -7 -7 -8 -6 -7 -7 -5
Peo-ple talk a-bout how bad we are
-7 -5 7 7 -7 5* 7
Ours is not an eas-y age
7 -3 -6 -6 7 -3 -6
We’re like ti-gers in a cage
6 -6 6 6 -5* -5 -5 -5* 5
What a town with-out pit-y can do

5 -5 6 7 -6
The young have prob-lems,
-7 6 7 -6
Man-y prob-lems
-6 6 -6 8 -7 -6 -5* -5
We need an un-der-stand-ing heart
-5 6 -6* -7 7
Why don’t they help us,
-8 -6* -7 7
try and help us
7 -6* 7 -9 -9 8 8 -8 -8
Be-fore this clay and gran-ite plan-et
-7 -7 7
falls a-part
8 6 7 -8 8 6 -8 -8 6
Take these ea-ger lips and hold me fast
-8 6 -7 -7 -8 -6 -7 -7 -5
I’m a-fraid this kind of joy can’t last
-7 -5 7 7 -7 -5 7
How can we keep love a-live
7 -3 -6 -6 7 -3 -6
How can an-y-thing sur-vive
6 -6 6 6 -5* -5 -5* -5* 6
When these lit-tle minds tear you in two
6 -6 6 6 -5* -5 -5 -5* 6
What a town with-out pit-y can do
-5* 6 -8 -8 -7 -7 7* 7*
No it is-n’t ver-y pret-ty
7 7 -6* -6* -6 6 6 8 -7…
what a town with-out pit-y can do.

Kikis Delivery Service
Umi no mieru machi

8 -8 7 7 -7 -6 -7 -8 7 -7 7 9

-9 8 7 7 -6 -8 8

5 7 5 -7 5 -6 6 -5 6
4 -4 -5 -6 7 -7 6 5 -4 5
5 7 5 -7 5 -6 6 -5 6
4 -4 -5 -6 7 -8 8 7 6 -6

-6 -7 7 7 7 7 7 -7 -6 -7 6
5 -5 6 -6 -6 -6 -6 -6 6 -5 6 5
5 -4 -5 -6 7 -7
-6 6 -7 -8 -8 7 -7 7 8
-8 8 7 -6 -7 6 -6b