-4 -4 5 -5 -4

-6, -6 -6 -6 6 -6 -6, -6 -6 -6 6 -6 -6, -6 -6 -6 6 -6 -6

7,-6, 6, -5

Repeat

8 -9 8 7 7 -6 7
I was sitting all a-lone
8 -9 8 7 7 -6 7
Watching people get it on
-6 -6 -6 6
With each oth-er
8 -9 8 7 7 -6 7
They were dancing cross the floor
8 -9 8 7 7 -6 7
Turning, moving back and forth
-6 -6 -6 6
They were lov-ers
7 -8 8 -9 8 7 6
One more lonely night for me
7 -8 8 -9 8 -10 -10
I looked up, what did I see

8 8 -8 7 -8 8 8 -8
Sex-y eyes—moving cross the floor
7 -8 8 8 -6 -7 -7 -6
Got me wanting more —sex-y eyes
8 8 -8 7 -8 8 8 -8
Sex-y eyes— get-tin’ down with you
-6 7 -8 8 -6 -6 -7 -7 -6
I wanna move with you—sex-y eyes

8 -9 8 7 7 -6 7
I got up and took your hand
8 -9 8 7 7 -6 7
And we both began to dance
-6 -6 -6 6
To the mus-ic
8 -9 8 7 7 -6 7
Ooh your magic cast a spell
8 -9 -9 8 7 7 -6 7
It didn’t take long till we fell
-6 -6 -6 6
And we knew it
7 -8 8 -9 8 7 6
No more lone-ly nights for me
7 -8 8 -9 8 -10 -10
This is how it’s gon-na be

8 8 -8 7 -8 8 8 -8
Sex-y eyes—moving cross the floor
7 -8 8 8 -6 -7 -7 -6
Got me wanting more —sex-y eyes
8 8 -8 7 -8 8 8 -8
Sex-y eyes— get-tin’ down with you
-6 7 -8 8 -6 -6 -7 -7 -6
I wanna move with you—sex-y eyes

8 8 -8 7 -8 8 8 -8
Sex-y eyes— get-tin’ down with you
-7 7 -8 8 -6 -6 -7 -7 -6
I wanna groove with you—sex-y eyes

Repeat chorus and fade

4 4 4 -4 5

lay where youre laying

4 4 4 -4 4

don`t make a sound

4 4 4 -3 4

i know they`re watching,

4 -3 4

they`re watching

4 4 4 -4 5

all the commotion

4 4 4 4 -4 4

the kiddie like play

4 4 4 -3 4 -3 4

has people talking talking

-7—(o)—

you——

-7 -7 7 -6 7-7 -7(tue) (tue) (tue)

your sex is on fire

4 4 4 -4 5

The dark of the alley

4 4 4 -4 4

the breaking of day

4 4 4 -3 4

The head while I’m driving

4 -3 4

I’m driving

4 4 4 -4 5

Soft lips are open,

4 4 4 -4 4

knuckles are pale

4 4 4 -3 4—- -3 4——

Feels like you’re dying you’re dying

-7—(o)—

yoooouuuu

-7 -7 7 -6 7-7 -7(tue) (tue) (tue)

your sex is on fire

-6—(o)—

Consumed

-6 -6 6 -5 6-6 -6(tue) (tue) (tue)

with what’s to transpire

4 4 4 -4 5

Hot as a fever,

4 4 -4 4

rattling bones

4 4 4 -3 4

I could just taste it,

-3 4

taste it

4 4 4 -4 5

If it’s not forever,

4 4 4 -4 4

if it’s just tonight

4 4 4 -3 4

Oh, it’s still the greatest,

-3 4— -3 4—

the greatest, the greatest

-7—(o)—

Yoooouuuu

-7 -7 7 -6 7-7 -7(tue) (tue) (tue)

your sex is on fire

7 -7—(o)—

And yoooouuuu

-7 -7 7 -6 7-7 -7(tue) (tue) (tue)

your sex is on fire

-6—(o)—

Consumeeeeeddd

-6 -6 6 -5 6-6 -6(tue) (tue) (tue)

with what’s to transpire

7 -7—(o)—

And yoooouuuu

-7 -7 7 -6 7-7 -7(tue) (tue) (tue)

your sex is on fire

-6—(o)—

Consumed

-6 -6 6 -5 6-6 -6(tue) (tue) (tue)

with what’s to transpire

La modifique un poco y alarge para quien apenas comienza. haca dejo link de la cancion.

4 4 4 -4 5 4 4 4 -4 4
lay where youre laying,don`t make a sound
4 4 4 -3 4 4 -3 4
i know they`re watching,they`re watching
4 4 4 -4 5 4 4 4 4 -4 4
all the commotion,the kiddie like play
4 4 4 -3 4 -3 4
has people talking,talking

-7 -7 -7 7 -6 7-7
you,your sex is on fire

-4 5 -5 5 -4 6
-4 5 -5 5 -4 3
-4 4 -3 2 -2

—————-or———————

-234 5 -5 5 -4 6
-234 5 -5 5 -4 3
-4 4 -3 2 -2

Meredith Willson
(from the 1957 play (& film) «The Music Man»)

4 -4 5 -5 6 7 6 5 -4 4 -3 -6 6
Seventy-six trombones led the big parade
5 -5 6 -6 -7 -8 -7 6 -5 -4 4
With a hundred and ten cornets close at hand—
4 -4 5 -5 6 8 7 6 5 4 -5 5 -5 6 -6
They were followed by rows and rows of the finest virtuos-os;
-6 6 -7 -8 -8 7 -7 -8
the cream of every famous band.

5 -5 6 7 6 5 -4 4 -3 -6 6
Seventy six trombones caught the morning sun
5 -5 6 -6 -7 -8 -7 6 -5 -4 4
With a hundred and ten cornets right behind
4 -4 5 -5 6 8 7 6 5 4 -5 -6 7
There were more than a thousand reeds springing up like weeds,
-6 6 -7 -8 -8 7 -7 7
And horns of every shape and kind!

4 4 -5 5 -5 6 -6 -6 6 -5 5 -4 5
There were copper bottom tym-pan-i in horse platoons
-5 5 -5 6 -5 6 -6 -6 6 5 4
Thundering, thundering, all along the way
-5 5 -5 6 -6 -6 6
Double bell euphon -i -ums
-5 5 -4 5
and big bassoons
-5 5 -5 4 -4 5 -5 6
Each bassoon— having his big fat say.

4 4 -5 5 -5 6 -6 -6 6 -5 5 -4 5
There were fifty mounted cannon in the bat -tery
-5 5 -5 6 -5 6 -6 -6 6 5 4
Thundering, thundering, louder than before
-5 5 -5 6 -6 -6 6
Clarinets of every size
-5 6 -5 6 -6 7 7 -6
and trumpeters who’d improvise
-5 6 -5 6 -6 6 -6 -7 7
A full octave higher than the score!

4 -4 5 -5 6 7 6 5 -4 4 -3 -6 6
Seventy six trombones hit the counter point
5 -5 6 -6 -7 -8 -7 6 -5 -4 4
While a hundred and ten cornets played the air
4 -4 5 -5 6 8 7 6
To the rhythm of ‘Harch Harch Harch!’
5 4 -5 5 -5 6 -6
All the kids began to march
-6 -6 6 -7 -8 7 -7 7
And they’re marching still, right today!

—

By: Willie Dixon
Johnny Rivers, Sting
Key: Eb

-5* 5 -5* 5 -5* -3* 5 -3* -5* 5 -5*-3*
Ev-‘ry-bod-y’s talk-in’ ’bout the sev-enth son
5 -3* -5* -5* -1* -2* -1*-2*-2* -1*
In the whole round world there is on-ly one,
1 -2* -2* -1* -3* -2* -3*3
and I’m the one, I’m the one
5* -3* 5* 5* 5* -3*3*
I’m the one, I’m the one,
-3* -5* -5* -2* -1* -2* -2* -1*
The one they call the sev-enth son

5 -3* -5* -5* -5* -3* 5 -3* -5* 5 -5*-3*
I can tell your fu-ture if we come to pass
5 -3* -5* -5* -5* -3*
I can do things to you
5 -3* 5* -1* -1*
Make your heart feel glad
-5* -5* 5* -5* 5 -5* 5 -5*-3*
Look in the sky, pre-dict the rain
-5* -5* 5 -5* -3* 5 -3* 5* 5* 3-1*
Tell when a wo-man’s got an-oth-er man

-2* -2* -1* -3* -2* -3*3
I’m the one, I’m the one
5* -3* 5* 5* 5* -3*3*
I’m the one, I’m the one,
-3* -5* -5* -2* -1* -2* -2* -1*
The one they call the sev-enth son

5 -3* -5* -5* -5*-3*
I can talk these words
5 -3* -5* -5* 5 -3*
that will sound so sweet
5 -3* -5* 5 -5* 5 -5* -5* -1*
They will ev-en make your lit-tle heart
3 1 -1*
Skip a beat

-5* 5 -5* -5* 5 -5*-3*
Heal the sick, raise the dead
-5* 5 -5* 5 -5*-3*
Make the lit-tle girls
5 5* -3* 5* -2-1*
talk out of their heads

-2* -2* -1* -3* -2* -3*3
I’m the one, I’m the one
5* -3* 5* 5* 5* -3*3*
I’m the one, I’m the one,
-3* -5* -5* -2* -1* -2* -2* -1*
The one they call the sev-enth son

(6)-(6)-7-(6)-6-(5)-5

(6)-(6)-7-(6)-6-(5)-5

(6)-(6)-7-(6)-6-(5)-6-(5)-5

4 -4 5 5 5 -4 -4 4 4 -4
He looked down into her blue eyes, and said
5 5 -5 5 -4 3
Say a prayer for me. She
5 5 6 -5 5 -4 -4 5
Threw her arms around him, whispered
-5 -5 5 -5 5
God will keep us free

5 -5 6 6 6 -5 5 4 5 -5
They could hear the riders comin’, He said
6 6 -6 6 -5 -4 5
This is my last fight. If they
-5 -5 -6 -6 6 5 -4 4 -4 5
Take me back to Texas, they won’t
-5 -5 5 -4 4
Take me back a-live

(chorus)
5 -5 6 6 -6 6 5 -4 4 5 -5
There were seven Spanish angels, at the
6 5 -5 5 -4
Altar of the sun
-4 5 6 6 -7 -6 6 -4 -4 5
They were prayin’ for the lovers, in the
6 6 -6 6 5
Valley of the gun
5 -5 6 6 -6 6 6 6 5 -4 4
When the battle stopped and the smoke cleared
5 -5 6 6 -6 6 -5
There was thunder from the throne
4 -5 -5 -6 -6 6 5 -4 4 -4 5 -5 6
And seven spanish angels, took a-nother
5 4 -4 4
Angel home

4 -4 5 5 5 -4 -4 4
She reached down and picked the gun up
4 -4 5 5 -5 5 -4
That lay smokin in his hand
3 3 5 5 6 -5 5 -4
She said, Father please forgive me
-4 5 -5 -5 5 5 -5 5
I can’t make it without my man
5 -5 6 6 6 -5 5 4
And she knew the gun was empty
5 -5 6 6 -6 6 -5
And she knew she couldn’t win
-4 5 -5 -5 -6 -6 6 5 -4 4
But her final prayer was answered
-4 5 -5 -5 5 -4 4
When the rifles fired again

(chorus)

55555(4)
(6)655(4)(4)(3)
(4)(3)(2)(2)
5555(4)
(6)655(4)(4)(3)
(4)(3)(2)(2)
5555(4)
556
5
(4)(4)(3)
(3)(4)(3)(2)(2)
(2)
(2)
(3)(3)
(4)(3)(2)(2)
(2)
(2)(3)(3)(3)(3)
Boul ma sene, boul ma guiss madi re nga fokni mane
Khamouma li neka thi sama souf ak thi guinaw
Beugouma kouma khol oaldine yaw li neka si yaw
mo ne si man, li ne si mane moye dilene diapale

(3)(3)
(4)
5(4)
(4)
(3)
(3)(3)(4)
5(4)
(4)
(3)(3)
(3)(3)(3)
(2)(3)(3)(4)
(3)(3)(3)(3)(4)
5(4)
(4)
(3)
(3)(3)(4)
(3)55555
(3)(3)(3)
(2)(3)(3)(4)
(2)(3)(3)(4)
(2)(3)(3)(4)
We should be using, on the ones who practice wicked charms
For the sword and the stone
Bad to the bone
Battle is not over
Even when it’s won
And when a child is born into this world
It has no concept
Of the tone the skin is living in

(3)(4)(4)55
5(4)(4)(3)
5(4)(4)(3)
(4)(4)(3)(3)

(3)(4)(4)55
5(4)(4)(3)
(4)(4)(3)(4)(4)(4)(3)
(6)(7)(7)(7)(6)5
5(6)65
5(6)65
5(6)65
It’s not a second
7 seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
7 seconds away
Just as long as I stay
I’ll be waiting
I’ll be waiting
I’ll be waiting

55555(4)
(6)655(4)(4)(3)
(4)(3)(2)(2)
5555(4)
(6)655(4)(4)(3)
(4)(3)(2)(2)
5555(4)
556
5
(4)(4)(3)
(3)(4)(3)(2)(2)
(2)
(2)
(3)(3)
(4)(3)(2)(2)
(2)
(2)(3)(3)(3)(3)
J’assume les raisons qui nous poussent de changer tout,
J’aimerais qu’on oublie leur couleur pour qu’ils esperent
Beaucoup de sentiments de race qui font qu’ils desesperent
Je veux les portes grandements ouvertes,
Des amis pour parler de leur peine, de leur joie
Pour qu’ils leur filent des infos qui ne divisent pas

5(4)(4)(3)
5(4)(4)(3)
(4)(4)(3)(3)

(3)(4)(4)55
5(4)(4)(3)
(4)(4)(3)(4)(4)(4)(3)
(6)(7)(7)(7)(6)5
5(6)65
7 seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
7 seconds away
Just as long as I stay
I’ll be waiting X3

5(4)
(4)
(3)
(3)(3)(4)
(3)55555
(3)(3)(3)
(2)(3)(3)(4)
And when a child is born into this world
It has no concept
Of the tone the skin is living in

54(5)4
And there’s a million voices

54(5)4
And there’s a million voices

(2)(3)(3)(4)
(2)(3)(3)(4)
(2)(3)(3)(4)
(2)(3)(3)(4)
To tell you what she should be thinking
So you better sober up for just a second

5(4)(4)(3)
5(4)(4)(3)
(4)(4)(3)(3)

(3)(4)(4)55
5(4)(4)(3)
(4)(4)(3)(4)(4)(4)(3)
(6)(7)(7)(7)(6)5
5(6)65
7 seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
7 seconds away
Just as long as I stay
I’ll be waiting

**If ever in VEGAS, see Nine Fine Irishmen LIVE! So much fun!

Chorus—
6 5 6 5 7 6 -5 5
Oh dear, what can the matter be?
-5 -5 -5 -5 -4 5 -5 5 -5 -6 6 -5
Seven old ladies got stuck in the lava’try
6 6 5 -4 -5 -4 7 6 -5 5
They were there from Sunday thru Saturd’y
-4 5-5 -5 5 -4 4
Nobody knew they were there

Verse—
5 6 6 6 5 -5 6 5 7 6 5
The first old lady was Elizabeth Porter.
-5 -5 -5 -5-4 5 -5 -4 5 6 5
She was the deacon of Dorchester’s daughter.
5 6 6 6 6 5 -5 6 5 7 6 5
She went to relieve a slight pressure of water
4 -4 5-5 -5 5 -4 4
And nobody knew she was there.
Chorus

The second old lady was Abigail Splatter
She went there ’cause something was surely the matter
But when she got there, it was only her bladder.
And nobody knew she was there.
Chorus

The third old lady was old Mrs. Bickle.
Her urge was sincere, her reaction was fickle.
She hurdled the door; she’d forgotten her nickel
And nobody knew she was there.
Chorus

The fourth old lady was Hildegard Folye.
She hadn’t been living according to Hoyle.
Was relieved when the swelling was only a boil
And nobody knew she was there.
Chorus

The fifth old lady was Emily Clancy.
She went there ’cause something tickled her fancy.
But when she got there it was ants in her pantsy
And nobody knew she was there.
Chorus

The sixth old lady was extremely fertile.
Her name was O’Connor, the boys called her Myrtle.
She went there to repair a slight hole in her girdle
And nobody knew she was there.
Chorus

The seventh old lady was Elizabeth Bender.
She went there to repair a broken suspender.
It snapped up and ruined her feminine gender
And nobody knew she was there.
Chorus

**If ever in Vegas, go see Nine Fine Irishmen LIVE! So much fun!

Chorus—
6 5 6 5 7 6 -5 5
Oh dear, what can the matter be?
-5 -5 -5 -5 -4 5 -5 5 -5 -6 6 -5
Seven old ladies got stuck in the lavat’ry
6 6 5 5 6 5 7 6 -5 5
They were there from Sunday thru Saturd’y
-4 5-5 -5 5 -4 4
Nobody knew they were there

Verse—
5 6 6 6 5 -5 6 5 7 6 5
The first old lady was Elizabeth Porter.
-5 -5 -5 -5 -4 5 -5 -4 5 6 5
She was the deacon of Dorchester’s daughter.
5 6 6 6 6 5 -5 6 5 7 6 5
She went to relieve a slight pressure of water
4 -4 5 -5 -5 5 -4 4
And nobody knew she was there.
Chorus

The second old lady was Abigail Splatter
She went there ’cause something was surely the matter
But when she got there, it was only her bladder.
And nobody knew she was there.
Chorus

The third old lady was old Mrs. Bickle.
Her urge was sincere, her reaction was fickle.
She hurdled the door; she’d forgotten her nickel
And nobody knew she was there.
Chorus

The fourth old lady was Hildegard Folye.
She hadn’t been living according to Hoyle.
Was relieved when the swelling was only a boil
And nobody knew she was there.
Chorus

The fifth old lady was Emily Clancy.
She went there ’cause something tickled her fancy.
But when she got there it was ants in her pantsy
And nobody knew she was there.
Chorus

The sixth old lady was extremely fertile.
Her name was O’Connor, the boys called her Myrtle.
She went there to repair a slight hole in her girdle
And nobody knew she was there.
Chorus

The seventh old lady was Elizabeth Bender.
She went there to repair a broken suspender.
It snapped up and ruined her feminine gender
And nobody knew she was there.
Chorus

main riff

5 5 6 5 -4 4 -3
5 5 6 5 -4 4 -4 4 -3

Seven Nation Army Riffs (ORCHESTRA)
By Jack White
Performed by The White Stripes
Key of E Minor
Range: A4 to G5 Low Range: A3 to G4
Tabbed for EITHER an ORCHESTRA tuned Diatonic
(Seydel “Orchestra S” key of LC)
OR an ORCHESTRA tuned Chromatic
OR a 14 hole Solo tuned Chromatic.

THIS TAB DOES NOT CONTAIN LYRICS

Tab notations:
none = blow — = draw

Basic Riff:
8 8 9 8 -7 7 -6

Main Riff:
8 8 9 8 -7 7 -6
8 8 9 8 -7 7 -7 7 -6

Bridge:
-5 5 5 5 5 5 5 5 5 -5 -5 -5 -5 -6 -6 6

Lower Version Main Riff:
4 4 5 4 -3 3 -2
4 4 5 4 -3 3 -3 3 -2

Lower Version Bridge:
-1 1 1 1 1 1 1 1 1 -1 -1 -1 -1 -2 -2 2

Seven Nation Army Riffs (Chromatic)
By Jack White
Performed by The White Stripes
Key of E Minor
Range: A4 to G5
Tabbed for a 12 hole Key of C Solo tuned Chromatic

THIS TAB DOES NOT CONTAIN LYRICS

Tab notations:
none = blow — = draw

Basic Riff:
6 6 7 6 -5 5 -4

Main Riff:
6 6 7 6 -5 5 -4
6 6 7 6 -5 5 -5 5 -4

Bridge:
-3 3 3 3 3 3 3 3 3 -3 -3 -3 -3 -4 -4 4

Playing a Tenor C?
Tabbed for a Solo tuned Tenor C Chromatic:

Basic Riff:
10 10 11 10 -9 9 -8

Main Riff:
10 10 11 10 -9 9 -8
10 10 11 10 -9 9 -9 9 -8

Bridge:
-7 7 7 7 7 7 7 7 7 -7 -7 -7 -7 -8 -8 8

5 5 6 5 -4 4 -3

5 5 5 6 5 -4 4 -3

5 5 6 5 -4 4 -3

5 5 6 5 -4 4 -4 4 -3

Alright this is the bass played on harmonica in G

don’t mind the guitar in the verse, the bass is always the same

-6 -6 +7 -6 +6 -5 +5 >riff

-4 +4 +4 +4 +4 +4 +4 +4 +4 -4 -4 -4 -4 +5 +5 -5 >bridge

-6 -6 +7 -6 +6 -5 +5
>verse
-6 -6 +7 -6 +6 -5 +6 -5 +5

song is in this order:

riff x12
bridge x1
verse x2
bridge x1
riff x12
bridge x1
verse x4
bridge x1
riff x12
bridge x1
verse x2

5 5 6 5 -4 4 -3
5 5 6 5 -4 4 -4 4 -3

5 5 6 5 -4 4 -3 (bis)

5 5 6 5 -4 4

This is the bass tab for Seven Nation Army by The White Stripes on a C harmonica.
These riffs repeat throughout the song. The main riff is Riff#1.

Notes with a «-» in front of them are the notes you suck in air rather than blow out.

The notes inside the parentheses are notes that you bend.

Riff 1:

5 5 6 5 -4 4 -3

Riff 2:

5 5 6 5 -4 4 -4 4 -3

Riff:3:

3 3 3 3 3 3 3 3 (-3) (-3) (-3) (-3) (-3) (-3) (-3) (-3)

If you can’t play the full bends in Riff 3 on the -3 note then try the riff up an octave:

Riff 3 (Alternate):

6 6 6 6 6 6 6 6 -6 -6 -6 -6 -6 -6 -6 -6

-3″ -3″ 4 -3″ -2 -2″ 2

-3″ -3″ 4 -3″ -2 -2″ -2 -2″ 2

-3″ = 3 draw whole step bend
-2″ = 2 draw whole step bend

————————————

-6 -6 7 -6 6 -5 5

-6 -6 7 -6 6 -5 6 -5 5

————————————

-10 -10 10 -10 9 -9 8

-10 -10 10 -10 9 -9 9 -9 8

This is just the main guitar riff, not the lyrics.

4 4 6 4 -3 3 2 (main riff)

4 4 6 4 -3 2 -3 3 2

WORDS BY
BOB HILLIARD

MUSIC BY
LEE POCKRISS

4 4 5 5 6 4 4 4 4 -5b -6b
Sev-en lit-tle girls sit-ting in the back seat

6 -5b 6 -5b 6 5 4 -4 4 4
Hug-gin and a’kis-sin with Fred I said

4 4 -5b -5b -6b -6b 6 -5b 6 -5b 5 6
why don’t one of you come up and sit be-side me

6 -5b -5b -4 -4 4 4 -4 4
And this is what the se-ven girls said

5 -5b 6 6 6 -6b -6b
Keep your mind on your dri-ving

-6b 5 -5b -5b -4 6
Keep your hands on the wheel

5 -4 5 -4 5 -4 5 -4 6 6
Keep your snoop-y eyes on the road a-head

-6b -6b 7 6 -6b 6 -6b 7 6 4
We’re hav-in’ fun sit-ting in the back seat

-4 5 -5b 6 5 4 -4 4 4
Kis-sin’ and a’hug-gin with Fred, Fred

4 4 5 5
Drove through the town,

4 4 4 -5b -6b
drove through the coun-try

3 -2b 3 -2b 3 2 1 -1
Showed ’em how a mo-tor could go

4 4 4 4 4 -5b -6b 6 -5b 6 -5b 5 6
I said, how do you like my tri-ple car-bur-e-tor

6 -5b -5b -4 4 -4 4
And one of em whis-pered low

All together now, one, two, three (speak)

5 -5b 6 6 6 -6b -6b
Keep your mind on your dri-ving

-6b 5 -5b -5b -4 6
Keep your hands on the wheel

5 -4 5 -4 5 -4 5 -4 6 6
Keep your snoop-y eyes on the road a-head

-6b -6b 7 6 -6b 6 -6b 7 6 4
We’re hav-in’ fun sit-ting in the back seat

-4 5 -5b 6 5 4 -4 4 4
Kis-sin’ and a’hug-gin with Fred, Fred

1 1 2 2 3 1 1 1 1 -2b -3b
Sev-en lit-tle girls smoo-chin’ in the back seat

3 -2b 3 -2b 3 1 -1
Ev`-ry one in love with Fred

4 4 4 4 -5b -6b 6 -5b 6 -5b 5 6
I said «you don’t need me, I’ll get off at my house»

6 -5b -5b -4 -4 4 4 -4 4
And this is what the se-ven girls said

5 -5b 6 6 6 -6b -6b
Keep your mind on your dri-ving

-6b 5 -5b -5b -4 6
Keep your hands on the wheel

5 -4 5 -4 5 -4 5 -4 6 6
Keep your snoop-y eyes on the road a-head

-6b -6b 7 6 -6b 6 -6b 7 6 4
We’re hav-in’ fun sit-ting in the back seat

-4 5 -5b 6 5 4 -4 4 4
Kis-sin’ and a’hug-gin with Fred, Fred

Dee Doo-dy Doom Doom, Dee Doo-dy Doom Doom

7 7 7 7 7 -7 -7 -7 -7 -7

Dee Doo-dy Doom Doom Doom

-8 -8 -8 -8 -8 9

7 -6 6 -5 5

Sev-en Lit-tle Girls Sitt-ing In The Back Seat

5 5 6 6 7 -3 -3 5 5 -6 -7

Hugg-ing And A Kiss-ing With Fred

7 *-6 7 -7 7 6 5 -5

I Said Why Don’t One Of You Come Up And Sit Be-side Me

3 *3 -3 4 -6 -6 -7 -7 7 -7 7 6 -6 7

And This Is What The Sev-en Girls Said

7 -6 6 -5 5 -4 4 -5 5

Keep Your Mind On Your Driv-ing

6 -6 7 7 6 -7 -7

Keep Your Hands On The Wheel

-7 6 -6 -6 -5 7

Keep Your Snoop-y Eyes On The Road A-head

6 *-6 6 -5 6 5 6 -5 7 7

We’re Hav-ing Fun Sitt-ing In The Back Seat

-7 -7 8 7 -7 *7 -7 8 7 6

Kiss-ing And A Hugg-ing With Fred

-5 6 -6 7 6 5 -5 5

AKA Sad Love story/Sad sonata
Key: F

|-3.|.-3..|~ -3|3…|…|-2…|

|-2 2 |-1…|..-56|-6 6-5|

|65-3 -56|-6 6-5|5-35|-5 5-3*-33|

|-3 -5 |6-4|4* -5|-5 -56|

-56|-6 6-5|

|65-3 -56|-6 6-5|5-35|-5 5-3*-33|

|-3 -5 |6-4|4* -5|-5 -66|

|-56-67 -7|-7 -66|-5 6-67 -7|

|-7 7-7|-7* -77 -7*-7|.-6-5 |

|7 -5-5 7 -5|-6.6 -56|-6 7 -6 |

|6 5-3 -56|-6 6 -5 |5 -35 -55|

|-5 5-3*-3 3 |-3 -5 |6 -4 4* -5|

|-5 -2-56|-6-3 4-3*|-33-22 |

|2-23-3-3*4-56-67|5 -35|-5 -3-3)

-6-36-53-2 |23*-4-55*65|-5 -66|

|-5 -56|-6 7 -6 |65-3-6 6|

|-66-5 6 -5 |5 -3 -66 |-5 5-3*-3 3 |

|-3 -5 -6 |-7 7 -6 6 |-5-3-66-5 |

|-7 7 -6 6 |-5-2-66-5 |-7 7 -6 6 |

|-5…|

6 6 6 -6 6 6 -6
As the red deer relate to
5 -5 5 -5 5 -5 -5 -5 -5 5
The month of April.
4 6 6 -6 6 6 -6
So do we wait patiently
5 -5 -5 -5 5 -5 -5 -5 -5 5
To set our tables

(Pre-Chorus)
6 -6 6 -6
Our forks and knives
6 -6 -7 -6 6 5 -4 5
They work with antlers side by side
5 6 -5 5 -4 -4 5 -4
They’re gnawing at the withered pine
5 -4 4 -3 -2 4 -3
Hoping she’s the one

5 6 -6 6 -6
And my father’s bride
6 -6 -7 -6 6 5 -4 5
Is tearing down the mountain side
6 -5 5 -4 -4 5 -4
Soon the trees will all align
5 -4 4 -3 -2 4 -3
Leaving us with sons

7 -7 -6 6 -6 6 -6 6 5
Cast them later than the older ones
6 7 -7 -6 6 -6 6 -6 6 5
Until September when they have become
7 -7 -6 6 -6 6 -6 6 5
Fully covered in a velvet skin
6 6 6 -5 5 -4 -6 7 7 -7 6 6
Till they’re just like the shrubs and saplings they defend

Trad. folk
Key: A
Time: 2/4

-3 4* 4* 4* 4* 4* -5 -5 -5 -5
As I walked out by de light ob de moon
-5 4* 4* 4* 4* 4* -4 -4 -4
So mer-ri-ly sing-ing dis same tune
-4 5* 6 6 6 5* 6 6
I came a-cross a big ra-coon
6 5* 5* -4 -4 -3
A sit-tin on a rail
-3 4* 6 -6* 7 -3 -5 6 -6 -6*
Sit-tin on a rail, sit-tin on a rail
-3 4* 6 -5* 6 5* 5* -4 -4 -3
Sit-tin on a rail, sleep-in wer-ry sound

2 2 2 -2” 2 2 -1 -1 -1 2
Little by little the night turns around.

2 2 2 -2” 2 -1 -1 -1 2
Counting the leaves which tremble at dawn

-3”-3”-3” -3’ -3” -3” 3 3 3 -3” -3”
Lotuses lean on each other in yearning

2 2 2 -2” 2 -1 -1 -1 -1 -1
Over the hills a swallow is resting

2 2 2 -2” 2 2 -1 -1 -1 2
Set the controls for the heart of the sun.

2 2 2 -2” 2 -1 -1 -1 2 2
Over the mountain watching the watcher.

2 2 2 -2” 2 -1 -1 -1 2 2
Breaking the darkness, waking the grapevine.

-3” -3” -3” -3’-3” 3 3 3 -3” -3”
Knowledge of love is knowledge of shadow

2 2 2 -2” 2 -1 -1-1 -1 -1
Love is the shadow that ripens the wine.

2 2 2 -2” 2 2 -1 -1 -1 2
Set the controls for the heart of the sun.

-1 2 2 2 2 -1 2 2 2 2
The heart of the sun, the heart of the sun.(repeat line several times)

2 2 2 -2” 2 -1 -1 -1 2
Witness the man who waves at the wall

2 2 2 -2” -2” 2 -1 -1 -1 2 2
Making the shape of his questions to Heaven

-3” -3” -3” -3’ -3” 3 3 3 -3” -3”
Whether the sun will fall in the evening

2 2 2 -2” 2 2 -1 -1 -1 -1 -1
Will he remember the lesson of giving?

2 2 2 -2” 2 2 -1 -1 -1 2
Set the controls for the heart of the sun.

-1 2 2 2 2 -1 2 2 2 2
The heart of the sun, the heart of the sun.(repeat line several times)

+4 +4 +4 -5 +6 -5
I~ let it fall my heart
-5 -5 -5 +5 +5 +5 +5 +5 -5
And as it fell you rose to claim it
+4 +4 -5 +4 +4 +4 +6 -5 -4 +4 -4
It was dark and I~ was o~~ver~~~~~~~~
-5 -5 -5 +5 +5 +5 +4 +4 +4 -4
Un~til you kissed my lips and you saved me
+4 -5 +6 -5 -4
My hands they’re strong~~
-5 +5 +5 +4 +4 -4 -4 +4 -3″ -4
But my knees were far to weak~~~~~~~~~
+4 -5 +6 +6 -5 -4
To stand in your arms~~
-5 -5 +5 +5 +5 -5 -5 -4
Without falling to your feet~~
============================================
-4 -4 -4 -4 +5 -4
But there’s a~ side to you
-4 +5 -5 +5 -4 -5 +5 -4
That I~ ne~ver knew ne~ver knew
-4 -4 -4 +5 -4
All the things you’d say
-4 +5 -5 +5 -4 -5 +5 -4
They were ne~ver true ne~ver true
-4 -4 -4 +5 -4
And the games you play
-4 +5 -5 +5 -4 -5 +5 +5
You would al~ways win al~ways win
============================================
-5 -5 +6 -6 -6 +6 -5 -6 +6 -6 +6
But I~ set fire~~~~~~~ to the rain~~
+7 -5 +6 -5 -5 +7 +7 +6 -6
Watched it pour as I~ touched your face~~
-6 -4 -5 -4 -4 -5
Let it burn while I~ cry
-4 -4 -5 -4 -5 -4 -4 -5 -4
Cause I~ heard it screaming out your name
-5 -4 +4 -4 -5 +6
Your na~me~~~~~~~~~~