3 4 4 4 -4 5 -5 -6 6
Oh Shen-an-doah, I long to hear you,

7-7 -6 6 -6 6 5 6
A-a-way, you rol-ling riv-er,

6 -6 -6 -6 5 6 5 -4 4
Oh Shen-an-doah, I long to hear you,

-4 5 4 5 -6 6
A-way, we’re bound a-way,

4 -4 5 4 -4 4
‘Cross the wide Mis-sour-i.

Found this lying around the internet, thought I would share it with
you guys. Thanks to whoever tabbed it 🙂

+5 +6 -6 +7

The earth can shake

+5 +6 -6 +5

the sky come down

+5 +6 -6 +7

The moun — tains all

+5 +6 -6 +5

fall to the ground

+5 +6 -6 +7

But I will fear

+8 -8 +7 -6

none of these things

+8 +7 -8 +7

Shel — ter me lord

+7 -6 -8 +7 -6

un-der-neath your wings

Repeat (almost)

In the lower register:

+2 -2 -3» +4

The earth can shake

+2 -2 -3» +2

the sky come down

+2 -2 -3» +4

The moun — tains all

+2 -2 -3» +2

fall to the ground

+2 -2 -3» +4

But I will fear

+5 -4 +4 -3»

none of these things

+5 +4 -4 +4

Shel — ter me lord

+4 -3» -4 +4 -3»

un-der-neath your wings

By: Bob Dylan
Key: D

-5 -5 -5 -5 -6* -7 -7
‘Twas in an-oth-er life-time,
7 7 7 -5 -5
one of toil and blood
-9 -9 -9 -9 -9 -9 -7
When black-ness was a vir-tue
-6* -6* 7 -6* 7 -6* 7
and the road was full of mud
-9 -9 -9 -9 -9 -9 -7 -7
I came in from the wil-der-ness,
-6* 7 -6* 7 -6* -7
a crea-ture void of form.
-7 -7 -5 -5
«Come in,» she said,
-6* -7 -6* 7 -6* -5 -5 -5
«I’ll give you shel-ter from the storm.»

-3 -5 -5 -5 -6* -7 -7 -8
And if I pass this way a-gain,
6 6 7 -5 -5
you can rest as-sured
-7 -9 -9 -9 -9 -9 -7 -8
I’ll al-ways do my best for her,
-6* 7 7 7 7 7
on that I give my word
-8 8* -9 -9 -9 -9 -9
In a world of steel-eyed death,
-8 8* -8 -7 -8 7 -8 7 -8
and men who are fight-ing to be warm.
-7 -7 -5 -6*
«Come in,» she said,
7 -7 -6* 7 -6* -5 -5 -5
«I’ll give you shel-ter from the storm.»

Not a word was spoke between us,
there was little risk involved
Everything up to that point
had been left unresolved.
Try imagining a place
where it’s always safe and warm.
«Come in,» she said,
«I’ll give you shelter from the storm.»

I was burned out from exhaustion,
buried in the hail,
Poisoned in the bushes
an’ blown out on the trail,
Hunted like a crocodile,
ravaged in the corn.
«Come in,» she said,
«I’ll give you shelter from the storm.»

Suddenly I turned around
and she was standin’ there
With silver bracelets on her wrists
and flowers in her hair.
She walked up to me so gracefully
and took my crown of thorns.
«Come in,» she said,
«I’ll give you shelter from the storm.»

Now there’s a wall between us,
somethin’ there’s been lost
I took too much for granted,
got my signals crossed.
Just to think that it all began
on a long-forgotten morn.
«Come in,» she said,
«I’ll give you shelter from the storm.»

Well, the deputy walks on hard nails
and the preacher rides a mount
But nothing really matters much,
it’s doom alone that counts
And the one-eyed undertaker,
he blows a futile horn.
«Come in,» she said,
«I’ll give you shelter from the storm.»

I’ve heard newborn babies wailin’
like a mournin’ dove
And old men with broken teeth
stranded without love.
Do I understand your question, man,
is it hopeless and forlorn?
«Come in,» she said,
«I’ll give you shelter from the storm.»

In a little hilltop village,
they gambled for my clothes
I bargained for salvation
an’ they gave me a lethal dose.
I offered up my innocence
and got repaid with scorn.
«Come in,» she said,
«I’ll give you shelter from the storm.»

Well, I’m livin’ in a foreign country
but I’m bound to cross the line
Beauty walks a razor’s edge,
someday I’ll make it mine.
If I could only turn back the clock
to when God and her were born.
«Come in,» she said,
«I’ll give you shelter from the storm.»

4 4 4 4 5 6 6
‘Twas in another lifetime,
-5 -5 -5 -5 4 4
one of toil and blood
7 7 7 7 7 7 6
When blackness was a virtue
5 5 -5 5 -5 5 -5
and the road was full of mud
7 7 7 7 7 7 6 6
I came in from the wilderness,
5 -5 5 -5 5 6
a creature void of form.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

3 4 4 4 5 6 6 6
And if I pass this way again,
-4 -4 -5 4 4
you can rest a*sured
6 7 7 7 7 7 6 6
I’ll always do my best for her,
5 -5 -5 -5 -5 -5
on that I give my word
-6 -7 7 7 7 7 7
In a world of steel-eyed death,
-6 -7 -6 6 -6 -5 -6 -5 -6
and men who are fighting to be warm.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

4 4 4 4 4 5 6 6
Not a word was spoke between us,
-5 -5 -5 -5 -5 4 4
there was little risk involved
7 7 7 7 7 6 6
Everything up to that point
5 5 5 -5 5 -5
had been left unresolved.
7 7 7 7 7 7 7
Try imagining a place
5 5 -5 5 -5 5 6
where it’s always safe and warm.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

3 3 4 4 4 5 6 6
I was burned out from exhaustion,
-4 -4 -5 4 4
buried in the hail,
6 7 7 7 7 6
Poisoned in the bushes
5 -5 -5 -5 -5 -5
an’ blown out on the trail,
7 7 7 7 7 -6 -7
Hunted like a crocodile,
-6 -5 -6 -5 -6
ravaged in the corn.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

4 4 4 4 5 6
Suddenly I turned around
-5 -5 -5 -5 4 4
and she was standin’ there
7 7 7 7 7 7 6 6
With silver bracelets on her wrists
5 -5 5 -5 5 -5
and flowers in her hair.
7 7 7 7 7 7 7 6 6
She walked up to me so gracefully
5 -5 5 5 -5 6
and took my crown of thorns.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

3 4 4 4 5 6 6
Now there’s a wall between us,
-4 -4 -5 4 4
somethin’ there’s been lost
6 7 7 7 7 7 6
I took too much for granted,
-5 -5 -5 -5 -5
got my signals crossed.
7 7 7 7 7 7 -6 -7
Just to think that it all began
-6 6 -6 -5 -6 -5 -6
on a long-forgotten morn.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

4 4 4 4 4 4 5 6 6
Well, the deputy walks on hard nails
-5 -5 -5 -5 -5 4 4
and the preacher rides a mount
7 7 7 7 7 7 6 6
But nothing really matters much,
5 -5 5 -5 5 -5
it’s doom alone that counts
7 7 7 7 7 7 7 6
And the one-eyed undertaker,
5 -5 5 -5 5 6
he blows a futile horn.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

3 4 4 4 4 5 6 6
I’ve heard newborn babies wailin’
-4 -4 -5 4 4
like a mournin’ dove
6 7 7 7 7 6 6
And old men with broken teeth
-5 -5 -5 -5 -5
stranded without love.
-6 -7 7 7 7 7 7 -6 -7
Do I understand your question, man,
-6 6 -6 -5 -6 -5 -6
is it hopeless and forlorn?
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

4 4 4 4 4 5 6 6
In a little hilltop village,
-5 -5 -5 -5 4 4
they gambled for my clothes
7 7 7 7 7 7 6
I bargained for salvation
5 5 -5 -5 5 -5 5 -5
an’ they gave me a lethal dose.
7 7 7 7 7 7 6 6
I offered up my innocence
5 -5 5 -5 5 6
and got repaid with scorn.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

3 3 4 4 4 4 5 5 6 6
Well, I’m livin’ in a foreign country
5 5 -4 -4 -5 4 4
but I’m bound to cross the line
7 7 7 7 7 6 6
Beauty walks a razor’s edge,
-5 -5 -5 -5 -5 -5
someday I’ll make it mine.
-7 7 7 7 7 7 7 -6 -7
If I could only turn back the clock
-6 6 -6 -5 -6 -5 -6
to when God and her were born.
6 6 4 4
«Come in,» she said,
5 6 5 -5 5 4 4 4
«I’ll give you shelter from the storm.»

54(6)64 44(6)6(4) (4)44 (6)64 554(4)54(4)54(4)5 44 (6)64 44(6)6(4)
566 (6)64 554(4)54(4)54(4)5 44

[46(5)5(4)4(4)(4)3(4)(4) (4)5(5)5(4)44] x2

44465(4)5 4(6)6(4) 465(4)5 44(6)6(4) 466 (6)6 5(4) (4)5(5)5(4)44
(6)65(4)

^repeat with slight variations until the ending part

Ending:

7(10)97 7(10)9(8) (8)77 (10)97 887(8)87(8)87(8)877 (10)97 7(10)9(8)
899 (10)97 887(8)87(8)87(8)87 98(8)8 (10)9(8) 98(8)8 77(10)9(8) 799
(10)9 8(8) (8)8(9)8(8)77 (10)98(8) 87(10)97

4 -4 5 6 6 5 -4 4
You can al-most touch, the o-cean,
6 6 -6 6 6 6 6 6
Shim-mer-ing in the dis-tant haze,
7 7 7 7 -7 7 -6 6
As you stand there, on the moun-tain,
-6 -6 -6 6 -5 5 -4
On the lov-li-est, of days,
4 5 6 6 5 -4 4
‘Round half the world, you’ve drift-ed,
-4 -6 -6 -6 -7 7
Left no wild oats un-sown,
8 -8 8 -8 8 -8 7
But now your view, has shift-ed,
-8 8 -9 8 -8 7 7
And you think you’ve, just come home.

And you’re drown-ing, in the sun-shine,
As it pours down, from the skies,
And there’s some-thing, stir-ring, in your heart,
Bright colours, fill your eyes.
As from here, the far hor-i-zon,
Your beauty, does un-fold,
And oh you look, so love-ly,
Dressed in, your green and gold.

To the home-less and the hung-ry,
May we al-ways, o-pen doors,
May the rest-less and the wear-y,
Find safe har-bour, on our shores,
May she al-ways, be our dream-time place,
Our spirits, glad re-lease,
May she al-ways be, our shel-ter,
May we al-ways, live in peace.

By Tommy Roe
Key:G

Sweet lit-tle Shei-la,
8 8 8 -8 -8
you’ll know her if you see her
-8 7 7 7 7 -8 -8
Blue eyes and a po-ny-tail
8 -9 -9 -9 8 8 -8
Her cheeks are ros-y,
-8 8 8 -8 -8
she looks a lit-tle nose-y
-8 7 7 7 7 -8 -8
Man, this lit-tle girl is fine
8 -8 7 -6 7 -8 7

Nev-er knew a girl like-a lit-tle Shei-la
8 8 8 8 -8 7 7 7 7 -8 -8
Her name drives me in-sane
8 -9 8 -8 8 -8
Sweet lit-tle girl, that’s my lit-tle Shei-la
8 8 -8 -8 7 7 7 7 -8 -8
Man, this lit-tle girl is fine
8 -8 7 -6 7 -8 7

Me and Shei-la go for a ride
-7 -8 -8 8-8 -7 -8 -8 -8
Oh- oh-oh-oh, I feel all fun-ny in-side
8-8 7 7 7 7 -8 7 8 -8 7 7
Then lit-tle Shei-la whis-pers in my ear
-7 -8 -8 -8 8-8 -7 -8 -8 -7 -8
Oh-oh-oh-oh, I love you Shei-la dear
8-8 7 7 7 7 8 -8 8 -8 7

Shei-la said she loved me,
8 8 8 8 -8 -8
she said she’d nev-er leave me
-8 7 7 7 7 -8 -8
True love will nev-er die
8 -9 -9 8 8 -8
We’re so dog-gone hap-py just
8 8 8 8 -8 -8 -8
Be-in’ a-round to-geth-er
7 7 7 7 7 -8 -8
Man, this lit-tle girl is fine.
8 -8 7 -6 7 -8 7

Never knew a girl like-a little Sheila
Her name drives me insane
Sweet little girl, that’s my little Sheila
Man, this little girl is fine

Me and Sheila go for a ride
Oh-oh-oh-oh, I feel all funny inside
Then little Sheila whispers in my ear
Oh-oh-oh-oh, I love you Sheila dear

Sheila said she loved me, she said she’d never leave me
True love will never die
We’re so doggone happy just bein’ around together
Man, this little girl is fine
Oh, this little girl is fine
Yeah, this little girl is fine
Oh, this little girl is fine

7 6 -6 6 5 4 -4

7 6 -6 6 5 6 -4

4 -4 5 6 -6 7 -8 9 8 7 -8

4 -4 5 6 -6 7 -8 9 8 7 -8

6 -6 7 6

-6 7 6

5 4 -4

4 -3 4 -3 4 -3 4 -3 4 -3 4 -3 -3”

Harmlessly passing your time in the grassland awayyyyyyy

4 -3 4 -3 4 -3 4 -3 4 -3 4 -3 4 -3 -3”

Only dimly aware of a certain unease in the airrrrrrrrr

-3 -3 -3 -3” -4

You better watch out

-3” -3” -3” -4 -3” -3”

There may be dogs about

-3 -3” -3 -3 -3” -3 -3 -3” -3” -4

Well I’ve looked over Jordan and I’ve seen

-3” -3” -3” -3” -3” -4

Things are not what they seem.

4 -3 4 -3 4 -3 4 -3 4 -3 4 -3 -3”

What do you get for pretending the danger’s not reallllll

4 -3 4 -3 4 -3 4 -3 4 -3 4

Meek and obedient you follow the leader

-3 4 -3 4 -3 4 -3 4 -3 4 -3 4 -3 -3”

Down well trodden corridors into the valley of steellllllll

-4’ -3 -4’ -4

What a surprise!

-3”’ -3” -3”’ -3” -3” -3”’ -3” -3” -3”’ 4

A look of terminal shock in your eyes

-3’ -3 -3’ -3 -3’ -3 -3’ -4

Now things are really what they seem

4 -3” -3” -3” -3” -3”

No, this is no bad dream.

4 -3 4 -3 4 -3 4 -3 4 -3 4 -3 -3”

Bleating and babbling we fell on his neck with a screammmmmm

4 -3 4 -3 4 -3 4 -3 4 -3 4

Wave upon wave of demented avengers

-3 4 -3 4 -3 4 -3 4 -3 4 -3 4 -3 -3”

March cheerfully out of obscurity into the dreammmmmmm.

3 3 -3 -3 -4

Have you heard the news?

3 3 3 3

The dogs are dead!

-3 -3 -3 -3” -3

You better stay home

-3” -3 -3 -3” -4

And do as you’re told

-3” -3” -3” 3 -3” 3 3 -3” -3” 3 4

Get out of the road if you want to grow old.

English folk circa 1760
Key: F
Time: 6/8

3 3 4 4 3 4
6 6 7 7 6 7
How de-light-ful to see

4 -4 5 5 -4 5
7 -8 8 8 -8 8
In the eve-nings in spring

6 5 4 5 6 6 -5 5 -4
9 8 7 8 9 9 -9 8 -8
The sheep go-ing home to the fold

5-5 6 -5 5 -5
8-9 9 -9 8 -9
The mas-ter doth sing

5 -5 6 5 -4 3
8 -9 9 8 -8 6
As he views ev-�ry-thing

3 3 4 4 -4 5 -5 -6 6
6 6 7 7 -8 8 -9 -10 9
And his dog goes be-fore him where told

-5 5 4 5 6 -5 -3 -3 4
-9 8 7 8 9 -9 -7 -7 7
And his dog goes be-fore him where told

English folk circa 1760
Key: F
Time: 6/8

1 1 -2 -2 1 -2
How de-light-ful to see
-2 3 -3 -3 3 -3
In the eve-nings in spring
4-3 -2 -3 4 4 -3* -3 3
The sheep go-ing home to the fold
-3-3* 4 -3* -3 -3*
The mas-ter doth sing
-3 -3* 4 -2 3 1
As he views ev-‘ry-thing
1 1 -2 -2 3 -3 -3* -5 5
And his dog goes be-fore him where told
-3* -3 -2 -3 4 -3* 2 2 -2
And his dog goes be-fore him where told

3 4 -3 4 6 -5 5
We are young and in too deep.
3 4 -3 4 6 -5 5
Burn-ing our bridges while we sleep.
3 4 -3 4 6 -5 5
Cut-ting down fabrics at the seams.
3 4 -3 4 6 -5 5
Strang-ling all our fami-ly’s sheeps.

-2 4 4
Grace-ful-ly.
4 -5 -5 5 5 5 -4
We dance our way to no-thing.
-2 4 4
Grace-ful-ly.
4 -5 -5 5 5 -4
We’re bow-ing out too soon.
-2 4 4
Pa-tient-ly.
4 -5 -5 5 5 5 -4
I wait for word of some-thing.

4 -4 5 4 -4 5
I was her she was me

4 -4 5 4 -4 5
We were one we were free

6 -6b -5 5 -4 4 4 -4 5 -4
And if there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

4 -4 5 4 -4 5
We were young we were wrong

4 -4 5 4 -4 5
We were fine all a-long

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-4 -4 -4 -4 5 -4 4 4
When you getTo where you wan-na go

-4 -4 5 5 -4 4 4
Andyou knowthe things you wan-na know

4 56 45
You’re smil-ing

-4 -4 -4 -4 5 -4 4 4
When you said what you wan-na say

-4 -4 -4 5 -4 4 4
Andyou knowthe way you wan-na play

4 5 -5b -4 -5b -5b -6b 7 -7
Yeah! You’ll be so high you’ll be fly-ing

4 -4 5 4 -4 5
Though the sea will be strong

4 -4 5 4 -4 5
I know we’ll car-ry on

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-4 -4 -4 -4 5 -4 4 4
When you getTo where you wan-na go

-4 -4 5 5 -4 4 4
Andyou knowthe things you wan-na know

4 56 45
You’re smil-ing

-4 -4 -4 -4 5 -4 4 4
When you said what you wan-na say

-4 -4 -4 5 -4 4 4
Andyou knowthe way you wan-na play

4 5 -5b -4 -5b -5b -6b 7 -7
Yeah! You’ll be so high you’ll be fly-ing

4 -4 5 4 -4 5
I was her she was me

4 -4 5 4 -4 5
We were one we were free

6 -6b -5 5 -4 4 4 -4 5 -4
And if there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

-6b -5 5 -4 4 4 -4 5 -4
If there’s some-bo-dy call-ing me on

5 -4 4
She’s the one

ENJOY!!

7 7 7 7 6 6
I kn-kn-know a girl.
5 -6 6 5 6 5 -6 6
She gets what she wants all the time.
5 5 -6 6
Cause she’s so fine.
7 7 7 7 6
But for an an-gel,
5 5 6 6 6 6
she’s a hot mess, hot mess.
5 5 -6 6
Make you so blind.
5 5 -6 6
But you don’t mind.

6 6 6 7 6
Cause she’s an up-town,
7 7 6
get a-round,
7 -8 -8 -8 -9 8
a-ny-thing goes gi-rl.
6 6 7 6
She’s a hard-core,
7 7 6
can-dy-store,
7 -8 -8 -8 -9 8
give me some more gi-rl.

7 7 7 7 7 7 7 7
She’ll make you take her to the club,
-7 -7 7 7 7 7 7 7
but then she leaves with all her friends.
7 7 7 7 7 7 7 7 7
SHe likes to stay late at the par-ty
7 7 -7 7 7 7
cause the fun ne-ver ends.
7 7 -8 -8 -8 -8 -8 -8
And all her clothes are on the floor.
7 7 -8 -8 -8 -8 -8
And all your re-cords are scratched.
-8 -8 -8 8 8 8 8
She’s like a one-way tick-et
8 8 8 8 8
cause you can’t come back.

7 7 8
Say-ing yeah.
7 7 9 8
And you want her.
7 9 8 8 -9
But she’s so me-an.
9 9 9 9 8 7
You’ll ne-ver let her go.
-9 -9 -9 -9 8 7
Why don’t you let her go.
7 7 8
Say-ing yeah.
7 7 9 8
And you want her.
7 9 8 8 -9
But she’s so me-an.
9 9 9 9 8 7
You’ll ne-ver let her go.
-9 -9 -9 -9 8 7
Why don’t you let her go.

The Zombies, Santana

This arrangement requires two harps,
the second for one note only

(Gm N Lee Oskar layout) and
x[G Melody Maker]x
{Santana Key} or

(Am N Lee Oskar layout)
x[A Melody Maker]x
{Zombies key} or

(Em N Lee Oskar layout) and
x[E Melody Maker]
{Easier to sing the high notes}

(Em/ 6 -7 -8 A 7 -7 6 Em/ -7 A 7 -8
Well no one told me a bout he r
Em/ 6 C -7 6 -5 Em/ 6 A
The way she lie ied
Em/ 6 -7 -8 A 7 -7 7 Em/ -8 A -9 9
Well no one told me a bout he r
Em/ 6 6 6 C -7 6 -5 6 E/
How ma ny people cried

6 6 -7 A/ 7 7 Am 7 -8 Em/ -7 6
Well it’s too late to say you’re sorry
6 6 6 Bm/ -5 -4 -5 -4 4 Em/ -4
How would I kno w, why should I care
6 -7 A/ 7 7 Am 7 -8 G/-9 -8
Please don’t bother trying to find her
-8 -9) B7/ x[-9]x /
She’s not there

6 6 -5 6 -5 6 -5 Em/6 -5 -4 A
Well let me tell you ’bout the way she looked
6 6 -5 Em/6 6 C 6 6 6 6 6 Em/ -7 6 A
The way she act ed, the color of her hair
6 6 -5 Em/ 6 -5 6
Her voice was soft and cool,
C 6 6 -5 Em/ 6 -5 6 A
Her eyes were clear and bright
6 6 6 E/ 6
But she’s not there

Em/ 6 -7 -8 A 7 -7 6 Em/ -7 A 7 -8
Well no one told me a bout he r
Em/ 6 C -7 6 -5 Em/ 6 A
What could I do o
Em/ 6 -7 -8 A 7 -7 7 Em/ -8 A -9 9
Well no one told me a bout he r
Em/ 6 C -7 6 -5 6 E/ (Ch) (Br)
Though they all kne w

By: Rod Argent
The Zombies
Key: Am

-3 5 6 -5 5 -3 5 -56
Well, no one told me a-bout her
-3 5 -3 -3
The way she lied
-3 5 6 -5 5 -5 6 7-7
Well, no one told me a-bout her
-3 -3 -3 5 -3 -3
How man-y peo-ple cried

-3 -3 5 -5 -5 -5 6 5 -3
But it’s too late to say you’re sor-ry
-3 -3 -3 3 2 3 2 -1 2
How would I know, why should I care?
-3 5 -5 -5 -5 6 7 6
Please don’t both-er try’n’ to find her
6 7 7*
She’s not there

-7 -7 7 -7 7 -7 7 -7 7 6
Well, let me tell you ’bout the way she looked
-6* -7 7 -7 -7 -7 -7 -7 -7 -7 -7
The way she act-ed, the col-or of her hair
-7 -7 -7 -7 7 -7
Her voice was soft and cool,
-7 -7 -7 -7 7 -7
her eyes were clear and bright
-7 -7 -7 -7
But she’s not there

-3 5 6 -5 5 -3 5 -56
Well, no one told me a-bout her
-3 5 -3 -3
What could I do?
-3 5 6 -5 5 -5 6 7-7
Well, no one told me a-bout her
-3 5 -3 -3
Though they all knew

-3 -3 5 -5 -5 -5 6 5 -3
But it’s too late to say you’re sor-ry
-3 -3 -3 3 2 3 2 -1 2
How would I know, why should I care?
-3 5 -5 -5 -5 6 7 6
Please don’t both-er try’n’ to find her
6 7 7*
She’s not there

-7 -7 7 -7 7 -7 7 -7 7 6
Well, let me tell you ’bout the way she looked
-6* -7 7 -7 -7 -7 -7 -7 -7 -7 -7
The way she act-ed, the col-or of her hair
-7 -7 -7 -7 7 -7
Her voice was soft and cool,
-7 -7 -7 -7 7 -7
her eyes were clear and bright
-7 -7 -7 -7
But she’s not there

-3 -3 5 -5 -5 -5 6 5 -3
But it’s too late to say you’re sor-ry
-3 -3 -3 3 2 3 2 -1 2
How would I know, why should I care?
-3 5 -5 -5 -5 6 7 6
Please don’t both-er try’n’ to find her
6 7 7*
She’s not there

-7 -7 7 -7 7 -7 7 -7 7 6
Well, let me tell you ’bout the way she looked
-6* -7 7 -7 -7 -7 -7 -7 -7 -7 -7
The way she act-ed, the col-or of her hair
-7 -7 -7 -7 7 -7
Her voice was soft and cool,
-7 -7 -7 -7 7 -7
her eyes were clear and bright
-7 -7 -7 -7
But she’s not there

Trad. folk
Key: G
Time: 2/4

-5 -5 -4 -4 -3 -3 3 3
A-bout a hun-dred miles from here
-3 3 2 3 -1
Just a-cross the street
2 -2* 3 2 -1 3 -4
Dwells a lit-tle maid-en whose
-4 -3 -3 3 -3
Face is not com-plete
-5 -5 -4 -4 -3 3 -4
She plays the u-ku-le-le
-3 3 -3 -3* -4
Morn-ing, noon and night
-1 2 -2* 3 2 -1 3 -2*
And wears a muz-zle on her face
-3 -4 4 -4 -3 3
For fear that she might bite

-5 -5 -4 -4
It’s rum, tum, tum
-3 -3 3 3
She’s dum, dum, dum
3 -3 3 2 3 -1
Her rhy-thm has no sense
-1 2 -2* 3
She has a stroke,
2 2 -1 -1 -1 3
Like a mus-i-cal moke
-4 -4 -3 -3 3 -3
Her har-mo-ny’s in-tense
-5 -5 -4 -4
She’s out of tune,
-3 -3 3 3
She’ll make you swoon
3 -3 -3 -4 -4 4
She has an aw-ful bean
2 3 3 -3
You’ll get the razz
-3 -3 -4 -4 4…
When she does the jazz
4 -4 3 -3 -2* 3
This u-ku-le-le queen

-4 -4 -4 -4 -5 -4 -4
Ev-‘ry eve-ning, just at noon
-4 -3 3 2 3 -1
She walks a-round the block
-1 2 -2* 3 2 -1 3
And if by chance you meet her
-4 -4 -3 -3 3 -3
Your nerves will get a shock
-5 -5 -4 -4 -3 3 -4
Her face is eigh-teen car-at
-3 -3 -3 -4 -4 4
She wears it in a screen
2 -2* 3 2 -1 3 -3
She’s the belle of Har-lem this
-4 4 -4 -3 3
U-ku-le-le queen

Howdy Yall its Tin Man again!
I remember Pat from his “Hey Day”playing Hockey
Before he turned to acting (Debuted in Youngblood)
Its been 20 years since Dirty Dancing can you
believe it! And in light of his present circumstances
I thought I’d honour his contribution to music and him!

Pat this one is for you, your brother and Wife!!
We all wish you beat this disease the way you use to Beat on us
opponents!!
Good Luck God Bless

KEY G

VERSE 1

8 -7 7 7 -7 7 8
She’s like the wind through my tree

8 -7 7 7 -7 9 8
She rides the night next to me

8 8 -7 7 7 -7
She leads me through moon-light

8 -7 7 7 -7 -7 7 8
On-ly to burn me with the sun

8 8 -7 7 7
She’s tak-ing my heart

7 8 9 9 9 9 8 -9
But she does-n’t know what she’s done

CHORUS

8 8 8 -8 -8 -8
Feel her breath in my face

-9 -9 -9 -9 9 9
Her bod-y close to me

8 8 -7 7 7
Can’t look in her eyes

-9 -9 9 9 -9
She’s out of my league

8 8 8 8 -7 8
Just a fool to be-lieve

8 8 8 -7 7 -7 -6b
I have an-y-thing she needs

8 -7 7 7
She’s like the wind

VERSE 2

8 8 -7 7 7 -7 8 8 9 9
I look in the mir-ror and all I see

8 8 8 -7 7 9 9 9 8 -9
Is a young old man with on-ly a dream

8 8 8 8 -8 -8 -8
Am I just fool-ing my-self

9 9 9 -9 8
That she’ll stop the pain

-8 -8 -8 -8 8
Liv-ing with-out her

9 9 8 -9
I’d go in-sane

REPEAT CHORUS TWICE TO END

ENJOY!!!
THANK YOU THANK YOU THANK YOU VERY MUCH!!

R.I.P Patrick, you left us too soon, but this song you co-wrote lives
on. And someone please tell TIN_MAN to stop filling the place with
incorrect tabs, this is the proper one.

-7 -6 6 6 -6 6 -7
She’s like the wind through my tree
-7 -6 6 6 -6 -8 -7
She rides the night next to me
-7 -7 -6 6 6 -6
She leads me through moonlight
-7 -6 6 6 -6 -6 6 -7
Only to burn me with the sun
-7 -7 -6 6 6
She’s taken my heart
6 -7 -8 -8 -8 -7 8
But she doesn’t know what she’s done

-7 -7 -7 -7 7 7 7
I feel her breath on my face
8 8 8 8 -8 -8
Her body close to me
-7 -7 -6 6 6
Can’t look in her eyes
8 8 -8 -8 -7 8 -8
She’s out of my league
-7 -6 -7 -7 -6 -7 -7 -6 -7 -6 6 -6 5
Just a fool to believe I have anything she needs
-7 -6 6 6
She’s like the wind

-7 -7 -6 6 6 -6 -6 -6 -8 -7
I look in the mirror and all I see
-7 -7 -7 -6 6 6 -8 -8 -8 -7 8
Is a young old man with only a dream
-7 -7 -7 -6 6 6
Am I just fooling myself
-7 -7 -7 -8 -7
That she’ll stop the pain
7 7 7 -7
Living without her
-8 -8 -7 8
I’d go insane

Canadian folk song
Key: Am
Time: 3/4

-3 6 6 6 -5 6 -3 -4 5
She’s like a swal-low that flies so high
6 -7 -7 8 -8 -7 6 6 -6* 7
She’s like a riv-er that nev-er runs dry
6 -7 -7 8 -8 -7 7 7 7 5
She’s like the sun-shine on the lee shore
-5 6 -7 -7
She loves her love,
7 6 5 -3 -4 -3
But she’ll love no more

Canadian folk song
Key: Am
Time: 3/4
Harp: G

-1 -3”-3” -3” 3 -3” -1 2 -2”
-4 -6 -6 -6 6 -6 -4 5 -5
She’s like a swal-low that flies so high

-3” -4 -4 -5 5 -4 -3” -3” -3 4
-6 -8 -8 -9 8 -8 -6 -6 -7 7
She’s like a riv-er that nev-er runs dry

-3” -4 -4 -5 5 -4 4 4 4 -2”
-6 -8 -8 -9 8 -8 7 7 7 -5
She’s like the sun-shine on the lee shore

3 -3” -4 -4
6 -6 -8 -8
She loves her love,

4 -3” -2”-1 2 -1
7 -6 -5-4 5 -4
But she’ll love no more

Wednesday morning at five o’clock as the day begins
-4 -4 -3 3* -2* 6 -5 5* -4 -3 3* 5* 5*

Silently closing her bedroom door
-3 -4 5* 6 5* -3 5* 5* 5*

Leaving the note that she hoped would say more
-3 -4 5* 6 5* -3 5* 5* 5* 5*

She goes downstairs to the kitchen clutching her handkerchief
-4 -3 -4 -3 3* -2* 6 -5 5* -4 -3 3* 5* 5*

Quietly turning the backdoor key Stepping outside she is free
-3 -4 5* 6 5* -3 5* 5* 5* -3 -4 5* 6 5* -3 5*

She (We gave her most of our lives)
7* -4 -3 3* -2* 3* 3* 3*

Is leaving (Sacrificed most of our lives)
6 -6* 7* -4 -3 3* -2* 3* 3* 3*-3 3*

Home (We gave her everything money could buy)
-8 -4 -3 3* -2* 3* 3* 3* -3 3* 2

She’s leaving home after living alone for so many years
5* 5* 5* 5* -5* 6 5* 5* 5* 5* -5* 6 5* -5* 6

Father snores as his wife gets into her dressing gown
Picks up the letter that’s lying there
Standing alone at the top of the stairs
She breaks down and cries to her husband ‘Daddy our baby’s gone’
Why would she treat us so thoughtlessly?
How could she do this to me?»

She (We never thought of ourselves)
Is leaving (Never a thought for ourselves)
Home (We struggled hard all our lives to get by)
She’s leaving home after living alone
For so many years

Friday morning at nine o’clock she is far away
Waiting to keep the appointment she made
Meeting a man from the motor trade

She (What did we do that was wrong)
Is having (We didn’t know it was wrong)
Fun (Fun is the one thing that money can’t buy)
Something inside that was always denied
For so many years

She’s leaving home Bye bye
7* 6 -6* 5* 3* 2

Wedes-day Morn-ing At Five O’-clock

3 3 -2 2 -1 4 -4 -3

As The Day Be-gins

3 -2 2 -3 -3

Si-lent-ly Clos-ing Her Bed-room Door

-2 3 -3 4 -3 -2 -3 -3 -3

Leav-ing The Note That She Hoped Would Say More

-2 3 -3 4 -3 -2 -3 -3 -3 -3

She Goes Down-stairs To The Kitc-hen

3 -2 3 -2 2 -1 4 -4

Clutch-ing Her Hand-ker-chief

-3 3 -2 2 -3 -3

Qui-et-ly Turn-ing The Back-door Key

-2 3 -3 4 -3 -2 -3 -3 -3

Step-ping Out-side She Is Free

-2 3 -3 4 -3 -2 -3

She’s Leav-ing Home Aft-er Liv-ing A-lone

-3 -3 -3 -3 -4 4 -3 -3 -3 -3

For So Ma-ny Years Bye Bye

-4 4 -3 -4 4 2 1

5 6 7 6 7 6 8 7 -6 6 -5 6
5 6 7 6 7 6 8 7 -6 6 -5 6

6 6 -5 5 -4 7 -7 -6 6 -5 5 -6 -6
Wednesday morning at five o’clock as the day begins
-5 6 -6 7 -6 -5 -6 -6 -6
Silently closing her bedroom door
-5 6 -6 7 -6 -5 -6 -6 -6 -6
Leaving the note that she hoped would say more
6 -5 6 -5 5 -4 7 -7 -6 6 -5 5 -6 -6
She goes downstairs to the kitchen clutching her hankerchief
-5 6 -6 7 -6 -5 -6 -6 -6
Quietly turning the backdoor key
-5 6 -6 7 -6 -5 -6
Stepping outside she is free

8 6 -5 5 -4 5 5 5
She (We gave her most of our lives)
7 -8 8 6 -5 5 -4 5 5 5 -5 5
Is leaving (Sacraficed most of our lives)
9 6 -5 5 -4 5 5 5 -5 5 4
Home (We gave her everything money could buy)
-6 -6 -6 -6 -7 7 -6 -6 -6 -6
She’s leaving home after living alone
-7 7 -6 -7 7 5 4
For so many- years (Bye bye)

6 6 -5 5 -4 7 -7 -6 6 -5 5 -6 -6
Father snores as his wife gets into her dressing gown
-5 6 -6 7 -6 -5 -6 6 -6
Picks up the letter that’s lying there
-5 6 -6 7 -6 -5 -6 -6 -6 -6
Standing alone at the top of the stairs
6 -5 6 6 -5 5 -4 7 -7
She breaks down and cries to her husband
-6 6 -5 5 -6 -6
«Daddy our baby’s gone
-5 6 -6 7 -6 -5 -6 -6 -6
Why would she treat us so thoughtlessly?
-5 6 -6 7 -6 -5 -6
How could she do this to me?»

8 6 -5 5 -4 5 5 5
She (We never thought of ourselves)
7 -8 8 6 -5 5 -4 5 5 5 -5 5
Is leaving (Never a thought for ourselves)
9 6 -5 5 -4 5 5 5 -5 5 4
Home (We struggled hard all our lives to get by)
-6 -6 -6 -6 -7 7 -6 -6 -6 -6
She’s leaving home after living alone
-7 7 -6 -7 7 5 4
For so many- years (Bye bye)

6 6 -5 5 -4 7 -7 -6 6 -5 5 -6 -6
Friday morning at nine o’clock she is far away
-5 6 -6 7 -6 -5 -6 -6 -6 -6
Waiting to keep the appointment she made
-5 6 -6 7 -6 -5 -6 -6 -6
Meeting a man from the motor trade

8 6 -5 5 -4 5 5 5
She (What did we do that was wrong)
7 -8 8 6 -5 5 -4 5 5 5 -5 5
Is having (We didn’t know it was wrong)
9 6 -5 5 -4 5 5 5 -5 5 4
Fun (Fun is the one thing that money can’t buy)
-6 -6 -6 -6 -7 7 -6 -6 -6 -6
Something inside that was always denied
-7 7 -6 -7 7 5 4
For so many- years (Bye bye)

8 7 -8 -6
She’s leaving home
5 4
Bye bye

2 -1 1 2 3 -1 2 -1 1 1
I’ve got your pictures that you gave to me

-3 5 -5 -5 5 5
and it’s signed «with love»

-2 -3 5 -5 5 5
just like it used to be

5 -5 5 -5 6 6 6 -5 6 -5 5
the only thing different, the only thing new

2 -1 1 2 3 2 2 1
I’ve got your picture she’s got you

2 -1 1 2 3 -1 2 -1 1 1
I’ve got the records that we used to share

-3 5 -5 -5 5 5
and they still sound the same

-2 -3 5 -5 5 5
as when you were here.

5 -5 5 -5 6 6 6 -5 6 -5 5
the only thing different, the only thing new

2 -1 1 2 3 2 2 1
I’ve got the records, she’s got you

Chorus
-3 5 5 -5 5 5 -2 -3 5 -5 5 5
I’ve got your memory or has it got me

5 5 -5 6 6 -3 5 6 6 6 -5 5 -5
I really don’t know, but I know it won’t let me be

2 -1 1 2 3 -1 2 -1 1 1
I’ve got your class ring that proved you cared

-3 5 -5 -5 5 5
and it still looks the same

-2 -3 5 -5 5 5
as when you gave it dear

5 -5 5 -5 6 6 6 -5 6 -5 5
the only thing different, the only thing new

2 -1 1 2 3 2 2 1
I’ve got these little things, she’s got you.

Chorus

Repeat last verse and fade

5 -4 4 5 6 -4 5 -4 4 4
I’ve got your pictures that you gave to me

-6 7 -8 -8 7 7 -5 -6 7 -8
and — it’s signed «with love» just like it used
7 7
to be.

7 7 -8 7 8 8 8 -8 8 -8 7
the only thing different the only thing new,

5 -4 4 5 6 5 5 4
I’ve got your picture she’s got you.

Chorus
-6 7 7 -8 7 7 -5 -6 7 -8 7
I’ve got your mem-o-ry, or has it got me!

7 7 -8 7 8 -6 7 8 8 8 -8 7 I really don’t know,
but I know it won’t let me
-8
be.

5 -4 4 5 6 -4 5 -4 4 4
I’ve got your class ring that — proved you cared

-6 7 -8 -8 7 7 -5 -6 7 -8
and it still looks the same as when you gave
7 7
it dear.

7 7 -8 7 8 8 8 -8 8 -8 7
the only thing dif-f’rent, the only thing new,

5 -4 4 5 6 6 5 5 4
I’ve got these little things, she’s got you.

I’ve got the records that we used to share
and they still sound the same — as when you were here.
The only thing different, the only thing new,
I’ve got the records, she’s got you.

Chorus….repeat chorus and fade

SHE�S GOT A WAY BILLY JOEL

KEY OF G

-7 7 -7 -9 7 7 -7
She’s got a way a-bout her

-5 -7 7 -8 8 -7
I don’t know what it is

7 7 7 -8 -8 8 8 -9 -8 7
But i know that i can’t live with-out her

-7 7 -7 -9 7 7 -7
She’s got a way of pleas-in’

-5 -7 7 -8 8 -7
I don’t know what it is

-7 7 7 -8 -8 8 8
But there does-n’t have to be

-9 -8 7 7 7 -7
a rea-son an-y-way

VERSE 2 SAME AS 1
She’s got a smile that heals me
I don’t know why it is
But i have to laugh when she reveals me
She’s got a way of talkin’
I don’t know what it is
But it lifts me up when we are walkin’
Anywhere

Verse 3

-5 7 7 7 7 -8 8 -9 -8
She comes to me when i’m feel-in’ down

7 7 -7 -5 -8 8 7
In-spires me with-out a sound

-5 -6 -5 -6 -5 7 8 9 9 -9
She touch-es me and i get turned a-round

VERSE 4

-7 7 -7 -9 7 7 -7
She’s got a way of show-in’

-7 7 -8 8 -7
How i make her feel

-7 7 7 -8 -8 8 8 -9 -8 7
And i find the strength to keep on go-in’

6 -5 5 -4 -4 -4 4
She’s got a light a-round her

-5 -7 7 -8 8 -7
And ev-ry-where she goes

-5 7 -8 -8 8 8 -9 -8 7
A mil-lion dreams of love sur-round her

7 7 -7
Ev-ry-where

(REPEAT VERSE 3)

(VERSE 2 first half)
(VERSE 1 first half)

ENJOY!!!

W: Richard Whiting
M: Neil Moret
Key: Eb
Frank Sinatra, Eddie Arnold

-1* -1* -2 -2 3 3 -2
Once she dressed in silks and lace,
3 3 3* 3* -3*
Owned a Rolls-Royce car;
4 4 -5* -5* -5 -5 -3*
Now she seems quite out of place,
3* 3* -3*-3* 3
Like a fall-en star.
-1* -1* -2 -2 3 3 -2
Draped a-round a kitch-en sink,
3 3 3* 3* -3*
Hap-py as can be,
-3*-3* 4 4 -5 -5 -2
I just have to stop and think,
3 3 -5 -5 -3*
Why she fell for me

-3* 4 -5 5 -5 -5 5 -5 5 -5
I’m not much to look at noth-in’ to see
5 -5 5 -5 5 -5 -3* 4-3* 4
Just glad I’m liv-in’ and luck-y to be
-2 3 -2 3 3 -2 3 -2 3
I got a wom-an craz-y for me
-1* 3 -1* 3 -3*
she’s fun-ny that way
-3* 4 -5 5 -5 -5 5 -5 5 -5
I can’t save a dol-lar ain’t worth a cent
5 -5 5 -5 5 -5 -3* 4 -3* 4
She does-n’t hol-ler she’d live in a tent
-2 3 -2 3 3 -2 3 -2 3
I got a wom-an craz-y for me
-1* -2 -1* -2 -1*
she’s fun-ny that way.

-1* -2 3 -3 -3* -4
Tho’ she loves to work and
4* -5 -5* -3* -3 3
slave for me ev-‘ry day

-1* -2 3 -3 -3* 4 -5 -5*-6 -5 4 -3*
She’d be so much bet-ter off if I went a-way
-3* 4 -5* 5 -5 -5 5 -5 5 -5
But why should I leave her why should I go
5 -5 5 -5 5 -5 -3* 4-3* 4
She’d be un-hap-py with-out me I know
-2 3 -2 3 3 -2 3 -2 3
I got a wom-an craz-y for me
-1* -2 -1* -2 -1*
she’s fun-ny that way.

Though she loves to work and slave for me every day
She’d be so much better off if I went away
But why should I leave her why should I go
She’d be unhappy without me I know
I got a woman crazy for me she’s funny that way…

4 5 -4 4 4 5 5 -5b
She’s sun and rain, she’s fire and ice

-5b -5b 5 -4 -4 5 -5b 5
A lit-tle cra-zy but it’s nice

5 -5 -4 4 4
And when she gets mad,

4 4 4 4 -4 -4
you best leave her a-lone

4 -4 5 5 -5 -5 -5 -5b
Cause she’ll rage just like a riv-er

-5b 5 -4 -4 5 -5b -5b 5
Then she’ll beg you to for-give her

5 -4 4 4 4 -4 5 5 -4 4
She’s ev-‘ry wom-an that I’ve ev-er known.

4 5 -4 4 4 5 5 -5b
She’s so New York and in L. A.

-5b -5b 5 -4 -4 5 -5b 5
And ev-‘ry town a-long the way

5 -5 -4 4 4 4 4 -4 -4
She’s ev-‘ry place that I’ve nev-er been

4 -4 5 5 -5 -5 -5 -5b
She’s mak-in love on rain-y nights

-5b 5 -4 -4 5 -5b -5b
She’s a stroll through Christ-mas lights

5 5 -4 4 4 4 -4 5 5 -4 4
And she’s ev-ry-thing I want to do a-gain.

-6b -6b -5 -5 5 5 -4
It needs no ex-pla-na-tion

-6b -6b -6b -5 -5 5 5
Cause it all makes per-fect sense

4 5 -5 -5 5 -4 5 -4 4
So when it comes down to temp-ta-tion

4 -4 -5b -5 5 4 5
She’s on both sides of the fence.

4 5 -4 -4 4 5 5 -5b
She’s an-y-thing but typ-i-cal

-5b -4 -4 -4 5 -5b 5
She’s so un-pre-dic-ta-ble

5 -5 -4 4 4 4 4 4 4 -4 5
Oh but e-ven at her worst she aint that bad

4 -4 5 4 -5 -5 -6b
She’s as real as real can be

-5b -4 4 4 5 -5b 5
And she’s ev-ry fan-ta-sy

5 5 -4 4 -4 4 5 5 5 4 5
Lord she’s ev-ry lov-er that I’ve ev-er had

5 5 -4 4 -4 4 5 5 5 4 5
And she’s ev-ry lov-er that I’ve nev-er had

ENJOY!!!

Words and Music by Noel Gallagher

5 5 -4 4
She’s e-lec-tric
4 4 4 5 6 5 -6 6 5 -4 4
She’s in a fam-i-ly full of ec-cen-trics
5 5 5 5 5 -5 5 -4 4
She’s done things, I never ex-pec-ted
4 4 5 -4 4
And I need more time

5 5 5 -4 4
She’s got a sister
4 5 6 5 -6 6 5 -4 4
And God only knows how I’ve missed her
4 4 4 5 -5 5 -5 -5 5 -4 4
And on the palm of her hand is a blister
4 4 5 -4 4
And I need more time

Chorus
4 4 8 -8 7 -6
And I want you to know
-6 6 -6 7 -6 7 -6
I’ve got my — mind made up now
6 -6 -8 7 6
But I need more time
6 -6 8 -8 7 -6
And I want you to say
-6 6 -6 7 -6 7 -6
Do you know what I’m saying ?
6 -6 -8 7
But I need more
-6 6 -6 7 -6 6 -6 7
‘Cause I’ll be you and you’ll be me
-6 6 -6 7 -6 6 -6 7
There’s lots and lots for us to see
6 -6 7 -6 6 -6 7
Lots and lots for us to do
8 -8 7 -8 7 8 -8 7 -8 -6 7
She’s e-lec-tric, can I be e-lec-tric too ?

Verse 2
She’s got a brother
We don’t get on with one another
But I quite fancy her mother
And I think that she likes me
She’s got a cousin
In fact she’s got ’bout a dozen
She’s got one in the oven
But It’s nothing to do with me

Repeat chorus