7 8 6 7 4

Still, still, still,

4 6 -5 -5 -6 -4 -4 -5 4

weil‘s Kind-lein_ schla-fen_ will!

4 -5 -5 6 -6 -5 6 6 -6 7 6

Ma-ri- a__ tut es nie-der__-sing-en,

-5 -5 6 -6 -5 6 6 -6 7 6

ih-re__ gro-ße Lieb dar_-bring-en.

7 8 6 7 4

Still, still, still,

4 6 -5 -5 -6 -4 -4 -5 4

weil’s Kind-lein_ schla-fen_ will.

Schlaf, schlaf, schlaf,

mein liebes Kindlein schlaf!

Die Egel tun schön musizieren,

bei dem Kindlein jubilieren.

Schlaf, schlaf, schlaf,

mein liebes Kindlein schlaf.

Groß, groß, groß,

die Lieb‘ ist übergroß.

Gott hat den Himmelsthron verlassen

Und muss reisen auf den Straßen.

Groß, groß, groß,

die Lieb‘ ist übergroß.

Wir, wir, wir,

wir rufen all‘ zu dir.

Tu uns des Himmels Reich aufschließen,

wenn wir einmal sterben müssen!

Wir, wir, wir,

wir rufen all‘ zu dir.

(Start With Music)
(Short Pause After Each Line)
-5 7 -4 -5 3
Still, still, still,
3 -4 -3 -3 5 -2* -2* -3 3
One can hear the falling snow.
-4 -3 -3 -4 5
For all is hushed,
-3 -4 -4 5 -5 -4
The world is sleeping,
-3 -3 -4 5 -3 -4 -4 5 -5 -4
Holy Star it’s vigil keeping.
-5 7 -4 -5 3
Still, still, still,
3 -4 -3 -3 5 -2* -2* -3 3
One can hear the falling snow.

7 9 6 7 5
5 6 -5 -5 -6 -4 -4 -5 5
6 -5 -5 6 -6
-5 6 6 -6 7 6
-5 -5 6 -6 -5 6 6 -6 7 6
7 9 6 7 5
5 6 -5 -5 -6 -4 -4 -5 5

-5 7 -4 -5 3
3 -4 -3 -3 5 -2* -2* -3 3
-4 -3 -3 -4 5
-3 -4 -4 5 -5 -4
-3 -3 -4 5 -3 -4 -4 5 -5 -4
-5 7 -4 -5 3
3 -4 -3 -3 5 -2* -2* -3 3
-5 7 -4 -5 3
3 -4 -3 -3 5 -2* -2* -3 3__

Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.
The night is peaceful all around you,
Close your eyes,
Let sleep surround you.
Sleep, sleep, sleep,
‘Tis the eve of our Saviour’s birth.

Dream, dream, dream,
Of the joyous day to come.
While guardian angels without number,
Watch you as you sweetly slumber.
Dream, dream, dream,
Of the joyous day to come.
Dream, dream, dream,
Of the joyous day to come.

This plays with a nice instrumental run time 3:36.

(3456)(4567) (345)(3456) (1234)

Still______, still_____, still,

(1234)(345) -(234) -(234) -(45) -(123) -(123) -(234)(1234)

weil’s____ Kind — lein______ schla______ — fen will!

(1234) -(234) -(234)(345) -(45)

Ma — ri — a______ tut

-(234)(345)(345) -(45)(3456)(345)

es nie -der______ -sing — en,

-(234) -(234)(345) -(45) -(234)(345)(345) -(45)(3456)(345)

ih — re______ gro — ße Lieb dar______- bring-en.

(3456)(4567) (345)(3456) (1234)

Still______, still_____, still,

(1234)(345) -(234) -(234) -(45) -(123) -(123) -(234)(1234)

weil’s____ Kind — lein______ schla______ — fen will.

Schlaf, schlaf, schlaf,

mein liebes Kindlein schlaf!

Die Egel tun schön musizieren,

bei dem Kindlein jubilieren.

Schlaf, schlaf, schlaf,

mein liebes Kindlein schlaf.

Groß, groß, groß,

die Lieb‘ ist übergroß.

Gott hat den Himmelsthron verlassen

Und muss reisen auf den Straßen.

Groß, groß, groß,

die Lieb‘ ist übergroß.

Wir, wir, wir,

wir rufen all‘ zu dir.

Tu uns des Himmels Reich aufschließen,

wenn wir einmal sterben müssen!

Wir, wir, wir,

wir rufen all‘ zu dir.

6 7 5 6 4

Still, still, still,

4 5 -4 -4 -5 -3 -3 -4 4

weil‘s Kind-lein_ schla-fen_ will!

4 -4 -4 5 -5 -4 5 5 -5 6 5

Ma-ri- a__ tut es nie-der__-sing-en,

-4 -4 5 -5 -4 5 5 -5 6 5

Ih-re__ gro-ße Lieb dar_-bring-en.

6 7 5 6 4

Still, still, still,

4 5 -4 -4 -5 -3 -3 -4 4

weil’s Kind-lein_ schla-fen_ will.

Schlaf, schlaf, schlaf,

mein liebes Kindlein schlaf!

Die Egel tun schön musizieren,

bei dem Kindlein jubilieren.

Schlaf, schlaf, schlaf,

mein liebes Kindlein schlaf.

Groß, groß, groß,

die Lieb‘ ist übergroß.

Gott hat den Himmelsthron verlassen

Und muss reisen auf den Straßen.

Groß, groß, groß,

die Lieb‘ ist übergroß.

(Consolation)
W: Harriet B. Stowe
Arr: from Felix Mendelssohn-Bartholdy
Key: E
Methodist hymn MH 40

3* -2* 2 -4-3
Still, still with Thee,
3* -2* 2 -1* 2 3* -2*
When pur-ple morn-ing break-eth
-2* -2* 3* -3 -2* 1* -1* 3* -2* 2
When the bird wak-eth and the shad-ows flee
3* -2* 2 6 -5*
Fair-er than morn-ing,
5* -4 -3 3* 4* -2*
Lov-li-er than day-light
-2* -2* 3* -3 -2* 1*
Dawns the sweet con-scious-ness,
-1*3* -2* 2
I am with thee

(Consolation)
W: Harriet B. Stowe
Arr: from Felix Mendelssohn-Bartholdy
Key: E
Methodist hymn MH 40

5 -4 4 6 -5
Still, still with Thee,
5 -4 4 -3 4 5 -4
When pur-ple morn-ing break-eth
-4 -4 5 -5 -4 -3” -3 5 -4 4
When the bird wak-eth and the shad-ows flee
5 -4 4 7 -7
Fair-er than morn-ing,
-6 6 -5 5 -6 -4
Lov-li-er than day-light
-4 -4 5 -5 -4 -3”
Dawns the sweet con-scious-ness,
-3 5 -4 4
I am with thee

You al-ways won
3 -4 4 4
Ev-’ry time you placed a bet.
-4 4 4 4 4 -5 -4
You’re still damn good
3 -4 4 4
No one’s got-ten to you yet.
-4 4 4 4 4 -5 -4
Ev-‘ry time they were sure
6 -6 -6 6 -6 -6
They had you caught
-6 -6 7 6
You were quck-er than they thought.
-5 5 -5 5 -5 6 5
You’d just turn your back and walk.
-5 5 -5 5 -5 6 4 3
You al-ways said
3 -4 4 4
The cards would nev-er
3 -4 4 4 4
Do you wrong
4 -5 -4
The trick you said,
3 -4 4 4
Was nev-er play the game too long.
3 -4 4 4 4 4 -5 -4
A gam-bler’s share
4 6 -6 -6
The on-ly risk that you would take,
3 6 -6 -6 -6 -6 7 6
The on-ly loss you could for-sake,
2 -5 5 -5 5 -5 6 5
The on-ly bluff you could-n’t fake.
2 -5 5 -5 5 -5 6 4 3
I caught up with you yes-ter-day
2 -5 5 -5 5 -5 -5* -3
And you’re still the same
3 3 6 -5 6
Mov-in game to game;
-3 -3 -6 6 -6
No one stand-in in your way
-5 5 -5 5 -5 6 -5 3

Turn-in on the charm
3 3 6 -5 6
Long e-nough to get you by
-5 5 -5 5 -5 6 -5*-3
You’re still the same
-3 -6 6 -6
You still aim high
-3 -6 6 -66-6
There you stood, ev-’ry-bod-y watched you play
6 -6 -6 6 -6 -6 -6 -6 7 6
I just turned and walked a-way
-5 5 -5 5 -5 6 5
I had noth-ing left to say
-5 5 -5 5 -5 6 43
‘Cause you’re still the same
3 3 6 -5 6
You’re still the same
-3 -6 6 -6
Mov-in game to game
3 3 6 -5 6
Some things nev-er change
3 3 6 -5 6
You’re still the same
-3 -6 6 -6
And you’re still the same
3 3 6 -5 6

* means push the button

I’m not sure of the ending,
this is how I like to play it.

These are the Riffs played thru the all song

5 6 -4 5 -5 5 -4 4

5 6 -4 5 -5 5 -4 4

7 7 -6 6 -4 5 -5 5 -4 4

7 7 -6 6 -4 5 -5 5 -4 4

This song has a nice melody, but if you play it solo, it’s too
monotonous.
It is originally written: Verse, verse, verse, verse, chorus, verse,
verse, chorus, chorus, finale. Without the instrumentals to break it
up a bit, how ’bout just playing verse, verse, chorus, verse, chorus,
finale?

Verse
-5 4 <-3 -5 Time, it needs time -5 <-7 <-7 <-7 <-7 -7 7 -5 To win back your love a-gain 5 4 <-3 <4 <4 -4 -3 -5 I will be there, I will be there Chorus 1 7 7 <-7 -7 7 If we'd go a-gain -6 -6 -6 -5 <-3 4 All the way from the start 7 7 <-7 -7 7 I would try to change -6 -6 -6 -5 <-3 4 Things that killed our love -5 -5 -5 <-5 -5 4 Your pride has built a wall 7 -7 -5 -5 -5 -7 <-7 So strong that I can't get through 7 -7 <-7 -7 7 5 Is there real-ly no chance 7 <-7 -7 7 -7 To start once a-gain? (Play this in the 1st chorus, only.) -5 -5 -5 -5 <4 4 <-3 I'm lov-ing you___________ Chorus 2 (Same as above, but without "I'm loving you.") Finale -5 <-7 <-7 -7 <-7 7 <-6 7 I'm still lov-ing you___________ -5 <-7 <-7 -7 <-7 7 <-6 7 I'm still lov-ing you___________ -5 <-7 8 -7 I need your love -5 <-7 <-7 -7 <-7 7 <-6 7 I'm still lov-ing you___________ -5 <-7 <-7 -7 <-7 7 I'm still lov-ing you___________

Intro
-6 -8 8 -9 -9 -9 8 -8
6 7 -8 8 8 8 -8 7
-5 -7 7 -8 -8 -8 7 -7 -6 6 -6

Verse
4 4 4 4 4 -4
Use to be so easy
-4 5 -4 -4 5 4
To give my heart away
-4 -4 -4 -4 4 -4 5
But I found out the hard way
4 -4 5 -4 -4 5 4
There’s a price you have to pay
-5 -5 -5 -5 6
I found out that love
6 -6 -4 4 -4 4
is no friend of mine
-4 -4 4 -4
I should have know’n
5 6 -6 5 -4
Time after time

Chorus
-6 5 6 -6
So long
5 6 -6 6 -4 4 -4 4
it was so long ago
7 -8 8′ -8 7 -8 8 (7) -6
But I’ve still got the blues for you
(^blowbend)

Verse
Use to be so easy
Fall in love again
But I found that the heartache
It’s a roll that leeds to pain
I found that love was more than just a game
Playing to win
but you loose just the same

Chorus
So long
it was so long ago
But I’ve still got the blues for you

Bridge
-4 -4 4 -4
So many years
4 -4 5 -4 -4 4
since I’ve seen youre face
4 -4 -4 -4 -4
But here in my heart
-4 5 -6 6 5 -4
There’s an empty space
-4 4 -3″ –3″
Where you used to be

(SOLO)

Chorus
So long
it was so long ago
But I’ve still got the blues for you

Chorus (with other lyrics)
Tough the days come and go
There is one thing I know
I’ve still got the blues for you

(SOLO)

By Paul Simon

I met my old lov-er
3 -4 -5 6 -5 -4
On the street last night
-3 -3 -3 2 3
She seemed so glad to see me
3 6 -5 -5 -4 4 -4
I just smiled
-4 -4 -4
And we talked a-bout some old times
3 3 -4 -5 6 7 6 -5
And we drank our-selves some beers
-3* -3* -3*-3 3 3 2 3 -3
Still cra- zy af-ter all these years
6 -5 -4-3 3 3 -4 -3 3
Whoa, still cra -zy af-ter all these years
7 6 -5 -3*-3 3 3 -4 -3 3 3

I’m not the kind of man
3 -4 7 6 -5 -5-4
Who tends to soc-ial-ize
-3 -3 2 3 3 3
I seem to lean on
3 6 -5 -5 -4
Old fa-mil-iar ways
-4 -4 -3 -4 -4
And I ain’t no fool for love songs
3 3 -4 -5 6 7 6 -5
That whis-per in my ears
-3* -3* -3 3 2 3 -3
Still cra-zy af-ter all these years
6 -5 -4-3 3 3 -4 -3 3
Whoa, still cra- zy af-ter all these years
7 6 -5 -3*-3 3 3 -4 -3 3 3

Four in the morn-ing
7* -6* 6 -5* 6
Crapped out, yawn-ing
-5* 6 -5* 6
Long-ing my life a—way
-6* 6 -5* -5* 4* -3*
I’ll nev-er wor-ry
7 -6 6 -5* 6
Why should I?
-5* 6 -4-3-4-5
It’s all gon-na fade
3 -4 -3 -4 -2*
Now I sit by my win-dow
-4 -5 6 -5 -5 -5 -4-3
And I watch cars
-3 -3 -3 2 3
I fear I’ll do some dam-age
3 6 6 -5 -4 4 -4
One fine day
-3 -4 -4
But I would not be con-vict-ed
-3 -3 5* 6 -6* -7 -6* 6
By a ju-ry of my peers
-4-4 -4 -3 4 4 -4-3
Still cra- zy af-ter all these years
-6* 6 5*-3 -3 -5 4* -4-3 -3
Whoa, still cra-zy Still cra- zy
-7 -6* 6 4*-3 4* -4 -2*-3
Still cra- zy af-ter all these years
-6* 6 4*-4 -3 -5 4* -44*-4 -3

Still Counting (16 hole Chromatic)
By Jon Larsen, Thomas Bredahl, Anders Kjolholm &
Michael Poulsen
Performed by Volbeat
Key of G Major
Vocal Range: D4 to B5 Instrument Range: E3 to B5
Adapted for a 16 hole Key of C Solo tuned chromatic

Tab notations:
none = blow — = draw * = button in ___ = hold
. = lower register (first four holes on a 16 hole Chromatic or 12 hole Tenor C Chromatic.)
-56 = -5 is a grace note, 6 is the main note
-(8×4) = tongue blocked draw octave
(76×3) = tongue blocked blow chord or interval
–(6X2)* — tongue blocked draw octave with button in
2*_2 = slide or slur; move smoothly from note to note

Intro:
Moderately slow

-(8×4) -(8×4) -(8×4) -(8×4) -(8×4) -(8×4) -(8×4) -(8×4)

-(8×4) -(8×4) -(8×4) -(8×4) (76×3) (76×3) –(6X2)* -(6X2)*

7 6 6 6 -56 6 6 6 -56_
Count-ing all the a*s-holes in the room.

-4 6 6 6 6 6 -56 6 6_-5__
Well, I’m def-in-ite-ly not a –lone,_

2 -4 -4 -4 -44_-4-4*_-4-4*__-4_
well, I’m not a – lone.____________

-2*-4 -4 7 6 6 6 -56 6 6 6 -56_
You’re a li-ar, you’re a cheat-er, you’re a fool.

-4 6 -56 -56 6 -56 -56_-5
Well, that’s just like me, oo, hoo,

-1_-4 -4 -4 -4 -34__-4-4*__-4-4*___-4
and__ I know you, too._______________

-4 -4 7 6 6 6 -78 -7 -7 7 7_6
Mis-ter Per-fect don’t ex–ist, my lit-tle friend,

-7-8 -8 -7-8 -7 7 7 7 7_6_-5__
and I’d tell you it all a-gain,___

3-4 -4 -4 -4 -4 -34_-4-4*__-4
and I’d do it a-gain._______

7 6 6 6 -56 6 6 6 -56_
Count-ing all the a*s-holes in the room.

-4 6 6 6 6 6 -56 6 6_-5__
Well, I’m def-in-ite-ly not a-lone,_

-1 -4 -4 -4 -34_-4-4*_-4-4*__-4__
well, I’m not a – lone,_____________ zsha!

Interlude
.2.2.2.2 .2 .2 .2 .2 .2 .2 .2.2.2.2 .2 .2 .2 .2 .2 .2

.2.2.2.2 .2 .2 .2 .2 .2 .2 (.3×3) (.3×3) -(.2×2)

Double-time feel
.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .2.2.2.2 .2 -.4 .2 .2 -.4 .2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .3* .2 .2 .2 .2*_.2 .2 .2

.2*_.2 .2*_.2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .2.2.2.2 .2 -.4 .2 .2 -.4 .2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .3* .2 .2 .2 .2*_.2 .2 .2

.2*_.2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2
End double-time feel

.2 .2 (2X6)_____ 2 -3_-4__ -3_-4_-3_-1 (3x.3)___ (3x.3)

.3 .3 .2 (1×3)__ (1×3)_-2* -2*__

-3 7 6 6 6 -56 6 6 6 6_
Look deep in-to your-self be-fore you blame

-56 6 6 6 6 -56_ -5__
all oth-ers for be-tray-al,_

-4 -4 -4 -34_ -4-4*_-4-4*__-4
now, for be-tray-al.__________

-3 7 6 6 -7-8_ -7 7 7_6
A prom-ise so eas – y to say,

6 -7-8 -7 7 67_6_-5_
and eas – y, you failed,

-4 -4 -4 -4 -4 -44_-4-4*_-4-4*__-4
and you do it a — gain.____________

-7 -7 7-7 7 7 7 -6*_ 7_6_
Well, the mus-ic seems to cov – er__

6 6 7-7 7 7 7 -6* -6*7___-6*_6_-4_
all the li–quid do the col — ors.__________

7-7_ -7 7-7 7 7 7 -6*_
Well, I turn my back and go__

-6*6_ 6 6 7-7 6 6 6 6-6*_ -6*7___-6*_6__
for all the bet-ter things in or__ — der._______

Bridge
(2X6)_____ 2 -3_-4__ -3_-4_-3_-1 (3x.3)___ (3x.3)

.3 .3 .2 (1×3)__ (1×3)_-2* -2*__

-3 7 6 6 6_ 6 6 6 6_
Well, may-be you think your lie is safe,

-5 6 6 6 6 6 -56_ -5__
but I read you like a let–ter.

-4 -4 -4 -34_-4-4*_-4-4*-4
You’re like a let________-ter.

-3 7 6 6 -7-8_ -7 7 7_6
Your charms do not e – vince the pain,

6 -7-8_ -7 7 67_6_-5__
it fills me with rage____

-4 -4 -4 -4 -4-4-4*_-4-4*_-4-4*__-4
and you do it a- gain._____________

-7 -7 7-7 7 7 7 -6* 7_6_
Well, the mus-ic seems to cov – er_

6 6 7-7 7 7 7 -6* -6*7___-6*_6_-4_
all the li–quid do the col — ors.__________

7-7_ -7 7-7 7 7 7 -6*_
Well, I turn my back and go__

-6*6_ 6 6 7-7 6 6 6 6-6*_ 7___-6*_6__
for all the bet-ter things in or — der._______

Interlude
.2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2

.2 .2 .2 .2 .2 -2_3 3 3 3 3 3_-3 -3 -3 -3 -3 -3_-4 -4 -4

-4 -4 -4_4 4 4 4 4_-1

-7 -7 7-7 7 7 7 -6*_ 7_6_
Well, the mus-ic seems to cov – er_

6 6 7-7 7 7 7 -6*_ -6*7___-6*_6_-4_
all the li–quid do the col_ — ors._________

7-7 -7 7-7 7 7 7 -6*_ 76_
Well, I_ turn my back and go__ for__

6 6 7-7 7 7 7 -6*_ -6*7___-6*_6__
all the bet-ter things in or__ — der._______

7-7_ -7 7-7 7 7 7 -6*_ 76_
And a gang-ster keep on tell-ing

6 6 7-7 7 7 7 -6*_ -6*7___-6*_6__
that he got a song that mat_ — ters.______

7-7_ -7 7-7 7 7 7 -6*_ 76_
So_ I flip a coin to-wards him,

-56 6 -56 -56 -56 -56 -56_ 6-5__
thank you ver – y much for list– nin’.

Outro
.2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2

.2 .2 .2 .2 .2 -2_3 3 3 3 3 3_-3 -3 -3 -3 -3 -3_-4 -4 -4

-4 -4 -4_4 4 4 -4 -3 -4_ -6*__ -4_ -4__ -6*__ -4_ 5__ 7__

5 7-7 7__ -6*_ -4__ -6*__ -4_ -4__ -6*__ -4_ -4 4 -4 4__

-3 -4 4__ -4__ -3_ -3-4__________

Still Counting (12 hole Chromatic)
By Jon Larsen, Thomas Bredahl, Anders Kjolholm &
Michael Poulsen
Performed by Volbeat
Key of G Major
Transcribed up one octave for non-tenor C 12 hole chromatic
Transcribed Vocal Range: D5 to B6
Transcribed Instrument Range: E4 to B6
Adapted for either a standard 12 hole Key of C Solo tuned chromatic (will be an octave high)

or a Tenor C Solo tuned chromatic (still in original octave)

Tab notations:
none = blow — = draw * = button in ___ = hold
-910 = -9 is a grace note, 10 is the main note
-(12×8) = tongue blocked draw octave
(11,10×7) = tongue blocked blow chord or interval
-(10×6)* = tongue blocked draw octave with button in
6*_6 = slide or slur; move smoothly from note to note

Intro:
Moderately slow

-(12×8) -(12×8) -(12×8) -(12×8) -(12×8) -(12×8) -(12×8)

-(12×8) -(12×8) -(12×8) -(12×8) -(12×8) (11,10×7) (11,10×7)

–(10×6)* -(10X6)*

11 10 10 10 -910 10 10 10 -910_
Count-ing all the a*s-holes in the room.

-8 10 10 10 10 10 -910 10 10_-9__
Well, I’m def-in-ite-ly not a –lone,_

6 -8 -8 -8 -88_-8-8*_-8-8*__-8_
well, I’m not a – lone.__________

-6*-8 -8 10 10 10 10 -910 10 10 10 -910_
You’re a li-ar, you’re a cheat-er, you’re a fool.

-8 10 -910 -910 10 -910 -910_-9
Well, that’s just like me, oo, hoo,

-4_-8 -8 -8 -8 -78__-8-8*__-8-8*___-8
and__ I know you, too._______________

-8 -8 11 10 10 10 -11-12 -11 -11 11 11_10
Mis-ter Per-fect don’t ex – ist, my lit-tle friend,

-11-12 -12 -11-12 -11 11 11 11 11_10_-9__
and I’d tell you it all a — gain,_____

7-8 -8 -8 -8 -8 -78_-8-8*__-8
and I’d do it a-gain._______

11 10 10 10 -910 10 10 10 -910_
Count-ing all the a*s-holes in the room.

-8 10 10 10 10 10 -910 10 10_-9__
Well, I’m def-in-ite-ly not a — lone,__

-4 -8 -8 -8 -78_-8-8*_-8-8*__-8__
well, I’m not a – lone,_____________ zsha!

Interlude
2222 2 2 2 2 2 2 2222 2 2 2 2 2 2 2222 2 2 2 2 2 2

(3×7) (3×7) -(2×6)

Double-time feel
2222 2 -4 2 2 -4 2 2222 2 -4 2 2 -4 2

2222 2 -4 2 2 -4 2 3* 2 2 2 2*_2 2 2

2*_2 2*_2

2222 2 -4 2 2 -4 2 2222 2 -4 2 2 -4 2

2222 2 -4 2 2 -4 2 3* 2 2 2 2*_2 2 2

2*_2 2*_2

2 2 -4 2 2 -4 2 2 -4 2 2 -4 2 2 2*_2

2 2 -4 2 2 -4 2 2 -4 2 2 -4 2 2 2*_2

2 2 -4 2 2 -4 2 2 -4 2 2 -4 2 2 2*_2

2 2 -4 2 2 -4 2 2 -4 2 2 -4 2 2 2*_2
End double-time feel

2 2 (6X10)_____ 6 -7_-8__ -7_-8_-7_-5 (7×3)___ (7×3)

3 3 2 (5×7)__ (5×7)_-6* -6*__

-7 11 10 10 10 -910 10 10 10 10_
Look deep in-to your-self be-fore you blame

-910 10 10 10 10 -910_ -9__
all oth-ers for be — tray-al,_

-8 -8 -8 -78_ -8-8*_-8-8*__-8
now, for be-tray-al.__________

-7 11 10 10 -11-12_ -11 11 11_10
A prom-ise so eas___ – y to say,_

10 -11-12 -11 11 1011_10_-9_
And eas – y, you failed,

-8 -8 -8 -8 -8 -8-8_-8-8*_-8-8*__-8
and you do it a — gain._____________

-11 -11 11-11 11 11 11 -10*_ 11_10_
Well, the mus-ic seems to cov__ – er____

10 10 11-11 11 11 11 -10* -10*11___-10*_10_-8_
all the li – quid do the col — ors.______________

11-11_ -11 11-11 11 11 11 -10*_
Well, I turn my back and go___

-10*10_ 10 10 11-11 10 10 10 10-10*_ -10*11___-10*_10__
for_ all the bet — ter things in or___ — der.__________

Bridge
(6X10)_____ 6 -7_-8__ -7_-8_-7_-5 (7×3)___ (7×3)

3 3 2 (5×7)__ (5×7)_-6* -6*__

-7 11 10 10 10_ 10 10 10 10_
Well, may-be you think your lie is safe,

-9 10 10 10 10 10 -910_ -9__
but I read you like a let–ter.

-8 -8 -8 -78_-8-8*_-8-8* -8
You’re like a let_________-ter.

-7 11 10 10 -11-12_ -11 11 11_10
Your charms do not e___ – vince the pain,

10 -11-12_ -11 11 1011_10_-9__
it fills me with rage_______

-8 -8 -8 -8 -8-8-8*_-8-8*_-8-8*__-8
and you do it a- gain._____________

-11 -11 11-11 11 11 11 -10* 11_10_
Well, the mus-ic seems to cov – er____

10 10 11-11 11 11 11 -10* -10*11___-10*_10_-9_
all the li– quid do the col — ors.______________

11-11_ -11 11-11 11 11 11 -10*_
Well, I turn my back and go___

-10*10_ 10 10 11-11 10 10 10 10-10*_ -10*11___-10*_10__
For_ all the bet- ter things in or__ — der.__________

Interlude
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

2 2 2 2 2 -6_7 7 7 7 7 7_-7 -7 -7 -7 -7 -7_-8 -8 -8

-8 -8 -8_8 8 8 8 8_-5

-11 -11 11-11 11 11 11 -10*_ 11_10_
Well, the mus-ic seems to cov – er____

10 10 11-11 11 11 11 -10*_ -10*11___-10*_10_-9_
all the li – quid do the col_ — ors.______________

11-11 -11 11-11 11 11 11 -10*_ 1110_
Well, I_ turn my back and go___ for_

10 10 11-11 11 11 11 -10*_ -10*11___-10*_10__
all the bet-ter things in or___ — der.__________

11-11_ -11 11-11 11 11 11 -10*_ 1110_
And_ a gang-ster keep on tell_- ing

10 10 11-11 11 11 11 -10*_ -10*11___-10*_10__
that he got a song that mat__ — ters.______

11-11_ -11 11-11 11 11 11 -10*_ 1110_
So__ I flip a coin to-wards him,

-910 10 -910 -910 -910 -910 -910_ 10-9__
thank you ver – y much for list – nin’.

Outro
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

2 2 2 2 2 -6_7 7 7 7 7 7_-7 -7 -7 -7 -7 -7_-8 -8 -8

-8 -8 -8_8 8 8 -8 -7 -8_ -10*__ -8_ -8__ -10*__ -8_ 9__ 11__

9 11-11 11__ -10*_ -8__ -10*__ -8_ -8__ -10*__ -8_ -8 8 -8 8__

-7 -8 8__ -8__ -7_ -7-8__________

Still Counting (Diatonic)
By Jon Larsen, Thomas Bredahl, Anders Kjolholm &
Michael Poulsen
Performed by Volbeat
Key of G Major
Original Vocal Range: D4 to B5
Original Instrument Range: E3 to B5
Tabbed for a Key of G & Low G Richter tuned diatonic

Tab notations:
none = blow — = draw ___ = hold
’ = half-step bend ” = full-step bend
-(87×5) = tongue blocked draw chord, or octave
–(876) = draw chord
(7×4) = tongue blocked blow octave
-6_5 = slide; move smoothly from note to note

Intro: (Start with G)
Moderately slow

-(87×5) -(87×5) -(87×5) -(87×5) -(87×5) -(87×5) -(87×5) -(87×5)

–(876) –(876) –(876) –(876) (7×4) (7×4) –(7×3) –(7×3)

7 -6 -6 -6 -6 -6 -6 -6 5-6_
Count-ing all the a*s-holes in the room.

5 -6 -6 -6 -6 -6 5-6 -6 -6_5__
Well, I’m def-in-ite-ly not a – lone,_

3 5 5 5 5-5_5-5_5-5__5_
well, I’m not a – lone.________

-45 5 7 -6 -6 -6 6-6 -6 -6 -6 6-6_
You’re a li-ar, you’re a cheat-er, you’re a fool.

5 -6 6-6 6-6 -6 6-6 6-6_6
Well, that’s just like me, oo, hoo,

3_5 5 5 5 -4-5_5-5_5-5__-5
and I know you, too.__________

-5 -5 7 -6 -6 -6 -88 -8 -8 7 7_-6
Mis-ter Per-fect don’t ex – ist, my lit-tle friend,

-88 8 -88 8 7 7 7 7_-6_6__
and I’d tell you it all a-gain,___

45 5 5 5 5 -4-5_5-5_5-5__5__
and I’d do it a — gain.__________

7 -6 -6 -6 6-6 -6 -6 -6 6-6_
Count-ing all the a*s-holes in the room.

5 -6 -6 -6 -6 -6 6-6 -6 -6_6__
Well, I’m def-in-ite-ly not a-lone,_

3 5 5 5 -4-5_5-5_5-5__5__
well, I’m not a – lone,_________ zsha!

Interlude
(Switch to Low G for original octave; G for Octave high)
-3”-3”-3”-3” -3” -3” -3” -3” -3” -3”

-3”-3”-3”-3” -3” -3” -3” -3” -3” -3”

-3”-3”-3”-3” -3” -3” -3” -3” -3” -3”

(76×4) (76×4) –(73)

Double-time feel
-3”-3”-3”-3” -3” 5 -3” -3” 5 -3” -3”-3”-3”-3” -3” 5 -3” -3”

5 -3” -3”-3”-3”-3” -3” 5 -3” -3” 5 -3” -4’_-3” -3” -3”

-3’_-3” -3’_-3”

-3”-3”-3”-3” -3” 5 -3” -3” 5 -3” -3”-3”-3”-3” -3” 5 -3” -3”

5 -3” -3”-3”-3”-3” -3” 5 -3” -3” 5 -3” -4’_-3” -3” -3”

-3’_-3” -3’_-3”

-3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” -3’_-3”

-3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” -3’_-3”

-3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” -3’_-3”

-3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” 5 -3” -3” -3’_-3”
End double-time feel

-3” -3”
(Switch back to G)
-6_____ -3” -4_5_ -4_5_-4_3 (43×1)_____ (43×1) 1 1

-3” 4__ 4_-3 -3__

-4 7 -6 -6 -6 6-6 -6 -6 -6 -6_
Look deep in-to your-self be-fore you blame

6-6 -6 -6 -6 -6 6-6_ 6__
all oth-ers for be-tray-al,

5 5 5 -4_-5_5-5_5-5__5
now, for be — tray-al.____

-4 7 -6 -6 -88_ -8 7 7_-6
A prom-ise so eas– y to say,_

-6 -88_ -8 7 -67_-6_6__
and eas– y, you failed,_

5 5 5 5 5 5-5_-5_5-5__5
and you do it a- gain.______

-8 -8 7-8 7 7 7 -7_ 7_-6_
Well, the mus-ic seems to cov – er__

-6 -6 7-8 7 7 7 -7_ -77___-7_-6_-5_
all the li–quid do the col- ors._________

7-8_ -8 7-8 7 7 7 -7_
Well, I turn my back and go_

7-6_ -6 -6 7-8 7 7 7 7-7_ -77____-7_-6__
for all the bet-ter things in or — der.________

Bridge
-6_____ -3” -4_5_ -4_5_-4_3 (43×1)_____ (43×1) 1 1

-3” 4__ 4_-3 -3__

-4 7 -6 -6 -6_ -6 -6 -6 -6_
Well, may-be you think your lie is safe,

6 -6 -6 -6 -6 -6 6-6_ 6__
but I read you like a let–ter.

5 5 5 -4-5__5-5__ 5
You’re like a let______-ter.

-4 7 -6 -6 -88_ -8 7 7_-6
Your charms do not e_– vince the pain,

-6 -88_ -8 7 -67_-6_6_
it fills me with rage___

5 5 5 5 5 5-5_5-5_5-5__5
and you do it a- gain._______

-8 -8 7-8 7 7 7 -7_ 7_-6_
Well, the mus-ic seems to cov – er__

-6 -6 7-8 7 7 7 -7_ -77___-7_-6_-5_
all the li–quid do the col- ors._________

7-8_ -8 7-8 7 7 7 -7_
Well, I turn my back and go_

7-6_ -6 -6 7-8 7 7 7 7-7_ -77____-7_-6__
for all the bet-ter things in or — der.________

Interlude (Low G)
-3” -3”-3” -3” -3”-3” -3” -3”-3” -3” -3”-3”

-3” -3”-3” -3” -3”-3” -3” -3”-3” -3” -3”-3”

-3’_4 4 4 4 4 4_-4 -4 -4 -4 -4 -4_5 5 5 5 5 5_-5 -5 -5 -5_-2

-2_-3” -3” -3” -3” -3” -3”_-3 -3 -3 -3 -3 -3_4 4 4 4 4 4_-4

-4 -4 -4_-1

(Standard G)
-8 -8 7-8 7 7 7 -7_ 7_-6_
Well, the mus-ic seems to cov – er___

-6 -6 7-8 7 7 7 -7_ -77___-7_-6_5_
all the li–quid do the col- ors._________

7-8 -8 7-8 7 7 7 -7_ 7-6_
Well, I turn my back and go_ for

-6 -6 7-8 7 7 7 -7_ -77___-7_-6__
all the bet-ter things in or_ -der._______

7-8_ -8 7-8 7 7 7 -7_ 7-6_
And_ a gang-ster keep on tell-ing

-6 -6 7-8 7 7 7 -7_ -77___-7_-6__
that he got a song that mat-ters._______

7-8_ -8 7-8 7 7 7 -7_ 7-6_
So_ I flip a coin to-wards him,

6-6 -6 6-6 6-6 6-6 6-6 6-6_ 6-6__
thank you ver – y much for list–nin’._

Outro (Low G)
-3” -3”-3” -3” -3”-3” -3” -3”-3” -3” -3”-3”

-3” -3”-3” -3” -3”-3” -3” -3”-3” -3” -3”-3” (Standard G)

-3’_4 4 4 4 4 4_-4 -4 -4 -4 -4 -4_5 5 5 5 5 5_-5 -5 5 -4

5_ -7__ 5_ 5__ -7__ 5_-5_ 7__ -5_ 7-8__ 7__ -7_ 5__ -7__

5_ 5__ -7__ 5_ 5 -5 5 -5__ -4 5 -5_ 5__ -4_ -45__________

7 <-6 6 6 <-6 This was a triumph -3 7 <-6 6 6 <-6 -5 6 -3 I’m making a note here, huge success -3 6 <-6 7 6 <5 -5 6 -3 -3 <-6 It’s hard to overstate my satisfaction 7 <-6 6 6 <-6 Aperture Science -3 7 <-6 6 6 <-6 -5 6 -3 We do what we must because we can 6 <-6 7 6 <5 -5 6 -3 -5 6 -6 6 -5 5 For the good of all of us, except the ones who are dead -3 <-3 5 -6 6 -5 -5 5 -5 5 5 5 But there’s no sense crying over every mistake -3 <-3 5 -6 7 -6 6 -5 -5 6 -6 -6 You just keep on trying till you run out of cake 7 -7 <-7 <-7 -7 7 -6 7 -7 -7 7 -6 And the science gets done, and you make a neat gun -5 5 -5 -6 -6 6 6 <-6 <-6 For the people who are still alive -3 7 <-6 6 6 <-6 I’m not even angry 7 <-6 6 6 <-6 -5 6 -3 I’m being so sincere right now 6 <-6 7 6 <5 -5 6 -3 -3 <-6 Even though you broke my heart and killed me -3 7 <-6 6 6 <-6 And tore me to pieces -3 7 <-6 6 6 <-6 -5 6 -3 And threw every piece into a fire 6 <-6 7 6 <5 -5 6 -3 -5 6 -6 6 -5 5 As they burned it hurt because I was so happy for you -3 <-3 5 -6 6 -5 -5 5 -5 5 5 5 Now these points of data make a beautiful line -3 <-3 5 -6 7 -6 6 -5 -5 6 -6 -6 And we’re out of beta, we’re releasing on time 7 -7 <-7 <-7 -7 7 -6 7 -7 -7 7 -6 -6 So I’m glad I got burned, think of all the things we learned -5 5 -5 -6 -6 6 6 <-6 <-6 For the people who are still alive 7 <-6 <-6 6 6 <-6 Go ahead and leave me -3 7 <-6 6 6 <-6 -5 6 -3 I think I prefer to stay inside 6 <-6 7 6 <5 -5 6 -3 -3 <-6 Maybe you’ll find someone else to help you 7 <-6 6 6 <-6 7 <-6 6 6 <-6 -5 6 -3 Maybe Black Mesa—that was a joke, ha ha, fat chance 6 <-6 7 6 <5 -5 6 -3 -5 6 -6 6 -5 5 Anyway, this cake is great, it’s so delicious and moist -3 <-3 5 -6 6 -5 -5 5 -5 5 5 5 Look at me still talking when there’s science to do -3 <-3 5 -6 7 -6 6 -5 -5 6 -6 -6 When I look out there, it makes me glad I’m not you 7 -7 <-7 <-7 -7 7 7 -6 7 -7 -7 7 -6 -6 I’ve experiments to run, there is research to be done -5 5 -5 -6 -6 6 6 <-6 <-6 On the people who are still alive -7 -7 -8 -7 <-6 -5 6 <-6 <-6 And believe me, I am still alive -7 -7 -7 -8 -7 <-6 -5 6 <-6 <-6 I’m doing science and I’m still alive -7 -7 -7 -8 -7 <-6 -5 6 <-6 <-6 I feel fantastic and I’m still alive -7 -7 -8 -7 <-6 -5 6 <-6 <-6 While you’re dying I’ll be still alive -7 -7 -7 -8 -7 <-6 -5 6 <-6 <-6 And when you’re dead I will be still alive 7 -7 -7 7 <-6 <-6 Still alive, still alive

7 7- 6- 6- 7-
This was a tri umph

4- 7 7- 6- 6- 7- 6 6- 4-
I’m mak ing a note here: Huge SUC CESS!

4- 6- 7- 7 6- 5- 6 6- 4- 4- 7-
It’s hard to ov er state my sat is fac tion

7 7- 6- 6- 7-
Ap er ture Sci ence:

4- 7 7- 6- 6- 7- 6 6- 4-
We do what we must be cause we can

6- 7- 7 6- 5- 6 6- 4- 6 6- 7- 6- 6 5
For the good of all of us (ex cept the ones who are dead)

4- 5 5- 7- 6- 6 6 -5 6 5 5 5
But theres no sense cry ing ov er ev ery mis take;

4- 5 5- 7- 7 7- 6- 6 6 6- 7- 7-
You just keep on try ing ’till you run out of cake,

7 8- 8 8 8- 7 7- 7 8- 8- 7 7-
And the Sci ence gets done, and you make a neat gun

6 5 6 7 7 7- 7- 7 7
For the peo ple who are still a live

STIGMA by ‘V’ KIM TAEHYUNG

-3-3-3 3

숨겨왔어
sumgyeowasseo

3 -3 5-5 3

I tell you something

3 2-3 5-5 3

그저 묻어두기엔
geujeo mudeodugien

-3 5-5 -3-3 5-5 -3 5

이젠 버틸 수가 없는 걸
ijen beotil suga eobneun geol

-3-3 7-6 -3 5 -5 3

왜 그땐 말 못 했는지
wae geuttaen mal mot haenneunji

-3 3 3 5 5 -5 3

어차피 아파와서
eochapi apawaseo

-3 5 -6-5 5-5 5 -3-3

정말 버틸 수가 없을 걸
jeongmal beotil suga eobseul geol

8-7 7

Now cry

-5 5-3 5-3 5-3 5-5-5-5

너에게 너무 미안할 뿐야
neoege neomu mianhal ppunya

8-7 7 5-3 5-5 -6-6 8-9 8

또 cry 널 지켜주지 못해서
tto cry neol jikyeojuji mothaeseo

3 5-5 3 5-5 -3-3-3-3 5 3…

더 깊이 더 깊이 상처만 깊어져
deo gipi deo gipi sangcheoman gipeojyeo

3 5-5 3-5 5 -3-3-3-3 5 -5…

되돌릴 수 없는 깨진 유리 조각 같아
doedollil su eobneun kkaejin yuri jogak gata

-5-9 9 -7-7-7 7-7 -9 9 -9 9

더 깊이 매일이 가슴만 아파져
deo gipi maeiri gaseumman apajyeo

3-3 -5-5 7-6 7…

내 죄를 대신 받던
nae joereul daesin baddeon

-7-7-7 7-7 -6-5-5 5-3

연약하기만 했던 너
yeonyakhagiman haetdeon neo

8-7 7-6-7 9-9 -5

그만 울고 tell me something
geuman ulgo tell me something

7-6-7 9 -9 7 -6 9-9

용기 없던 내게 말해봐
yonggi eobtdeon naege malhaebwa

“그 때 나한테 왜 그랬어?”
“geu ttae nahante wae geuraesseo?”

-6-5

“미안”
“mian”

7 7 -5 5 5 -3-3 5-5 3

됐어 내게 무슨 자격 있어
dwaesseo naege museun jagyeok isseo

-3-5 55 -3-5 55 3-3 55 -3 5 -6-7-8

이래보라고 저래보라고 너에게 말하겠어
iraeborago jeoraeborago neoege malhagesseo

3 5-5 3 5-5 -3-3-3-3 5 3…

더 깊이 더 깊이 상처만 깊어져
deo gipi deo gipi sangcheoman gipeojyeo

3 5-5 3-5 5 -3-3-3-3 5 -5…

되돌릴 수 없는 깨진 유리 조각 같아
doedollil su eobneun kkaejin yuri jogak gata

-5-9 9 -7-7-7 7-7 -9 9 -9 9

더 깊이 매일이 가슴만 아파져
deo gipi maeiri gaseumman apajyeo

3-3 -5-5 7-6 7…

내 죄를 대신 받던
nae joereul daesin baddeon

-7-7-7 7-7 -6-5-5 5-3

연약하기만 했던 너
yeonyakhagiman haetdeon neo

55-5 55-5 55-5 -3 3-3

I’m sorry, I’m sorry I’m sorry my brother

7-6-6 -5 5-3 5-5-3-3 5-5…

숨겨도 감춰도 지워지지 않어
sumgyeodo gamchwodo jiwojiji anheo

“Are you calling me a sinner?”

-7-7-7 7-7 -6-5-5 5-3

무슨 말이 더 있겠어
museun mari deo itgesseo

55-5 55-5 55-5 -3 3-3

I’m sorry, I’m sorry I’m sorry my sister

7-6-6 -5 5-3 5-5-3-3 5-5…

숨겨도 감춰도 지워지지 않어
sumgyeodo gamchwodo jiwojiji anheo

5 7… 7 7 7 7 7…

So cry, Please dry my eyes

3 5-5 3 5-5 -3-3-3-3 5 3…

저 빛이 저 빛이 내 죄를 비춰줘
jeo bichi jeo bichi nae joereul bichwojwo

3 5-5 3-5 5 -3-3-3-3 5-5…

돌이킬 수 없는 붉은 피가 흘러내려
dorikil su eobneun burgeun piga heulleonaeryeo

-5-9 9 -7-7-7 7-7 -9 9 -9 9

더 깊이 매일이 죽을 것만 같아
deo gipi maeiri jugeul geoman gata

3-3 -5-5 7-6 7…

그 벌을 받게 해줘
geu beoreul batge haejwo

7-7 -6-5-5 5-3…

내 죄를 사해줘
nae joereul sahaejwo

제발
jebal

-2 -3 +4 +4 -2 -3 +4 +4

-2 -3 +4 +4 -3 +4 -4 +5 -4 +4 -3 -3″

-3″ -4′ -4 -4 -3″-4 -4 -3″ -4′ -4′ -3″

-3″ -4′ -4 -4 +4 +4 -4 +5 -4 +4 -3 -2

-2 -3 +4 +4 -2 -3 +4 +4

-2 -3 +4 +4 -3 +4 -4 +5 -4 +4 -3 -3″

-3″ -4′ -4 -4 -4′ -3″ -4 -4′ -3″

-3″ -4′ -4 -4 +4 +4 -4 +5 -4 +4 -3 +4

+4 +4 -3″ +4 -3 -2 -3 +4

+4 +4 -3″ +4 -3 -3″ -2 -3″ +2

+4 +4 -3″ +4 -3 -2 -3 +4

+4 +4 -3″ -2 -2″ -1 +2 -1 +1 -1 +1

-2 -3 +4 +4 -2 -3 +4 +4

-2 -3 +4 +4 -2 -3 +4 +4 -3 +4 -4 +5 -4 +4 -3 -3″

-3″ -4′ -4 -4 -4′ -3″ -4′ -4′ -3″ -3′ -4′ -4 -4 +4 +4 -4 +5 -4 +4 -3
-2

-2 -3 +4 +4 -2 -6 +6 +5 +5 +6 +5 +4 -4 -3 -3″

-3″ -4′ -4 -4 -4′ -4′ -5 -3″ -2 -3″

-3″ -4′ -4 +4 +4 -4 +5 -4 +4 -3 +4

+4 +4 -3″ +4 -3 -2 -3 +4 +4 +4 -3″ +4 -3 -3″ -2 -3″ +2

+4 +4 -3″ +4 -3 -2 -3 +4

+4 +4 -3″ -2 -2″ -1 +2 -1 +1 -1 +1

+4 +4 -3″ +4 -3 -2 -3 +4 +4 +4 -3″ +4 -3″ -2 -3″

+2 -2 -3″+4 -4 +4 -4 +5 -4 +4 -3″ +4 +4 -3″ +4 -3 -2

+6 -6 +5 +4 +4 -3″ -6 +6 -5 +5 -4 +4 -4 +4 +4 +4o +4 +6 +5 ^^^^^^^

3 3 4 -4 5 -4 4
Il s’appelait Stewball
4 4 4 -4 5 -4
C’était un cheval blanc
-4-4-4 5 -5 5 -4
Il était mon idole
-3 -3 -3 4 -4 4
Et moi j’avais dix ans

4 4 4 -4 5 -4 4
Notre pauvre père
Pour acheter ce pur sang
Avait mis dans l’affaire
Jusqu’à son dernier franc

Il avait dans la tête
D’en faire un grand champion
Pour liquider nos dettes
Et payer la maison

Et croyait à sa chance
Il engagea Stewball
Par un beau dimanche
Au grand prix de St-Paul

«Je sais, dit mon père,
Que Stewball va gagner»
Mais après la rivière
Stewball est tombé

7 7 7 -8 8 -8 7
Quand le vétérinaire
7 7 7 -8 8 -8
D’un seul coup l’acheva
-8 -8 -8 8 -9 8 -8
J’ai vu pleurer mon père
-è -7 -7 8 -8 7
pour la première fois

2(2)(3)
(3)(3)»(2)(3)
2(2)(3)
(3)(3)'(2)2
2(2)(3)
(3)(3)»(2)2(2)
(3)(3)»(2)2

Greenbriar Boys version
Joan Baez
Key: Bb

-2 -3* 4 -5 4 -3*
Stew-ball was a good horse,
-3* -3* 4 -5 4
He wore a high head
4 4 4 -5 -5* -5 4-3*-3
And the mane on his fore-top
4 4 -3 -3* 4 -3*
Was as fine as silk thread.

Repeat and end with

-2 -2 -2 -5 4 -3*
Was as fine as silk thread.

STEWBALL

Stew-ball was a good horse,
6 7 -8 8 -8 7
He wore a high head
7 7 -8 8 -8
And the mane on his fore-top
-8 -8 -8 8 -9 8 -8
Was as fine as silk thread.
-8 -8 -7 7 -8 7

This is from an old Joan Baez songbook.

Hey Y’all its Tin Man Giving you another Great song!

What better way to honour a Harp friend then to immortalize
‘em in song!!
Steve thanks for being the cornerstone to this place
Thanks for all your tab help
Thanks for all your forum help
Thanks for the advice and a*sistance
Thanks for Matty Skoller!
And for all your wicked tabs
THIS ONES FOR YOU BUD!

YOUR GONNA NEED AN A FLAT HARP TO PLAY THIS!!!

You love the Chicago blues so I thought it
Would be nice to do u a blues ditty in the same
Key as the chic blues legends!!

Don’t forget to vote and Add to your Fav’s!!

Steves Succkatash bleeewwwsss A FLAT or A

ChiBlue Intro

-1,-2fsb,-2,-3hsb,-2,-2fsb,-2, -1,-2fsb,-2,-3hsb,-2,-2fsb,-2

Here at harp tabs we have Steve

-2,-2fsb,-1,-1b,-1, -2

The way he’s goin he’s never gonna leave

-2,-2fsb,-1,-1b,-1, -2

When he’s around you gotta be very stout

-2,-2fsb,-1,-1b,-1, -2

If you piss him off he’ll holler and shout

-2,-2fsb,-1,-1b,-1, -2

For Steve harp tabs is so much fun

-2,-2fsb,-1,-1b,-1, -2

Especially when he’s number one

-2,-2fsb,-1,-1b,-1, -2

He’s harp tabs corner brick

-2,-2fsb,-1,-1b,-1, -2

Been stuck here as long as Nick

-2,-2fsb,-1,-1b,-1, -2

Steve get ready for 0 nine

-2,-2fsb,-1,-1b,-1, -2

Cuz I warn ya bwoiii

-2,-2fsb,-1,-1b,-1, -2

Its gonna be mine!!!

ENJOY!!!
THANK YOU THANK YOU THANK YOU VERY MUCH!!!

4/4 TIME (MODERATE PACE)
THE DOTS = EXTEND THAT NOTE

[V1]
. 8. -9 -8 -7 7.. 6 .
Stern,auf den ich schau-e,
. -9. 9 8 7 -8… .
Fels, auf dem ich steh,
.8. 8 -9 -9 9.. 8 7
Füh-rer, dem ich trau-e-e,
. -7. -7 7 -6 6… .
Stab, an dem ich geh,
.-9. 9 8 7 8..-8 .
Brot, von dem ich le-be,
. -10 9 9 -9 -9 8 -8… .
Quell,an de-em i-ich ruh,
. 9. 9 10 10 10-10 -9-8
Ziel, das ich er-stre-e-be-e,
.7. 7 8 -8 7… .
al-les, Herr, bist Du.

[V2]
Ohne Dich,wo käme
Kraft und Mut mir her?
Ohne Dich, wer nähme
meine Bürde, wer?
Ohne Dich, zerstieben
würden mir im Nu
Glauben,Hoffen,Lieben,
alles, Herr, bist Du.

[V3]
Drum so will ich wallen
meinen Pfad dahin,
bis die Glocken schallen
und daheim ich bin.
Dann mit neuem Klingen
jauchz ich froh Dir zu:
nichts hab ich zu bringen,
alles,Herr, bist Du!

Stern über Bethlehem

Raw:

5 -5 6 -5 5 -3 4 -3 5 -5

5 -5 6 -5 5 -3 4 -3 5 7

-7 -7 -7 7 7 7 6 6 6 -5

5 -5 6 -5 5 -3 4 -3 4 4

With lyrics:

5 -5 6 -5 5 -3 4 -3 5 -5

Stern ü-ber Beth-le-hem, zeig uns den Weg

5 -5 6 -5 5 -3 4 -3 5 7

Führ uns zur Krip-pe hin, zeig wo sie steht

-7 -7 -7 7 7 7 6 6 6 -5

Leuch-te du uns vo-ran, bis wir dort sind

5 -5 6 -5 5 -3 4 -3 4 4

Stern ü-ber Beth-le-hem, führ uns zum Kind

Stern über Bethlehem, nun bleibst du stehen

Und läßt uns alle das Wunder hier sehn

Das da geschehen, was niemand gedacht

Stern über Bethlehem, in dieser Nacht

Stern über Bethlehem, wir sind am Ziel

Denn dieser arme Stall birgt doch so viel

Du hast uns hergeführt, wir danken dir

Stern über Bethlehem, wir bleiben hier

Stern über Bethlehem, kehrn wir zurück.

Steht doch dein heller Schein in unserm Blick

Und was uns froh gemacht, teilen wir aus

Stern über Bethlehem, schein auch zuhaus.

8 8 8 8 -8 -8 8 -8 -7 7
When you’re gon-na stop break-ing my hea-rt?

Accordian Solo
5 7
7 -7 7 -8
7 6 7 -8 7 -8 7

8 8 8 8 9 -8 8 -8 7
I don’t wan-na be a-no-ther one.

Accordian Solo
5 7
7 -7 7 -8
7 6 7 -8 7 -8 7

8 8 8 8 -8 -8 8 -8 -7 7
Pay-ing for the things I ne-ver do-ne.
7 7 7
Don’t let go,
-8 -8 -8 7
to my lo-ve.

-6 -6 -6 -6 -6 -6
Can I get to your soul?
-6 -6 -6 -6 -6 -6
Can you get to my thoughts?
-6 -6 -6 -6 -6 7 -8 7 -7
Can we pro-mise we won’t let g-o.
-6 -6 -6 -6 -6 -6
All the things that I need.
-6 -6 -6 -6 -6 -6
All the things that you need.
-6 -6 -6 -6 -6 7 -8 7 -7
You can make it feel so re-a—l.

5 7 -7 6 5
Cause you can’t de-ny,
7 -7 6 5
you’ve blown my mind.
-4 -4 -4 -4 -4 5
When I touch your bo-dy,
4 -4 4 -3 -3 -3 4
I feel I’m lo-sing con-trol.

5 7 -7 6 5
Cause you can’t de-ny,
7 -7 6 5
you’ve blown my mind.
-4 -4 -4 -4 -4 5
When I see you ba-by,
4 -4 4 -3 -3 -3 4
I just don’t want to let go.

Accordian Solo
5 7
7 -7 7 -8 7
-7 7 -6 -7 6 -6
-5 6 5

8 8 -8 8 8 8
I hate to see you cry,
-8 -8 -8 -7 7
my ba-by to-night.
8 8 -8 8 8 -8
I hate to see you cry,
-8 -8 -8 -8 -7 7 7
my love is dy-ing in-side.

7 7 7 7 -8 7
I can fix all those lies.
-9 -9 -9 -9 -9 8
But ba-by, ba-by run.
8 8 8 -8 7 -8
But I’m run-ning to you.
7 -8 -7 7 7
You won’t see me cry,
7 7 -6 -8 7
I’m hi-ding in-side.
-9 -9 -9 -9 8
My heart is in pain,
8 8 8 -8 7 -8
but I’m smi-ling for you.

7 -7 -6 6 -5 5
My heart’s a ste-re-o.
4 6 -6 6 -5 5 -4 5
It beats for you so li-sten close.
6 -6 6 -5 5 -4 5
Hear my thoughts in e-very note.
6 -4
Oh oh.

7 -7 -6 6 -5 5
Make me your ra-di-o.
4 6 -6 6 -5 5 -4 5
And turn me up when you feel low.
4 6 -6 6 -5 5 -4 5
This me-lo-dy was meant for you.
4 6 -6 6 5 5 -4 4 4
So sing a-long to my ste-re-o.
4 6 5 6
Oh o-h oh.
4 6 5 6
Oh o-h oh.
4 6 5 6
Oh o-h oh.
4 6 -6 6 5 5 -4 4 4
So sing a-long to my ste-re-o.

BY RON GRAINER
KEY OF C
PLAY WITH A SWING BEAT
~ = EXTEND NOTE

-5 -5 6 -6 6
-5 -5 6 -6 6
-5 -6 -5 -5
4 -4 -5 -4 -4~

4 4 -4 -5 -4
4 4 -4 -5 -4
4 -4 -5 -4 4~
4 -4 -5 -5

6 6 -6 -7 -6
6 6 -6 -7 -6
6 -6 -7 -6 6~
5 -5 -6 -5 -5~

44 4

BACK TO THE TOP.

7 7 -7 7 -7
-6 -6 6 -6 6
-6 -6 5 4 -4 5 3

4 4 -4 5 -4(repeat 3 times)
5 6 6 4 -4 5 3.

Steppin’ Out With My Baby ‘F’
Irving Berlin
Fred Astaire
Tony Bennett

If I seem to scint-il-late It’s be-cause I’ve got a date
1 -2 2 3 -1 2 -2 -1 2 -2 3 -1 2 -2
A date with a pack-age of The good things that come with love
-1* 3* 3 -3* -2 3 3* -1* 3* 3 -3* -2 3 3*
You don’t have to ask me I won’t waste your time
5 5 3 -2 2 3 5 5 3 -2 2
But if you should ask me Why I feel sub-lime…
5 5 3 -2 2 3 5 -3* -3 3 -2…
I’m…Step-pin’ out with my ba- by, Can’t go wrong ’cause I’m in right
2… -1 2* -3 3 -2 3 -2, -1 -2 -3 -2 3 -2 3
It’s for sure, not for may-be That I’m all dressed up to-night
-1 -2 -3 3 -2 3 -3* -3 -3 -3 3 -2 2 -1
Step-pin’ out with my hon-ey Can’t be bad to feel so good
-1 -2 -3 3 -2 3 -2, -3 3* -3 -2 3 -2 3
Nev-er felt quite so sun-ny, And I keep on knock-in’ wood
-1 -2 -3 3 -2 3 -3*, -3 -3 -3 3 -2 2 -1

There’ll be smooth sail — in’ ’cause I’m trim-min’ my sails
-5 -5 -5 5* -3 -2* -4 -3 -2* -1 -2*
With a bright shine on my shoes and on my nails
-5 -5 -5 5* -3 -2* -4 -3 -2* -1 2

Step-pin’ out with my ba-by, Can’t go wrong ’cause I’m in right
-1 -2 -3 3 -2 3 -2, -1 -2 -3 -2 3 -2 3
Ask me when will the day be, The big day may be to-night
-1 -2 -3 3 -2 3 -3* -5 -5 -5 5* -4 5* -5
Musical Interlude
Step-pin’ out with my ba- by, Can’t go wrong ’cause I’m in right
-1 -2 -3 3 -2 3 -2, -1 -2 -3 -2 3 -2 3
It’s for sure, not for may-be That I’m all dressed up to-night
-1 -2 -3 3 -2 3 -3* -3 -3 -3 3 -2 2 -1
Step-pin’ out with my hon-ey Can’t be bad to feel so good
-1 -2 -3 3 -2 3 -2, -3 3* -3 -2 3 -2 3
Nev-er felt quite so sun-ny, And I keep on knock-in’ wood
-1 -2 -3 3 -2 3 -3*, -3 -3 -3 3 -2 2 -1

There’ll be smooth sail-in’ ’cause I’m trim-min’ my sails
-5 -5 -5 5* -3 -2* -4 -3 -2* -1 -2*
With a bright shine on my shoes and on my nails
-5 -5 -5 5* -3 -2* -4 -3 -2* -1 2

Step-pin’ out with my ba-by Can’t go wrong ’cause I’m in right
-1 -2 -3 3 -2 3 -2, -1 -2 -3 -2 3 -2 3
Ask me when will the day be The big day may be to-night
-1 -2 -3 3 -2 3 -3* -5 -5 -5 5* -4 5* -5