-7 -7 -7 -7 -8 -7-7 -7 6 6 -7
Bo Diddley`ll buy baby a diamond ring
-7 -7 -6 6 6 6 5 -4
If that diamond ring don`t shine
6 6 6 6 6 6 6 -4 6 6
He`s gonna take it to a private eye
-7 -7 -6 6 6 6 5-4
If that private eye can`t see
6 6 6 6 6 6 -4 6 6
He better not take that ring from me
-7 -7-7-7 -8 -7 -6 6 6-7
Bo Diddley caught a nanny goat
6 -7 -7 -7-7 -6-6 6 6 6 5-4
To make his pretty baby a Sunday coat
-7 -7-7-7 -8 -7 -6 6 6-7
Bo Diddley caught a bear-cat
6 -7 -7 -7-7 -6-6 6 6 6 5-4
To make his pretty baby a Sunsay hat
-7 -7 -7 -7 -6 6 5 6 6 6-7
Won`t you come to my house and rack that bone
-7 -7 -6 6 6 6 6 6 6
Take my baby all the way from home
-7 -7 -7 -6 6 5 6 6 6-7
Look at that Bo Do Oh where`s he been
-7 -7 -7 -6 6 6 6 6
Up to your house and gone again
-7 -7-7-7 -8 -7-7-7 -6 6 6-7
Bo Diddley, Bo Diddley Have you heard
6 -7-7 -6-6 6 5 6 6 6
My pretty baby said she was a bird

-5 7 -7 -8 -8 -8 -7 7 -7 -7

Jeg går og rusler på Ringerike,

8 -8 -7 7 7 7 -6* 7 -7

de stille stier jeg gjerne går.

8 -8 -7 7 7 7 -6* -6 6 7

Da kommer mot meg en liten pike,

7 -6* 6 -5 -5 -5 6 -6* 7

en lubben unge på 5, 6 år.

Hun bærer blåveis i sine hender, den første hilsen fra vårens muld.

Hun møter meg som en venn hun kjenner, og står og smiler så tillitsfull.

Hun spør meg barnslig om jeg vil ha dem, for hun har plukket dem nettopp nå, så hvis jeg vil, kan jeg bare ta dem, si’r hennes øyne de store, blå.

Så god en gave har ingen gitt meg, som denne dunbløte barnehånd — Hun får no’n penger så hun kan kjøpe til sine lokker et silkebånd.

Hun løper fra meg med takk i blikket, hun danser lykkelig på vårens vei. Hun løper fra meg… og aner ikke at det var hun som var god mot meg!

12 Hole Chromatic (std 48) Key of C

+5< -5 +6 -6< +6 -5 -5 -7 +7< -8 -7 Blåsippan ute i backarna står -6< -6< +6 +6 +6 +6 +7 -6< -7 +7 niger och säger: ”Nu är det vår!” -5 +6 -6< -6< +6 -6< -6< +6 -5 -8 Barnen de plocka små sipporna glatt, -7< -8 -9 +9< -8 -7 -8 -7 +7 -4 rusa sen hem under rop och skratt. +5< +5< -5 -5 -5 -5 -7 +7< -8 -7 ”Mor, nu är våren kommen, mor -6< -6< +6 +6 +6 +6 +7 -6< -7 +7 nu få vi gå utan strumpor och skor. -5 +6 -6< -6< +6 -6< -6< +6 -5 -8 Blåsippor ute i backarna stå, -7< -8 -9 +9< -8 -7 -8 -7 +7 -4 ha varken skor eller strumpor på +5< +5< -5 -5 -5 -5 +6 -6< +6 -5 Mor i stugan, hon säger så: -5 +6 -6< -6< +6 -6< -6< +6 -5 -8 ”Blåsippor aldrig snuva få. -7< -8 -9 +9< -8 -7 -8 -7 +7 -4 Än få ni gå med strumpor och skor, +5< +5< -5 -5 -5 -5 -7 +7< -8 -7 än är det vinter kvar” säger mor

Blåmann for Chromatisk munnspill i C.

6 6 5 5 5 -4 -5
Blåmann, blåmann bukken min
-5 -4 -3*-4 -5 -6 6 5
Tenk på ve-sle-e guten din!
6 7 8 -8 -7 7 -7
Bjør-nen med sin lod-ne fell
-6 -5 -3*-4-5 -6 6 5
Kan deg ta-ka-a seint i kveld

Samme i resten av versene.
De samme tabsene funker på diatoniske munnspill, så lenge du går tilbake ett hull. Altså begynn på 5 istedet for 6.

6 6 7 -6 6 -5 6 6

Blå blå vind over landet no

4 4 4 4 -3 3

Kremmeran har fått tak

6 6 6 7 6 -5 6 6 6

Koss kan eit land av arbeiderblod

3 3 4 4 4 4 4 -3 3

Få ein arbeiderklasse så svak?

4 -3 -3 4 4 4 -5 -5 -6

Jo, alle har vi eit kremmersinn

-6 6 -5 -5 -5 6 -6

Som løftes av ein blå blå vind

(Ref.)

6 -6 6

Blå blå vind

6 6 6 -5 4 4 -3 -3

Skapt av tyskernes Hansamakt

6 -6 6

Blå blå vind

4 4 4 -4 -3

Skapt av franske slaveskip

6 -6 6

Blå blå vind

6 6 6 -5 4 -6 -3 -3

Skapt av den engelske kremmarsjel

-3 -3 -3 -3 -3 4 7 7

Og USA’s napalm som brinn

6 6 6 6 5

I ein blå blå vind

Vår streikerett og vår frihet

Vår åtte timers dag

Respekten for menneskelivet

Kor har det komme ifra?

Va det nån som mått slåss så blodet mått rinn

Eller kom det med ein blå blå vind?

Ref.

Trur du på saga og eventyr

Hell trur du på vett og forstand?

Trur du på det som reklamen spyr

Og Gud, trur du på han?

Har virkeligheta forma ditt sinn

Hell e du forma av ein blå blå vind?

Blurred Lines (w/o Rap)
Words & Music by Robin Thicke & Pharrell Williams
Performed by Robin Thicke, featuring T.I. & Pharrell
Key of G Major Range G3 to D6
Tabbed for a key of G Richter tuned diatonic.

Tab notations:
none = blow — = draw ’ = half step bend
ob = overblow

-5 5ob 6 -5 5ob 6 -5 5ob 6
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

8 -8 8 8 8 -8 7 7 8
If you can’t hear what I’m try-na say,

8 -8 8 8 8 -8 7 8
if you can’t read from the same page,

6 6 5ob 6 5ob 6
may-be I’m go-ing deaf,

6 6 5ob 6 5ob 6
may-be I’m go-ing blind,

6 6 5ob 6 5ob 6 6 -5 4ob -5 4ob 4 4ob 4 -3’ 4
may-be I’m out of my mind.________________________

5 5 4ob 5 4ob 5 5 5 4 7 5 4 3
O–kay, now, he was close, tried to do-mes-ti-cate you.

5 5 4ob 5 4ob 5 -4 5 -4 5 -4 4 3
But you’re an an – i – mal; ba-by, it’s in your na-ture.

-4 -4’ -4’-4 -4’ -4 -4
Just let me lib-er-ate you.

-4 -4’ -4 -4’ -4 -4
You don’t need no pa-pers.

-4’ -4 -4’-4 -4’ -4 -4
That man is not your mak-er.

5 5 4ob 5 6 -6 7 7 7 6 -5 4ob__
And that’s why I’m gon’ take a good girl._______

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5 6 5ob 6 6
I know you want it. You’re a good girl.

-4 -4 -4 -4 5 -5 -4 -4 -4 5 -5
Can’t let it get past me. You’re far from plas-tic.

-4 -4 -4 -4 -4 5 -5
Talk a-bout get-ting blast-ed.
6 6 5 6 6
(I) hate these blurred lines.

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5
I know you want it.
6 6 5ob 6 6
But you’re a good girl.

-4 -4 -4 5 -5 -4 -4 -4 -4 5 -5
The way you grab me, must wan-na get nas-ty.

-4 -4 -4 -4 5 -5
Go a-head, get at me.

8 9 8 -8 7 -6
What do they make dreams for

8 9 8 -8 7 -8
when you got them jeans on?

8 9 8 -8 7 -6
What do we need steam for?

6 6 6 6 6 6 6 6_-5_-4
You’re the hot-test bitch in this place._

-4 -4 -4 5 -5
I feel so luck-y.

-4 -4 -4 5 -5
You wan-na hug me.

-4 -4 -4 5 -5
What rhymes with “hug me”?

5 5 4ob 5 4ob 5 5 5 4 7 5 4 3
O–kay, now, he was close, tried to do-mes-ti-cate you.

5 5 4ob 5 4ob 5 -4 5 -4 5 -4 4 3
But you’re an an – i – mal; ba-by, it’s in your na-ture.

-4 -4’ -4’-4 -4’ -4 -4
Just let me lib-er-ate you.

-4 -4’ -4 -4’ -4 -4
You don’t need no pa-pers.

-4’ -4 -4’-4 -4’ -4 -4
That man is not your mak-er.

5 5 4ob 5 6 -6 7 7 7 6 -5 4ob__
And that’s why I’m gon’ take a good girl._______

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5 6 5ob 6 6
I know you want it. You’re a good girl.

-4 -4 -4 -4 5 -5 -4 -4 -4 5 -5
Can’t let it get past me. You’re far from plas-tic.

-4 -4 -4 -4 -4 5 -5
Talk a-bout get-ting blast-ed.
6 6 5 6 6
(I) hate these blurred lines.

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5
I know you want it.
6 6 5ob 6 6
But you’re a good girl.

-4 -4 -4 5 -5 -4 -4 -4 -4 5 -5
The way you grab me, must wan-na get nas-ty.

-4 -4 -4 -4 5 -5
Go a-head, get at me.

7 6ob 7 7 7 -8 8
Shake the vibe, get down, get up.

6 6 6 6 -7 6 6 -7
Do it like it hurt, like it hurt.

6 6 6 6 6 -7
What you do-ing like word?

-7 -6 6 -6 -7 -6-7 -6 6 -6 6 -5 4ob 4 4ob -5 6
Hey,_________________________________________

8 -8 8 -8 8
Ba-by, can you breathe?

7 8 -8 7 7 -6 6
I got this from Ja-mai-ca.

-8 8 -8 8 -8 8_9
It al-ways works for me,

-8 8 -8 7 7 -6 6
Da-ko-ta to Da-ka-ta.

5 -5 5 -5 5
No more pre-tend-ing,

5 -5 5 -5 5
‘cause now you’re win-ning.

5 -5 5 -5 5
Here’s our be-gin-ning.

4 4 4 4ob -5 6 7 7_6_-5_4ob
I al-ways want-ed a good girl._____

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5 6 5ob 6 6
I know you want it. You’re a good girl.

-4 -4 -4 -4 5 -5 -4 -4 -4 5 -5
Can’t let it get past me. You’re far from plas-tic.

-4 -4 -4 -4 -4 5 -5
Talk a-bout get-ting blast-ed.
6 6 5 6 6
(I) hate these blurred lines.

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5
I know you want it.
6 6 5ob 6 6
But you’re a good girl.

-4 -4 -4 5 -5 -4 -4 -4 -4 5 -5
The way you grab me, must wan-na get nas-ty.

-4 -4 -4 -4 5 -5
Go a-head, get at me.

4 4 4 4 4 4
Ev-‘ry-bod-y get up.

4 4 4 4 4 4
Ev-‘ry-bod-y get up.

-5 5ob 6 -5 5ob 6 -5 5ob 6
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey. Repeat and fade

Blurred Lines (ORCHESTRA Chromatic)
Words & Music by Robin Thicke & Pharrell Williams
Performed by Robin Thicke, featuring T.I. & Pharrell
Key of G Major Range G3 to D6
Tabbed for an ORCHESTRA tuned Chromatic.

Tab notations:
none = blow — = draw * = button in

5 5 5 5 5 5
Ev-‘ry-bod-y get up

7 7* -7 7 7* -7 7 7* -7
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

-10 -9 -10 -10 -10 -9 9 9 -10
If you can’t hear what I’m try-na say,

-10 -9 -10 -10 -10 -9 9 -10
if you can’t read from the same page,

-7 -7 7* -7 7* -7
may-be I’m go-ing deaf,

-7 -7 7* -7 7* -7
may-be I’m go-ing blind,

-7 -7 7* -7 7* -7 -7 -6*-5* 6 -5*5 -5* 5-4 5
may-be I’m out of my mind.___________________

-6 -6 -5* -6 -5* -6 -6 -6 5 9 -6 5 -3
O– kay, now, he was close, tried to do-mes-ti-cate you.

-6 -6 -5* -6 -5* -6 -5 -6 -5 -6 -5 5 -3
But you’re an an– i –mal; ba-by, it’s in your na-ture.

-5 5* 5* -5 5* -5 -5
Just let me lib-er-ate you.

-5 5* -5 5* -5 -5
You don’t need no pa-pers.

5* -5 5* -5 5* -5 -5
That man is not your mak-er.

-6 -6 -5* -6 -7 8 9 9 9 -7-6*-5*
And that’s why I’m gon’ take a good girl.______

5 5 5 -5 -6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6 -7 7* -7 -7
I know you want it. You’re a good girl.

-5 -5 -5 -5 -6 6 -5 -5 -5 -6 6
Can’t let it get past me. You’re far from plas-tic.

-5 -5 -5 -5 -5 -6 6
Talk a-bout get-ting blast-ed.
-7 -7 7 -7 -7
(I) hate these blurred lines.

5 5 5 -6 6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6
I know you want it.
-7 -7 7* -7 -7
But you’re a good girl.

-5 -5 -5 -6 6 -5 -5 -5 -5 -6 6
The way you grab me, must wan-na get nas-ty.

-5 -5 -5 -5 -6 6
Go a-head, get at me.

-10 -11 -10 -9 9 8 -10 -11 -10 -9 9 -9
What do they make dreams for when you got them jeans on?

-10 -11 -10 -9 9 8
What do we need steam for?

-7 -7 -7 -7 -7 -7 -7 -7-6*-5
You’re the hot-test bitch in this place._

-5 -5 -5 -6 6
I feel so luck-y.

-5 -5 -5 -6 6
You wan-na hug me.

-5 -5 -5 -6 6
What rhymes with “hug me”?

-6 -6 -5* -6 -5* -6 -6 -6 5 9 -6 5 -3
O – kay, now, he was close, tried to do-mes-ti-cate you.

-6 -6 -5* -6 -5* -6 -5 -6 -5 -6 -5 5 -3
But you’re an an – i – mal; ba-by it’s in your na-ture.

-5 5* 5* -5 5* -5 -5
Just let me lib-er-ate you.

-5 5* -5 5* -5 -5
You don’t need no pa-pers.

5* -5 5* -5 5* -5 -5
That man is not your mak-er.

-6 -6 -5* -6 -7 8 9 9 9 -7-6*-5
And that’s why I’m gon’ take a good girl.____

5 5 5 -5 6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 6 -7 7* -7 -7
I know you want it. You’re a good girl.

-5 -5 -5 -5 -6 6 -5 -5 -5 -6 6
Can’t let it get past me. You’re far from plas-tic.

-5 -5 -5 -5 -5 -6 6
Talk a-bout get-ting blast-ed.
-7 -7 7 -7 -7
I hate these blurred lines.

5 5 5 -5 6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6
I know you want it.
-7 -7 7* -7 -7
But you’re a good girl.

-5 -5 -5 -6 6 -5 -5 -5 -5 -6 6
The way you grab me, must wan-na get nas-ty.

-5 -5 -5 -5 -6 6
Go a-head get at me.

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
One thing I ask you: let me be the one you back that a*s in-to,

-3 -3 -3 -3 -3 -3 -3 -3 -3
yo, from Mal-i-bu to Car-i-bou.

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3
Yeah, had a bitch but she ain’t bad as you.

-3 -3 -3 -3 -3 -3 -3 -3 -3
So hit me up when you’re pass-ing through.

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
I’ll give you some-thing bit e-nough to tear your a*s in two.

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3
Swag on, e-ven when you dress cas–u–al.

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
I mean it’s not al-most un-bear-a-ble. Then-a,

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
hon-ey, you’re not there when I come a-cross that bitch;

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
you pass me by. Noth-ing like your last guy; he too square for you.

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
He don’t smack that a*s and pull your hair like that. So I

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
jail watch, hand wave for you to sa-lute, but you did-n’t pick.

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
Not man-y wom-en can re-fuse this pimp-in’. I’m a

-3 -3 -3 -3 -3 -3 -3 -3 -3 -3 -3
nice guy, but you get it if you get with me.

9 -8 9 9 9 -9 -10
Shake the vibe, get down, get up.

-7 -7 -7 -7 -8* -7 -7 -8*
Do it like it hurt, like it hurt.

-7 -7 -7 -7 -7 -8*
What you do-ing like word?

-8* 8-7 8-8* 8-8* 8 -7 8 -7-6*-5*5-5*-6* -7
Hey,______________________________________

-10 -9 -10 -9 -10
Ba-by, can you breathe?

9 -10 -9 9 9 8 -7
I got this from Ja-mai-ca.

-9 -10 -9 -10 -9 -10-11
It al—ways works for me,___

-9 -10 -9 9 9 8 -7
Da- ko -ta to Da-ka-ta.

-6 6 -6 6 -6
No more pre-tend-ing,

-6 6 -6 6 -6
‘cause now you’re win-ning.

-6 6 -6 6 -6
Here’s our be-gin-ning.

5 5 5 -6 -6* -7 9 9 -7-6*-5*
I al-ways want-ed a good girl._____

5 5 5 -5 -6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6 -7 7* -7 -7
I know you want it. You’re a good girl.

-5 -5 -5 -5 -6 6
Can’t let it get past me.

-5 -5 -5 -6 6
You’re far from plas-tic.

-5 -5 -5 -5 -5 -6 6
Talk a-bout get-ting blast-ed.
-7 -7 7 -7 -7
I hate these blurred lines.

5 5 5 -5 -6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6
I know you want it.
-7 -7 7* -7 -7
But you’re a good girl.

-5 -5 -5 -6 6 -5 -5 -5 -5 -6 6
The way you grab me, must wan-na get nas-ty.

-5 -5 -5 -5 -6 6
Go a-head, get at me.

5 5 5 5 5 5
Ev-‘ry-bod-y get up.

5 5 5 5 5 5
Ev-‘ry-bod-y get up.

7 7* -7 7 7* -7 7 7* -7
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

Begin fade
7 7* -7 7 7* -7 7 7* -7
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey. Complete fade

Blurred Lines (ORCHESTRA Chromatic w/o Rap)
Words & Music by Robin Thicke & Pharrell Williams
Performed by Robin Thicke, featuring T.I. & Pharrell
Key of G Major Range G3 to D6
Tabbed for an ORCHESTRA tuned Chromatic.

Tab notations:
none = blow — = draw * = button in

7 7* -7 7 7* -7 7 7* -7
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

-10 -9 -10 -10 -10 -9 9 9 -10
If you can’t hear what I’m try-na say,

-10 -9 -10 -10 -10 -9 9 -10
if you can’t read from the same page,

-7 -7 7* -7 7* -7
may-be I’m go-ing deaf,

-7 -7 7* -7 7* -7
may-be I’m go-ing blind,

-7 -7 7* -7 7* -7 -7 -6*-5* 6 -5*5 -5* 5-4 5
may-be I’m out of my mind.___________________

-6 -6 -5* -6 -5* -6 -6 -6 5 9 -6 5 -3
O– kay, now, he was close, tried to do-mes-ti-cate you.

-6 -6 -5* -6 -5* -6 -5 -6 -5 -6 -5 5 -3
But you’re an an– i –mal; ba-by, it’s in your na-ture.

-5 5* 5* -5 5* -5 -5
Just let me lib-er-ate you.

-5 5* -5 5* -5 -5
You don’t need no pa-pers.

5* -5 5* -5 5* -5 -5
That man is not your mak-er.

-6 -6 -5* -6 -7 8 9 9 9 -7-6*-5*
And that’s why I’m gon’ take a good girl.______

5 5 5 -5 -6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6 -7 7* -7 -7
I know you want it. You’re a good girl.

-5 -5 -5 -5 -6 6 -5 -5 -5 -6 6
Can’t let it get past me. You’re far from plas-tic.

-5 -5 -5 -5 -5 -6 6
Talk a-bout get-ting blast-ed.
-7 -7 7 -7 -7
(I) hate these blurred lines.

5 5 5 -6 6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6
I know you want it.
-7 -7 7* -7 -7
But you’re a good girl.

-5 -5 -5 -6 6 -5 -5 -5 -5 -6 6
The way you grab me, must wan-na get nas-ty.

-5 -5 -5 -5 -6 6
Go a-head, get at me.

-10 -11 -10 -9 9 8 -10 -11 -10 -9 9 -9
What do they make dreams for when you got them jeans on?

-10 -11 -10 -9 9 8
What do we need steam for?

-7 -7 -7 -7 -7 -7 -7 -7-6*-5
You’re the hot-test bitch in this place._

-5 -5 -5 -6 6
I feel so luck-y.

-5 -5 -5 -6 6
You wan-na hug me.

-5 -5 -5 -6 6
What rhymes with “hug me”?

-6 -6 -5* -6 -5* -6 -6 -6 5 9 -6 5 -3
O – kay, now, he was close, tried to do-mes-ti-cate you.

-6 -6 -5* -6 -5* -6 -5 -6 -5 -6 -5 5 -3
But you’re an an – i – mal; ba-by it’s in your na-ture.

-5 5* 5* -5 5* -5 -5
Just let me lib-er-ate you.

-5 5* -5 5* -5 -5
You don’t need no pa-pers.

5* -5 5* -5 5* -5 -5
That man is not your mak-er.

-6 -6 -5* -6 -7 8 9 9 9 -7-6*-5
And that’s why I’m gon’ take a good girl.____

5 5 5 -5 6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 6 -7 7* -7 -7
I know you want it. You’re a good girl.

-5 -5 -5 -5 -6 6 -5 -5 -5 -6 6
Can’t let it get past me. You’re far from plas-tic.

-5 -5 -5 -5 -5 -6 6
Talk a-bout get-ting blast-ed.
-7 -7 7 -7 -7
I hate these blurred lines.

5 5 5 -5 6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6
I know you want it.
-7 -7 7* -7 -7
But you’re a good girl.

-5 -5 -5 -6 6 -5 -5 -5 -5 -6 6
The way you grab me, must wan-na get nas-ty.

-5 -5 -5 -5 -6 6
Go a-head get at me.

9 -8 9 9 9 -9 -10
Shake the vibe, get down, get up.

-7 -7 -7 -7 -8* -7 -7 -8*
Do it like it hurt, like it hurt.

-7 -7 -7 -7 -7 -8*
What you do-ing like word?

-8* 8-7 8-8* 8-8* 8 -7 8 -7-6*-5*5-5*-6* -7
Hey,______________________________________

-10 -9 -10 -9 -10
Ba-by, can you breathe?

9 -10 -9 9 9 8 -7
I got this from Ja-mai-ca.

-9 -10 -9 -10 -9 -10-11
It al—ways works for me,___

-9 -10 -9 9 9 8 -7
Da- ko -ta to Da-ka-ta.

-6 6 -6 6 -6
No more pre-tend-ing,

-6 6 -6 6 -6
‘cause now you’re win-ning.

-6 6 -6 6 -6
Here’s our be-gin-ning.

5 5 5 -6 -6* -7 9 9 -7-6*-5*
I al-ways want-ed a good girl._____

5 5 5 -5 -6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6 -7 7* -7 -7
I know you want it. You’re a good girl.

-5 -5 -5 -5 -6 6
Can’t let it get past me.

-5 -5 -5 -6 6
You’re far from plas-tic.

-5 -5 -5 -5 -5 -6 6
Talk a-bout get-ting blast-ed.
-7 -7 7 -7 -7
I hate these blurred lines.

5 5 5 -5 -6 1 1 1 -1 -2
I know you want it. I know you want it.

5 5 5 -5 -6
I know you want it.
-7 -7 7* -7 -7
But you’re a good girl.

-5 -5 -5 -6 6 -5 -5 -5 -5 -6 6
The way you grab me, must wan-na get nas-ty.

-5 -5 -5 -5 -6 6
Go a-head, get at me.

5 5 5 5 5 5
Ev-‘ry-bod-y get up.

5 5 5 5 5 5
Ev-‘ry-bod-y get up.

7 7* -7 7 7* -7 7 7* -7
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

Begin fade
7 7* -7 7 7* -7 7 7* -7
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey. Complete fad

Blurred Lines (16h Chromatic)
Words & Music by Robin Thicke & Pharrell Williams
Performed by Robin Thicke, featuring T.I. & Pharrell
Key of G Major Range G3 to D6
Tabbed for a 16 hole Key of C Solo tuned chromatic.

Tab notations:
none = blow — = draw * = button in
. = on lower register (first 4 holes on a 16h chromatic)

3 3 3 3 3 3
Ev-‘ry-bod-y get up

5 5* -5 5 5* -5 5 5* -5
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

-8 -7 -8 -8 -8 -7 7 7 -8
If you can’t hear what I’m try-na say,

-8 -7 -8 -8 -8 -7 7 -8
if you can’t read from the same page,

-5 -5 5* -5 5* -5
may-be I’m go-ing deaf,

-5 -5 5* -5 5* -5
may-be I’m go-ing blind,

-5 -5 5* -5 5* -5 -5 -4*-3* -4* -3*3 -3* 3-2 3
may-be I’m out of my mind._______________________

-4 -4 -3* -4 -3* -4 -4 -4 3 7 -4 3 -1
O– kay, now, he was close, tried to do-mes-ti-cate you.

-4 -4 -3* -4 -3* -4 -3 -4 -3 -4 -3 3 -1
But you’re an an– i –mal; ba-by, it’s in your na-ture.

-3 3* 3* -3 3* -3 -3
Just let me lib-er-ate you.

-3 3* -3 3* -3 -3
You don’t need no pa-pers.

3* -3 3* -3 3* -3 -3
That man is not your mak-er.

-4 -4 -3* -4 -5 6 7 7 7 -5-4*-3*
And that’s why I’m gon’ take a good girl._____

3 3 3 -3 -4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4 -5 5* -5 -5
I know you want it. You’re a good girl.

-3 -3 -3 -3 -4 4 -3 -3 -3 -4 4
Can’t let it get past me. You’re far from plas-tic.

-3 -3 -3 -3 -3 -4 4
Talk a-bout get-ting blast-ed.
-5 -5 5 -5 -5
(I) hate these blurred lines.

3 3 3 -4 4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4
I know you want it.
-5 -5 5* -5 -5
But you’re a good girl.

-3 -3 -3 -4 4 -3 -3 -3 -3 -4 4
The way you grab me, must wan-na get nas-ty.

-3 -3 -3 -3 -4 4
Go a-head, get at me.

-8 -9 -8 -7 7 6 -8 -9 -8 -7 7 -7
What do they make dreams for when you got them jeans on?

-8 -9 -8 -7 7 6
What do we need steam for?

-5 -5 -5 -5 -5 -5 -5 -5-4*-3
You’re the hot-test bitch in this place._

-3 -3 -3 -4 4
I feel so luck-y.

-3 -3 -3 -4 4
You wan-na hug me.

-3 -3 -3 -4 4
What rhymes with “hug me”?

-4 -4 -3* -4 -3* -4 -4 -4 3 7 -4 3 -1
O – kay, now, he was close, tried to do-mes-ti-cate you.

-4 -4 -3* -4 -3* -4 -3 -4 -3 -4 -3 3 -1
But you’re an an – i – mal; ba-by it’s in your na-ture.

-3 3* 3* -3 3* -3 -3
Just let me lib-er-ate you.

-3 3* -3 3* -3 -3
You don’t need no pa-pers.

3* -3 3* -3 3* -3 -3
That man is not your mak-er.

-4 -4 -3* -4 -5 6 7 7 7 -5-4*-3
And that’s why I’m gon’ take a good girl.____

3 3 3 -3 4 .3 .3 .3 -.3 .4
I know you want it. I know you want it.

3 3 3 -3 4 -5 5* -5 -5
I know you want it. You’re a good girl.

-3 -3 -3 -3 -4 4 -3 -3 -3 -4 4
Can’t let it get past me. You’re far from plas-tic.

-3 -3 -3 -3 -3 -4 4
Talk a-bout get-ting blast-ed.
-5 -5 5 -5 -5
I hate these blurred lines.

3 3 3 -3 4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4
I know you want it.
-5 -5 5* -5 -5
But you’re a good girl.

-3 -3 -3 -4 4 -3 -3 -3 -3 -4 4
The way you grab me, must wan-na get nas-ty.

-3 -3 -3 -3 -4 4
Go a-head get at me.

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
One thing I ask you: let me be the one you back that a*s in-to,

-1 -1 -1 -1 -1 -1 -1 -1 -1
yo, from Mal-i-bu to Car-i-bou.

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1
Yeah, had a bitch but she ain’t bad as you.

-1 -1 -1 -1 -1 -1 -1 -1 -1
So hit me up when you’re pass-ing through.

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
I’ll give you some-thing bit e-nough to tear your a*s in two.

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1
Swag on, e-ven when you dress cas–u–al.

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
I mean it’s not al-most un-bear-a-ble. Then-a,

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
hon-ey, you’re not there when I come a-cross that bitch;

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
you pass me by. Noth-ing like your last guy; he too square for you.

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
He don’t smack that a*s and pull your hair like that. So I

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
jail watch, hand wave for you to sa-lute, but you did-n’t pick.

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
Not man-y wom-en can re-fuse this pimp-in’. I’m a

-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1
nice guy, but you get it if you get with me.

7 -6 7 7 7 -7 -8
Shake the vibe, get down, get up.

-5 -5 -5 -5 -6* -5 -5 -6*
Do it like it hurt, like it hurt.

-5 -5 -5 -5 -5 -6*
What you do-ing like word?

-6* 6-5 6-6* 6-6* 65 6 -5-4*-3*3 -3*-4* -5
Hey,______________________________________

-8 -7 -8 -7 -8
Ba-by, can you breathe?

7 -8 -7 7 7 6 -5
I got this from Ja-mai-ca.

-7 -8 -7 -8 -7 -8-9
It al-ways works for me,_

-7 -8 -7 7 7 6 -5
Da-ko-ta to Da-ka-ta.

-4 4 -4 4 -4
No more pre-tend-ing,

-4 4 -4 4 -4
‘cause now you’re win-ning.

-4 4 -4 4 -4
Here’s our be-gin-ning.

3 3 3 -4 -4* -5 7 7 -5-4*-3*
I al-ways want-ed a good girl._____

3 3 3 -3 -4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4 -5 5* -5 -5
I know you want it. You’re a good girl.

-3 -3 -3 -3 -4 4
Can’t let it get past me.

-3 -3 -3 -4 4
You’re far from plas-tic.

-3 -3 -3 -3 -3 -4 4
Talk a-bout get-ting blast-ed.
-5 -5 5 -5 -5
I hate these blurred lines.

3 3 3 -3 -4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4
I know you want it.
-5 -5 5* -5 -5
But you’re a good girl.

-3 -3 -3 -4 4 -3 -3 -3 -3 -4 4
The way you grab me, must wan-na get nas-ty.

-3 -3 -3 -3 -4 4
Go a-head, get at me.

3 3 3 3 3 3
Ev-‘ry-bod-y get up.

3 3 3 3 3 3
Ev-‘ry-bod-y get up.

5 5* -5 5 5* -5 5 5* -5
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

Begin fade
5 5* -5 5 5* -5 5 5* -5
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey. Complete fade

Blurred Lines (16h Chromatic w/o Rap)
Words & Music by Robin Thicke & Pharrell Williams
Performed by Robin Thicke, featuring T.I. & Pharrell
Key of G Major Range G3 to D6
Tabbed for a 16 hole Key of C Solo tuned chromatic.

Tab notations:
none = blow — = draw * = button in
. = on lower register (first 4 holes on a 16h chromatic)

5 5* -5 5 5* -5 5 5* -5
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

-8 -7 -8 -8 -8 -7 7 7 -8
If you can’t hear what I’m try-na say,

-8 -7 -8 -8 -8 -7 7 -8
if you can’t read from the same page,

-5 -5 5* -5 5* -5
may-be I’m go-ing deaf,

-5 -5 5* -5 5* -5
may-be I’m go-ing blind,

-5 -5 5* -5 5* -5 -5 -4*-3* -4* -3*3 -3* 3-2 3
may-be I’m out of my mind._______________________

-4 -4 -3* -4 -3* -4 -4 -4 3 7 -4 3 -1
O– kay, now, he was close, tried to do-mes-ti-cate you.

-4 -4 -3* -4 -3* -4 -3 -4 -3 -4 -3 3 -1
But you’re an an– i –mal; ba-by, it’s in your na-ture.

-3 3* 3* -3 3* -3 -3
Just let me lib-er-ate you.

-3 3* -3 3* -3 -3
You don’t need no pa-pers.

3* -3 3* -3 3* -3 -3
That man is not your mak-er.

-4 -4 -3* -4 -5 6 7 7 7 -5-4*-3*
And that’s why I’m gon’ take a good girl._____

3 3 3 -3 -4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4 -5 5* -5 -5
I know you want it. You’re a good girl.

-3 -3 -3 -3 -4 4 -3 -3 -3 -4 4
Can’t let it get past me. You’re far from plas-tic.

-3 -3 -3 -3 -3 -4 4
Talk a-bout get-ting blast-ed.
-5 -5 5 -5 -5
(I) hate these blurred lines.

3 3 3 -4 4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4
I know you want it.
-5 -5 5* -5 -5
But you’re a good girl.

-3 -3 -3 -4 4 -3 -3 -3 -3 -4 4
The way you grab me, must wan-na get nas-ty.

-3 -3 -3 -3 -4 4
Go a-head, get at me.

-8 -9 -8 -7 7 6 -8 -9 -8 -7 7 -7
What do they make dreams for when you got them jeans on?

-8 -9 -8 -7 7 6
What do we need steam for?

-5 -5 -5 -5 -5 -5 -5 -5-4*-3
You’re the hot-test bitch in this place._

-3 -3 -3 -4 4
I feel so luck-y.

-3 -3 -3 -4 4
You wan-na hug me.

-3 -3 -3 -4 4
What rhymes with “hug me”?

-4 -4 -3* -4 -3* -4 -4 -4 3 7 -4 3 -1
O – kay, now, he was close, tried to do-mes-ti-cate you.

-4 -4 -3* -4 -3* -4 -3 -4 -3 -4 -3 3 -1
But you’re an an – i – mal; ba-by it’s in your na-ture.

-3 3* 3* -3 3* -3 -3
Just let me lib-er-ate you.

-3 3* -3 3* -3 -3
You don’t need no pa-pers.

3* -3 3* -3 3* -3 -3
That man is not your mak-er.

-4 -4 -3* -4 -5 6 7 7 7 -5-4*-3
And that’s why I’m gon’ take a good girl.____

3 3 3 -3 4 .3 .3 .3 -.3 .4
I know you want it. I know you want it.

3 3 3 -3 4 -5 5* -5 -5
I know you want it. You’re a good girl.

-3 -3 -3 -3 -4 4 -3 -3 -3 -4 4
Can’t let it get past me. You’re far from plas-tic.

-3 -3 -3 -3 -3 -4 4
Talk a-bout get-ting blast-ed.
-5 -5 5 -5 -5
I hate these blurred lines.

3 3 3 -3 4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4
I know you want it.
-5 -5 5* -5 -5
But you’re a good girl.

-3 -3 -3 -4 4 -3 -3 -3 -3 -4 4
The way you grab me, must wan-na get nas-ty.

-3 -3 -3 -3 -4 4
Go a-head get at me.

7 -6 7 7 7 -7 -8
Shake the vibe, get down, get up.

-5 -5 -5 -5 -6* -5 -5 -6*
Do it like it hurt, like it hurt.

-5 -5 -5 -5 -5 -6*
What you do-ing like word?

-6* 6-5 6-6* 6-6* 65 6 -5-4*-3*3 -3*-4* -5
Hey,______________________________________

-8 -7 -8 -7 -8
Ba-by, can you breathe?

7 -8 -7 7 7 6 -5
I got this from Ja-mai-ca.

-7 -8 -7 -8 -7 -8-9
It al-ways works for me,_

-7 -8 -7 7 7 6 -5
Da-ko-ta to Da-ka-ta.

-4 4 -4 4 -4
No more pre-tend-ing,

-4 4 -4 4 -4
‘cause now you’re win-ning.

-4 4 -4 4 -4
Here’s our be-gin-ning.

3 3 3 -4 -4* -5 7 7 -5-4*-3*
I al-ways want-ed a good girl._____

3 3 3 -3 -4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4 -5 5* -5 -5
I know you want it. You’re a good girl.

-3 -3 -3 -3 -4 4
Can’t let it get past me.

-3 -3 -3 -4 4
You’re far from plas-tic.

-3 -3 -3 -3 -3 -4 4
Talk a-bout get-ting blast-ed.
-5 -5 5 -5 -5
I hate these blurred lines.

3 3 3 -3 -4 .3 .3 .3 -.3 -.4
I know you want it. I know you want it.

3 3 3 -3 -4
I know you want it.
-5 -5 5* -5 -5
But you’re a good girl.

-3 -3 -3 -4 4 -3 -3 -3 -3 -4 4
The way you grab me, must wan-na get nas-ty.

-3 -3 -3 -3 -4 4
Go a-head, get at me.

3 3 3 3 3 3
Ev-‘ry-bod-y get up.

3 3 3 3 3 3
Ev-‘ry-bod-y get up.

5 5* -5 5 5* -5 5 5* -5
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

Begin fade
5 5* -5 5 5* -5 5 5* -5
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey. Complete fade

Blurred Lines
Words & Music by Robin Thicke & Pharrell Williams
Performed by Robin Thicke, featuring T.I. & Pharrell
Key of G Major Range G3 to D6
Tabbed for a key of G Richter tuned diatonic.

Tab notations:
none = blow — = draw ’ = half step bend
ob = overblow

4 4 4 4 4 4
Ev-‘ry-bod-y get up.

-5 5ob 6 -5 5ob 6 -5 5ob 6
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

8 -8 8 8 8 -8 7 7 8
If you can’t hear what I’m try-na say,

8 -8 8 8 8 -8 7 8
if you can’t read from the same page,

6 6 5ob 6 5ob 6
may-be I’m go-ing deaf,

6 6 5ob 6 5ob 6
may-be I’m go-ing blind,

6 6 5ob 6 5ob 6 6 -5 4ob -5 4ob 4 4ob 4 -3’ 4
may-be I’m out of my mind.________________________

5 5 4ob 5 4ob 5 5 5 4 7 5 4 3
O–kay, now, he was close, tried to do-mes-ti-cate you.

5 5 4ob 5 4ob 5 -4 5 -4 5 -4 4 3
But you’re an an – i – mal; ba-by, it’s in your na-ture.

-4 -4’ -4’-4 -4’ -4 -4
Just let me lib-er-ate you.

-4 -4’ -4 -4’ -4 -4
You don’t need no pa-pers.

-4’ -4 -4’-4 -4’ -4 -4
That man is not your mak-er.

5 5 4ob 5 6 -6 7 7 7 6 -5 4ob__
And that’s why I’m gon’ take a good girl._______

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5 6 5ob 6 6
I know you want it. You’re a good girl.

-4 -4 -4 -4 5 -5 -4 -4 -4 5 -5
Can’t let it get past me. You’re far from plas-tic.

-4 -4 -4 -4 -4 5 -5
Talk a-bout get-ting blast-ed.
6 6 5 6 6
(I) hate these blurred lines.

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5
I know you want it.
6 6 5ob 6 6
But you’re a good girl.

-4 -4 -4 5 -5 -4 -4 -4 -4 5 -5
The way you grab me, must wan-na get nas-ty.

-4 -4 -4 -4 5 -5
Go a-head, get at me.

8 9 8 -8 7 -6
What do they make dreams for

8 9 8 -8 7 -8
when you got them jeans on?

8 9 8 -8 7 -6
What do we need steam for?

6 6 6 6 6 6 6 6_-5_-4
You’re the hot-test bitch in this place._

-4 -4 -4 5 -5
I feel so luck-y.

-4 -4 -4 5 -5
You wan-na hug me.

-4 -4 -4 5 -5
What rhymes with “hug me”?

5 5 4ob 5 4ob 5 5 5 4 7 5 4 3
O–kay, now, he was close, tried to do-mes-ti-cate you.

5 5 4ob 5 4ob 5 -4 5 -4 5 -4 4 3
But you’re an an – i – mal; ba-by, it’s in your na-ture.

-4 -4’ -4’-4 -4’ -4 -4
Just let me lib-er-ate you.

-4 -4’ -4 -4’ -4 -4
You don’t need no pa-pers.

-4’ -4 -4’-4 -4’ -4 -4
That man is not your mak-er.

5 5 4ob 5 6 -6 7 7 7 6 -5 4ob__
And that’s why I’m gon’ take a good girl._______

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5 6 5ob 6 6
I know you want it. You’re a good girl.

-4 -4 -4 -4 5 -5 -4 -4 -4 5 -5
Can’t let it get past me. You’re far from plas-tic.

-4 -4 -4 -4 -4 5 -5
Talk a-bout get-ting blast-ed.
6 6 5 6 6
(I) hate these blurred lines.

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5
I know you want it.
6 6 5ob 6 6
But you’re a good girl.

-4 -4 -4 5 -5 -4 -4 -4 -4 5 -5
The way you grab me, must wan-na get nas-ty.

-4 -4 -4 -4 5 -5
Go a-head, get at me.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
One thing I ask you: let me be the one you back that a*s in-to,

-2 -2 -2 -2 -2 -2 -2 -2 -2
yo, from Mal-i-bu to Car-i-bou.

3 3 3 3 3 3 3 3 3 3
Yeah, had a bitch but she ain’t bad as you.

-2 -2 -2 -2 -2 -2 -2 -2 -2
So hit me up when you’re pass-ing through.

3 3 3 3 3 3 3 3 3 3 3 3 3 3
I’ll give you some-thing big e-nough to tear your a*s in two.

-2 -2 -2 -2 -2 -2 -2 -2 -2 -2
Swag on, e-ven when you dress cas– u –al.

3 3 3 3 3 3 3 3 3 3 -2 -2
I mean it’s not al-most un-bear-a-ble. Then-a,

-2 -2 -2 -2 -2 -2 3 3 3 3 3 3
hon-ey, you’re not there when I come a-cross that bitch;

3 3 3 3
you pass me by.

3 3 3 3 3 3 3 3 3 3 3
Noth-ing like your last guy; he too square for you.

-2 -2 -2 -2 -2 -2 -2 -2 -2 -2 -2 3 3
He don’t smack that a*s and pull your hair like that. So I

3 3 -2 -2 3 3 3 3 3 3 3 3 3 3
jail watch, hand wave for you to sa-lute, but you did-n’t pick.

3 3 3 3 3 3 3 -2 -2 3 3 3 3
Not man-y wom-en can re-fuse this pimp-in’. I’m a

-2 3 3 3 3 3 3 -2 -2 -2 -2
nice guy, but you get it if you get with me.

7 6ob 7 7 7 -8 8
Shake the vibe, get down, get up.

6 6 6 6 -7 6 6 -7
Do it like it hurt, like it hurt.

6 6 6 6 6 -7
What you do-ing like word?

-7 -6 6 -6 -7 -6-7 -6 6 -6 6 -5 4ob 4 4ob -5 6
Hey,_________________________________________

8 -8 8 -8 8
Ba-by, can you breathe?

7 8 -8 7 7 -6 6
I got this from Ja-mai-ca.

-8 8 -8 8 -8 8_9
It al-ways works for me,

-8 8 -8 7 7 -6 6
Da-ko-ta to Da-ka-ta.

5 -5 5 -5 5
No more pre-tend-ing,

5 -5 5 -5 5
‘cause now you’re win-ning.

5 -5 5 -5 5
Here’s our be-gin-ning.

4 4 4 4ob -5 6 7 7_6_-5_4ob
I al-ways want-ed a good girl._____

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5 6 5ob 6 6
I know you want it. You’re a good girl.

-4 -4 -4 -4 5 -5 -4 -4 -4 5 -5
Can’t let it get past me. You’re far from plas-tic.

-4 -4 -4 -4 -4 5 -5
Talk a-bout get-ting blast-ed.
6 6 5 6 6
(I) hate these blurred lines.

4 4 4 -4 5 1 1 1 -1 2
I know you want it. I know you want it.

4 4 4 -4 5
I know you want it.
6 6 5ob 6 6
But you’re a good girl.

-4 -4 -4 5 -5 -4 -4 -4 -4 5 -5
The way you grab me, must wan-na get nas-ty.

-4 -4 -4 -4 5 -5
Go a-head, get at me.

4 4 4 4 4 4
Ev-‘ry-bod-y get up.

4 4 4 4 4 4
Ev-‘ry-bod-y get up.

-5 5ob 6 -5 5ob 6 -5 5ob 6
Hey, hey, hey. Hey, hey, hey. Hey, hey, hey. Repeat and fade

Trad. Folk song
Burl Ives
Key: F

5 -5 5 -4 4 -3” -3” -5
8 -9 8 -8 7 -6 -6 -9…
When I was young I used to wait

3 4 4 4 -3 -3 3 -4
6 7 7 7 -7 -7 7 -8…
on Mas-ter and hand him his plate,

5 -5 5 -4 -4 4 -3”-3” -5
8 -9 8 -8 -8 7 -6 -6 -9…
And pass the bot-tle when he got dry

-3” 3 -3 -4 -5 5 4 4
-6 6 -7 -8 -9 8 7 7
and brush a-way the Blue Tail Fly.

3 3 4 4 4 -3 -4 -4
6 6 7 7 7 -7 -8 -8
Jim-my crack corn and I don’t care,

3 3 -4 -4 -4 4 5 5
6 6 -8 -8 -8 7 8 8
Jim-my crack corn and I don’t care,

4 4 5 5 5 -5 -6 -6
7 7 8 8 8 -9 -10 -10…
Jim-my crack corn and I don’t care,

-6 6 6 -5 -4 4
-10 9 9 -9 -8 7
My Mas-ter’s gone a-way.

Trad. Folk song
Burl Ives
Key: F

-3 -3* -3 3 -2 -1 -1 -3*…
When I was young I used to wait
1 -2 -2 -2 2 2 -2 3…
on Mas-ter and hand him his plate,
-3 -3* -3 3 3 -2 -1 -1 -3*…
And pass the bot-tle when he got dry
-1 1 2 3 -3* -3 -2 -2
and brush a-way the Blue Tail Fly.

1 1 -2 -2 -2 2 3 3
Jim-my crack corn and I don’t care,
1 1 3 3 3 -2 -3 -3
Jim-my crack corn and I don’t care,
-2 -2 -3 -3 -3 -3* -5 -5…
Jim-my crack corn and I don’t care,
-5 5 5 -3* 3 -2
My Mas-ter’s gone a-way.

This is my first tab and I hope you’ll enjoy it, like you can see I’ve devided
bluesette in 3 parts, the first part is the general known, the second is a part
that is general accepted as part of bluesette and the third I made by listening
very carefully to the original bluesette (with a bit of own inspiration), it is a
song made to improvise, so go ahead!

||: -5 6 -6* 7 -7 -8 8 6 -5*
-8 -5 5* -7 5 -4
7 -4 5 -5 -5* -6 7
-9* -9 8 -6 -9 9 -7* -6 8* 8 -7*
-5* -6 7 7* -7* 8 -9 9 -8 -7 -5 (hold) :||

7 -7 -8 -9 8 -8 -7 7 -6*
6 -6* 7 -8 -7 7 -6 6 -5
7 -4 5 -4 5 -5 -5* -6 7 -7* -7
-7* 8 -6
-3 -3* 4 5*-5* -6
8* 8 -7*
-5*-5* -6 -6 7 7 7* 7* -7*-7* 8 8 -9
9 -9 9 -8 -7 -5(long)

-9 -9 -9 -9 9 -8 9 9 9 9 -8 -7
-8 -8 -8 -8 -7 7 -7 -7 -7 -7 7 -6*
5 6 -6* 7 -7 -8 8 -8 8 -7 -8 -7 -8 7
-7 7 -7 -6 6 6* 7 7* -7* 8 -9 (long)
-5 6 -6* (start rit + tremelo) 7 -7 -8 8 6 -5* 2 3

-2 -2 3 3 -3 -3 -3* -3* -4* -4* -5 -5 -5* (-3*-3 3) -2* -5 -2 2 4 4 -1* -1

-3* -1 -1 -1* 2* -2* 3* -3* -6* 6* (-5*-4*-3*) 3* 6* -5* 5* 3* 6 -6* -5*

5* -2* -2* 3* 3* -3* -3* -4 -4 5* 5* -5* -5* 6* -5* -5 5 2* 3* 3* 2*

[0:52]

-1 -2 -2 3 3 -3 -3 -3* -3* -4* -4* -5 -5 -5* 6* -5* -5 -5* -5

-5* -5* 4* -4* 4* -4* -1* 7 -7* -7* -7* -7* -8* -7* 7* 7 7* -7*

7* 7* -7* 7* -6* 6* -6* 7* -8* 7* 6* 5* 5 5* 6 7* -8 8* -8 -7* 7*

7* -6* 7* -6* 6* -6* -5* -3* -4 4* -5* -6* 7* -6* 6* 6* 6* 6* 6*

-8* 6* 8* 6* 7 -7 -7* -7 -7* -8* 6* -5* -5 -6

[1:30]

(-5 -5* 6) (-5 -5* 6) (-5 -5* 6) (-5 -5* 6) (-5 -5* 6) -5* -5 5 -5 -5* -5 5

-5* (-5 -5* -5) (-5 -5* -5) (-5 -5* -5) 5 6 7* -8 -7* -5* -5 -4* -3*

3* (3 3 3) (3* 3* 3*) (-3 -3 -3) (-3* -3* -3*) (5 5 5) (-5 -5 -5) -5* 6 6* -6*

6* -5* 7* 7* 7* -9* -9 9* -6* -5* -6* -7* -6* -5* -6* -7* -7* -7

7 6* 6* 6* 6* 6* 6* 6* 6* 6* 6* 6* 6* -5* -5

[2:10] {Piano Solo}

[2:48]

-5 -5 -5 -5 -5 -5* 6* -5 -5* -5* -5* -5* (6* -5* -5) -7* -7 5* 5

7 7 7* 7 7 -5 8 -7* -7* -7* 8 -7* -7* -7* -7* 7* 7* 4* -3* 6* 7* -8*

-9* -8* 7* 6* 5* (4 4* 4) -3* 3* -3* -4* -5* 5* -5* 6 6* 7* -7 -7* 8*

7* 7 -6* 6 -5* -6* -2* 3* 3 -3* 3 -3 7 7 (-7 7 -6) -6 -6 -6 -6 -6

6 6* 7* 8* 7* 7 -6* -5* -5 5 5 (5 -5 -4) (5 -4 -3) (3 3* 4*) -2* 2

[3:24]

-2 -2 3 3 -3 -3 -3* -3* -4* -4* -5 -5 -5* (-3*-3 3) -2* -5* -5 -2 2 4* 4 -1* -1

-3* -3* -3* 4* 6* 7* 6* 3* 3* 3* 6 -6* -5* 5*

-2* 3* -3* -4 5* -5* 6* -5* -5 5 7 7 7* 7 6* -5* -5 6* -6* 6 -5* -5 5 -4 -3 -3*

6* 2* 7 7 8 7 7 8 7 7 -9 7 -6 7 -9 …

Music : Norman Gimbel
Lyrics : Jean ‘Toots’ Thielmans
Key:G

-5 6 -6* 7 -7 -8 8 6 -5*
Poor lit-tle, sad lit-tle blue Blues-ette
-8 -5 5* -7 5 -4
Don’t you cry, don’t you fret,
7 -4 5 -5 -5*-6 7 -9* -9 8
You can bet one luck-y day you’ll wak-en,
-6 -9 8 -7* -6 8* 8 -7*
And your blues will be for-sak-en,
-5* -6 7 7* -7* 8 -9 8 -8 -7 -5
One luck-y day love-ly love will come your way.
-5 6 -6* 7 -7 -8 8 6 -5*
Long as there-s love in your heart to share,
-8 -5 5* -7 5 -4
Dear Blues-ette don’t des-pair
7 -4 5 -5 -5* -6 7 -9* -9
Some blue boy is long-ing just like you,
8 -6 -9 8 -7* -6 8* 8 -7*
To find a some-one to be true to,
-5* -6 7 7* -7* 8 -9 8 -8 -7 -5
Two lov-ing arms you can nest-le in to stay.
7 -7 -8 -9
Get set, Blues-ette,
8 -8 -7 7 -6*
True love is com-ing,
6 -6* 7 -8 -7 7 -6 6 -5
Your lone-ly heart soon will be hum-ming.

Hum
7 -4 4 -45-5-5* -67-7*-7 -7* 8
-6 -3 -3* 44*-5*-6 -9* 8 -7*

-5*-5* -6 -6 7 7 7* 7*
Doo-ya, Doo-ya, Doo-ya, Doo-ya,
-7*-7* 8 8 -9 -99-9-8 -7 -5
Doo-ya, Doo-ya, Doo- oo- oo Blues-ette

-9 -9 -9 -9 8 -8
Pret-ty lit-tle Blues-ette,
8 8 8 8 -8 -7
Mus-n’t be a mourn-er,
-8 -8 -8 -8 -7 7
Have you heard the news yet,
-7 -7 -7 -7 7 -6
Love is ’round the cor-ner.
6 -6 -6* 7 -7
Love wrapped in rain-bows
-8 8 8* -9 -9* -9
and tied with pink rib-bon
8 -6 7 -7 -7* -8
To make your next spring-time
8 8* -9 -9* 10 -9*
Your gold wed-ding ring time.
8* 8 -7* 7* -7* 8 -9
So dry your eyes. Don’t-cha pout,
8 -8 7* -6* 6 -5 -5
Don’t-cha fret, good-y good times
-5 -6 -5 5 -5
Are com-ing, Blues-ette.
-5 6 -6* 7 -7 -8 8 6 -5*
Long as there’s love in your heart to share,
-8 -5 5* -7 5 -4
Dear Blues-ette don’t des-pair.
7 -4 4 -5 -5* -6 7 -9* -9
Some blue boy is long-ing just like you,
8 -6 -9 8 -7* -6 -9* 8 -7*
To find a some-one to be true to.
-5* -6 7 7* -7* 8 -9
One luck-y day love-ly love
8 -8 -7 10
Will come your way.
-9 8 -8 -9 8 -8 7 6 7
That mag-ic day may just be to-day

THIS RIFF REQUIRES A 4 DRAW BEND
4/4 TIME
TRY AND CARRY THE BEND OVER TO THE 3 DRAW
ADD A WOW WOW TO THE LAST TWO DRAW NOTES
AND HOLD THE LAST NOTE FOR AS LONG AS YOU LIKE

* = DRAW BEND

-2 -3 4 -4 *4 4 -4 *4 4 -4 *4 *3 2 -2 -2

-2 (-3-4)warble (+2+5)warble (-3-4)warble -2
+4+4 (+5+2) (-5-2) (+6+2)

The song is in A so use a D harmonica.
The octaves require tongue blocking
Message me any requests for classic blues tabs.

riff 1 :

-2″-2-2″ -1 -3′ -2

2 -2 2 -1 -3′ -2

riff 2 :

-1 (123) 1 -2 -1 (123) 1 -1

-1 (123) 1 -2 -1 (123) -1

x2

-1 (123) 1

-3 -2 3 2 -2

-2 3 2 -3 -2 3 -2

x2

-1 (123) 1 -2 -1 (123) 1 -1

-1 (123) 1 -2 -1 (123) -1

-1 2 1

-4 -3 4 3 -3′ -2 3 2 -3 -2 2 -2

-2 6 -5 -4 -4 -5 -4 4 3 -3 -2 -1 2 -2

J.J. Cale

I
-1-1 -4-4 44 -3 ’-3 ’ (4x)

iv
-2-2 66 -5-5 -4-4 (2x)

I
-1-1 -4-4 44 -3 ’-3 ’ (2x)

V
-3 ’-3 ’ -6-6 66 55

iv
-2-2 66 -5-5 -4-4

I
-1-1 -4-4 44 -3 ’-3 ’

I & turnaround
-1-1 -4-4 44 7-8

This is just a cool short riff for begginers
repete the line a couple times ,
its good to add your own little touch to it 🙂

-23 -23 45 45 -45 -45 45 45 -23 -23 45 -23

i’ll be happy to hear any suggestions
because it my first.

I was shown this by a experienced player as a good exercise to practice if wanting to play Blues riffs. It covers the blues scale and mixes it up by moving from single notes to some cords. The point of the exercise is to hit the bent notes and not be lazy or too fast so that the bent notes are skipped or not bent correctly. While making sure that the accuracy remains, speed it up to a challenging speed.

It was first played to me at a blistering speed and it sounded great and after much practising I’m not even close but I keep trying.

I hope that someone gets some benefit from it.

-2 -3b 4 -4b -4 5 6 5 | -4 -4b 4 -3b -2 -3b 4 -4b | -4 5 6 |

6 5 -4 6 5 -4 6 5 -4 -4b | -4 5 6 5 -4 -4b R | -2 -3b 4 -4b 4 -4b -3b -2 | -3b 4 -4b -3b -2 -2 |

-2 -2 -2 -2 -2 -2 -2 -2 -2 -2 -2 -2 |

(123) (123) –(123) –(123) (123) (123) –(123) –(123) |

-2 -3b 4 -4b -4 -4b -3b -2 |

(123) (123) –(123) –(123) (123) (123) –(123) –(123) |

-2 -3b 4 -4b -4 -4b -3b -2 | -2 |

Just beginning and want a little practice with the blues scale?
Warm up by trying the following with bends if possible. (b means
bend)

-2 -3b 4 -4b -4 5 6

Then try the following (go crazy-insert bends/extra notes/chords
wherever desired)

-2 -3 4 -4 -5 6 6 -5 -4 -3 -2
4 4 -3 -2 4 4 -3 -2 -3 4 -4 6
-5 -5 -4 -5 4 4 4 6
6 6 -5 -5 -4 -4 4 -3 -2 -1 -1

BLUES SCALE in 12 POSITIONS
The notes below are for a harp in the key of C, but the tab holds for
any key harmonica (e.g., if you pick up a Bb harp and play the same
1st position tab below, the actual notes will be different but the
position will be correct). 2nd position is what you hear most often in
blues, but donТt be afraid to mix it up.

+ = blow
— = draw
Т = halfstep bend (diatonic only)
ТТ = whole step bend (diatonic only)
ТТТ = whole step and a half bend (diatonic only)
o = overblow/overdraw (diatonic only)
< = push slide button in (for chromatic tab only) BLUES SCALE -- DIATONIC HARMONICA by OCTAVE/ CHROMATIC HARMONICA (lowest octave only) 1st POSITION: C Eb F F# G Bb C Low Octave: +1 +1o -2ТТ -2Т -2 -3Т +4 Mid Octave: +4 +4o -5 +5o +6 +6o +7 High Octave: +7 +8Т -9 +9Т +9 +10ТТ +10 CHROMATIC: +1 <-1 -2 <-2 +3 <-3 +4 2nd POSITION: G Bb C C# D F G Low Octave: -2 -3Т +4 -4Т -4 -5 +6 Mid Octave: +6 +6o +7 -8o -8 -9 +9 CHROMATIC: +3 <-3 +4 <+4 -5 -6 +7 3rd POSITION: D F G Ab A C D Low Octave: -1 -2ТТ -2 -3ТТТ -3ТТ +4 -4 Mid Octave: -4 -5 +6 -6Т -6 +7 -8 CHROMATIC: -1 -2 +3 <+3 -3 +4 -5 4th POSITION: A C D Eb E G A Low Octave: -3ТТ +4 -4 +4o +5 +6 -6 Mid Octave: -6 +7 -8 +8Т +8 +9 -10 CHROMATIC: -3 +4 -5 <-5 +6 +7 -7 5th POSITION: E G A Bb B D E Low Octave: +2 -2 -3ТТ -3Т -3 -4 +5 Mid Octave: +5 +6 -6 +6o -7 -8 +8 CHROMATIC +2 +3 -3 <-3 -4 -5 +6 6th POSITION: B D E F Ab A B Low Octave: -3 -4 +5 -5 -6Т -6 -7 Mid Octave: -7 -8 +8 -9 -9o -10 +10Т CHROMATIC: -4 -5 +6 -6 <+7 -7 -8 7th POSITION: F# A B C C# E F# Low Octave: -2Т -3ТТ -3 +4 -4Т +5 +5o Mid Octave: +5o -6 -7 +7 -7o +8 +9Т CHROMATIC: <-2 -3 -4 +4 <+5 +6 <-6 8th POSITION: Db E Gb G Ab B Db Low Octave: -1Т +2 -2Т -2 -3Т -3 -4Т Mid Octave: -4Т +5 +5o +6 -6Т -7 -8o CHROMATIC: <+1 +2 <-2 +3 <+3 -4 <+4 9th POSITION: Ab B Db D Eb F# Ab Low Octave: -3Т -3 -4Т -4 +4o +4o -6Т Mid Octave: -6Т -7 -7o -8 +8Т +9Т -9o CHROMATIC: <+3 -4 <+4 -5 <-5 <-6 <+7 10th POSITION: Eb F Ab A Bb Db Eb Low Octave: +1o -2ТТ -3ТТТ -3ТТ -3Т -4Т +4o Mid Octave: +4o -5 -6Т -6 +6o -7o +8Т CHROMATIC: <-1 -2 <+3 -3 <-3 <+4 <-5 11th POSITION: Bb Db Eb E F Ab Bb Low Octave: -3Т -4Т +4o +5 -5 -6Т +6o Mid Octave: +6o -7o +8Т +8 -9 -9o +10ТТ CHROMATIC: <-3 <+4 <-5 +6 -6 <+7 <-7 12th POSITION: F Ab Bb B C Eb F Low Octave: -2ТТ -3ТТТ -3Т -3 +4 +4o -5 Mid Octave: -5 -6Т +6o -7 +7 +8Т -9 CHROMATIC: -2 <+3 <-3 -4 +4 <-5 -6

4 -4′ 5 -5′ 6 -6 7

-x = draw
x = blow
(x) = bend a semitone/halfstep down

going up it…
3 (-3) 4 (-4) -4 -5 6

and going down…
6 -5 -4 (-4) 4 (-3) 3

This scale is used for improvisation by most of the bluse players and
it is done by going up and down the scale. This scale is also used
alot with the «12 bar blues» which is a cord sequence used in all most
every Blues song. The cords go…

1234 1234 1234 1234 1234 1234 1234 1234 1234 1234
c c c c f f c c g f

1234 1234
c c

The 12 bar Blues can be in a different key and this is just it in the
key of c, but if it was in another key it would be…

1234 1234 1234 1234 1234 1234 1234 1234 1234 1234
1st 1st 1st 1st 4th 4th 1st 1st 5th 4th

1234 1234
1st 1st

a blues scale to tute to…

-2, -3b, 4, -4b, -4, -5, 6

In The Key Of F (3 Riffs)

#1 2 -3 -2 2

#2 -3 -3 3 -3 -2 2 2 2 -3 -2 2

#3 -4 -4 4 4 -3 -2 2 2 -3 -2 2

b means bend and two notes together is a chord(which means play them
both)

Riff1: -3 -2 2 -2 -2 -3 -2 2 -1 2 -2 -4 4 -3 -2 2 -1 -2 32

Riff2:-2 -3 -4 5 -4 5 -5 5 -4

b stands for bend.

Riff1: 3 4 -3 3.

Riff2: -2 -2 -2 -2 -2b 1

Riff3: -1 -2 -1 -2 -2b. -1 -2 -1 -2 -2b -1 -1

Riff4: -4 5 -4 5 -5 -5 -5 5 5 5 -4 -4 -4 -4 -4 -4 -6 -6 -6 -6 -6 -6 -3
4 -4b -4 4 -3 -2 -5 5 -4 -3 -2 -2 3 -2 3 -2 -1 -4b -2