Outlaw Man

By David Blue
The Eagles
Key: Em

8 8 8 8 8-87
I am an out-law,
-6 7 -8 -8 -8 -8 8
I was born an out-law’s son
7 8 8 8 8 8 -8 8
The high-way is my leg-a-cy
8 7 -8 -8 -8 -8 -87-6
On the high-way I will run
-6 8 8 8 8 8 8-87
In one hand I’ve a Bi-ble
-6 7 -8 -8 -8 -8 -8 -8
In the oth-er I’ve got a gun
-6 -10 9 -10 -10
Well, don’t you know me
-8 -8 -8 -8 -8
I’m the man who won
-10-10 -10 9 9 8 -8
Wom-an don’t try to love me
7 -8 -8 -8 8 -87-6
Don’t try to un-der-stand
7 -10 9 9 9 8 -8
A life up-on the road
7 7 -8 -8 7 8 8 -87-6
is the life of an out-law man

First left my woman, it was down in Santa Fe
Headed for Oklahoma, I was ridin’ night and day
All of my friends are strangers,
They quickly come and go

And all my love’s in danger,
‘Cause I steal hearts and souls
Woman, don’t try to love me
Don’t try to understand A life upon the road is the life of an outlaw
man
oo….

Woman, don’t try to love me
Don’t try to understand
A life upon the road is the life of an outlaw man

Some men call me Abel,
Some men call me Cain,
Some men call me sinner, Lord
Some men call me saint

Some say there’s a Jesus
Some men say there ain’t

8 8 -8 8 -8 7 8
When you got no life to lose
-8 7 8 8 -8 7 -87-6
Then there’s noth-in’ left to gain
9 -10 10 -10 10 -10
Out-law man Out-law man




Out Tonight

Words and Music by Jonathan Larson

6 5 -6
What`s the time?
6 6 7 7 7 7 6 -6 6 -4 4
Well it’s gotta be close to midnight~~~
4 5 6 6 5 5 -6
My body’s talking to me
4 4 -4 4 -4 5
It says, «Time for danger»
7 7 4 5 6 6 6 5 -5
It says «I wanna commit a crime
6 6 7 7 7 -8 -8 -8
Wanna be the cause of a fight
4 4 4 5 6 6 6 -6 4 4
I Wanna put on a tight skirt and flirt
-4 4 -4 5
With a stranger»
-6 -6 5 -6 -6 -6 6-5
I’ve had a knack from way back
4 7 7 7 8 -8 -8 -8 7 6
At breaking the rules once I learn the games
-7 -6 5 5 5
Get up — life’s too quick
-8 -8 -8 =8 -8
I know someplace sick
6 7 7 7 -8 -8 -8 -7 -6 6
Where this chick’ll dance in the flames
7 7 7 -7-7 -7-6
We don’t need any money
7 7 7 -7 -6 6 -6
I always get in for free
-5 6 6 6 -6
You can get in too
-6 -6 -6 7 -8 -7 -6 6
If you get in with me

-5 6 6 9 6 6 -6
Let’s go out~~~~ tonight
5 5 -5 6 6 9 6 6
I have to go out~~~~ tonight
-6 -6-6 -6
You wanna play?
-6 -7 -7-7
Let’s run away
-7 7 -6 7 6 -6 7 -8 -8 -8 7
We won’t be back before it’s Christmas day
5 6 6 4 4 -8-8
Take me out tonight (meow)

(The Rest Of The Song Follows The Same Notes
As Above)

When I get a wink from the doorman
Do you know how lucky you’ll be?
That you’re on line with the feline of
Avenue B

Let’s go out tonight
I have to go out tonight
You wanna prowl
Be my night owl?
Well take my hand we’re gonna howl
Out tonight

In the evening I’ve got to roam
Can’t sleep in the city of neon and chrome
Feels too damn much like home
When the Spanish babies cry
So let’s find a bar
So dark we forget who we are
And all the scars from the
Nevers and maybes die

Let’s go out tonight
Have to go out tonight
You’re sweet
Wanna hit the street?
Wanna wail at the moon like a cat in heat?
Just take me out tonight
Please take me out tonight
Don’t forsake me — out tonight
I’ll let you make me — out tonight
Tonight — tonight — tonight




Out Ta Get Me (two harps: Bb/C)

This is mostly Bb, but you’ll need a C too.

Bb Harp:

-6 -6 6 5 -4 4 -4 -3 5 4

Been hidin’ out a-nd layin’ lo-w

5 5 5 -6 5 -4 5

It’s nothin’ new ta me-e

-6 -6 6 -6 6 5 4 -4 4 5 4

Well you can always find a place to go-o

-6 -6 -6 7 -6 -6 6 -6

If you can keep your sanity

-8 8 8 -8 8 -8 -8 -6 -8 -8 8 -8

They break down the doo-rs and they rape my rights but

-6 -7 7 -7

They won’t touch me

-8 -8 -8 8 -7 -8 -8 8

Just scream and yell and fight all night

-6 -7 7 -7

You can’t tell me

8 8 -7 8 8 8 -8 9’

I lose my head, I close my eyes

-6 -7 7 -7

They won’t touch me

8 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8

‘Cause I got somethin’ I been buildin’ up inside

-8 8 8 8’ 8

For so f*ckin’ long

[CHORUS:]

8 8 8 8 8

They’re out ta get me

8 8 8 8

They won’t catch me

9 8 -8 9 8 8

I’m f*cking innocent

8 8 -8 8

They won’t break me

-6 -6 6 5 -4 -4 4 -4 -3 -3 5 4

Sometimes it’s easy to forget where you’re goin’

5 5 5 -6 5 5 -4 5

Sometimes it’s harder to lea-ve

-6 -6 6 -6 6 5 4 -4 4 -4 4 5 4

And everytime you think you know just what you’re doin’

-6 -6 -6 7 -6 6 -6

That’s when your troubles exceed

-8 8 8 -8 8 8 -8 -8 -6 -8 -8 -8 8 -8

They push me in a corner just to get me to fight but

-6 -7 7 -7

They won’t touch me

-8 -8 -8 8 -7 -8 -8 8

They preach and yell and fight all night

-6 -7 7 -7

You can’t tell me

8 8 -7 8 8 8 -8 9’

I lose my head, I close my eyes

-6 -7 7 -7

They won’t touch me

8 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8’ 8

‘Cause I got somethin’ I been buildin’ up inside.

-8 8 8 8’ 8

I’m already gone

[Chorus]

C HARP:

-6 -6 6 -4 4 -4 -4 4 5 4

Some people got a chip on their shoulder

5 5 5 5 -6 5 -4

And some would say it was me

-6 -6 -6 6 -6 6 5 4 -4 4 -4 4 -4 4

But I didn’t buy that fifth of whisky that you gave me

-6 -6 -6 -8 -6 -6 6 -6

So I’d be quick to disagree

Bb HARP:

[Chorus]

8 8 8 8 8

They’re out ta get me

8 8 8 8

They won’t catch me

9 8 9 8’ 8

‘Cause I’m innocent

8 8 -8 8 8

So you can suck me

Spoken: Take that one to heart




Out On The Weekend [Diatonic A]

intro; 00.08;

-5.. 5 4 5 5 -4..

-4 5 -5…6 -5 5 -4..

5 6 6…7 -6 6 5..

-4 5 -5…6 -5 5 -4

solo; 02.25;

-3 4 -4 4 -4 4 3

5 -4 4 -5 5 -4 4 -3

7 6..-6.. 6 5 5…

-4 5 -5 5 -5 4 4 5 -4 4 3




Out on the weekend — solos

0:10
4+ 4+ 4 4 5+ 5+ 5+ 4 4+ 4+ 4+ 4
4

4+ 5+ 6+ 6 6+ 5+ 5+ 4 5+ 5 5+ 4 4+ 4+ 4 4
4

2:03
7+ 6+ 5+ 6+ 5 5+ 5+ 4 4+ 4 4′ 4
6 5 4 5 4 4 4 3 3 3

4 5+ 5+ 5 5+ 4+ 4 6+ 6+ 6+ 6 6+ 5 5+ 5+~
3 4 4 4 4 3 5 4 4

4 5+ 5 5+ 4 4′ 4 4+ 4 4 4′ 4 4′ 4 5+ 5 5+
3

3:50
7+ 6 6+ 7+ 6 6+ 6+ 5 4+ 4
6 5 5 6 5 5 5 4 3 3
5 5

4 5+ 5+ 5+ 5+ 5 5+ 4 4+ 4 4 5+ 5 5 5+ 4 4+

4 6+ 7+ 7+ 6 7+ 5+ 5+ 5+
3 5 6 6 6

5+ 5+ 5 5+ 5+ 5 5+ 5+ 5 5+ 5+ 5+ 4 4+ 4+ 4+ 4

4 5+ 5+ 5+ 5 6+ 6+ 6+ 5+ 5 5+
4 4 4 4 5 5 5 4 4
4 4 4

+ = blow
‘ = one 1/2 step bend
» = two 1/2 steps bend

tabbed with my harp teacher John Milan




Out on the Weekend (vocal parts), cross harp

-3” -3 -3 -3” 3 -1 -3” 3 -3” 2

Think I’ll pack it in and buy a pick-up

-3 -3 -3 -1 -3 3

Take it down to L.A.

-3 -3 -3 -3” 3 -1 -3” -3” -3” 3 -3” 2

Find a place to call my own and try to fix up

-3 -3 -3 -3 3 3

Start a brand ne-w day

-1 -3 -3 -3 -3 -3” 3 -1 -3” -3” -3” 2

The woman I’m thinking of, she loved me all up

-1 -3 -4 -3 3 3 3

But I’m so do-wn today

-3 -3 -3 -3 -3 -3” 3

She’s so fine, she’s in my mind

-3” -3” 3 -3” 2

I hear her callin’

-3 -3 -3 -3” 3 -3” -3” 3 -3” -3” 2

See the lonely bo-y, out on the weekend

-3 -3 -3 -3 -3 -3 3

Trying to make it pa-y

-3 -3 -3 -3” 3 -3” 3 -3” 3 -3” 2

Can’t relate to jo-y, he tries to speak and

-3 -3 -3 -3” 3

Can’t begin to say

-3 -3 -3 -3” 3 3 -3” -3” -3” 3 -3” 2

She got pictures on the wall, they make me look up

-3 -3 -3 -3 3

From her big brass bed

-3 -3 -3 -3 -3 -3” 3 -1 -3” -3” 3 -3” 2

Now I’m running down the roa-d trying to stay up

-3 -3 -3 -3 3 3

Somewhere in he-r head

-1 -3 -3 -3 -3 -3” 3 -1 -3” -3” -3” 2

The woman I’m thinking of, she loved me all up

-1 -3 -4 -3 3 3 3

But I’m so do-wn today

-3 -3 -3 -3 -3 -3” 3

She’s so fine, she’s in my mind

-3” -3” 3 -3” 2

I hear her callin’

-3 -3 -3 -3” 3 -3” -3” -3” 3 -3” 2

See the lonely bo-y, out on the weekend

-3 -3 -3 -3 -3 -3 3

Trying to make it pa-y

-3 -3 -3 -3” 3 -3” -1 -3” 3 -3” 2

Can’t relate to jo-y, he tries to speak and

-3 -3 -3 -3” 3

Can’t begin to say




Out on the Weekend (vocal parts), 11th position

4 -4 -4 4 -3’ -2” 4 -3’ 4 3

Think I’ll pack it in and buy a pick-up

-4 -4 -4 -2” -4 -3’

Take it down to L.A.

-4 -4 -4 4 -3 -2” 4 4 4 -3’ 4 3

Find a place to call my own and try to fix up

-4 -4 -4 -4 -3’ -3’

Start a brand ne-w day

-2” -4 -4 -4 -4 4 -3’ -2” 4 4 4 -2

The woman I’m thinking of, she loved me all up

-2” -4 -5 -4 -3’ -3’ -3’

But I’m so do-wn today

-4 -4 -4 -4 -4 4 -3’

She’s so fine, she’s in my mind

4 4 -3’ 4 3

I hear her callin’

-4 -4 -4 4 -3’ 4 4 4 -3’ 4 3

See the lonely bo-y, out on the weekend

-4 -4 -4 -4 -4 -4 -3’

Trying to make it pa-y

-4 -4 -4 4 -3’ 4 -2” 4 -3’ 4 3

Can’t relate to jo-y, he tries to speak and

-4 -4 -4 4 -3’

Can’t begin to say

-4 -4 -4 4 -3’ -3’ 4 4 4 -3’ 4 3

She got pictures on the wall, they make me look up

-4 -4 -4 -4 -3’

From her big brass bed

-4 -4 -4 -4 -4 4 -3’ -2” 4 4 -3’ 4 3

Now I’m running down the roa-d trying to stay up

-4 -4 -4 -4 -3’ -3’

Somewhere in he-r head

-2” -4 -4 -4 -4 4 -3’ -2” 4 4 4 -2

The woman I’m thinking of, she loved me all up

-2” -4 -5 -4 -3’ -3’ -3’

But I’m so do-wn today

-4 -4 -4 -4 -4 4 -3’

She’s so fine, she’s in my mind

4 4 -3’ 4 3

I hear her callin’

-4 -4 -4 4 -3’ 4 4 4 -3’ 4 3

See the lonely bo-y, out on the weekend

-4 -4 -4 -4 -4 -4 -3’

Trying to make it pa-y

-4 -4 -4 4 -3’ 4 -2” 4 -3’ 4 3

Can’t relate to jo-y, he tries to speak and

-4 -4 -4 4 -3’

Can’t begin to say




Out on the Weekend (vocal parts)

-4 5 5 -4 4 3 -4 4 -4 -3”

Think I’ll pack it in and buy a pick-up

5 5 5 3 5 4

Take it down to L.A.

5 5 5 -4 4 3 -4 -4 -4 4 -4 -3”

Find a place to call my own and try to fix up

5 5 5 5 4 4

Start a brand ne-w day

3 5 5 5 5 -4 4 3 -4 -4 -4 -3”

The woman I’m thinking of, she loved me all up

3 5 6 5 4 4 4

But I’m so do-wn today

5 5 5 5 5 -4 4

She’s so fine, she’s in my mind

-4 -4 4 -4 -3”

I hear her callin’

5 5 5 -4 4 -4 -4 -4 4 -4 -3”

See the lonely bo-y, out on the weekend

5 5 5 5 5 5 4

Trying to make it pa-y

5 5 5 -4 4 -4 3 -4 4 -4 -3”

Can’t relate to jo-y, he tries to speak and

5 5 5 -4 4

Can’t begin to say

5 5 5 -4 4 4 -4 -4 -4 4 -4 -3”

She got pictures on the wall, they make me look up

5 5 5 5 4

From her big brass bed

5 5 5 5 5 -4 4 3 -4 -4 4 -4 -3”

Now I’m running down the roa-d trying to stay up

5 5 5 5 4 4

Somewhere in he-r head

3 5 5 5 5 -4 4 3 -4 -4 -4 -3”

The woman I’m thinking of, she loved me all up

3 5 6 5 4 4 4

But I’m so do-wn today

5 5 5 5 5 -4 4

She’s so fine, she’s in my mind

-4 -4 4 -4 -3”

I hear her callin’

5 5 5 -4 4 -4 -4 -4 4 -4 -3”

See the lonely bo-y, out on the weekend

5 5 5 5 5 5 4

Trying to make it pa-y

5 5 5 -4 4 -4 3 -4 4 -4 -3”

Can’t relate to jo-y, he tries to speak and

5 5 5 -4 4

Can’t begin to say




Out On The Weekend (chromatic)

By: Neil Young
Key: A

-4 4* 4* -4 -3
Think I’ll pack it in
2 -4 -3 -4 -3
and buy a pick-up
4* 4* 4* 2 4*-3
Take it down to L. A.
4* 4* 4* -4 -3 2 -4
Find a place to call my own
-4 -4 -3 -4 -2*
and try to fix up.
4* 4* 4* 4*-4-3 -3
Start a brand new day.

2 4* 4* 4* 4* -4 -3
The wom-an I’m think-ing of,
2 -4 -4 -4 -2*
she loved me all up
2 4* 6 5*-4-3 -3 -3
But I’m so down to-day
4* 4* 4* 4* 4* -4 -3
She’s so fine, she’s in my mind.
-1 -4 -3 -4 4*
I hear her call-in’.

4* 4* 4* -4 -3-4 -4 -4 -3 -4 -2*
See the lone-ly boy, out on the week-end
4* 4* 4* 4* 4* 4*-4-3
Try-ing to make it pay.
4* 4* 4* -4 -3-4
Can’t re-late to joy,
2 -4 -3 -4 -2*
he tries to speak and
4* 4* 4* -4 -3
Can’t be-gin to say.

She got pictures on the wall,
they make me look up
From her big brass bed.
Now I’m running down the road
trying to stay up
Somewhere in her head.

The woman I’m thinking of,
she loved me all up
But I’m so down today
She’s so fine she’s in my mind.
I hear her callin’.

See the lonely boy,
out on the weekend
Trying to make it pay.
Can’t relate to joy,
he tries to speak and
Can’t begin to say.




Out on the Weekend

4 4 -4 -4
4 5 5 -4 4 4 4 -4
4 5 6 -6 6 5 5
-4 5 -5 5 4 4 4 -4 -4

7 -5,6 5,6
6 -5 5 5 -4 4 -4
-4 5 5 5 -4 4 4 -4
6 6 6 -6 6 -5 5 5
-4 5 -5 5 -4 4
-4 -4 -4 5 -5 5

6,7 -5,6 5,6
6 -5 5 5 -4 4 -4
-4 5 5 5 5 -5 5 4 -4
-4 5 5 -5 5 -4 4 -4
6 7 7 -6 6 5 5 5
5 5 -5 5 5 -5 5 5 -5 5
-4 4 4 -4 -4 ..




Out On The Tiles

By: Jimmy Page, Robert Plant,
John Bonham
Led Zeppelin
Key: Gb, A

Key: Gb

-2*-2* 4* 4* -5* -3* -2*
As I walk down the high-way
-2*-1*-1*-2* -2* -2* 1*
all I do is sing this song,
1* 1* 4* 4* 4* -5* -3* 3*
And a train that pass-es my way
-2* 1* -2* -2* -2*-2* 1*
helps the rhy-thm move a-long.
1* 4* 4* 4* -5* -3 -2* -3 -2* -3
There is no doubt a-bout the words are clear,
-2* -3 -2* -3 -2* -3 -2* -2*
The voice is strong, is oh so strong.
1* 4* 4*-3* 3* -2*
I’m just a sim-ple guy,
1* 1* -1* -2* -2* -2*-2*
And I live from day to day.
1* 4* 4* 4* -5* -3 3* -2*
A ray of sun-shine melts my frown
1* -1* -2* -2* -2* 1*
and blows my blues a-way,
1* 4* 4* 4* -5* -3 3* -2*
There’s noth-ing more that I can say
-2*-2*-2* -3 -3 -2* -3
but on a day like to-day
-2*-2* -2* -3 -2* -3
I pass the time a-way
-2* -3 -3 -3 -3 -3 -2* -2*
and walk a qui-et mile with you.

Key: A

3* 3* -3 -3 4* -4 4* -4 -43*2
All I need from you is all your love,
3* 3* 3* 3* -3 -3 4* -4 4* -4 -43*2
All you got to give to me is all your love,
3* 3* -3 -3 4*-4-4 4* -4 -43*2
All I need from you is all your love,
3* 3* 3* 3* -3 -34*-4-4 4* -4 -43*2
All you got to give to me is all your love.

Key: Gb

4* 4* 4* -5* -3* -2*
I’m so glad I’m liv-ing
-2* 1* -1* -2* -2* -2*1*
Gon-na tell the world I am,
1* 4* 4* 4* -5* -3* 3* -2*
I got me a fine wom-an and
1* -2* -2* -2* -2* 1*
she says that I’m her man,
4* 4* 4* -5* -3 -2* -3
One thing that I know for sure
-2*-2* -3 -2* -3 -2* -3
Gon-na give her all the loving
-2* -3 -2* -2*
Like no-body can.
4* 4* -3* 3* -2* -2* 1*
Stand-ing in the noon-day sun
-1* -2* -2*-2* -2*
Try’n’ to flag a ride,
4* 4* 4* -5* -3* 3* -2*
Peo-ple go and peo-ple come,
1* 1* -1* -2* -2* -2* 1*
see my rider right by my side,
1* 1* 4* 4* 4* -5* -3 3* -2*
It’s a total dis-grace, they set the pace,
-2* -3 -3-2* -3
it must be a race
-2* -2* -3 -3 -2*-3 -3 -2* -3
And the best thing I can do is run.

Key: A

3* 3* -3 -3 4* -4 4* -4 -43*2
All I need from you is all your love,
3* 3* 3* 3* -3 -3 4* -4 4* -4 -43*2
All you got to give to me is all your love,
3* 3* -3 -3 4*-4-4 4* -4 -43*2
All I need from you is all your love,
3* 3* 3* 3* -3 -34*-4-4 4* -4 -43*2
All you got to give to me is all your love.




Out on the Ocean

A :

-2 5 5 5 -4 4

5 6 5 -4 5 -4 4 3 -2

4 -4 5 5 5 -4 4 3

-2 5 5 5 -4 4

5 6 5 -4 5 -4 4 3 -2

1 : 4 -4 5 4 4 4 -3 3

2 : 4 -4 5 4 -3

B :

4 5 6 -6 -6 -6 6 5

-6 -6 -6 6 5

6 6 6 -6 -7 7 -7 -6 6 5 -4 4 4 -4 5

6 -6 7 -6 6 5 -4 4 3 -2 4 -4 5 4 4

4 5 6 -6 -6 -6 6 5

-6 -6 -6 6 5

6 6 6 -6 -7 7 -7 -6 6 5 -4 4 4 -4 5

6 -6 7 -6 6 5 -4 4 3 -2 4 -4 5 4 4 4




Out On a Weekend — Harp Solos

Intro:
Bm E
-4 -4 5 5
Bm E
~6 6 6 -5 -4 -4 -4 5
C#m F#
-4 -5 -6 -7 -6 -5 -5
Bm E
5 -5 6 -5 5 -4 -4 5 5
Solo1:
Bm E
-8 -7 6 -6 6 -5 -5 5 -4 5
Bm E
5 -5 -5 6 -5 -4 5
C#m F#
-6 -6 -6 -7 -6 6 -5 -5
Bm E
5 -5 6 -5 5 5 -4 5 5 ( -5 6 -5 )
Solo2:
-8 -7 -6 -8 -7 -6 -6 5 -4 5

5 -5 -5 -5 6 -5 -4 5 5

5 -5 6 6 -5 5 -4 5 -6

-8 -8 -7 -6 -5 -5 -5

-5 -5 6 -5 -5 6 -5 -5 6 -5 -5 -5

6 -5 -4 5 5




Out of town

3 6 5 -4~~ 4
//:Say what you will,-The/
-4 5 -4 4 3 4
coun-try-side is still- The/
-4 5 -4 4 3 3 3 4 -4
on-ly place where I could set-tle/down, /
-2 3 3 -4 3 3 -3 5 -4 5 3
Trou-bles there are/so much rar-er/out of/town /
3 6 5 -4~~ 4
Spring starts to spring,- the/
-4 5 -4 4 3~~~ 4
cuck-oo starts to sing—A/
-4 5 -4 4 3 3 3 4 -4
song to take the edge off win-ter’s/frown,
-2 3 3 -4
and spring clean-ing/
3 3 -3 5 -4 5 4 4 4 4
has a mean-ing/out of/ town. up there the/
4 3 -3 4 3 -3 4 4 5 4 -3 3
sun is a big yel-low/dust-er pol-ish-ing the/
3 3 -4 4 4 3 -3 4 3 -3
blue blue/sky with/white fluf-fy clouds in a/
4 4 4 3 -3 4 -4 5 3
clus-ter hang-ing on the/breeze to/dry /
3 6 5 -4~~~ 4
Trees ev-ry-where—with/
-4 5 -4 4 3~~~~ 4
Blos-soms in their hair,— and/
-4 5 -4 4 3 3 3 4 -4
moth-er na-ture wears her new-est/gown /
-2 3 3 -4 3 3 -3 5 -4 5
what I’d give once/more to live right/out of/
4
town://




Out Of Time

5 -4 5 -4 5 5 65
you don`t know what`s going on
4 -4 4-4 -4 -4 -5-4
you`ve been away much too long
4 4 4 4 4 -4 4 -4 4 56
you can`t come back and think you are still mine
5 6 6 6 6 6-5
youre out of touch my baby
-6 7 7 -6 6 5 4
my poor old fashioned baby
5 6 -6-6 -6-6 6 6 -5 5 -4 -5-45
i said baby baby baby your out of time
7 6 6 6 6 6 6 -5 5 -5 5-4
yeah baby baby baby your out of time
-6 -7 7 7 7 7 6 6 6 6 6 6-5
i said baby baby baby your out of time
7 7 7 6 6 6 6
yes you are your out of time
6 6 6 6 -5 4
out of touch out of time
-4 5 5 5 5 -4-4 4 4 4 4
yeah baby baby baby your out of time.




Out Of The East (chrom)

By: Harry Noble
Charley Pride
Key: F
Time: 3/4

5 -5 5 -3 3 -2 3 -1 3 -1
Out of the East there came rid-ing, rid-ing,
-3* 4 -3* -3* -3 3 -3
Three of the wis-est of men.
4 -5 4 -3 3 -2 3 -1 3 -1
Dust was their en-e-my blind-ing, blind-ing,
-3* 4 -3* -3* -3 3 -2
E-ven the wis-est of them.
-3 -3* -3 -3 -6 6 6 -5 6 -5
Wan-der-ing shep-herds heard tell their sto-ry,
3 -3 3 3 6 -5 5 -5 5
Told in the flick-er-ing fire-light,
5 -5 5 5 -5 5 5 -5 5
Ten-der light, Ev-er bright Christ-mas night.

5 -5 5 -3 3 -2 3 -1 3 -1
Far to the West was there shin-ing, shin-ing,
-3* 4 -3* -3* -3 3 -3
Blaz-ing a star in the dawn;
4 -5 4 -3 3 -2 3 -1 3 -1
Rev-er-ent wise men be-held it, say-ing
-3* 4 -3*-3* -3 3 4
«This night a Sav-ior is born.»

Into the West the went riding, riding,
Following after the star,
Over a quiet town shining, shining,
Lighting their way from afar.

Under its glory sat Mother Mary
Tenderly singing a lullaby,
Hush-a-by,
Don’t-you-cry lullaby,

Into the stable came riding, riding,
Three of the wisest of men;
Gifts did they bring for that Babe in manger,
Gifts for the savior of men.

Lo! in a manger they found Him, found Him,
Bathed in the light of yon star;
Gold did they bring Him and frankincense,
And myrrh from a land that was far.

Shepherds crept in singing praises, praises;
Angels kept watch to be near to Him,
Dear to Him,
One with Him, praising Him.

Into the East then went riding, riding,
Three of the wisest of men.
Found was the Babe in a lowly manger,
Crowned was the Savior of men.




Out Of The East

By: Harry Noble
Charley Pride
Key: F
Time: 3/4

6 -6 6 5 -4 4 -4 -3” -4 -3”
Out of the East there came rid-ing, rid-ing,
-5 6 -5 -5 5 -4 5
Three of the wis-est of men.
6 -6 6 5 -4 4 -4 -3” -4 -3”
Dust was their en-e-my blind-ing, blind-ing,
-5 6 -5 -5 5 -4 4
E-ven the wis-est of them.
5 -5 5 5 7 -7 -7 -6 -7 -6
Wan-der-ing shep-herds heard tell their sto-ry,
-4 5 -4 -4 -7 -6 6 -6 6
Told in the flick-er-ing fire-light,
6 -6 6 6 -6 6 6 -6 6
Ten-der light, Ev-er bright Christ-mas night.

6 -6 6 5 -4 4 -4 -3” -4 -3”
Far to the West was there shin-ing, shin-ing,
-5 6 -5 -5 5 -4 5
Blaz-ing a star in the dawn;
6 -6 6 5 -4 4 -4 -3” -4 -3”
Rev-er-ent wise men be-held it, say-ing
-5 6 -5 -5 5 -4 6
«This night a Sav-ior is born.»

Into the West the went riding, riding,
Following after the star,
Over a quiet town shining, shining,
Lighting their way from afar.

Under its glory sat Mother Mary
Tenderly singing a lullaby,
Hush-a-by,
Don’t-you-cry lullaby,

Into the stable came riding, riding,
Three of the wisest of men;
Gifts did they bring for that Babe in manger,
Gifts for the savior of men.

Lo! in a manger they found Him, found Him,
Bathed in the light of yon star;
Gold did they bring Him and frankincense,
And myrrh from a land that was far.

Shepherds crept in singing praises, praises;
Angels kept watch to be near to Him,
Dear to Him,
One with Him, praising Him.

Into the East then went riding, riding,
Three of the wisest of men.
Found was the Babe in a lowly manger,
Crowned was the Savior of men.




Out Of Reach

VERSE 1

7 -6 6 7 -6 -6b
Knew the signs wa-snt right

7 -7 8 6 -6 -6b -5b
I was stu-pid, for a while

7 -6 6 -7 -6b
Swept a-way, by you

7 -7 8 6 7 -6b -2b
And now I feel like a fool

CHORUS

7 -5b -7
So con-fused

7 6 -7
My hearts bruised

7 -6b 7- 7 8 8 6
Was I e-ver loved by you?

-8 8 6 -8 -6b
Out of reach, so far

8 6 6 6 6 -5b
I ne-ver had your heart

-8 8 8 -8 8 -6b
Out of reach, could-nt see

8 8 6 6 6 6 -5b
We were ne-ver meant to be

Verse 2

7 -6 6 7 -6 -6b
Catch my-self, from de-spair

7 -7 8 -7 -7 8 -5b
I could drown if I stay here

-8 8 7 -7 -8 8 -6b
Keep-ing bu-sy, eve-ry-day

7 -7 8 6 6 -6 -6b
I know I will be o-kay

Chorus

7 7 7
But I was

7 -6b -7
So con-fused

7 6 -7
My hearts bruised

7 -6b 7- 7 8 8 6
Was I e-ver loved by you?

-8 8 6 -8 -6b
Out of reach, so far

8 6 6 6 6 -5b
I ne-ver had your heart

-8 8 8 -8 8 -6b
Out of reach, could-nt see

8 8 6 6 6 6 -5b
We were ne-ver meant to be

BRIDGE

7 -7 6 7 -7 6
So much hurt, so much pain

7 -7 -6b 7 -7 -6b
Takes a while to re-gain

7 -7 6 8 -5b
What is lost in-side

7 -7 6 7 -7 6
And I hope that in time

7 -7 -6b 7 -7 -6b
Youll be out of my mind

7 6 8 -7 -5b
Ill be o-ver you

CHORUS

7 7 7
But now Im

7 -6b -7
So con-fused

7 6 -7
My hearts bruised

7 -6b 7- 7 8 8 6
Was I e-ver loved by you?

-8 8 6 -8 -6b
Out of reach, so far

8 6 6 6 6 -5b
I ne-ver had your heart

-8 8 8 -8 8 -6b
Out of reach, could-nt see

8 8 6 6 6 6 -5b
We were ne-ver meant to be

-8 8 6 -8 -6b
Out of reach, so far,

8 6 6 6 6 -5b
You ne-ver gave your heart

-8 8 8 -8 8 -6b
Out of reach, I can see

8 8 6 6 6 6 -5b
There’s a life out there for me




Out Of Nowhere

W: Edward Heyman
M: Johnny Green
From: Dude Ranch
Key: G

-1 2 -2* -3 3 -1 2 -2 -2
You came to me, from out of no-where
-1 2 -2* -3 3 -1 2 -2*
You took my heart, and found it free.
2 -2 2 4
Won-der-ful dreams,
2 -2 2 -4 2 -4 -3
Won-der-ful schemes from no-where;
-3* -3 3 3
Made ev-‘ry hour
3 -3-3* -3* 3 -3* -5
Sweet as a flow-er for me.
-1 2 -2* -3 3 -1 2 -2 -2
If you should go, back to your no-where,
-1 2 -2* -3 3 -1 2 -2*
Leav-ing me with a mem-o-ry
2 -2 2 4
I’ll al-ways wait,
2 -2 2 4 4 -5 6 -4
For your re-turn out of no-where;
-3 -2* -3 2 -2* -1 -4 3
Hop-ing you’ll bring your love to me




Out of door blues

(2)(2)(2)’21
(2)(2)(2)(2)(2)(2)(2)’2
1(2)(2)(2)’2
1(2)(2)(2)’21
(2)(2)(2)(2)(2)»2
1
(2)(2)(2)(2)(2)(2)
(2)(2)(2)(2)(2)»2
12(2)»(2)(2)»2
1




Out of Africa

Love theme from Out of Africa by John Barry in C also sounds great in
G (…hold the note)

6….7….6 5 6 5 6 -6….8….
6 5 6 5 6 -6…-8…
7 -7 -6 6 -6 6….
7 -7 7 -6 -6 6




Out of Time

5 -4 5 -4 5 -4 6 -4 5
You don’t know what’s going on—-,
4 -4 4 -4 4 -4 4 5 -4 4
you’ve been away for far too long—
-3″ 4 4 5
you can’t come back
-3″ 4 -3 4 -3 4 4 -3″ 3
and think you are- still mine—
5 6 6 6 6 -5 -5
You’re out of touch, my baby,
-6 7 -7 -6 6 5 -4 4
my poor discarded ba—by
5 6 -6 -6 -6 -6 6 6
I said ba-by, ba-by, baby,
-5 5 -4 5 -5 5 -4 5
you’re out of time——-

chorus:
5 6 6 6 6 6 6
Well, baby, baby, baby,
-5 5 -5 5 -5 5 -4
you’re out of time——
-6 -7 7 7 -7 -7 -6 -6
I- said baby, baby-, baby-,
6 5 6 6 -6 6 -5
you’re out of time——
4 4 -4 4 5
Yes, you are left out,
-5 5 -5 -5 6 -5 5 4
Out of there without a doubt
4 6 5 5 5 5 -4 -4
’cause ba—by, baby, baby,
-3 -3″ -3 4
you’re out of time

A girl who wants to run away,
discovers that she’s had her day
It’s no good thinking
that you are still mine
You’re out of touch, my baby,
my poor unfaithful baby

(chorus)

You thought you were a clever girl
giving up your social whirl
But you can’t come back
and be the first in line
You’re obsolete, my baby,
my poor oldfashioned baby

(chorus)




Out here on my own

7 7 7 7 7 7
Some-times I won-der where

-7 -7 -6 7 -6 -6 6
I’ve been who I am, do I

5 6 6 -5 -5 -5 -5 -5 5
fit in ? make-be-liev-in’ is hard

5 5 -4 4 5 -5 -4 -4
a-lone out here on my own

7 7 7 -8 7 7 -7 -7
We’re al-ways prov-in’ who we are

-6 -6 -6 -6 -6 6 5 6
Al-ways reach-in’ for that ris-in’

6 -5 -5 5 -5 -5 -5
star to guide me far and shine

5 5 -4 4 4 5 -5-4 -4
me home, out here on my own

-6 7 -8 7 8 -8 7 -8
When I’m down and feel-in’ blue,

7 7 7 -8 7 -6 7 8
I close my eyes so I can be

-9 -8 -8 -8 -8 -8 -7 -8 -7 -7
with you oh, ba-by be strong for

-8 -8 8 9’ -9 8 -8-7 -7 -7 -6
me; ba-by be-long to me. Help me

-6 6 -7 -7 -6 -7 -7 -7
through help me need you. Me need

-7 7 7 7 -8 7 7
you. Some-times I won-der where

-7 -7 -6 7 -6 -6 6 5 6 6
I’ve been, who I am do I fit in?

-5 -5 -5 -5 5 5 5 6 7
I may not win but I can’t be thrown,

8 -8 7 7 -7 -6 6 7 -8 -8 7 -8 7 8 9
out here on my own

8 -8 7 8 -8 7 7 -6 6 -6 6 6
Yeah out here on my own




Ours

4 4 4 4 -4 -4 -4 -4 4 4
E-le-va-tor but-tons and mor-ning air.
4 4 4 4 -4 -4
Stran-ger’s si-lence makes me
-4 -4 -4 4 3
wan-na take the stairs.
4 5 5 5
If you were here,
-5 5 -4 4 4 4 6 5
we’d laugh a-bout their va-cant stares.
4 -4 5
But right now,
5 -4 4 3
my time is theirs.

4 4 4 4 4
Seems like there’s al-ways
-4 -4 -4 -4 4 4
some-one who dis-a-pproves.
4 4 4 4 -4
They’ll judge it like they
-4 -4 -4 -4 4 3
know a-bout me and you.
4 5 5 5 -5 5 -4
And the ver-dict comes from those
4 4 4 4 6 5 5
with no-thing else to do.
4 4 -4 5
The jur-y’s out,
5 -4 4 3
my choice is you.

4 6 6 5 5 5 -4 -4 -4 4 5
So don’t you wor-ry your pret-ty li-ttle mind.
5 5 5 5 4 -5 5 -4
Pe-ople throw rocks at things that shine.
4 4 5 -5 4 4 3
And life makes love look ha-rd.
4 4 -4 5
The stakes are high,
4 5 -4 -4
the wa-ter’s rough.
4 5 -4 4 4
But this love is ours.

4 4 4 4 4 -4 -4
You ne-ver know what peo-ple
-4 -4 4 4
have up their sleeves.
4 4 4 4 -4 -4 -4 -4 4 3
Ghosts from your past gon-na jump out at me.
4 5 5 5 -5 5 -4 4
Lur-king in the sha-dows with their
4 6 5
lip gloss smiles.
4 4 -4 5
But I don’t care.
5 5 -4 4 3
Cause right now you’re mine.

4 -4 4
And you’ll say
6 6 5 5 5 -4 -4 -4 4 5
don’t you wor-ry your pret-ty li-ttle mind.
5 5 5 5 4 -5 5 -4
Pe-ople throw rocks at things that shine.
4 4 5 -5 4 4 3
And life makes love look ha-rd.
4 4 -4 5
The stakes are high,
4 5 -4 -4
the wa-ter’s rough.
4 5 -4 4 4
But this love is ours.

3 5 5 -5 5 -4 4 4
And it’s not theirs to spe-cu-late
5 5 -5 4
if it’s wrong and
4 4 4 -4
your hands are tough.
4 4 4 3 5 -4 -4 4
But they are where mine be-long in.
5 5 5 5
I’ll fight their doubt,
-4 -4 4 3 5 5 -4 4 3
and give you faith with this song for you.

4 4 4 4 -4 -4 -4 4 4
Cause I love the gap be-tween your teeth.
4 4 4 4 -4 -4 -4 4 3
And I love the rid-dles that you speak.
4 -4 5 5 5 -5 5 -4 4 -4
And a-ny snide re-marks from my fa-ther
4 4 4 6 5
a-bout your tat-toos
4 4 -4 5
will be ig-nored.
5 5 -4 4 3
Cause my heart is yours.

4 6 6 5 5 5 -4 -4 -4 4 5
So don’t you wor-ry your pret-ty li-ttle mind.
5 5 5 5 4 -5 5 -4
Pe-ople throw rocks at things that shine.
4 4 5 -5 4 4 3
And life makes love look ha-rd.

4 6 6 5 5 5 -4 -4 -4 4 5
And don’t you wor-ry your pret-ty li-ttle mind.
5 5 5 5 4 -5 5 -4
Pe-ople throw rocks at things that shine.
4 4 5 -5 4 4 3
But they can’t take what’s ou-rs.
4 5 -5 4 4 3
They can’t take what’s ou-rs.
4 4 -4 5
The stakes are high,
4 5 -4 -4
the wa-ter’s rough.
4 5 -4 4 4
But this love is ours.




Our Winter Love (Chrom G)

-6* -6 5* -3* -4 5*__
-6* -6 5* -3* -4 5*__
1* -1* -2* -3* -4 5* -5*
-1* -2* -3* 5*__
-6 5* -3* 5*__
-6 5* -4 5*__
-3* 5* -3* -2* -1* -2*

5* -5* -6* -7* -8 9* -9*
-5* -6* -7* 9*__
-10 9* -7* 9*__
-10 9* -8 9*__
-7* 9* -7* -6* -5* -6*

1* -1* -2* -3* -4 5* -5*
-1* -2* -3* 5*
-6 5* -3* 5*__
-6 5* -4 5*__
-3* 5* -3* -2* -1* -2*__
-6* -6 5* -3* -4 5*
(Keep Repeating Last Line After Music Plays)

This song plays with a very nice instrumental version run time 2:31.




Our Toast (WWII Soviet Song)

-4-4-4 -5 54- -5-5-5 -6 6-5 666 7 -66-6

-8-8-8 7 -7-6 -7-65-4 4-3 -65-5 65-5-4

-8-8-8 7 -7-6 -7-65-4 4-3 -65-5 65-5-4

Repeat. . .




Our Love Is Here To Stay

(Start Right With Music)
3 -3 6 5__ 5 -5 5 -5 -5 5__
It’s very clear, our love is here to stay
3 -3 7 6__ 5 -5 5 -5 -5 6__
Not for a year but ever and a day

-8 -8 -7 7_ -7_ 7 -6 -6 -6
The radio and the telephone
7_ -6 6 6 7 -6 -5
And the movies that we know
6 6 -5 5 -5 -4 5 -5 6 -5* -5 -7__
May just be passing fancies and in time may go
3 -3 6 5__ 5 -5 5 -5 -5 5__
But oh, my dear, our love is here to stay
3 -3 7 6__ 5 -5 5 -5 -5 6__
Together we’re going a long, long way
-8_ -7 7 7 7 -7 -7 7 -6 -6 -6 7 7_
In time the Rockies may crumble, Gibraltar may tumble
6 -5* 6 7 -6 -5_ (Go To Last Verse On Repeat)
They’re only made of clay
-7_ 7 -7 6 7_ -3_ 5__
But our love is here to stay
(Interlude, Then Repeat Last Verse)

-7 -7_ 7 -7 6 7_
Oh, but our love is here
7 -7 6 7_
Our love is here
-7_ 7 -7 6 7_ -3_ 5__
But our love is here to stay
-3_ 5__
To stay




Our Little Girl (Lullaby)

W: Paul Francis Webster
M: Lew Pollock
From: Our Little Girl
Shirley Temple
Key: F
Time: 3/4

-3 3 -3 -2
Eve-ning is nigh,
4 -5 -5 -4 4
Stars twin-kle on high,
-3* -3* -5 4 -4 4 -3 -2
Pur-ple shad-ows be-gin to creep,
-3 -3 -3
Close your eyes
3 -2 -2* 3 4
And start count-ing sheep.
-3 3 -3 -2
If you’re real good,
4 -5 4 -4 4
And pray as you should,
-5 -5 -6 6 -5 4 -4 -3* -3
Snow white an-gels will watch through the night
-3 4 -3* 3 -2
For our lit-tle girl.




Our Language Of Love (hi-lo)

W: Alexandre Brefort, Julian More,
David Heneker, Monty Norman
M: Marguerite Monnot
From: “Irma La Douce”
Steve Lawrence, Jack Jones
Key: Eb

4 -4 5 5 4 -4 5 5
7 -8 8 8 7 -8 8 8
No need to speak, no need to sing

4 -4 5 5 6 5 -4 5
7 -8 8 8 9 8 -8 8
When just a glance means ev-‘ry-thing

5 -5 5 -4 4 -4 -3”
8 -9 8 -8 7 -8 -6
Not a word need be spo-ken

-4 5 -4 4 -3 4
-8 8 -8 7 -7 7
In our lan-guage of love

4 -4 5 5
7 -8 8 8
I’ll touch your cheek

4 -4 5 5
7 -8 8 8
You’ll hold my hand

4 -4 5 5 6 5 -4 5
7 -8 8 8 9 8 -8 8
And on-ly we will un-der-stand

5 -5 5 -4 4 -4 -3”
8 -9 8 -8 7 -8 -6
That the si-lence is bro-ken

-4 5 -4 4 -3 4
-8 8 -8 7 -7 7
By our lan-guage of love

-5 6 -6 -6 -5 6 -6 -6
-9 9 -10-10 -9 9 -10 -10
It’s clear to you, it’s clear to me

-5 6 -6 -6 7 -6 6 -6
-9 9 -10 -10 10 -10 9 -10
This pre-cious mo-ment had to be

-6 7 -6 6 -5 6 5
-10 10 -10 9 -9 9 8
Oth-er mo-ments out-class-ing

6 -6 6 -5 5 -3” -3
9 -10 9 -9 8 -6 -7
Guard-ian an-gels are pass-ing

4 -4 5 5 4 -4 5 5
7 -8 8 8 7 -8 8 8
No words will do no lips can say

4 -4 5 5 6 5 -4 5
7 -8 8 8 9 8 -8 8
The ten-der mean-ing we con-vey

5 -5 5 -4 4 -4 -3”
8 -9 8 -8 7 -8 -6
I love you is un-spo-ken

-4 5 -4 4 -3 4
-8 8 -8 7 -7 7
In our lan-guage of love




Our Language Of Love (chrom)

W: Alexandre Brefort, Julian More,
David Heneker, Monty Norman
M: Marguerite Monnot
From: “Irma La Douce”
Steve Lawrence, Jack Jones
Key: Eb

-1* -2 3 3 -1* -2 3 3
No need to speak, no need to sing
-1* -2 3 3 -3* 3 -2 3
When just a glance means ev-‘ry-thing
3 3* 3 -2 -1* -2 1
Not a word need be spo-ken
-2 3 -2 -1* -1 -1*
In our lan-guage of love
-1* -2 3 3
I’ll touch your cheek
-1* -2 3 3
You’ll hold my hand
-1* -2 3 3 -3* 3 -2 3
And on-ly we will un-der-stand
3 3* 3 -2 -1* -2 1
That the si-lence is bro-ken
-2 3 -2 -1* -1 -1*
By our lan-guage of love
3* -3* 4 4 3* -3* 4 4
It’s clear to you, it’s clear to me
3* -3* 4 4 -5* 4 -3* 4
This pre-cious mo-ment had to be
4 -5* 5 -5* 3* -3* 3
Oth-er mo-ments out-class-ing
-3* 4 -3* 3* 3 1 -1
Guard-ian an-gels are pass-ing
-1* -2 3 3 -1* -2 3 3
No words will do no lips can say
-1* -2 3 3 -3* 3 -2 3
The ten-der mean-ing we con-vey
3 3* 3 -2 -1* -2 1
I love you is un-spo-ken
-2 3 -2 -1* -1 -1*
In our lan-guage of love