By: Terry Gilkyson, Richard Dehr,
Frank Miller
Johnny Cash, Dean Martin
Key: F

5 -6 -6 6 7
(The sweet, sweet mem-‘ries
6 -5 5* 5
you gave a me
5 -6 -6 -5 6 7
You can’t beat the mem-‘ries
6 -5 5* 5
you gave a me)

-6 -6 6 3 -3* -5 5
Take one fresh and ten-der kiss,
-6 -6 6 7 -3* -5 5
Add one stol-en night of bliss,
-7* -7* -7 -7 7 7 -6 -6
One girl; one boy; some grief; some joy:
-6 -6 6 6 -5 6 -6
Mem-o-ries are made of this.

-6 -6 6 3 -3* -5 5
Don’t for-get a small moon-beam.
-6 -6 6 7 -3* -5 5
Fold it light-ly with a dream.
-7* -7* -7 -7 7 7 -6 -6
Your lips and mine, two sips of wine:
-6 -6 6 6 -5 6 -6
Mem-o-ries are made of this.

-7* -7* 8 -9 8 -7*
Then add the wed-ding bells;
-7 -7 -7* 8 -7* -7
One house where lov-ers dwell;
7 7 -7 -7* -7 7 -7 8
Three lit-tle kids for the fla-vor.
-7* -7* 8 -9 8 -7*
Stir care-f’ly thru the days
-7 -7 -7* 8 -7* -7
See how the fla-vor stays.
7 7 -7 7 -6 -5 7 8
These are the dreams you will sa-vor.

-6 -6 6 7 -3* -5 5
With His bless-ings from a-bove,
-6 -6 6 3 -3* -5 5
Serve it gen-rous-ly with love.
-7* -7* -7 -7 7 7 -6 -6
One man, one wife, one love, thru life:

-6 -6 6 6 -5 6 -6
Mem-o-ries are made of this.
-6 -6 6 6 -5 6 -6
Mem-o-ries are made of this.

5 -6 -6 6 7
(The sweet, sweet mem-‘ries
6 -5 5* 5
you gave a me
5 -6 -6 -5 6 7
You can’t beat the mem-‘ries
6 -5 5* 5
you gave a me)

5 -6 -6 6 7
(The sweet, sweet mem-‘ries
6 -5 5* 5
you gave a me
5 -6 -6 -5 6 7
You can’t beat the mem-‘ries
6 -5 5* 5
you gave a me)
-5 -5 5* -5 -7* 5 5 -4 5 -7
I was a rov-er, but now it’s o-ver
5 5 -5 6 -5 5 -6 -5 5 -3 -2
It was a hap-py day when you came my way
-2 3 -3 3 -5 -6 -6
To tell me of the sweet sweet
6 7 -6 -5 5* 5
Mem-‘ries you gave a me
5 -6 -6 -5 6 7
You can’t beat the mem-‘ries
6 -5 5* 5
you gave a me
5 -6 -6 6 7 6 -5 5 -6
The sweet, sweet mem-‘ries you gave to me

I don’t have words for the whole song yet, but I’m working on it.

Verse

7 7 -7 7 -8 7 -6 7 7

-7 7 -8 7 6 -6 -6

-5 6 -6 6 -5 5

5 6 6 -4 5 -5 6 -6

-7 7 -7 -6 6

5 -4 6 6 -3 4 4

Play verse again

Bridge

4 5 4 -3 4 5 4 -3
just say I do, just say I do

4 5 5 -4 4 -4 -4
just say you love me to-o

-5 -5 -5 -6 6 -5
Are you still lone-ly dear?

5 5 5 6 -5
Please don’t shed a tear

-6 -6 -6 -6 -7 6
I’m here to hold you tight

End of with the verse one more time

(Chorus)
6 5 -5 6 5 -5 6
Here’s to the ones that we got
5 4 -4 5 4 -4 5, 4 -4 5
Cheers to the wish you were here, but you’re not
-4 4 -3″ -3″ -3″ -3″ 3 -3″ 3 3
‘Cause the drinks bring back all the memories
3 -3″ -3″ -3″ -3″ 4 -3
Of everything we’ve been through
6 5 -5 6 5 -5 6
Toast to the ones here today
5 4 -4 5 4 -4 5 4 -4 5
Toast to the ones that we lost on the way
-4 4 -3″ -3″ -3″ -3″ 3 -3″ 3 3
‘Cause the drinks bring back all the memories
3 3 -3″ -3″ -3″ -3″ 4, -3 -3 -3 -3 4 4
And the memories bring back, memories bring back you

4 -4 5 6 6 5 -6 5, -4 5 -5 -5 -5 5 4
There’s a time that I remember, when I did not know no pain
-4 5 -5 -5 -5 5 5 4, 4 4 4 4 4 5 -5 -4
When I believed in forever, and everything would stay the same
4 -4 5 6 6 5 -6 5 -4 5 -5 -5 -5 5 4
Now my heart feel like December when somebody say your name
-4 5 -5 -5 -5 5 5 4, 4 4 4 4 5 -5 -4, -4
‘Cause I can’t reach out to call you, but I know I will one day, yeah

(Pre-Chorus)
4 4 4 4 5 4 4
Everybody hurts sometimes
4 4 4 4 5 4 -3, -3 4
Everybody hurts someday, ayy-ayy
4 4 4 4 4 5 4 4
But everything gon’ be alright
4 4 4 4 5 4 -3, 4
Go and raise a glass and say, ayy

(Chorus)

(Melody)
6 5, -4 -4 -4 4
Doo-doo, doo-doo-doo-doo
-4 5 -5 5, -4 -4 -4 4

-6 6

6 -6 7 -7 -6 6 5

-4 5 6 5 6 5 -7 -6

-4 5 -4 4 5

4 5 -6 6

6 -6 7 -7 -6 6 5

-4 5 6 5 6 5 -7 -6

-4 5 -4 4 5

-4 5 -4 4 4

5 5 5 5 -5 6 5
J’ai connu Mélusine
4 4 4 4 -4 5 4
Au mois d’Mai à l’usine
-3 4 -4 4 -3 4
A coté de Lievin
5 5 5 5 -5 6 5
Elle était bien gamine
4 4 4 4 -4 5 4
Mais comme disait Bourvil
-3 4 -4 4 -3 4
Y’a beaucoup d’gens gamins
(Jean Gabin c’est rigolo )

Quand j’ai connu Sabine
Elle était dans son bain
J’aimais bien sa bobine
On s’est aimés un brin
Mais comme disait Daudet
Y’a beaucoup d’Jean Moulin
(Rouge)

Quand j’ai connu Catherine
J’composait des quatrains
Avec une catin
Là-bas en Argentine
Mais comme disait Krivine
Y’a beaucoup d’Jean Nohain
(c’est hilarant de la Baltique)

Quand j’ai connu Martine
C’était un beau matin
J’ai beurré ses tartines
J’ai roulé des patins
Comme disait Lamartine
Y’a beaucoup d’Jean Bouquin
(là je sais pas quoi dire)

Quand j’ai connu Yasmine
J’y ai offert du Jasmin
Elle avait mauvaise mine
J’ai demandé sa main
Mais comme disait Lénine
Y’a beaucoup d’Jean Rumain
International sera le genre humain)

(Le dernier)

Quand j’ai connu Amine
Je faisais du dada
J’mangeais des nougatines
Là-bas en Ouganda
Mais comme disait Merlin
Ben heu enchanté
(Thé au Jasmin)

Allo c’est toi maman ?

6 -6 -7 7 -9 8
Hold me in your arms, dear,
8 -8 -6
Dream with me.
-7 7 -8 -8 10 -10
Cra-dled by your kiss-es
9 9 9
Ten-der-ly.

Interlude -9 -8 -7 -6

6 -6 -7 7 -9 8
While a choir of an-gels
8 -8 -6
From a-bove,
-7 9 -9 -6 8
Sing our mel-o-dy,
FADE:
-8 7
Of love.

Melody Maker Major Scales 1st and 3rd

First position:

+1 -1 +2 -2b -2 +3 -3 +4

Octave higher:

+4 -4 +5 -5b +6 -6 -7 +7

Third position:

-1 +2 -2b -2 +3 -3 -4b -4

Octave higher:

-4 +5 -5 +6 -6 -7 -8

(major seventh tone not available as a normal bend)

The Melody Maker is designed to play in second position but some
tunes work well in first or third position.

Melody Maker second position major scale:

First octave:

-2 +3 -3 +4 -4 +5 -5 +6

Second octave:

+6 -6 -7 +7 -8 +8 -9 +9

Both octaves:

-2 +3 -3 +4 -4 +5 -5 +6 -6 -7 +7 -8 +8 -9 +9

Down:

+9 -9 +8 -8 +7 -7 -6 +6 -5 +5 -4 +4 -3 +3 -2

Ladder scale one:

-2 +3 -3 +3 -3 +4 -3 +4 -4 +4 -4 +5 -4 +5 -5 +5 -5 +6 -5 +6
-6

+6 -6 -7 -6 -7 +7 -7 +7 -8 +7 -8 +8 -8 +8 -9 +8 -9 +9 -9 +9 -10
+9

Down:

+9 -9 +8 -9 +8 -8 +8 -8 +7 -8 +7 -7 +7 -7 -6 -7 -6 +6 -6 +6
-5

+6 -5 +5 -5 +5 -4 +5 -4 +4 -4 +4 -3 +4 -3 +3 -3 +3 -2 +3 -2 -2b
-2

(can leave out bent note and just play two draw 2 notes)

Ladder scale two:

-2 -3 +3 +4 -3 -4 +4 +5 -4 -5 +5 +6 -5 -6 +6 -7 -6 +7 -7 -8 +7
+8

-8 -9 +8 +9 -9 -10 +9

Down:

+9 +8 -9 -8 +8 +7 -8 -7 +7 -6 -7 +6 -6 -5 +6 +5 -5 -4 +5 +4

-4 -3 +4 +3 -3 -2 +3 -2b -2 (can replace the last three
notes

with just another draw 2 if you don’t want the bend)

Major pentatonc:

-2 +3 -3 -4 +5 +6 +6 +5 -4 -3 +3 -2

-2 -2 +3 -3 -4 +5 -4 +6

Octave higher:

+6 -6 -7 -8 +8 +9 +9 +8 -8 -7 -6 +6

+6 +6 -6 -7 -8 +8 -8 +9

The first row is notation….( X1= meaning lower 1 notation )
the second row is hole tab for tremolo 16 hole suzuki type…. why i must mention it cuz different hole have different hole to blow or draw to ….and different brand have their own notation too.
u can see here
for more detail for each type divided in three type Huang, suzuki, Hering ( for suzuki winner 16 hole used huang tab 16 hole tremolo..u can see it in huang and hering link )
i used — in front of number meaning u need to draw it …but if not — infront of it meaning u need to blow it …
G1 E E D C
3 7 7 -6 5
A-lone for a while,

C B A B C D G1
5 -4 -2 -4 5 -6 3
I’ve been search-ing through the dark.

G1 A B C A A
3 -2 -4 5 -2 -2
For trac-es of the love

G1 C E F E C E D
3 5 7 -8 7 5 7 -8
you left in-side my lone-ly heart.

E G G A G F
7 9 9 -10 9 -8
To weave by pick-ing up

F E E D D E F
-8 7 7 -6 -6 7 -8
the pie-ces that re-main.

E D C A C C
7 -6 5 -2 5 5
Me-lo-dies of li-fe,

D E F D
-6 7 -8 -6
love’s lost re-frain.

G1 E E D C
3 7 7 -5 5
Our paths they did cross,

C B A B C D G1
5 -4 -2 -4 5 -6 3
though I can not say just why.

G1 A B C A A G1 C
3 -2 -4 5 -2 -2 3 5
We met, we laughed, we held on fast,

E F E C E D
7 -8 7 5 7 -6
and then we said good-bye.

E G G A G F
7 9 9 -10 9 -8
And who’ll hear the e-choes

F E E D D E F
-8 7 7 -6 -6 7 -8
of sto-ries ne-ver told?

E D C A C
7 -6 5 -2 5
Let them ring out loud,

D E F D
-6 7 -8 -6
till they un-fold.

F E D E B C D
-8 7 -6 7 -4 5 -6
In my dea-rest me-mo-ries,

G1G G G F E D C D E
3 9 9 9 -8 7 -6 5 -6 7
I see you reach-ing out to me.

F E D
-8 7 -6
Though you’re gone,

E F E D C
7 -8 7 -6 5
I still be-lieve that

B C E G F D
-4 5 7 9 -8 -6
you can call out my name.

C D E B
5 -6 7 -4
Voice from the past,

B C B G1 A
-4 5 -4 3 -2
join-ing yours and mine.

A F E E D D C
-2 -8 7 7 -6 -6 5
Ad-ding up the lay — ers

A B C D
-2 -4 5 -6
of har-mo-ny.

C D E G E B A
5 -6 7 9 7 -4 -2
And so it goes, on and on.

F E E D D
-8 7 7 -6 -6
Me-lo-dies of life,

D G F F E E
-4 6 -5 -5 5 5
to the sky be-yond,

D E F G
-4 5 -5 6
the fly-ing birds,

E F E B D D C C
7 -8 7 -4 -6 -6 5 5
f-or-ev-e—r and be-yond.

C D E B
5 -6 7 -4
if i should life

B B C B G1 A
-4 -4 5 -4 3 -2
this lone-ly heart be-hind

A F E E D D C A B C D
-2 -8 7 7 -6 -6 5 -2 -4 5 -6
your voice will still re-mem-ber of me-lo-dies

C D E G E B A F E E D D
5 -6 7 9 7 -4 -2 -8 7 7 -6 -6
Now i know we’ll ca-rry on me-lo-dies of li-fe

D G F F E E D E F G
-6 9 -8 -8 7 7 -6 7 -8 9
came circle a-round and growth deep in our heart

E F E B D D C C
5 -5 5 -3 -4 -4 4 4
as long as we re-mem-ber

6 8 8 -8 7 7
A-lone for a while, I’ve
-7 -6 -7 7 -8 6
been search-ing through the dark.
6 -6 -7 7 -6 -6
For trac-es of the love
6 7 8 -9 8
you left in-side my
7 8 -8
lone-ly heart.
8 9 9 -10 9 -9
To weave by pick-ing up
-9 8 8 -8 -8 8
the pie-ces that re-main.
-9 8 -8 7 6 -6 7
Me-lo-dies of li-f-e,
-8 8 -9 -8
love’s lost re-frain.

6 8 8 -8 7
Our paths they did cross,
7 -7 -6 -7 7 -8 6
though I can-not say just why.
6 -6 -7 7 -6 -6 6 7
We met, we laughed, we held on fast,
7 8 -9 8 7 8 -8
and then we said go-od-bye.
8 9 9 -10 9 -9
And who’ll hear the e-choes
-9 8 8 -8 -8 8
of sto-ries ne-ver told?
-9 8 -8 7 6 -6 7
Let them ring out lo-u—d,
-8 8 -9 -8
till they un-fold.

-9 8 -8 7 -7 7 -8
In my dea-rest me-mo-ries,
8 9 -9 8 -8 7 -8 8
I see you reach-ing out to me.
-9 8 -8
Though you’re gone,
8 -9 8 -8 7
I still be-lieve that
-7 7 8 9 -9 -8
you can call out my name.

7 -8 8 -7
Voice from the past,
-7 7 -7 6 -6
join-ing yours and mine.
-9 8 8 -8 -8
Ad-ding up the layers
-6 -7 7 -8
of har-mo-ny.
7 -8 8 9 8 -7 -6
And so it goes, on and on.
-9 8 8 -8 -8
Me-lo-dies of life,
9 -9 -9 8 8
to the sky be-yond,
-8 8 -9 9
the fly-ing birds,
8 -9 8 7 -8 -8 7 7
f-or-ev-e—r and be-yond.

11 14 14 -13 13 13
A-lone for a while, I’ve
-12 -11 -12 13 -13 11
been search-ing through the dark.
11 -11 -12 13 -11 -11
For trac-es of the love
11 13 14 -14 14 11 13 14 -14 14
you left in-side my
13 14 -13
lone-ly heart.
14 15 15 -15 15 -14
To weave by pick-ing up
-14 14 14 -13 -13 14
the pie-ces that re-main.
-14 14 -13 13 11 -11 13
Me-lo-dies of li-f-e,
-13 14 -14 -13
love’s lost re-frain.

11 14 14 -13 13
Our paths they did cross,
13 -12 -11 -12 13 -13 11
though I can-not say just why.
11 -11 -12 13 -11 -11 11 13
We met, we laughed, we held on fast,
13 14 -14 14 13 14 -13
and then we said go-od-bye.
14 15 15 -15 15 -14
And who’ll hear the e-choes
-14 14 14 -13 -13 14
of sto-ries ne-ver told?
-14 14 -13 13 11 -11 13
Let them ring out lo-u—d,
-13 14 -14 -13
till they un-fold.

-14 14 -13 13 -12 13 -13
In my dea-rest me-mo-ries,
14 15 -14 14 -13 13 -13 14
I see you reach-ing out to me.
-14 14 -13
Though you’re gone,
14 -14 14 -13 13
I still be-lieve that
-12 13 14 15 -14 -13
you can call out my name.

13 -13 14 -12
Voice from the past,
-12 13 -12 11 -11
join-ing yours and mine.
-14 14 14 -13 -13
Ad-ding up the layers
-11 -12 13 -13
of har-mo-ny.
13 -13 14 15 14 -12 -11
And so it goes, on and on.
-14 14 14 -13 -13
Me-lo-dies of life,
15 -14 -14 14 14
to the sky be-yond,
-13 14 -14 15
the fly-ing birds,
14 -14 14 13 -13 -13 13 13
f-or-ev-e—r and be-yond.

3 5 5 -4 4
A-lone for a while,

4 -3 -3″ -3 4 -4 3
I’ve been search-ing through the dark.

3 -3″ -3 4 -3″ -3″
For trac-es of the love

3 4 5 -5 5 4 5 -5
you left in-side my lone-ly heart.

5 6 6 -6 6 -5
To weave by pick-ing up

-5 5 5 -4 -4 5 -5
the pie-ces that re-main.

5 -4 4 -3″ 4 4
Me-lo-dies of li-fe,

-4 5 -5 -4
love’s lost re-frain.

3 5 5 -4 4
Our paths they did cross,

4 -3 -3″ -3 4 -4 3
though I can not say just why.

3 -3″ -3 4 -3″ -3″ 3 4
We met, we laughed, we held on fast,

5 -5 5 4 5 -4
and then we said good-bye.

5 6 6 -6 6 -5
And who’ll hear the e-choes

-5 5 5 -4 -4 5 -5
of sto-ries ne-ver told?

5 -5 4 -3″ 4
Let them ring out loud,

-4 5 -5 -4
till they un-fold.

-5 5 -4 5 -3 4 -4
In my dea-rest me-mo-ries,

36 66 -5 5 -4 4 -4 5
I see you reach-ing out to me.

-5 5 -4
Though you’re gone,

5 -5 5 -4 4
I still be-lieve that

-3 4 5 6 -5 -4
you can call out my name.

4 -4 5 -3
Voice from the past,

-3 4 -3 3 -3″
join-ing yours and mine.

-3″ -5 5 5 -4 -4 4
Ad-ding up the lay ers

-3″ -3 4 -4
of har-mo-ny.

4 -4 5 6 5 -3 -3″
And so it goes, on and on.

-5 5 5 -4 -4
Me-lo-dies of life,

-4 6 -5-5 5 5
to the sky be-yond,

-4 5 -5 6
the fly-ing birds,

5 -5 5 -3 -4 -4 4 4
f-or-ev-e—r and be-yond.

4 -4 5 -3
if i should life

-3 -3 4 -3 3 -3″

this lone-ly heart be-hind

-3″ -5 5 5 -4 -4 4 -3″ -3 4 -4

your voice will still re-mem-ber of me-lo-dies

4 -4 5 6 5 -3 -3″ -5 5 5 -4 -4
Now i know we’ll ca-rry on me-lo-dies of li-fe

-4 6 -5 -5 5 5 -4 5 -5 6
came circle a-round and growth deep in our heart

5 -5 5 -3 -4 -4 4 4
as long as we re-mem-ber

«=two halfstep bend need for play it …. butuh two halfstep bend
the symbol i used is number meaning the hole u must blow-draw….and — infrontof the number meaning that it must be draw( dihisap) and if not symbol infront of it meaning u blow it(sebul)

if u want more porper spacing result try my blog link thx …. i can’t change it the space in here cuz in edit mode it proper but the result are very different

-6* -5 -4 -5 -6* 6 5* -3
-5 6 -5 5* -4 -3 -2*

-6* -5 -4 -5 -6* 6 5* -3
-5 6 -5 5* -4 -3 -4

-3 -2* -3 -4 -5 6 -5 5* -4 -3 -2*
-3 -2* -3 -4 -5 6 -5 5* -4 -3 -4

-6* 7* -7 7* -6* 7* -7 7* -6*
-6* 7* -7 7* -6* 7* -7 7* -6*
8* 8* 8* 8* -8 -7 -8 -8 -8 -8
-8 -8 -8 -8 -7 7* -7 7* -6* -6*
-6* 7* -7 7* -6* 7* 7* 7* 7* -7 7* -6*

-6* 7* -7 7* -6* 7* -7 7* -6*
-6* 7* -7 7* -6* 7* -7 7* -6*
8* 8* 8* 8* -8 -7 -8 -8 -8 -8
-8 -8 -8 -8 -7 7* -7 7* -6* -6*
-6* 7* -7 7* -6* 7* 7* 7* 7* -7 7* -6*

-2* 3* -3 -4 3* -3 -2*
-2* 3* -3 -4 3* -3 -2*
4* -4 -3 -4 -4
-4 -3 3* -3 3* -2* -2*
-2* 3* -3 3* -2* 2 -2*

-6* 7* -7 7* -6* 7* -7 7* -6*
-6* 7* -7 7* -6* 7* -7 7* -6*
8* 8* 8* 8* -8 -7 -8 -8 -8 -8
-8 -8 -8 -8 -7 7* -7 7* -6* -6*
-6* 7* -7 7* -6* 7* 7* 7* 7* -7 7* -6*
8* 8* 8* 8* -8 -7 -8 -8 -8 -8
-8 -8 -8 -8 -7 7* -7 7* -6* -6*
-6* 7* -7 7* -6* 7* 7* 7* 7* -7 7* -6*

By Donovan Leitch
Key: Eb

7 7 7 -6 -5* -7* 7*
I’m just mad a-bout Saf-fron.
7 7 7 -6 -5* 7-6
Saf-fron’s mad a-bout me.
7* -6* 7* 7* -6* 7* 7* -6*
I’m-a just mad a-bout Saf-fron.
-7* -7* 8* -7* 7* -7*
She’s just mad a-bout me.

-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yellow,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low.

7 7 7 -6 -5* -7* 7*
I’m just mad a-bout Four-teen.
7 7 7 -6 -5* 7-6
Four-teen’s mad a-bout me.
7* -6* 7* 7* -6* 7* 7* -6*
I’m-a just mad a-bout Four-teen.
-7* -7* 8* -7* 7* -7*
She’s just mad a-bout me.

-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yellow,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low.

7 7 7 -6-5* -7* 7*
Born high for-ev-er to fly.
7 7 7 -6-5* 7-6
Wind ve-lo-ci-ty nil.
7* -6* 7* 7*-6* 7* 7* -6*
Born high for-ev-er to fly.
-7*-7* -7* -7* 8* -7* 7* -7*
If you want your cup, I will fill.

-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yellow,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low.

-7* -7* -7* -7* -7* -7* -7* -7*
He’s so mel-low, he’s so mel-low

7 7-6 7 -6 -5*-7* 7*
E-lec-tri-cal ba-na-na
-3* 7 -6* 7 7 7 -5* 7 -6
Is gon-na be a sud-den craze.
7*-6* 7* 7* 7 7*-6*
E-lec-tri-cal ba-na-na
-3* -7* -7-7* -7* 8*-7* 7* -7*
Is bound to be the ve-ry next phase.

-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yellow,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low.

7 7 -6* 7 -6 -5* -7* 7*
I’m just-a mad a-bout Saf-fron.
7 -6* 77 7 7 -6 -5* 7
I’m just-a mad a-bout her.
7* -6* 7* 7* 7* 7 7* -6*
I’m-a just mad a-bout Saf-fron.
-3* -7*-7-7*-7*8*-7* 7* -7*
a-she’s just mad a-bout me.

-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yellow,
(Quite rightly).
-3* -7* -7* 8 -7* -9* 8*
They call me Mel-low Yel-low.

-7*-7* -7* -7*
Oh, so yel-low..
-7*-7* -7* -7*
Oh, so mel-low..

1.
-7 -7 -7 -6 6 -8 7
I`m just mad about Saffron,
-7 -7 -7 -6 6 -7-6
Saffron`s mad about me
7 -7 7 7 -7 7 7 b-7
I`m a just mad about Saffron
-8 -8 8 -8 7 -8
She`s just mad about me
CHORUS
-4 -8 -8 8 -8 9 -9
They call me Mellow Yellow (quite rightly)
-4 -8 -8 8 -8 9 -9
They call me Mellow Yellow (quite rightly)
-4 -8 -8 8 -8 9 -9
They call me Mellow Yellow
2.
I`m just mad about fourteen
Fourteen`s mad about me
I`m a just mad about fourteen
She`s just mad about me
REPEAT CHORUS
3.
-7 -7 -7 -6 6 -8 7
Born high for-ever to fly
-7 -7 -7 -6 6 -7-6 7-7 7 7 7b-7 7 b-7
Wind ve-loc-i-ty nil Born high forever to fly
-8 b-8 -8 -8 -8 -8 7 -8
If you want your cup I will fill
-4 -8 -8 8 -8 9 -9
They call me Mellow Yellow (quite rightly)
-4 -8 -8 8 -8 9 -9
They call me Mellow Yellow (quite rightly)
-4 -8 -8 8 -8 9 -9
They call me Mellow Yellow
-8 -8 -8 -8 -9 -9 -9 -9
He`s so mellow, mellow fellow

This is the intro of the song from ‘Tonight’s the Night’.

7 -6b 6 5 5 4 3 -4 4 777 5 6 -6b 6 6 5 6 5 6
-6 -6b 6 555 777 -6 777 -6b 6 -6 6 5 -6 6 4

b=bend (-)= inhale

A Slow Bluesy Feel:

6 7 7 7 -8 8 -8 8
I’ll play your fav’rite song, darlin’.
7 7 -9 -9 -9 -9 8 -8 8
We can rock it all night long, darlin’.
6 7 -8 8 -8 8
Cause I’ve got love, darlin’,
-9 -9 8 -8 8
Love, sweet love, darlin’.
-6 -6 7 7 -6 6
Mellow mood has got me,
7 -6 -6 7 7 -6 6
So let the music rock me.

6 7 -8 8 -8 8
Cause I’ve got love, darlin’,
-9 -9 8 -8 8
Love, sweet love, darlin’.
-6 -6 7 7 -6
Quiet as the night,
7 -6 7 7 -6
Please turn off your light.

6 7 7 7 -8 8 -8 8
I’ll play your fav’rite song, darlin’.
7 7 -9 -9 -9 -9 8 -8 8
We can rock it all night long, darlin’.

7 7 7 -8 7 -9 8 -8 7
Strike the hammer while iron is hot.
7 7 7 -8 7 -9 8 -8 7
Strike the hammer while iron is hot.
7 7 7 -8 7 -9 8 -8 7
Strike the hammer while iron is hot.
-8 7 -8 7 -8
Open up your heart.
-8 7 -8 7 -8
Open up your heart.
7 7 -7 7 -8 8 -8 8
Let love come running in, darlin’,
-9 -9 8 -8 8
Love, sweet love, darlin’.
-9 -9 8 -8 8
Love, sweet love, darlin’.

7 7 7 -8 7 -9 8 -8 7
Strike the hammer while iron is hot.
7 7 7 -8 7 -9 8 -8 7
Strike the hammer while iron is hot.
7 7 7 -8 7 -9 8 -8 7
Strike the hammer while iron is hot.
-8 7 -8 7 -8
Open up your heart.
-8 7 -8 7 -8
Open up your heart.
7 7 -7 7 -8 8 -8 8
Let love come running in, darlin’,
-9 -9 8 -8 8
Love, sweet love, darlin’.
-9 -9 8 -8 8
Love, sweet love, darlin’.

-6 -6 7 7 -6 6
Mellow mood has got me,, darlin’.
7 -6 -6 7 7 -6 6
Let the music rock me, darlin
6 7 -8 8 -8 8
Cause I’ve got love, darlin’,
-9 -9 8 -8 8
Love, sweet love, darlin’.
6 7 -8 8 -8 8
Cause I’ve got love, darlin’,
-9 -9 8 -8 8
Love, sweet love, darlin’.
6 7 -8 8 -8 8
Cause I’ve got love, darlin’,
-9 -9 8 -8 8
Love, sweet love, darlin’.

<-2 -3 -3 4 You jump, jump, here <-2 -3 -3 4 You jump, jump, there <-2 -3 -3 -3 You jump, jump, jump, 4 -4 -3 everywhere <-2 -3 -3 <-2 -3 4 -3 Then you mellow down easy <-2 -3 -3 <4 -3 Mellow down easy -3 6 6 6 -5 -5 -5 -5 6 6 -5 6 4 4 -3 3 You mellow down easy when you really want to blow your top <-2 -3 -3 4 You shake, shake, here <-2 -3 -3 4 You shake, shake, there <-2 -3 -3 -3 You shake, shake, shake, 4 -4 -3 everywhere <-2 -3 -3 <-2 -3 4 -3 Then you mellow down easy <-2 -3 -3 <4 -3 Mellow down easy -3 6 6 6 -5 -5 -5 -5 6 6 -5 6 4 4 -3 3 You mellow down easy when you really want to blow your top <-2 -3 -3 -3 -3 4 You wiggle, wiggle, here <-2 -3 -3 -3 -3 4 You wiggle, wiggle, there <-2 -3 -3 -3 -3 -3 -3 You wiggle, wiggle, wiggle, 4 -4 -3 everywhere <-2 -3 -3 <-2 -3 4 -3 Then you mellow down easy <-2 -3 -3 <4 -3 Mellow down easy -3 6 6 6 -5 -5 -5 -5 6 6 -5 6 4 4 -3 3 You mellow down easy when you really want to blow your top

By: Gregg Allman
Allman Brothers Band
Key: E

-8 -8 7* -8 -8 7*-6*-6* 7*7*-6*5*
Cross-roads seem to come and go, yeah
-4 -8 -8 -8 7* 7* 7*-6* 6 -6*
the gyp-sy flies, from coast to coast.
8* 8* 8*-8-8 8* 8* 8*-8-76
Know-in man- y lov-in none,
7* 7* -7 7* 7* -8 7*-6*6-6*
bear-ing sor-row hav-ing fun
-8 -8 -7 7 7 -7 -8
but back home he’ll al-ways run,
7* -7 7* -8 7*
to sweet Me-lis-sa.

-8 -8 -8 -7 7* -6* 7*
Freight train, each car looks the same,
7* 7* -6*65*
all the same.
-4 -8 -8 -8 7* 7* 7* 7*-6*6
And no one knows the gyp-sys name
8* 8* 8* -8 10 10 9*-8-7-6*
No one hears his lone-ly si-gh,
7* 7* 7* -7 7* 7* -8 7*-6*6-6*
there_are no blank-ets where he lies.
-8 -8 -8 -8 -8 -8 7 7 -7 7 -8 7*
In all his deep-est dreams the gyp-sy flies,
7* -7 7* -8 7* -10*109*
with sweet Me-lis-sa. Mm
-4 -8 -8 -8 -8 -87*
A-gain the morn-ing’s come
6 -8 -8 -8 -6* -7-8
A-gain he’s on the run
8* 8* 8* 8* 8* -8 -7-8
Sun-beams shin-ing through his hair,
-6* -9 -9 -9 -10* -9 -9 8*-88*
ap-pear-ing not to have a care,
7* 10 10 9* 10
Well, pick up your gear
10 10 9* -10*10 8*-8-7 -98*-8 -8
and gyp-sy roll on, roll on.

-8 8*-9 -8 -7 7*-6* 7* -8 7* -6*65*
Cross-roads, will you ev-er let_him go?
-8 -8 -8 7* 7* 7* 6-6*
Will you hide the dead man’s ghost?
8* 8* 10 8*-78*-7 -10* 10 -8-76-6*-7
Or will he lie be-neath the clay?
6 7* 7* -7 7* 7* -7 7*-6*65*
Or will his spir-it roll a- way?
7 -8 -8-77 7 7 -7 -8
But I know that he won’t stay,
7* -7 7* -7 7*
with-out Me-lis-sa.
-8 -8-8-77 7 -7 -7 -8-9-8
Yes I know that he won’t stay,
7* -7 7* -8 -8-77*
With-out Me-lis- sa

6 6 5 5 6 6 -4 -4 5 -4
Cross-roads seem to come and go, yeah
3 6 6 6 5 -4 4 -4
the gyp-sy flies, from coast to coast.
-6 -6 -6 6 -6 -6 -6-5 5 5 -5 5
Know-in man-y lov-in none, bear-ing sor-row
-5 6 5 4 -4 6 6 -5 5 5 -5 6
hav-ing f-u-n, but back home youll al-ways run,
5 -5 5 6 5
to sweet Mel-is-sa.
6 6 5 6 6 -4 -4 5
Freight train, each car looks the same,
5 -4 4 -2 3 6 6 6 5 -4 4 -4
all the same. And no one knows the gyp-sys name
-6 -6 -6 6 -6 -6 -6 -5 5 5
No one hears his lone-ly si-gh, there_are no
-5 5 -5 6 5 4 -4
blank-ets where he l-i-e-s.
6 6 -5 5 5 -5 6
Lord_in_the_deep-est dreams the gyp-sy flies,
5 -5 5 6 5
with sweet Mel-is-sa.
4 6 6 6 6 6 5 -5 6 6 6 -4 -5
A-gain the morn-ins come, a-gain hes on the run.
-6 -6 -6 6 -6 6 5 6 -7 -7 -7
Sun beams shin-in through his hair, bet-ter not
-8 -7 -6 6 -6 -6 7 7 -6 7 7 7 -6
to have a care, so pick up your gear and gyp-sy
-8 -6 6 -5 -7 -6 6 6
roll on, roll on.
6 6 5 6 6 -4 5 5 -4
Cross-roads, will you ev-er let_him go? No, no.
3 6 6 6 5 -4 4 -4 -6 -6
Or will you hide the dead mans ghost? Lord, or
-6 6 -6 -6-5 -5 5 5 -5
will_he lie be-neath the plain? Or will his
5 -5 6 5 4 -4
spir-it fall a-way?
6 6 -5 5 5 -5 6 5 -5
But I know that he wont stay, with-out
5 6 5 6 6 -5 5 5 -5 6
Me-lis-sa. Yes I know that he wont stay,

(Hawaiian Christmas song)
By: Alex Anderson
Bing Crosby
Key: F

4 4 4 -4 4 -5 4 -4 5 -7 6 7
Me-le-ka-li-ki-ma-ka is the thing to say
-5 6 -6 6 -6 6 -6 7 6
On a bright Ha-wai-ian Christ-mas day
5 5 -4 5 -5 5
That’s the is-land greet-ing
-4 4 -7* -6* -7
That we send to you
7 -5 -6 6 -5 -5 -7
From the land where palm trees sway
8 8 -8 8 -9 8
Here we know that Christ-mas
-7 -6 8 -8 -7*
Will be green and bright
-7* -7 -7 7* -7 -7* -7
The sun will shine by day and
-6* -5 -7 7* 7
All the stars at night
5 5 5 -4 5 -5 5 -4 5 8 8 -7*
Me-le-ka-li-ki-ma-ka is Ha-wai-i’s way
-7 -9 -9 -9 8 7 -7 -6
To say Mer-ry Christ-mas to you

5 5 -4 4 -4 5 6 -5
Melancholie im September
-3 -3 6 6 -4 -4 6 -5 5
Das ist alles was mir blieb von dir
5 5 -4 4 -4 5 6-5
Die Melodie im September
-5 -5 5 -4 4 -4 4
Ist ein letzer Gruss von mir

5 5 -5 6 6 -5 6 -6 6 -5
Arriverderci war dein letztes Wort
-5 6 -5 -5 5 -4 5 -5 5 5
Arriverderci un dann gingst du fort
5 5 -5 6 6 -5 6 -6 6 -5
Wann komst du wieder hab ich dich gefragt
-5 6 -5 -5 5 -4 5 -5 5 -4 4
Und deine Träne hat mir alles gesagt

Melancholie im September

Arriverderci war dein letztes Wort
Arriverderci un dann gingst du fort
Wann komst du wieder hab ich dich gefragt
Und deine Träne hat mir alles gesagt

Melancholie im September
Das ist alles was mir blieb von dir

This song is composed by Charles Aznavour and made a hit by Boudewijn de Groot (Netherlands).

The tabs are for a C-paddy.

3 3 3 5 5 -4 4
Ze woonde in een villawijk,
4 4 4 -3 -3 -3 3 3
haar ouders waren stinkend rijk.

3 3 3 5 5 -4 -4 5
Toch was daar niets meer dat haar bond,
5 5 5 -4 -3 4 -4 4
ze gaf zich aan een vagebond,
4 4 4 -3 -3 4 -3 3
die sprak van liefde, het oud verhaal,
3 3 3 -3 -3 -3 3 3
en zij geloofde het allemaal.

4 4 4 -4 -4 4 -3 4
Zo ging ze weg, ze nam niets mee,
4 4 4 -4 -4 4 -3 4
alleen haar jeugd en het idee
4 4 4 -4 -4 4 -4 -4’
dat hij haar man was, zij zijn vrouw
4 4 4 -3 -3 -3 3 3
en het altijd zo blijven zou.

4 -4 5 7 -5 5 -4 4 -4
Arm kind, zestien lentes zo pril
-5 5 -4 4 -3 4
ach wat lig je hier stil
5 -4 4 -3 3 -3
langs de kant van de weg.

Ze trokken voort van stad tot stad
omdat hij ruimte nodig had.
Het zwerversleven was te zwaar,
niets voor een kind van zestien jaar.
Haar liefde was haar levenslot,
ze ging er langzaam aan kapot.
Ze kon de hartstocht niet weerstaan,
moest tot het einde verder gaan.
Ze was geen kind maar ook geen vrouw
en wist niet wat er komen zou.

Arm kind…

Ze werd vermoeid, zag bleek en vaal,
verloor haar jeugd, haar ideaal.
Alleen haar liefde bleef bestaan,
toen ging hij weg bij haar vandaan.
Toch had ze kunnen weten dat
hij niet genoeg aan liefde had.
Dat op een dag hij weg zou zijn
en zij alleen met spijt en pijn
dat hij zolang een meisje had,
als stormwind speelt met een enkel blad.

Arm kind…

(Ref:)
5 5 5 -4 4 6 6 6 -6 5 -4 4
Meine Ze- e- eit steht in deinen Hä- än- den

-5 6 -6 6 -5 5 -5 5 -4 4 6
Nun kann ich ruhig sein, ruhig sein in dir.

5 5 5 5 -4 4 6 6 6 -6 5 -4 4
Du gibst Geborgenheit, du kannst alles we- en- den

-5 6 -6 6 -5 5 -5 -5 5 -4 4
Gib mir ein festes Herz, mach es fest in dir.

5 5 -6 -6 -6 6 -4 5 -5 5
1. Sorgen quälen und werden mir zu groß,

-5 -5 -5 -5 6 6 6 -4 -5
ratlos frag ich: Was wird morgen sein?

5 5 -6 -6 -7 -7 -6 -7 7
Doch du liebst mich, du lässt mich nicht los,

7 7 -7 -7 -6 -6 6
Vater Du wirst bei mir sein!

2. Hast und Eile, Zeitnot und Betrieb, nehmen mich gefangen, jagen mich.
Herr, ich rufe: Komm und mach mich frei, führe mich nun Schritt für Schritt!

2/2 TAKT (RUHIG UND MODERAT)
PUNKTE = VERLÄNGERUNG DER NOTE

[V1]
. 4 -4 5 5 5 5 -5. 5 -5 6 -5..4.. ..
Sein Er-bar-men ist noch im-mer nicht zu En-de,
. 4 -4 5 5 5 5 5. -4 4 5 -4…. ..
ist an je-dem Mor-gen im-mer wie-der neu.
. 4 4 4 -6 -6 -6 -6. 6 6 -5 6…5 -4 4
Und es hal-ten mich die gu-ten,star-ken Hä-ä-än-de,
. -4 5 -5 5 -4 4 -5. 5 -5 6 6….
denn Er liebt mich, und Er bleibt mir im-mer treu.

[C]
. 6 6 -4 -4 5 5.. . 6 6 5 6 -6 -6 .
Durch Sei-ne Gü-ü-te schenkt Er das Le-e-ben,
. -6 -6 6 6 -5… .-5 6 -6 6…. .
hält mir die Treu — e an je-dem Tag.
.6 6 -4 -4 5 5.. . 6 6 5 6 -6 -6 .
Er will mir Fri-ie-den und Hoff-nung ge-e-ben,
. -6 -6 6 6 -5 -5 5 -5. 5 -4 4 4…. ..
mich nie ver-las-sen, was auch im-mer kom-men mag.

[V2]
Gottes Güte lässt mich leben, lässt mich hoffen;
Er ist alles, was ich habe, Er allein.
Wer Ihn sucht, dem hält Er Seine Türe offen,
der darf sicher und geborgen bei Ihm sein.

[V3]
Auch in Nöten muss ich jetzt nicht mehr verzagen,
weil ich weiß, dass Er mich durch die Tiefen trägt.
Ich will stille sein und Ihm doch alles sagen.
Gott ist gut, auch wenn Er Lasten auf mich legt.

Three notes in parantheses means play those notes VERY QUICKLY. Trp
tng means triple tongue. Sustain the third note where indicated.

Top line = C diatonic harmonica
Bottom line = C chromatic harmonica

2 -3” -3 4 4 -3”
2 -3 -4 4 4 -3

-3” -4 -3” -3 4
-3 -5 -3 -4 4

2 -3” -3 4 4 -3”
2 -3 -4 4 4 -3

-3” -3” -3” -3” 3 -3” 3
-3 -3 -3 -3 3 -3 3

3 4 -4 5 5 4
3 4 -5 6 6 5

5 6 -5 -4
6 7 -6 -5

-6 -6 -6 -6 -6 -3”
-7 -7 -7 -7 -7 -3

-3” -3” (-4 trp tng) 4 -3 -3”
-3 -3 (-5 -5* -5) 5 -4 -3

____________________________

5 -6 -7 7
6 -7 -8 8

7 -8 7 -8 7
8 -9 8 -9 8

(7 8 7 -8 7 -8 8 -8 8 (-8 -9 -8)
(9 10 9) -9 8 -9 10 -9 10 (-9 -10 -9)

7 -8 7 -7 -6
9 -9 9 -8 -7

-8 8 -8 (-8 -9 -8 sustain)
-9 10 -9 (-9 -10 -9 sustain)

5 -6 -7 7
6 -7 -8 8

7 (-8 -9 -8) 7 -8 7
8 (-9 -10 -9) 8 -9 8

7 (-8 -9 -8) 7 -8 8
8 (-9 -10 -9) 8 -9 10

-8 8 (-8 -9 -8) 7 -8 7 -7
-9 10 (-9 -10 -9) 9 -9 9 -8

-8 8 -8 -6
-9 10 -9 -7
____________________________________

6
7

5 -5 6 (-6 trp tng) 6 -5 5 4
6 -6 7 (-7 -7* -7) 7 -6 6 5

(-4 trp tng) 4 -4 5
(-5 -5* -5) 5 -5 6

3 5 5 5 -5 -5 6 6 6
3 6 6 6 -6 -6 7 7 7*

6 -5 5 4 (-4 trp tng)
7 -6 6 5 (-5 -5* -5)

4 -4 5 5 -5 5 -4 4 -3 7
5 -5 6 6 -6 6 -5 5 -4 9

7 (-8 -9 -8) 7 -8 7
9 (-9 -9* -9) 9 -9 9

7 (-8 -9 -8) 7 -8 8 -8 8
9 (-9 -9* -9) 9 -9 10 -9 10

(-8 -9 -8) 7 -7 -6
(-9 -9* -9) 9 -8 -7

-8 8 -8 -10 -10 -3”
-9 10 -9 -11 -11 -3

Pallavi
——-

Mein koi aisa geet gaon
5 -5 5 6 6 6 5 -5 -5

ke arzoo jagaon (ke arzoo jagaon)
5 666 5 -56 -5 (5 676 5-56 -5 )

agar thum kaho (agar thum kaho.o.o)
-5-3 -4 -4 5 (-5-3 -4 -5 6 -5 5)

thumko bulaon ke palke bichaon
7 7 6-6 6 7 7 7 6-6 6

kadam thum jahan jahan rakho
7 -7 -7 -6 7 -6 7 -6 6-5

zameen ko asmaan banaon sitharon se sajaon
5 -5 5 666 5 -5-5 5 6 7 6 5 -5-5

agar thum kaho
-5-3 -4 -4 5

Charanam 1
———-

mein thithaliyon ke peeche bagoon
7 6 6 -6 7 -7 -7<-7 7 -7 7 mein jugnuon ke peeche jagoon -7 7 7-7 7 -7 7 -7 -7 -5 ye rang hai o roshani hai 7 6 -67 -7 -7<-77-7 7 thumhare paas donon laoon -7 7 -7 7 -77 -7 -7 -5 jithnee kushbuan ... baag me milae -6 -6 -6 6 -5 -6<-6< -6< 6 -5 mein laoon vahan pe ke thum ho jahan jahan pe -4 -4 -5 -5 -5 -6 -6 7 -6 -6 6 5 -5 5 ek pal bhee tehroon main gulsithan banaoon 66 6 5 -5-5-5 5 6 6 6 5 -5-5 agar thum kaho -5-3 -4 -4 5

[V1]
. 5 -5 6 -3 4 -4
Mein Je-sus, mein Ret-ter,
. 7 7 7 -7 6 -6
kei-ner ist so wie Du.
. 7 -7 -6 6 7 -7 -6 6
Lob-preis sei Dir, Je-den Tag mehr
. 6 6 -5 5 4 -4 -4 -4
für Dei-ne gro-ße Lie-be, Herr.
. 5 -5 6 -3 4 -4
Mein Trös-ter,mein Hel-fer,
.7 7 7 7 -7 5 -6
Du bist mir Zu-flucht und Kraft.
.7 -7 -6 6 7 -7 -6 6
Al-les in mir beugt sich vor Dir.
.7 7 -6 7 -8 -8 -8
Du bist hoch er-ho-ben Herr.

[C]
. 7 7 -7 7
Ruft zu dem Herrn,
. 7 -7 7 7 -7 -6 -7
al-le En-den der We-elt.
.7 7 -7 7 7
Eh-re und Dank dem
.-8 8 -8 7 -8
der al-les er-hält.
. 7 7 -7 7 7
Him-mel und Er-de
.-7 7 7 -7 -6
er-hebt ihn und singt,
. -6 -6 -7 -6 -6 -7 -8
Wenn sein Na-me er-kli-ingt.
. 7 7 -7 7
Wir prei-sen Dich
.7 -7 7 7 -7 -6 -7
Du hast gro-ßes ge-ta-an.
. 7 7 -7 7 7
Wir kom-men vor Dich
.-8 8 -8 7 -8
und be-ten Dich an
. 7 7 -7 7 7 -7
Dank sei Dir Herr,Du bist
.7 -7 -6 -7 7
un-ver gleich-lich gut

6 -6 6 -5 5 -5 -4

5 -5 6 -6 6 5

6 7 6 -5 5 -5 -4

5 -5 6 -6 6 4