Boomer Sooner (Chromatic)

Intermediate to Expert Level
Musical Range: D5 to F6

-5 (-5) -6 -9 9 -9 (-7) -6
7 -6 -6 -7 7 -6 -6 (-7)
-5 (-5) -6 -9 9 -9 (-7) -6
7 -6 -6 -7 7 -6 (-7)

-6 -6 (-7) (-7) 7 -6 -6 (-7) (-7) 7
-6 (-7) (-7) (-7) -7 (-7) 8 -9 8 (-7)
(-7) (-7) (-7) 7 -6 (-7) (-7) (-7) 7 -6
(-7) (-7) 9 -9 -10 -9 9 (-7)

Boom Boom Guitar Riff

These are the tabs for the bass/guitar riff or whatever you want to call it. The little parts between brackets are optional, but it sounds very nice and it connects the seperate bass lines with each other. Enjoy!

-6 -7 -8 ~ -6 6 5 -4 5

(5 6 -6 5)

5 6 -7 -6 6 5 -4 5

(5 6 -6 5)

-6 -7 -8 ~ -6 6 5 6 -6

(-6 -6 6 -6)

-6 -7 -8 ~ -6 6 5 -4 5

(5 6 -6 5)

-6 -7 -8 ~ -6 6 5 6 -7

(-7 -7 -6 -7)

-3 -4’ 5 6 6 5v…

Boom boom ba

The melody was easy to figure out.
The lyrics are impossible!!

5 -6 -6 5
A boom boom ba
A boom boom ba
A boom boom ba
A boom boom ba

8 7 -8 -7 8 8
???????????????????

8 8 -9 8 -8
Can you hear my heart

8 -8 7 -8 -6
Beat-ing in ? ?

8 8 -9 8 -8 8
Do you know that be-hind

-8 7 -8 -6
Of this ? ?

8 8 -9 8 -8
Lies the deep de-sire

8 -8 8 9
I’m in love, hey

8 8 8 -9 8 -8 8 -8 7 -6
Make a won-der-ful love if I may

-10 -10 8 8 8 -9 -8 8 8
All my dreams to be all I can do

-8 8 7 -8 7 -8 8
On-ly I love, ? ? ?

7 7 7 -8 -8
And you say I knew

7 7 -8 7 -8 8
We should find a new way

8 8 8 -9 8 -8 8 -8 7 -6
Make a won-der-ful love if I may

8 7 -8 -7 8 8
???????????????????

Can you hear my heart beat in this hurt
Do you know that behind of this hurt
Lies the deep desire I’m in love hey
Make a wonderful love if I may
All my dreams to be all I can do
Only I love, only love
And you say I knew we should find a new way
Make a wonderful love if I may

Can you hear my heart beat in this hurt
Do you know that behind of this hurt
Lies the deep desire can you love hey
Make a wonderful love if I may

Make a wonderful love if I may
Make a wonderful love if I may
Can you hear my heart beat in this hurt
Can you hear my heart beat in this hurt

Boom Boom

-4 -5 6 6
Boom boom boom boom

-4 -4 -5 -5 6 -7
Gon-na shoot you right down

-4 6 6 6 6
Right of-fa your feet

-4 -4 -5 6 -7
Take you home with me,

-4 -4 -5 6 -6
Put you in my house

-4 -5 -4 4 -3′
Boom boom boom boom

-2 -2 -2 -2
Haw haw haw haw

-2 -2 -2
Hmmmmm hmmm hmmm

-2 -2 -2 -2
Hmmm hmmm hmmm hmmm

-4 6 6 6 6 -2
I love to see you strut

-4 -4 6 6 -4
Up and down the floor

-4 -4 -5 -5 -4 -2
When you talk-in’ to me

-4 -5 -4 -2
That ba-by talk

-3 4 -3 -2 -2
I like it like that

-4 -2
Whoa, yeah!

-4 -4 -4 5 -3 -4
Talk that talk, walk that walk

-4 -4 -5 6 6
When she walk that walk

-4 -5 6 6
And talk that talk

-4 -4 -4 -5 6 6
And whis-per in my ear

-4 6 -5 6 6 -7
Tell me that you love me

-4 6 6 -5 6 -4
Oh, I love that talk

-4 -4 -5 -4 -1
When you talk like that

4 -3’˜ 4 -2 -2
you knocks me out

4 4 4 4 -3′
Right of-fa my feet

6 6 6 6
Hoo hoo hoo hoo

6 -7 -5 6 6 -8 6 -7
You talk that talk, and walk that walk

Boom Bang A Bang (Chrom C )

Come Clos-er Come Clos-er And Lis-ten

7 6 5 7 6 5 7 -6 -5

The Beat Of My Heart Keeps On Miss-ing

7 6 5 7 6 5 -7 7 6

I Not-ice It Most When We’re Kiss-ing

7 7 6 7 7 6 8 8 -7

Come Clos-er And Love Me To-night, That’s Right

-7 -7 7 6 -6 6 -5 5 6 5

Come Clos-er And Cud-dle Me Tight, My Heart Goes

6 5 -5 6 -6 6 -5 5 6 -6 7

Boom Bang-a-bang Boom Bang-a-bang, When You Are Near

-7 -7 -7 -7 -7 -7 -7 -7 -7 -8 -7 7

Boom Bang-a-bang Boom Bang-a-bang, Loud In My Ear

-6 -6 -6 -6 -6 -6 -6 -6 -6 6 -7 7

Pound-ing A-way Pound-ing A-way, Won’t You Be Mine

-7 -7 -7 -7 -7 -7 -7 -7 -7 -8 -7 7

Boom Bang-a-bang-bang All The Time

-6 -6 -6 -6 -6 6 -5 5

It’s Such A Love-ly Feel-ing

5 6 7 8 -6 8 6

When I’m In Your Arms

-6 -7 7 -6 7

Don’t Go A-way, I Wan-na Stay, My Whole Life Through

8 8 8 8 8 8 8 8 8 -8 -7 7

Boom Bang-a-bang-bang

-7 -7 -7 -7 -8

Close To You

8 -9 9

Boomer Sooner

Musical Range: D4 to F5

5 -5 6 8 -8 8 7 6

-6 6 6 -7 -6 6 6 7

5 -5 6 8 -8 8 7 6

-6 6 6 -7 -6 6 7 (repeat)

6 6 7 7 -6 6 6 7 7 -6

6 7 7 7 -7 7 -8 8 -8 7

7 7 7 -6 6 7 7 7 -6 6

7 7 -8 8 9 8 -8 7

Bookends

-5 6 -6
-5 6 -6
-5 6 -6
-5 6 -6
6 5—->
5 6 5

-5 6 -6 -5 6 -6 -5 6 -6
Time it was, And what a time it was,
-5 6 5 6 5
it was (double rest) A time of
-5 5 4 5 -5 5
in – no – cence,—> A time of
6 5 -3 5 -5 6 -6
con – fi – den – ces.—> Long a – go
-5 6 -6 -5 6 -6 6 5 -3
it must be (rest) I have a pho – to – graph—>
5 6 5 -5 5 4
Pre – serve your mem – o – ries;—>
5 -5 5 6 5
They’re all that’s left you.

Book Of Love

-7 -6 -7 -6 6 6 -7 -6 -6 6
Tell me, tell me, tell me, Oh who wrote the
-6 6 -6
Book Of Love?
-6 -7 -6 -7 -6 6 6 5 5 -6 6
I`ve got to know the answer, was it some-one
-6 6 -6
from above?
-7 -8-8 -8-8 6 -6-7 7 7 7 7 7
I wonder, wonder who~~~~ who Who wrote the Book
7 -7
Of Love
-7-6 -7 -6 6 6 -6-6 6 -6 6 -6
I love you darling baby you know I do
-6 -6 -7 -6 -7 -6 -7 -7 -7 7 7
But I`ve got to see this Book Of Love and find
7 7 7 -8-7
out why it`s true
7 -8 -8 -8 -8 6-6-7 7
I wonder, wonder who~~~~who.
7 7 7 7 7 -7
Who wrote the Book Of Love?
-7-6 -7-6 6 6 6 -6 6 -6 6 -6
Baby, baby, baby I love you yes I do
-6 -6 -7 -6 -7 -6 -7 -6 6 -6 6 6
Well it says so in this Book Of Love ours is the
-6 6 -6
one that`s true
-7 -8-8 -8 -8 6-6-7 7
I wonder, wonder who~~~~ who
7 7 7 7 7 -7
Who wrote the Book Of Love

Boogie Woogie Other

double note each time -2 -3 -4 = -2-2 -3-3 -4-4

-2 -3 -4 5 -5 5 -4 -3… -2 -3 -4 5 -5 5 -4 -3

4 5 6 -6 7 -6 6 5… -2 -3 -4 5 -5 5 -4 -3

-4 5 -4 5 4 -4 4 -4… -2 -3 -4 5 -4 -4 -4 -4

Boogie Woogie Bugle boy (Diatonic)

This song was written for the Andrews singers and featured in two
motion pictures, Buck Privates, and Swingtime Johnny. This tabbing is
from sheet music in the key of C. I have not used any bent notes so it
is not completely accurate.

4 4 4 4 6 6 -6 5 4 6 -5
He was a//fa-mous trum-pet man from out Chi-/
5 4 5~~ 4 4 6 6 -6 5 4 6 -5
ca-go way- he/had a «boo-gie» style that no one/
5 4 4~~~ 4 -4 4 -5 -5 -4 4 -5~~
else could play- He was the/top man of his craft/
~ 5 -5 -5 6 4 4 4~~ 5 -5 -5
— but then his/num-ber came up- and he was/
6 4 4 4~~~ 4 -4 -4
gone with the draft- He’s in the/
6 6 6 6 6 6 -5 -5 -5 6 5
ar-my now a blow-in/re-veil-le he’s the/
5 6 -6 5 5 6 -6 5 5 6 -6 4~ 4
boo-gie woo-gie bu-gle boy from/Com-pa-ny B-They/

2nd verse with third verse underneath
4 6 6 -6 5 4 6 -5 5 4 5 4
//:made him blow a bu-gle for his/Uncle Sam-it/
puts the boys to sleep with boogie/evry night &/
4 6 6 -6 -4 4 6 -5
real—ly brought him down be-cause he/
wakes them up the same way in the/
5 4 4~~~ 4 -4 4
could-n’t jam— the cap—tain/
ear-ly bright- they clap their/
-5 -5 -4 4 -5~~~~ 5 -5 -5
seemed to un—der—stand—/- be-cause the/
hands and stamp their feet—/- be-cause they/
6 4 4 4~~~ 5 -5 -5
next day the cap— went out and/
know how he plays- when some-one/
6 4 4 4~~~ 4 -4 4
draft-ed a band— and now the/
gives him a beat— he real-ly/
6 6 6 6 6 6 -5 -5 -5 6 5
comp-ny jumps} when he plays/re-veil-le he’s the/
breaks it up } » » » » » » » »
5 6 -6 5 5 6 -6 5 5 6 -6 4~~ 3
boo-gie woo-gie bu-gle boy of/com-pa-ny B— a/
4 3 5 3 4 5 4 3 4 5 6 -5 5
toot!atoot!a/toot did-dle ah-da toot he blows it
4 4 4 4~~~ 6 -5 5 4 5 4
eight to the bar—/in boo-gie rhy-thm he/
-5 -6 -5 4 4 4 4
can’t blow a note un-less a/
-5 -6 -5 4~~~ 6 -5 5 4 -5~~
bass and gui-tar— is play-in/with ‘im—/
4 -4 4 6 6 6 6 6 6
he makes the/comp-‘ny jump when he plays/
-5 -5 -5 6 5
re-veil-le he’s the/
5 6 -6 5 5 6 -6 5 5 6 -6 4~~ 4
boo-gie woo-gie bu-gle boy of/com-pa-ny B- he://

use this for 2nd end.
5 6 -6 7~~~~
com-pa-ny B—//

You will notice that this is different to Walt’s tab as this is always
one tab number down from his Chromatic tabs and where he is able to
put in the sharps with his slide valve I have left sharps and the flat
notes out of course you can rectify this if you wish with your bends
and overblows.

Boogie Woogie Bugle Boy (Partial)

By: Don Rayne & Hughie Prince
Key:C

He was a famous trumpet man
5 5 5 5 7 7* -7 6
from out Chicago way
5 7 -6 6 5 5
He had a boogie style that
5 5 7 7* -7 6 5
no one else could play
7 -6 6 5 5
He was the top man of his craft
5 -5 5 -6 -6 -5 5 -6
But then his number came up
6 -6 -6* 7 5 5 5
and he was gone with the draft
6 -6 -6* 7 5 5 5
He’s in the army now, a-blowin’ reveille
5 -5 5 7 7 7 7 7 7 -6 -6 -6
He’s the boogie-woogie
7 -5* 6 7 -7 -5*
bugle boy of Company B
6 7 -7 -5* 6 7 -7 5

They made him blow a bugle
5 5 7 7* -7 6 5
for his Uncle Sam
7 -6 6 5 6
It really brought him down,
5 5 7 7* -7 6
because he couldn’t jam
5 7 -6 6 5 5
The Captain seemed to understand
5 -5 5 -6 -6 -5 5 -6
Because the next day the Cap’
6 -6 -6* 7 5 5 5
went out and drafted the band
6 -6 -6* 7 5 5 5
And now the company jumps
5 -5 5 7 7 7 7
when he plays reveille
7 7 7 -6 -6 -6
He’s the boogie-woogie
7 -5* 6 7 -7 -5*
bugle boy from Company B
6 7 -7 -5* 6 7 -7 5
A-toot a-toot,
3 4 3 4
a-toot diddle-ah-da-toot
3 4 6 5 3 4 6
He blows it eight to the bar
7 -6 6 5 5 5 5
in boogie rhythm
7 -6 6 5 6
He can’t blow a note
5 -6 -7 -6 5
unless a bass and guitar
5 5 5 -6 -7 -6 5
Is playin’ with ‘im
7 -6 6 5 6
He makes the comp�ny jump
5 -5 5 7 7 7
when he plays reveille
7 7 7 -6 -6 -6
He’s the boogie-woogie
7 -5* 6 7 -7 -5*
bugle boy of Company B
6 7 -7 -5* 6 7 -7 5

He was the boogie-woogie bugle boy of Company B
And when he plays boogie-woogie bugle
He’s as busy as a bzz bee
And when he plays he makes the
company jump eight to the bar
He’s the boogie-woogie bugle boy of Company B

Toot toot toot, toot diddle-ee-ada-toot-
diddle-ee-ada, toot toot
He blows it eight to the bar
He can’t blow a note
If the bass and guitar isn’t with ‘im
A-and the company jumps when he plays reveille
He’s the boogie-woogie bugle boy of Company B

He puts the boys to sleep with boogie every night
And wakes them up the same way in the early bright
They clap their hands and stamp their feet
Because they know how he plays
When someone gives him a beat
He really breaks it up when he plays reveille
He’s the boogie-woogie bugle boy of Company B

Da-da, da-do-da-da
Da-da, da-do-da-da
Da-da, da-do-da-da
Da-da, da-do-da
A-and the company jumps when he plays reveille
He’s the boogie-woogie bugle boy of Company B

Boogie Woogie Bugle Boy

-6 -6 -7* -6 -7* -9

-6 -9 -7* 7 6 5* -5 -7* 7 6 5* -5

-7* 9 9* -9 -7* -9 -9* -10 -10* 11

9* -9 9* -7* 7 -6 -7* -9

He was a famous trumpet man from out Chicago way
-5 -5 -5 -5 -6* -7 -8 -7 -6* -7 -8 -6* -5 -5

He had a boogie style that no one else could play
-5 -5 -6* -7 -8 -7 -6* -7 -8 -6* -5 -5

He was the top man at his craft
-5 6 -5 7 7 6 -5 7

But then his number came up, and he was gone with the draft
-6* 7 7* -7 -5 -5 -5 -6* 7 7* -7 -5 -5 -5

He’s in the army now, a blowin’ reveille
-5 6 -5 -7 -7 -7 -7 -7 -7 7 7 7

He’s the Boogie-Woogie Bugle Boy of Company B
-7 6 -6* -7 -8 6 -6* -7 -8 6 -6* -7 -8 -5

They made him blow a bugle for his Uncle Sam
It really brought him down because he couldn’t jam
The captain seemed to understand
Because the next day the cap’ went out and drafted the band
And now the company jumps when he plays reveille
He’s the Boogie-Woogie Bugle Boy of Company B

A root, a toot, a toot le-a-da-a-toot
-3 -5 -5 -6* -3 -5 -6* -5 -3 -5 -6*

He blows it eight to the bar in boogie rhythm
-7 7 -6* -5 -5 -5 -5 -7 7 -7 -6* -5

He can’t blow a note unless the bass and guitar is playin’ with him
-5 7 -8 7 -5 -5 -5 -5 7 -8 7 -5 -5 6 -5 -6* -6*

He makes the company jump, when he plays reveille
-5 6 -5 -7 -7 -7 -7 -7 -7 -7 7 7 7

He’s the Boogie-Woogie Bugle Boy of Company B
-7 6 -6* -7 -8 6 -6* -7 -8 6 -6* -7 -8 -5

He was our Boogie-Woogie Bugle Boy of Company B
-7 -8 -9 8 -8 -7 -6 -6* -5 -4 -3 -5 -5 -5 -5

And when he played boogie-woogie bugle he was busy as a bee
-7 7 -5 -7 7 -7 7 -7 7 7 -7 7 -6* -5 -5 -5 -5

And when he played he made the company jump eight to the bar
-3 -4 5* -5 -7 -8 -7 8* 8 -8 -7 -6 -6* -7 -6* 6

He’s the Boogie-Woogie Bugle Boy of Company B
-8 -7 -9 9* -8 -7 -8 -7 7 -6* -6* -5 6 -6*

Toot toot toot toot la-da, toot la-da, toot toot
-9 -9 -9 -9 6 -6* -9 6 -6* -7 -7

He blows it eight to the bar
-7 7 -6* -5 -5 -5 -5

He can’t blow a note if the bass and guitar isn’t with him
-5 7 -7 -7* -8 -8 -8 -7 -8 -8 8 -9 -9 -9 -8 -7

Ha, ha, ha, and the Company jumps when he plays reveille
-3 -4 4 5* -7 -7 -7 -7 -8 -7 7* 7 7 7

He’s the Boogie-Woogie Bugle Boy of Company B
-7 6 -6* -7 -8 6 -6* -7 -8 6 -6* -7 -8 -5

He puts the boys to sleep with boogie every night
-5 -5 -6* -7 -8 -7 -6* -7 -8 -6* -5 -5

And wakes ’em up the same way in the early bright
-5 -5 -6* -7 -8 -7 -6* -7 -8 -6* -5 -5

They clap their hands and stamp their feet
-5 6 -5 7 7 6 -5 7

Because they know how he plays, when someone gives him a beat
-6* 7 7* -7 -5 -5 -5 -6* 7 7* -7 -5 -5 -5

He really wakes ’em up when he plays reveille
-5 6 -5 -7 -7 -7 -7 -7 -7 7 7 7

He’s the Boogie-Woogie Bugle Boy of Company B
-7 6 -6* -7 -8 6 -6* -7 -8 6 -6* -7 -8 -5

Ha, ha, ha, and the Company jumps when he plays reveille
-3 -4 4 5* -7 -7 -7 -7 -8 -7 7* 7 7 7

He’s the Boogie-Woogie Bugle Boy of Company B
-7 6 -6* -7 -8 6 -6* -7 -8 6 -6* -7 -8 -9

_________________________________________________________

Key of C

[Intro]

-5* -5* 7* -5* 7* 8

-5* 8 7* -6 -5 -4 5 7* -6 -5 -4 4

7* -7* -8 8 7* 8 8* -9* 10 -10

-8 8 -8 7* -6 -5* 7* 8

He was a famous trumpet man from out Chicago way
5 5 5 5 6 7 -7 7 6 7 -7 6 5 5

5 5 6 7 -7 7 6 7 -7 6 5 5

5 -5 5 -6 -6 -5 5 -6

6 -6 -6* 7 5 5 5 6 -6 -6* 7 5 5 5

5 -5 5 7 7 7 7 7 7 -6 -6 -6

7 -5 6 7 -7 -5 6 7 -7 -5 6 7 -7 5

A root, a toot, a toot le-a-da-a-toot
3 5 5 6 3 5 6 5 3 5 6

7 -6 6 5 5 5 5 7 -6 7 6 5

5 -6 -7 -6 5 5 5 5 -6 -7 -6 5 5 -5 5 6 6

5 -5 5 7 7 7 7 7 7 7 -6 -6 -6

7 -5 6 7 -7 -5 6 7 -7 -5 6 7 -7 5

He was our Boogie-Woogie Bugle Boy of Company B
7 -7 8 -7* -7 7 -5* 6 5 -3 3 5 5 5 5

7 -6 5 7 -6 7 -6 7 -6 -6 7 -6 6 5 5 5 5

3 -3 -4 5 7 -7 7 -8 -7* -7 7 -5* 6 7 6 -5

-7 7 8 -8 -7 7 -7 7 -6 6 6 5 -5 6

Toot toot toot toot la-da, toot la-da, toot toot
8 8 8 8 -5 6 8 -5 6 7 7

7 -6 6 5 5 5 5

5 -6 7 7* -7 -7 -7 7 -7 -7 -7* 8 8 8 -7 7

3 -3 -3* -4 7 7 7 7 7 -7 7 -6* -6 -6 -6

7 -5 6 7 -7 -5 6 7 -7 -5 6 7 -7 5

He puts the boys to sleep with boogie every night
5 5 6 7 -7 7 6 7 -7 6 5 5

5 5 6 7 -7 7 6 7 -7 6 5 5

5 -5 5 -6 -6 -5 5 -6

6 -6 -6* 7 5 5 5 6 -6 -6* 7 5 5 5

5 -5 5 7 7 7 7 7 7 -6 -6 -6

7 -5 6 7 -7 -5 6 7 -7 -5 6 7 -7 5

Ha, ha, ha, and the company jumps when he plays reveille
3 -3 -3* -4 7 7 7 7 7 -7 7 -6* -6 -6 -6

He’s the Boogie-Woogie Bugle Boy of Company B
7 -5 6 7 -7 -5 6 7 -7 -5 6 7 -7 8

Boogie Woogie Blues Solo

-2 -3 -4 +5 -5 +5 -4 -3 (x2)

+4 +5 +6 -6 +7 -6 +6 +5

-2 -3 -4 +5 -5 +5 -4 -3

-4 -4´ -4

-4 +5 -4 +4 +3 -3 -3 -3 (wha) +4 +3 -2

-2 +2 +2 (transição)

-2 -2 -3 -3 -4 -4 +5 +5 -5 -5 +5 +5 -4 -4 -3 -3 (x2)

+4+4 +5+5 +6+6 -6-6+7+7 -6-6 +6+6 +5+5

-2 -2 -3 -3 -4 -4 +5 +5 -5 -5 +5 +5 -4 -4 -3 -3

-4 -4´ -4

-5 +6 -5 +5 +4 -4 -4 -4 +4 +3 -2

-2 +2 +2 -3 +4 -4 (wha)

-2 +4 -4 (wha)

-2-2 -3-3 -4-4 +5+5 -5-5-5 +5 -4+4

-4+4+4-4+5-5-6 (wha)

-2-2 -3-3 -4-4 +5+5 -5+5+4 -5+5-4+4

-4-4-4-4(wha) +4 -3+4-4+4-3+3+2

-2-2-2-2(wha) +3+4-3+3+2-1

-2+2-2 (transição)

-2+2;+2-2;+3-3;+3-3;+4-4;-4+4-3+3+2

+3-3;+3-3;+4-4;-4+4 -3+3-2 (x2)

+3-3;+3-3;+4-4;-4+4;+5-5 +5-5+5;-4+4

+6-6-5+5-4+5-4+4+3+3+3+3 (wha)-3+3+2-1

-2-2-3-3 -4-4 +5+5 -5-5 +5+5 -4-4 -3-3 (x2)

+4+4 +5+5 +6+6 -6-6 +7+7 -6-6 +6+6 +5+5

-2-2 -3-3 -4-4 +5+5 -5-5 +5+5 -4-4 -3-3

-4 -4´ -4

-4+5-4 +4 +3 -3 -4 +5 -5

-6-6-6-6-6 (wha) +5 -4 [-3 -4] Double Stop

Boogie Chillen (Hakan Ehn version)

This song is beyond my ability to play well, and you shouldn’t count
on the tab being accurate. Think of it as a guide. I’ll make
corrections as I figure them out.

«-2\-2’» is a slur.

One note in parenthases like (-1) means to play that note VERY
quickly.

(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-2) -4′ -3′ -2 -2 -4′ -3′ -2 -2\-2’

(-4-5) 4 -3’ 4 -4 4 -3\-3’
—4 4 -3’ 4 -4 gliss to -2
-5 5 -4 5 -5 5 -4
-5 5 -4 5 -5 5 -4 -4 gliss to -1

(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-2) -4′ -3′ -2 -2 -4′ -3′ -2 -2\-2’

Well , my Mama she didn´t allow me, just to stay out all night long

(-1) -2 -2

Well , my Mama didn´t allow me, just to stay out all night long

(-1) -2 -2

I didn´t care what she’d allow. I was boogiein’ anyhow.

(-1) -2 -2 -2 -3’ -4
(-2 gliss to -5)-5′ 5 5 -4 4 -3’ -2 -2 -3 -2 -2\-2’
-4 -5 -5 -5 5 -4 4 -3’ -2-3-2 (shake -4 -5) -5 5 -4 4 -3’ -2

(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-2) -4′ -3′ -2 -2 -4′ -3′ -2 -2\-2’

When I first came to town, people, I was walkin´ down Hastings Street.
Everybody was talkin about

-2 (-3 -4) (-3 -4) -3 -2

The Henry Swing Club.

-4’ -4 -5(trips) -4’ -4 -5 -4’ -4 (Shake -4 -5)

I dropped in there that night

-4’ -4 -5(trips, 2 times) -4 -3’ -2

When I got there I said, “Yeah, people

-5 -5 -5 -5 -5 -5 -5 -5 6 -5 (-4 slide to -2)

They were really havin´ a ball. Yes, I know”

-5 -5 -5 -5 (shake -4-5) gliss down to -2

Boogie chillen´

(-1) -2 -2 -2”
(-2) -1 -2” -2 (trips, 3 times)
-2” -2 -1 -2
(-2) -1 -2” -2 (trips, 3 times)
-2” -2 -1 -2 -3\-3’
-4 -4’ -3 -2 (-3’ -4’) (-3 -4) -3 -2 -4’ -4

(-3’ -4) (-3 -4) (-4 -5) (trips, 8 times): 4 -4 -5
(-4 -5 start bent, unbend) (-4 -5 start bent, unbend)
(-4 -5) (-4 -5) (-4 -5) (trips, 2 times)
(-4 -5) (4 5) (-3 -4) (-4 -5) (this line 5 times)
(-4 -5) (a bunch of these rapid fire with a (-4’ -5’)
thrown in here and there for 4 bars), then -3 -2

(-3 gliss to -6) -5 -4 -5 -4 -3 -4 -3 -2
-4’ -3 -2 -4’ -3 -2 -4’ -3 -2 -1 -1’

-2 -3’ -4’ (-3 -4) start bent, unbend 6 times)
-4 -4 -3’ -2”

(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-2) -4′ -3′ -2 -2 -4′ -3′ -2 -2\-2’

One night I was layin´ down

(-1) -2 -2 -2

I heard Mama and Papa talkin´

(-1) -2 -2 -2 -2

I heard Papa tell Mama,

(-1) -2 -2 -2 -2

“Let that boy boogie woogie

(-1) -2 -2 -2

´Cause it´s in that boy

(-1) -2 -2 -2 -2

And it got to come out.”

(-1) -2 -2 -2 -2

Well, I felt so good

(-1) -2 -2 -2 -2

And I went on boogie-woogie´n´ just the same

(-1) -2 -2 -2 -2 -3’ -4
(-1) -2 -2 -2 -3’ -4
(-1) -2 -2 -2 -3’ -4
-2 -4’ 4 -3 -2 -3’
(-1) -2 -2 -2 -3’ -4
(-1) -2 -2 -2 -3’ -4
-2 (-4 -5) (-4 -5) (-4 -5) (-4 -5) (-4 -5)
-4 -3 (-4 -5) -4 -3 -2

-2 -1 (-2’ -3’) -2 (this line 8 times)
(5 6) (-4 -5) (5 6) -4 -4’ 4 -3 -3’ -2 (4 times)

(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-1) -2 -2 -2 (-1) -2 -3’ -4
(-2) -4′ -3′ -2 -2 -4′ -3′ -2 -2\-2’

-1 -2” -2 -2 -2” -1

Boogie

1 2 3 -3 -3* -3* -3 3 2

1 2 3 -3 -3*-3* -3 3 2

-2 -3 -4* -5 -5* -5*-5 -4* -3

1 2 3 -3 -3*-3*-3 3 2

3 -4 -5 6 -2 -3 -4* -5

1 2 3 -3 -3* -3* -3 3 2

1 2 3 -3 -3*-3* -3 3 2

-2 -3 -4* -5 -5* -5*-5 -4* -3

1 2 3 -3 -3*-3*-3 3 2

3 -4 -5 6 -2 -3 -4* -5

1 2 3 -3 -3* -3* -3 3 2

1 2 3 -3 -3*-3* -3 3 2

-2 -3 -4* -5 -5* -5*-5 -4* -3

1 2 3 -3 -3*-3*-3 3 2

3 -4 -5 6 -2 -3 -4* -5

1 2 -2 -2* 3 3 3 3

Boo Hoo

Edward Heyman, Carmen Lombardo & John Jacob Loeb

6 6 5 5 -5 6 -7 -6 -5
Boo hoo, you’ve got me crying for you.

-4 -4 5 -5 -6 6 5
And as I sit here and sigh,

-6 6 7 -7 -8 7
I can’t believe it’s true.

6 6 5 5 -5 6 -7 -6 -5
Boo hoo, I’ll tell my mama on you.

-4 -4 5 -5 -6 6 5
The little game that you played

6 -5 -6 6 7 -7 -8 7
has hade her baby oh so blue.

7 7 -6 -5 5 6
You left me in the lurch.

7 7 7 8 7 7 -7 -8
You left me waiting at the church.

6 6 5 5 -5 6 -7 -6 -5
Boo hoo, that’s why I’m crying for you.

-4 -4 5 -5 -6 6 5
Someday you’ll feel like I do,

6 -5 -6 6 7 -7 -8 7
And you’ll be boo-hoo-hooin’ too.

Bony Moronie

BONY MORONIE
By: Larry Williams
Key: F

-5* -6 -5* -6 -6 5 5 -5 3 -3*
I got a girl named Bo-ny Mo-ro-nie.
-5*-6 -5* -6 -6 -6 -6 5 5 5 -5 3* -2
She’s as skin-ny as a stick of mac-a-ro-ni.
-5 -5 -5 -5 -5
Ought-a see her rock
-5 -5 -5 -5 -5
with her blue jeans on.
-5 -6 -6 -6 5 5 -2 -2
She’s not fat, she�s just skin and bones.

6 6 6 -5 -5 -5
I love her, she loves me.
6 6 6 -5 5 -5 -5 -5
Oh how hap-py now we can be.
5 -5 -5* -5* -5 5 -2 -2 -2 -2-3
Mak-ing love un-der-neath the ap-ple tree.

-6 -5* -6 -6 -6 -6 5 5 -5 -5 3*-2
Well, I told your ma-ma and your pa-pa too
-6 -6 -6 -6 5 5 5 -5 3*-2
Just ex-act-ly what I’m gon-na do.
-5 -5 -5 -5 -5 -5 -5 -5 -5
We�ll get mar-ried on a night in June,
-5 -5 -5 -6 -6 -6 5
And rock and roll by the light
5 5 -2 -2 -2
of the sil-v�ry moon.

6 6 6 -5 -5 -5
I love her, she loves me.
6 6 6 -5 5 -5 -5 -5
Oh how hap-py now we can be.
5 -5 -5* -5* -5 5 -2 -2 -2 -2-3
Mak-ing love un-der-neath the ap-ple tree.

7 -6 7 7 7 -5 -5
She’s my one she’s my on-ly,
-5 6 -3* 3 3
she’s my heart’s de-sire.
7 -6 7 7 -5 -5
She’s a real up-set-ter,
-5 -3* -3* 3
she’s real live wire.

6 6 6 6 6 6 6 6 6
Ev-ry-bod-y looks when she goes by.
-5 6 -5 7 7 -5 -5
She’s a real good, good girl
-5 6 3 3 3
real-ly grabs your eyes.

-6* -6* -6* 6 6 6
I love her she loves me,
-6*-6* -6* 6 -5 6 6 6
Oh how hap-py now, we can be.
-5 6 -6 -6 6 -5 3 3 3 3-4
Mak-ing love un-der-neath the ap-ple tree.
7 -6 6 -5 -8 -7 7 -6*
I got a girl. I got a girl

Bonus Song

Please learn this song and make a youtube video

of you playing it i really wanna hear it.

SEND ME A LINK PLEASE.

x= DRAW

+x= BLOW

H= HOLD

V= VIBRATO

‘ = HALF STEP BEND

» = FULL STEP BEND

X=X …. WARBLE

I have absolutely no idea who played this song who wrote

it or anything.. Here is the link to my youtube page so you can hear it.

its a great melody based off the pentatonic scale which

has a blow bend & full step bends which make it an intermediate

piece. Any iformation on this piece would be greatly appreciated.

Its not by someone famous I found this song around 2005 on some backwater harmonica tutorial site.

IT its simple and smooth. the riffs are rather lengthy BUT if your used to practicing scales

(Im not) this song will come almost naturally to you! 🙂 anywho…until next time.. HARP ON!!!!!!!!

2 2 3″ 4

2 2 3′ 4 +5 2

+2 3″ 3′ 2 +2 1 +2 1

2 2 3″ 4

2 2 3′ 4 +5 2

+2 3″ 4 5+ 6+

5 6 7 +6 +5 4 3″ 4 +5 2

1 +2

3″ 4 5+ 6+ 6 7 +6 +5 4 3″ 2 2

3=4 +4 4 3″ 2 +2 3″ 1 +2

3=4 +4 4 3″ 2

3″ 4 5+ 6+ (h)

6 7 8 +8 +9 +9′(h)

+8′ +8 +9 +8 8 7 6 +6 +5 4 3″ 4 +5 +6 +5 4 3″ 2 +2

3″ 3’ (4’V) +5 +6 +5 4 3″2 +2 3″ 2 2 +2 2(h)

Oh yeah the bass harmonica is playing these chords

x2= repeat chord 2 times

+XXX= three notes played at once (BLOW)

XXX= three notes played at once (DRAW)

XX= two notes palyed together

321…………. X2

+321…………….X2

12……………x2

+321………….X2.

THATS ITS… ITS REALLY SIMPLE… KEEP REPEATING THAT PATTERN

Have another harmonica player play the rythm while you kill the solo

Bonny Farday (hi-lo)

Trad. folk
Preston Little
Key: Em

8 8 -8 -8 8 -8 7 -6 6
5 5 -4 -4 5 -4 4 -3” 3
Three fine la-dies lived in a bow’r-y,

7 7 -8 -8 8 -87 -8
4 4 -4 -4 5 -44 -4
Ju-ry flow’r and rose-mar-y,

8 8 -8 -8 8 -8 7 -6 6
5 5 -4 -4 5 -4 4 -3” 3
Three fine la-dies lived in a bow’r-y,

-6 -6 8 8 8 -10
-3” -3” 5 5 5 -6
They went forth in a field

9 -9 8 -8
6 -5 5 -4
that was flow’r-y

7 7 -8 -8 7 7 -6
4 4 -4 -4 4 4 -3”
Ju-ry flow’r and rose-mar-y.

They pulled flow’rs by two, by three,
Jury flow’r and rosemary,
They pulled flow’rs by two, by three.
A man come, bent on a robbery,
Jury flow’r and rosemary.

He asked one sister would she wife.
Jury flow’r and rosemary,
He asked one sister would she wife.
He robbed her of her own sweet life.
Jury flow’r and rosemary,

He buried her so tenderly
Jury flow’r and rosemary,
He buried her so tenderly.
To keep the flowers company.
Jury flow’r and rosemary,

He took the second by the hand,
Jury flow’r and rosemary,
He took the second by the hand,
He made her lightly step and stand.
Jury flow’r and rosemary,

He asked this sister would she wife,
Jury flow’r and rosemary,
He asked this sister would she wife,
Or would she die by his wee knife.
Jury flow’r and rosemary,

She would not wife, she would not bide,
Jury flow’r and rosemary,
She would not wife, she would not bide,
So at that robber’s hand she died.
Jury flow’r and rosemary,

So like the first he laid her by,
Jury flow’r and rosemary,
So like the first he laid her by,
To keep the flowers company.
Jury flow’r and rosemary,

He took the wee one by the hand,
Jury flow’r and rosemary,
He took the wee one by the hand,
She would not step, she would not stand.
Jury flow’r and rosemary,

Said, ‘I’ll not marry such as you,’
Jury flow’r and rosemary,
Said, ‘I’ll not marry such as you,
Who killed my sisters one and two.’
Jury flow’r and rosemary,

‘Among my kin my brother strong’
Jury flow’r and rosemary,
‘Among my kin my brother strong
Will kill you for this very wrong.’
Jury flow’r and rosemary,

‘What name, what name, what name, my fay?’
Jury flow’r and rosemary,
‘What name, what name, what name, my fay?’
‘My brother’s name is Bonny Farday.’
Jury flow’r and rosemary,

‘Oh Sister dear, what can I do’
Jury flow’r and rosemary,
‘Oh Sister dear, what can I do
But kill myself in room of you?’
Jury flow’r and rosemary,

‘Come dig my grave full wide and deep’
Jury flow’r and rosemary,
‘Come dig my grave full wide and deep
And place my sisters at my feet.’
Jury flow’r and rosemary,

Bonny Farday (chrom)

Trad. folk
Preston Little
Key: Em

-4 -4 -3 -3 -4 -3 3 2 -1
Three fine la-dies lived in a bow’r-y,
3 3 -3 -3 -4 -33 -3
Ju-ry flow’r and rose-mar-y,
-4 -4 -3 -3 -4 -3 3 2 -1
Three fine la-dies lived in a bow’r-y,
2 2 -4 -4 -4 6
They went forth in a field
-5 4 -4 -3
that was flow’r-y
3 3 -3 -3 3 3 2
Ju-ry flow’r and rose-mar-y.