Frankenlied

: 6 7 6 5 7 -8 8 7
Wohl auf, die Luft geht frisch und rein,
Den al- ler schöns-ten Son- nen-schein

7 -7 -6 6 -5 -6 6 :
Wer lan- ge sitzt muß ros-ten.
Läßt uns der Him- mel kos-ten.

6 -8 -7 7 -6 6 -5 5
Jetzt reicht mir Stab und Or-dens-kleid

6 -8 -7 7 -6 6 -5 5
der fah-ren-den Scho- la -ren,

6 8 8 8 8 -9 -9 -9
Ich will zur schö-nen Som-mers-zeit

-9 8 7 8 -8 -8 7
Ins Land der Fran-ken fah-ren!

-6 -7 6 8 -8 7
Va- le -ri, Va- le -ra,

-6 -7 6 8 -8 7
Va- le -ri, Va- le -ra,

-6 6 7 8 -8 -8 7
Ins Land der Fran-ken fah-ren!




Fragile

A lot of this song is instrumental, so listening to the midi (see link
above) will help if you’re not familiar with it.

INTRO
+2 -4 -3 -4
+2 -4 -3 -4 -4 -3 -4 -4 -3
+2 -4 -3 -4
+2 -4 -3 -4 -4 -3 -3 -4

(melody begins here)
-4 -3 +3 +3
-4 -4
+3 <-2 +2 +2 +3 +3 +3 <-2 +2 +2 <-1 <-1 <-2 +2 +3 -4 -3 +3 +3 -4 -4 +3 <-2 +2 +2 +3 +3 +3 <-2 +2 +2 <-1 <-1 <-2 +3 +2 +2 -4 -3 -4 +2 -4 +5 -3 +3 -3 If blood will flow when flesh and steel are one -3 -3 -3 -3 -3 -3 -3 +3 -3 -4 -4 Dry-ing in the col-our of the eve-ning sun +2 -4 -4 -4 -4 -4 -4 -4 -4 +3 To-mor-row's rain will wash the stains a-way +2 -3 -3 -3 -3 -4 -3 -3 +3 +3 But some-thing in our minds will al-ways stay +2 -4 -4 -4 -3 -4 -3 -4 Per-haps this fi-nal act was meant +2 -4 +5 -4 -3 -3 +3 -3 To clinch a life-time's ar-gu-ment +2 -3 -3 -3 +3 -3 +3 -3 +3 That noth-ing comes from vi--o-lence and -3 -4 -4 -4 -4 noth-ing ev-er could +2 -4 -4 -4 -4 -4 -4 -4 -4 +3 For all those born be-neath an an-gry star -3 -3 -3 -3 -3 -3 <-2 +2 +2 Lest we for-get how fra-gile we are (repeat next part 2x and repeat the last line twice the second time around; in the original there is an instrumental part between the repetition of this section) -3 +3 -3 +3 +3 <-2 +3 On and on the rain will fall <-2 +3 <-2 <-2 +2 <-2 +3 <-2 <-2 +2 Like tears from a star like tears from a star -3 +3 -3 +3 +3 <-2 +3 On and on the rain will say <-2 +3 <-2 <-2 +2 <-2 +3 <-2 <-2 +2 How fra-gile we are how fra-gile we are




Frag den Abendwind

6 -6 7 -7 -7 -5 6 -6 7 7
Frag den Abendwind, wo das Glück beginnt
5 -5 6 -6 -6 -4 5 -5 -5 5 -5 6
Aber frage nicht, woran es manchmal zerbricht
6 -6 7 -7 -7 -5 6 -6 7 7
Frag den Silbermond, wo die Liebe wohnt
5 -5 6 -6 -6 -4 5 -5 5
Doch wann sie zerbricht, das frage nicht

6 -5 -5 6 6 -5 6 6 -5 -5 6 6 -6 -6
Märchen sind so wunderschön weil die Kinder sie verstehn
-6 -6 -6 -6 7 -6 -6 7 -7 -7 7 7
Und der Prinz am Ende doch, den bösen Drachen stets besiegt
6 -5 -5 6 6 -5 6 6 -5 -5 6 6 -6 -6
Wer den Regenbogen fand der am hohen Himmel stand
-6 6 6 -5 -5 5 5 -3 -3 4 -3 -3 -3 -4 4
Der allein weiß wo der schönste Schatz der Welt begraben liegt
Frag den Abendwind, ……

Immer bricht der Sommerwind, Blüten wie ein kleines Kind
Das mit seinem schönsten Spielzeug, nichts mehr anzufangen weiß
Alle Straßen sind so grau, doch die Welt dreht sich im Kreis
Immer werden Sterne blind wenn neu ein junger Tag beginnt

Frag den Abendwind,……




FPH 0 Red River Valley

Last note in each line could be performed as vibrato.

3 4 5 5 5 5 -4 5 -4 5

3 4 5 4 5 6 -5 5 -4

6 6 -5 5 5 -4 4 -4 5 6 -5

3 3 3 -3 4 -4 5 -4 4




FPH 0 Piano Man (sin acordes)

6 -6 6 -5 5 -5 5 4

4 4 4 -4 4 -4

5 -5 6 -6 6 5-5 5 -5 5 4

4 -5 5 4 4




FPH 0 Pentatonica

6 -5 -4 4 -3 3




FPH 0 Octave practice

I (execute 2 times)
4 -4 5 -5 6 -6 -7 7 -8
7 -7 -6 6 -5 5 -4

II (execute 2 times)

4 -4 5 -4 4 -4 5 -4
4 -4 5 -5 6 -5 5 -4

I (execute 2 times again)




FPH 0 Acompañamiento I

I.
-1 -1 -2
1 -1 2
-2 -2 -3 4 (-4)

IV.
-4 4 3
-4 4 3

I.
3 3 -3 3 (3)

V.
3 3 -3

IV.
-4 4 3

I.
3 3 -3 3 3

Todo seguido:
-1 -1 -2
1 -1 2
-2 -2 -3 4 (-4)

-4 4 3
-4 4 3

3 3 -3 3 (3)

3 3 -3

-4 4 3

3 3 -3 3 3




FO_OL ON THE HILL

BY THE BEATLES
KEY OF C

5 5 5 5 5 -5 6 -6 -6
DAY AF-TER DAY A-LONE ON A HILL
-5 6 -6 -7 -7 7 7 7 7 -6
THE MAN WITH THE FOOL-ISH GRIN IS KEEP-ING
6 -8 -8 -8
PER-FECT-LY STILL
6 -6 -8-8 -8 7 9 -8
BUT NO-BOD-Y WANTS TO KNOW HIM
-6 6 -6 7 7 7 -6 7 -6
THEY CAN SEE THAT HE’S JUST A FO-OL
-6 -6 -8 7 -8 7 -8 9
AND HE NEV-ER GIVES AN ANS-WER
7 -6 7 6 -6 -5 6
BUT THE FO-OL ON THE HILL
-5 6 -6 6 -5 -5
SEES THE SUN GO-ING DOWN
6 -6 7 6 -6 6
AND THE EYES IN HIS HEAD
6 7 -8 8 -8 7
SEE THE WORLD SPIN-NING ROUND

WELL ON THE WAY, HEAD IN A CLOUD
THE MAN OF A THOUSAND VOICES TALKING
PERFECTLY LOUD
BUT NOBODY EVER HEARS HIM OR THE SOUND
HE APPEARS TO MAKE
AND HE NEVER SEEMS TO NOTICE.
BUT THE FOOL ON THE HILL SEES THE SUN GOING
DOWN AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING ROUND

DAY AFTER DAY ALONE ON A HILL
THE MAN WITH THE FOOLISH GRIN IS
KEEPING PERFECTLY STILL
AND NOBODY SEEMS TO L IKE HIM
THEY CAN TELL WHAT HE WANTS TO DO
AND HE NEVER SHOWS HIS FEELINGS
BUT THE FOOL ON THE HILL SEES etc. etc.

DAY AFTER DAY ALONE ON A HILL
THE MAN WITH THE FOOLISH GRIN IS
KEEPING PERFECTLY STILL
HE NEVER LISTENS TO THEM HE KNOWS
THAT THEY’ER THE FOOLS
THEY DON’T LIKE HIM
BUT THE FOOL ON THE HILL SEES etc. etc.




Foxy Lady

+5b +5 +5b +5
Fox-y Fox-y
-10 -10-10 +9 +8 +7 +8 +8 +7 +8 +8 -8 +7
You kn—ow you are a cute little heartbreaker
-7b -7 -7
Fox-y yeah,,,
-10 -10-10 +9 +8 +7 +8 +8 +7 +8 +8 -8 +7
You kn—ow you are a sweet little lovem—aker
-7b -7
Fox-y
+8 -10 +9 -10 +9 -10 -7
I wan-na take you home—yeah,,
+10b -10 -10 +9 +8 +8 +8
I—-wont do you no ha-rm,
-10b +10 -10 +9 +9 +8 -6b -6 -8 -7
Youve got to be all mi-ne,——all mine
-7 -7 -7 -7 -7
Ooh, fox-y lad-y
+5b-+5 +5b +5
fox-y fox-y
+5 +5
now ahh
+8 -10 -10b -10 +8 +9 -10 +9 -10b -10
I see yo——u, come down on the sce—ne
+8 +7b -6
Oh Fox—y
+8 +10 -10 -10 +8 +8 +9 +8 -8 +7+7 -9
You mak—e me wanna get up and a scream
-7 -7
Fox-y
-7 -7-7 -7 -7 -7
Ah, baby listen now
+8 +10 -10 +9 -10b -10
Ive mad—e up my mind
+8 +10 -10 +9 +9 +9 +8 +9 +8 +9b +9
Im tir—ed of wasting all my precious tim—e
-10b +10 -10 +9 +9 +8 -6b -6 -8 -7
Youve got to be all mi-ne,——all mine
-7 -7 -7 -7 -7
Ooh Fox-y lad-y
(SPOKEN)—Here I come
+8 -10 +9 -10 +9 -10
Im gon-na take you home
+10b -10 -10 +9 +8 +8 +8
I—-wont do you no ha-rm,
-10b +10 -10 +9 +9 +8 -6b -6 -8 -7
Youve got to be all mi-ne,——all mine
(spoken):Here I come,Im comin to get ya
(spoken):Im comin to get ya
-10 +8 -10-10 +9 +8-8
Fox—y lad—y yeah yeah
+8 +8 +8 -8 +7 +7
You look so go—od
-7b -7 -7
Yeah, fox-y
-7b -8 +7 -6
Yeah, give us some
-7b -7
Fox-y
-7b -7
Fox-y
-7b-7 -7 -7
Fox-y lad-y
-7b-7 -7 -7
Fox-y lad-y




Chase

There are 4 beats to the bar I have put a / at
the end of each bar.

-2 -(123) 2 -(123)/ 2 -(123) 2 -(123)/

b-3 -3 b-3 -(123) 2 -(123)/ -2 -(123) -2 -(123)/

-2 (234) -2 -(123)/ -2 -(123) 2 -(123)/

b-3 -3 b-3 -(123) 2 -(123)/ -2 -(123) -2 -(123)/

b-3 -3 b-3 -(123) 2 -(123)/ b-3 -3 -(234) -3

-(234)/ b-3 -3 b-3 -(123) 2 -(123)/ -(123)~~~~~/




Fragile (Chorus)

-6 6 -5 6 -5 -5
Come take my heart of glass

(-5) -5 -4 -5 -6
(And) Give me your love

-6 6 -5 6 -5 -5
I hope you’ll still be there

-5 -5 -5 -4 -5 -6
To pick the pieces up

-5 7 7 7 7 -5 7 -5 7 -5
Cause baby I’m fragile, fragile, fragile

-5 7 7 7 7 -5 7 -5 7 -5
Cause baby I’m fragile, fragile, fragile

4 -5 5
Oh oh oh…




Fourth Rendez-Vous

(1)(2)(3)
(1)4(3)(1)
(2)4(3)(1)
(3)
(3)
2
(1)(2)(3)
(1)4(3)(1)
(2)4(3)(1)
(3)
(3)
2
(1)(2)(3)
(1)4(3)(1)
(2)4(3)(1)
(3)
(3)
2
(1)(2)
(1)(2)
(1)(2)(3)
(1)4(3)(1)
(2)4(3)(1)
(3)
(3)
2
(1)(2)(3)
(1)4(3)(1)
(2)4(3)(1)
(3)
(3)
2

(2)(2)
(2)(2)2
(2)(2)
(2)(2)2
(2)(2)
(2)(2)4
2(3)2(2)2(2)

(2)
(2)(3)(3)(3)(2)(3)(2)
(2)(3)(3)(3)(2)(3)(2)
(2)(3)(3)(3)(2)(3)(2)
65
65
(2)(3)(3)(3)(2)(3)(2)
65
65
(2)(3)(3)(3)(2)(3)(2)
65
65
(2)(3)(3)(3)(2)(3)(2)




Fourth Dimension

-6 -6 -6 -6 5 6
I could take steps in this
-6 5 6 -6
moon and that cloud.
-6 -6 -6 -6 5 6
Look at my breath and still
-6 5 6 -6
feel the warm out.
-6 -6 -6 -6 5 6 -6
This isn-‘t a-bout sea-sons
-6 -6 -6 -6 5 6 -6
or a-bout ryhme and rea-son.

-6 -6 -6 -6 -6 5 6
Try-ing to be smart but my
-6 5 6 -6
O’s and my ones
-6 -6 -6 -6 5 6 -6 5 -6
on-ly show starts in my toes and thumbs.
-6 -6 -6 -6 5 6 -6
No-thing adds up but a-grees.
-6 -6 -6 -6 5 6 -6
You be-comes us and makes three.

-7 8 -8 -7 6 -8 -7 -6
Cheers to such an old in-ven-tion.
-7 8 -8 -7 6 -8 -7 -6
Dear we touched the fourth di-men-sion




Four Walls

By: Marvin Moore & George Campbell
Jim Reeves
Key: Eb

7 7 7 7 7* -7* -7* 7*
Out where the bright lights are glow-ing
-3* 7* 7 -6 7* 7 -6 7
You’re drawn like a moth to a flame
-7* 7 7 7 7 7* -7* 8* 8
You laugh while the wine’s ov-er-flow-ing
8 -7* 7 -5 -5 -5 -6 -5*
While I sit and whis-per your name

CHORUS:

7 7 7 7* 7*
Four walls to hear me
-7* -7* 7*-7*7* 7
Four walls to see
7 -9* -9 -9 8
Four walls too near me
-7*-3*7* 7 -67-6 -5*
Clos-ing in on me

Some-times I ask why I’m waiting
But my walls have nothing to say
I’m made for love not for hating
So here where you left me I’ll stay

CHORUS

One night with you is like heaven
And so while I’m walking the floor
I listen for steps in the hallway
And wait for your knock on my door.




Four Strong Winds (harp solo, only)

What I tabbed starts at 1:13 in the video.

4 -4 5 5 5 -4 4 -4 -4

-3 4 -4 4 -3 4 4 4 5 6

-6 -6 -6 6 -5 5 -4 4 -3 3




Four Strong Winds (chromatic)

By: Ian Tyson
Neil Young, Johnny Cash
Key: C

3 -3 4 4 4 4-4 -3 -3
Guess I’ll go down to Al-ber-ta,
-3 4 -4 -4 4 -5 3
Weath-er’s good there in the fall.
1 3 -3 4 3 4 4 -3
I got some friends that I could go
-1 -3 4 -4
to work-in’ for.
4 -5 6 6 -5 5 -5
Still I wish you’d change your mind,
-3 4 -4 -4 4 -5 3
if I asked you one more time
-5 6 -6 -6 -6
But we’ve been through this
-6 4 4 4 -2 3
a hun-dred times or more.

3 4 4 4 -4 -3 -3
Four strong winds that blow lone-ly,
-3 4 -4 4 -5 3
Sev-en seas that run high,
3 -3 4 4 -4 -3
All those things that don’t change,
-3 4 -4 -1 2 -2 3 -2 2
come what may.
4 -5 6 6 -5 5-5 -5
If the good times are all gone,
-3 4 -4 -4 4 -5 3
then I’m bound for mov-ing on.
-5 6 -6 -6 -6 6 4 4 4 -2 3
I’ll look for you if I’m ev-er back this way.

|-1 2 -2 |3 -2 2 -1 3 -3 |

3 -3 4 4 4 4 -4 -3 -3
If I get there be-fore the snow flies,
-3 4 -4 -4 4 -5 3
and if things are look-ing good.
3 -3 4 3 3 3 -3 -1 -3 4 -4
You could meet me if I send you down the fare,
4 -5 6 6 -5 5 -5 -5
But by then it would be win-ter,
-3 4 -4 -4 4 -5 3
not too much for you to do.
-5 6 -6 -6 -6 -6
And those winds sure can blow
4 4 -2 3 -1 2 -2 3 -2 2
cold way out there.

3 4 4 4 -4 -3 -3
Four strong winds that blow lone-ly,
-3 4 -4 4 -5 3
Sev-en seas that run high,
3 -3 4 4 -4 -3
All those things that don’t change,
-3 4 -4 -1 2 -2 3 -2 2
come what may.
4 -5 6 6 -5 5-5 -5
If the good times are all gone,
-3 4 -4 -4 4 -5 3
then I’m bound for mov-ing on.
-5 6 -6 -6 -6 6 4 4 4 -2 3
I’ll look for you if I’m ev-er back this way.

3-2 2 -1
-5 6 -6 -6 -6 6 4 4 4 -2 3
I’ll look for you if I’m ev-er back this way.




Four Strong Winds

6 6 -6 7 7 7 -7-6-6
I think I`ll go out to Alberta
-6 7 -7 -7 7 -8 6
Weather`s good there in the fall
6 6 -6 7 7 7 -7 -6 -6
I`ve got some friends that I could go to
-6 7 -7
workin` for
7 -8 8 8 -8 7 -8
Still I wish you`d change your mind
-6 7 -7 -7 7 -8 6 -8 8 -9
If I ask you one more time but we`ve been
-9 -9 -8 7 7 7 -6 6
through that a hundred times or more

CHORUS
6 -6 7 7 -7 -6 -6
Four strong winds that blow lonley
-6 7 -7 7 -8 6
seven seas that run high
6 -6 7 7 -7 -6 -6 7 -7
All these things that won`t change come what may
7 -9 8 8 -8 7 -8
If my good times are all gone
-6 7 -7 -7 7 -8 6
and I`m bound for movin` on
-8 8 -9 -9 -9 -8 7 7 7 -6 6
I`ll look for you if I`m ever back this way

VERSE 2
And if I get there before the snow flies
and things are goin` good
You could join me if I send you down the fare
But by then it`ll be winter it would do no good
For the winds sure can blow cold way out there
CHORUS
VERSE3
7 -8 8 8 -8 7 -8
Still I wish you`d change your mind
-6 7 -7 -7 7 -8 6 -8 8 -9
If I ask you one more time but we`ve been
-9 -9 -8 7 7 7 -6 6
through that a hundred times or more

CHORUS
End the song by repeating the last two lines
of the chorus twice and fade out




Four Sticks

By: Jimmy Page & Robert Plant
Led Zeppelin
Key: A

5* -5 6 7 (6X)

2 2 3 -1 2 -1 2-1
Oh Ba-by it’s cry-in’ time
2 2 3 -1 2 -1 2-1
Oh Ba-by I got to fly.
4* -4 4* -4 6 4*4*-3
Got to try to find a way
-5 -4 -5 -4 6 -5 -3-4
Got to try to get a-way
-5 -4 -5 -4 -5 -4
‘Cause you know I got-ta
6 4* -4 -3 3 2-1
get a-way from you Babe.
2 2 3 -1 2 -1 2-1
Oh Ba-by the riv-er’s red
2 2 3 -1 -1 2-1
Oh Ba-by in my head.
4* -4 4* -4 4* -4 6 -4 -3
There’s a fun-ny feel-in’ go-in’ on
4*-5 4* 4* -4 -4 6 4* -4
I don’t think I can hold out long.

4* 4* 4* -54* 4* -4 -4 -4
And when the owls cry in the night
6 6-5-5 -5 4* 4* 4* 4* -4 -4 -4 -44*
Oh Ba-by Ba-by when the pines be-gin to cry
-3 -3 4* -5 6 -55* -4 -3 3 -33
Ba-by Ba-by Ba-by how do you feel?
6 6 6 -5 -54* 4*
If the riv-er runs dry,
-4 -4 -4 -4 6 -44*-4
Ba-by, How would you feel?

2 2 3 -1 2 -1 2-1
Craze, Ba-by, the rain-bow’s end,
2 2 3 -1 -1 2 -1
Mmm, Ba-by, it’s just a den
4* 4* -4 6-4-3 -4 -5 -4 -5
For those who hide, Who hide their love
-4 4*-5 4* 4*-4
to depths of life
-4 6 5* -4 6 -5 -4 -33 2
And ruin dreams that we all knew so, Babe.

4* 4* 4* -54* 4* -4 -4 -4
And when the owls cry in the night
6 6-5-5 -5 4* 4* 4* 4* -4 -4 -4 -44*
Oh Ba-by Ba-by when the pines be-gin to cry
-3 -3 4* -5 6 -55 -4 -3 3 -33
Ba-by Ba-by Ba-by how do you feel?
6 6 6 -5 -54* 4*
If the riv-er runs dry,
-4 -4 -4 -4 6 -44*-4
Ba-by, How would you feel?




Four seasons

4 5 -4 4 -4 5 -5 5

4 5 -4 4 -4 5 -5 5

4 -5 5 -4 4 -3 3

3 4 -4 -4

5 5 -5 5 5 5 -5 5

-4 4 -3 3 -3 -3 3




Four Pence A Day (chrom)

English folk song
Key: A
Time: 6/8

6 6 6 5* -5 6 6 6
The ore is wait-ing in the tubs
6 -7 -7 -8 7* -7
The snow’s up-on the fell
-7 -7 -7 7* -6* -6* 7*
Can-ny folk are sleep-ing yet
-7 -8 -7 7* -6* 6
But lead is reet to sell
-6* -6 -6* 7* -7 -7 7*
Come, me lit-tle wash-er lad
6 -7 5* -5 -4
Come, let’s a-way
-4 -3 5* 6 -7 -7 6
We’re bound down to slav-er-y
5* -5 -4 6 -3
For four pence a day




Four Pence A Day

English folk song
Key: A
Time: 6/8

6 6 6 5 -5 6 6 6
The ore is wait-ing in the tubs
6 7 7 -8 -7 7
The snow’s up-on the fell
7 7 7 -7 -6 -6 -7
Can-ny folk are sleep-ing yet
7 -8 7 -7 -6 6
But lead is reet to sell
-6 -6’ -6 -7 7 7 -7
Come, me lit-tle wash-er lad
6 7 5 -5 -4
Come, let’s a-way
-4 5 5 6 7 7 6
We’re bound down to slav-er-y
5 -5 -4 6 4
For four pence a day




Four Nights Drunk (hi-lo)

American folk song
Key: D

4 4 4 5 4 4 -3”
7 7 7 8 7 7 -6
I came home the oth-er night

3 4 4 4 5 6
6 7 7 7 8 9
As drunk as I could be

6 -6 -6 -6 -6 -6 6 5
9 -10-10 -10 -10 -10 9 8
I saw a horse in the sta-ble

5 6 -5 5 -4 4
8 9 -9 8 -8 7
Where my horse ought to be

3 3 4 4 4 4
6 6 7 7 7 7
So I said to my wife,

5 4 4 4 4 -3”
8 7 7 7 7 -6
My pret-ty lit-tle wife

3 4 4 4 5 6
6 7 7 7 8 9
Now won’t you tell me please

-6 -6 -6 -6 6 5
-10 -10 -10 -10 9 8
What’s this horse a-do-ing

-5 6 -5 5 -4 4
-9 9 -9 8 -8 7
Where my horse ought to be

4 -4 5 -5 -6
7 -8 8 -9 -10
She said you darn fool

-6 5 5 6 -5 6 -6 -5 5
-10 8 8 9 -8 8 -9 -8 8
You drunk-en fool, can’t you ev-er see

5 -5 -5 6 -6 6 5
8 -9 -9 9 -10 9 8
It’s noth-ing but a milk cow

5 6 -5 5 -4 4
8 9 -9 8 -8 7
My cous-in gave to me

3 3 4 4 4 4 4 -3” 3
6 6 7 7 7 7 7 -6 6
Well, I’ve trav-elled this wide world o-ver

3 4 4 4 5 6
6 7 7 7 8 9
Ten-thou-sand miles or more

6 6 -6 -6 -6 -6 6 5
9 9 -10 -10-10-10 9 8
But a sad-dle on a milk cow

5 6 -5 5 -4 4
8 9 -9 8 -8 7
I nev-er seen be-fore




Four Nights Drunk (chrom)

American folk song
Key: D

-5 -5 -5 -6* -5 -5 -4
I came home the oth-er night
-3 -5 -5 -5 -6* -7
As drunk as I could be
-7 -8 -8 -8 -8 -8 -7 -6*
I saw a horse in the sta-ble
-6* -7 7 -6* 6 -5
Where my horse ought to be
-3 -3 -5 -5 -5 -5
So I said to my wife,
-6* -5 -5 -5 -5 -4
My pret-ty lit-tle wife
-3 -5 -5 -5 -6* -7
Now won’t you tell me please
-8 -8 -8 -8 -7 -6*
What’s this horse a-do-ing
7 -7 7 -6* 6 -5
Where my horse ought to be
-5 6 -6* 7 -8
She said you darn fool
-8 -6* -6* -7 6 -6* 7 6 -6*
You drunk-en fool, can’t you ev-er see
-6* 7 7 -7 -8 -7 -6*
It’s noth-ing but a milk cow
-6* -7 7 -6* 6 -5
My cous-in gave to me
-3 -3 -5 -5 -5 -5 -5 -4 -3
Well, I’ve trav-elled this wide world o-ver
-3 -5 -5 -5 -6* -7
Ten-thou-sand miles or more
-7 -7 -8 -8 -8 -8 -7 -6*
But a sad-dle on a milk cow
-6*-7 7 -6* 6 -5
I nev-er seen be-fore




Four Nights Drunk (2nd pos)

American folk song
Key: D
Harp: G

3 3 3 -3 3 3 2
6 6 6 -7 6 6 5
I came home the oth-er night

-1 3 3 3 -3 -4
-4 6 6 6 -7 -8
As drunk as I could be

-4 5 5 5 5 5 -4 -3
-8 8 8 8 8 8 -8 -7
I saw a horse in the sta-ble

-3 -4 4 -3 -3”3
-7 -8 7 -7 -6 6
Where my horse ought to be

-1 -1 3 3 3 3
-4 -4 6 6 6 6
So I said to my wife,

-3 3 3 3 3 2
-7 6 6 6 6 5
My pret-ty lit-tle wife

-1 3 3 3 -3 -4
-4 6 6 6 -7 -8
Now won’t you tell me please

5 5 5 5 -4 -3
8 8 8 8 -8 -7
What’s this horse a-do-ing

4 -4 4 -3 -3”3
7 -8 7 -7 -6 6
Where my horse ought to be

3 -3” -3 4 5
6 -6 -7 7 8
She said you darn fool

5 -3 -3 -4 -3” -3 4 -3”-3
8 -7 -7 -8 -6 -7 7 -6 -7
You drunk-en fool, can’t you ev-er see

-3 4 4 -4 5 -4 -3
-7 7 7 -8 8 -8 -7
It’s noth-ing but a milk cow

-3 -4 4 -3 -3”3
-7 -8 7 -7 -6 6
My cous-in gave to me

-1 -1 3 3 3 3 3 2 -1
-4 -4 6 6 6 6 6 5 -4
Well, I’ve trav-elled this wide world o-ver

-1 3 3 3 -3 -4
-4 6 6 6 -7 -8
Ten-thou-sand miles or more

-4 -4 5 5 5 5 -4 -3
-8 -8 8 8 8 8 -8 -7
But a sad-dle on a milk cow

-3 -4 4 -3 -3” 3
-7 -8 7 -7 -6 6
I nev-er seen be-fore

QR code




Found a Peanut

4 4 4 3 5 5 5 4
Found a peanut, found a peanut,
4 5 6 6 -5 5 -4
Found a peanut just now,
-4 5 -5 -5 5 -4 5 4
Just now I found a peanut,
4 5 -4 3 -3 -4 4
Found a peanut just now.

Repeat the song replacing the words
“found a peanut” with the following words
for each verse

Cracked it open
It was rotten
Ate it anyway
Got a stomach ache
Called the doctor
Penicillin
Operation
Died anyway
Went to heaven
Wouldn’t take me
Went the other way
Didn’t want me
Was a dream
Then I woke up
Found a peanut




Fosterjorden

12 Hole Chromatic (std 48) Key of C

+5< +5< -3 -3 -3 -4 +5< +5< -4 -3 +3< -4 -4 -4 -4 +3< +3< -3 -3 -4 -4 +3< +3< +5< +5< -3 -3 -2< -2< +2 +2 +2 +2 -3 -3 +3< +3< -3 -3 -4 -4 +3< +3< +3< +3< -3 -3 -2< -2< +2 +2 -2< -2< +3< +3< +2 +2 +2 +2 -3 -3 +3< +3< -3 -3 -4 -4 +5< +5< -3 -3 -5 -5 +5< +5< -4 -4 -3 -3 +2 +2 -3 +1< +3< B -3 +1< -4 -1 +5< +2 -3 +1< -5 -2< +5< +2 -4 -1< +2 -1 -3 +1< +5< +5< +5< +5< -3 -3 -3 -3 -3 -3 -4 -4 +5< +5< +5< +5< -4 -4 -3 -3 +3< +3< -4 -4 -4 -4 +3< +3< -3 -3 -4 -4 +3< +3< +5< +5< -3 -3 -2< -2< +2 +2 +2 +2 -3 -3 +3< +3< -3 -3 -4 -4 +3< +3< +3< +3< -3 -3 -2< -2< +2 +2 -2< -2< +3< +3< +2 +2 +2 +2 -3 -3 +3< +3< -3 -3 -4 -4 +5< +5< -3 -3 -5 -5 +5< +5< -4 -4 -3 -3 +2 +2 -3 +1< +3< B -3 +1< -4 -1 +5< +2 -3 +1< -5 -2< +5< +2 -4 -1< +2 -1 -3 +1<




Forty-Four (slant harp)

-3” 4 4 -4 -4 -4 -4 -4 -3 4 4 4-3” -4 -4 -3” -2” -1
I wore my forty four so lo-ng, I made m—y shoulder so-r-e.
-3” 4 4 -4 -4 -4 -4 -4 -3 4 4 4 4 -4 -4 -4 -3” -2” -1
I wore my forty four so lo-ng, I done made m-y shoulder so-r-e.
-1 -2” -2 3 -3” -3” -3” -3” 4 -4 -2” -2” -3” -3” 3 -1
Well, I’-m goin’ mad everybody, while my baby go-ne.

-3” 4 4 -4 -4 -4 -4 -3
Well, I’m so mad this mor-ni-n,
4 4 4 4 -3” -4 -4 -3” -2” -1
I don’t know where’n the world to go-o-o.
-3” 4 4 -4 -4 -4 -4 -3
Well, I’m so mad this mor-ni-n,
4 4 4 4 -3” -4 -4 -3” -2” -1
I don’t know where’n the world to go-o-o.
-1 -2” -2 3 -3” -3” -3” -3” 4 -4
Well, I’-m lookin’ find me some money,
-2” -2” -2” -3” -3” -1
I’m dy’n’ to have some dough




Forty-Four (cross harp)

-4 -5 -5 6 6 6 6 6 5 -5 -5 -5 -4 6 6 -4 -3’ 3
I wore my forty four so lo-ng, I made m—y shoulder so-r-e.
-4 -5 -5 6 6 6 6 6 5 -5 -5 -5 -5 6 6 6 -4 -3’ 3
I wore my forty four so lo-ng, I done made m-y shoulder so-r-e.

3 -3’ 4 4 -4 -4 -4 -4 -5 6 -3’ -3’-4 -4 4 3
Well, I’-m goin’ mad everybody, while my baby go-ne.
-4 -5 -5 6 6 6 6 5
Well, I’m so mad this mor-ni-n,
-5 -5 -5 -5 -4 6 6 -4 -3’ 3
I don’t know where’n the world to go-o-o.
-4 -5 -5 6 6 6 6 5
Well, I’m so mad this mor-ni-n,
-5 -5 -5 -5 -4 6 6 -4 -3’ 3
I don’t know where’n the world to go-o-o.
3 -3’ 4 4 -4 -4 -4 -4 -5 6
Well, I’-m lookin’ find me some money,
-3’ -3’ -3’ -4 -4 3
I’m dy’n’ to have some dough




Forty-Five Minutes From Broadway

By: George M. Cohan
From: Forty-Five Minutes From Broadway
Key: Bb
Time: 3/4

-2 -2 -3* -2 -2*
The west so they say,
3 3 -2 -3* -2 -2*
Is the home of the jay,
-2* -2* -2 3 -3 -3*
And Mis-sou-ri’s the state
4 -5 4 3
That can grind them.
-3 4 -3 3
This may all be,
-2 3 -3 4 -3 3
But just take it from me,
-2 3 -3 -3* 3 -3 -3* 3 -3 -1
You don’t have to go out west to find them.
-1 1 2 3 -3* -3 3 -3 -3* -4 4 -3
If you want to see the real jay del-e-ga-tion,
-2 3 -3 -3* -3* -3 3 4
The place where the real ru-bens dwell,
1 1 2 3 -3*
Just hop on a train
-3 3 -3 -3* -4 4 -3
at the grand cen-tral sta-tion,
-2 3 -3 -3* -3* -3 3 -2
Get off when they shout «new ro-chelle!»

-1 -1* -2 3 -3 -3* 4 -5 4 3
On-ly for-ty-five min-utes from broad-way,
-3 -3* 4 -3 3 -2 -3*
Think of the chang-es it brings;
-3* -3* -4 3 -5 4
For the short time it takes,
4 4 -4 3 -5 4
What a dif-f’rence it makes,
-3* 4 -5 4 -3* 3 -3 -3* 4
In the ways of the peo-ple and things.

-2 3 -3 -3* 4 -5 4 3
Oh! what a fine bunch of ru-bens,
-3 -3* 4 -3 3 -2 -3*
Oh! what a jay at-mos-phere
-3* -3* -4 3 -5 4
They have whis-kers like hay,
4 4 -4 3 -5 4
And im-ag-ine broad-way
-3* 4 -5 4 -3* 3 -3* -3 -3*
On-ly for-ty-five min-utes from here.

When bunco men hear that their game is so near,
They’ll be swarming here thicker than bees are
In barnum’s best days,
Why he never saw jays
That were easier to get to than these are.

You tell them old jokes
And they laugh till they sicken;
There’s giggles and grins here to let.
I told them that one about «why does a chicken?»
The rubens are all laughing yet!

Only forty-five minutes from broadway,
Not a cafe in the town;
Oh! the place is a bird,
No one here ever heard,
Of delmonico, rector or browne.

With a ten dollar bill you’re a spendthrift;
If you open a bottle of beer.
You’re a sport,
So they say,
And imagine broadway
Only forty-five minutes from here.