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George Michael

George Michael (born Georgios Kyriacos Panayiotou; 25 June 1963 – 25 December 2016) was an English singer, songwriter, record producer, and philanthropist who rose to fame as a member of the music duo Wham! and later embarked on a solo career. Michael sold over 80 million records worldwide making him one of the best-selling music artists of all time. He achieved seven number one songs on the UK Singles Chart and eight number one songs on the US Billboard Hot 100. Michael won various music awards including two Grammy Awards, three Brit Awards, three American Music Awards, 12 Billboard Music Awards, four MTV Video Music Awards and six Ivor Novello Awards. In 2008, he was ranked 40th on Billboard’s list of the Greatest Hot 100 Artists of All Time.

Born in East Finchley, Michael formed the duo Wham! with Andrew Ridgeley in 1981. The band’s first two albums, Fantastic (1983) and Make It Big (1984), reached number one on the UK Albums Chart and the US Billboard 200. Certifying themselves as a global act, Wham!’s tour of China in April 1985 was the first visit to China by a Western popular music act, and generated worldwide media coverage. Michael’s first solo single “Careless Whisper” reached number one in over 20 countries, including the UK and US. His debut solo album, Faith, was released in 1987, topping the UK Albums Chart and staying at number one on the Billboard 200 for 12 weeks. Four singles from the album—”Faith”, “Father Figure”, “One More Try”, and “Monkey”—reached number one on the Billboard Hot 100. Faith was awarded Album of the Year at the 1989 Grammy Awards. Listen Without Prejudice Vol. 1 (1990) was a UK number-one and included the Billboard Hot 100 number-one “Praying for Time”.[5] “Don’t Let the Sun Go Down on Me”, a 1991 duet with Elton John, was also a transatlantic number one. Michael went on to release the albums Older (1996), Songs from the Last Century (1999) and Patience (2004). In 2004, the Radio Academy named him the most played artist on British radio during the period 1984–2004.

Michael, who came out as gay in 1998, was an active LGBT rights campaigner and HIV/AIDS charity fundraiser. Michael’s personal life and legal troubles made headlines during the late 1990s and 2000s, as he was arrested for public lewdness in 1998 and was arrested for multiple drug-related offences after that time. The 2005 documentary A Different Story covered his career and personal life. Michael’s first tour since 1991, the 25 Live tour, spanned three tours over the course of three years; 2006, 2007, and 2008. Four years later, he performed his final concert at London’s Earls Court in 2012. In the early hours of 25 December 2016, Michael was found dead at his home in Goring-on-Thames, Oxfordshire aged 53. A coroner’s report attributed his death to natural causes.

Early life

George Michael was born Georgios Kyriacos Panayiotou (Greek: Γεώργιος Κυριάκου Παναγιώτου) on 25 June 1963 in East Finchley, London. His father, Kyriacos Panayiotou (nicknamed “Jack”), was a Greek Cypriot restaurateur who emigrated to England in the 1950s. His mother, Lesley Angold (née Harrison, died 1997), was an English dancer. In June 2008, Michael told the Los Angeles Times that his maternal grandmother was Jewish, but she married a non-Jewish man and raised her children with no knowledge of their Jewish background due to her fear during World War II. Michael spent most of his childhood in Kingsbury, London, in the home his parents bought soon after his birth; he attended Roe Green Junior School and Kingsbury High School. Michael had two sisters: Melanie (1960–2019) and Yioda (born 1962).

While he was in his early teens, the family moved to Radlett. There, Michael attended Bushey Meads School in Bushey, where he befriended his future Wham! partner Andrew Ridgeley. The two had the same career ambition of being musicians.[9] Michael busked on the London Underground, performing songs such as “’39” by Queen. His involvement in the music business began with his working as a DJ, playing at clubs and local schools around Bushey, Stanmore, and Watford. This was followed by the formation of a short-lived ska band called The Executive, with Ridgeley, Ridgeley’s brother Paul, Andrew Leaver, and David Mortimer (later known as David Austin).

Wham!

Michael formed the duo Wham! with Andrew Ridgeley in 1981. The band’s first album Fantastic reached No. 1 in the UK in 1983 and produced a series of top 10 singles including “Young Guns”, “Wham Rap!” and “Club Tropicana”. Their second album, Make It Big, reached No. 1 on the charts in the US. Singles from that album included “Wake Me Up Before You Go-Go” (No. 1 in the UK and US), “Freedom”, “Everything She Wants”, and “Careless Whisper” which reached No. 1 in nearly 25 countries, including the UK and US, and was Michael’s first solo effort as a single. In 1985 Michael received the first of his three Ivor Novello Awards for Songwriter of the Year from the British Academy of Songwriters, Composers and Authors.

Michael sang on the original Band Aid recording of “Do They Know It’s Christmas?” (which became the UK Christmas number one) and donated the profits from “Last Christmas” and “Everything She Wants” to charity. Michael sang “Don’t Let the Sun Go Down on Me” with Elton John at Live Aid at Wembley Stadium in London on 13 July 1985. He also contributed background vocals to David Cassidy’s 1985 hit “The Last Kiss”, as well as Elton John’s 1985 successes “Nikita” and “Wrap Her Up”. Michael cited Cassidy as a major career influence and interviewed Cassidy for David Litchfield’s Ritz Newspaper.

Wham!’s tour of China in April 1985, the first visit to China by a Western popular music act, generated worldwide media coverage, much of it centred on Michael. Before Wham!’s appearance in China, many kinds of music in the country were forbidden. The band’s manager, Simon Napier-Bell, had spent 18 months trying to convince Chinese officials to let the duo play.  The audience included members of the Chinese government, and Chinese television presenter, Kan Lijun, who was the on stage host, spoke of Wham!’s historic performance;

“No-one had ever seen anything like that before. All the young people were amazed and everybody was tapping their feet. Of course the police weren’t happy and they were scared there would be riots.”

Wham! performed their hits with scantily clad dancers and strobing disco lights. According to Napier-Bell, Michael tried to get the crowd to clap along to “Club Tropicana”, but “they hadn’t a clue – they thought he wanted applause and politely gave it”, before adding some Chinese did eventually “get the hang of clapping on the beat.” A UK embassy official in China stated “there was some lively dancing but this was almost entirely confined to younger western members of the audience.”[ The tour was documented by film director Lindsay Anderson and producer Martin Lewis in their film Wham! in China: Foreign Skies. With the success of Michael’s solo singles, “Careless Whisper” (1984) and “A Different Corner” (1986), rumours of an impending break up of Wham! intensified. The duo officially separated in 1986, after releasing a farewell single, “The Edge of Heaven” and a farewell compilation, The Final (their third album Music from the Edge of Heaven was released in North America and Japan), plus a sell-out concert at Wembley Stadium that included the world premiere of the China film. The Wham! partnership ended officially with the commercially successful single “The Edge of Heaven”, which reached No. 1 on the UK chart in June 1986.

Solo career

1987–1989

During early 1987, at the beginning of his solo career, Michael released “I Knew You Were Waiting (For Me)”, a duet with Aretha Franklin. “I Knew You Were Waiting (For Me)” was a one-off project that helped Michael achieve an ambition by singing with one of his favourite artists. It scored number one on both the UK Singles Chart and the US Billboard Hot 100 upon its release. For Michael, it became his third consecutive solo number one in the UK from three releases, after 1984’s “Careless Whisper” (though the single was actually from the Wham! album Make It Big) and 1986’s “A Different Corner”. The single was also the first Michael had recorded as a solo artist which he had not written himself. The co-writer, Simon Climie, was unknown at the time; he later had success as a performer with the band Climie Fisher in 1988. Michael and Aretha Franklin won a Grammy Award in 1988 for Best R&B Performance – Duo or Group with Vocal for the song.

In late 1987, Michael released his debut solo album, Faith. The first single released from the album was “I Want Your Sex”, in mid-1987. The song was banned by many radio stations in the UK and US, due to its sexually suggestive lyrics. MTV broadcast the video, featuring celebrity make-up artist Kathy Jeung in a basque and suspenders, only during the late night hours. Michael argued that the act was beautiful if the sex was monogamous, and he recorded a brief prologue for the video in which he said: “This song is not about casual sex.” One of the racier scenes involved Michael writing the words “explore monogamy” on his partner’s back in lipstick.  Some radio stations played a toned-down version of the song, “I Want Your Love”, with the word “love” replacing “sex”.

When “I Want Your Sex” reached the US charts, American Top 40 host Casey Kasem refused to say the song’s title, referring to it only as “the new single by George Michael.” In the US, the song was also sometimes listed as “I Want Your Sex (from Beverly Hills Cop II)”, since the song was featured on the soundtrack of the movie. Despite censorship and radio play problems, “I Want Your Sex” reached No. 2 on the US Billboard Hot 100 and No. 3 in the UK. The second single, “Faith”, was released in October 1987, a few weeks before the album. “Faith” became one of his most popular songs. The song was No. 1 on the Billboard Hot 100 for four consecutive weeks, becoming the best-selling single of 1988 in the US. It also reached No. 1 in Australia, and No. 2 on the UK Singles Chart. The video provided some definitive images of the 1980s music industry in the process—Michael in shades, leather jacket, cowboy boots, and Levi’s jeans, playing a guitar near a classic-design jukebox.

On 30 October, Faith was released in the UK and in several markets worldwide.[35] Faith topped the UK Albums Chart, and in the US, the album had 51 non-consecutive weeks in the top 10 of Billboard 200, including 12 weeks at No. 1. Faith had many successes, with four singles (“Faith”, “Father Figure”, “One More Try”, and “Monkey”) reaching No. 1 in the US. Faith was certified Diamond by the RIAA for sales of 10 million copies in the US. To date, global sales of Faith are more than 25 million units. The album was highly acclaimed by music critics, with AllMusic journalist Steve Huey describing it as a “superbly crafted mainstream pop/rock masterpiece” and “one of the finest pop albums of the ’80s”. In a review by Rolling Stone magazine, journalist Mark Coleman commended most of the songs on the album, which he said “displays Michael’s intuitive understanding of pop music and his increasingly intelligent use of his power to communicate to an ever-growing audience.”

In 1988, Michael embarked on a world tour. In Los Angeles, Michael was joined on stage by Aretha Franklin for “I Knew You Were Waiting (For Me)”. It was the second highest grossing event of 1988, earning $17.7 million. At the 1988 Brit Awards held at the Royal Albert Hall on 8 February, Michael received the first of his two awards for Best British Male Solo Artist. Later that month, Faith won the Grammy Award for Album of the Year at the 31st Grammy Awards. At the 1989 MTV Video Music Awards on 6 September in Los Angeles, Michael received the Video Vanguard Award. According to Michael in his film, A Different Story, success did not make him happy and he started to think there was something wrong in being an idol for millions of teenage girls. The whole Faith process (promotion, videos, tour, awards) left him exhausted, lonely and frustrated, and far from his friends and family. In 1990, he told his record company Sony that, for his second album, he did not want to do promotions like the one for Faith.

1990s

 

Listen Without Prejudice Vol. 1 was released in September 1990. For this album, Michael tried to create a new reputation as a serious-minded artist; the title is an indication of his desire to be taken more seriously as a songwriter. Michael refused to do any promotion for this album, including no music videos for the singles released. The first single, “Praying for Time”, with lyrics concerning social ills and injustice, was released in August 1990. James Hunter of Rolling Stone magazine described the song as “a distraught look at the world’s astounding woundedness. Michael offers the healing passage of time as the only balm for physical and emotional hunger, poverty, hypocrisy and hatred.” The song was an instant success, reaching No. 1 on the US Billboard Hot 100 and No. 6 in the UK. A video was released shortly thereafter, consisting of the lyrics on a dark background. Michael did not appear in this video or any subsequent videos for the album.

The second single “Waiting for That Day” was an acoustic-heavy single, released as an immediate follow-up to “Praying for Time”. It reached No. 23 in the UK and No. 27 in the US in October 1990. The album was released in Europe on 3 September 1990, and one week later in the US. It reached No. 1 in the UK Albums Chart[3] and peaked at No. 2 on the US Billboard 200. It spent a total of 88 weeks on the UK Albums Chart and was certified four-times Platinum by the BPI. The album produced five UK singles, which were released quickly, within an eight-month period: “Praying for Time”, “Waiting for That Day”, “Freedom! ’90”, “Heal the Pain”, and “Cowboys and Angels” (the latter being his only single not to chart in the UK top 40).

“Freedom ’90” was the second of only two of its singles to be supported by a music video (the other being the Michael-less “Praying for Time”). The song alludes to his struggles with his artistic identity, and prophesied his efforts shortly thereafter to end his recording contract with Sony Music. As if to prove the song’s sentiment, Michael refused to appear in the video (directed by David Fincher), and instead recruited supermodels Naomi Campbell, Linda Evangelista, Christy Turlington, Tatjana Patitz, and Cindy Crawford to appear in and lip sync in his stead. It also featured lyrics critical of his sex symbol status. It reached No. 8 success on the Billboard Hot 100 in the US, and No. 28 on the UK Singles Chart.

“Mother’s Pride” gained significant radio play in the US during the first Persian Gulf War during 1991, often with radio stations mixing in callers’ tributes to soldiers with the music.[54] It reached No. 46 on Billboard Hot 100 with only airplay. In the end, Listen Without Prejudice Vol. 1 sold approximately 8 million copies.

At the 1991 Brit Awards, Listen Without Prejudice Vol. 1 won the award for Best British Album. Later in 1991, Michael embarked on the Cover to Cover tour in Japan, England, the US, and Brazil, where he performed at Rock in Rio. In the audience in Rio, he saw and later met Anselmo Feleppa, who later became his partner. The tour was not a proper promotion for Listen Without Prejudice Vol. 1. Rather, it was more about Michael singing his favourite cover songs. Among his favourites was “Don’t Let the Sun Go Down on Me”, a 1974 song by Elton John; Michael and John had performed the song together at the Live Aid concert in 1985, and again for Michael’s concert at London’s Wembley Arena on 25 March 1991, where the duet was recorded. The single was released at the end of 1991 and reached No. 1 in both the UK and US. In 1991, Michael released an autobiography through Penguin Books titled Bare, co-written with Tony Parsons.

An expected follow-up album, Listen Without Prejudice Vol. 2, was scrapped due to Michael’s lawsuit with Sony. Michael complained that Sony had not completely supported the release of his second album, resulting in its poor performance in the US as compared to Faith. Sony responded that Michael’s refusal to appear in promotional videos had caused the bad response. Michael ended the idea for Listen Without Prejudice Vol. 2 and donated three songs to the charity project Red Hot + Dance, for the Red Hot Organization which raised money for AIDS awareness; a fourth track “Crazyman Dance” was the B-side of 1992’s “Too Funky”. Michael donated the royalties from “Too Funky” to the same cause.

“Too Funky” reached No. 4 on the UK Singles Chart and No. 10 on the US Billboard Hot 100. It did not appear on any George Michael studio album, but was included on his solo collections Ladies & Gentlemen: The Best of George Michael in 1998 and Twenty Five in 2006. The video featured Michael (sporadically) as a director filming supermodels Linda Evangelista, Beverly Peele, Tyra Banks, Estelle Lefébure and Nadja Auermann at a fashion show.

Michael performed at The Freddie Mercury Tribute Concert on 20 April 1992 at London’s Wembley Stadium. The concert was a tribute to the life of the late Queen frontman, Freddie Mercury, with the proceeds going to AIDS research. In his last ever radio interview Mercury had praised Michael, adding that he loved his track “Faith”. Michael performed “’39”, “These Are the Days of Our Lives” with Lisa Stansfield and “Somebody to Love”. The performance of the latter was released on the Five Live EP.

Five Live, released in 1993 for Parlophone in the UK and Hollywood Records in the US, features five live recordings (six in several countries) performed by Michael, Queen, and Lisa Stansfield. “Somebody to Love” and “These Are the Days of Our Lives” were recorded at the Freddie Mercury Tribute Concert. “Killer”, “Papa Was a Rollin’ Stone”, and “Calling You” were recorded during his Cover to Cover Tour from 1991. Michael’s performance of “Somebody to Love” was hailed as “one of the best performances of the tribute concert”. All proceeds from the sale of the EP benefited the Mercury Phoenix Trust. Sales of the EP were strong through Europe, where it debuted at No. 1 in the UK and several European countries. Chart success in the US was less spectacular, where it reached No. 40 on the Billboard 200 (“Somebody to Love” reached No. 30 on the US Billboard Hot 100).

During November 1994, after a long period of seclusion, Michael appeared at the first MTV Europe Music Awards show, where he gave a performance of a new song, “Jesus to a Child”. The song was a melancholy tribute to his lover, Anselmo Feleppa, who had died in March 1993. The song entered the UK Singles Chart at No. 1 and No. 7 on Billboard upon release in 1996. It was Michael’s longest UK Top 40 single, at almost seven minutes long. The exact identity of the song’s subject—and the nature of Michael’s relationship with Feleppa—was shrouded in innuendo and speculation, as Michael had not confirmed he was homosexual and did not do so until 1998. The video for “Jesus to a Child” was a picture of images recalling loss, pain and suffering. Michael consistently dedicated the song to Feleppa before performing it live.

The second single, released in April 1996, was “Fastlove”, an energetic tune about wanting gratification and fulfilment without commitment. The single version was nearly five minutes long. “Fastlove” was supported by a futuristic virtual reality-related video. It reached No. 1 on the UK Singles Chart, spending three weeks at the top spot. In the US, “Fastlove” peaked at No. 8, his most recent single to reach the top 10 in the US. Following “Fastlove”, Michael released Older, his first studio album in six years and only the third in his ten-year solo career. The album’s US and Canadian release was the first album released by David Geffen’s (now-defunct) DreamWorks Records.

Older was particularly notable for the release of its six singles. Each of them reached the UK top 3, a record for the most singles in the British top 3 released from a single album. At the time of release of the album’s fifth single, “Star People ’97”, chart specialist James Masterton noted Michael’s success on the singles charts, writing: “George Michael nonetheless makes an impressive Top 3 entry with this single. The Older album has now proved itself to be far and away his most commercially successful recording ever. Five singles now lifted and every single one has been a Top 3 hit. Compare this with the two Top 3 hits produced by Faith and Listen Without Prejudice’s scant total of one Top Tenner and one single which missed the Top 40 altogether. This sustained single success has been achieved with a little help from marketing tricks such as remixes – or in this case a new recording of the album track which gives it a much-needed transformation into a deserved commercial smash.”

In 1996, Michael was voted Best British Male, at the MTV Europe Music Awards and the Brit Awards;  and at the British Academy’s Ivor Novello Awards, he was awarded the title of Songwriter of the Year for the third time. Michael performed a concert at Three Mills Studios, London, for MTV Unplugged. It was his first long performance in years, and in the audience was Michael’s mother, who died of cancer the following year.

Ladies & Gentlemen: The Best of George Michael was Michael’s first solo greatest hits collection released in 1998. The collection of 28 songs (29 songs are included on the European and Australian release) are separated into two halves, with each containing a particular theme and mood. The first CD, titled “For the Heart”, predominantly contains ballads; the second CD, “For the Feet”, consists mainly of dance tunes. It was released through Sony Music Entertainment as a condition of severing contractual ties with the label.

Ladies & Gentlemen was a success, peaking at No. 1 on the UK Albums Chart for eight weeks. It spent over 200 weeks in the UK chart, and is the 38th best-selling album of all time in the UK.[80] It is certified seven-times platinum in the UK and multi-platinum in the US, and is Michael’s most commercially successful album in his homeland, having sold more than 2.8 million copies. To date, the album has reached worldwide sales of approximately 15 million copies. The first single of the album, “Outside” was a humorous song making a reference to his arrest for soliciting a policeman in a public toilet. “As”, his duet with Mary J. Blige, was released as the second single in many territories around the world. Both singles reached the top 5 in the UK Singles Chart.

Released in 1999, Songs from the Last Century is a studio album of cover tracks. The album was Michael’s penultimate album released through Virgin Records. To date, the album has achieved the lowest peak of his solo efforts. The album debuted at No. 157 on the American Billboard 200 albums chart, which was also the album’s peak position. It was also his lowest-charting album in the UK, becoming his only solo effort not to reach No. 1. It peaked at No. 2 in the UK Albums Chart. Each of the 11 tracks was co-produced by Phil Ramone and Michael.

2000s

In 2000, Michael worked on the hit single “If I Told You That” with Whitney Houston, a song which was meant to feature Michael Jackson, initially. Michael co-produced on the single along with Rodney Jerkins. Michael began working on what became his fifth studio album, spending two years in the recording studio. His first single “Freeek!”, taken from the new album, was successful in Europe going to No. 1 in Italy, Portugal, Spain and Denmark in 2002 and reaching the top 10 in the UK and the top 5 in Australia. It made 22 charts around the world. However, his next single “Shoot the Dog” proved to be controversial when released in July 2002. It was acutely critical of US President George W. Bush and UK Prime Minister Tony Blair in the lead-up to the 2003 invasion of Iraq. It reached No. 1 in Denmark and made the top 5 in most European charts. It peaked at No. 12 on the UK Singles Chart.

In February 2003, Michael unexpectedly recorded another song in protest against the looming Iraq war, Don McLean’s “The Grave”. The original was written by McLean in 1971 and was a protest against the Vietnam War. Michael performed the song on numerous TV shows including Top of the Pops and So Graham Norton. His performance of the song on Top of the Pops on 7 March 2003 was his first studio appearance on the programme since 1986. He ran into conflict with the show’s producers for an anti-war, anti Blair T-shirt worn by some members of his band. In response, Don McLean issued a statement, through his website, praising Michael’s recording: “I am proud of George Michael for standing up for life and sanity. I am delighted that he chose a song of mine to express these feelings. We must remember that the Wizard is really a cowardly old man hiding behind a curtain with a loud microphone. It takes courage and a song to pull the curtain open and expose him. Good Luck George.”

On 17 November 2003, Michael re-signed with Sony Music, the company he had left in 1995 after a legal battle. When Michael’s fifth studio album, Patience, was released in 2004, it was critically acclaimed and went to No. 1 on the UK Albums Chart, and became one of the fastest selling albums in the UK, selling over 200,000 copies in the first week alone. In Australia it reached No. 2 on 22 March. It reached the Top 5 on most European charts, and peaked at No. 12 in the US, selling over 500,000 copies to earn a Gold certification from the RIAA.

“Amazing”, the third single from the album, became a No. 1 hit in Europe. When Michael appeared on The Oprah Winfrey Show on 26 May 2004, to promote the album, he performed “Amazing”, along with his classic songs “Father Figure” and “Faith”. On the show Michael spoke of his arrest, revealing his homosexuality, and his resumption of public performances. He allowed Oprah’s crew inside his home outside London. The fourth single taken off the album was “Flawless”, which used the sample of the Ones’ original dance hit “Flawless”. It was a dance hit in Europe as well as North America, reaching No. 1 on the Billboard Hot Dance Club Play and became Michael’s last No. 1 single on the US Dance chart.

In November 2004, Sony released the fifth single – “Round Here”. It was the least successful single taken from Patience when it stalled the UK charts at No. 32. In 2005, “John and Elvis Are Dead” was released as the sixth and final single from the album; it was released as a download single and was therefore unable to chart in the UK. Michael told BBC Radio 1 on 10 March 2004 that future music that he puts out would be available for download, with fans encouraged to make a donation to charity.

Twenty Five is Michael’s second greatest hits album, celebrating the 25th anniversary of his music career. Released in November 2006 by Sony BMG, it debuted at no.1 in the UK.[98] The album contains songs chiefly from Michael’s solo career but also from his earlier days in Wham! It comes in two formats: two CDs or a limited edition three-CD set. The 2-CD set contained 26 tracks, including four recorded with Wham! and three new songs: “An Easier Affair”; “This Is Not Real Love” (a duet with Mutya Buena, formerly of Sugababes, which peaked at No.15 in the UK Charts); and a new version of “Heal the Pain” recorded with Paul McCartney. The limited edition three-CD version contains an additional 14 lesser known tracks, including one from Wham! and one new song, “Understand”.

Twenty Five was released in North America on 1 April 2008 as a 29-song, two-CD set featuring several new songs (including duets with Paul McCartney and Mary J. Blige and a song from the short-lived TV series Eli Stone)[100] in addition to many of Michael’s successful songs from both his solo and Wham! career. To commemorate the Twenty Five album, Michael toured North America for the first time in 17 years, playing large venues in major cities including New York, Los Angeles, Philadelphia, St. Paul/Minneapolis, Tampa/St. Pete, Chicago and Dallas. The DVD version of Twenty Five contains 40 videos on two discs, including seven with Wham!

During the 2005 Live 8 concert at Hyde Park, London, Michael joined Paul McCartney on stage, harmonising on The Beatles classic “Drive My Car”. In 2006, Michael embarked on his first tour in 15 years, 25 Live. The tour began in Barcelona, Spain, on 23 September and finished in December at Wembley Arena in England. According to his website, the 80-show tour was seen by 1.3 million fans. On 12 May 2007 in Coimbra, Portugal, he began the European “25 Live Stadium Tour 2007”, including London and Athens, and ending on 4 August 2007 in Belfast, Northern Ireland. There were 29 tour dates across Europe. On 9 June 2007 Michael became the first artist to perform live at the newly renovated Wembley Stadium in London, where he was later fined £130,000 for over-running the programme for 13 minutes.

On 25 March 2008, a third part of the 25 Live Tour was announced for North America. This part included 21 dates in the United States and Canada. This was Michael’s first tour of North America in 17 years. Following news of Michael’s North American tour, Twenty Five was released in North America on 1 April 2008 as a 29-song, 2-CD set featuring several new songs (including duets with Paul McCartney and Mary J. Blige and a song from the short-lived TV series, Eli Stone) in addition to many of Michael’s successful songs from both his solo and Wham! career.

Michael made his American acting debut by playing a guardian angel to Jonny Lee Miller’s character on Eli Stone, a US TV series. In addition to performing on the show as himself and as “visions”, each episode of the show’s first season was named after a song of his. Michael appeared on the 2008 finale show of American Idol on 21 May singing “Praying for Time”. When asked what he thought Simon Cowell would say of his performance, he replied “I think he’ll probably tell me I shouldn’t have done a George Michael song. He’s told plenty of people that in the past, so I think that’d be quite funny.” On 1 December, Michael performed in Abu Dhabi in the United Arab Emirates, as part of the 37th National Day celebrations.

On 25 December 2008, Michael released a new track “December Song” on his website for free. It was hoped that fans who downloaded the song would donate money to charity. Though the song is not available any more on his website, it remains available on file sharing networks and a remastered version of “December Song” went on sale on 13 December. The popularity of the single was boosted by a promotional appearance that Michael made on The X Factor.

2010s

In early 2010, Michael performed his first concerts in Australia since 1988. On 20 February 2010, Michael performed his first show in Perth at the Burswood Dome to an audience of 15,000. On 2 March 2011, Michael announced the release of his cover version of New Order’s 1987 hit “True Faith” in aid of the UK charity telethon Comic Relief. Michael appeared on Comic Relief itself, featuring in the first Carpool Karaoke sketch of James Corden, with the pair singing songs while Corden drove around London. On 15 April 2011, Michael released a cover of Stevie Wonder’s 1972 song, “You and I”, as an MP3 gift to Prince William and Catherine Middleton on the occasion of their wedding on 29 April 2011. Although the MP3 was released for free download, Michael appealed to those who downloaded the track to make a contribution to “The Prince William & Miss Catherine Middleton Charitable Gift Fund”.

The Symphonica Tour began at the Prague State Opera House on 22 August 2011. In October 2011, Michael was announced as one of the final nominees for the Songwriter’s Hall of Fame. In November, he had to cancel the remainder of the tour as he became ill with pneumonia in Vienna, Austria, ultimately slipping into a coma.

In February 2012, two months after leaving hospital, Michael made a surprise appearance at the 2012 Brit Awards at the O2 Arena in London, where he received a standing ovation, and presented Adele the award for Best British Album. In March, Michael announced that he was healthy and that the Symphonica Tour would resume in autumn. The final concert of the tour—which was also the final concert of Michael’s life–was performed at London’s Earls Court on 17 October 2012.

Symphonica was released on 17 March 2014, and became Michael’s seventh solo No. 1 album in the UK, and ninth overall including his Wham! chart-toppers. The album was produced by Phil Ramone and Michael; the album was Ramone’s last production credit. On 2 November 2016, Michael’s management team announced that a second documentary on his life, entitled Freedom, was set to be released in March 2017. A month after, English songwriter Naughty Boy confirmed plans to collaborate with Michael, for a new song and album.Naughty Boy claimed that the song, currently untitled, is “amazing but […] bittersweet”. On 7 September 2017 (months after Michael’s death), the single “Fantasy”, featuring Nile Rodgers, was released.

Personal life

Sexuality and relationships

Michael stated that his early fantasies were about women, which “led me to believe I was on the path to heterosexuality”, but at puberty he started to fantasise about men, which he later said “had something to do with my environment”. At the age of 19, Michael told Andrew Ridgeley that he was bisexual. Michael also told one of his two sisters, but he was advised not to tell his parents about his sexuality. In a 1999 interview with The Advocate, Michael told the Editor in Chief, Judy Wieder, that it was “falling in love with a man that ended his conflict over bisexuality”. “I never had a moral problem with being gay”, Michael told her. “I thought I had fallen in love with a woman a couple of times. Then I fell in love with a man, and realised that none of those things had been love.”

In 2004, Michael said, “I used to sleep with women quite a lot in the Wham! days but never felt it could develop into a relationship because I knew that, emotionally, I was a gay man. I didn’t want to commit to them but I was attracted to them. Then I became ashamed that I might be using them. I decided I had to stop, which I did when I began to worry about AIDS, which was becoming prevalent in Britain. Although I had always had safe sex, I didn’t want to sleep with a woman without telling her I was bisexual. I felt that would be irresponsible. Basically, I didn’t want to have that uncomfortable conversation that might ruin the moment, so I stopped sleeping with them.” In the same interview, he added: “If I wasn’t with Kenny [his boyfriend at the time], I would have sex with women, no question”. He said he believed that the formation of his sexuality was “a nurture thing, via the absence of my father who was always busy working. It meant I was exceptionally close to my mother”, though he stated that “there are definitely those who have a predisposition to being gay in which the environment is irrelevant.” In 2007 Michael said he had hidden the fact he was gay because of worries over what effect it might have on his mother. Two years later, he added: “My depression at the end of Wham! was because I was beginning to realise I was gay, not bisexual.”

During the late 1980s, Michael had a relationship with make-up artist Kathy Jeung, who was regarded for a time as his artistic “muse” and who appeared in the “I Want Your Sex” video. Michael later said that she had been his “only bona fide” girlfriend, and that she knew of his bisexuality. In 2016 Jeung reacted to Michael’s death by calling him a “true friend” with whom she had spent “some of the best time of [her] life”.

In 1992, Michael established a relationship with Anselmo Feleppa, a Brazilian dress designer who he had met at the Rock in Rio concert in 1991. Six months into their relationship, Feleppa discovered that he was HIV-positive. Michael later said: “It was terrifying news. I thought I could have the disease too. I couldn’t go through it with my family because I didn’t know how to share it with them – they didn’t even know I was gay.” In 1993, Feleppa died of an AIDS-related brain haemorrhage. Michael’s single, “Jesus to a Child”, is a tribute to Feleppa (Michael consistently dedicated it to him before performing it live), as is his album Older (1996). In 2008, speaking about the loss of Feleppa, Michael said: “It was a terribly depressing time. It took about three years to grieve, then after that I lost my mother. I felt almost like I was cursed.”

In 1996, Michael entered into a long-term relationship with Kenny Goss, a former flight attendant, cheerleading coach, and sportswear executive from Dallas. They had a home in Dallas, a 16th-century house in Goring-on-Thames, Oxfordshire[140] and an £8 million mansion in Highgate, North London. In late November 2005, it was reported that Michael and Goss planned to register their relationship as a civil partnership in the UK, but because of negative publicity and his upcoming tour, they postponed their plans. On 22 August 2011, the opening night of his Symphonica world tour, Michael announced that he and Goss had split two years earlier.

Michael’s homosexuality became publicly known following his April 1998 arrest for public lewdness. In 2007, Michael said “that hiding his sexuality made him feel ‘fraudulent’, and his eventual outing, when he was arrested […] in 1998, was a subconsciously deliberate act.”

In 2012, Michael entered a relationship with Fadi Fawaz, a celebrity hairstylist and freelance photographer based in London. It was Fawaz who found Michael’s body on Christmas morning 2016.

Legal troubles

On 7 April 1998, Michael was arrested for “engaging in a lewd act” in a public restroom of the Will Rogers Memorial Park in Beverly Hills, California. Michael was arrested by undercover policeman Marcelo Rodríguez in a sting operation using so-called “pretty police”. In an MTV interview, Michael stated: “I got followed into the restroom and then this cop—I didn’t know it was a cop, obviously—he started playing this game, which I think is called, ‘I’ll show you mine, you show me yours, and then when you show me yours, I’m going to nick you!’”

After pleading “no contest” to the charge, Michael was fined US$810 and sentenced to 80 hours of community service. Soon afterwards, Michael made a video for his single “Outside”, which satirised the public toilet incident and featured men dressed as policemen kissing. Rodríguez claimed that this video “mocked” him, and that Michael had slandered him in interviews. In 1999, he brought a US$10 million court case in California against the singer. The court dismissed the case, but an appellate court reinstated it on 3 December 2002.  The court then ruled that Rodríguez, as a public official, could not legally recover damages for emotional distress.

On 23 July 2006, Michael was again accused of engaging in anonymous public sex, this time at London’s Hampstead Heath. The anonymous partner was incorrectly stated to be a 58-year-old unemployed van driver.  Michael stated that he cruised for anonymous sex and that this was not an issue in his relationship with partner Kenny Goss.

In February 2006, Michael was arrested for possession of Class C drugs, an incident that he described as “my own stupid fault, as usual”. He was cautioned by the police and released. In 2007, he pleaded guilty to drug–impaired driving after obstructing the road at traffic lights in Cricklewood in northwest London, and was subsequently banned from driving for two years and sentenced to community service. On 19 September 2008, Michael was arrested in a public restroom in the Hampstead Heath area for possession of Class A and C drugs. He was taken to the police station and cautioned for controlled substance possession.

In the early hours of Sunday 4 July 2010, Michael was returning from the Gay Pride parade, when he was spotted on CCTV crashing his car into the front of a Snappy Snaps store in Hampstead, north London, and was arrested on suspicion of being unfit to drive. On 12 August, London’s Metropolitan Police said he was “charged with possession of cannabis and with driving while unfit through drink or drugs”. It was reported that Michael had also been taking the prescription medication amitriptyline. On 24 August 2010, the singer pleaded guilty at Highbury Corner Magistrates’ Court in London after admitting driving under the influence of drugs. On 14 September 2010, at the same court, Michael was sentenced to eight weeks in prison, a fine, and a five-year ban from driving. Michael was released from Highpoint Prison in Suffolk on 11 October 2010, after serving four weeks.

Health

Michael struggled with substance abuse. He was arrested for drug-related offences in 2006, 2008, and 2010. In September 2007, on BBC Radio 4’s Desert Island Discs, Michael said that his cannabis use was a problem; he wished he could smoke less of it and was constantly trying to do so. On 5 December 2009, in an interview with The Guardian, Michael explained he had cut back on cannabis and was smoking only ‘seven or eight’ spliffs per day instead of the 25 per day he had formerly smoked. Michael also abused sleeping pills.

On 26 October 2011, Michael cancelled a performance at the Royal Albert Hall in London due to a viral infection. On 21 November, Vienna General Hospital admitted Michael after he complained of chest pains while at a hotel two hours before his performance at a venue there for his Symphonica Tour. Michael appeared to be “in good spirits” and responded well to treatment following his admittance, but on 25 November hospital officials said that his condition had “worsened overnight”. This development led to cancellations and postponements of Michael’s remaining 2011 performances, which had been scheduled mainly for the United Kingdom. The singer was later confirmed to have suffered from pneumonia and, until 1 December, was in an intensive care unit; at one point, he was comatose. On 21 December the hospital discharged him. Michael told the press that the staff at the hospital had saved his life and that he would perform a free concert for them. While making the speech, he became emotional and breathless.  During the speech, he also mentioned that he had undergone a tracheotomy. After waking from the coma, Michael had a temporary West Country accent, and there was concern he had developed foreign accent syndrome.

On 16 May 2013, Michael sustained a head injury when he fell from his moving car on the M1 motorway, near St Albans in Hertfordshire, and was airlifted to hospital.

Politics

During the time of Margaret Thatcher as the Conservative Prime Minister of the United Kingdom throughout the 1980s, Michael voted Labour. In 2000, Michael joined Melissa Etheridge, Garth Brooks, Queen Latifah, the Pet Shop Boys, and k.d. lang, to perform in Washington, D.C. as part of Equality Rocks, a concert to benefit the Human Rights Campaign,[185] an American LGBT rights group. His 2002 single “Shoot the Dog” was critical of the friendly relationship between the UK and US governments, in particular the relationship between Tony Blair and George W. Bush, with their involvement in the Iraq War. Michael voiced his concern about the lack of public consultation in the UK regarding the War on Terror: “On an issue as enormous as the possible bombing of Iraq, how can you represent us when you haven’t asked us what we think?”

In 2006, Michael performed a free concert for NHS nurses in London to thank the nurses who had cared for his late mother. He told the audience: “Thank you for everything you do — some people appreciate it. Now if we can only get the government to do the same thing.” In 2007, Michael sent the £1,450,000 piano that John Lennon used to write “Imagine” around the United States on a “peace tour”, displaying at places where notable acts of violence had taken place, such as Dallas’ Dealey Plaza, where US President John F. Kennedy had been shot. He devoted his 2007 concert in Sofia, from his “Twenty Five Tour” to the Bulgarian nurses prosecuted in the HIV trial in Libya. On 17 June 2008, Michael said he was thrilled by California’s legalisation of same-sex marriage, calling the move “way overdue”.

Philanthropy

In November 1984, Michael joined other British and Irish pop stars of the era to form Band Aid, singing on the charity song “Do They Know It’s Christmas?” for famine relief in Ethiopia. This single became the UK Christmas number one in December 1984, holding Michael’s own song, “Last Christmas” by Wham!, at No. 2; Michael also donated the royalties for “Last Christmas” to Ethiopia. “Do They Know It’s Christmas?” sold 3.75 million copies in the UK and became the biggest selling single in UK chart history, a title it held until 1997 when it was overtaken by Elton John’s “Candle in the Wind 1997”, released in tribute to Princess Diana following her death (Michael attended Diana’s funeral with Elton John). Michael donated the royalties from “Last Christmas” to Band Aid and subsequently sang with Elton John at Live Aid (the Band Aid charity concert) in 1985.

In 1986, Michael took part in the Prince’s Trust charity concert held at Wembley Arena, performing “Everytime You Go Away” alongside Paul Young. In 1988, Michael participated in the Nelson Mandela 70th Birthday Tribute at Wembley Stadium in London together with many other singers (such as Annie Lennox and Sting), performing “Sexual Healing”.

A LGBT rights campaigner and HIV/AIDS charity fundraiser, the proceeds from the 1991 single “Don’t Let the Sun Go Down on Me” were divided among 10 different charities for children, AIDS and education. He was also a patron of the Elton John AIDS Foundation.[ Michael wore a red ribbon at the Freddie Mercury Tribute Concert at Wembley Stadium in 1992.

In 2003, he paired up with Ronan Keating on Who Wants to be a Millionaire? and won £32,000, after having their original £64,000 winnings halved by missing the £125,000 question. The same year, Michael joined other celebrities to support a campaign to help raise £20 million for terminally ill children run by the Rainbow Trust Children’s Charity of which he was a patron. He said: “Loss is such an incredibly difficult thing. I bow down to people who actually have to deal with the loss of a child.”

Following his death, many charities revealed that Michael had privately been a supporter of them for many years. Dame Esther Rantzen, the founder and president of Childline, said he had given them “millions” over the years and said that he had given the royalties from his 1996 number one single “Jesus to a Child” to the charity. He had supported the Terrence Higgins Trust “for many years” as well as Macmillan Cancer Support. Michael also donated to individuals: he reportedly called the production team of the quiz show Deal or No Deal after a contestant had revealed that she needed £15,000 to fund IVF treatment, and anonymously paid for the treatment personally; and once tipped a student nurse working as a barmaid £5,000 ($6,121) because she was in debt. On 3 January 2017, another woman came forward and (with the permission of Michael’s family) revealed he had anonymously paid for her IVF treatment after seeing her talk about her problems conceiving on an episode of This Morning in 2010. The woman gave birth to a girl in 2012.

Assets

Between 2006 and 2008, according to reports, Michael earned £48.5 million ($97 million) from the 25 Live tour alone. In July 2014, he was reported to have been a celebrity investor in a tax avoidance scheme called Liberty. According to the Sunday Times Rich List 2015 of the wealthiest British musicians, Michael was worth £105 million.

A collector of works by the Young British Artists, including those of Damien Hirst and Tracey Emin, in March 2019 Michael’s art collection was auctioned in England for £11.3 million. The proceeds were donated to various philanthropical organisations Michael gave to while he was alive.

Death

In the early hours of 25 December 2016, Michael died in bed at his home in Goring-on-Thames, aged 53. He was found by his partner, Fadi Fawaz.

In March 2017, a senior coroner in Oxfordshire attributed Michael’s death to dilated cardiomyopathy with myocarditis and a fatty liver.

Owing to the delay in determining the cause of death, Michael’s funeral was held 29 March 2017. In a private ceremony, he was buried at Highgate Cemetery in north London, near his mother’s grave. That summer an informal memorial garden was created outside his former home in Highgate. The site, in a private square that Michael had owned, is tended by fans.

Tributes

Elton John was among those who paid tribute to Michael, emotionally addressing the audience in Las Vegas on 28 December, “What a singer, what a songwriter. But more than anything as a human being he was one of the kindest, sweetest, most generous people I’ve ever met.”

At the 59th Annual Grammy Awards on 12 February 2017, Adele performed a slowed-down version of “Fastlove” in tribute to Michael. On 22 February, Coldplay lead singer Chris Martin performed “A Different Corner” at the 2017 Brit Awards.[ In June, Michael’s close friend, former Spice Girls member Geri Halliwell, released a charity single, “Angels in Chains”, a tribute to him, to raise money for Childline.

In August 2020 it was announced that a London artist named Dawn Mellor had been commissioned to create a nine metre tall mural of the singer in his native borough of Brent. The artwork, which formed part of the Brent Biennial, was commissioned to pay tribute to Michael’s outstanding contribution to the fields of music and entertainment.

Awards and achievements

Michael won numerous music awards throughout his 30-year career, including three Brit Awards—winning Best British Male twice, four MTV Video Music Awards, four Ivor Novello Awards, three American Music Awards (including two in the traditionally-black Soul/R&B category ), and two Grammy Awards from eight nominations.


Glenn Frey

Glenn Lewis Frey (/fr/; November 6, 1948 – January 18, 2016) was an American musician, singer, songwriter, actor and founding member of the rock band Eagles. Frey was the co-lead singer and frontman for the Eagles, roles he came to share with fellow member Don Henley, with whom he wrote most of the Eagles’ material. Frey played guitar and keyboards as well as singing lead vocals on songs such as “Take It Easy”, “Peaceful Easy Feeling”, “Tequila Sunrise”, “Already Gone”, “James Dean”, “Lyin’ Eyes”, “New Kid in Town”, and “Heartache Tonight”.

During the hiatus of the Eagles from 1980 to 1994, Frey embarked on a successful solo career. He released his debut album, No Fun Aloud, in 1982 and went on to record Top 40 hits “The One You Love”, “Smuggler’s Blues”, “Sexy Girl”, “The Heat Is On”, “You Belong to the City”, “True Love”, “Soul Searchin’” and “Livin’ Right”. As a member of the Eagles, Frey won six Grammy Awards and five American Music Awards. The Eagles were inducted into the Rock and Roll Hall of Fame in 1998, the first year they were nominated. Consolidating his solo recordings and those with the Eagles, Frey had 24 Top 40 singles on the Billboard Hot 100.

Early life

Born in Detroit, Michigan,[1] and raised in nearby Royal Oak, Frey studied piano at age five, later switched to guitar, and became part of the mid-1960s Detroit rock scene.[2] One of his earliest bands was called the Subterraneans, named after Jack Kerouac’s novel,[3] and included fellow Dondero High School classmates Doug Edwards (later replaced by Lenny Mintz) on drums, Doug Gunsch and Bill Barnes on guitar, with Jeff Hodge on bass.

Immediately after graduating from Dondero in 1966, Frey was invited to join The Four of Us, a local band led by Gary Burrows, who had seen him performing with the Subterraneans.[3][4] Frey also attended Oakland Community College while in the band, and he learned to sing harmonies performing with The Four of Us.[4] In 1967, he formed the Mushrooms with Gary Burrows’ brother Jeff, Bill Barnes, Doug Gunsch, Ken Bash, and Lenny Mintz. That year Frey also met Bob Seger, who helped Frey get a management and recording contract with a label formed by Seger’s management team, Hideout Records.[5] Seger also wrote and produced the band’s first single, “Such a Lovely Child”,[6][7] and the band made television appearances to promote it. Frey had intended to join Seger’s group but his mother blocked that course of action for smoking cannabis with Seger.[4] In the later part of 1967, Frey also pulled together another band called Heavy Metal Kids with Jeff Burrows (piano), Jeff Alborell (bass), Paul Kelcourse (lead guitar), and Lance Dickerson (drums).[3]

At age 19 in 1968, Frey played the acoustic guitar and performed background vocals on Seger’s single, “Ramblin’ Gamblin’ Man”.[8] Frey has said that Seger strongly encouraged and influenced him to focus on writing original songs.[9] They remained good friends and occasional songwriting partners in later years, and Frey would also sing on Seger’s songs such as “Fire Lake” and “Against the Wind”.[3][4]

In Detroit, Frey also met and dated Joan Sliwin of the local female group The Mama Cats, which became Honey Ltd. after the group moved to California in 1968.[4] Frey went to Los Angeles hoping to reconnect with his girlfriend, and he was introduced to J. D. Souther by her sister, Alexandra Sliwin, who was with Souther at the time.[10] Frey returned to Detroit after three weeks, but then went back again to Los Angeles to form a duo with Souther called Longbranch Pennywhistle.[11] They were signed to Amos Records and released an eponymous album in 1969, which contains songs he wrote such as “Run, Boy, Run” and “Rebecca”, and “Bring Back Funky Women” he co-wrote with Souther.[12] Frey also met Jackson Browne during this period. The three musicians lived in the same apartment building for a short time, and Frey later said that he learned a lot about songwriting from hearing Browne work on songs in the apartment below.

The Eagles

Frey met drummer Don Henley in 1970. They were signed to the same label, Amos Records, at that time and spent time at the Troubadour. When Linda Ronstadt needed a backup band for an upcoming tour, her manager John Boylan hired Frey because Boylan needed someone who could play rhythm guitar and sing. Frey approached Don Henley to join Ronstadt.[14] Randy Meisner and Bernie Leadon were also hired, although because the backing band personnel changed during the tour, the four played together only once, at a gig at Disneyland.[15][16] Frey and Henley decided to form a band together while on the tour, and they were joined by Meisner on bass and Leadon on guitar, banjo, steel guitar, mandolin and dobro, forming the Eagles, with Frey playing guitar and keyboards and Henley playing drums. The band went on to become one of the world’s best-selling groups of all time.[17] Frey wrote or co-wrote (often with Henley) many of the group’s songs, and sang the lead vocals on a number of Eagles hits including “Take It Easy”, “Peaceful Easy Feeling”, “Already Gone”, “Tequila Sunrise”, “Lyin’ Eyes”, “New Kid in Town”, “Heartache Tonight” and “How Long”.

The Eagles broke up around 1980 and reunited in 1994, when they released a new album, Hell Freezes Over. The album had live tracks and four new songs. The Hell Freezes Over Tour followed. In 2012 on The Tavis Smiley Show, Frey told Smiley, “When the Eagles broke up, people used to ask me and Don, ‘When are the Eagles getting back together?’ We used to answer, ‘When Hell freezes over.’ We thought it was a pretty good joke. People have the misconception that we were fighting a lot. It is not true. We had a lot of fun. We had a lot more fun than I think people realize.”[citation needed] At their first live concert of 1994, Frey told the crowd, “For the record, we never broke up. We just took a 14-year vacation.”[18]

The Eagles released the album Long Road Out of Eden in 2007, and Frey participated in the Eagles’ Long Road Out of Eden Tour (2008–2011).[19]

In May 2012, Frey was awarded an honorary Doctorate of Music from Berklee College of Music along with Henley, Joe Walsh and Timothy B. Schmit.[20]

In 2013, the two-part documentary History of the Eagles, directed by Alison Ellwood and co-produced by Academy Award winner Alex Gibney, was aired on Showtime. The documentary won an Emmy Award in 2013 for Outstanding Sound Mixing For Nonfiction Programming. An accompanying two-year History of the Eagles world tour ended on July 29, 2015 at Bossier City, Louisiana, a concert which would be Frey’s final public appearance with the band.

Solo career

After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984 he recorded in collaboration with Harold Faltermeyer the worldwide hit “The Heat Is On,” the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed “You Belong to the City” (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, “Smuggler’s Blues”, hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin, who wrote “Peaceful Easy Feeling”.[21]

Frey was the first choice to record “Shakedown”, the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying “At least we kept the money in Michigan!”[22]

Frey contributed the song “Flip City” to the Ghostbusters II soundtrack and “Part of Me, Part of You” to the soundtrack for Thelma & Louise. In 2005 he appeared on B.B. King & Friends: 80 on the track “Drivin’ Wheel”.[23]

In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez.[24] Frey never released any of his own work on the label, and the company has since disbanded.[citation needed]

In 2009 Glenn Frey was voted into the Michigan Rock and Roll Legends Hall of Fame.[25]

On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. It would ultimately become his final album before his death.

Acting career

As a television actor, Frey guest starred on Miami Vice in the first-season episode “Smuggler’s Blues”, inspired by his hit song of the same name, and had a starring role in the “Dead Dog Arc” of Wiseguy.[26] He was also the star of South of Sunset, which was canceled after one episode. In the late 1990s, he guest-starred on Nash Bridges as a policeman whose teenage daughter had run amok and gone on a crime spree with her sociopathic boyfriend. In 2002, he appeared on HBO’s Arliss, playing a political candidate who double-crosses Arliss and must pay a high price for it.

Frey’s first foray into film was his starring role in Let’s Get Harry, a 1986 film about a group of plumbers who travel to Colombia to rescue a friend from a drug lord. Frey also did seven episodes of Wiseguy co-starring with Ken Wahl in 1989. Frey’s next film appearance was a smaller role in Cameron Crowe’s third film, Jerry Maguire (1996). Frey played the frugal general manager of the Arizona Cardinals football team who, in the film’s climax, finally agrees to award Cuba Gooding Jr.’s character, wide receiver Rod Tidwell, a large professional contract.

Personal life

Frey was married twice. From 1983 to 1988, he was married to artist Janie Beggs. He married dancer and choreographer Cindy Millican in 1990. They had three children: a daughter, Taylor, in 1991 and two sons, Deacon in 1993 and Otis in 2002 and remained together until his death.[28][29] Deacon, following his father’s death, toured with the surviving Eagles[30] until he departed in 2022 in favor of a solo career.

Illness and death

From about 2000, Frey had suffered from rheumatoid arthritis, which affected his joints.[32] The medication that he was prescribed to control the disease eventually led to colitis and pneumonia[32] and in November 2015, the Eagles announced they were postponing their appearance at the Kennedy Center Honors because Frey required surgery for intestinal problems and needed a lengthy recovery period.[33] Because of complications from pneumonia, he never had the surgery and was placed in a medically induced coma at Columbia University Medical Center.[34] Frey died there on January 18, 2016 at the age of 67 from complications of rheumatoid arthritis, acute ulcerative colitis and pneumonia.[2][35][36][37] Medications for rheumatoid arthritis or ulcerative colitis can compromise the immune system’s ability to fight off pneumonia.[38] In January 2018, Frey’s widow filed a suit against Mount Sinai Hospital and gastroenterologist Steven Itzkowitz for the wrongful death of Frey.[39]

Frey was publicly mourned by his friends, fellow musicians and bandmates [40] including Don Henley,[41] Randy Meisner,[42] J. D. Souther,[43] Jack Tempchin,[44] Irving Azoff,[45] Linda Ronstadt,[46] Don Felder,[47] and Bob Seger.[48] At the 58th Annual Grammy Awards, the remaining members of the Eagles and Jackson Browne performed “Take It Easy” in his honor.[49] A life-sized statue of Frey was unveiled at the Standin’ on the Corner Park in Winslow, Arizona, on September 24, 2016, to honor his songwriting contributions to “Take It Easy”, made famous by the Eagles as their first single in 1972.[50] The road that runs next to the middle school[51] he attended in Royal Oak, Michigan now bears his name.

Equipment

Takamine Guitars manufactures a Glenn Frey signature acoustic-electric guitar, the EF360GF. It is designed to replicate the Takamine Frey used for his live and studio applications.[71] In the 1970s, Frey used Martin acoustic guitars in both six- and 12-string versions.[citation needed]

Frey played a*sorted electric guitars over the years, namely Fender Telecaster, Gibson Les Paul, Gibson SG, Gibson ES-330, Epiphone Casino and Rickenbacker 230,[72] but the electric guitar that is most a*sociated with him was his black Gibson Les Paul Junior, nicknamed Old Black.


Adam Levine

Adam Noah Levine (/ləˈvn/; born March 18, 1979) is an American singer-songwriter, record producer, and the lead singer of the pop rock band Maroon 5. Levine began his musical career in 1994 with the band Kara’s Flowers, of which he was the lead vocalist and guitarist. Levine began his musical career in 1994 with the band Kara’s Flowers, of which he was the lead vocalist and guitarist. The band split up in 1997 after the commercial failure of their only album, The Fourth World. In 2001, the group was reformed as Maroon 5 – with James Valentine replacing Levine as guitarist- and released their first album, Songs About Jane, which went multi-platinum in the US. Since then, they have released five more albums: It Won’t Be Soon Before Long (2007), Hands All Over (2010), Overexposed (2012), V (pronounced: “five”) (2014), and Red Pill Blues (2017). As part of Maroon 5, Levine has received three Grammy Awards, three American Music Awards, an MTV Video Music Award, and a World Music Award.

From 2011 to 2019, Levine served as a coach on NBC’s reality talent show The Voice. The winners of seasons (1, 5, and 9) belonged to his team. In 2012, Levine made his acting debut as recurring character Leo Morrison in the second season of the television series American Horror Story. Levine also appeared in the films Begin Again (2013), Popstar: Never Stop Never Stopping (2016), Fun Mom Dinner and The Clapper (both 2017). Levine launched his eponymous fragrance line in 2013. The same year, he collaborated with Kmart and ShopYourWay.com to develop his menswear collection. He also owns a record label, 222 Records, and a production company, 222 Productions, which produced television shows Sugar and Songland. In 2013, The Hollywood Reporter reported that “sources familiar with his many business dealings” estimated Levine would earn more than $35 million that year.

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Early life

Adam Noah Levine  was born in Los Angeles to Fredric Levine, the founder of retail chain M. Fredric, and Patsy (née Noah) Levine, an admissions counselor.  They divorced when he was seven and Levine underwent therapy.[10] Growing up, he spent weekdays with his mother and weekends with his father. He has a brother Michael, two half-siblings—Sam and Liza Levine—and step-sister Julia Bartolf Milne.[citation needed] Levine’s father and maternal grandfather were Jewish, while his maternal grandmother was a Protestant. Levine considers himself Jewish; however, according to The Jewish Chronicle, he is spiritual but not religious. He chose not to have a Bar Mitzvah as a child because of the custom of receiving Bar Mitzvah gifts, explaining: “I felt as though a lot of kids were trying to cash in … I just don’t think it’s the most respectful way to deal with God and beliefs and years and years and years of cultural heritage.”  Levine is a nephew of journalist and author Timothy Noah, and television producer and writer Peter Noah.

Levine describes his family as “very musical” and credits his mother with “start[ing] me out on the path.” He also attributes his mother’s idols – Simon & Garfunkel, Fleetwood Mac, and The Beatles – to shaping his musical style, calling them “a huge part of my upbringing”. Levine attended Brentwood School, where he met Jesse Carmichael and Mickey Madden, his future bandmates. He carried his musical interests to high school, where he states he was “a little rebellious. I didn’t want to do the things they were teaching me … [music] consumed my every thought.”

Kara’s Flowers

In February 1994, Levine, along with friends Jesse Carmichael, Mickey Madden, and Ryan Dusick formed garage band Kara’s Flowers. In 1995, the group played their first gig at the Whisky a Go Go, a nightclub in West Hollywood, California, with Levine performing vocals and guitar. The band was discovered while they were performing in Malibu by independent producer Tommy Allen, who along with his partner John DeNicola, had them record an 11-track album. Owing to a string of industry showcases in Los Angeles, they were signed on to Reprise Records through producer Rob Cavallo. In August 1997, the band released their first album, titled The Fourth World[23] and also appeared on an episode of the drama series Beverly Hills, 90210. Despite high expectations, it had little success, selling about 5,000 copies. Reprise decided to drop the band after Cavallo’s exit from the label Disappointed with the results of their album, the band broke up. Later, Levine would say of the experience: “Kara’s Flowers was just floating up the wall beneath the sticks. Make a record quickly, put it out. No touring base, no nothing. Just try to make it happen right out of the gate and it just doesn’t work”

Maroon 5 and mainstream success

After the break up of Kara’s Flowers, Levine, along with Carmichael, left Los Angeles to pursue higher studies at Five Towns College in New York. On MTV News, in 2002, he said: “That’s when I started waking up to the whole hip-hop, R&B thing. We had friends named Chaos and Shit. It was not Brentwood High”. They dropped out after a semester, and reunited with Madden and Dusick to form a band once more. They experimented with several styles, including country and folk, before deciding groove-based music would become their genre. Levine explained the need for a makeover for the band: “We were just so sick of being a typical rock ’n’ roll band … I felt like I needed to look elsewhere for vocal inspiration.” The band put together a demo that was rejected by several labels, before it caught the attention of Octone Records executives James Diener, Ben Berkman, and David Boxenbaum. Following Berkman’s advice, the band added a fifth member, James Valentine, and was renamed Maroon 5. In an interview with HitQuarters, Berkman explained that Levine “seemed to be a very shy, shoe-gazing type … a fifth member could play the guitar to free up the singer [Levine], so he could be the star I perceived him to be”.

Around this time, Levine had been working as a writer’s a*sistant on the CBS television show Judging Amy; the progam’s producer Barbara Hall was his family friend. While on the show, he would spend time writing songs about his ex-girlfriend. These songs were put into Maroon 5’s debut album Songs About Jane, which was released in June 2002. The album slowly gained airplay, and eventually became a sleeper hit, selling an estimated 10 million copies and becoming the tenth best-selling album of 2004, two years after its release.  In 2005, Maroon 5 won their first Grammy Award, for Best New Artist. The next year, they won the Grammy Award for Best Pop Performance by a Duo or Group with Vocals for the second Songs About Jane single “This Love”.

By 2006, the band began recording again, and in May 2007, Maroon 5’s second album It Won’t Be Soon Before Long was released. Levine described the album as “a vast improvement”, explaining: “I think this record is a little more self-confident and powerful lyrically”. To support the album, the band performed on a “six-date club tour” in which they visited small venues in Boston, San Francisco, Los Angeles, Minneapolis, Miami, and New York City in early June 2007.  The album and its lead, third and penultimate singles (“Makes Me Wonder”, “Won’t Go Home Without You” and “If I Never See Your Face Again”, respectively) each received Grammy nominations, although only “Makes Me Wonder” secured a win.

After winding down from a world tour in support of It Won’t Be Soon Before Long, the band began recording in Switzerland in 2009, in collaboration with record producer and songwriter Robert John “Mutt” Lange. Levine said Lange “worked me harder than anyone ever has”. In 2010, Maroon 5 released their third studio album, Hands All Over. The album did not initially meet expectations. In an interview with Los Angeles Times, Levine explained that the album suffered from being “all these disparate ideas and songs that didn’t make any sense together”. After the moderate success of the album’s first three singles, the band released “Moves like Jagger” which Levine classified as “one of those songs that was definitely a risk; it’s a bold statement”. The single became a worldwide success; it was the ninth-best-selling digital single of 2011 with sales of 8.5 million copies and, as of 2012, the eighth-best-selling digital single of all time. Levine later credited the song with “totally reviving the band”.

Since “Moves Like Jagger” was the first time Maroon 5 had collaborated with an outside writer, the band decided to attempt it again on their next album, entitled Overexposed. Its title is supposedly an allusion to Levine’s public ubiquity. In an interview with Rolling Stone, he opined that is their most dance-driven album ever, commenting: “It’s very much an old-fashioned disco tune. I have a love/hate relationship with it – but mostly I love it”. The album and its lead single “Payphone” gave Maroon 5 their second Grammy Award for Best Pop Vocal Album and Best Pop Duo/Group Performance nominations. In support of Overexposed, the band conducted the Overexposed Tour from 2012 to 2013 (with the European leg extending to 2014 due to scheduling conflicts), and also headlined the 2013 Honda Civic Tour, which included The Voice contestant Tony Lucca.

In 2014, Maroon 5 continued their collaboration with Ryan Tedder, Max Martin and others to release their fifth studio album V (pronounced: “five”). Levine acknowledged that they followed the same song-writing process that they tried with Overexposed, saying: “We developed a really nice system on the last record — we found songs we were passionate about, developed them and put our stamp on them […] this time we kept it going but looked for different types of songs.” Five singles were released from it. In support of the album, the band undertook the Maroon V Tour, which kicked off with a show in Dallas in February 2015.

In 2007, Levine had stated that he believed Maroon 5 was reaching its peak and might make one more album before disbanding. He was quoted explaining: “Eventually I want to focus on being a completely different person because I don’t know if I want to do this into my 40s and 50s and beyond”. But in 2010, he dispelled any rumors of the band breaking up, saying:”I love what I do and think that, yes, it might be tiring and complicated at times [but] we don’t have any plans on disbanding any time soon”.  He has also turned down the idea of having a solo career, stating that “there will never be a solo record. I would sooner have another band”. On February 10, 2017, Levine received a star on the Hollywood Walk of Fame for his contributions to the recording industry.

Other work

Musical collaborations

Levine has collaborated with several musical artists. In 2005, he was featured on the song “Live Again” by hip-hop duo Ying Yang Twins. The same year, he appeared on Kanye West’s album Late Registration, on the third single “Heard ‘Em Say”, a collaboration Levine called “very pure and very easy”. The song was created during an airplane flight that he and West shared, and its refrain was later used for the Maroon 5 song “Nothing Lasts Forever” from It Won’t Be Soon Before Long. He also appeared on Alicia Keys’ third album Alicia Keys: MTV Unplugged, as part of the cover of The Rolling Stones song “Wild Horses”. Around the same time, he featured on fellow Octone Records singer K’naan’s single “Bang Bang”. In 2009, he recorded “Gotten”, a song for Slash’s first solo album Slash (2010). In February 2010, he was among approximately 80 musicians who sang on the charity-single remake of “We Are the World”, called “We Are the World 25 for Haiti”. In 2011, he appeared on the Gym Class Heroes song, “Stereo Hearts”. Levine also worked with hip-hop artist 50 Cent on his song “My Life”, recording the vocals almost two years before it was released as a single in 2012, which included rapper Eminem. In 2013, Levine wrote a song with Swedish composer Ludwig Göransson called “My Most Terrible Secret” by the cast of Community, in the episode from the television series “Intro to Felt Surrogacy”. In 2015, Levine was featured on the song “Painkiller” by Rozzi Crane and the duo, R. City’s single “Locked Away”. In 2016, Levine collaborated with The Lonely Island for the song “I’m So Humble”, on the soundtrack album Popstar: Never Stop Never Stopping, which they also appeared in the film of the same name. In April 2019, Levine and 29 other musical acts were featured on the charity single “Earth”, which raises climate change awareness. In late 2019, Levine collaborated with American actor and musician Joe Pesci, on his third album Pesci… Still Singing, with two songs “Baby Girl” and a cover of Stevie Wonder’s “My Cherie Amour”. In 2020, Levine was featured in the song “Trust Nobody”, with rapper Lil Wayne on his 13th studio album Funeral (2020).

Levine is also featured as a singer for his band’s song “She Will Be Loved” in the music rhythm game, Band Hero. Levine has contributed with two songs for the soundtracks of the John Carney films: “Lost Stars” in Begin Again and “Go Now” in Sing Street.

Television, film and media

Levine has made four notable comic appearances on television. During 2007, he appeared in the 33rd-season premiere of Saturday Night Live in an SNL Digital Short called Iran So Far, performing with Andy Samberg, Fred Armisen and Jake Gyllenhaal. Levine played himself while singing a humorous bridge to a “love song” for Mahmoud Ahmadinejad. In 2008, he performed on Comedy Central’s “Night of Too Many Stars”. He also had a cameo on Jimmy Kimmel Live! for the night of stars and endorsed Barack Obama in the 2008 Presidential Election. In 2013, he hosted Saturday Night Live and featured alongside Kendrick Lamar on Lonely Island’s digital short “YOLO”, which parodies the acronym for “You Only Live Once.” His hosting was generally disliked by reviewers, who called it “mediocre” and “subpar.”

In 2011, Levine has served as a contestant judge/coach on the reality talent television show, The Voice. The contestants of his team named Team Adam, who won in the series are Javier Colon (season 1), Tessanne Chin (season 5) and Jordan Smith (season 9). The Voice has been credited with reviving Maroon 5’s “faltering” career after the sub-par sales of Hands All Over as well as increasing Levine’s popularity. According to polling firm E-Poll Market Research, awareness of Levine has nearly tripled since he joined the show. He has also been described as the “breakout” star of the series, with #TeamAdam and @AdamLevine scoring a respective 203,000 and 2.14 million Twitter mentions in the show’s third season, higher than all the other coaches. In 2013, The Hollywood Reporter estimated that Levine was paid $10–12 million for each season of The Voice. In May 2019, Levine left the series after sixteen seasons and eight years since his debut in 2011.

In 2012, Levine appeared as a recurring character in American Horror Story: Asylum, the second season of the television series American Horror Story. He plays Leo Morrison, a newly-wed photographer visiting modern-day Briarcliff Manor, an insane asylum, on honeymoon with his wife, played by Jenna Dewan. The scenes were shot around his band’s summer touring schedule. In an interview with E!, he said of his role: “It sounded like so much fun and that’s why I wanted to do it … this sounds, like, hysterical, funny, dark and cool and right up my alley”. However, he admitted to not being a fan of the show nor horror genre in general, stating he didn’t watch the episodes because “it’s just so weird and disturbing”.

In June 2012, Levine was cast in the musical romance-drama film Begin Again (originally titled Can a Song Save Your Life?). The film was directed by John Carney and Keira Knightley and Mark Ruffalo acted in the lead roles. In it, he plays Dave Kohl, Knightley’s songwriting partner and former boyfriend of five years, who leaves her behind on finding success in the music industry. The film premiered at the 2013 Toronto International Film Festival to generally favorable reviews from critics.

In November 2013, Levine was named People magazine’s Sexiest Man Alive, becoming the first singer and the second non-actor (after John F. Kennedy, Jr.) to claim the title.  He was ranked No. 41 on Glamour’s “Sexiest Men of 2012” list.[83] In 2008, he appeared on People’s “Single and Sexy Men” list. He was elected TV’s Most Crushworthy Male Reality Host/Judge in a poll held by Zap2it. In April 2012, Shalom Life ranked him Number 7 on its list of “Top 50 Hottest Jewish men in the world”. Levine stripped naked for testicular cancer awareness for a centerfold in Cosmopolitan UK’s February 2011 issue.

222 Productions

In 2013, Levine started a production company 222 Productions and the first project was Sugar (2018), a YouTube Premium web television series which was inspired by the music video for the Maroon 5 song of the same name. It follows music artists to crash events for unsuspecting fans. The company produced a reality competition series Songland, which premiered on NBC on May 28, 2019, where Levine served as executive producer. The company signed a deal with Wheelhouse Entertainment.

Business ventures and endorsements

In October 2008, Levine collaborated with First Act to create the First Act 222 Guitar, which was fashioned to his specifications. The guitar was sold via Target stores. Two years later he launched his own fashion line, entitled “222”, at the Project Trade Show in Las Vegas. The collection features jeans, basic T-shirts and leather jackets. The venture was organized in partnership with his father, Fred Levine (who operates a chain of specialty boutiques), and his cousin, Sami Cooper.

In June 2011, Levine took part in an educational campaign to raise awareness of attention deficit hyperactivity disorder (ADHD). The project, titled “Own It”, was created by Shire and organized in collaboration with the Attention Deficit Disorder Association (ADDA), Children and Adults with attention deficit hyperactivity disorder (CHADHD). The project targets people who were previously diagnosed with the disorder, focusing on how it may continue into adulthood. Levine, who himself was diagnosed with ADHD as a teenager, said: “This campaign is important to me because it can help young adults and adults realize that there’s a chance they may still have ADHD if they had it as a kid”. In connection to this, he wrote an article in ADDitude Magazine about his personal experience with it.

Levine founded his own record label, 222 Records in February 2012. He stated that he was inspired to start the label to sign on Rozzi Crane, an USC music student he discovered through a mutual friend. She became the first singer signed on to the label, followed by Glee actor Matthew Morrison, Mexican artist Diego Boneta, and The Voice season 2 contestant and part of Team Adam, the singer Tony Lucca. It was reported that he was negotiating further with potential distributors, as well as organizing staff, to operate as a full-fledged record company with departments such as marketing, radio and publicity.

In September 2012, Levine was in the Philippines to collaborate with the clothing company Bench; they launched the menswear collection. In January 2013, Levine announced he would be enter a partnership with Sears Holdings to launch a multi-department lifestyle brand of apparel and accessories collections. The company owns Kmart and ShopYourWay, a shopping social platform; it also includes rapper Nicki Minaj in the same contract. The menswear collection was launched on October 1 that year and conducts business via 500 Kmart stores across the US, as well as online. In an official statement, Levine said: “Partnering with ShopYourWay to develop this line was an exciting opportunity for me and I am really looking forward to diving into the process of designing an apparel and accessory collection”. In an interview with People, he commented further, “it was cool that they really promoted creative control. I like to be involved with process rather than just phoning it in”. Later, Levine became a celebrity spokesperson for Proactiv. In the commercial, Levine shares details about his acne experiences in high school, and promotes Proactiv Plus.

Levine collaborated with ID Perfumes to create his debut eponymous scent. The line was launched at the Premiere Fragrance Installation in Los Angeles in February 2013. The fragrance range, consisting of scents for both for men and women, is sold through Macy’s department stores in microphone-shaped bottles. Speaking at its launch, Levine said: “The task was to make something that I would wear. So that was a process and we finally came to a great conclusion and it smells great” The fragrance garnered media attention for contradicting his tweet the previous year, in which he said that he wanted to “put an official ban on celebrity fragrances. Punishable by death from this point forward”. In January 2020, Levine announced that he is the new Ambassador of the brand Shure for the wireless earphones and headphones, the Aonic 215 and 50, is available on electronic stores on April 2, 2020.

Artistry

Levine’s interest in music started at around ten years of age, when he first started playing the guitar. He found music as an outlet for his feelings, stating: “I picked up a guitar and that was it. I fell so madly in love with it, it’s all I did”. He performed his first professional gig at The Troubadour when he was twelve, but he was so nervous that he played with his back to the audience. Throughout his childhood, he had a wide range of musical influences, including The Beatles, Fleetwood Mac, The Who, Pearl Jam, Soundgarden, Alice in Chains, and Nirvana, and, in high school, Bob Marley, Bill Withers, Al Green, Stevie Wonder, Marvin Gaye, Phish and Michael Jackson. He has also incorporated elements of The Police and Prince into his music. In an interview with Billboard, he explained the diversity of his influences: “I love every single kind of music … even the most saccharine, sugary pop song can be the greatest thing ever. But so can a 25-minute crazy avant-garde fusion gnarly Herbie Hancock jam from the ’70s”.

Levine remembers that listening to “Are You That Somebody?” by Aaliyah convinced him to pursue a more soulful sound than that of the band he was performing with at the time, Kara’s Flowers. His move to New York introduced him to a new music scene that involved hip-hop, R&B, gospel and soul music.  He took to changing his musical style, extensively emulating Stevie Wonder. Subsequently, Songs About Jane was released, deemed “bluesy funk”  and similar to the sound of English pop rock band Busted. Critics also drew comparisons between Levine and Jamiroquai singer Jay Kay.

While earlier work was deemed “vaguely funky white-soul”  and “rock”, recent ones have been judged to have a more reggae, anthemic pop sound,  evoking comparisons to Coldplay. Levine refuses to fit his music into a genre, saying: “There’s so much variety in music, it’s silly to belong to a specific club and try to sound a certain way”. He considers himself an orthodox lyricist sticking to conventional themes, acknowledging: “Romance, love, the lack thereof are still very big themes. I haven’t figured out a way to use everything yet. As a songwriter, I’m still limited to that one thing.” He also claims he does not like mincing words, stating in a Rolling Stone interview: “I was so sick of typical lyrics like ‘Ooh, baby’ and ‘I love you’ and all this vague shit. I thought the more explicit I got without being totally explicit was a nice approach”.

Levine is a tenor, with a 3-and-a-half-octave vocal range and has been noted for his falsettos. Salon wrote: “When he’s crooning come-ons, his voice lends the music a satisfying lewdness, a sense of sticky physicality that gives his snaky hooks a pheromonal urgency.” In a review of It Won’t Be Soon Before Long, Entertainment Weekly described his vocals as “smug, R&B-slick deadpan … there’s a twisted logic to his dispassionate delivery”. In another review, Allmusic wrote “he knows that he’s a pop guy, somewhat in the tradition of Hall & Oates, but he isn’t trying to be retro, he’s … making records that are melodic, stylish, and soulful”. In a review of the 2013 Honda Civic Tour, The Boston Globe also commented positively on his on-stage presence, which “exude[s] a sense of up-for-anything playfulness … combined with a rock solid work ethic and a clear love for their audiences and performing”.

Levine’s popularity outside of his musical work has seen him tagged as a “stand-alone star,” which critics say have pushed other members of Maroon 5 to the backseat, even in their music. Their guitarist Valentine noted that his vocals were a central aspect around which their music revolved Conversely, others opine that Levine’s fame has been a boost to the band, with Paper writing: “Maroon 5 has managed to ebb and flow with the times … thanks in no small part to their frontman’s uncanny ability to be extremely entertaining”. Delta Sky described him as “a natural, if slightly neurotic, leading man”. He claims that the image was consciously cultivated, explaining: “We talked about it a long time ago and decided I would step out, for us, not for me or my own ego … We wanted there to be a frontman.”

Personal life

n early 2010, while performing at the Sports Illustrated Swimsuit Issue release party in Las Vegas, Levine met Russian Sports Illustrated swimsuit cover-model Anne Vyalitsyna. They began a relationship. They ended the relationship in April 2012 in an “amicable and supportive manner”.

In May 2012, Levine began dating Behati Prinsloo, a Namibian Victoria’s Secret model. The couple married on July 19, 2014, with Jonah Hill officiating the wedding. Levine and Prinsloo have two daughters, Dusty Rose (born September 21, 2016) and Gio Grace (born February 15, 2018).

Levine, whose brother Michael is gay, is a supporter of same-sex marriage and LGBT rights. In 2011, he made a video on Maroon 5’s official YouTube account in support of the It Gets Better Project. In January 2012, he announced that Maroon 5 had changed the location of their post-Grammy Awards show because of the “unnamed Los Angeles restaurant’s backing of Proposition 8”.

In 2013, Levine was mentioned in a hostile work environment lawsuit filed in Los Angeles Superior Court by an unnamed security guard who claimed that Universal Music Publishing Group’s Santa Monica location was “infiltrated with pervasive drug use where you could smell marijuana seeping from various offices and openly used in common areas, and lounges”. The guard claimed that when she complained about the cannabis smoke coming from one of the studios, she was told that “it’s Adam Levine … if he wants to come to the lobby and do a line of cocaine on the floor, it’s OK”. In an official statement to The Hollywood Reporter, UMPG (Universal Music Publishing group) described the allegations as “absurd”.

In July 2020, Levine and Prinsloo collaborated with Ferrari and Save the Children to raise funds to support U.S. education programs during the COVID-19 pandemic.

 


Jim Morrison

James Douglas Morrison (December 8, 1943 – July 3, 1971) was an American singer, songwriter and poet, who served as the lead vocalist of the rock band The Doors. Due to his wild personality, poetic lyrics, his widely recognized voice, unpredictable and erratic performances, and the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most iconic and influential frontmen in rock history. Since his death, his fame has endured as one of popular culture’s most rebellious and oft-displayed icons, representing the generation gap and youth counterculture.

Together with Ray Manzarek, Morrison co-founded the Doors during the summer of 1965 in Venice, California. The band spent two years in obscurity until shooting to prominence with their number-one single in the United States, “Light My Fire”, taken from their self-titled debut album. Morrison wrote or co-wrote many of the Doors’ songs, including “Light My Fire”, “Break On Through (To the Other Side)”, “The End”, “Moonlight Drive”, “Wild Child”, “The Soft Parade”, “People Are Strange”, “Hello, I Love You”, “Roadhouse Blues”, “L.A. Woman”, and “Riders on the Storm”. He recorded a total of six studio albums with the Doors, all of which sold well and received critical acclaim. Morrison was well known for improvising spoken word poetry passages while the band played live. Manzarek said Morrison “embodied hippie counterculture rebellion”.

Morrison developed an alcohol dependency during the 1960s, which at times affected his performances on stage. He died unexpectedly at the age of 27 in Paris, among conflicting witness and alleged witness reports. As no autopsy was performed, the cause of Morrison’s death remains disputed.[ Though the Doors recorded two more albums after Morrison died, his death severely affected the band’s fortunes, and they split up in 1973. In 1993, Morrison was inducted into the Rock and Roll Hall of Fame as a member of the Doors. In 2008, he was ranked 47th in Rolling Stone magazine’s list “The 100 Greatest Singers of All Time”.

Biography

1943–1961: Early years

Morrison was born in late 1943 in Melbourne, Florida, to Clara Virginia (née Clarke) and Lt.(j.g.) George Stephen Morrison, a future rear admiral in the U.S. Navy. His ancestors were Scottish, Irish, and English.[ Admiral Morrison commanded U.S. naval forces during the Gulf of Tonkin incident in August 1964, which provided the pretext for the U.S. involvement in the Vietnam War in 1965. Morrison had a younger sister, Anne Robin (born 1947 in Albuquerque, New Mexico), and a younger brother, Andrew Lee Morrison (born 1948 in Los Altos, California).

In 1947, when he was three to four years old, Morrison allegedly witnessed a car accident in the desert, during which a truck overturned and some Native Americans were lying injured at the side of the road. He referred to this incident in the Doors’ song “Peace Frog” on their 1970 album Morrison Hotel, as well as in the spoken word performances “Dawn’s Highway” and “Ghost Song” on the posthumous 1978 album An American Prayer. Morrison believed this incident to be the most formative event of his life, and made repeated references to it in the imagery in his songs, poems, and interviews.

His family does not recall this traffic incident happening in the way he told it. According to the Morrison biography No One Here Gets Out Alive, Morrison’s family did drive past a car accident on an Indian reservation when he was a child, and he was very upset by it. The book The Doors, written by the surviving members of the Doors, explains how different Morrison’s account of the incident was from that of his father. This book quotes his father as saying, “We went by several Indians. It did make an impression on him [the young James]. He always thought about that crying Indian.” This is contrasted sharply with Morrison’s tale of “Indians scattered all over the highway, bleeding to death.” In the same book, his sister is quoted as saying, “He enjoyed telling that story and exaggerating it. He said he saw a dead Indian by the side of the road, and I don’t even know if that’s true.”

Raised a military brat, Morrison spent part of his childhood in San Diego, completed third grade in northern Virginia at Fairfax County Elementary School, and attended Charles H. Flato Elementary School in Kingsville, Texas, while his father was stationed at NAS Kingsville in 1952. He continued at St. John’s Methodist School in Albuquerque, and then Longfellow School Sixth Grade Graduation Program from San Diego.

In 1957, Morrison attended Alameda High School in Alameda, California, for his freshman and first semester of his sophomore year. [self-published source] The Morrison family moved back to northern Virginia in 1959, and he graduated from George Washington High School (now a middle school) in Alexandria in June 1961.

1961–1963: Literary influences

A voracious reader from an early age, Morrison was particularly inspired by the writings of several philosophers and poets. He was influenced by Friedrich Nietzsche, whose views on aesthetics, morality, and the Apollonian and Dionysian duality would appear in his conversation, poetry and songs. Some of his formative influences were Plutarch’s Parallel Lives and the works of the French Symbolist poet Arthur Rimbaud, whose style would later influence the form of Morrison’s short prose poems. He was also influenced by William S. Burroughs, Jack Kerouac, Allen Ginsberg, Louis Ferdinand Celine, Lawrence Ferlinghetti, Charles Baudelaire, Molière, Franz Kafka, Albert Camus, Honoré de Balzac and Jean Cocteau, along with most of the French existentialist philosophers.

His senior year English teacher said, “Jim read as much and probably more than any student in class, but everything he read was so offbeat I had another teacher (who was going to the Library of Congress) check to see if the books Jim was reporting on actually existed. I suspected he was making them up, as they were English books on sixteenth- and seventeenth-century demonology. I’d never heard of them, but they existed, and I’m convinced from the paper he wrote that he read them, and the Library of Congress would’ve been the only source.”

Morrison went to live with his paternal grandparents in Clearwater, Florida, and attended St. Petersburg Junior College. In 1962, he transferred to Florida State University (FSU) in Tallahassee, and appeared in a school recruitment film.[19] While at FSU, Morrison was arrested for disturbing the peace while drunk at a home football game on September 28, 1963.

1964–1965: College experience in Los Angeles

In January 1964, Morrison moved to Los Angeles to attend the University of California, Los Angeles (UCLA). Seven months later, his father commanded a carrier division of the U.S. fleet during the Gulf of Tonkin Incident. At UCLA, Morrison enrolled in Jack Hirschman’s class on Antonin Artaud in the Comparative Literature program within the UCLA English Department. Artaud’s brand of surrealist theatre had a profound impact on Morrison’s dark poetic sensibility of cinematic theatricality.

Morrison completed his undergraduate degree at UCLA’s film school within the Theater Arts department of the College of Fine Arts in 1965. At the time of the graduation ceremony, he went to Venice Beach, and the university mailed his diploma to his mother in Coronado, California. He made several short films while attending UCLA. First Love, the first of these films, made with Morrison’s classmate and roommate Max Schwartz, was released to the public when it appeared in a documentary about the film Obscura.

During these years, while living in Venice Beach, he befriended writers at the Los Angeles Free Press, for which he advocated until his death in 1971. He conducted a lengthy and in-depth interview with Bob Chorush and Andy Kent, both working for the Free Press at the time (approximately December 6–8, 1970), and was planning on visiting the headquarters of the busy newspaper shortly before leaving for Paris.

1965–1971: The Doors

In the summer of 1965, after graduating with a bachelor’s degree from the UCLA film school, Morrison led a bohemian lifestyle in Venice Beach. Living on the rooftop of a building inhabited by his old UCLA cinematography friend, Dennis Jacobs, he wrote the lyrics of many of the early songs the Doors would later perform live and record on albums, such as “Moonlight Drive” and “Hello, I Love You”. According to Manzarek, he lived on canned beans and LSD for several months. Morrison and fellow UCLA student Ray Manzarek were the first two members of the Doors, forming the group during that summer. They had met months earlier as cinematography students. The story claims that Manzarek was lying on the beach at Venice one day, where he accidentally encountered Morrison. He was impressed with Morrison’s poetic lyrics, claiming that they were “rock group” material. Subsequently, guitarist Robby Krieger and drummer John Densmore joined. Krieger auditioned at Densmore’s recommendation and was then added to the lineup. All three musicians shared a common interest in the Maharishi Mahesh Yogi’s meditation practices at the time, attending scheduled classes, but Morrison was not involved in these series of classes.

The Doors took their name from the title of Aldous Huxley’s book The Doors of Perception (a reference to the unlocking of doors of perception through psychedelic drug use). Huxley’s own title was a quotation from William Blake’s The Marriage of Heaven and Hell, in which Blake wrote: “If the doors of perception were cleansed everything would appear to man as it is, infinite.” Although Morrison was known as the lyricist of the group, Krieger also made significant lyrical contributions, writing or co-writing some of the group’s biggest hits, including “Light My Fire”, “Love Me Two Times”, “Love Her Madly” and “Touch Me”. On the other hand, Morrison, who did not write most songs using an instrument, would come up with vocal melodies for his own lyrics, with the other band members contributing chords and rhythm. Morrison did not play an instrument live (except for maracas and tambourine for most shows, and harmonica on a few occasions) or in the studio (excluding maracas, tambourine, handclaps, and whistling). However, he did play the grand piano on “Orange County Suite” and a Moog synthesizer on “Strange Days”.

In June 1966, Morrison and the Doors were the opening act at the Whisky a Go Go in the last week of the residency of Van Morrison’s band Them. Van’s influence on Jim’s developing stage performance was later noted by Brian Hinton in his book Celtic Crossroads: The Art of Van Morrison: “Jim Morrison learned quickly from his near namesake’s stagecraft, his apparent recklessness, his air of subdued menace, the way he would improvise poetry to a rock beat, even his habit of crouching down by the bass drum during instrumental breaks.” On the final night, the two Morrisons and their two bands jammed together on “Gloria”. In November 1966, Morrison and the Doors produced a promotional film for “Break on Through (To the Other Side)”, which was their first single release. The film featured the four members of the group playing the song on a darkened set with alternating views and close-ups of the performers while Morrison lip-synched the lyrics. Morrison and the Doors continued to make short music films, including “The Unknown Soldier”, “Moonlight Drive” and “People Are Strange”.

The Doors achieved national recognition after signing with Elektra Records in 1967. The single “Light My Fire” spent three weeks at number one on the Billboard Hot 100 chart in July/August 1967. This was a far cry from the Doors opening for Simon and Garfunkel or playing at a high school as they did in Connecticut that same year. Later, the Doors appeared on The Ed Sullivan Show, a popular Sunday night variety series that had introduced the Beatles and Elvis Presley to the United States. Ed Sullivan requested two songs from the Doors for the show, “People Are Strange” and “Light My Fire”. Sullivan’s censors insisted that the Doors change the lyrics of the song “Light My Fire” from “Girl we couldn’t get much higher” to “Girl we couldn’t get much better” for the television viewers; this was reportedly due to what was perceived as a reference to drugs in the original lyrics. After giving a*surances of compliance to the producer in the dressing room, the band agreed and proceeded to sing the song with the original lyrics. Sullivan was not happy and he refused to shake hands with Morrison or any other band member after their performance. Sullivan had a show producer tell the band that they would never appear on The Ed Sullivan Show again. Morrison reportedly said to the producer, in a defiant tone, “Hey man. We just did the Sullivan Show!”

By the release of their second album, Strange Days, the Doors had become one of the most popular rock bands in the United States. Their blend of blues and dark psychedelic rock included a number of original songs and distinctive cover versions, such as their rendition of “Alabama Song”, from Bertolt Brecht and Kurt Weill’s opera, Rise and Fall of the City of Mahagonny. The band also performed a number of extended concept works, including the songs “The End”, “When the Music’s Over”, and “Celebration of the Lizard”. In 1966, photographer Joel Brodsky took a series of black-and-white photos of Morrison, in a photo shoot known as “The Young Lion” photo session. These photographs are considered among the most iconic images of Jim Morrison and are frequently used as covers for compilation albums, books, and other memorabilia of the Doors and Morrison. In late 1967 at a concert in New Haven, Connecticut, he was arrested on stage, an incident that further added to his mystique and emphasized his rebellious image. Morrison became the first rock artist to be arrested onstage during a concert performance.

In 1968, the Doors released their third studio album, Waiting for the Sun. The band performed on July 5 at the Hollywood Bowl; this performance became famous with the DVD: Live at the Hollywood Bowl. It’s also this year that the band played, for the first time, in Europe. Their fourth album, The Soft Parade, was released in 1969. It was the first album where the individual band members were given credit on the inner sleeve for the songs they had written. Previously, each song on their albums had been credited simply to “The Doors”. On September 6 and 7, 1968, the Doors played four performances at the Roundhouse, London, England with Jefferson Airplane which was filmed by Granada for a television documentary The Doors Are Open directed by John Sheppard. Around this time, Morrison—who had long been a heavy drinker—started showing up for recording sessions visibly inebriated.[ He was also frequently late for live performances.

By early 1969, the formerly svelte singer had gained weight, grown a beard and mustache, and begun dressing more casually — abandoning the leather pants and concho belts for slacks, jeans, and T-shirts. During a concert on March 1 at the Dinner Key Auditorium in Miami, Morrison attempted to spark a riot in the audience, in part by screaming “You wanna see my cock?” and other obscenities. He failed, but six warrants for his arrest were issued by the Dade County Police department three days later for indecent exposure, among other things. Consequently, many of the Doors’ scheduled concerts were canceled. After Miami, Morrison lost his desire to perform with The Doors, and even tried to quit many times. He had become tired of the rock-star life. On September 20, 1970, Morrison was convicted of indecent exposure and profanity by a six-person jury in Miami after a trial that had 16 days of testimony. Morrison, who attended the October 30 sentencing “in a wool jacket adorned with Indian designs”, silently listened as he was sentenced to six months in prison and had to pay a $500 fine. Morrison remained free on a $50,000 bond. At the sentencing, Judge Murray Goodman told Morrison that he was a “person graced with a talent” admired by many of his peers; Morrison remained free on $50,000 bond while the conviction was appealed. His death eight months later made the appeal a moot point.

On December 8, 2010—the 67th anniversary of Morrison’s birth—Florida Governor Charlie Crist and the state clemency board unanimously signed a complete posthumous pardon for Morrison. Drummer John Densmore denied Morrison ever exposed himself on stage that night.

Following The Soft Parade, the Doors released Morrison Hotel. After a lengthy break, the group reconvened in October 1970 to record their final album with Morrison, titled L.A. Woman. Shortly after the recording sessions for the album began, producer Paul A. Rothchild — who had overseen all of their previous recordings — left the project, and engineer Bruce Botnick took over as producer.

July 3, 1971: Death

After recording L.A. Woman in Los Angeles, Morrison joined Pamela Courson in Paris in March 1971, at an apartment she had rented for him at 17–19, Rue Beautreillis in Le Marais, 4th arrondissement, Paris. In letters, he described going for long walks through the city, alone. During this time, he shaved his beard and lost some of the weight he had gained in the previous months. He died on July 3, 1971, at age 27.[ He was reportedly found by Courson in the bathtub of the apartment. The official cause of death was listed as heart failure, although no autopsy was performed, as it was not required by French law. It has also been reported, by several individuals who say they were eyewitnesses, that his death was due to an accidental heroin overdose.

His death came two years to the day after the death of Rolling Stones guitarist Brian Jones and approximately nine months after the deaths of Jimi Hendrix and Janis Joplin — all of whom died at the age of 27. Three years after his death, Courson also died at the age of 27.

Personal relationships

Morrison’s early life was the semi-nomadic existence typical of military families. Jerry Hopkins recorded Morrison’s brother, Andy, explaining that his parents had determined never to use physical corporal punishment such as spanking on their children. They instead instilled discipline and levied punishment by the military tradition known as “dressing down”. This consisted of yelling at and berating the children until they were reduced to tears and acknowledged their failings. Once Morrison graduated from UCLA, he broke off most contact with his family. By the time Morrison’s music ascended to the top of the charts (in 1967) he had not been in communication with his family for more than a year and falsely claimed that his parents and siblings were dead (or claiming, as it has been widely misreported, that he was an only child).

This misinformation was published as part of the materials distributed with the Doors’ self-titled debut album. Admiral Morrison was not supportive of his son’s career choice in music. One day, an acquaintance brought over a record thought to have Jim on the cover. The record was the Doors’ self-titled debut. The young man played the record for Morrison’s father and family. Upon hearing the record, Morrison’s father wrote him a letter telling him “to give up any idea of singing or any connection with a music group because of what I consider to be a complete lack of talent in this direction.” In a letter to the Florida Probation and Parole Commission District Office dated October 2, 1970, Morrison’s father acknowledged the breakdown in family communications as the result of an argument over his a*sessment of his son’s musical talents. He said he could not blame his son for being reluctant to initiate contact and that he was proud of him.

Morrison spoke fondly of his Irish and Scottish ancestry and was inspired by Celtic mythology in his poetry and songs. Celtic Family Magazine revealed in its 2016 Spring Issue that his Morrison clan was originally from the Isle of Lewis, Scotland, while his Irish side, the Clelland clan who married into the Morrison line, were from County Down, Northern Ireland.

Relationships

Morrison was sought after by many as a photographer’s model, confidante, romantic partner and sexual conquest. Throughout his life he had at least several serious, ongoing relationships, and many casual encounters. By many accounts, he could also be inconsistent with his partners, displaying what some recall as “a dual personality”.  Doors producer Paul Rothchild recalls, “Jim really was two very distinct and different people. A Jekyll and Hyde. When he was sober, he was Jekyll, the most erudite, balanced, friendly kind of guy … He was Mr. America. When he would start to drink, he’d be okay at first, then, suddenly, he would turn into a maniac. Turn into Hyde.”

Morrison spent the majority of his adult life in an open, and at times very charged and intense, relationship with Pamela Courson. They met while both were attending college, and she encouraged him to develop his poetry. Through to the end, Courson saw Morrison as more than a rock star, as “a great poet”; she constantly encouraged him and pushed him to write. Courson attended his concerts, and focused on supporting his career. Like Morrison, she was described by many as fiery, determined and attractive, as someone who was tough despite appearing fragile. Manzarek called Pamela “Jim’s other half” and said, “I never knew another person who could so complement his bizarreness.” Courson was buried by her family as Pamela Susan Morrison, after Jim Morrison’s death, despite the two having never been married. After Courson’s death in 1974, and her parents petitioned the court for inheritance of Morrison’s estate, the probate court in California decided that she and Morrison had once had what qualified as a common-law marriage, despite neither having applied for such status, and the common-law marriage not being recognized in California. Morrison’s will at the time of his death named Courson as the sole heir.[ Morrison dedicated his published poetry books The Lords and New Creatures and the lost writings Wilderness to her. A number of writers have speculated that songs like “Love Street”, “Orange County Suite” and “Queen of the Highway”, among other songs, may have been written about her. Though the relationship was “tumultuous” much of the time, and both also had relationships with others, they always maintained a unique and ongoing connection with one another, right up until the end.

One of Morrison’s early significant relationships was with Mary Werbelow, whom he met on the beach in Florida, when they were teenagers in 1962. In a 2005 interview with the St. Petersburg Times, she said Morrison spoke to her before a photo shoot for the Doors’ fourth album and told her the first three albums were about her.

Throughout his career, Morrison had regular sexual and romantic encounters with fans (including groupies) such as Pamela Des Barres, as well as ongoing affairs with other musicians, writers and photographers involved in the music business. These included Nico, an encounter with singer Grace Slick of Jefferson Airplane while the two bands toured together, an on-again, off-again relationship with 16 Magazine’s Gloria Stavers, as well as an alleged alcohol-fueled encounter with Janis Joplin.

David Crosby said many years later Morrison treated Joplin meanly at a party at the Calabasas, California, home of John Davidson while Davidson was out of town. She reportedly hit him over the head with a bottle of whiskey in retaliation during a fight in front of witnesses. Thereafter, whenever Joplin had a conversation with someone who mentioned Morrison, Joplin referred to him as “that a*shole”, never by his first or last name.

First written about in No One Here Gets Out Alive, Break On Through, and later in her own memoir, Strange Days: My Life with and without Jim Morrison, Morrison participated in a Celtic Pagan handfasting ceremony with rock critic Patricia Kennealy. The couple signed a handwritten document, and were declared wed by a Celtic High Priestess and High Priest on Midsummer’s Night in 1970, but none of the necessary paperwork for a legal marriage was filed with the state. The couple had been friends, and then in a long-distance relationship, since meeting at a private interview for Jazz & Pop magazine in January 1969. The handfasting ceremony is described in No One Here Gets Out Alive as a “blending of souls on a karmic and cosmic plane”. Morrison was also still seeing Pamela Courson when he was in Los Angeles, and later moved to Paris for the summer where Courson had acquired an apartment. In an interview in the book Rock Wives, Kennealy says he turned “really cold” when she became pregnant, leading her to speculate that maybe he hadn’t taken the wedding as seriously as he’d led her to believe. She also notes that his coldness and distance was during the trial in Miami, and that “he was scared to death. They were really out to put him away. Jim was devastated that he wasn’t getting any public support.” As he did with so many people, Morrison could be cruel and cold and then turn warm and loving; he wrote in letters that he was planning on returning to her, to New York City, in the fall of ’71. However, Kennealy was skeptical. Morrison seemed to be falling apart. He was back with Courson in Paris, he was severely alcoholic and in poor health, and like many, Kennealy feared he was dying.

At the time of Morrison’s death, there were multiple paternity actions pending against him, although no claims were made against his estate by any of the putative paternity claimants.

Artistic influences

Although Morrison’s early education was routinely disrupted as he moved from school to school, he was drawn to the study of literature, poetry, religion, philosophy and psychology, among other fields. Biographers have consistently pointed to a number of writers and philosophers who influenced Morrison’s thinking and, perhaps, his behavior. While still in his adolescence, Morrison discovered the works of German philosopher Friedrich Nietzsche. He was also drawn to the poetry of William Blake, Charles Baudelaire, and Arthur Rimbaud. Beat Generation writers such as Jack Kerouac and libertine writers such as the Marquis de Sade also had a strong influence on Morrison’s outlook and manner of expression; Morrison was eager to experience the life described in Kerouac’s On the Road.[ He was similarly drawn to the work of French writer Louis-Ferdinand Céline.[108] Céline’s book, Voyage Au Bout de la Nuit (Journey to the End of the Night) and Blake’s Auguries of Innocence both echo through one of Morrison’s early songs, “End of the Night”.

Morrison later met and befriended Michael McClure, a well-known Beat poet. McClure had enjoyed Morrison’s lyrics but was even more impressed by his poetry and encouraged him to further develop his craft. Morrison’s vision of performance was colored by the works of 20th-century French playwright Antonin Artaud (author of Theater and its Double) and by Judith Malina and Julian Beck’s Living Theater.

Other works relating to religion, mysticism, ancient myth and symbolism were of lasting interest, particularly Joseph Campbell’s The Hero with a Thousand Faces. James Frazer’s The Golden Bough also became a source of inspiration and is reflected in the title and lyrics of the song “Not to Touch the Earth”.  Morrison was particularly attracted to the myths and religions of Native American cultures.

While he was still at school, his family moved to New Mexico where he got to see some of the places and artifacts important to the American Southwest Indigenous cultures. These interests appear to be the source of many references to creatures and places such as lizards, snakes, deserts and “ancient lakes” that appear in his songs and poetry. His interpretation and imagination of Native American ceremonies and peoples (which, based on his readings, he referred to by the anthropological term “shamans”) influenced his stage routine, notably in seeking trance states and vision through dancing to the point of exhaustion. In particular, Morrison’s poem “The Ghost Song” was inspired by his readings about the Native American Ghost Dance.

Morrison’s vocal influences included Elvis Presley and Frank Sinatra, which is evident in his baritone crooning style on several of the Doors’ songs. In the 1981 documentary The Doors: A Tribute to Jim Morrison, producer Paul Rothchild relates his first impression of Morrison as being a “Rock and Roll Bing Crosby”. Sugerman states that Morrison, as a teenager, was such a fan of Presley that he demanded silence when Elvis was on the radio. He states that Sinatra was Morrison’s favorite singer. According to record producer David Anderle, Morrison considered Brian Wilson “his favorite musician” and the Beach Boys’ 1967 LP Wild Honey “one of his favorite albums. … he really got into it.”

Wallace Fowlie, professor emeritus of French literature at Duke University, wrote Rimbaud and Jim Morrison, subtitled “The Rebel as Poet – A Memoir”. In this, he recounts his surprise at receiving a fan letter from Morrison who, in 1968, thanked him for his latest translation of Arthur Rimbaud’s verse into English. “I don’t read French easily”, he wrote, “…your book travels around with me.” Fowlie went on to give lectures on numerous campuses comparing the lives, philosophies, and poetry of Morrison and Rimbaud. The book The Doors by the remaining Doors quotes Morrison’s close friend Frank Lisciandro as saying that too many people took a remark of Morrison’s that he was interested in revolt, disorder, and chaos “to mean that he was an anarchist, a revolutionary, or, worse yet, a nihilist. Hardly anyone noticed that Jim was paraphrasing Rimbaud and the Surrealist poets”.

Poetry and film

Morrison began writing in earnest during his adolescence. At UCLA he studied the related fields of theater, film, and cinematography. He self-published two separate volumes of his poetry in 1969, titled The Lords / Notes on Vision and The New Creatures. The Lords consists primarily of brief descriptions of places, people, events and Morrison’s thoughts on cinema. The New Creatures verses are more poetic in structure, feel and appearance. These two books were later combined into a single volume titled The Lords and The New Creatures. These were the only writings published during Morrison’s lifetime. Morrison befriended Beat poet Michael McClure, who wrote the afterword for Jerry Hopkins’ biography of Morrison, No One Here Gets Out Alive. McClure and Morrison reportedly collaborated on a number of unmade film projects, including a film version of McClure’s infamous play The Beard, in which Morrison would have played Billy the Kid. After his death, a further two volumes of Morrison’s poetry were published. The contents of the books were selected and arranged by Morrison’s friend, photographer Frank Lisciandro, and girlfriend Pamela Courson’s parents, who owned the rights to his poetry.

The Lost Writings of Jim Morrison Volume I is titled Wilderness, and, upon its release in 1988, became an instant New York Times Bestseller. Volume II, The American Night, released in 1990, was also a success. Morrison recorded his own poetry in a professional sound studio on two separate occasions. The first was in March 1969 in Los Angeles and the second was on December 8, 1970. The latter recording session was attended by Morrison’s personal friends and included a variety of sketch pieces. Some of the segments from the 1969 session were issued on the bootleg album The Lost Paris Tapes and were later used as part of the Doors’ An American Prayer album,[ released in 1978. The album reached No. 54 on the music charts. Some poetry recorded from the December 1970 session remains unreleased to this day and is in the possession of the Courson family. Morrison’s best-known but seldom seen cinematic endeavor is HWY: An American Pastoral, a project he started in 1969. Morrison financed the venture and formed his own production company in order to maintain complete control of the project. Paul Ferrara, Frank Lisciandro, and Babe Hill a*sisted with the project. Morrison played the main character, a hitchhiker turned killer/car thief. Morrison asked his friend, composer/pianist Fred Myrow, to select the soundtrack for the film.

Paris Journal

After his death, a notebook of poetry written by Morrison was recovered, titled Paris Journal; amongst other personal details, it contains the allegorical foretelling of a man who will be left grieving and having to abandon his belongings, due to a police investigation into a death connected to the Chinese opium trade. “Weeping, he left his pad on orders from police and furnishings hauled away, all records and mementos, and reporters calculating tears & curses for the press: ‘I hope the Chinese junkies get you’ and they will for the [opium] poppy rules the world”.

The concluding stanzas of this poem convey disappointment for someone with whom he had had an intimate relationship and contain a further invocation of Billy the killer/Hitchhiker, a common character in Morrison’s body of work. “This is my poem for you, Great flowing funky flower’d beast, Great perfumed wreck of hell…Someone new in your knickers & who would that be? You know, You know more, than you let on…Tell them you came & saw & look’d into my eyes & saw the shadow of the guard receding, Thoughts in time & out of season The Hitchhiker stood by the side of the road & levelled his thumb in the calm calculus of reason.”

In 2013, another of Morrison’s notebooks from Paris, found alongside the Paris Journal in the same box, known as the 127 Fascination box, sold for $250,000 at auction. This box of personal belongings similarly contained a home movie of Pamela Courson dancing in an unspecified cemetery in Corsica, the only film so far recovered to have been filmed by Morrison. The box also housed a number of older notebooks and journals and may initially have included the “Steno Pad” and the falsely titled The Lost Paris Tapes bootleg, if they had not been separated from the primary collection and sold by Philippe Dalecky with this promotional title. Those familiar with the voices of Morrison’s friends and colleagues later determined that, contrary to the story advanced by Dalecky that this was Morrison’s final recording made with busking Parisian musicians, the Lost Paris Tapes are in fact of “Jomo & The Smoothies”: Morrison, friend Michael McClure and producer Paul Rothchild loose jamming in Los Angeles, well before Paris 1971.

Grave site

Morrison was buried in Père Lachaise Cemetery in Paris,[ one of the city’s most visited tourist attractions, where Irish playwright Oscar Wilde, French cabaret singer Edith Piaf, and many other poets and artists are also buried. The grave had no official marker until French officials placed a shield over it, which was stolen in 1973. The grave was listed in the cemetery directory with Morrison’s name incorrectly arranged as “Douglas James Morrison”.

In 1981, Croatian sculptor Mladen Mikulin voluntarily placed a bust of his own design and a new gravestone with Morrison’s name at the grave to commemorate the tenth anniversary of Morrison’s death; the bust was defaced through the years by vandals, and later stolen in 1988. Mikulin made another bust of Morrison in 1989,[ and a bronze portrait of him in 2001; neither piece is at the gravesite.

In 1990, Morrison’s father, George Stephen Morrison, after a consultation with E. Nicholas Genovese, Professor of Classics and Humanities, San Diego State University, placed a flat stone on the grave. The bronze plaque thereon bears the Greek inscription: ΚΑΤΑ ΤΟΝ ΔΑΙΜΟΝΑ ΕΑΥΤΟΥ, usually translated as “true to his own spirit” or “according to his own daemon”.

Legacy

Musical

Morrison was, and continues to be, one of the most popular and influential singer-songwriters and iconic frontmen in rock history. To this day Morrison is widely regarded as the prototypical rock star: surly, sexy, scandalous, and mysterious. The leather pants he was fond of wearing both onstage and off have since become stereotyped as rock-star apparel. [dubious – discuss] In 2011, a Rolling Stone readers’ pick placed Jim Morrison in fifth place of the magazine’s “Best Lead Singers of All Time”. He was also ranked number 22 on Classic Rock magazine’s “50 Greatest Singers in Rock”. In 1993, Morrison was inducted into the Rock and Roll Hall of Fame as a member of the Doors.

Iggy and the Stooges are said to have formed after lead singer Iggy Pop was inspired by Morrison while attending a Doors concert in Ann Arbor, Michigan. One of Pop’s most popular songs, “The Passenger”, is said to be based on one of Morrison’s poems. Layne Staley, the vocalist of Alice in Chains; Morten Harket, The vocalist of A-ha; Eddie Vedder, the vocalist of Pearl Jam; Scott Weiland, the vocalist of Stone Temple Pilots, and Velvet Revolver; Glenn Danzig, singer, and founder of Danzig; Julian Casablancas of the Strokes; James LaBrie of Dream Theater; Scott Stapp of Creed; and Ville Valo of H.I.M. have all said that Morrison was their biggest influence and inspiration. Stone Temple Pilots and Velvet Revolver have both covered “Roadhouse Blues” by the Doors. Weiland also filled in for Morrison to perform “Break On Through (To the Other Side)” with the rest of the Doors. Stapp filled in for Morrison for “Light My Fire”, “Riders on the Storm” and “Roadhouse Blues” on VH1 Storytellers; Travis Meeks, of Days of the New, also performed “The End”. Creed performed their version of “Roadhouse Blues” with Robby Krieger for the 1999 Woodstock Festival.

Morrison’s recital of his poem “Bird of Prey” can be heard throughout the song “Sunset” by Fatboy Slim. Rock band Bon Jovi featured Morrison’s grave in their “I’ll Sleep When I’m Dead” video clip. The band Radiohead mentions Jim Morrison in their song “Anyone Can Play Guitar”, stating “I wanna be wanna be wanna be Jim Morrison”. Alice Cooper in the liner notes of the album Killer stated that the song “Desperado” is about Jim Morrison. The leather trousers of U2’s lead singer Bono’s “The Fly” persona for the Achtung Baby era and subsequent Zoo TV Tour is attributed to Jim Morrison. In 2012 electronic music producer Skrillex released “Breakn’ a Sweat” which contained vocals from an interview with Jim Morrison.

Morrison was also referenced in the Lana Del Rey song “Gods & Monsters” in the line “living like Jim Morrison”.

Other

In June 2013, a fossil analysis discovered a large lizard in Myanmar. The extinct reptile was given the moniker Barbaturex morrisoni in honor of Morrison. “This is a king lizard, and he was the lizard king, so it just fit,” said Jason Head, a paleontologist at the University of Nebraska–Lincoln.


Ashes To Ashes

9 9 9 9 -8 -8 7 -7 -6
Do you re-mem-ber a guy, thats’s been
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In such an early song ~~~~~~
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I’ve heard a rumour from ground control
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Oh no, Don’t say it’s true
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They got a message from the action man
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I’m hap-py, hope your’e hap-py too ~~~~~~~~~
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I’ve loved all I needed love
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Sordid details fol-low-ing
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The shrieking of nothing is killing
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Just pictures of Jap girls in syn-thes-is
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And I aint got no mon-ey
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And I aint got no hair ~~~~
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But the planet is glowing

5 -5 5 -5 5 -5 5
~~~~Instrumental~~~~~~

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Ashes to ashes funk to funky
6 6 -5 5 6 6 5 -4
We know Major Toms a junkey
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Strung out in heavens high
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Hit-ting an all time low

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Time and again I tell myself
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I’ll stay clean tonight
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But the little green wheels
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Are fol-low-ing me, Oh no, not a-gain
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I’m stuck with a val-ua-ble friend
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I’m hap-py, hope you’re hap-py too
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One flash of light, but no smoking pistol
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I’ve never done good ~~~~ things
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I’ve never done bad ~~~~~ things
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I never did an-y-thing
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Out of the blue ~~~~~ ….Woh ~~ Oh ~~~~
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Want an axe to break the ice
8 8 8 -8 7 -7
Want to come down right now

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Ashes to ashes funk to funky
6 6 -5 5 6 6 5 -4
We know Major Toms a junkey
-5 -5 -5 5 -4 -5
Strung out in heavens high
-5 5 -4 -4 4 -3
Hit-ting an all time low

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My mama said to get things done
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You better not mess with Major Tom
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My mama said to get things done
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You better not mess with Major Tom
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My mama said to get things done
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You better not mess with Major Tom


London Still

Words and Music by Donna Simpson

Verse 1.
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Wonder if you can pick up my
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Accent on the phone
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When I call across the country
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When I call across the world
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I — see you in my kitchen
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I can picture you now
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As you toast to your small town
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When you drink the happy hour
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I’m in London still
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I’m in London still
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I’m in London still

Verse 2.
I took the tube over to Camden
To wander around
I bought some funky records
With that old Motown sound
And I miss you like my left arm
That’s been lost in a war
Today I dream of home and not of London anymore
I’m in London still
I’m in London still
Yeah I’m in London still

Verse 3.
You know it’s okay
I’m kinda happy here for now
I — ( think I’ve finally grown up
And got myself a lover now
And if I ever come home
And I, I think I will
I hope you’re gonna wanna hang at my place on Sunday still
Oh yeah I hope you will
Cause I’m in London still

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You know we got it sorted, yeah
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We really got it down
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To a fine art on Sunday
-8 -8 -8 7 -8 7 -6
In a sleepy Sunday town
7 -8 7 -8 7 -8 7
I wonder what I’m missing
-6 -6 -6 -8 -8 -8 7 8
I think of songs I’ve never heard
6 8 -8 -8 7 8 -8
I’m dreaming of your voices
-8 7 -8 7 -8 7 -6
And I’m dreaming of your herb
8 7 -8 7 -6
I’m in London still
-8 7 -8 7 -6
I’m in London still
8 7 -8 7 -6
I’m in London still

-6 8 7 -8 7 -6
Oh I’m in London still
8 -8 7 -8 8 -8 7 8
la-la-la-la-la London still
8 7 -8 7
I’m in London

VERSE 2 and 3 have the same notes as Verse 1.


Livin’ la Vida Loca

Verse 1:
-4 -4 -3 4 5 5 -4 -4 -4 3 3 4
She’s in-to superstitions, black cats and voodoo
4 -4 -4 -3 4 5 5 -4 -4 -4 -2” -2”
Dolls. I feel a premonition, that girl’s gon-na
3 4 -3
Make me fall.

Verse 2:

She’s into new sensations, new kicks in the candle light. She’s got a
new addiction, for every day and night.

Bridge 1:
4 6 6 6 6 6 6 -6 -7
She’ll make you take your clothes off and go
-7 -6 -6 6 -6 -5 6 6 6 6
dancing in the rain. She’ll make you live her
6 6 6 -6 -7 -8 7 7 -7 7
Crazy life, but she’ll take away your pain,
-6 -7 -8 7 7 -7 7
Like a bullet to your brain.

Chorus:
-7 -7 -7 -7 -7 4 -6 -6 -6 -6 7 7 -7
Upside, inside out, she’s livin’ la vi-da loca.
6 -7 -7 -7 -7 -7 -6 -6 -6 -6 -7
She’ll push and pull you down, livin’ la vi-da
-6 6 6 -7 -7 -7 -7 -7 -7 -7 -6
Loca. Her lips are devil red and her skin’s
-6 -6 -7 7 7 -7 -7 -7 -7 -7 -7
The col-or of mocha. She will wear you out,
-6 -6 -6 -6 -7 -6 6 -6 -6 -6 -6 -7 -6 6
Livin’ la vi-da loca, livin’ la vi-da loca.
4 -6 -6 -6 -6 7 7 -7
She’s livin’ la vi-da loca.

Verse 3:
Woke up in New York City, in a funky, cheap
Hotel. She took my heart and she took my
Money. She must have slipped me a sleeping pill.

Bridge 2: (played the same as bridge 1)
She never drinks the water and makes you order
French champagne. Once you’ve had a taste of
Her you’ll never be the same. Yeah, she’ll
Make you go insane.

Chorus

Repeat bridge 1 and chorus.


Kung Fu Fighting

6 -6 7 8
Oh-ho-ho-ho
6 -6 7 -8
Oh-ho-ho-ho
6 -6 7 8
Oh-ho-ho-ho
6 -6 7 -8
Oh-ho-ho-ho

6 6 -6 -6 7 8 -8 -8 8
Everybody was kung fu fighting
-10 9 -10 8 -8 -8 7 -6
Those cats were fast as lighting-
6 -6 7 7 -8 8 8 -8 -8 8
In fact it was a little bit frightning
6 6 -6 7 -8 7 7 -6 7
But they fought with expert timing-

-10 9 8 8 -8 7 8 -8
There were funky china men-
-6 -6 7 7 -6 -6
From funky china town
7 -8 8 8 -8 8 -8
They were choping them up–
-6 -6 7 7 -6 -6 7
They were choping them down
7 -8 8 -8 -8 7 8
It’s an ancient chinese art
-6 7 -6 -8 -8 7 7 7 -6
And everybody- knew their part
7 -8 8 8 -8 7 8
From a fainting to a snip
6 6 -10 9 9 8 -10
And a kicking from the hip

9 9 9 9 -10 8 -8 -8 8
Everybody was kung fu fighting
-10 9 -10 8 -8 -8 7 -6
Those cats were fast as lighting
6 -6 7 7 -8 8 8 -8 -8 8
In fact it was a little bit frightning
6 6 -6 7 -8 7 7 -6 7
But they fought with expert timing-

-10 9 8 8 -8 7 8 -8
There was funky Billy Chin
-6 -6 7 7 -6 -6
And little Sammy Chong
7 -8 8 8 -8 8 -8
He said: Here comes the big boss
-6 -6 8 8 -8 8 -8
Let’s get it on–
7 -8 8 -8 -8 -8 7 8
He took a vow and made a stand
-6 7 -6 -8 -8 7 7 7 -6
Started s waying with the hand
7 -8 8 8 8 -8 7 8
A Sudden motion made me skip
6 6 -10 9 9 9 8 -10
Now we’re into- a brand new trip

9 9 9 9 -10 8 -8 -8 8
Everybody was kung fu fighting
-10 9 -10 8 -8 -8 7 -6
Those cats were fast as lighting
6 -6 7 7 -8 8 8 -8 -8 8
In fact it was a little bit frightning
6 6 -6 7 -8 7 7 -6 7
But they fought with expert timing-

6 -6 7 8
Oh-ho-ho-ho
6 -6 7 -8
Oh-ho-ho-ho
6 -6 7 8
Oh-ho-ho-ho
6 -6 7 -8
Oh-ho-ho-ho

9 9 9 9 -10 8 -8 -8 8
Everybody was kung fu fighting
-10 9 -10 8 -8 -8 7 -6
Those cats were fast as lighting
6 -6 7 7 -8 8 8 -8 -8 8
In fact it was a little bit frightning
6 6 -6 7 -8 7 7 -6 7
But they fought with expert timing-

6 -6 7 8
Oh-ho-ho-ho
6 -6 7 -8
Oh-ho-ho-ho
6 -6 7 8
Oh-ho-ho-ho
6 -6 7 -8
Oh-ho-ho-ho

9 9 9 9 -10 8 -8 -8 8
Everybody was kung fu fighting
-10 9 -10 8 -8 -8 7 -6
Those cats were fast as lighting
6 -6 7 7 -8 8 8 -8 -8 8
In fact it was a little bit frightning
6 6 -6 7 -8 7 7 -6 7
But they fought with expert timing-


Ashes To Ashes

9   9  9   9  -8  -8  7    -7      -6
Do you re-mem-ber a  guy, thats’s been
9   9   9  9 -8   7   7 -7
In such an early song ~~~~~~
9    9   9  9  9   -8    7     -7  -6
I’ve heard a rumour from ground control
6  -5   -5    6  -5    5
Oh no, Don’t say it’s true
7   7  7  7  7    7    7   -8 7   7
They got a message from the action man
7  -8  8    -7    -7    7  -8  -6  -6 6 -5
I’m hap-py, hope your’e hap-py too ~~~~~~~~~
8   -9    8  -8 7 -7   -6
I’ve loved all I needed love
5  -4  5  5    5  -5   -4
Sordid details fol-low-ing
5    5   -6  -7  -7  7   7  7  -7
The shrieking of nothing is killing
-6    5   5   5  5    6   -6  -7  -7  -7
Just pictures of Jap girls in syn-thes-is
-6  6  6    6  -6 -6  -7
And I aint got no mon-ey
-7  -7 -7  -6  6   -5   -5
And I aint got no hair ~~~~
-5  -6   -6 6  -5  5   -5
But the planet is glowing

5  -5  5  -5  5  -5  5
~~~~Instrumental~~~~~~

-5 -5  -5  5 -4    -5   -5   5 -4
Ashes  to  ashes  funk  to  funky
6    6  -5  5   6  6  5  -4
We know Major Toms a junkey
-5   -5  -5  5   -4  -5
Strung out in heavens high
-5    5  -4  -4   4   -3
Hit-ting an all time low

9    9   9 9  -8  7   -7 -6
Time and again I tell myself
9    9     9    -8  7
I’ll stay clean tonight
9   9   9  9   -8     7
But the little green wheels
-7   -6  6  -7  -7   6 -5  -5  6  -5
Are fol-low-ing me, Oh no, not a-gain
7    7    7   7 -8  7  -7    7
I’m stuck with a val-ua-ble friend
7  -8  8    -7    -7    7  -8  -6
I’m hap-py, hope you’re hap-py too
-9    8   -8   7    -6  6   -5  6   5 -4
One flash of light, but no smoking pistol
8    8 -8   7   -7  -7 7   7
I’ve never done good ~~~~ things
8    8 -8   7   -7  -7 7   7
I’ve never done bad ~~~~~ things
8 8 -8   7  7 -7   -7
I never did an-y-thing
-8   7 -6   -7  -7 -6     -5  5  -5  -6
Out of the blue ~~~~~ ….Woh ~~ Oh ~~~~
-9  -9  -9  8   8   -8  -8
Want an axe to break the ice
8    8   8   -8    7    -7
Want to come down right now

-5 -5  -5  5 -4    -5   -5   5 -4
Ashes  to  ashes  funk  to  funky
6    6  -5  5   6  6  5  -4
We know Major Toms a junkey
-5   -5  -5  5   -4  -5
Strung out in heavens high
-5    5  -4  -4   4   -3
Hit-ting an all time low

-5  5 5  -4  -4  6    -5    5
My mama said to get things done
5  -5 -5   5   -4   -4  -5 5   -4
You better not mess with Major Tom
6  -5 -5  5  5   -5   5     -4
My mama said to get things done
-4   -5 -5  5   -4   -4   6 -5  5
You better not mess with Major Tom
-5  5 5  -4  -4  -5   5     -4
My mama said to get things done
-4   6  6   -5   5    5  -5 5   -4
You better not mess with Major Tom