ALIBIS (chromatic)
by: Randy Boudreaux
Tracy Lawrence
Key: E

-4 -8 -8 -8 -8 -7 7*-6* 6 6 6
She knows ev-�ry move that a man could make
-4 -8 -8 -8 -8 -7 7* 7* -6*6
She knows ev-�ry trick in the book
-4 -8 -8 -8 -8 6 -6* 7* -6*-6*6
She knows how to give she knows how to take
-4 -7 -7 -7 -77* -6* -6*
Cause so man-y times she�s been
-77*-6* -6* -7 7* -8
Tak-en and fooled by those

8* 7* -8 8* 8* 7* -8 8* 8* 7* -8 8*
Al-i-bis and ly-in eyes and all the best lines
8*7* 7* 7* -6* 6 6
Lord knows she�s heard �em all
7* -8 8* 7* -8 8* 8* 7* -8
She�s been cheat-ed on and pushed a-round
8* 8* 7* -8 8* 8*
And left a-lone Lord knows
7* -8 -6* 6 6
what I�ve put her through
-4 5* 6 -6* 7*-77*-6*
And boy you can bet
6 6 5* 6 -6* 7*-77*-6*
if a move can be made
6 5* -5* 6 -6* 7*-6* 7*-6* 7*-6*6
She knows how to make one on you

|5* 10 9* |7* -6* 6|5*-4

-4 -8 -8 -8 -8 -7 7* -6*6 6 6
She once thought that love was-n�t just a game
-4 -8 -8 -8 -8-7 7* 7* -6*6
Her feel-in�s once came from the heart
-8 -8 -8 -8 -8 6 -6* 7* -6*6
One day I gave her a wed-din� ring
-4 -7 -7 -7 -7
And one night I tore
-6* -6* -7 7* -6* -6* -7 7* -8
all those feel-in�s a-part with my

8* 7* -8 8* 8* 7* -8 8* 8* 7* -8 8*
Al-i-bis and ly-in eyes and all the best lines
8*7* 7* 7* -6* 6 6
Lord knows she�s heard �em all
7* -8 8* 7* -8 8* 8* 7* -8
She�s been cheat-ed on and pushed a-round
8* 8* 7* -8 8* 8*
And left a-lone Lord knows
7* -8 -6* 6 6
what I�ve put her through
-4 5* 6 -6* 7*-77*-6*
And boy you can bet
6 6 5* 6 -6* 7*-77*-6*
if a move can be made
6 5* -5* 6 -6*
She knows how to make
7* -8 7*-6* 7*-6* -6*6
her own one on you

|7* -6* 6|5* -4 7*-6* |6�|

Words: Joseph McCartney
Music: Harry Tierney
Written in 1919 for the Broadway
Musical “Irene”

4 -4 5 7 -6 -7 6 -6 5
In my sweet little Alice blue gown,

-4 5 -5 7 7 7 -7 7 -6
when I first wandered down into town,

7 -6 -7 -8 -7 6
I was both proud and shy,

-7 6 -6 7 -6 5
as I felt every eye.

6 -6 6 -5 -5 -5 -7
But in every shop window,

-6 -6 -8 -7 6
I’d primp passing by.

4 -4 5 7 -6 -7 6 -6 5
Then in manner of fashion, I’d frown.

-4 5 -5 6 -6 -7 -6 6 8
And the world seemed to smile all around.

8 8 -8 8 -8 -6 -7
‘Til it wilted, I wore it.

-8 -7 7 6 5 -7
I’ll always adore it,

-6 -5 6 6 -7 7 -8 7
My sweet little Alice blue gown.

ALICE BLUE GOWN
W: Joseph McCartney
M: Harry Tierney
From: “Irene”
Edith Day, Frank Sinatra
Key: C
Time: 3/4

1 -1 2 4 -3 -4 3 -3 2
In my sweet lit-tle Al-ice blue gown,
-1 2 -2* 4 4 4 -4 4 -3
when I first wan-dered down in-to town,
4 -3 -4 -5 -4 3
I was both proud and shy,
-4 3 -3 4 -3 2
as I felt ev-�ry eye.
3 -3 3 -2* 2* -2* -4
But in ev-�ry shop win-dow,
-3 -3 -5 -4 3
I’d primp pass-ing by.
1 -1 2 4 -3 -4 3 -3 2
Then in man-ner of fash-ion, I’d frown.
-1 2 -2 3 -3 -4 -3 3 6
And the world seemed to smile all a-round.
6 6 -5 6 -5 -3 -4
‘Til it wilt-ed, I wore it.
-5 -4 4 3 2 -4
I’ll al-ways a-dore it,
-3 -2 3 -3 -4 4 -5 5
My sweet lit-tle Al-ice blue gown.

ALICE IN WONDERLAND
M: Sammy Fain
W: Bob Hilliard
From: �Alice In Wonderland�
Key: C
Jazz waltz

3 7 -6 6 5 3
Al-ice in Won-der-land
-5 6 -6 6 -5 6 5 3
How do you get to Won-der-land
-5 6 -6 6 -5 6 7 8
Ov-er the hill or un-der-land
-7 7 -6 6 -5 7
Or just be-hind a tree

3 7 -6 6 5 3
When clouds go roll-ing by
-5 6 -6 6 -5 6 5 3
They roll a-way and leave the sky
-5 6 -6 6 -5 6 7 8
Where is the land be-hind the eye
-7 7 -6 6 -5 5
That peo-ple can-not see

-5 -7 7 5
Where do stars go
-5 6 -6 7 -8 7
Where is the cres-cent moon
6 -6* 8 -8 6
They must be some-where
-7 7 -6 6 -5 5 -4
in the sun-ny af-ter-noon

3 7 -6 6 5 3
Al-ice in Won-der-land
-5 6 -6 6 -5 6 5 3
Where is the path to Won-der-land
-5 6 -6 6 -5 6 7 -9
Ov-er the hill or here or there
8 5 -5 5
I won-der where

REPEAT to last �wonderland� & end with:

-5 6 -6 6 -5 6 7 8
Ov-er the hill or here or there
8 7 -6 6 -5 5
I won-der where

This is a good song to sing around the campfire.
This is my 4th tab.

4 4 4 4 4 4 5 4
Al-ice the ca-mel had 5 humps

-4 -4 -4 -4 -4 -4 5 4
Al-ice the ca-mel had 5 humps

4 4 4 4 4 4 5 4
Al-ice the ca-mel had 5 humps

4 6 -5 5 4
So go Alice go

ALICE WHERE ART THOU?
Trad. folk song
Key: G
Time: 3/4

-5 -5 7 -7 7 -6*
The birds sleep-ing gen-tly
6 6 -5* 6 -6* 6 -5
Sweet Ly-ra gleam-eth bright
-5 -5 -8 8 -8 -7
Her rays tinge the for-est
6 7 -6* 6 -6* -5 7
And all seems glad to-night
-5 -5 7 -7 7 -6*
The winds sigh-ing by me
6 6 -5* 6 -6* 6 -5
Cool-ing my fev-ered brow
-5 -5 -9 8-8 -8 -7
The stream flows as ev-er
6 7 -6*6 -6* -5 7
Yet Al-ice where art thou
7 7 -6* -4 -6* 6
One year back this e-ven
6 -8 -7 7 -6* 6 6-5*-6*
And thou wert by my side
-8 8 -8 -7 7 -6* 6 -8
And thou wert by my side
6 -6* 7 -7 -5 6 -6* 7

Vow-ing to love me, Al-ice
-8 -5 -7 -5 7
What e�er might be-tide

5 5 6 6 6 -6 -6 6 5 5 -4 5 6 5 4
You can get anything you want at Alice’s Restaurant
5 5 6 6 6 -6 -6 6 5 5 -4 5 -6 5 -4
You can get anything you want at Alice’s Restaurant
7 -6 6 5 -4 4 5 6
Walk right in it’s around the back
-6 -6 -6 -6 -6 -6 -7 7 7 7
Just a half a mile from the railroad track
5 5 6 6 6 -6 -6 6 5 5 -4 5 6 5 4
You can get anything you want at Alice’s Restaurant

ALICE�S RESTAURANT
By: Arlo Guthrie
Key: C

2 2 3 3 3* -3 -3 3
You can get an-y-thing you want
2 2 -1 2 3 2 1
at Al-i-ce’s Res-tau-rant
2 2 3 3 3* -3 -3 3
You can get an-y-thing you want
2 2 -1 2 -3 2 -1
at Al-i-ce’s Res-tau-rant
4 -3 3 2 -1 1 2 3
Walk right in it’s a-round the back
-3 3* -3 3* -3 -3 -4 4 4 4
Just a half a mile from the rail-road track
2 2 3 3 3* -3 -3 3
You can get an-y-thing you want
2 2 -1 2 3 2 1
at Al-i-ce’s Res-tau-rant

4 -4 4 -4 -5 5 -4 4 6 7 6-5 -5 7 6 -4 -4 5 -5 5 -4 4 64 -4 4 -4 -5 5 -4 4 6 7 6

+2  +2   -2 – 2< +3  +5 -5 +6 -4
J’a-vais   des-si-né    sur le  sa-ble

+3  +6   -5 -5  +5  -3  -3-4  +5  -4
Son doux vi-sa -ge qui me sou-ri-ait

+2   -2 -2<+3   +6  -6  +6  +6 -5
Puis  il   a   plu  sur  cet – te  pla-ge

+3   +6 -5 -5 +5  -3 -3 -4 +5 -4
Dans cet o-ra-ge, elle a dis-pa-ru

+5  -5  +6   +6  +7 +7< +6 -5-5    +5    +5     -5    +5  -5
Et j’ai cri – é, cri-é          , A-li-ne  , pour qu’elle re-vienne

+5 -5 +6  +6   +7 +7< +6    -5     -5   +5  -5  +5-5
Et j’ai pleu-ré,   pleu-ré        , oh! j’avais trop de peine

+2 +2  -2   -2<+3   +5  +5  -5  +5 +6-4
Je  me  suis  a-ssis    au-près de son â-me

-4  -4  +5 -5  -5 -3 -3  -4   +5  -4
Mais la be-lle da-me s’é-tait en-fuie

+2  -2  -2<  +3   +6   -6  +6  +6 -5
Je l’ai cher-chée sans plus y croi-re

+3  -3  +6 -5 -5    -3   -4  +5 -4
Et sans un es-poir, pour me gui-der

+5  -5  +6   +6   +7 +7<+6    -5 -5 +5    +5    -5    +5  -5
Et j’ai cri – é,        cri-é           , A-li-ne , pour qu’elle re-vienne

+5 -5   +6  +6   +7   +7< +6   -5     -5   +5  -5  +5-5
Et j’ai pleu-ré,     pleu-ré         , oh! j’avais trop de peine

+2  -2  -2< +3 +5  +5  -5  -5< +6 -4
Je n’ai gar-dé   que ce doux vi-sa-ge

-4     +5 -4 -5 -3  -3 -3-3 -4  +5  -4
Comme une é-pa-ve sur le sa-ble mou-illé

+5  -5   +6 +6  +7 +7<  +6  -5 -5   +5   +5 -5 +5   -5
Et  j’ai cri-é,      cri-é      , A –li -ne, pour qu’elle re-vienne

+5-5+6   +6     +7 +7<+6    -5     -5     +5  -5 +5-5
Et j’ai pleu-ré,   pleu-ré       , oh! j’avais trop de pei-ne

+5  -5+6 +6   +7 +7<+6  -5  -5  +5  +5      -5     +5 -5
Et  j’ai cri-é,    cri-é          , A –li -ne,  pour qu’elle re-vienne

+5  -5   +6      +6 +7 +7<   +6   -5 -5   +5   -5 +5 -5
Et j’ai pleuré,    pleu-ré        , oh! j’a-vais trop de pei-ne

5 -4 4 -3″ 4 4 -3″ -4 -4 4 4 -3″ 5 -3″ -3″ 3
Oh it’s so funny to be seeing you after so long, girl.
3 3 3 -3″ 4 4 -3″ -4 4 4
And with the way you look I understand
-3″ 5 6 6 5 -6
that you are not impressed.
-5 -6 -6 -6 -6 -6 -6 6 6 6 5
But I heard you let that little friend of mine
-4 -4 4 5 -4 -4 -3
take off your party dress.
-6 -6 -6 6 -6 -6 6 5 5 -4
I’m not gonna get too sentimental
-4 4 -6 6 6 5 6 5 6 5
like those other sticky valentines,
4 -6 -6 -6 6 6 -5 -6 6 6 5 -4
‘cause I don’t know if you are loving somebody.
4 5 -4 -4 4 5 6 6 5
I only know it isn’t mine.
-6 6 6 5 5 -5 -6 6 -4 5 -7 7
Alison–, I know this world is killing you.
-6 6 -5 -6 6 6 5
Oh—–, Alison-,
-6 6 5 -4 4
my aim is true.

-3″ -4 -4 4 4 -3″ 5 -3″ -3″ 3
Well I see you’ve got a husband now–.
3 3 -3″ 4 4 -3″ -4 4 4 -3″
Did he leave your pretty fingers lying
5 6 6 5 -6
in the wedding cake?
-6 -6 -6 -6 -6 -6 6 6 5
You used to hold him right in your hand.
4 4 -4 -4 4 5 -4 -4 -3
I’ll bet he took all he could take-.
-6 -6 -6 -6 6 -6 -5 -6 6 5 5 -4
Sometimes I wish that I could stop you from talking
-4 4 -6 6 6 5 6 6 5 6 5
when I hear the silly things that you say.
4 -6 -6 -6 6 6 -5 -6 6 6 5 5
I think somebody better put out the big light,
-4 4 5 -4 -4 4 5 6 6 5
cause I can’t stand to see you this way.
-6 6 6 5 5 -5 -6 6 -4 5 -7 7
Alison–, I know this world is killing you.
-6 6 -5 -6 6 6 5
Oh—–, Alison-,
-6 6 5 -4 4
my aim is true.
-6 6 5 -4 4
My aim is true.

Alívio Imediato

Engenheiros do Hawaii

O melhor esconderijo, a maior escuridão
Já não servem de abrigo, já não dão proteção
Holofotes iluminam a libído e o vírus
O poder o pudor, os lábios e o batom

Há um muro de concreto entre nossos lábios
Há um muro de Berlim dentro de mim
Tudo se divide, todos se separam
A diferença é o que temos em comum

Que a chuva caia, como uma luva um dilúvio um delírio
Que a chuva traga alívio imediato
Que a noite caia, derrepente caia, tão demente quanto um ráio
Que a noite traga alívio imediato

Não há nada de concreto entre nossos lados
Só um muro de batom e frases sem fim
Holofotes nos meus olhos cegam mais do que iluminam
Nem caiu a ficha e já caiu a ligação

Que a chuva caia, como uma luva um dilúvio um delírio
Que a chuva traga alívio imediato
Que a noite caia, derrepente caia, tão demente quanto um ráio
Que a noite traga alívio imediato


-5w 5 -4 4w
4 -4 5w
-5w 5 -4 4w
4 -4 5 
-5>-6 5 -5 5 -5
-5>-6 5 -5 5 -5
-5>-6 5 -5 5 -5
4 -5 5>4 -5 5>4 -5 5>4 -5 5>4 -5 5w


Que a chuva caia, como uma luva um dilúvio um delírio
Que a chuva traga alívio imediato
Que a noite caia, derrepente caia, tão demente quanto um ráio
Que a noite traga alívio imediato


-5w 5 -4 4w
4 -4 5w
-5w 5 -4 4w
4 -4 5 
-5>-6 5 -5 5 -5
-5>-6 5 -5 5 -5
-5>-6 5 -5 5 -5
4 -5 5>4 -5 5>4 -5 5>4 -5 5>4 -5 5w
-5w 5 -4 4

3 -2’’ 2 -1
All through the night
-1 2 -2” 3 -1 -1 2
I’ll be a-wake and I’ll be

-2” 3 3 3 -3” -3
with you. Oh, all through the

4 23 3 3 -3” -3 4
night to-day know-in’ that we

2 3 3 -2” 2 -1 -1
feel the same with-out say-in’

5 5 4 5 5 5 4
We have no past we won’t

4 -5 -5 -5 -3”
reach back keep with me

-3” -3 4 -5 5 5 5
for-ward all through the night

5 5 4 5 5 5 4 4
And once we start the me – ter

-5 -5 -5 -3” -3” -3 4
clicks and it goes run-ning all

-5 5 5 5 5 5 4 4
through the night un – til it

5 5 5 4 4 -3
ends there is no end

3 -2” 2 -1 -1 2 -2”
All through the night stray cat is

3 3 -1 -1 2 -2” 3
cry-ing so stray cat sings back

3 -2” 2 -1 -1 2
All through the night they have

-2” 3 -1 -1 -1 2 -2” 3
for-got-ten what by day they lack

3 3 -3” -3 4 2 3 3
Oh, un-der those white street lamps

3 -3” -3 4 2 3 -2” 2 -1
there is a lit-tle chance they may see

3 3 3 -3” -3 4 2 3 3
Oh, the sleep in your eyes is e-nough

3 -3” -3 4 2 3 3
let me be there, let me stay

-2” 2 -1
there a while.

ALL ABOUT RONNIE
By: Joe Greene
Stan Kenton
Key: Bb

-3* -5 -6 -7 -7 8 8 -7* -7 7
All a-bout Ron-nie, there�s so much to tell
5 -5* 7 -9 -9 8 8 -7* -7 7
All a-bout Ron-nie, I know her so well
-6 7* -7* 7* 7 -5 -5 -5 5* -5 7
Her mag-i-cal fin-gers their sense of em-brace
-7 -7* -7 -7* -7 7 -7 -7* -7 -7* 8
Her per-fume that lin-gers car-ess-ing your face

-3* -5 -6 -7 -7 8 8 -7* -7 7
All a-bout Ron-nie, best told in a toast
5 -5* 7 -9 -9 8 8 -7 8 -9
Let me pro-pose it, I�m her fav�-rite host
-9 9 -9 9 7 7
We�ll drink from dry glass-es,
-7* -5* -6* -7* 8*
There�s no need for wine,
-8 -7* -6 -5 7* 7*
The cham-pagne is Ron-nie
7 -6* 8* -6 -7*
And Ron-nie is mine

REPEAT

ALL ALONE
By: Irving Berlin
Key: F
Time: 3/4

-2 3 -3 3 -2 2 -2 3
All a-lone, I�m so all a-lone
-2 2 -2 -3 4 -5 -3
There is no-one else but you
3 -3 -3* -3 3 -2 3 -3
All a-lone, by the tel-e-phone
3 -2 2 -3 3* -4 -3 4 -3*
Wait-ing for a ring a ting a ling
-5 5 -5 -5* -5 5 -3* -5
I�m all a-lone ev-�ry eve-ning
-5 6 -6 6 -5 6
All a-lone feel-ing blue
-5 5 -3 3 -2
Won-d�ring where you are
3 -3 3 -2 3 -3 3 -2
And how you are, and if you are
3 -2 2 -2
All a-lone too

ALL ALONE AM I
W: Arthur Altman, Jean Ioannidis
M: M. Hadjidakis
Brenda Lee
Key: C

-3 -4 4 -3 -2
All a-lone am I,
4 -4 -3 -4 3 2
Ev-er since your good-bye
-2 3 -3 -3 -4 -3 -4 -3 -4 3*
All a-lone with just the beat of my heart
-3 -4 4 -3 -2
Peo-ple all a-round,
4 -4 -3 -4 3 2
But I don�t hear a sound
-2 3 -3 -2 -1 -1 1 -1 1
Just the lone-ly beat-ing of my heart
6 6 6 6 6 -5 5 6
No use in hold-ing oth-er hands
6 6 6 6 6 -5 5 -5 -4 3
For I�d be hold-ing on-ly emp-ti-ness
4 4 4 4 4 -4 -3 4
No use in kiss-ing oth-er lips
4 4 4 4 4 -4 -3 -4 3* 2
For I�d be think-ing just of your ca-ress
-3 -4 4 -3 -2
All a-lone am I,
4 -4 -3 -4 3 2
Ev-er since your good-bye
-2 3 -3 -3 -4 -3 -4 -3 -4 3*
All a-lone with just the beat of my heart
-3 -4 4 -3 -2
Peo-ple all a-round,
4 -4 -3 -4 3 2
But I don�t hear a sound
-2 3 -3 -2 -1 -1 1 -1 1
Just the lone-ly beat-ing of my heart

REPEAT AND END WITH:
-2 3 -3 -2 -5 -5 5 -4 4
Just the lone-ly beat-ing of my heart

3 -3 3 -3 3 4 3 -3
“There must be some way out of here,”
3 3 -3 3 -3 3 -3
said the joker to the thief,
3 -3 -3 -3 4 3
“There’s too much confusion,
3 -3 -3 -3 3 -3
I can’t get no relief.
-5 4 -5 4 -5 -3 4 -5
Businessmen, they drink my wine,
-3 -3 4 -3 -3
plowmen dig my earth,
-5 4 -5 4 -5 -3 4 -5
None of them along the line
-3 -3 4 4 3 -3 3 -3
know what any of it is worth.”

-5 -5 4 -5 -5 4 -5 -3
“No reason to get excited,”
3 -3 3 -3 3 4 -3
the thief, he kindly spoke,
-3 -3 4 -3 -3 3 3 -3
“There are many here among us
3 -3 3 -3 3 -3 3 -3
who feel that life is but a joke.
-5 -5 4 -5 4 -5 -3 4
But you and I, we’ve been through that,
-3 4 -3 -3 -3 -3
and this is not our fate,
-3 -3 -3 -3 -3 4 3 -3
So let us not talk falsely now,
3 -3 -3 -3 3 -3
the hour is getting late.”

-5 -5 -5 4 -5 -3 -3
All along the watchtower,
-3 -3 -3 3 -3
princes kept the view
-3 -3 -3 -3 -3 -3 3 -3
While all the women came and went,
-3 -3 4 3 -3
barefoot servants, too.
-5 -5 -5 4 -5 -3
Outside in the distance
3 -3 -3 3 -3
a wildcat did growl,
-5 -5 4 -5 4 -5 -3
Two riders were approaching,
3 -3 -3 -3 3 -3
the wind began to howl.

6 -6 6 -6 6 7 6 -6
“There must be some way out of here”
6 6 -6 6 -6 6 -6
said the joker to the thief
6 -6 -6 -6 7 6
“There’s too much confusion”,
6 -6 -6 -6 6 -6
I can’t get no relief
-8 7 -8 7 -8 -6 7 -8
Business men, they drink my wine,
-6 -6 7 -6 -6
plowmen dig my earth
-8 7 -8 7 -8 -6 8 -8
None of them along the line
-6 -6 7 7 6 -6 6 -6
know what any of it is worth.

-8 -8 7 -8 -8 7 -8 -6
“No reason to get excited”,
6 -6 6 -6 6 7 -6
the thief he kindly spoke
-6 -6 7 -6 -6 6 6 -6
“There are many here among us
6 -6 6 -6 6 -6 6 -6
who feel that life is but a joke
-8 -8 7 -8 7 -8 -6 7
But you and I, we’ve been through that,
-6 7 -6 -6 -6 -6
and this is not our fate
-6 -6 -6 -6 -6 7 6 -6
So let us not talk falsely now,
6 -6 -6 -6 6 -6
the hour is getting late”.

-8 -8 -8 7 -8 -6 -6
All along the watchtower,
-6 -6 -6 6 -6
princes kept the view
-6 -6 -6 -6 -6 -6 6 -6
While all the women came and went,
-6 -6 7 6 -6
barefoot servants, too.

-8 -8 -8 7 -8 -6
Outside in the distance
6 -6 -6 6 -6
a wildcat did growl
-8 -8 7 -8 7 -8 -6
Two riders were approaching,
6 -6 -6 -6 6 -6
the wind began to howl.

ALL ALONG THE WATCHTOWER
By Bob Dylan
Jimi Hendrix
Key: E

5* 5* 5* 5* 5* -4
“There must be some kind of
5* 6 -4 4*3*
way out of here,”
-4 5* 6 5 -4 5* 5*
said the jok-er to the thief,
5 5 5 -4 6 6
“There’s too much con-fu-sion,
-4 -4 6 5* 5* 4*3*-3
I can’t get no re- lief.
7 -6* -6* 6-4 -4 7* 5* -6*
Bus-�ness-men they, uh, drink my wine,
-4 5* 6 5* 5*
Plow-men dig my earth
7 6 -6* 6 7*5* 5* 6-3
None of them a-long the line
-4 5* 5* 5*-6 5* 5* 5*-3
know what an-y of it is worth”
6-4 5*
Hey, Hey

“No rea-son to get ex-cit-ed,”
the thief, he kindl-y spoke
“There are man-y here a-mong us
who feel that life is but a joke
But you and I, we’ve been through that
and this is not our fate
So let us not talk false-ly now,
the hour�s get-ting late”

All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants, too

Outside in the cold distance
A wildcat did growl
Two riders were approaching
And the wind began to howl

Tab for EDharmonica (easy diatonic harmonica tuning)

-3 +4 -3 +4 -3 +5 -3 +4

-3 -3 +4 -3 +4 -3 +4

-3 +4 +4 +4 +5 -3

-3 +4 +4 +4 -3 +4

-5 +4 -5 +5

-5 +4 -5 +5

+4 +4 +5 +4 +4

-5 +5 -5 +5 -5 +4 +5 -5

+4 +4 +5 +5 -3 +4 -3 +4

-5 -5 +5 -5 -5 +5 -5 +4

+3 +4 -3 +4 -3 +4

+4 +4 +5 +4 +4 -3 -3 +4

-3 +4 -3 +4 -3 +4 -3 +4

-5 -5 +5 -5 +5 -5 +4 +5

+4 +5 +4 +4 +4 +4

+4 +4 +4 +4 +4 +5 -3 +4

-3 +4 +4 +4 -3 +4

-5 -5 -5 +5 -5 +4 +4

+4 +4 +4 -3 +4

+4 +4 +4 +4 +4 +4 -3 +4

+4 +4 +5 -3 +4

-5 -5 -5 +5 -5 +4

-3 +4 +4 -3 +4

-5 -5 +5 -5 +5 -5 +4

-3 +4 +4 +4 -3 +4

-3 -3 -3 4 -4 -7 -6 6 5 -4
What else should I be? All a-pol-o-gies.
-3 -3 -3 4 -4 -7 -6 6 5 -4
What else should I say? Ev-‘ry one is gay.
-3 -3 -3 4 -4 -7 -6 6 5 -4
What else should I write? I don’t have the right.
-3 -3 -3 4 -4 -7 -6 6 5 -4
what else should I be? All a-pol-o-gies.
5 -5 6 5 6 -6 -6 6 5 -4
In the sun, in the sun I feel as one.
-4 5 -4 5 -4 -6 -7 -6 -7 -6
In the sun, in the sun, mar-ried, bur-ied.
-7 -6 -7 -6 -7 -6 6 5
Mar-ried, bur-ied, yeah, yeah, yeah, yeah.
-3 -3 -3 4 -4 -7 -6 6 5 -4
I wish I was like-you, eas-i-ly a-mused.
-3 -3 -3 4 -4 -7 -6 6 5 -4
Find my nest of salt. Ev-‘ry thing’s my fault.
-3 -3 -3 4 -4 -7 -6 6 5 -4
I’ll take all the blame, aq-ua sea foam shame.
-3 -3 -3 4 -4 -7 -6 6 5 -4 -4
Sun-burn, freez-er burn. Chok-ing on the ash-es
-4 5 -4 4 -3 5 -5 6 5 6 -6 -6 6
of her en-e-my. In the sun, in the sun I feel
5 -4 -4 5 -4 5 -4 -6 -7 -6 -7 -6
as one. In the sun, in the sun, mar-ried, bur-ried
-7 -6 -7 -6 -7 -6 6 5
Mar-ried, bur-ied, yeah, yeah, yeah, yeah.
-4 -4 -4 4 -3 4 -3 3
All a-lone is all we a-re.
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All a-lone is all we a-re.
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All a-lone is all we a-re.
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All a-lone is all we a-re.
-4 -4 -4 4 -3 4 -3 3
All a-lone is all we a-re.
-4 -4 -4 4 -3 4 -3 3
All a-lone is all we a-re.

ALL APOLOGIES
By: Kurt Cobain
Nirvana
Key: D

-2* -2* -2* 3 -3 -6* 6 -5 -4 -3
What else should I be? All a-pol-o-gies.
-2* -2* -2* 3 -3 -6* 6 -5 -4 -3
What else should I say? Ev-‘ry one is gay.
-2* -2* -2* 3 -3
What else should I write?
-6* 6 -5 5 -3
I don’t have the right.
-2* -2* -2* 3 -3 -6* 6 -5 -4 -3
what else should I be? All a-pol-o-gies.
-4 5 -5 -4 -5 6-6* 6 -5 -4 -3
In the sun, in the sun I feel as one.
-3 -4 -4-3 -4 -3 6-6* -6*6 6 -6*6 6
In the sun, in the sun, mar-ried, bur-ied.
-6*6 6 -6*6 6 -6* 6-5 -5 -4-3
Mar-ried, bur-ied, yeah, yeah, yeah, yeah.

-2*-2*-2* 3 3 -3 -6* 6 -5 -4 -3
I wish I was like you, eas-i-ly a-mused.
-2* -2* -2* 3 -3 -6* 6 -5 -4 -3
Find my nest of salt. Ev-‘ry thing’s my fault.
-2* -2* -2* 3 -3 -6* 6 -5 5 -3
I’ll take all the blame, a-qua sea foam shame.
-2* -2* -2* 3 -3
Sun-burn, freez-er burn.
-6* 6 -5 -4 -3 -3 -3 -3 -3 -3-3
Chok-ing on the ash-es of her en-e-my.
-4 5 -5 -4 -5 6-6* 6 -5 -4 -3
In the sun, in the sun I feel as one.
-3 -4 -4-3 -4 -3 6-6* -6*6 6 -6*6 6
In the sun, in the sun, mar-ried, bur-ied.
-6*6 6 -6*6 6 -6* 6-5 -5 -4-3
Mar-ried, bur-ied, yeah, yeah, yeah, yeah.

-3 -3 -3 3 -2* 2 -1 1
All a-lone is all we all are.
-3 -3 -3 3 -2* 2 -1 1
All a-lone is all we all are.
-3 -3 -3 3 -2* 2 -1 1
All a-lone is all we all are.
-3 -3 -3 3 -2* 2 -1 1
All a-lone is all we all are.
-3 -3 -3 3 -2* 2 -1
All a-lone is all we all
-3 -3 -3 3 -2* 2 -1 1
All a-lone is all we all are.
-3 -3 -3 3 -2* 2 -1 1
All a-lone is all we all are.

-3 4 -3 -4 -4 4 -3 -2

-3 4 -3 6 6 -5 5

3 -3 4 -3 -4 -4 4 -3 -3

-3 4 -3 6 6 -5 5

5 -5 5 -5 6 8 -8 7 -6 6
What else should I be all apologies

5 -5 5 -5 6 8 -8 7 -6 6
what else could I say everyone is gay

5 -5 5 -5 6 8 -8 7 -6 6
what else could I write I don’t have the right

5 -5 5 -5 6 8 -8 7 -6 6
what else should I be all apologies

-6 -7 7 -6 -7 8 -8 7 -6 6
in the sun in the sun I feel as one

-6 -7 7 -6 6 8 8 -8 8 -8
in the sun in the sun married burried

5 -5 5 -5 6 8 -8 7 -6 6
I wish i was you easily amused

5 -5 5 -5 6 8 -8 7 -6 6
find my nest of salt everything’s my fault

5 -5 5 -5 6 8 -8 7 -6 6
I’ll take all the blame aqua seafoam shame

5 -5 5 -5 6
sun burn with freezer burn

8 -8 7 -6 -6 6 6 -5 6 -5 5
choking on the ashes of her enemies

-6 -7 7 -6 -7 8 -8 7 -6 6
in the sun in the sun I feel as one

-6 -7 7 -6 6 8 8 -8 8 -8
in the sun in the sun married burried

8 -8 8 -8 -7 -6 6 5
maried buried yeah yeah yeah

-6 -6 -6 6 -5 -4 4
all in all is all we are

-6 -6 -6 6 -5 -4 4
all in all is all we are

-6 -6 -6 6 -5 -4 4
all in all is all we are

Refrain:
-3 -4 -4 -3� 4 -3 3 -3�
All are welcome, friend and stranger
-3 -4 -4 -3 5 -4 5 -4
At the banquet of the Savior.
-3 -4 -4 3 4 -3 -3 -3� 3
All are welcome. All are welcome here.

4 5 5 4 -3 -4 -4 -3
From the woman who comes crying,
-3� 4 4 -3� -3 4 -3
Leaving tears at Jesus� feet,
4 5 5 4 -3 -4 -4 -3 -3� -3� -3 3
To the man who knows the right way, but cannot see.

[Refrain]

4 5 5 4 -3 -4 -4 -3
From the ones who feel forgotten,
-3� 4 4 -3� -3 4 -3
Those who sense their place is gone,
4 5 5 4 -3 -4 -4 -3 -3� -3� -3 3
To the ones who live in hunger, here you belong.

[Refrain]

4 5 5 4 -3 -4 -4 -3
Go into the streets and cities,
-3� 4 4 -3� -3 4 -3
To the farms and families,
4 5 5 4 -3 -4 -4 -3 -3� -3� 3
Tell about the splendid table, God�s mercy

[Refrain]

4 -4 -4 -3 4
all around my hat
5 -5 6 -5 -4 4 -3 3
i will wear the green willow
4 -4 -4 -3 4
all around my hat
5-5 6 6 -66 5 6
for twelve months and a day
6 6 6 66-6 -7 7 6
and if anyone should ask me
5 -5 3 3 -3 4 4 4
the reason i am wearing it
4 4 -4 5-4 4 5
its all for my true love
6 6 6 3-3 -34
who is far far away

-5 6 6 5* -5 -6* 7 -7 7 6 -5 5*
(-3 -4) 4* -5 6 6 5* -5 -6* (7 -7) -7 -8 -7 (7*) -7
-7 (-7 -7) -7 (-7 -8) 8* -9 -7
-6* 7 -4 -4 5* (-5 -5) -5
5* -5 6 (-6* 6) -5 -6*
-7 -7 (-3 -4) 5* -5

ALL AT ONCE WHITNEY HOUSTON

KEY OF B Flat

5 -4 5 -4 5 -4 5 -5 7 -6
All at once I fi-n�ly took a mo-ment

7 -7 -8 8 -8 7 -8
And I’m re-al-iz-ing that

-8 8 7 -6 7
You’re not com-ing back

-5b 5 -5b -5 -6b -5 -6 7 7
And it fi-nal�y hit me all at once

5 -4 5 -4 5 -4 5 -5 7 -6
All at once I’ve start-ed count-ing tear-drops

-7 7 -8 8 -8 7 -8
And at least a mil-lion fell

7 7 -8 -7 -6 -7
My eyes be-gan to swell

5 -5b 5 -5b -5 -6b -5 -6 7 7
And all my dreams were shat-tered all at once

(Bridge)

-6 -7 7 7 -7 -5
Ev-er since I met you

-5 -5 -7 7 7 -7 -6
You’re the on-ly love I’ve known

-6b -6 -7 7 -7 -5
And I can’t for-get you

-5 -5 -5 -8 7 7 -7 7
Though I must face it all a-lone

(CHORUS)

-5 -5b -5 -5 -5 -5 -7 -6 -6 -6b -6b
All at once I’m drift-ing on a lone-ly sea

-5b -5b 7 -7 -7 -6 -6
Wish-ing you’d come back to me

-5 -5 -6b -6 -6 5 5
And that’s all that mat-ters now

-5 -5b -5 -5 -5 -5 -7 -6 -6 -6b -6b
All at once I’m drift-ing on a lone-ly sea

-5b -5b 7 -7 -7 -6 -6
Hold-ing on to mem-o-ries

-5 -5 -6b -6 -6 -6b -5 5
And it’s hurt me more than you know

4 5 -6 -6b -5 5
So much more than it shows

-5 -5b -5
All at once

VERSE 2 same as 1
I looked around and found that you were
With another love
In someone else’s arms
And all my dreams were shattered all at once
All at once the smile that used to greet me
Brightened someone else’s day
She took your smile away
And left me with just memories all at once

(BRIDGE)

(CHORUS TWICE TO END)

ENJOY!!

ALL AT ONCE YOU LOVE HER
By Rogers & Hammerstein
From �Pipe Dream�
Key: F

1 -3 3* -3 1 4 -2 2
You start to light her cig-ar-ette
1 -3* -3 -3* 2 2 -2
And all at once you love her.
1 -3 3* -3
You�ve scarce-ly talked,
1 3 -2 2
You�ve scarce-ly met
1 -3* -3 -3* 2 2 -2
But all at once you love her.
-2 -5 5* -5 -2 4 -4 4
You like her eyes, you tell her so.
-1 -3 3* -3 -4 -4 4
She thinks you�re wise and clev-er
1 -3 3* -3 1 3 -2 2
You kiss good-night and then you know
1 -3* -3 -3* 4 -5 4
You�ll kiss good-night for-ev-er.
-2 3 -3 -3* -3 -3* 4 -5
You won-der where you�re heart can go
1 -3 3* -3 1 -2
Then all at once you know.

REPEAT

ALL AT ONCE THE FRAY

KEY OF B FLAT

-7 -7 -7 7 7 -7 -7
There are cer-tain peo-ple you

7 -8 -7 -7 -7 -7
just keep com-ing back to.

-5 7 -7 -7 -6 -5 5
She is right in front of you.

-7 -7 -7 7 7 -7 -7 7
You be-gin to won-der could you

-8 -7 -7 7 -7
find a bet-ter one

-5 7 -7 -8 7 -6 -7 7 -7
Com-pared to her now she’s in ques-tion.

(Chorus)

-7 -9 -7 -7 -7 -8 -7 -7 7 7
And all at once the crowd be-gins to sing

-7 -7 -7 -8 7 -7 -7
Some-times the hard-est thing and

-7 7 7 7 -7 -7
The right thing are the same.

-7 7 -8 -8 7 -7 7 -8 -8 7
May-be you want her, may-be you need her,

-7 7 -8 -8 8 -8 -7 -7
May-be you start-ed to com-pare

-7 -5 -8 7 -7
to some-one not there.

Verse 2 same as 1
Looking for the right one you line up the world
To find where no questions cross your mind.
But she won’t keep on waiting for you
Without a doubt.
Much longer for you to sort it out.

(Chorus)

-7 -9 -7 -7 -7 -8 -7 -7 7 7
And all at once the crowd beg-ins to sing.

-7 -7
Some-times,

-7 -7 -7 -8 7 -7 -7 -7 7 7
Some-times the hard-est thing and the right thing

7 -7 -7
Are the same.

(Chorus)

ENJOY!!!