Intro

4 -4 5 -5 5 -4 -4 4
4 -4 5 -5 5 5 -4
-3 4 -4 -4 -4 -4 5 -4
-4 4 -3 -3 -4 (2x)

Refr�o

5 -5 6 4~
-6 6 -5 6 4
-6 -6 6
6 -5 5 -4 5~
4 -4 5 -3��
-5 5 -4 5 -3��
-5 -5 5 5 -4 -4 4~ (2x)

Al Kol Ele

-2 3 -3, -3* -3 3 3 -2
-2 3 -3, -3* -3 -3 3
2 -2 3, 3 3 -3 3 3
-2 2 2 -2  (2x)

-3 -3* 5 -2
-5 5 -5* 5 -2
-5 -5 5, 4 -3*, -3 3 -3
-2 3 -3 -1
-3* -3 3 -3 -1
-3* -3* -3, -3 3, 3 -2  (2x)

ALABAMA
By: Neil Young
Key F

4-4 -4 3 3 3
Oh Al-a-bam-a;
3 4 4 -4 -3 3 -3 3 3
the dev-il fools with the best laid plans.
4 -4 -3 3 3 3
Swing low Al-a-bam-a
-3 -3 -3 4 -5
You got the spare change
-3 -3 -3 6 6
you got to feel strange
6 6 6 7* 6 6 -5 5 -5 6
And now the mo-ment is all that it meant.
6 6 6 6
Al-a-bam-a
6 -5 5 -5 -5 5 -5 -3
you got the weight on your should-ers
-3 -5 -3 -3 -3
That’s break-ing your back.
-3 -5 6 6 6 -5 5 6 -5 5 -5
Your Ca-dil-lac has got a wheel in the ditch
-3 -3 -5 -3 -3 -3
And a wheel on the track

4-4 -3 3 3 3
Oh Al-a-bam-a,
4 4 -4 -4 -3 3 -3 3 3
Ban-jos play-ing through the bro-ken glass
4 -5 -3 3 -3 3 2 2
Win-dows down in Al-a-bam-a.
-3 -3 4 -5 -3 -3 6 -5
See the old folks tied in white ropes
6 6 7* 6
Hear the ban-jo.
-5 5 -5 5 -5 7
Don’t it take you down home?

4-4 -3 3 3 3
Oh Al-a-bam-a.
4 4 -4 -4 3 -3 3 3
Can I see you and shake your hand.
4 -5 -4 4 -3 3 2 2
Make friends down in Al-a-bam-a.
-3 -3 -3 4 -5
I’m from a new land
-3 -3 -3 6 -5 -5 6 6 7* 6
I come to you and see all this ru-in

6 -5 5 -5 6 6 6 6 6
What are you do-ing Al-a-bam-a?
6 -5 5 -5 -5 5 -5 -3
You got the rest of the Un-ion
-3 -5 -3 -3 -3
to help you a-long
-3 -5 6 6
What’s go-ing wrong?

-2 -3 -4 5 -4 -2
I�m A- la-bam-a bound

-2 -3 -4 5 -4 -2
I�m A- la-bam-a bound

4 5 6 -6 6 4
I�m A- la-bam-a bound

4 5 6 -6 6 4
I�m A- la-bam-a bound

4 5 -6 -6 -5 -4 5 6
And if the train don�t turn a-round

-2 -3 -4 5 -4 -2
I�m A- la-bam-a bound

-2 -3 -4 5 -4 -2
I�m A- la-bam-a bound

Alabama Bound (Power Bender Tuning)

-2 -3 -4 -5 -4 -2
I�m A- la-bam-a bound

-2 -3 -4 -5 -4 -2
I�m A- la-bam-a bound

4 -5 -6 7 -6 4
I�m A- la-bam-a bound

4 -5 -6 7 -6 4
I�m A- la-bam-a bound

4 -5 7 7 6 5 -5 -6
And if the train don�t turn a-round

-2 -3 -4 -5 -4 -2
I�m A- la-bam-a bound

-2 -3 -4 -5 -4 -2
I�m A- la-bam-a bound

ALABAMA JUBILEE
W: Jack Yellen
M: George Cobb
Jerry Reed, Roy Clark
Key: C

-2* 3 3* -3 3 2 -3
You ought to see M-r Jones
3 2 -3 3 2 -3
when he rat-tles the bones
-3 3* -1 -3 -2* -1 -3
Old Col-�nel Brown fool-in’ round
-2* -1 -3
like a clown
-4 -3* -4 -3 3 3* -3 3* -3 -4
Miss Vir-gin-ia who is past eight-y-three
4 -4 4 -3 3 2
Shout-in’ �I’m full o’-pep�

(spoken)
Watch yo� step. Watch yo� step.

-3 3 2 -3 3 2 -3
One leg-ged Joe danced a roun�
3 2 -3
on his toe
-1 1* -1 2 -2
Threw a-way his crutch
2 -2 3 -3 -3 -3
and hol-lered �Let �er go�

-4 5 -5 6 6 -5 4 -3 3
Oh hon-ey hail hail the gang’s all here
-2* 3 -3 4 -3 4 -4 3 4
for an Al-a-ba-ma Ju-bi-lee

REPEAT

ALABAMY BOUND chrom
W: B.G. DeSylva & Bud Green
M: Ray Henderson
From: The Great American Broadcast
Key: F

-3 4 -5 -6 -6 -6 5 -5 -6
I�m Al-a-bam-y bound. There�ll be no
5 -5 -6 -5 7 7 7
Hee-bie jee-bies hang-in� �round
-5 6 7 -5 6 7 -7 8 8 8
Just gave the mean-est tick-et man on earth
-6 -6 -6
All I�m worth
-5 6 -6 -5 6 -6 7 5 5 5
To put my toot-sies in an up-per berth
-3 4 -5 -6 -6 -6
Just hear the choo-choo sound
5 -5 -6 5 -5 -6
I know that soon we�re goin�
-5 7 7 7
To cov-er ground
-5 6 7 -5 6
And then I�ll hol-ler
7 -7 8 8 -9
So the world will know
7 7 -7
Here I go
-7*-8*-7*-8*-7 -6
I�m Al-a-bam-y bound

ALABAMY BOUND hi-lo
W: B.G. DeSylva & Bud Green
M: Ray Henderson
From: The Great American Broadcast
Key: F

2 3 -3� 4 4 4 3 -3�4
5 6 -6 7 7 7 6 -6 7
I�m Al-a-bam-y bound. There�ll be no

3 -3� 4 -3� -4 -4 -4
6 -6 7 -6 -8 -8 -8
Hee-bie jee-bies hang-in� �round

-3� -3 -4 -3� -3 -4 5 6 6 6
-6 -7 -8 -6 -7 -8 8 9 9 9
Just gave the mean-est tick-et man on earth

4 4 4
7 7 7
All I�m worth

-3�-3 4 -3� -3 4 -4 3 3 3
-6 -7 7 -6 -7 7 -8 6 6 6
To put my toot-sies in an up-per berth

2 3 -3� 4 4 4
5 6 -6 7 7 7
Just hear the choo-choo sound

3 -3� 4 3 -3� 4
6 -6 7 6 -6 7
I know that soon we�re goin�

-3�-4 -4 -4
-6 -8 -8 -8
To cov-er ground

-3� -3 -4 -3� -3
-6 -7 -8 -6 -7
And then I�ll hol-ler

-4 5 6 6 -6
-8 8 9 9 -10
So the world will know

-4 -4 5
-8 -8 8
Here I go

-5 6 -5 6 5 4
-9 9 -9 9 8 7
I�m Al-a-bam-y bound

4 -4 5 4 -4 5 4 5 5 -3 -4 5 -3 -3 -4 -4 -4 -4 5 4

5 -5 6 5 -5 6 5 6 -5 -4 5 -5 -4 -5

-6 -7 7 -6 -7 7 -6 -7 7 -6 -7 7 -6 -7 7 -6 -7 7 -6 5 -5 6 5
4 -4 5 -4 5 5 -3 -4 5 5 5 5 5 5 7 -7 -6 -6

-6 -6 -7 7 8 8 8 8 8 7 -7 7 -7 -6 8

-6 7 -7 -6 8 9 9 8 -8 -8 -8 -8 -8 7 8 8

-6 -6 -6 -7 7 8 8 8 8 7 -7 7 -7 6 8

-6 7 -7 -6 8 -6 9 8 -8 8 8 8 7 -7 -6

Gracias por disfrutarla, prueba también Caballo Viejo, Moliendo Café
y

Legend: + = blow & – = draw

Opening:

+4 +4 +4

+5 -6 -6 -6 +6

+5 +5 +5 +5

-3 -3 -3 +4

-6 -6 -6 +6 (2x)

-6 -6 -6 -6 -7 -7 -7 +7

-6 -6 -6 +6 (2x)

-6 -6 -6 -6 -7 -7 -7 +7

+4 +4 +4 +5 -6 -6 -6 +6

+5 +5 +5 +5

-3 -3 -3 +4

2nd part

+4 +4 +4

+5 -6 -6 -6 +6

+5 +5 +5 +5

-3 -3 -3 +4

3rd pt:

+4 +4 +4

+5 -6 -6 -6 +6 -4

+5 +5 +5 +5 +5 +5 +5 (repeat twice)

+4 -4 +4

4th pt:

+7 +7 -6 +7 -6 +7 -8 +8 +7 +7

+6 +8 +7 +7 +7 -7 -7 -6 +7

+7 +7 -6 +7 -6 +7 -8 +8 +7 +7

+6 +8 +7 -8

5th pt:

-6 -6 -6 +6

-6 -6 -6 +6

-6 -6 -6 -7

-7 -7 -7 +7

6th pt:

+4 +4 +4

+5 -6 -6 -6 +6 -4

+5 +5 +5 +5 +5 +5 +5 (repeat twice)

+4 -4 +4

End:

+4 +4 +4

+5 -6 -6 -6 +6

+5 +5 +5 +5

-3 -3 -3 +4

-4 -6 -6 -6

+6 -5 +5 -5 +6

+4 +6 +6 +6

-5 +5 -4 +5 -5 -4′ -4

-4 -5 -6

+5 -5 -6 -6

+6 -5 +5 -5 +6

+3 +4 +5 +6

+5 -5 -4′ -4

Original song: Pe-al nostru steag e scris unire

3  4  3   2  3   4 -4 5 4

4 -3  4  -4 -4′ -4  3 4

3  4  3   2  3   4 -4 5 4

4 -3 -3″ -4  4  -3 -3 3

3 -4 -4  -4′ -4  5 -5 6 5 4

4  4  4  -4   5 -5  6 -6

-6 6 5 -5 -4 5 -4 5 -5 6

-6 6 6 -7 -7 -7 -7 7

-4 7 -7.. 7 -7..
-4 -4 7 -7.. 7 -7..
-4 5 6 5 -7 -6.. 5 5 -7 -6..
5 5 -6 6.. 6 -6 6..

-4 7 -7.. 7 -7..
-4 -4 7 -7.. 7 -7..
-4 5 6 5 -7 -6..
-7 7 -8 -7 -6..
5 5 -6 6.. 6 -6 6..

-8 -8.. -8 7 -7 -8..
-8 -8.. -8 7 -7 -8 -8..
-8 7.. -8 7..
7 -7.. 6 7 -7..

-4 7 -7.. 7 -7..
-4 -4 7 -7.. 7 -7..
-4 5 6 5 -7 -6.. 5 5 -7 -6..
5 5 -7 6..
-7 7 -8 -7 -6..
-7 7 -8 -7 -6..
5 5 -6 6.. 6 -6 6..

5 6 6 5 5 -4 -4 4 5 6 6 5 5 -4 4

5 6 6 5 5 -4 -4 4 5 6 6 5 5 -4 4

-6 7 -7 6 -6 7 -7 6 -6 5 -6

6 5 -5 -6 6 5 -5 -4 -5

5 4 -4 -5 5 4 -4 6

12 Hole Chromatic (std 48) Key of C

+1 -3 +3 +3 -2 +3 -2 -2 +2
Det byggdes ett skepp uti norden,
+3 +3 +3 -1 +2 -2 -2 +2 -1 +1
Albertina, ja s� var det skeppets namn,
+5 +5 +5
pumpal�ns!
+1 +2 +3 +3 +3 +3 +2 +1
Albertina m� s� vara
-2 +3 -3 -3 +5 +5 -3 -2
Albertina ingen fara
+3 -3 -3< -5 -5 +1 +1 +2 +3 -2
Albertina ja s� var det skeppets namn
-2 -2 -2
pumpal�ns!

After the second chorus (bar 97 if that helps)

6 -5 5 -5 5 4
7 7 -6 7 -6
-6 6 4 5
4 5 -5 5 -4 4 -4
4 5 -5 5 -4 4 -4
5 6 -6 -6 -6 6 6
-6 -6 -6 6 6

Not perfect I’m sure but a starting point for a song that has been
overlooked.

ALCOHOL diatonic
By: Brad Paisley
Key: C

5 6 6 6 5 6 5 6 -6
I can make an-y-bod-y pret-ty
4 -4 5 6 5 -6 6 -4 4
I can make you be-lieve an-y lie
7 -6 7 7 7 -6 -7
I can make you pick a fight
6 -6 6 6 6 5 4 -4
with some-bod-y twice your size

4 5 6 6 5 6 4 4 6 -6
Well I’ve been known to cause a few break-ups
4 5 6 6 -6 6 5 -4 4
and I’ve been known to cause a few births
7 -6 7 7 -8 -7-6 6
I can make you new friends
-4 5 6 6 5 4 -4
Or get you fired from work.

6 -6 7 8 8 8-87 7-6 7 -5
And since the day I left Mil-wau-kee
8 8 -8 7 -8 -66-5
Lynch-burg, Bor-deaux, France
7-6 7 -8 8 -87-7 -6 -7 7 6 4
Been mak-in� the bars Lots of big mon-ey
-4 -5 -5 -6 6 -5 6-5-4
and help-in� white peo-ple dance

7 -8 8 8 -8 7 8 8 -8 7
I got you in trou-ble in high school
-6 7 -6 7 7 6 5 -5 4
but col-lege now that was a ball
-5 6 -6 -7 7 6 -4 4
you had some of the best times
5 -5 6 -6 6 -44 -3� 3
you’ll nev-er re-mem-ber with me
8 -6 7 8 -6 7
Al-co-hol, Al-co-hol

4 4 5 6 6 6 5 5 6 -6
I got blamed at your wed-ding re-cep-tion
4 -4 5 6 5 -6 6 -4 4
for your best man’s em-bar-rass-ing speech
-6 7 7 7-6 -7 6 6 -6 6
and al-so for those nak-ed pic-tures
6 5 4 4 -4
of you at the beach
4 5 6 6 6 4 4 6 -6
I’ve in-flu-enced kings and world lead-ers
4 4 5 6 6-6 6 5 -4 4
I helped Hem-ing-way write like he did
7 -6 7 7 -8 -7 -6 6
and I`ll bet you a drink or two
-4 -4 5 6 5
that I can make you
-4 -4 -4 -4 -4 -4 -4
put that lamp-shade on your head

6 -6 7 8 8 8-87 7-6 7 -5
And since the day I left Mil-wau-kee
8 8 -8 7 -8 -66-5
Lynch-burg, Bor-deaux, France
7-6 7 -8 8 -87-7 -6 -7 7 6 4
Been mak-in� the bars Lots of big mon-ey
-4 -5 -5 -6 6 -5 6-5-4
and help-in� white peo-ple dance

7 7 -8 8 8 -8 7 8 8 -87
I am med-i-cine and I am pois-on
-6 -6 7 -6 7 7 6 5 -5 4
I can help you up or make you fall
-5 6 -6 -7 7 6 -4 4
you had some of the best times
5 -5 6 -6 6 -44 -3� 3
you’ll nev-er re-mem-ber with me
8 -6 7
Al-co-hol

6 -6 7 8 8 8-87 7-6 7 -5
And since the day I left Mil-wau-kee
8 8 -8 7 -8 -66-5
Lynch-burg, Bor-deaux, France
7-6 7 -8 8 -87-7 -6 -7 7 6 4
Been mak-in� the bars Lots of big mon-ey
-4 -5 -5 -6 6 -5 6-5-4
and help-in� white peo-ple dance

7 -8 8 8 -8 7 8 8 -8 7
I got you in trou-ble in high school
-6 7 -6 7 7 6 5 -5 4
but col-lege now that was a ball
-5 6 -6 -7 7 6 -4 4
you had some of the best times
5 -5 6 -6 6 -44 -3� 3
you’ll nev-er re-mem-ber with me
8 -6 7 8 -6 7
Al-co-hol, Al-co-hol

ALCOHOL chromatic
By: Brad Paisley
Key: C

6 7 7 7 6 7 6 7 -7
I can make an-y-bod-y pret-ty
5 -5 6 7 6 -7 7 -5 5
I can make you be-lieve an-y lie
8 -7 8 8 8 -7 -8
I can make you pick a fight
7 -7 7 7 7 6 5 -5
with some-bod-y twice your size

5 6 7 7 6 7 5 5 7 -7
Well I’ve been known to cause a few break-ups
5 6 7 7 -7 7 6 -5 5
and I’ve been known to cause a few births
8 -7 8 8 -9 -8-7 7
I can make you new friends
-5 6 7 7 6 5 -5
Or get you fired from work.

7 -7 8 10 10 10-98 8-7 8 -6
And since the day I left Mil-wau-kee
10 10 -9 9 -9 -77-6
Lynch-burg, Bor-deaux, France
8-7 8 -9 10 -98-8 -7 -8 8 7 5
Been mak-in� the bars Lots of big mon-ey
-5 -6 -6 -7 7 -6 7-6-5
and help-in� white peo-ple dance

8 -9 10 10 -9 9 -10 -10 -9 9
I got you in trou-ble in high school
-7 8 -7 8 8 7 6 -6 5
but col-lege now that was a ball
-6 7 -7 -8 8 7 -5 5
you had some of the best times
6 -6 7 -7 7 -54 -3 3
you’ll nev-er re-mem-ber with me
10 -7 9 10 -7 9
Al-co-hol, Al-co-hol

5 5 6 7 7 7 6 6 7 -7
I got blamed at your wed-ding re-cep-tion
5 -5 6 7 6 -7 7 -5 5
for your best man’s em-bar-rass-ing speech
-7 8 8 8-7 -8 7 7 -7 7
and al-so for those nak-ed pic-tures
7 6 5 5 -5
of you at the beach
5 6 7 7 7 5 5 7 -7
I’ve in-flu-enced kings and world lead-ers
5 5 6 7 7-7 7 6 -5 5
I helped Hem-ing-way write like he did
8 -7 8 8 -9 -8 -7 7
and I`ll bet you a drink or two
-5 -5 6 7 6
that I can make you
-5 -5 -5 -5 -5 -5 -5
put that lamp-shade on your head

7 -7 8 10 10 10-98 8-7 8 -6
And since the day I left Mil-wau-kee
10 10 -9 9 -9 -77-6
Lynch-burg, Bor-deaux, France
8-7 8 -9 10 -98-8 -7 -8 8 7 5
Been mak-in� the bars Lots of big mon-ey
-5 -6 -6 -7 7 -6 7-6-5
and help-in� white peo-ple dance

8 8 -9 10 10 -9 9 -10 -10 -99
I am med-i-cine and I am pois-on
-7 -7 8 -7 8 8 7 6 -6 5
I can help you up or make you fall
-6 7 -7 -8 8 7 -5 5
you had some of the best times
6 -6 7 -7 7 -54 -3 3
you’ll nev-er re-mem-ber with me
10 -7 9
Al-co-hol

7 -7 8 10 10 10-98 8-7 8 -6
And since the day I left Mil-wau-kee
10 10 -9 9 -9 -77-6
Lynch-burg, Bor-deaux, France
8-7 8 -9 10 -98-8 -7 -8 8 7 5
Been mak-in� the bars Lots of big mon-ey
-5 -6 -6 -7 7 -6 7-6-5
and help-in� white peo-ple dance

8 -9 10 10 -9 9 -10 -10 -9 9
I got you in trou-ble in high school
-7 8 -7 8 8 7 6 -6 5
but col-lege now that was a ball
-6 7 -7 -8 8 7 -5 5
you had some of the best times
6 -6 7 -7 7 -54 -3 3
you’ll nev-er re-mem-ber with me
10 -7 9 10 -7 9
Al-co-hol, Al-co-hol

-5 -5 5 -4 4 -5 -5 -7 -6 6 6

-5 -5 5 -4 4 -5 -5 6 5 -5 -5

-6 -6 -7 7 -6 -6 6 -6 -7 -6 6 6

-5 -5 5 -4 6 -5 -5 6 5 -5 -5

From the church in Hungary

�ldjon meg minket szent Atya�risten,
�ldjon meg minket kegyes Fi�isten,
�ldjon meg, �ldjon Sentl�lek Uristen,
H�rom szem�lyű igaz, �r�k Isten.

Atya�risten, aki szent Fiadat
Bűn v�lts�g�ra mi�rett�nk adtad,
Szentl�elek Istent ki elk�ldted n�k�nk,
Egy �r�k Isten, irgalmazz min�k�nk.

12 Hole Chromatic (std 48) Key of C

-4 +5 -4 -3< -4 -3<
-4 +3 +2 -2<
+3 -2< +2 -2< +3 -3
-4 -4 -4
-4 -5< -5< +6 +6
-5< +6 -4 +5
-4 -3 +3 +3 +3 +3
-2< +2
-4 -4 +3
-2< +2 -2<
+3 -2< +2 -2< +3 -3
-4 -4 -4
-4 -5< -5< +6 +6 +6
-5 -6 -4 +5
-4 -3 +3 +3 +3 +3
-2< +2
-4 +5 -4 -3< -4 -3<
-4 +3 +2 -2<
+3 -2< +2 -2< +3 -3
-4 -4 -4
-4 -5< -5< +6 +6
-5< +6 -4 +5
-4 -3 +3 +3 +3 +3
-2< +2
-4 -4 +3
-2< +2 -2<
+3 -2< +2 -2< +3 -3
-4 -4 -4
-4 -5< -5< +6 +6 +6
-5 -6 -4 +5
-4 -3 +3 +3 +3 +3
-2< +2

12 Hole Chromatic (std 48) Key of C

-1 -2< -3 -5
-6< -5 -5 -3 -3 -3
-4 -4 +3 -4
-4 -3 -3 +3 -2< -2<
-1 -1 +2 +2 -2< -2<
+3 +3 -2< -2< -2< +2
-1 -1 +2 +2 -2< -2<
+3 +3 -2< -2< -2< +2
-3 -4 +5< -5 -4
-3 +3 -2< +2 -1
-3 -4 +5< -5 -4
-3 +3 -2< +2 -1
-1 -2< -3 -5
-6< -5 -5 -3 -3 -3
-4 -4 +3 -4
-4 -3 -3 +3 -2< -2<
-1 -1 +2 +2 -2< -2<
+3 +3 -2< -2< -2< +2
-1 -1 +2 +2 -2< -2<
+3 +3 -2< -2< -2< +2
-3 -4 +5< -5 -4
-3 +3 -2< +2 -1
-3 -4 +5< -5 -4
-3 +3 -2< +2 -1

-5 -5 6 -7 -6 6 6 -5 7 -7 -6 -7 6

-5 5 -5 -5 -5 6 -5 -7 -6 6 6 -5 7 -7 -6 -7 6

-5 5 -5 -6 -6 -7 -5 5 -4 -5 -4 4

-6 -6 -7 -5 5 -4 -5 -4 4 -5 -5 6 -6

-7 7 -7 -6 -6 -6 -7 6 5 -4 4 -3

�ldozattal j�rul hozz�d, � nagy Isten,
H�v n�ped, Hogy V�gtelen j�s�god�rt h�l�t adjon
ten�ked. A gyermeki hűszyveknek
�ldozatj�t nem veted meg, Sz�lljon arra
orsh�godb�l isteni szent tetsz�sed.

Dicsős�g a magass�gban a f�ls�ges
Istennek, B�kesseg itt lenn a j�mbor, j�sy�nd�k�
embernek. Add, hogy mindig �lő hittel,
H�v rem�nnyel, szeretettel Mondjunk m�lt�
d�cs�retet, � Aty�nk, szent nevednek.

7 -7 6 7 -7 6 7 -7 6
7 -7 6 7 -7 6 7 -7 6

4 5 6 6 -4
Out in the courtyard
-5 4 -4 5 -4
Cold and it’s so hard
4 5 6 6 -4
Now Betty’s crying
-5 6 -4
She wants to
5 6 7 -7 5
Die! Coz it’s over
-5 6 -4
Die, but she
4 5 6 6 -4
Knows that her grieving
-5 4 -4 5 -4
It’s not achieving
4 5 6 6 -4
What Bet’s believing
-5 6 6 7
He will return

7 -7 6 7 -7 6 7 -7 6
Alecs gone, Alecs gone, Alecs gone
7 -7 6 7 -7 6 7 -7 6
Alecs gone, Alecs gone, Alecs gone
8 8 6 7 6
Away o-o-o
7 8 8 5 6 4
Gone away o-o-o

-7 -7 -7 -6
She’s got both hands,
-6 -6 -6 6
in her pock-et.
6 -6 9 -8 7 -8
And she won’t look at you,
9 -8 -8 -8 7
won’t look at yo–u.
-7 -7 -7 -6
She hides true love.
-6 -6 -6 6
Eu su bolsi-llo.
6 6 6 -6 9 -8 7 -8 9 -8
She’s got a ha-lo a-round her fin-ger,
-8 -8 7
a-round you.

5 5 5 5 5 5 5
You know that I love you boy,
5 5 5 5 5
hot like Me-xi-co.
5 5
Re-joice.
5 5 5
At this point,
5 5 5 5
I’ve got-ta choose.
5 5 5 5
No-thing to lose.

-9 -9 8 7
Don’t call my name.
-9 -9 8 7
Don’t call my name,
-8 8 -8 -7
A–le-jan-dro.
-9 -9 8 7
I’m not your babe.
-9 -9 8 7
I’m not your babe,
8 -8 -7
Fer-nan-do.
-9 -9 8 7
Don’t wan-na kiss.
-9 -9 8 7
Don’t wan-na touch.
-9 -9 8 -8 7 -8
Just smkoe my ci-ga-rette,
7 8
and hush.
-6 -6 -7 7
Don’t call my name.
-6 -6 -7 7
Don’t call my name,
8 -8 -7
Ro-ber-to.

7 7 7 -6
A-le-jan-dro.
7 7 7 -6
A-le-jan-dro.
7 7 7 7 7 -6
A-le-a-le-jan-dro.
7 7 7 7 7 -6
A-le-a-le-jan-dro.

+5 +6 -6… -6…

-6 +6 +5… +5…

+5 +6 -6… -6…

-6 +6 +5… -5 +5 -4…
+4 -3 +4…

ALEXANDER�S RAGTIME BAND
By: Irving Berlin
Louis Armstrong, Bing Crosby
Key: F

3* -3 3* -3 3* -3 3* -3
Come on and hear Come on and hear
-3 3*-3 3 2 1 -2
Al-ex-an-der’s Rag-time Band,
5* -5 5* -5 5* -5 5* -5
Come on and hear Come on and hear
-5 5* -5 -3* -2 -3* -5
it’s the best band in the land!
-3 -3* 4 4 -5 -3 5
They can play a bu-gle call
-5 -3 5 5 -5 -3 5
like you nev-er heard be-fore,
-2 -3 1 -2 -3 1 -2 -2 -3 1 -2
So nat-ur-al that you want to go to war
3 3 -3 -4 3 -3
That’s just the best-est band
-4 4 -3* -3 3
what am, Hon-ey Lamb!
3* -3 3* -3 3* -3 3* -3
Come on a-long Come on a-long
-3 3* -3 3 2 1 -2
let me take you by the hand
4* -5 5* -5 5* -5 5* -5
Up to the man Up to the man
-5 5* -5 -3* -2 -3* -5
who’s the lead-er of the band,
-3 -3* -4 4 4 4 -3
And if you care to hear the
3 -2 -3 3 -2 -6 -5 -6
Swa-nee Riv-er played in rag-time
-4 4 -4 4 -4 4 -4 4
Come on and hear Come on and hear
-5 5* -5 5 -3 3 -2
Al-ex-an-der’s Rag-time Band.

REPEAT

ALFIE
W: Hal David
M: Burt Bacharach
Key: C

7 -6 6 -6 7 -6 8
What’s it all a-bout, Al-fie?
7 -7 7 5 -8 -7 -4 5 -5
Is it just for the mom-ent we live?
6 7 10 9 9
What’s it all a-bout
-9 9 -8 9 -9 7 7
when you sort it out, Al-fie?
-7 -5 6 -6 7 -7 -7 -9 -8
Are we meant to take more than we give
8 -7 -5 6 -6 7 -7
or are we meant to be kind?
-7 -7 7 -6 6 -6 7 -6 8
And if on-ly fools are kind, Al-fie,
7 -7 7 5 -8 -7 -4 5 -5
then I guess it is wise to be cruel.
6 7 10 9 9 -9 9 -8 9 -9 7 7
And if life be-longs on-ly to the strong Al-fie,
8 -7 -5 6 -6 7 -7 -7 -9 -8
what will you lend on an old gold-en rule?
9 -9 -8 -6* 7 -5* -5 6 7 -8 -9 10 As sure as I
be-lieve there’s a heav-en a-bove,
-8 -8
Al-fie,
-5 -9 -8 -6* -7 7 -5*
I know there’s some-thing much more,
-5 6 7 -8 8 -8 8 -8 -8 -7 -8 -7
some-thing ev-en non-be-liev-ers can be-lieve in

7 -6 6 -6 7 -6 8
I be-lieve in love, Al-fie.
-7 -8 8 -5 5 -9 8 7 -9 8
With-out true love we just ex-ist, Al-fie.
-7 -8 8 -5 5 -9
Un-til you find the love
8 7 -7 -8 8 -9 10
you’ve missed you’re noth-ing, Al-fie.
-7 -5 6 -6 7 -7 -7 -9 -8
When you walk let your heart lead the way,
8 -7 -5 6 -6 7 -7 -77 7 -77 7
and you’ll find love an-y day, Al-fie, Al-fie.

REPEAT

6 -5 -5 6 -4
oh oh deary me,
6 6-6 6 -5 6 6 7 -6 6 -5 5
my little brother`s in his bedroom smoking weed
6 6 -5-5 6 6 -5
i tell him he should get up
-5 6 6 -5 -5 6 -7
cos` its nearly half past three
-6 6 -6 -6 6 -6 6 7 -6 6-55
he can`t be bothered cos` he`s high on thc
-6 -6 6 6-6 -6 6 6 -6 -6 6 6 -6 -7
i ask him very nicely if he`d like a cup of tea
-6 6 6-6 -6 6 -6 6 7 -6 6 -5 5
i can`t even see him cos` the room is so smoky
-6 -6 6 6 -6 -6 6 -6 6 -6 6-7
don`t understand how one can watch so much t v
-6 -66 6 -6 -6 6 -6 6 7 -6 6 -5
my baby brother alfie oh i wish that you could
5
see.

(chorus)
-6 -67 -7 -6 6 5 4
i only say it cos` i care
-6 6 -5 -4 -6 6 6 5 4
so please can you stop pulling my hair
-6 -67 -7 -6 6 5 4
now now there`s no need to swear
-6 6 -5 -4 -6 6 5 4
please don`t despair my dear mon frere.

oh alfie get up it`s a brand new day
i just can`t sit back and watch you
waste your life away
you need to get a job because the bills need to
get paid
get off your lazy arse,alfie use your brain
surely there`s some walls out there
that you can go and spray
i`m feeling guilty for leading you astray
now how the hell do you expect that you`ll get
laid,when all you do is stay and play on
your computer games?

(chorus)

oh little brother please refrain from doing that
i`m trying to help you out
so can you stop being a twat
it`s time that you and i sat down and had
a little chat
look me in the eyes,take off that stupid
fitted cap.
(chorus)
-6 6 -5 -4 -6 6 -5 -4
please don`t despair,please don`t despair
6-7 758290
mon frere.

6 -6 6 5 4 3

4 4 6 6 -5 -5

6 -6 6 5 4

6 5 4

3 3 6 -5 -5 5

ALIBI�S TRACY LAWRENCE

Hey Y�all its Tin Man again giving you yet another big Country Hit

YOUR GONNA NEED an E HARP TO PLAY THIS!

DON�T FORGET TO VOTE AND ADD TO FAVOURITES!

4 -5 -5 -5 -5 -5b 5 -4 4 4
She knows ev-�ry move that a man could make

4 -5 -5 -5 -5 -5 5 -4
She knows ev-�ry trick in the book

4 -5 -5 -5 -5 4 -4 5 -4 -4
She knows how to give she knows how to take

4 -5b -5b -5b -5b -4 -4
Cause so man-y times shes been

-5b -4 -4 -5b 5 -5
Tak-en and fooled by those

(CHORUS)

-6b 5 -5 -6b -6b 5 -5 -6b -6b 5 -5 -6b
Al- I -bis and ly-in eyes and all the best lines

-6b 5 5 -4 4 4
Lord knows she�s heard em all

5 5 -6b 5 -5 -6b -6b 5 -5
She�s been cheat-ed on and pushed a-round

-6b -6b 5 -5 -6b -6b 5 -6b -4 4 4
And left a-lone lord knows what I�ve put her through

4 4 4 -4 5 4 4 4 -4 -4 5
And boy you can bet if a move can be made

4 4 4 4 -4 5 5 5
She knows how to make one on you

(VERSE 2)

4 -5 -5 -5 -5 -5b 5 -4 4 4
She once thought that love was-n�t just a game

4 -5 -5 -5 -5 -5 5 -4
Her feel-in�s once came from the heart

-5 -5 -5 -5 5 4 -4 5 -4
One day I gave her a wed-din� ring

4 -5b -5b -5b -5b
And one night I tore

-4 -4 -5b -4 -4 -5b 5 -5
all those feel-ins a-part with my

(REPEAT CHORUS TO END)

ENJOY!!!
THANK YOU THANK YOU THANK YOU VERY MUCH!!!!