-5 -8 -8 -7 -8 7 -6* 6 -5 -5 5 -4
Det lysnet i skogen da ilte jeg frem
-5 -5 5 -6* 7 7 -7 -6* 6 -5
snart sto jeg hvor bakkestupet skrånet.
-5 -8 -8 -7 -8 7 -6* 6 -5 -5 -5 5 -4
Jeg så den vide bygd og jeg så mitt kjære hjem,
-4 5 -5 -5 -6* 7 7 -7 -6* -6* 7
jeg så hvor de fjerne åser blånet.
-8 -9 -9 -8 8 -9 -8 7 -7 7 -7 8 -8
Jeg så de brede fjorder som skar seg inn i bukt,
-8 -8 -7 7 6 -5 7 -8 -7 7* -7 -7* -8
og elven så jeg blinke og krumme seg så smukt,
-5 7 7 -6* 6 -8 -8 7 -7 -6* 7
jeg lengtes til de sollyse sletter.

Og dog var det atter som den sukkende li,

kunne blidelig holde meg tilbake,

som om den bak meg hvisket: Forlater du min sti,

for ned i folkevrimmelen å drage.

Akk skogen og fjellvannet hadde i mitt sinn

for første gang suset sin vemodstanke inn,

og siden jeg glemmer den vel aldri.

Thi ofte når jeg går i den myldrende by,

med de bonede skinnende saler,

den samme hvisken lyder så bønnlig så blyg,

fjernt henne fra min barndoms grønne daler.

Da griper meg en lengsel til skog og til fjell,

jeg hører atter bjeller og lurlokk hver kveld,

og sus gjennom skjeggete graner.

4 5 5 5 6 -5 5 -4

5 -5 5 -5 -7 -6 6

6 7 7 7 -7 -6 6 5

5 6 6 -5 5 -4 4

5 5 5 4 5 6 -6 6 5
5 -5 -4 5 4 -4 5 -5 5 -4
-4 -4 5 -5 5 5 -4 5 -5 5
6 7 5 -4 5 -5 4 -3 -4 4

Det fl�y en liten bl� fugl gjennom vindu
6 6 6 6-6 6 5 45 55

Gjennom vindu
-4-5 -5-5

Gjennom vindu
56 66

Det fl�y en liten bl� fugl gjennom vindu
6 6 6 6-6 6 5 45 55

En dag i mai
5 6 6 4

-5 -8 -7 -7 7 -6* 6 -5 7 -7 -8

Det dagast i Noreg med sol på tind

-9 -8 -7 7 6 -6* 7

og glitrat av gull i sky.

-5 7 7 7 -6* -6* -6* -8 -8 6

I dalane leikar ain morgonvind

6 -5 7 -8 -7 7 7

Og kviskar om tidi ny

Og ungdommen vaknar så frisk i hug,

Mot høgdi han set sin kos;

Han adlar sin vilje i arbeidsdug,

som nørest i livsens ljos

Til arbeids han gjeng som det var til fest,

Med bøn for sin fagre heim,

Og alt utav trollslegt seg baud til gjest

Det kverv som ein kulde-eim

Snart kjem der ein solfest med song og slått,

Skal spyrjast så vide ut:

Då jagar me trolli med sigerslått

Og brising på høge nut

6 -5 5 -5 6
De-szcz, je-sien-ny deszcz

-6 6 -5 -6 6
Smu-tne pie-sni gra,

-5 5 -4 -5 5 -4 4 5 -4 4 -3 -4 4
Mo-kna na-nim ka-rab-iny,He-lmy kry-je rdza.

6 -5 5 -5 6
Nies po blo-cie w dal,

-6 6 -5 -6 6
W za-pla-ka-ny swiat,

-5 5 -4 -5 5 -4 4 5 -4 4 -3 -4 4
Prze-mo-czo-ne pod ple-ca-kiem,O-sie-mna-scie lat.

7 -6 -5 -6 6
Gdzies da-le-ko stad

7 -6 -5 -6 6
Noc za-pa-da zn�w,

-5 5 -4 -5 5 -4 4 5 -4 4 -3 -4 4
Cie-mna gl�w-ka twej dziew-czy-ny,Chy-li sie do snu.

Moze wlasnie dzis
Patrzy w mroczna mgle
I modlitwa prosi Boga
By zachowal cie.
Deszcz ,jesienny deszcz
Bebni w helmy stal,
Idziesz, mlody zolnierzyku,
Gdzies w nieznana dal.

Moze jednak B�g
Da ze wr�cisz zn�w,
bedziesz tulil ciemna gl�wke
Milej twej do snu.

4 4 4 4 4—-
Yo no me arrepiento,
(3) (3)bb (3) 4 4 4 4
De las cosas que he vivido,
(3) (3)bb 4 (3) (3) (3) (3) (3) (3)bb
de los sue�os derramados,
(2) (3)bb (3) (3)bb (2) (3)bb (3)
de las noches de sudor,
4 4 4 4 4—-
Entre tantas Cosas,
(3) (3)bb (3) 4 4 4 4
Que el camino me ha ense�ado,
(3) (3)bb 4 (3) (3) (3) (3) (3) (3)bb
no hay pecado m�s terrible,
(2) (3)bb (3) (3)bb (2) (3)bb (3)
que no haber sentido Amor,
5 (4) 4 (4) (4)
Que es lo que pasa,
4 4 4 4 (4) 5 5— 5
Si todav�a estoy vivo,
4 4 4 (4) 5 (4)——(3)
Todav�a Respiro…
(5) 5 (4) (5) (5)
Como entregarme
4 4 4 4 (4) 5 5— 5
de nuevo en cada suspiro,
5 (4) 4 (4)———
Despu�s de ti
4 4 4 4 (4) 5 5— 5
Despu�s de ti ya no hay nada,
4 4 4 (4) 5 5— 5
ya no queda mas nada,
4 (4) 5 (6) 6
Nada de na———-da
4 4 4 4 (4) 5 5— 5
Despu�s de ti es el olvido,
4 4 4 (4) 5 5— 5
un recuerdo perdido,
4 (4) 5 (6) 6
Nada de na———-da.
Primer Final:
(5) (5) (5) 5 (4) (5)— (5) (5) (5) 6 (5) 5 4
Como voy a llenar este espacio vac�o
5 (4) 4 (4)———
Despu�s de ti
4 4 4 4 (3) (3)bb (3) 4——–
Como vivir despu�s de ti.
Segundo final:
(5) (5) (5) 6 (5) 5 4
De vez en cuando tengo fr�o,
5 5 5 5 5– (5)– 5 (4) (3)
Y le pregunto a mi destino,
(5) 5 (4) (5) (5)
Como entregarme,
(5) (5) (5) 6 (5) 5 4
en cada nuevo suspiro,
5 (4) 4 (4)———
Despu�s de ti.
4 4 4 4 (3) (3)bb (3) 4——–

4   3   4   3   5     4    -3 4  3
Gon-na make a heart-throb out of me.
4    3  4   3  5  4   -3  4  3
Just a bit of mi-nor sur-ge-ry.
4      3   4   3   5
These des-per-ate times
4    -4   5  -5   5  -4   4
call for des-per-ate mea-sures.

4      3   4   3     5   4   -3  4  3
I’ll give you some-thing to cry a-bout.
4      3    4   3   5     4   -3  4
Show some skin and would be cach-e.
3     4    3   4   3   5
How could you let this get
4   5  -5   5  -4   4     4
to des-per-ate mea-sures now.

3   4
For a
4      3   4   3    5     4  -3   4   3
first ef-fort this feels kin-da last ditch.
4   3     4   3    5  4   -3   4   3
I guess this just got kin-da dra-stic.
4     3    4   3    5     4  -3  4  4  -4
Trust us, you just fell off the bus ba-by.

4   4   4    4
I can’t let this.
4   4    4   4
I can’t let this.
3  3  5  5   4 4 -3 -3
Go oh oh oh oh oh oh oh.

4    4   4  4    3     4   3   4   4
When I got you right where I want you.
4     4    4    4   4   -4   -4  -4  4
I’ve been push-ing for this for so long.
4    4    4   -4   -4  -4
Kiss me just once for luck.
4      -4  5  -5   5  -4   4     4
These are des-per-ate mea-sures now.

DESPERADO PART II
By Don Henley & Glenn Frey
The Eagles
Key: G

3 7 7 7 7 -6* 6 -5
The queen of dia-monds let you down
-4 -5 6 -5 -5 -5 -4 3
She was just an emp-ty fa-ble
-1 3 3 -4 3 -3 3 3 3 2-1
The queen of hearts you say you nev-er met
3 7 7 -7 -7 -6* 6 -5
Your twist-ed fate has found you out
-4 -5 6 -5 -5 -5 -4 3
and it’s fi-n�lly turned the ta-bles
-4 -4 6 -3 3 3 3 -4 -3
Stole your dreams and paid you with re-gret
-4 -3 -3 3 -4 -4 -4 -4
Des-per-a-do (is there gon-na
-4 -3-3 -3 -4
be an-y-thing left,
-3 3 -3 3 3 -4 -4 -4-33
is there gon-na be an-y-thing?)
3 -4 -5 6 -5 -4 -3 -3 3 2
You sealed your fate up a long time a-go
4 4 4 4 2 2
(Ain’t it hard when you’re all
2 4 -4 -3 -4 -3 -3
a-lone in the cen-ter ring?)
-3 -4 4 -4 -3 3 2 -1
Now there’s no time left to bor-row
-4 -4 -4 -4 -4 4 -4 -3 -4
(Is there gon-na be an-y-thing left?)
4 -4 -3 -4 -4 -3 -3 -4-3 3
On-ly star-dust (may-be to-mor-row)
-4 -4 -5 -4-3 3 -4 -3 -3 3
May-be to-mor-row Des-per-a-do

-3 5 6 -7 -7 -7 -7 7

-7 -7 -7 7

-7 -7 6 -6

-3 -6 -6 -6 -6 -7

-6 -6 -6 -7

-6 -6 -5 6

DESPERADO
4 4 7 -7 -6 6 5
He was a des-pe-ra-do

4 -4 5 5 5 5 5
from the wild and wool-ly West,

-4 4 7 -7 -6 6 5
He came in-to Chi-ca-go

4 5 -4 -4 -4 -4 -4
just to give the West a rest.

-4 4 7 -7 -6 6 5
He wore a big som-bre-ro

4 -4 5 5 5 5 4
and a gun be-neath his vest

6 -6 -7 7 -6 6 5
And ev-e-ry-where he went

4 5 -4 4 4
he gave his war whoop.

CHORUS:
6 -6 -7 7 -6 6
He was a brave, bold, man

5 -4 4 -5 5 6
and a des-pe-ra-do,

6 7 -6 6
From Crip-ple Creek,

-6 -7 7 -8 -7 -6 6
way down in Col-o-ra-do,

-6 -7 7 -6 6
And he walked a-round

5 -4 4 -4 5 6
like a big tor-na-do,

6 -6 -7 7 -6 6 5
And ev-e-ry-where he went

4 5 -4 4 4
he gave his war whoop!

DESPERADO
By Don Henley & Glenn Frey
The Eagles
Key: G

-4 -3 -3 3 -4 -3 3
Des-per-a-do, why don’t you
2 3 2 -3 3
come to your sens-es?
3 3 -4 -5 -4 6 -5 -1 -4 -3 -3
You been out rid-in’ fenc-es for so long now
-4 -3 3 -4 -5
Oh, you’re a hard one
-3* -3 3 2 3 2 -3 3
I know that you got your reas-ons
3 -4 -5 -4 6 -5 -4
These things that are pleas-in’ you
3 -3 -4 -3 3
Can hurt you some-how

3 3 7 7 7 7 -6* 6 -5
Don’t you draw the queen of dia-monds, boy
-5 6 -5 6 -5 -4 3
She’ll beat you if she’s a-ble
-1 -1 -1 3 3 -4
You know the queen of hearts
3 -3 3 2 3 3
is al-ways your best bet

3 3 7 7 7 7 -6* -5
Now it seems to me, some fine things
-4 -5 6 6 -6* 7 -5 -4
Have been laid up-on your ta-ble
-4 -3 -4 -4 6 -4 3
But you on-ly want the ones
2 -4 -3 -3
that you can’t get

Desperado, oh, you ain’t gettin’ no youger
Your pain and your hunger, they’re drivin’ you home
And freedom, oh freedom well, that’s just some people talkin’
Your prison is walking through this world all alone

Don’t your feet get cold in the winter time?
The sky won’t snow and the sun won’t shine
It’s hard to tell the night time from the day
You’re losin’ all your highs and lows
Ain’t it funny how the feeling goes away?

-4 -3-3 3 -4 -3 3
Des-per-a-do, why don’t you
2 3 2 -3 3
come to your sens-es?
3 -4 -5 -5 -5 -4 -4 -3 3 -3
Come down from your fenc-es, o-pen the gate
-4 -3 3 -4 -5
It may be rain-in’,
-4 -3 3 2 3 2 -3 3
but there’s a rain-bow a-bove you
-3* -3 3 -4 -5 -5 -4 6 -5
You bet-ter let some-bod-y love you,
6 -5 3 -4 -5 -5-4 6 -5
You bet-ter let some-bod-y love you,
3 -3 -4 -332-1 3
Be-fore it’s too late

-6 6 6 -5 -6 6 6 -4 -5 -4 6 -5
Des-per-a-do, why don’t you come to your sen-ses,

-5 -5 -6 7 -6 -8 7 4 -6 6 6
You’ve been out rid-in. fen-ces for so long now,

-6 6 -5 -6 7
Oh you’re a hard one,

-6 6 -5 -4 -5 -4 6 -5
I know that you’ve got your rea-sons,

-5 -6 7 -6 -8 7 -6
These things that are pleas-in. you

4 6 -6 6 -5
can hurt you some-how.

-5 -5 -9 -9 -9 -9 8 -8 7
Don’t you draw the queen of dia-monds boy,

7 -8 7 -8 7 7 -6
she’ll beat you if she’s a-ble.

4 4 4 -5 -5 -6
You know the queen of hearts

-5 6 -5 -4 -5 -5
is al-ways your best bet.

-5 -5 -9 -9 -9 9 8 -8
Now it seems to me some fine things

-6 7 -8 -8 8 -9 7 -5
have been laid up-on your ta-ble,

-6 6 -6 -6 -8 -6 -5 -4 -6 6 6
But you on-ly want the ones that you can’t get.

-6 6 6 -5 -6 6 -5 -4 -5 -4 6 -5
Des-per-a-do,oh you ain’t get-tin. no young-er,

-5 -6 7 7 7 -6
Your pain and your hung-er,

-6 -6 6 6 6
they’re driv-in. you home,

-5 -6 7 7 -6 -5
And free-dom, oh free-dom,

-5 6 -5 -4 -5 -4 6 -5
well that’s just some peo-ple talk-in..

-5 -6 7 -6 -8 7 -6 -5 6 -6 6 -5
Your pris-on is walk-ing through this world all a-lone.

-5 -5 -9 -9 -9 -9 -9 8 8 8
Don’t your feet get cold in the win-ter-time,

-5 -8 -8 -8 -8 7 -8 7 -6
The sky won’t snow and the sun won’t shine,

4 -5 -5 6 -5 6 -5 -5 7 -6
It’s hard to tell the night-time from the day.

-5 -9 -9 -9 -10 8 -8 8
you’re los-in. all your highs and lows,

-6 7 7 -8 -8 7 -8 7 -5 -5 6
Ain’t it fun-ny how the feel-in. goes a-way?

-6 6 6 -5 -6 6 6 -4 -5 -4 6 -5
Des-per-a-do, why don’t you come to your sens-es,

-5 -6 7 7 7 -6 -6 6 6 6
Come down from your fenc-es- op-en the gates.

-6 6 -5 -6 7 -6 6 -5 -4 -5 -4 6 -5
It may be rain-in., but there’s a rain-bow a-bove you.

-6 6 -5 -6 7 7 -6 -8 7
You’d bet-ter let some-bo-dy love you,

-8 7 -5 -6 7 7 -6 -8 6
You’d bet-ter let some-bo-dy love you,

-5 6 -6 6 -5
be-fore it’s too late.

It’s my first tab, and I know the true tone of the song is around
F, but it’s still good to play it in an acoustic with friends. Play
the melody until it fits with the song timing — its not hard. It goes
like this:

-6_ -6 -6_ -6b 6__

5 6 -6b_ 6 5 -6 6 -6b__

6 7_ 7_ -6b 6 -6b

6 7_ 7_ -6b 6 -6b

-6 -6_ -6b -6 (hand vibrato)

Feel free to correct. Enjoy (:

Intro
-6, +5 -6 -7 +7 -8 +7 -7 -6 +6 -5 +7 +7
+7 +6 +7 +6 +7 +6 +7 -8 -7
-6, +5 -6 -7 +7 -8 +7 -7 -6 +6 -5 +7 -8_+7
+7 +6 +7 +6 +7 +6 +7 -8 -7
-6 -6 -6 -6 -7 +7 -7 +7 -7 +7 -7 -6
-6 -6 -6 -7 +7 -7 +7 -7 +7 -8 +6
+6 +6 +6 +6 +7 -7 +7 -7 +7 -8 -8 -7
-6 -6 -6 -6 -7 +7 -7 +7 -7 +7 -7 -6
-6 -6 -6 -7 +7 -7 +7 -7 +7 -8 +6
+6 +6 +6 +6 +7 -7 +7 -7 +7 -8 -8 -7
Chorus
+7 -7 -6 +5
+5 +5 +5 +5 +5 -6 -6 -6 -6 +6 -6 -5
-5 -5 -5 -5 -5 -6 -6 -6 -6 -7 +7 +6
+6 +6 +6 +6 +6 +7 +7 +7 +7 -8 -8 -7
+7 -7 -6 +5
+5 +5 +5 +5 +5 -6 -6 -6 -6 +6 -6 -5
-5 -5 -5 -5 -5 -6 -6 -6 -6 -7 +7 +6
+6 +6 +6 +6 +6 +7 +7 +7 +7 -8 -8 -7
+8 -8 +8 -8 +8 -8 +8 -8 +8 -8 +8 -9 -9 +7
-9 -9 -9 -9 -9 +9 +9 +8,
+8 +8 +8 +8 +9 -9 +8_-8
+8 -8 +8 -8 +8 -8 +8 -8 +8 -8 +8 -9 -9 +7
-9 -9 -9 -9 -9 +9 -9 +8,
+8 +8 +8 +8 +9 -9 +8_-8

-8 -8 -8 -8 -8 -8 -7 -7 6
They’re selling postcards of the hanging
9 9 9 9 9 8 -8
They’re painting the passports brown
-7 -6 -6 -6 -6 -6 -6 -7 7 6
The beauty parlor is filled with sailors
6 6 6 6 5 -4
The circus is in town
-8 -8 -8 -8 -7 -7 6 6
Here comes the blind commissioner
9 9 9 9 8 -8
They’ve got him in a trance
-7 -6 -6 -6 -6 -6 -6 -7 7 -6
One hand is tied to the tight-rope walker
6 6 6 6 -4 -4 -4
The other is in his pants
9 9 9 9 9 9 9 9
And the riot squad they’re restless
8 -8 -8 9 -7 -7-6 6
They need somewhere to go
-7 -7-7 -7 -7 -7 -7 -6 -6
As Lady and I look out tonight
6 6 6 6 6 6
From Desolation Row.

Cinderella, she seems so easy
“It takes one to know one,” she smiles
And puts her hands in her back pockets
Bette Davis style
And in comes Romeo, he’s moaning
“You belong to Me I Believe”
And someone says, “You’re in the wrong place, my friend
You better leave”
And the only sound that’s left
After the ambulances go
Is Cinderella sweeping up
On Desolation Row.

Now the moon is almost hidden
The stars are beginning to hide
The fortunetelling lady
Has even taken all her things inside
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
And the Good Samaritan, he’s dressing
He’s getting ready for the show
He’s going to the carnival tonight
On Desolation Row.
Now Ophelia, she’s ‘neath the window
For her I feel so afraid
On her twenty-second birthday
She already is an old maid
To her, death is quite romantic
She wears an iron vest
Her profession’s her religion
Her sin is her lifelessness
And though her eyes are fixed upon
Noah’s great rainbow
She spends her time peeking
Into Desolation Row.

Einstein, disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago
With his friend, a jealous monk
He looked so immaculately frightful
As he bummed a cigarette
Then he went off sniffing drainpipes
And reciting the alphabet
You would not think to look at him
But he was famous long ago
For playing the electric violin
On Desolation Row.

Dr. Filth, he keeps his world
Inside of a leather cup
But all his sexless patients
They’re trying to blow it up
Now his nurse, some local loser
She’s in charge of the cyanide hole
And she also keeps the cards that read
“Have Mercy on His Soul”
They all play on penny whistles
You can hear them blow
If you lean your head out far enough
From Desolation Row.
Across the street they’ve nailed the curtains
They’re getting ready for the feast
The Phantom of the Opera
In a perfect image of a priest
They’re spoonfeeding Casanova
To get him to feel more a*sured
Then they’ll kill him with self-confidence
After poisoning him with words
And the Phantom’s shouting to skinny girls
“Get outa here if you don’t know”
Casanova is just being punished for going
To Desolation Row.

At midnight all the agents
And the superhuman crew
Come out and round up everyone
That knows more than they do
Then they bring them to the factory
Where the heart-attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Check to see that nobody is escaping
To Desolation Row.

They be to Nero’s Neptune
The Titanic sails at dawn
Everybody’s shouting
“Which side are you on ?”
And Ezra Pound and T. S. Eliot
Fighting in the captain’s tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea
Where lovely mermaids flow
And nobody has to think too much
About Desolation Row.
Yes, I received your letter yesterday
About the time the door knob broke
When you asked me how I was doing
Was that some kind of joke ?
All these people that you mention
Yes, I know them, they’re quite lame
I had to rearrange their faces
And give them all another name
Right now I can’t read too good
Don’t send me no more letters no
Not unless you mail them
From Desolation Row.

-5 -5 6 6 -5 -5 6 6 -5 -6
Now who are you to be the death of me.
-6 6 -5 6 -5 -4
Steal-ing what life you need.
-6 6 6 -5 6 -5 -4
Road-side while you watch me bleed.
-6 6 6 -5 6 -5 -4
I’ve got to get out of here.
-6 6 6 -5 6 -5 -4 5 -4 4
I’ve got to get out of h–e–r-e.

-5 -5 6 6 -5 -5 6 6
Well where do you get off that we
-5 -5 6 6 -5 -5 -4 -4
re-volve a-round your wants and needs.
-5 -5 6 6 -5 -5 6 6 -5
There’s no way I would change a one side
7 -6 -5 -4
ca-tas-tro-phe.
-5 -5 6 6 -5 -5 6 6
You are the on-ly one in this
-5 -5 6 6 -5 -4
room that is still the same.
-5 -5 6 6 -5
You’re still the one night
-5 -6 -5 -4
ca-tas-tro-phe.

-6 -6 -6 -6
A liar. A liar.
-6 -6 -6 6 -6 -6
That’s what you made of me.
-6 -6 -6 -6
A wire. A wire.
-6 -6 -6 -6 6 6
That’s what we’re walk-ing on.
-5 -5 6 6
De-sires. De-sires.
-5 -5 6 6
It’s all dressed down.
7 7 -6 -5 -4
Hea-vy lies the crown.
7 7 -6 -5 -4
Hea-vy lies the crown.

-6 -6 -6 -6 6 6
It was the third of June

6 6 -5 5 5
On that som-mers day

-6 -6 -6 -6 6 6
Well, I be-came a man

7 7 7 6 6 6
At the hands of a girl

5 5 5 -5 -5
Al-most twice my age

-6 -6 -6 6 6
And she came to me

6 6 6 -5 5 5
Just like a morn-ing sun

-6 -6 -6 6 6 6
And it was-n’t so much

7 7 6 6
Her words as such

5 5 5 -5 5 -4
As the way they were sung

-5 -5 -5 -5 -5 -5 5 6 -6 6
It was the way they were sung

Chorus:

-4 5 5
De-si-ree

4 -5 5 5
Oh, De-si-ree

-8 8 7 -8
There I was found

8 7 -8 8 7 -7
By the sweet pas-sion sound

7 -6 -6 6 6
Of your lov-ing song

-7 -7 -6 -6 -6 6 6
Time was right, the night was long

-7 7 -8 -8 8 8
Re-mem-ber, De-si-ree

7 -9 8 8
Oh De-si-ree

-8 8 7 -8
Some-how I knew

8 7 -9 8 7 7
I could on-ly have you

7 -6 -6 6 6
‘Til the morn-ing light

-7 -7 -7 -6 -6 -6 6 6
If on-ly for that sin-gle night

-5 -5 -5 -5 5 -4 5 4
Sweet De-si-ree, you made it right.

4 -6 6 4 4 5 6 -6
-5 5

Then came the fourth of June
On that sleepless night
Well I tossed and I turned
While the thought of her burned
Up and down my mind
For she was there and gone
Without one regret
But she continues on
Like the words of a song
I could not forget
I could not forget

chorus

-4 5 5
De-si-ree

4 -5 5 5
Oh, De-si-ree

-8 8 7 -8
There I was found

8 7 -8 8 7 -7
By the sweet pas-sion sound

7 -6 -6 6 6
Of your lov-ing song

-7 -7 -6 -6 -6 6 6
Time was right, the night was long

-7 7 -8 -8 8 8
Re-mem-ber, De-si-ree

7 -9 8 8
Oh De-si-ree

-8 8 7 -8
Some-how I knew

8 7 -9 8 7 7
I could on-ly have you

7 -6 -6 6 6
‘Til the morn-ing light…

-7 -7 -7 -6 -6 -6 6 6
The night was long, the time was right

-9 -9 -9 -9 -9 -9 8 8
-8 -8 -8 -8 -8 -8 7 7
Do you Re-mem-ber, De-si-ree repeat and fade

6d 6b 5d 5b……..6d 6b 5d 5b ……4d 4d 4d 4b 4d 4d 4d 4b
6d 6b 5d 5b……..6d 6b 5d 5b……..4d 4d 4d 4b 5d 5d 5d 5b
5b…..5d 6b 6d 5b………5d 6b 6d 5b…….

U2 – Desire
Harmonica Solo

…~~~ means hold note, warble, bend, go crazy etc.

Desire, desire
Desire, desire, alright!
-4 4 -3 (12) -(12) (12) -(12)
-4 4 -3 (12) -(12) (12) -(12)
-4 4 -3 (12) -(12) (12) -(12)
-4 4 -3 (12) -(12) (12) -(12)
Desire, desire, alright!
-4 4 -3 (12) -(12) (12) -(12)
-4 4 -3 (12) -(12) (12) -(12)
-4 4 -3 (12) -(12) (12) -(12)
-4 4 -3…~~~
1 -1 1 -1…~~~ 1

This is the basic starting point. There’s a ton of bending and nifty
stuff I haven’t got my head around yet/didn’t know how to tab without
making it a mess. You can also play 1 -1 1 -1 instead of (12) -(12)
(12) -(12) but I like the latter.

Listen to the song to get the sound exactly right. If you’ve got some
suggestions, please do PM me cause I’m newish at this solo’ing biz.

-5 -4 -5 -6 -5 -4 -5 -4 -5 -6 -5

-5 -4 -5 -6 -5 -4 -5 -4 -5 -6 -5

(1)(1)(4)4(3)4
Empezar porque s�

(4)4(4)(4)(4)(4)(3)
y acabar no s� cuando

(3)(3)(3)(3)(3)(3)
el azul me da cielo

(3)(2)(2)(3)(2)(2)
y el iris los cambios

666666(5)
los astros no est�n m�s lejos

44(4)4(4)4(4)
que los hombres que trato

(4)4(3)(3)(2)(2)
repito otras voces

6(5)46666(6)(6)666
y se encierran en mi cuerpo
con rumor de mar gruesa

6(5)6(5)(5)466(5)4
Te he dicho que no mires atr�s

666(6)6(5)(4)
porque el cielo no es tuyo

666666766
y hay que empezar despacio

6667666(5)
a deshacer el mundo

(5)(5)(5)66666(5)4(5)(5)4444(4)
El aliento de la tierra
y su calma serena

(1)(2)(3)(3)(3)(2)(3)(2)
y la sombra de la tarde

(2)(3)(3)(3)(2)(3)(3)
que es una mano que tiembla

(3)(3)(3)(2)(2)(2)(2)(2)(2)(3)(3)(3)(3)(2)(3)(2)
la m�sica me abre secretos
que ahora est�n dentro de m�

(2)6666(6)666(5)
al final despu�s de todo

(5)(5)6(6)6(6)
no somos tan distintos

6(6)6(5)66(5)6
un oasis en desierto

(3)(3)6(5)6666
donde queda la paciencia

6(5)6(5)(5)466(5)4
Te he dicho que no mires atr�s

666(6)6(5)(4)
porque el cielo no es tuyo

666666766
y hay que empezar despacio

6667666(5)
a deshacer el mundo

6(6)66(6)(6)6666(5)(5)66
Ponme fuera del alcance
del bostezo universal

6(6)666(6)(6)666666(6)(6)6(5)
nos veremos en el exilio o en una celda

6(6)666(6)(6)666666(6)(6)6(6)
ponme fuera del reposo
en mi historia personal

6(6)6(6)(6)64666(5)
soy un ave rapaz:
mirad mis alas!

6(5)6(5)(5)466(5)4
Te he dicho que no mires atr�s

666(6)6(5)(4)
porque el cielo no es tuyo

666666766
y hay que empezar despacio

6667666(5)
a deshacer el mundo

6(6)
Eso es

(Refrão)

4 -4 5 5 5 -5 5
Quando Deus te desenhou
4 4 -4 4 -4 4 -4 4
Ele tava namorando
4 -4 5 5 5 -5 5
Quando Deus te desenhou
4 4 -4 4 -4 4 -4 4 4 -4 4 4 5
Ele tava namorando na beira do mar
4 -4 4 4 5 -5 5
Na beira do mar do amor
4 -4 4 4 5
Na beira do mar
4 -4 4 4 5 -5 5
Na beira do mar do amor

8 -7 -8 -8 -8 8 -7
All alone not by myself
-7 8 -7 -8 -8 -8 8 -7
Another girl bad for my health
-7 8 -7 -8 -8 -8 8 -7 -7 -7
I’ve seen it all thru someone else and I…

(another girl bad for my health)

-4 5 -5 -5 -6 6 -5 5 -4
Never in the wrong time or wrong place
-4 5 -5 -5 -6 -6 6 -5 5 -4
Desecration is the smile on my face
-4 -4 5 -5 -6 -6 6 -5 5 -4
The love i made is the shape of my space
-4 4 4 3
My face my face

DESAFINADO (Slightly Out Of Tune)
W: Jon Hendsricks, Jessie Cavanaugh,
Newton Mendonca
M: Antonio Carlos Jobim
Stan Getz, Charlie Byrd
Key: F

5 -5 6 -6
Love is like a
6 -5 5* -5 -6 5* 5*
Nev-er end-ing mel-o-dy,
-5 6 -6 7 -6 6
Po-ets have com-pared it
-5* 6 8 -5* -5*
to a sym-pho-ny,
-5 8 -7* -7 7 -7* -7 -5*
A sym-pho-ny con-duct-ed by
6 -6* -7 -6* -5 -5*
the light-ing of the moon,
7* 7 -6 -5 7* 7
But our song of love is
-6 -5 -6 5* 5*
Slight-ly out of tune

5 -5 6 -6 6 -5
Once your kiss-es raised me
5* -5 -6 5* 5*
to a fev-er pitch,
-5 6 -6 7 -6 6
Now the orch-es-tra-tion
-5* 6 8 -5* -5*
Does-n�t seem so rich,
8 -7* -7 7 -7*
Seems to me you�ve changed
-7 7 -6 7 -6 7
the tune we used to sing,
6 -6* 6 -6* 6 -5
Like the bos-sa no-va
5* -5 6
love should swing . . . .

5* 6 -6* 6 -6* 6
We used to harm-o-nize
-5 5* -5 6 -4 6
two souls in per-fect time,
6 -6* 7* -7 -8 -7
Now the song is dif-f�rent
5* -5 6 -6* 6 -6* 6
and the words don�t e-ven rhyme,
6 7 -7 7 -7 7 -6 6
�Cause you for-got the mel-o-dy
-6 7 -5 7 -5 7
our hearts would al-ways croon,
-5 7 -7 -7* -7 -7*
And so What good�s a heart
-7 8 -7* -7 -7* 7
that�s slight-ly out of tune?

5 -5 6 -6 6
Tune your heart to mine
-5 5* -5 -6 5* 5*
the way it used to be,
-5 6 -6 7 -6 6 -5*
Join with me in har-mo-ny
6 -9 9* 9 -8 -7* -9
and sing a song of lov-ing
-7 8 -8 -7* -7 -7*
We�re bound to get in tune
-7 7 -6 -7 6 7
a-gain be-fore too long,
-5 6 -6 -6 -6 -6 -6 -6
There�ll be no Des-a-fi-na-do
-5 6 -6 -6 -6
when your heart be-longs
-6 -6 -6 8 -7*
to me com-plete-ly
-5 6 -6 -6 -6 -6
Then you won�t be slight-ly
-6 6 -6 6
out of tune, you�ll
-5* 6 7 -6 -6
sing a-long with me!

+5 +5 -6 | -6 -6 -6 | -6 -6 +6 | -6 -7 -6 |

C´est pas l´homme qui prend la mer, C´est la mer qui prend l´homme, Tatatin
-6 -7 +7 | -7 -6 -7 | -6 +6 +6 | +5 +6 -6

Moi la mer elle m´a pris, Je m´ souviens un Mardi

+5 -6 | -6 -6 -6 -6 | -6 -6 +6 | -6 -7 -6

J´ai troqué mes santiags Et mon cuir un peu zone
-7 +7 | +7 -7 -6 -7 | -6 +6 +6 | +6 +6 +5

Contre une paire de docksidesEt un vieux ciré jaune
+5 -6 | -6 -6 -6 -6 | -6 -6 +6 | -6 -7 -6

J´ai déserté les crassesQui m´ disaient “Sois prudent”

-7 +7 | +7 -7 -6 -7 | -6 +6 +6 | -5 -6 6

La mer c´est dégueulasseLes poissons baisent dedans

REFRAIN
-6 -7 +7 +7 -7 -6 -7 | -6 +6 +6 -6 +5

Dès que le vent soufflera, Je repartira
+7 -8 +8 +8 -8 +7 -8 | -7 -7 -7 -6′ -6

Dès que les vents tourneront,Nous nous en allerons

C´est pas l´homme qui prend la mer
C´est la mer qui prend l´homme
Moi la mer elle m´a pris
Au dépourvu tans pis
J´ai eu si mal au cœur
Sur la mer en furie
Qu´ j´ai vomi mon quatre heures
Et mon minuit aussi
J´ me suis cogné partout
J´ai dormi dans des draps mouillés
Ça m´a coûté ses sous
C´est d´ la plaisance, c´est le pied

{Refrain}

Ho ho ho ho ho hissez haut ho ho ho

C´est pas l´homme qui prend la mer
C´est la mer qui prend l´homme
Mais elle prend pas la femme
Qui préfère la campagne
La mienne m´attend au port
Au bout de la jetée
L´horizon est bien mort
Dans ses yeux délavés
Assise sur une bitte
D´amarrage, elle pleure
Son homme qui la quitte
La mer c´est son malheur

{Refrain}

C´est pas l´homme qui prend la mer
C´est la mer qui prends l´homme
Moi la mer elle m´a pris
Comme on prend un taxi
Je ferai le tour du monde
Pour voir à chaque étape
Si tous les gars du monde
Veulent bien m´ lâcher la grappe
J´irais aux quatre vents
Foutre un peu le boxon
Jamais les océans
N´oublieront mon prénom

{Refrain}

Ho ho ho ho ho hissez haut ho ho ho

C´est pas l´homme qui prend la mer
C´est la mer qui prends l´homme
Moi la mer elle m´a pris
Et mon bateau aussi
Il est fier mon navire
Il est est beau mon bateau
C´est un fameux trois mats
Fin comme un oiseau {Hissez haut}
Tabarly, Pageot
Kersauson ou Riguidel
Naviguent pas sur des cageots
Ni sur des poubelles

{Refrain}

C´est pas l´homme qui prend la mer
C´est la mer qui prends l´homme
Moi la mer elle m´a pris
Je m´ souviens un Vendredi
Ne pleure plus ma mère
Ton fils est matelot
Ne pleure plus mon père
Je vis au fil de l´eau
Regardez votre enfant
Il est parti marin
Je sais c´est pas marrant
Mais c´était mon destin

{Refrain 3x}

Dès que le vent soufflera
Nous repartira
Dès que les vents tourneront
Je me n´en allerons

55-6 -6-6-6… -6-66-6-7-6

-6-77-7-6-7… 66656-6

55-6-6-6-6-6… -6-66-6-7-6

-6-77-7-6-7…666-665

55-6-6-6-6-6… -6-66-6-7-6

-6-77-7-6-7…666-6-7-6

refrain :

-6-777-7-6-7 -666-65

7-888-87-8 -7-7-7 7 -7-6

This is Papageno, the birdcatcher’s aria about his desire to find a wife or girlfriend (from “The Magic Flute”)

6 5 4 4 -4 4 -3 4 -4 5 -4

-4 -3 3 3 5 5 4 -3 3

4 5 -4 4 -3 4 -4 4 -3 4 -4 5 -4

-4 6 6 -4 -4 -3 -2 -2

-2 -3 -4 -4 5 -4 4 -4 5 -4 4

6 6 4 4 -4 4 -3 4 -4 5 -4

4 -4 5 -5 6 -3 4

4 -4 5 -5 6 -3 4

4 -4 5 5 -5 5 -4 5 -5 6 -6

-5 -4 -3 -3 4 -3 3 -3 4 5 -4 -3 4

4 -4 5 -5 6 -3 4

4 -4 5 -5 6 -3 4

7 6 5 6 6 -5 5 -4 4 4 4

4/4 TIME (MODERATE PACE)
THE DOTS = EXTEND THAT NOTE

[V1]
. 8 8 8 8 8 8 -8 7 -7 -6.. .
Der Tag ver-geht und kommt nicht mehr zu-rück,
. -6 -6 -6 -10.. . 9 9 -8 8.. .. .
nichts bleibt be-stehn, nichts bleibt be-stehn.
. 8 8 8 -9 8 8 -8 7 -7 -6.. .
Die Son-ne sinkt und man-cher Traum vom Glück
. -6 -6 -7 7.. . -7 -6 6 -6.. .
wird bald ver-gehn, wird bald ver-gehn.
. -6 -6 -6 -10 -10 -10 -10 9 9 9 9
Doch was Du nimmst und was Du gibst be-stä-tigt
.-10 -10 9 -9 9 8 8 8
nur, daß Du uns liebst; wenn wir Dich,
. -9 -9 9 -10 9 8 -8….
Herr, so oft auch nicht ver-stehn.

[C]
. 8 8 -9 9 9 -10 -10 10 10 9 9
Heu-te und mor-gen bin ich ge-bo-r-gen,
.-10 -10 -10 9 -9 8 -8….
wie auch die Zeit ve-r-rinnt.
. 8 8 -9 9 9 -10 -10 10 10 9 -9 8
Hoff-nung und Le-ben wirst Du mir ge-e-be-en,
. 7 -9 8 8 -8 7..
Herr, denn ich bin Dein Kind

4/4 TIME (MODERATE PACE)
THE DOTS = EXTEND THAT NOTE

[V1]
. 7   -6  -6  -6  -7   7   -7   6'
 Der See, der den Him-mel spie-gelt,
. 5  -6   -6  -6  -7 7  -7...
 der Tau, der die Er-de netzt.
.-7   7     7   7   -8    8  -9.. -8
 Der Baum, der uns Schat-ten spen-det,
. 7    -7   -7  -7   8  -8 7...
 der Stein, der die Sen-se wetzt,
.7  7   7  7   -8  7  -6  6   7..
 er-he-ben zu Gott ih-re Stim-me
.7  -8  8   -9   8  -8  7  -8....
 im Ju-bel, der Ber-ge ver-setzt.

[C]
.6  7..  -7  -6.. -8.. -7  7   -8   8. ..
 Al-les, was at - met, al-les, was lebt,
. 8..   -8  8  -9 8 -8   7  7..   7..  -7..
 stimmt in den Ju - bel der Schö-pfung ein!
. 6   7.. -7 -6..-8..-7   7  -8   8. ..
 Gott zu lob-sin-gen mit mei-nem Lied:
.8..  -8   8  -9 8 -8   7  7.. -7.. 7..
 Das soll der Sinn mei-nes Le- bens sein!