4 4 4 3 5 5 5 4
in a cav-ern, in a can-yon,
4 5 6 6 -5 5 -4
ex-cav-vat-ing for a mine,
-4 5 -5 -5 5 -4 5 4
dwelt a min-er, for-ty nin-er,
4 5 -4 3 -3 -4 4
and his daugh-ter clem-en-tine.
4 4 4 3 5 5 5 4
oh my dar-ling, oh my darl-ing,
4 5 6 6 -5 5 -4
oh my darl-ing clem-en-tine.
-4 5 -5 -5 5 -4 5 4
you are lost and gone for-ev-er,
4 5 -4 3 -3 -4 4
dred-ful sor-ry, clem-en-tine.
7 7 7 6 8 8 8 7
Oh my darling Oh my darling
7 8 9 9 -9 8 -8
Oh my darling clementine
-8 8 -9 -9 8 -8 8 7
you are lost and gone forever
7 8 -8 6 -7 -8 7
dreadful sorry, clementine
Verse 1:
4 4 4 3 6 6 6 5
In a cav-ern, in a can-yon,
5 6 7 7 -6 6 -5
ex-ca-vat-ing for a mine,
-5 6 -6 -6 6 -5 6 5
Lived a min-er, for-ty nin-er,
5 6 -5 3 -4 -5 5
And his daugh-ter Clem-en-tine.
Chorus: (Same tab as verse)
Oh, my dar-ling, oh, my darling oh, my darling Clementine.
You are lost and gone forever, dreadful sorry, Clementine.
Verse 2:
Light she was and like a fairy, and her shoes were number nine.
Herring boxes without topses, sandals were for Clementine.
Chorus
Verse 3:
Drove her ducklings to the water every morning just at nine.
Hit her foot against a splinter fell into the foaming brine.
Chorus
Verse 4:
Ruby lips above the water blowing bubbles soft and fine.
But alas, I was no swimmer so I lost my Clementine.
Chorus
Verse 5:
Then the miner, forty-niner soon began to peak and pine.
Thought he oughta join his daughter, now he’s with his Clementine.
Chorus
Verse 6:
There’s a churchyard on the hillside where the flowers grow and
twine.
There grow roses, ‘mongst the posies fertilized by Clementine.
Chorus
Verse 7:
In my dreams she still doth haunt me robed in garlands soaked in
brine.
Though in life I used to hug her now she’s dead, I draw the line.
Chorus
Verse 8:
How I missed her, how I missed her how I missed my Clementine.
Till I kissed her little sister and forgot my Clementine.
Chorus
Verse 9:
Now you scouts may learn the moral of this little tale of mine.
Artificial respiration would have saved my Clementine.
Chorus
version 1: to be played on C Harmonica
4 4 4 3 5 5 5 4
in a cav-ern, in a can-yon,
4 5 6 6 -5 5 4
ex-cav-vat-ing for a mine,
-4 5 -5 -5 5 -4 5 4
dwelt a min-er, for-ty nin-er,
4 5 -4 3 -3 -4 4
and his daugh-ter clem-en-tine.
4 4 4 3 5 5 5 4
oh my dar-ling, oh my darl-ing,
4 5 6 6 -5 5 4
oh my darl-ing clem-en-tine.
-4 5 -5 -5 5 -4 5 4
you are lost and gone for-ev-er,
4 5 -4 3 -3 -4 4
dred-ful sor-ry, clem-en-tine.
version 2:To be played on G Harmonica
7 7 7 6 8 8 8 7 In a cav-ern, in a can-yon,
7 8 9 9 -9 8 -8 ex-ca-vat-ing for a mine,
-8 8 -9 -9 8 -8 8 7
Lived a min-er, for-ty nin-er,
7 8 -8 6 -7 -8 7 And his daugh-ter Clem-en-tine.
4 4 4 3 5 5 5 4
in a cav-ern, in a can-yon,
4 5 6 6 -5 5 -4
ex-cav-vat-ing for a mine,
-4 5 -5 -5 5 -4 5 4
dwelt a min-er, for-ty nin-er,
4 5 -4 3 -3 -4 4
and his daugh-ter clem-en-tine.
4 4 4 3 5 5 5 4
oh my dar-ling, oh my darl-ing,
4 5 6 6 -5 5 -4
oh my darl-ing clem-en-tine.
-4 5 -5 -5 5 -4 5 4
you are lost and gone for-ev-er,
4 5 -4 3 -3 -4 4
dred-ful sor-ry, clem-en-tine.
4 4 4 3 5 5 5 4
in a cav-ern, in a can-yon,
4 5 6 6 -5 5 4
ex-cav-vat-ing for a mine,
-4 5 -5 -5 5 -4 5 4
dwelt a min-er, for-ty nin-er,
4 5 -4 3 -3 -4 -4
and his daugh-ter clem-en-tine.
4 4 4 3 5 5 5 4
oh my dar-ling, oh my darl-ing,
4 5 6 6 -5 5 -4
oh my darl-ing clem-en-tine.
-4 5 -5 -5 5 -4 5 4
you are lost and gone for-ev-er,
4 5 -4 3 -3 -4 4
dred-ful sor-ry, clem-en-tine.
7 7 7 6 8 8 8 7
In a cav-ern, in a can-yon,
7 8 9 9 -9 8 -8
ex-ca-vat-ing for a mine,
-8 8 -9 -9 8 -8 8 7
Lived a min-er, for-ty nin-er,
7 8 -8 6 -7 -8 7
And his daugh-ter Clem-en-tine.
By: Percy Montrose
American mining song
Key: F
Time: 3/4
Harp: C
-2”-2”-2” 1 -3”-3”-3”-2”
In a cav-ern in a can-yon
-2”-3” 4 4 -3 -3” 3
Ex-ca-vat-ing for a mine
3 -3” -3 -3 -3”-3”’-3” -2”
Dwelt a min-er, for-ty nin-er
-2” -3” 3 1 2 3 -2”
And his daugh-ter Clem-en-tine
-2”-2”-2” 1 -3”-3”-3” -2”
Oh my dar-ling, oh my dar-ling
-2”-3” 4 4 -3 -3” 3
Oh my dar-ling Clem-en-tine
3 -3” -3 -3 -3” -3”’-3”-2”
You are lost and gone for-ev-er
-2” -3” 3 1 2 3 -2”
Dread-ful sor-ry, Clem-en-tine
4 4 4 3 5 5 5 4
in a cav-ern, in a can-yon,
4 5 6 6 -5 5 4
ex-cav-vat-ing for a mine,
-4 5 -5 -5 5 -4 5 4
dwelt a min-er, for-ty nin-er,
4 5 -4 3 -3 -4 4
and his daugh-ter clem-en-tine.
4 4 4 3 5 5 5 4
oh my dar-ling, oh my darl-ing,
4 5 6 6 -5 5 4
oh my darl-ing clem-en-tine.
-4 5 -5 -5 5 -4 5 4
you are lost and gone for-ev-er,
4 5 -4 3 -3 -4 4
dred-ful sor-ry, clem-en-tine.
This is tabbed for a 24 hole Echo Celeste tremolo
-7 -7 -7 -6 6 -5 -6
Breakfast’s o-ver, off we go,
-7 -7 -7 -6 6 -5 6
To remove this cloth, you know.
-7 -7 -9 8 -8 -7 -7
Put the saucers on the tray;
6 -5 7 -6 6 -6 -5
John has taken cups a way.
Verse 2:
As to plates, they are for me,
I am careful, don’t you see;
Shake the cloth and fold it straight,
Then we’ll wash each cup and plate.
6 -5 5 5 , -4 5 -5 5 -4 4 -4
Where do we stand? What am I supposed to do?
4 -4 5 5 5 5 -5 5 -4,
Give me the clearest indication,
4 4 4 4 -4 -4,
I’m not alone with you,
6 -5 5 5,
Reach out your hand,
-4 5 -5 5 -4 4 -4,
In a world I thought I knew,
4 -4 5 5 5 5-5 5 -4
I need the clearest indication
4 -5 5 -4 4 4 -3 -3 4.
The clearest indication from you.
African-American capstan chantey
Based on an Irish tune
Key: Em
Time: 2/4
5 -4 4 4 -3 -3 -3” -3” 3
8 -8 7 7 -7 -7 -6 -6 6
Oh the smart-est pack-et you can find
2 3 2 3 2 3 3 3
5 6 5 6 5 6 6 6
Ah hey, ah ho, are you most done
3 3 -3” -3” 4 4
6 6 -6 -6 7 7
Is the Marg’-ret Ev-ans
-4 -4 5 -4 4 -4
-8 -8 8 -8 7 -8
Of the Blue Star Line
5 4 -3” -3 -3” 3 2 -3” -3”
8 7 -6 -7 -6 6 5 -6 -6
So clear the track, let the bul-gine run
-3”-3 4 -4 4 -3 4 -3 -3” -3” 3
-6 -7 7 -8 7 -7 7 -7 -6 -6 6
To me aye, rig-a-gig in a low-backed car
2 3 2 3 2 3 3 3
5 6 5 6 5 6 6 6
Ah hey, ah ho, are you most done
3 -3”-3” 4 -4 5 -44 -4
6 -6 -6 7 -8 8 -87 -8
With Li-za Lee all on my knee
5 4 -3” -3 -3” 3 2 -3” -3”
8 7 -6 -7 -6 6 5 -6 -6
So clear the track, let the bul-gine run
African-American capstan chantey
Based on an Irish tune
Key: Em
Time: 2/4
-8 -7 7 7 -6* -6* 6 6 -5
Oh the smart-est pack-et you can find
-4 -5 -4 -5 -4 -5 -5 -5
Ah hey, ah ho, are you most done
-5 -5 6 6 7 7
Is the Marg’-ret Ev-ans
-7 -7 -8 -7 7 -7
Of the Blue Star Line
-8 7 6 -6* 6 -5 -4 6 6
So clear the track, let the bul-gine run
6 -6* 7 -7 7 -6* 7 -6* 6 6 -5
To me aye, rig-a-gig in a low-backed car
-4 -5 -4 -5 -4 -5 -5 -5
Ah hey, ah ho, are you most done
-5 6 6 7 -7 -8 -77 -7
With Li-za Lee all on my knee
-8 7 6 -6* 6 -5 -4 6 6
So clear the track, let the bul-gine run
44 55 66 -6-6 77 -6-6 66 55 (x2)
-5-5 -6-6 77 -8-8 -9-9 -8-8 77 -6-6
44 55 66 -6-6 77 -6-6 66 55
44 55 66 55
-3-3 -4-4 -5-5 -4-4
77 -6-6 66 55 4 4 4
6 5 -5 6 6 6 -5 -6 -4 5
Search me O God, and know my heart today
5 -5 -5 6 5 -5 5 -4 5 -5
Try me O Savior, know my thoughts I pray
6 5 -5 6 6 6 -5 -6 -4 5
See if there be some wicked way in me
5 -5 -5 6 5 -6 6 -3 -4 5
Cleanse me from every sin, and set me free
I praise thee Lord for cleansing me from sin
fulfill Thy Word and make me pure within
fill me with fire where once I burned with shame
grant my desire to magnify Thy name
Lord take my life and make it wholly Thine
fill my poor heart with Thy great love divine
take all my will my passion self and pride
I now surrender Lord in me abide
O Holy Ghost revival comes from thee
send a revival start the work in me
Thy Word declares thou wilt supply our need
for blessing now O Lord I humbly plead
By: Roy Orbison
Key: C
Swing the verses of this puppy!
7 8 8 -8 -8 -7 -7
I got a brand new ba-by
7 7 -7 6 7
and I feel so good
8 8 8 -8 -8 -7 -7
she loves me ev-en bet-ter
7 7 -7 6 7
than I thought she would
7* -7 7* -7 7* -7 7
I’m on my way to her house
-6 -5 -6 7 7* -7
and I’m plumb out-a breath
7 7 -8 -7* -8 7
when I see her to-night
7 -7 7 -9 -7* -8 -7
I’m gon-na squeeze her to death
chorus
-7 6 7 -7 7* -7 7* -7 -6 7
claud-ette, pret-ty lit-tle pet claud-ette
-7 7* -7 7* -7 -6 7
nev-er make me fret claud-ette
7 -7 -7* -8 -7* -8 -7* -8
Well, she’s the great-est lit-tle girl
7 -7 -6 -6 -6
that I’ve ev-er met
-7* -8 -7* -8-7* -8 7 7 -7 -6 -6 -6
I get the best lov-in that I’ll ev-er get
-6 -7 -6 7
from claud-ette
-7 7* -7 7* -7 -6 -7 7
Pret-ty lit-tle pet claud-ette
-7 7*-7 -6 7
oh oh claud-ette
|7 -7*8 -7*8 |8 -7*8 -7*8 |
well i’m a lucky man
my baby treats me right
she‘s gonna let me hug and kiss
an hold her tight
and when the date is over
and were at her front door
when i kiss her good night
i’ll holler more more more
chorus
when me an my new baby
have a date or three
i’m gonna ask my baby
if she’ll marry me
i’m gonna be so happy
for the rest of my life
when my brand new baby
is my brand new wife
end with chorus
5 5 5 5 -4
Did you real-ly think,
6 5 4 4 6 6 6 5
I meant e-very word that I said.
4 4 6 6 6 6 5
When we’re ly-ing in your bed,
4 4 6 6 6 6 5 -6 6
head to head and I can’t get e-nough.
6 6 5 4
Gi-rl, I think
6 6 6 6 5
you’re the one that lied
4 4 6 6 6 6 5
when you talked to all your friends
4 4 6 6 6 5 -6 6 5
and they ne-ver were on your si-de.
6 6 6 -6 6 6 6 6
And there’s a time and place for this.
4 4 4 6 6 6 5
It was a-whi-le a-go
4 4 6 6 6 5
whi-le I was a-way,
4 4 6 6 5 6 -6
and I’m not co-ming ho-me.
4 6 6 5 -4 -4 5
I’m ne-ver com-ing ho-me.
-4 6 6 5 -4
And now I’ve got you
-4 -4 -4 -4 -4 5
wrapped a-round my fin-ger.
-4 -4 -4 -4 -4 5
Sec-rets of this stran-ger.
4 5 5 5 5 5 -4 5
I’m keep-ing you up all ni-ght.
5 -4 5
All ni-ght.
This can play into the 12 bar blues.
3 -3′ 3 4
3 -3′ 3 4
3 -3′ 3 4
3 -3′ 3 4
-3 3
I cant explain the rythem
6 6 5 -5 6 -6 6 5 -5 6 -5 5 -4 -4 5
6 6 5 -5 6 -6 6 5 -5 6 -5 5 -4 -4 4
6 6 5 -5 6 -6 6 5 -5 6 -5 5 -4 -4 5
6 6 5 -5 6 -6 6 5 -5 6 -5 5 -4 -4 4
4 6 6 -4 6 -6 -6
6 6 -4 5 6 7 -7
6 6 -4 6 -6 -6
6 6 -4 -4 5 6 7 -7
6 9 8 -8 7 7 -8 -8 -8 7 -8 8 -7 -7 7
6 9 8 -8 7 7 -8 -8 -8 7 -8 8 -7 -7 7
(K.622 2nd movement)
Wolfgang Amadeus Mozart
Key: D
3/4 time, Adagio
6 7 8 8-87 6 789 9-98
|3 4 5|5-44 ~ |3 456|6-55 ~ |
-8 989 -8 9-6 8 6 -7 -6 6 -6
|-4 656|-4 6-3”5|3 (-3)-3”3|-3 ~ ~ |
8 -87-7 -6 -9 8-87 -6
|5 -44-3|-3” ~ ~ |-5 5-44|-3” ~ ~ |
9 -98-8 7-9-9 8 8-8-9-87 8 -87 7
|6 -55-4|4-5-5 5|5-4-5-44(5)-44|4 ~~|
() means a grace note
~ means rest
(K.622 2nd movement)
Wolfgang Amadeus Mozart
Key: D
3/4 time Adagio
|-3 -5 -6*|-6*6-5 ~ |-3 -5-6*-7|-77-6* ~ |
|6 -7-6*-7|6 -7-4-6*|-3 (4*)-4-3|-3 ~ ~ |
|-6* 6-55*|-4 ~ ~ |7 -6*6-5|5* ~ ~ |
|-7 7-6*6|-577 -6*|-6*676-5 (-6*)6-5|-5 ~ ~ |
() means a grace note
~ means rest
A Fun Song about a racetrack tip!!!
Shades of Mr.Ed!
5 -5 5 4 -6 6 5 -5 -4
The own-er told Cla-rence The Clock-er,
6 6 6 -5 -4 6 -5 -4 5
And the Clock-er told jock-ey Ma-gee,
6 6 -6 6 5 -6
And the jock-ey, of course!
6 5 -4 4 4 -4
Let it on to the horse,
4 4 3 -4 4
And the horse told me!!!
6 -6 6 6 -6 6
Tee! He! He! Tee! He! He!
6 -6 -7 6 5 6 -6 -7 6
Um coração de mel de melão
5 6 -6 7 -6 6 -6 7 -9 8 7
De sim e de não é feito um bichinho
-6 6 -6 -7 6 5 6 -6 -7
No sol da manhã novelo de lã
5 6 -6 7 -6
No ventre da mãe
6 -6 7 -9 8 -9 9 9 -9-9
Bate o coração de Clara Ana
-8 -8 -8 8 7
E quem mais chegar
9 9 -9 -9 -8-8 -6 7
Água, terra, fogo e ar
18th C. Irish folk song
Key: G
3 -2”2 3 3 -3” 4 -4 4
6 -5 5 6 6 -6 7 -8 7
When on Ram-il-lies’ blood-y field
3 2 3 3 5 -5 5 -4 4 -3”
6 5 6 6 8 -9 8 -8 7 -6
The baf-fled French were forced to yield
3-2” 2 3 3 -3” 4 -4 5
6-5 5 6 6 -6 7 -8 8
The vic-tor Sax-on back-ward reeled
-5 5 4 -3” -5 5 -4 4
-9 8 7 -6 -9 8 -8 7
Be-fore the charge of Clare’s dra-goons
-4 5 6 -4 6 4 -4 5
-8 8 9 -8 9 7 -8 8
The flags we con-quered in that fray
4 5 6 -4 5 -5 -4 -4 4 4
7 8 9 -8 8 -9 -8 -8 7 7
Look lone in Y-pres’ choir, they say
4 -4 5 6 -4 5 4 -4 5
7 -8 8 9 -8 8 7 -8 8
We’ll with them com-pa-ny to-day
-5 6 4 -3” -5 5 -4 4
-9 9 7 -6 -9 8 -8 7
Or brave-ly die like Clare’s dra-goons
3 -2”2 3 3 -3” 4 -4 4 3
6 -5 5 6 6 -6 7 -8 7 6
Then vi-va-la, for Ire-land’s wrong
2 3 3 5 -55 -4 4 -3”
5 6 6 8 -98 -8 7 -6
vi-va-la for Ire’land’s right
3 -2”2 3 3 -3” 4 -4 5
6 -5 5 6 6 -6 7 -8 8
Then vi-va-la, in bat-tle through
-5 -5 6 4 -3” -5 5 -4 4
-9 -9 9 7 -6 -9 8 -8 7
For a Span-ish steed and sa-ber bright
18th C. Irish folk song
Key: G
-5 5 -4 -5 -5 6 7 -7 7
When on Ram-il-lies’ blood-y field
-5 -4 -5 -5 -8 8 -8 -7 7 6
The baf-fled French were forced to yield
-55 -4 -5 -5 6 7 -7 -8
The vic-tor Sax-on back-ward reeled
8 -8 7 6 8 -8 -7 7
Be-fore the charge of Clare’s dra-goons
-7 -8 -9 -7 -8 7 -7 -8
The flags we con-quered in that fray
7 -8 -9 -7 -8 8 -7 -7 7 7
Look lone in Y-pres’ choir, they say
7 -7 -8 -9 -7 -8 7 -7 -8
We’ll with them com-pa-ny to-day
8 -9 7 6 8 -8 -7 7
Or brave-ly die like Clare’s dra-goons
-5 5 -4 -5 -5 6 7 -7 7 -5
Then vi-va-la, for Ire-land’s wrong
-4 -5 -5 -8 8-8 -7 7 6
vi-va-la for Ire’land’s right
-5 5 -4 -5 -5 6 7 -7 -8
Then vi-va-la, in bat-tle through
8 8 -9 7 6 8 -8 -7 7
For a Span-ish steed and sa-ber bright
18th C. Irish folk song
Key: G
-4 4 -3 -4 -4 5 6 -6 6
When on Ram-il-lies’ blood-y field
-4 -3 -4 -4 -7 7 -7 -6 6 5
The baf-fled French were forced to yield
-44 -3 -4 -4 5 6 -6 -7
The vic-tor Sax-on back-ward reeled
7 -7 6 5 7 -7 -6 6
Be-fore the charge of Clare’s dra-goons
-6 -7 -8 -6 -7 6 -6 -7
The flags we con-quered in that fray
6 -7 -8 -6 -7 7 -6 -6 6 6
Look lone in Y-pres’ choir, they say
6 -6 -7 -8 -6 -7 6 -6 -7
We’ll with them com-pa-ny to-day
7 -8 6 5 7 -7 -6 6
Or brave-ly die like Clare’s dra-goons
-5 5 -3 -4 -4 5 6 -6 6 -4
Then vi-va-la, for Ire-land’s wrong
-3 -4 -4 -7 7-7 -6 6 5
vi-va-la for Ire’land’s right
-4 4 -3 -4 -4 5 6 -6 -7
Then vi-va-la, in bat-tle through
7 7 -8 6 5 7 -7 -6 6
For a Span-ish steed and sa-ber bright
Trad. folk
Key: D
Time: 2/4
1-1 2 2 2 1 2 3 3 3
4-4 5 5 5 4 5 6 6 6
In old Ken-tuck in de ar-ter-noon
3 4 4 4 -3 4 -4 -4 -4
6 7 7 7 -7 7 -8 -8 -8…
We sweep de floor wid a bran new broom
3 5 4 -4 -3 4 3 2
6 8 7 -8 -7 7 6 5
And ar-ter dat we form a ring
3 5 4 -4 -3 4 3 2
6 8 7 -8 -7 7 6 5
And dis de song dat we do sing
3 -2” 2 -1 -2”
6 -5 5 -4 -5
Oh, Clare de Kitch-en
-1 -2” -1 -2”
-4 -5 -4 -5
Old folks, young folks
3 -2” 2 3
6 -5 5 6
Clare de Kitch-en
2 3 2 3
5 6 5 6
Old folks, young folks
-3” 4 -34 -4-3 4 4 4
-6 7 -77 -8-7 7 7 7
Old Vir-gin-ny nev-er tire
Trad. folk
Key: D
Time: 2/4
-12-2* -2* -2* -1 -2*-3 -3 -3
In old Ken-tuck in de ar-ter-noon
-3 -5 -5 -5 5* -5 6 6 6…
We sweep de floor wid a bran new broom
-3 -6* -5 6 5* -5 -3 -2*
And ar-ter dat we form a ring
-3 -6* -5 6 5* -5 -3 -2*
And dis de song dat we do sing
-3 3 -2* 2 3
Oh, Clare de Kitch-en
2 3 2 3
Old folks, young folks
-3 3 -2* -3
Clare de Kitch-en
-2* -3 -2* -3
Old folks, young folks
-4 -5 5*-565* -5 -5 -5
Old Vir-gin-ny nev-er tire
JOAN BOWEN & LYN MCCARTHY
VERSE 1
5 5 5 -5 6
Can you clap in time?
6 -5 5 -5
Clap–ping is fun,
-5 5 -4 5 4 4
Clap–ping’s for ev–ry–one.
5 5 5 -5 6
Can you keep the beat?
6 -5 5 -5 -5 5 -4 4
Clap–ping is sweet. Clap–ping in time.
4 4 4 4 6
Can you clap this one?
6 6 6 6 -4
I can clap this one! (clap)
5 5 5 -5 6
Can you keep the beat_
6 -5 5 -5 -5 5 -4 4
Clap–ping in time, Clap–ping in time!
VERSE 2
Can you click in time? Clicking is fun etc.
Can you click this one? (click rhythm with tongue)
VERSE 3
Can you stamp in time? Stamping is fun etc.
Can you stamp this one? (stamp rhythm)
VERSE 4
Can you snap in time? Snapping is fun etc.
Can you snap this one? (snap with fingers)
VERSE 5
Can you slap in time? Slapping is fun etc.
Can you slap this one? (slap hands against thighs)
ENJOY!!
8 8 8 -8 8 -9 8
Solo voy con mi pena
8 -9 8 -8 7 -7 -7
Sola va mi condena
-9 -9 -9 -9 -9 8 7
Correr es mi destino
-9 8 -8 7 -8 8
Para burlar la ley
7 7 8 8 -8 8 -9
Perdido en el corazn
8 8 -9 8 -8 7 -7
De la grande Babylon
-9 -9 -9 -9 9 -9 8 7
Me dicen el clandestino
-9 8 -8 7 -8 8
Por no llevar papel
8 8 8 -8 8 -9 8
Pa’ una ciudad del norte
8 8 -9 8 -8 7 -7
Yo me fui a trabajar
-9 -9 -9 -9 -9 8
Mi vida la dej
8 -9 8 -8 7 -8 8
Entre Ceuta y Gibraltar
-7 7 -8 8 -8 7 -8
Soy una raya en el mar
7 7 8 -8 -8 8 -9
Fantasma en la ciudad
8 8 8 8 -9 8 7
Mi vida va prohibida
-9 8 -8 7 -7 -6
Dice la autoridad
…
7 7 -7 -7 8 8 -9 -9
Mano Negra clandestina
7 7 -7 -7 8 8 -9 -9
Peruano clandestino
7 7 -7 -7 8 8 -9 -9
Africano clandestino
7 7 -7 -7 8 8 -9
Marijuana illegal