SAIL AWAY, LADIES chrom
American folk song
Key: D
Time: 2/4

-7 -7 -7 -7 -7 -6* 6 6 -5
If ev-er I get my new house done
-5 -5 -5 -3 -4 -5 -5 -5
Sail a-way, la-dies, sail a-way
-6* -7 -7 -7 -6* 6 6 6
I’ll give the old one to my son
-5 -5 -5 -3 -4 -5 -5 -5
Sail a-way, la-dies, sail a-way

-9 -9 -9 -7 -8 -8 -8
Don’t she rock ‘em, die-di-o
-9 -9 -9 -8 -7 -7 -7
Don’t she rock ‘em, die-di-o
-8 -7 -6* 6 -5 6 6 6
Don’t she rock ‘em, die-di-o
-6* 6 -5 -4 -5 -5 -5
Don’t she rock ‘em, die-di-o

SAIL AWAY, LADIES 2nd pos
American folk song
Key: D
Time: 2/4
Harp: G

-4 -4 -4 -4 -4 -3 -3” -3” 3
-8 -8 -8 -8 -8 -7 -6 -6 6
If ev-er I get my new house done

3 3 3 -1 2 3 3 3
6 6 6 -4 5 6 6 6
Sail a-way, la-dies, sail a-way

-3 -4 -4 -4 -3 -3”-3”-3”
-7 -8 -8 -8 -7 -6 -6 -6
I’ll give the old one to my son

3 3 3 -1 2 3 3 3
6 6 6 -4 5 6 6 6
Sail a-way, la-dies, sail a-way

6 6 6 -4 5 5 5
9 9 9 -8 8 8 8
Don’t she rock ‘em, die-di-o

6 6 6 5 -4 -4 -4
9 9 9 8 -8 -8 -8
Don’t she rock ‘em, die-di-o

5 -4 -3 -3”3 -3” -3”-3”
8 -8 -7 -6 6 -6 -6 -6
Don’t she rock ‘em, die-di-o

-3 -3” 3 2 3 3 3
-7 -6 6 5 6 6 6
Don’t she rock ‘em, die-di-o

SAIL ALONG SILV’RY MOON
W: Harry Tobias
M: Percy Wenrich
Perry Como
Key: F

-3 3* -3 1 -2 -3
Sail a-long sil-v’ry moon
-3 3* -3 4 -3* 3
Trail a-long lov-ers lane
3 -2* 3 1 2 3
Sail a-long sil-v’ry moon
4 3 4 -3* -3
To my love a-gain
-3 3* -3 1 -2 -3
In the glow of your light
-3 3* -3 4 -3* 3
Let me see her to-night
3 -2* 3 1 2 3
Once a-gain hold her tight
4 -4 -3* 2 -2
Back in lov-ers lane
-3 -3* -2 -55-3* -55-3*
And then the whole world
-55-3*-55-3* -5 5
Will seem bright-er
1 -3* -3* -3* 4 -3
As we stroll hand in hand

-2 -55-3*-55-3*-55-3*-55-3* -5 5
Two blue hearts will seem light-er
-3 3 -2 3
You un-der-stand
-3 3* -3 1 -2 -3
Sail a-long sil-v’ry moon
-3 3* -3 4 -3* 3
Trail a-long lov-ers lane
3 -2* 3 1 2 3
Sail a-long sil-v’ry moon
4 -4 -3* 2 -2
To my love a-gain.

SAIL ALONG, SILV’RY MOON PERRY COMO

KEY F

-6b 5 -5b 5 -4 5
How I wish I were you

4 4 4 4 4 5
Mis-ter moon in the sky

5 -6b -6b 5 4
So I could sail thru

5 -5b -5b -5b 5 4 5 6
The blue to the sweet bye and bye

5 -4 5
Sail a-long

4 4 5
Sil-v’ry moon

5 -4 5 6 -5b -4
Trail a-long lov-ers lane

-4 4 -4
Sail a-long

4 4 -4
Silv-‘ry moon

6 6 -5b -5b 5
To my love a-gain

5 -4 5 4 4 5
In the glow of your light

5 -4 5 6 -5b -4
Let me see her to-night

-4 4 -4 4 4 -4
Once a-gain hold her tight

6 -5b -5b 4 4
Back in lov-ers lane

5 -4 4 -6b -6b
And then the whole world

-6b -6b -6b 6
Will see bright-er

4 -5b -5b -5b 6 5
As we stroll hand in hand

4 -6b -6b -6b -6b -6b 6
Two blue hearts will see light-er

5 -4 4 -4
You un-der-stand

5 -4 5
Sail a-long

4 4 5
Silv-‘ry moon

5 -4 5 6 -5b -4
Trail a-long lov-ers lane

-4 4 -4
Sail a-long

4 4 -4
Silv-‘ry moon

6 -5b -5b 4 4
To my love a-gain.

1 444 -4-4-4 5 -6 -5 -44

1 444 -4-4-4 5 -6 -5 -44

1444 -4-4-4 3 -3 -443

1 -4-4-4 555 -5-5-5 -6 X2

1 -6 -7 -6 6 -6 66

1 -6 -7 -6 6 -6 66

1 -6 -7 -6 6 -6 6656

1 -4-4-4 555 -5-5-5 -6 X2

La la la la la la la la la la oh

-6 6 -6 6 5 -6 6 -6 6 5 4

– draw + blow ‘ bend, parts in paranthesis are smooth pass from bend to main note

+4 (-4′-4) +4

(-4′-4)+5

+5-5+5-4+4+3+3

+5-5+5+4-4+4

-4+5+6-6+6-5+5(-4’-4) +4

Sah ein Knab ein Röslein stehn

5 5 6 -5 5 -4 -4 -4
Sah ein Knab ein Röslein stehn,
5 5 -5 6 -6 -6 6
Röslein auf der Heiden.
6 -5 5 5 5 -4 4
war so jung und morgen schön,
4 4 4 -4 5 -5 5 -4
lief er schnell, es nah zu sehn.
5 5 6 -5 5 5 -4
sah’s mit vielen Freuden.
5 6 -6 -6 6 -6 -7
Röslein, Röslein, Röslein rot,
7 -6 6 5 -4 5 -4 5
Röslein auf der Heiden.

3 3 -3 3 6

sagradicemo brod

-6 -6 -6 5 -6 6

i krenuti ka jugu

3 3 -3 3 5

u zagrljaju tvom

-5 -5 -5 4 -5 -6 6

da zaboravim tugu

Verse 1:
4 4  5   6   -4 -4 5 -5  5 -4  4
I was born in Saginaw, Michigan
6  -6  -6 -6 -6   6   5  -5 -5 5 -4
I grew up in  a house on Saginaw Bay
6   6  -5  -5  5
My dad was  a poor,
4    4  4   4  4 -4 5 6 -5 -5
Hard-working   Saginaw fisherman
4  5 -5  -5   6   -5   5
Too many times he came home
-5   5   -4 -4  4
With too little pay

Verse 2:
4   4   5  6   -4 -4 5 -5  5 -4  4
I loved a girl in Saginaw, Michigan
6  -6  -6   -6 -6  6   5    -5 -5  5 -4
The daughter of  a wealthy, wealthy man
6  6    -5   -5  5
But he called me that
4  4  4 4  4 -4  5 6 -5
Son of a Saginaw fisherman
4   5  -5   -5   6
And not good enough
5    -5   5   -4 -4      4
To claim his daughter’s hand
-5 -6  7   7   7  7 -8 7
Now I’m up here in Alaska
6   6  6   6   5   4
Looking around for gold
5   5 -5  5 -5    5   6 -5
Like a crazy fool I’m digging
5   -4   4 4     4    -4  6
In this frozen ground so cold
4   4    -4   5  -5
But with each new day
-6  -5  -5     6    6   6    5   -5
I pray I’ll strike it rich and then
-5  -5  5    5    4
I’ll go back home and
4   5   5   -4 -4 5 -5  5 -4 4
Claim my love in Saginaw, Michigan

Verse 3: (same as verse 1)
I wrote my love in Saginaw, Michigan
I said honey I’m coming home
Please wait for me
And you can tell your dad
I’m coming back a richer man
I hit the biggest strike
In Klondike history

Verse 4: (same as verse 3)
Her dad met me in Saginaw, Michigan
He gave me a great big
Party with champagne
Then he said son you’re a wise
Young ambitious man
Will you sell your
Father-in-law your Klondike claim
Now he’s up there in Alaska diggin’
In the cold, cold ground
The greedy fool is looking
For the gold I never found
It serves him right
And no one here is missing him
Least of all the newlyweds
Of Saginaw, Michigan
5    5   6 6 6   -5
We’re the happiest man
5   5   -4 -4 5 -5  5 -4 4
And wife in Saginaw, Michigan
5    5  6   6   6   -5
He’s ashamed to show his
5   -4 -4 5 -5  5 -4 4
Face in Saginaw, Michigan

+3 +7 +7 +7 -7 +7 -6 -6 +6

Sag dankeschön mit roten Rosen

+6 -6 +6 -5 -5 +6 -5 +4 -5 +6

zu deiner frau so ab und zu einmal

+3 +7 +7 +7 -7 +7 -6 -6 +6

sag dankeschön mit roten rosen

+6 -6 +6 -5 -5 +6 -5 +4

sie wird verstehen du wirst schon sehen

+3 +3 +4 -5 +6 -5 +4 +6 -6 +6 -5

hast du schon mal nachgedacht und ist dir klar

+3 -4 -5 +7 +7 +7 -6 +6 -5 +6

was sie so alles tut das ganze jahr

+3 +3 +4 -5 +6 -5 +4 +6 -6 +6 -5

sie ist eine gute fee tag ein tag aus

-7 +7 -6 +6 +6 +4 +6 -5 +4 -4 -5 +4

sie zieht die kinder groß und kümmert sich ums
haus

Sag dankeschön ……

kommst du von der arbeit heim

oft ist es spät

dann wartet sie auf dich

fragt wie’s dir geht

und gab es auch ab und zu

mal ein krach sie war die klügere und

gab so oft schon nach

Sag dankeschön ….

3 6 6 6 -6 6 -5 -5 5

Sag dankeschön mit roten Rosen

5 -5 5 -4 -4 5 -4 4 -4 5

zu deiner frau so ab und zu einmal

3 6 6 6 -6 6 -5 -5 5

sag dankeschön mit roten rosen

5 -5 5 -4 -4 5 -4 4

sie wird verstehen du wirst schon sehen

3 3 4 -4 5 -4 4 5 -5 5 -4

hast du schon mal nachgedacht und ist dir klar

3 -3 -4 6 6 6 -5 5 -4 5

was sie so alles tut das ganze jahr

3 3 4 -4 5 -4 4 5 -5 5 -4

sie ist eine gute fee tag ein tag aus

-6 6 -5 5 5 4 5 -4 4 -3 -4 4

sie zieht die kinder groß und kümmert sich ums
haus

Sag dankeschön ……

kommst du von der arbeit heim

oft ist es spät

dann wartet sie auf dich

fragt wie’s dir geht

und gab es auch ab und zu

mal ein krach sie war die klügere und

gab so oft schon nach

Sag dankeschön ….

hum at 2:39 till end.

-6-6-66-56-6
6 -5 666-5 6
666 -5 6 666
-56 -6-66 -5 5

Safe, Sane And Single……………….

* quarter note rest

^ eighth note rest

Key F 4/4 time

4   5   6 6 -6   6     5   5   4

A //:wo-man is the/sweet-est thing on/

-4 4   4 3 4     4

That we all a-/gree * but/

5   6   6   -6   6   5   5   4

when she gets the/wed-ding band a/

-4   6   6 -6   6     4     5   6

/man’s no long-er/free! That’s why I’m/

-6   -6   6 -6   7   -6

Safe, sane and/sin-gle * I’m/

-6 6 6 5   6   4 -4   5     5   -4

on my mer-ry/way yes I’m/safe,sane and/

5   6     3     3 4 -4 -3

sin-gle * that’s/how I’m gon-na

4           4           4

1.2. end. Stay * ^ 2.3. A ://

3.4. “   Stay * ^ 4.5 I ://5.end stay

2. A wife and husband came upon

The parting of their ways,

The judge gave her the bank account,

And gave him ninety days!

That’s why I’m safe sane and single,

That’s how I’m gonna stay.

3. A friend of mine got married

To a girl named Nellie Grey,

She pawned his watch then sold his car

And gave his clothes away!

That’s why I’m safe sane and single,

And that’s how I’m gonna stay.

4. I met a gal in Birmingham

And thereby hangs a tale,

She had a husband doing time,

Another out on bail!

That’s why I’m safe sane and single,

That’s how I’m gonna stay.

5. I courted a gal for fifteen years,

Her Pa said we should wed,

If my horse could only cook,

I’d marry him instead!

That’s why I’m safe sane and single

That’s how I’m gonna stay.

-7 -7 -7 -7   -6
I re-mem-ber tears
-6     -6   6    6    -4
stream-ing down your face
-4   5   5   5   5   5   5  -4  -4
when I said I’ll ne-ver let you go.
-7   -7   -7   -6  -6    6   6
When all those sha-dows al-most
6       -4   5  6
killed your li-ght.
-7 -7 -6 -6   7   -7
I re-mem-ber you said
-4      5   5   5  -4  -4
don’t leave me here a-lone.
-4   -7   -7   -6   -6    6
But all that’s dead and gone
6     5    -4 5 6 -6 -7 5
and passed to-n-i–i-gh-t.

6     -6    -7   -8
Just close your eyes.
-6   -6 -7 -6  6    5
The sun is go-ing down.
6      -6  -7  -8
You’ll be al-right.
-6  -6  -7  -6   6   5
No one can hurt you now.
6    -6   -7    -8
Come mor-ning light,
-6     -7  -6   6  5 6 -6 -7 5
you’ll be safe and s-o–u–n-d.

-7    -7  -6    -6   6   6    5  -4
Don’t you dare look out your win-dow,
5     5  5  5     5     5  -4 -4
darl-ing e-very-thing’s on fi-re.
-7  -7  -6   -6  6     6
The war out-side our door
5     -4  -4  5 6 -6 -7 5
keeps ra-ging o-o–o–o-n.
-7   -6  7  -7  -6  6  5
Hold on-to this lu-lla-by,
-7 -7  -6   -6  6  6    5 6 -6 -7 5
e-ven when the mu-sic’s g-o–o–o-ne.
5 6 -6 -7 5
G-o–o–o-ne.

6     -6    -7   -8
Just close your eyes.
-6   -6 -7 -6  6    5
The sun is go-ing down.
6      -6  -7  -8
You’ll be al-right.
-6  -6  -7  -6   6   5
No one can hurt you now.
6    -6   -7    -8
Come mor-ning light,
-6     -7  -6   6  5 6 -6 -7 5
you’ll be safe and s-o–u–n-d.

5 6 -6 -7 5
O-o–o–o-h.
5 6 -6 -7 -6
O-o–o–o–h.
5 6 -6 -7 5
O-o–o–o-h.
5 6 -6 -7 -6 6
O-o–o–o–o-h.

6     -6    -7   -8
Just close your eyes.
6      -6  -7  -8
You’ll be al-right.
6    -6   -7    -8
Come mor-ning light,
-6     -7  -6   6  5 6 -6 -7 5
you’ll be safe and s-o–u–n-d.

5 6 -6 -7 5
O-o–o–o-h.
5 6 -6 -7 -6
O-o–o–o–h.
5 6 -6 -7 5
O-o–o–o-h.
5 6 -6 -7 -6 6
O-o–o–o–o-h.

5 -3 -3 4 -4 5 -2

-3 4 -4

5 -3 -3 4 -4 5 -2

6 -5 5

If your 2 draw is tough, try this :

5 -3 -3 4 -4 5 3

-3 4 -4

5 -3 -3 4 -4 5 3

6 -5 5

4 4 4 5 5
I could lift you up
6 6 6 5 5 -4 -4 4 4
I could show you what you wanna see
6 6 5 5 -4 -4 5 -5 5
And take you where you wanna be

4 4 4 5 5
You could be my luck
6 6 6 5 5 -4 -4 4 4
Even if the sky is falling down
6 6 5 5 -4 -4 5 -5 5
I know that we’ll be safe and sound

5 -2 -3 4 -4 5 3
-4 -4 5 -5 5
We’re safe and sound
5 -2 -3 4 -4 5 3
6 -5 5
Safe and sound

Key of Song: D

Harmonica position: 5th pos., Phrygian

Legend: + = blow – = draw ‘ = half step bend ” = whole step
bend

Intro:

+5 -3 +3 3″ 3″ -3 +2

+2 -3 +3 3″ 3″ -3 +2

Repeat 3 more times.

2nd part:

-3 -3 -3 3″ 3″ 3″ 3″

+3 +3 +3 +3 2′ 2′ +3 2’+2

-3 -3 -3 3″ 3″ 3″ 3″

+3 +3 +3 +3 2′ 2′ 2′ 2′ +2

Repeat 2nd part once more

Final part:

+ 2 +2 +2 +2 +2 2′ 2′

+3 +3 +3 3″ 3″ 3″

+2 +2 +2 +2 2′ 2’

+3 +3 +3 +3 3″ 3″

repeat once more

Feel free to play as long as you like.

Enjoy!

There are some As I could not tab for correctly. “A” is marked above
them.

6 6 6 6 -4 -3”
Oh, God my head is flying

-3” -3” 6 4 -3”
Are the an-gel’s trying

6 -5
Ma-gic

6 6 -4 -3” 6 -4 -3”
And Dad-dy’s lying. Mom-my’s crying

6 -5
Tra-gic

5 6 -6 -5 -8 -8 -8 6 6 6
And I’m all a- lone Oh, oh

-5 6 -5 6 4 -4
There’s too ma-ny peo-ple

6 6 -6 6 -8 -8 -8 6 6 6
And I can’t go on Oh oh

-5 6 -6 6 -6 6
‘Cause ve-ry few peo-ple

-6 6 6 -5 6 6 6 6
All a- lone. Lord of ring, ring, ring

-4 4 -4 4 -3” -2
Says a shal-low pro-fit

-3” -3” -2 -3” -3” -2 -4
Why won’t you leave me a- lone?

6 6 6
Bring, bring, bring

-4 4 -4 4 2
All your mo-ther’s stones

-5 6 6 6 6 -7 -6 -7 -6
So we can build our own ??

6 6 -7 -6
Just with-out you

6 6 -4 -4 -4 6 -5
There will be no sa-fa-ri

-7 -7 -7 -6
Roll down the steps

6 6 -4 -4 -7 -8 -7 7
Til you see that I’m

6 -7 -6
So sor-ry

6 6 -4 -3” 6 -4 -3”
When heads are, flying I’ll be trying

6 -5
Ma-gic

-4 -5 -4 6 -5
And that’s de-ny-in’

-5 7 -7 6 -5
The dark-est side is

-7 6
Tra-gic

6 6 -6 6 -8 -8 -8 6 6 6
And I’m all a- lone Oh oh

-5 6 -5 6 4 -4
There’s too ma-ny peo-ple

6 6 -6 6 -8 -8 -8 6 6 6
And I can’t go on Oh oh

-5 6 – 6 6 -6 6
They’re build-ing a stee-ple

-6 6 -6 -6 6 6 6
I don’t wan-na wake, wake, wake

-2 -2 -1 1
Wake up rest-ed

-1 -1 -1 2
To the a-larm

-1 -1 -1 -1 3 3 3
We don’t have to make make make

1 -1
Make love

2 -1 2
Just give me

6 6 6 6 -6 -6 – 7 -6
Five more mi-nutes in your arms

6 6 -7 -6
Just with-out you

6 6 -4 -4 -4 6 -5
There will be no sa-fa-ri

-7 -7 -7 -6
Roll down the steps

6 6 -4 -4 -7 -8 -7 7
‘Til you see that I’m

6 -7 6 -5
So sor-ry

A
6 -6 -7 8 -8 -7
La la la La la
A A
8 -7 -7 8 -7 -7 -8 -5
La la la La la la la
A
6 -6 -7 7 -8 -6
La

-8 -6 7 -7 7 -7 7 -7
Ooh oh ahh

-7 -6 -7 -6 6
Ooh

-8 8 7 -7 -6 -8 7 -7 8 8 -8

-8 8 7 -7 -6 7 -8 7 -6 -10

-7 -6 -6’ -6 7 -8 7 -7 7 -6 -4 -3 3

4 -3 -6 -7 7 -8 8 -6 7 -7 -6

4 -3 3 7 -8 7 -7 8 8 -8

-8 8 -6 7 -7 -6 4 -3 3

7 -8 7 -7 5 -6

(-3” 4 5 -6 7 8 9 8)
The above line is taken from
the bass cleff on the referenced
sheet music.

-8

-7 -6 +5
-6 +7 -8 -6
+7 -7 +7 -8 +6 +8 -8
-7 -6 +5 -6 +7 -8 -6
+7 -7 +7 -8 +6 -6

-6 -7 +7 -8 +8 -6 +7 -7 -6
+7 -8 +7 -7 +8 +8 -8
-8 +8 -6 +7 -7 -6
+7 -8 +7 -7 +5 -6  ….    (+5)

-7 -6 +5     (Same as the first)
-6 +7 -8 -6
+7 -7 +7 -8 +6 +8 -8
-7 -6 +5 -6 +7 -8 -6
+7 -7 +7 -8 +6 -6

-6 -7 +7 -8 +8 -6 +7 -7 -6  (Same as the second)
+7 -8 +7 -7 +8 +8 -8
-8 +8 -6 +7 -7 -6
+7 -8 +7 -7 +5 -6

-4 -5 -6 6, -4 -5 -6 6

— starting–

-6 6 -4, -4 -5 6 -4

5, 5 -5 6 4 -6, -6 6

5 -4 3, -4 -5 6 -4

-5, -5 6 6 4 -4

-4 5 -5 6 -6, -4 -5 5, -4

-5 6 -5 5, -6 -6

6 -6 -4 -5, 5 -4

6 -6 -4 -5, 5 -4 4

–end—

+5 +4 +3

+5 +6 -6 +5

+6

+5 -5 +6 +5 -6 +6

+5 +4 +3

+5 +6 -6 +5

+6

+5 -5 +6 +4 -4

( -> ) means slide and 5——– a long note.

-5 5 -3 5 6 -6 5 (-5 -> -6) -5 6 -6 -4 -7 -6

-5 5 -3 5 6 -6 5 6 -5 6 -6 -4 5 5 -5 6

-6 -7 5 6 -5 5——– 6 -6 6 -5 -7 -7 -6

-6 -7 5 6 -5 5——– 6 -7 6 -5 -3 -3 5

7 6 7 -7 -6 6 -4
Sa-die the clean-ing la-dy,
6 -7 -8 -7 -8 -7
With trust-ed scrub-bing brush,
6 -6 6 6 5
And pail of wat-er,
-8 8 -9 -9 -6 -6 -9
Worked her fing-ers to the bone,
8 -8 8 8 6 6 8
For the lad, she had at home,
8 -8 -8 -8 -8 -8 -6
Pro-vid-ing, at the same time,
6 -6 8 -8
For her daugh-ter.
8 8 -8 7
Oh scrub your floors,
7 7 7
Do your chores,
-7 7 -8 -6
Dear old Sa-die,
-8 7 -7
Looks as though,
-8 -7 -8 -7 6 -6 6 6 5
You’ll al-ways be, a clean-ing la-dy,
8 -8 7 7 7 7
Can’t af-ford, to get bored,
-7 7 -8 -6
Dear old Sa-die,
-8 7 -7
Looks as though,
-8 -7 -8 -7 6 -6 -7 -8 7
You’ll al-ways be, a clean-ing la-dy!

SADIE (written by Lyndon Needs)

+5 +4 +5 +5 -5 -6 -5 -6 +6 +6 -5 -4 +4
Sa-die, my little Sa-die, I’m cra-zy o- ver you

+5 +4 +5 +5 -5 -6 -5 -6 +6 +6 -5 -4 +4
Sa-die, my little Sa-die, I’m cra-zy o- ver you

-4 -4 -4 +5 -5 -5 +5 -4 +4 +5
You’re the beauty of a silver fountain

-4 -4 -4 +5 -5 -5 +5 -4 +4 +5
You’re the beauty of a country mountain

-4 -4 -4 +5 -5 -5 +5 -4
Like a lonely weeping willow

-5 -5 -5 +6 -6 -6 +6 -5
In the early morning meadow

Sadie, my little Sadie, I’m crazy over you
Sadie, my little Sadie, I’m crazy over you

When you find the days are getting long
And your dreams tend to go wrong
When it’s not what it should be
Remember, don’t forget about me
Sadie, my little Sadie, I’m crazy over you
Sadie, my little Sadie, I’m crazy over you

You’re my summer sunshine of the day
You’re the silver moonlight of the night
Hope that we will never part
Loving feeling in my heart
Sadie, my little Sadie, I’m crazy over you
Sadie, my little Sadie, I’m crazy over you

You’re the beauty of a silver fountain
You’re the beauty of a country mountain
Like a lonely weeping willow
In the early morning meadow
Sadie, my little Sadie, I’m crazy over you
Sadie, my little Sadie, I’m crazy over you

SADDLE UP THE PALOMINO
W: Neil Young, Tim Drummond, Bobby Charles
M: Neil Young
Key: F

4   -5  -5  4  4  -2
Oh, oh, Car-me-li-na,
-2    4    4  4  -3    -5  -5  4   -2
The daugh-ter of the wealth-y bank-er.
-2   4    4  4   -5
Since she came to town
-5  4     4     4   -2
all my friends are gone,
-2   4    4
And I’m stuck
-3   -5   -5   4  4 -2
out here with mel-o-dy.

-5  -5  -5 -4  -5 -5 6  -5
Sad-dle up the pal-o-mi-no,
-4   4  4  -5 -5*   6
the sun is go-ing down.
5  -6 -6  6     5*   -5  4   -2
The way I feel, this must be real.
|-5 -4 |4……|
Ooh

|-23-3* -3*-33|-2 -23-3-3*-33-2|
|-2 -23-3-3* -3*-33|-2 -23-3-3*-33-2|

If you can’t cut it,
don’t pick up the knife.
There’s no re-ward
in your con-science stored
When you’re sleep-in’
with an-oth-er man’s wife.

Saddle up the palomino,
the sun is going down.
The way I feel,
this must be real.

I wanna lick the platter,
the gravy doesn’t matter.
It’s a cold bowl of chili
when love lets you down,
But it’s the neighbor’s wife
I’m after.

Saddle up the palomino,
the sun is going down.
The way I feel,
this must be real.

Saddle the Poney (Jig)

The following tab was made for a “Paddy Richter tuning” harmonica,
but if you own a standard harmonica (in Richter tuning), all you have
to do is replace the “3” (or 3 blow) by “-3″” (or 3 draw whole step
bend).

This track was tabbed after the following video :

A :

-2 3 -3 4 5 -4 4

5 6 -6 -7 7 6 5

4 5 -4 4

5 -4 -3 -2 -4 -3 -2

4 5 -4 4

5 6 -6 -7 7 -7 7

-6 -7 -6 6 5 -4

5 4 4 4

B :

5 6 -6 -7 -6 -6 6 5

6 -6 -7 7 -7 7

-6 -7 -6 -6 6 5

6 5 -4 -4 5 6

-6 -7 -6 -6 6 5

6 -6 -7 7 -7 7

-6 -7 -6 6 5 -4

5 4 4 4

5 -4 4 -4 5 -4 5 -5 6 6 -5 6
With your mercury mouth in the missionary times,
5 -4 4 -4 5 -4 5 -5 6 5
And your eyes like smoke and your prayers like rhymes,
-6 -6 7 7 -7 6 6 -6 -6 6
And your silver cross, and your voice like chimes,
5 5 5 5 6 -4 5 -5 4 5 -5 5 -4
Oh, who among them do they think could bury you?
5 -4 4 -4 5 5 -5 6 -6 5 6
With your pockets well protected at last,
5 -4 4 -4 5 5 -4 5 -5 -6 6 6
And your streetcar visions which you place on the grass,
-6 -6 7 7 -7 6 6 -6 -6 6
And your flesh like silk, and your face like glass,
5 5 5 6 -4 5 -5 4 5 -5 5 -4
Who among them do they think could carry you?
-4 -4 5 4 4 -3′ 4 3 3
Sad-eyed lady of the lowlands,
-4 -4 5 5 5 -4 4 -3′ 4 3 3
Where the sad-eyed prophet says that no man comes,
-6 -7 7 -7 -6 6 6-5 5 5 -4
My warehouse eyes, my Arabian drums,
5 5 5 -4 4 -3′ 5
Should I leave them by your gate,
5 -4 -4 5 4 5 4 5 4
Or, sad-eyed lady, should I wait?

With your sheets like metal and your belt like lace,
And your deck of cards missing the jack and the ace,
And your basement clothes and your hollow face,
Who among them can think he could outguess you?
With your silhouette when the sunlight dims
Into your eyes where the moonlight swims,
And your match-book songs and your gypsy hymns,
Who among them would try to impress you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?

The kings of Tyrus with their convict list
Are waiting in line for their geranium kiss,
And you wouldn’t know it would happen like this,
But who among them really wants just to kiss you?
With your childhood flames on your midnight rug,
And your Spanish manners and your mother’s drugs,
And your cowboy mouth and your curfew plugs,
Who among them do you think could resist you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?

Oh, the farmers and the businessmen, they all did decide
To show you the dead angels that they used to hide.
But why did they pick you to sympathize with their side?
Oh, how could they ever mistake you?
They wished you’d accepted the blame for the farm,
But with the sea at your feet and the phony false alarm,
And with the child of a hoodlum wrapped up in your arms,
How could they ever, ever persuade you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?

With your sheet-metal memory of Cannery Row,
And your magazine-husband who one day just had to go,
And your gentleness now, which you just can’t help but show,
Who among them do you think would employ you?
Now you stand with your thief, you’re on his parole
With your holy medallion which your fingertips fold,
And your saintlike face and your ghostlike soul,
Oh, who among them do you think could destroy you
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?

+8…..+7……+7…..-7…..+8…..+7…..+7…….-7 -7

+2 +1 -2″ +2 -1 -1, +1 +2 +1 -1 +1 -1 +1 +2 +1 -1 +1 -1

+2 +1 -2″ +2 -1 -1, +1 +2 +1 -1 +1 -1 +1 +2 +1 -1 +1 -1

+2 +1 -2″ +2 -1 -1, +1 +2 +1 -1 +1 -1 +1 +2 +1 -1 +1 -1

+2 +1 -2″ +2 -1 -1, +1 +2 +1 -1 +1 -1 +1 +2 +1 -1 +1 -1

SAD SONGS (SAY SO MUCH) ELTON JOHN

KEY OF C

5 -5 5 6 5 4
Guess there are times when we

-4 6 5 5 -4 -4 4 4
all need to share a lit-tle pain

-2b 5 5 -4 4 5 -4
And iron-ing out the rough spots

-2 -2 5 -4 -4 4 5 -4 -4 4 4
Is the hard-est part when mem-or-ies re-main

5 -5 6 5 4
And it’s times like these

4 4 6 5 -4 5 4 -4 4 4
when we all need to hear the ra-di-o

5 5 -4 -4 -4 -4 5 5 -2
`cause from the lips of some old sin-ger

-2 -2 5 -4 -4 4 5 -4 -4 4 4
We can share the trou-bles we al-rea-dy know

(CHORUS)

4 5 -5 5 5 -5 6
So turn them on, turn them on

5 -4 4 -4 -2b
Turn on those sad songs

-2b 5 -4 4 -4
When all hope is gone

-2 -3b -2 5 -4 4 -4 -4 4
Why don’t you tune in and turn them on

-2 5 5 -5 5 6 5
They reach in-to your room Oh

5 5 -4 -4 4 4
Just feel their gen-tle touch

-2b 5 -4 4 -4
When all hope is gone

5 -4 -4 -4 4
Sad songs say so much

VERSE 2 same as 1
If someone else is suffering enough
to write it down
When every single word makes sense
Then it’s easier to have those songs around
The kick inside is in the line that finally gets to you And it feels
so good to hurt so bad
And suffer just enough to sing the blues

5 4 -2 -3b
Sad songs, they say

-5 -4 -3b -3
Sad songs, they say

5 4 -2 -3b
Sad songs, they say

-5 -4 -3b -3 4 -4
Sad songs, they say so much

ENJOY!!!