-4 -6 6 6 -5 6
6 -6 6 -5 -4 4
x2
-4 -5 -6d* -5d
-6 6 -5 -4 4
-4 -5 -6d 6d

(-4-4-4-4-4-4xn
-5-5-5-5-5-5xm
5555555xt)**
x2

-8d
-9-9 8 -8
x2

-8 -9 -9 8 7

*d means that it should be longer then others.

** xn, xm, xt means that i cant count how many reapets exactly must
be. You should make it on one breath. You will understend if listen
song on in this moment.

Trad. Irish folk song
Thomas Moore
Key: D
Time: 6/8

-2* 2 -1 2 -1 -1 -2*
Be-lieve me if all those
-3 3 -4 -5 -5
en-dear-ing young charms
4* -4 -3 3 -2* 2 -1 2 -2*
Which I gaze on so fond-ly to-day
-2* 2 -1 2 -1 -1 -2*
Were to change by to-mor-row
-3 3 -4 -5 -5
and flee from my arms
4*-4 -3 -5 -2* 2 -1 2 -1
Like fai-ry gifts fad-ing a-way
-3 3 -2* -3 -5 -5
Thou woulds’t still be a-dored
-3 -3 -4 3 -5 -5
as this mo-ment thou art
4* -4 -3 3 -2* 2 -1 2 -2*
Let thy love-li-ness fade as it will
-2* 2 -1 2 -1 -1 -2*
And a-round the dear ru-in
-3 3 -4 -5 -5
each wish of my heart
4* -4 -3 -5 -2* 2 -1 2 -1
Would en-twine it-self ver-dant-ly still

It is not while beauty and youth are thine own
And thy cheeks unprofaned by a tear
That the fervour and faith of a soul can be known
To which time will but make thee more dear
No the heart which has truly loved never forgets
But as truly loves on to the close
As the sunflower turns on her guard when he sets
The same look which she turned when he rose

5 6 7 7 -7 7

At the east end of town

5 -5 6 6 -6 6

At the foot of the hill

5 5 -5 -5 6 -5

Stands a chimney so tall

3 3 -3 5 -5 5

That says Belfast Mill

7 8 8 -8 -7 7 -7 -8 8 -9 9 8 -10 -9 9 8 -10 -9 9 -10 10 -7 -7 -9 9 8
-8 -7 7 -7 -8 8 -9 -8 7 8
7 8 8 -8 -7 7 -7 -8 8 -9 9 8 -10 -9 9 8 -10 -9 9 -10 10 -7 -7 -9 9 8
-8 -7 7 -7 -8 8 -9 -8 7 8
-10 9 -10 10 10 -11 -12 11 11 11 9 9 9 -10 10
-11 -11 -11 10 -10 9 -10 10 -11 10 9 10 7 7 -7
-8 8 -9 -8 7 8
-10 9 -10 10 10 -11 -12 11 11 11 9 9 9 -10 10
-11 -11 -11 10 -10 9 -10 10 -11 10 9 10 7 7 -7
-8 8 -9 -8 7 8
-9 9 8 -10 -9 9 8 -10 -9 9 -10 10 -7 -7 -9 9 8
-8 -7 7 9 8 -10 -9 9 8 9 -10 10 -7 -8 8 -9 -8 7 8
-9 9 8 -10 -9 9 8 -10 -9 9 -10 10 -7 -7 -9 9 8
-8 -7 7 9 8 -10 -9 9 8 9 -10 10 -7 -8 8 -9 -8 7 8

words by Thomas Moore

3/4 time – brightly, don’t let it drag.

5 -4 4 -4 4 4

5 6 -5 -6 7 7

-7 -6 6 5 5 -4 4 4 5

5 -4 4 -4 4 4

5 6 5 6 7 7

-7 -6 6 7 5 4 4 4 4

6 -5 5 6 7 7

6 -6 -5 7 7

-7 -6 6 -5 5 4 4 -4 5

5 4 4 4 4 4

5 6 5 6 7 7

-7 6 6 7 5 4 4 4 4

REPEAT

*I believe this is currently
the only version of this harp-tabbed
song on the internet. (wink)))
This is the song I am planning to
memorize & play at my cousin’s wedding.

another classic Cranbrook School chapel song to add to the collection.
Also view Shine Jesus Shine and Guide Me O Thou Great Jehovah!!!

VERSE 1:

4 4 -4 4
He walked on Earth

6 -6 6 5 4 -4 4
Showing glimpses of heaven

4 4 4 -4 4 6 -6 6 -6
Demons, death disease had no ha-nd

4 4 4 -4 4
The wind and the waves

6 -6 6 5 4 -4 4
Were obedient before him

4 4 -4 4
Now may they say

4 5 -5 6 -6
Who is this ma-n?

CHORUS:

6 7 7 -7 7 -8
Behold the lamb of God

6 7 7 -7 6 -6
Who takes away our sin

6 7 -7 7 8
The light of the world

7 7 6 -6
The son of God

7 7 -7 7 -8
Worthy is the lamb

7 7 7 6 -6
To receive our praise

6 7 -7 7 8
The light of the world

7 7 6 -6
The son of God

Canto:

2 -2 3 3 3 3 -3 4 -3 3
2 -2 3 3 3 3 -2 2 3 -2
-2 3 -3 -3 -3 -3 -4 5 -4 -3
-2 3 -3 -3 -3 -3 3 -2 -3 3
2 -2 3 3 3 3 -3 4 -3 3
5 5 5 -4 5 -5 5 -4 -3
-3 -4 5 -4 -3 4 -4 -3 4 3
3 3 -3 -3 -3 -4 -4 -4 5

Rit:

3 3 3 2
4 4 4 3
4 -5 6 6 6 6 -5 4 -3 (per due volte e poi daccapo)

-2< -1 -2< -1 -2< -3 -2< 2 -1 Beiß nicht gleich in jeden Apfel, 2 2 3 -2< 2 -1 er könnte sauer sein, -2< -1 -2< -1 -2< -3 -2< 2 -1 denn auf rote Apfelbäckchen 2 2 -1 1< -1 fällt man leicht herein. Küss nicht jedes schöne Mädchen, das kann gefährlich sein, denn auf rote Apfelbäckchen fällt man leicht herein. -2< 2 -1 Ja, ja, ja, ja -1 2 2 -1 2 -2< 3 -3 es ist nicht alles Gold was glänzt. -3 -2< 2 -1 Nein, nein, nein, nein, -1 2 2 -1 1< -1 es trügt oft nur der Schein. -2< 2 -1 Ja, ja, ja, ja -1 2 2 -1 2 -2< 3 -3 es ist nicht alles Gold was glänzt. -3 -2< 2 -1 Nein, nein, nein, nein, -1 2 2 -1 1< -1 es trügt oft nur der Schein. -2< -2< 2 -1 3 3 -2< 2 Eine schicke Illustrierte -2< -2< 2 -1 2 sah ich neulich an. -2< -2< 2 -1 3 3 -2< 2 hundert hübsche, junge Mädchen -2< -1 2 1 -1 und kein einz'ger Mann. -3 -3 -2< -1 -4 -4 -3 3 Alle waren frisch und rosig -3 -3 -2< -1 2 zauberhaft und süß, -3 -3 -2< -1 -4 -4 -3 3 doch die Preisauschreibenlösung -2< -1 2 1< -1 dieser Zeitung hieß:

5 4 5 4 5 6 6 -5 5
Beiß nicht gleich in jeden Apfel,
-4 -4 -5 5 -4 4 5 4 5 4 5 6 6 -5 5
er könnte sauer sein, denn auf rote Apfelbäckchen
-4 -5 -3 -4 4
fällt man leicht herein.

Küß nicht jedes schöne Mädchen,
das kann gefährlich sein,
denn auf rote Apfelbäckchen
fällt man leicht herein.

-5 5 -4 4 4 -4 -4 4 -4 4 -4 5
Ja, ja,ja, ja es ist nicht alles Gold was glänzt.
-5 5 -4 4 4 -4 -4 4 -3 4
Nein,nein,nein,nein, es trügt oft nur der Schein.

5 5 -4 4 -5 -5 5 -4 5 5 -4 4 -4
Eine schicke Illustrierte sah ich neulich an.
5 5 -4 4 -5 -5 5 -4 5 4 -4 -4 4
Hundert hübsche, junge Mädchen und kein einz’ger Mann

5 5 -4 4 -5 -5 5 -4 5 5 -4 4 -4
Alle waren frisch und rosig zauberhaft und süß,
5 5 -4 4 -5 -5 5 -4 5 4 -4 -4 4
doch die Preisauschreibenlösung dieser Zeitung hieß:

Beiß nicht gleich in jeden Apfel………………

Slow Motown Ballad

7 7 -7 7 -7 -6 6 -6 7
I don’t care what they think about me
-6 6 7 7 -7 7 -7 -6 6
And~~~~ – I don’t care what they say ~~~
7 7 -7 7 -7 -6
I don’t care what they think
6 -6 7 -6
If you’re leaving
7 7 7 -7 7 -7 -6 6 -6
I’m gonna beg you to stay~~~~~~~
7 7 -7 7 -7 -6 6 -6 7 -6
I don’t care if they start to a-void me
7 7 -7 7 -7 -6
I don’t care what they do
7 7 -7 7 -7 -6 6 -6 7
I don’t care about an-y-thing else
-6 -7 7 -7 -6 -7 7 -7 -6
But being with you, being with you

6 -6 -7 -6 6 -6 -7 -6
Honey don’t go – don’t leave this scene
-6 7 -8 8 -8 7
Be out of the picture
-6 7 -8 8 -8 7 -6
And off of the screen~~~~~~
6 -6 -7 -6 6 -6 -7 -6
Don’t let them say, we told you so
-6 7 -8 8 -8 7
They tell me you’ll love me
-6 7 -8 8 -8 7 -6
And then let me go~~~~~~

-8 -8 -8 8 8 -8 7
I heard the warning voice~~~
-6 7 -8 -8 -8 -8 7 -6
From friends and my re-la-tions~~~~
-6 7 7 -8 7 -6 -8 -6
They tell me all~~~ a-bout your
-8 -8 -8 -7 8 -8 7 -6 7 -6
Heart break rep-u- ta-tion ~~~~~~~~~~~

6 -6 -7 -6 6 -6 -7 -6
People can change, – they al-ways do
7 -8 8 -8 7 -6 7 -8 8 -8 7 -6
Have’nt they noticed, the changes in you ~~~~~~
6 -6 7 -6 6 5 6 -6 -7 -6
Or can it be — that like love I am blind
-6 -6 7 -8 8 -8
Do I want it so much
7 -6 7 -8 8 -8 7 -6
‘Till It’s all in my mind~~~~~

-8 -8 -8 8 8 -8 7
One thing I know for sure~~~
-6 8 8 -8 -8 -8 -6
Is really really real~~~~
-6 7 7 -8 7 -6 -8
I never felt~~~ before
-6 -8 -8 -8 -7 8
The way you make me feel

7 7 -7 7 -7 -6 6 -6 7
I don’t care what they think about me
-6 6 7 7 -7 7 -7 -6 6
And~~~~ – I don’t care what they say ~~~
7 7 -7 7 -7 -6
I don’t care what they think
6 -6 7 -6
If you’re leaving
7 7 7 -7 7 -7 -6 6 -6
I’m gonna beg you to stay~~~~~~~
7 7 -7 7 -7 -6 6 -6 7 -6
I don’t care if they start to avoid me
7 7 -7 7 -7 -6
I don’t care what they do
7 7 -7 7 -7 -6 6 -6 7
I don’t care about an-y-thing else
-6 -7 7 -7 -6 -7 7 -7 -6
But being with you, being with you…

3 3 5 5 5 5 -4 -4 3
for the benefit of Mister Kite

<-3 <-3 <-3 <-3 -3 -3 -2 -2 3 3 3 There will be a show tonight on trampoline 3 5 5 5 5 -4 -4 3 The Hendersons will all be there <-3 <-3 <-3 <-3 -3 -3 -2 -3 -3 -3 Late of Pablo - Fanques fair, what a scene -3 -3 -1 -1 -3 -3 -5 -5 -3 -3 Ov - er men and horses hoops and garters <-3 <-3 -2 -2 -3 -3 -3 <3 -3 -1 Last-ly through a hogshead of real fire! -3 -3 <-3 <-3 <-3 -3 -3 -3 -3 -3 -5 In this way Misterr K. will challenge the world! The celebrated Mr. K. Performs his feat on Saturday at Bishopsgate The Hendersons will dance and sing As Mr. Kite flies through the ring don't be late Mrs. K a*sures the public Their production will be second to none And of course Henry The Horse dances the waltz-! (Circus organ music) The band begins at ten to six When Mr. K. performs his tricks without a sound And Mr. H. will demonstrate Ten somersets he'll undertake on solid ground Having been some days in preparation A splendid time is guaranteed for all And tonight Mr. Kite is topping the bill-. (Circus organ music.)

Here for Waltp and all, are the two
verses.
Tabbed for C chromatic harmonica

2 -3 -4 4 4 4~~~~ -4 -3
Of all the/girls I’ve known– and I’ve/

-5 -4~~~~ 2 -3 -4 4 4 4~~~-4 -3
known some– un-til I/first met you- I was/

-5 -4 2 -3 -4 4 4 4~~~ -4 -3
lone-some- and when you/came in sight-dear my/

-5 -5 -5 4 -4
heart grew light- and this/

4 4 4~~~~ -4 -3 -4 2 -3 -4
old world seemed- new to me You’re real-ly/

4 4 4~~~ -4 -3 -5 -4 2 -3 -4
swell I have- to ad-/mit you- de-serve ex-/

4 4 4~~~~ -4 -3 -5 -4~~ 2 -3 -4
pres-sions that- real-ly/fit you- and so I’ve/

4 4 4~~~ -4 -3 -5 -5 -5~~~~ 4 -4
racked my brain-hop-ing/to ex-plain- all the/

-5< -5< -5<~~~ -5 4 6 things that you- do to/me / Follow this with Waltp's tabbing of the refrain

M: Sholom Secunda
W: Sammy Cahn & Saul Chaplin
Key:Am

Of all the boys I’ve known,
and I’ve known some
Until I first met you, I was lonesome
And when you came in sight,
dear, my heart grew light
And this old world seemed new to me

You’re really swell, I have to admit you
Deserve expressions that really fit you
And so I’ve racked my brain,
hoping to explain
All the things that you do to me

Chorus
Bei mir bist du schon,
2 4 -4 -3 4
please let me explain
2 4 -4 -3 4
Bei mir bist du schon
4 -4 3* 2 -4
means that you’re grand
-4 4 -4 -3
Bei mir bist du schon,
2 4 -4 -3 4
again I’ll explain
2 4 -4 -3 4
It means you’re the fairest in the land
4 -4 3* 2 -4 -4 4 -4 -3
I could say “Bella, bella”,
-3 -4 4 -5 -3 -5 5
even say “Voonderbar”
-4-3 4 4 -3 4
Each language only helps me
-3 -4 4 -5-3 -5 5
tell you how grand you are
-4 -3 6 6 6 6
I’ve tried to explain,
2 4 -4 -3 4
bei mir bist du schon
2 4 -4 -3 4
So kiss me and say you understand
4 -4 3* 2 -4 -4 4 -4 -3

REPEAT

5 -6b -6 7 7 7
Of all the boys I’ve known
girls

-6 -6b -7 -6
And I’ve known some

5 -6b -6 7 7 7
Un-til I first met you

-6 -6b -7 -6
I was lone-some

5 -6b -6 7 7 7
And when you came in sight

-6 -6b -7 -7 -7
Dear my heart grew light

7 -6 7 7 7 -6 -6b -6
And this ol’ world seemed new to me

5 -6b -6 7
You’re real-ly swell,

7 7 -6 -6b -7- 6 5 -6b
I have to ad-mit you de-serve

-6 7 7 7 -6 -6b -7 -6
Ex-pres-sions that real-ly fit you

5 -6b -6 7 7 7
And so I’ve racked my brain

-6 -6b -7 -7 -7
Hop-ing to ex-plain

7 -6 8 8 8 -7 7 8
All the things that you do to me

REFRAIN

5 7 -6 -6b 7
Bei Mir Bist Du Schon

5 7 -6 -6b 7
Please let me ex-plain

7 -6 6 5 -6
Bei Mir Bist Du Schon

-6 7 -6 -6b
Means that you’re grand

5 7 -6 -6b 7
Bei Mir Bist Du Schon

5 7 -6 -6b 7
A-gain I’ll ex-plain

7 -6 6 5 -6 -6 7 -6 -6b
It means that my heart’s at your com-mand (girl)
It means you’re the fair-est in the land (boy)

-6b -6 7 -7 -6b -7 7
I could say bel-la bel-la

6 -6b 7 7 -6b 7
Ev-en say Voon-der-bar

-6b -6 -7 -7 -6b -7
Each lan-guage on-ly helps

7 -6 -6b 8 8 8 8
Me tell you how grand you are

5 7 -6 -6b 7
I’ve tried to ex-plain

5 7 -6 -6b 7
Bei Mir Bist Du Schon

7 -6 6 5 -6 -6 7 -6 -6b
So kiss me and say you un-der-stand

ENJOY!!

behti hawa sa tha woh (tha woh…)
4 5 5 5 5 -5 -4 5 -4 5
udti patang sa tha woh (tha woh…)
4 -4 -4 -4 -4 5 4 -4 4 -4
kahan gaya usae dhoondo
-7 7 -7 6 6 -6 -5 6
hum ko to raahein thi chalati
5 5 5 5 -4 5 6 5 -4
woh khud apni raah banata
5 5 5 5 -4 5 6 5 -44
girta, sambhalta,
-4 -4 4 -4 -44
masti mein chalta tha woh
4 -4 5 6 5 -4 -7 4

5 -6b -6 7 7 7
Of all the boys I’ve known
girls

-6 -6b -7 -6
And I’ve known some

5 -6b -6 7 7 7
Un-til I first met you

-6 -6b -7 -6
I was lone-some

5 -6b -6 7 7 7
And when you came in sight

-6 -6b -7 -7 -7
Dear my heart grew light

7 -6 7 7 7 -6 -6b -6
And this ol’ world seemed new to me

5 -6b -6 7
You’re real-ly swell,

7 7 -6 -6b -7- 6 5 -6b
I have to ad-mit you de-serve

-6 7 7 7 -6 -6b -7 -6
Ex-pres-sions that real-ly fit you

5 -6b -6 7 7 7
And so I’ve racked my brain

-6 -6b -7 -7 -7
Hop-ing to ex-plain

7 -6 8 8 8 -7 7 8
All the things that you do to me

REFRAIN

5 7 -6 -6b 7
Bei Mir Bist Du Schon

5 7 -6 -6b 7
Please let me ex-plain

7 -6 6 5 -6
Bei Mir Bist Du Schon

-6 7 -6 -6b
Means that you’re grand

5 7 -6 -6b 7
Bei Mir Bist Du Schon

5 7 -6 -6b 7
A-gain I’ll ex-plain

7 -6 6 5 -6 -6 7 -6 -6b
It means that my heart’s at your com-mand (girl)
It means you’re the fair-est in the land (boy)

-6b -6 7 -7 -6b -7 7
I could say bel-la bel-la

6 -6b 7 7 -6b 7
Ev-en say Voon-der-bar

-6b -6 -7 -7 -6b -7
Each lan-guage on-ly helps

7 -6 -6b 8 8 8 8
Me tell you how grand you are

5 7 -6 -6b 7
I’ve tried to ex-plain

5 7 -6 -6b 7
Bei Mir Bist Du Schon

7 -6 6 5 -6 -6 7 -6 -6b
So kiss me and say you un-der-stand

ENJOY!!

4/4 TIME (STRICTLY)
THE DOTS = EXTEND THAT NOTE

[V1]
. 6 8.. 8 -9 9.. 8
Bei Dir ist die Quel-le
.-8 7…. 6..
des Le – bens,
. 6 6 -6..-6..-7..-7..
und in Dei-nem Lich-te
.7. -7 7 8 -8.. .
se-hen wir das Licht.

. 6 8.. 8 -9 9.. 8
Bei Dir ist die Quel-le
.-8 7…. 6..
des Le – bens,
. 6 6 -6..7.. 6.. 7..
und in Dei-nem Lich-te
.-8. -8 8 -8 7….
se-hen wir das Licht.

[C]
.-6 -7 7 -7.. 6 -6..6 6….
Du bist der Quell, der uns er-frischt.
.-6 -7 7 -7.. 8 -9..8..-8….
Du bist das Licht, das nie er-lischt.
.8 8 -8 7..-8 8 -9..8.. -8..
Du bist uns al-les, Herr Je-su Christ,
. 8 7..-6..-8..-8.. 6…. …
wir dan-ken Dir da – für.

[V2]
Wie köstlich ist, Gott, Deine Güte,
dass mit Flügeln Deiner Liebe Du uns deckst.
Wie köstlich ist, Gott, Deine Güte,
dass den Matten Du zu neuem Leben weckst.

[V3]
Herr, Du hilfst den Menschen und Tieren,
machst sie satt mit Gütern, die Du täglich schenkst.
Herr, Du hilfst den Menschen und Tieren,
weil Du selbst sie zu dem Lebenswasser lenkst.

[V4]
Bei Dir ist die Quelle des Lebens,
und in deinem Lichte sehen wir das Licht.
Bei Dir ist die Quelle des Lebens,
und in Deinem Lichte sehen wir das Licht.

3 5 5 5 -4 4 -5
Be-hold, what man-ner of love

-5 -5 5 -4 5 5 6 -4
the Fa-ther has giv-en un-to us.

3 5 5 5 -4 4 -5
Be-hold, what man-ner of love

-5 -5 5 -4 5 5 -4 -4 4
the Fa-ther has giv-en un-to us,

6 -6 6 -5 5
That we should be called

5 5 6 -4
the lamb of God,

6 -6 6 -5 5 5 -4 -4 4
That we should be called the lambs of God

By: Samuel Wesley, Sr
Christian hymn
Key: Bb

3 3 -3 -3* -3 3 3 -2*
Be-hold the Sav-ior of Man-kind
-3* -5 5 -3* -3 -3*
Nailed to the shame-ful tree!
-3* -5 5 -3* -3 3 3 -2*
How vast the love that has in-clined
-3* -3 3 3 -2* 3 3 3
To bleed and die for thee! A-men

Hark, how He groans, while nature shakes,
And earth’s strong pillars bend!
The temple’s veil in sunder breaks;
The solid marbles rend.
‘Tis done! the precious ransom’s paid!
“Receive my soul!” He cries;
See where He bows His sacred head!
He bows His head and dies!
But soon He’ll break death’s envious chain,
And in full glory shine;
O Lamb of God, was ever pain,
Was ever love, like Thine?

-4 -4 -4 -4 4 4
Seems like just yes-ter-day,

5 5 5 5 -3 -3
you were a part of me

-4 -4 -4 -4 4 4
I used to stand so tall,

4 5 5 5 -4 -3
I used to be so strong

-4 -4 -4 -4 4 4
Your arms a-round me tight,

-5 -5 -5 -5 -5 -4 -4
Ev-ry-thing it felt so right

-4 -4 4 4 4 5 5
Un-break-a-ble like noth-ing

5 -4 -3 4
could go wrong Now

4 4 5 -4 4 4 5
I can’t breathe, no I can’t sleep

4 4 4 -5 5 -5b
I’m bare-ly hang-ing on

(CHORUS)

-6b -6 7 -6b -6 7
Here I am, once a-gain

-5 8 8 -8 8 -7
I’m torn in-to pie-ces,

-6b -6 7 -7 -6b 7 -7
can’t de-ny it, can’t pre-tend

-5 8 8 8 -7 -6
Just thought you were the one

-6b 7 -7 -5 7 -7
Bro-ken up, deep in-side

-5 8 8 8 -8 8
But you won’t get to see

-7 -6b 7 -7
the tears I cry

-5 8 8 8 -7 -6
Be-hind these ha-zel eyes

Verse 2 same as 1
I told you everything, opened up and let you in
You made me feel alright, for once in my life
Now all that’s left of me is what I pretend to be
So together, but so broken up inside
Cause I can’t breathe, no I can’t sleep
I’m barely hanging on

(CHORUS)

-6 -6b 7 -6b 7 -6b 5
Swal-low me, then spit me out

4 7 -6b 7 -6b 7 -6b -7
For hat-ing you, I blame my-self

7 -6b 7 -6b 7 -6b 5
See-ing you, it kills me now

-7 9 8 -7 7 9 8 -7 9 -9 -9
No, I don’t cry on the out-side an-y-more

-7 7 7
An-y-more

(CHORUS TWICE TO END)

ENJOY!!

By: Ned & Sue Miller
Sonny James
Key: C

6 -6 -7 -7 -7 -6 -5
Be-hind the tear there’s a hurt
-4 5 -7 -6 6 -6 6 5
Be-hind the hurt a bro-ken heart
4 5 -6 6 -6 6
Be-hind that bro-ken heart
-5 -5 -4 4 -4 5
there lies a bro-ken dream
6 -6 7 -7 -7 -6 -5
Be-hind the dream there’s a fool
-4 -5 -7 -6 6 -6 6 5
Be-hind the fool a wast-ed love
4 5 -6 6 -6
You broke my heart and
6 -5 -5 -4 4 -3 4
I’m the fool be-hind the tear

5 5 5 6 7 6 5 -4 -6
Look here on my cheek there’s a tear-drop
7 -7 6 -5 6 -6 6 6 -5 5
Oh not much big-ger than a grain of sand
6 5 5 5 6 7
Don’t turn your head look close
6 -5 5 -4 -6
Be-hind the tear-drop
-6 -6 7 -7 -6 6
You’ll see the hurt you left
-6 6 5 -4 -3 4
In-side a lone-ly man

REPEAT

4 5 6 6 5 6
My baby makes me proud
7 -6 -5 5 -4 4 5
Lord, don’t she make me proud
4 5 6 6 -6 6
she never makes a scene
6 -5 6 -6 -8 7 7 4 4 -5 -4
By hangin’ all over me in a crowd

4 5 6 6 5 6
‘Cause people like to talk
7 -6 -5 5-4 4 5
Lord, don’t they love to talk
4 4 -4 5 6 -6 7
But when they turn out the lights
4 7 -6 -5 5 -4 -3 4
I know she’ll be leavin’ with me

5 5 -5 6 5 -6 6 5
And when we get behind closed doors
5 -5 -6 5 -6 6 5
Then she let’s her hair hang down
5 -5 6 5 7 7 -8 7 8 -8 7
And she makes me glad that I’m a man
4 -6 6 5 4 -6 6 4 -5 5 4
Oh, no one knows what goes on behind closed doors

4 5 6 6 5 6
My baby makes me smile
7 -6 -5 5 -4 4 5
Lord, don’t she make me smile
4 5 6 6 5 6
she’s never far away
4 5 -6 7 -7 4 5 -4
Or too tired to say I want you

4 5 6 5 -6 6
She’s always a lady
7 -6 -5 5 -4 4 5
Just like a lady should be
4 4 -4 5 6 -6 7
But when they turn out the lights
7 -6 -5 5 -4 -3 4
She’s still my baby to me

5 5 -5 6 5 -6 6 5
‘Cause when we get behind closed doors
5 -5 -6 5 -6 6 5
Then she let’s her hair hang down
5 -5 6 5 7 -8 7 8 -8 7
And she makes me glad I’m a man
4 -6 6 5 4 -6 6 4 -5 5 4
Oh, no one knows what goes on behind closed doors

5 5 5 -4 4 5
No one knows what it’s like
5 5 5 -4 4
To be the bad man
5 5 5 -4 4
To be the sad man
5 5 -5 5
Behind blue eyes

5 5 5 -4 4 5
No one knows what it’s like
5 5 -4 4
To be hated
5 5 -4 4
To be fated
5 5 -5 5 -5 5
To telling only lies

5 6 7
But my dreams
-6 6 -5 5 6
They aren’t as empty
5 6 -6 6 5 -4 4
As my conscience seems to be

5 6 -6 6 6 -7 6 -7
I have hours, only lonely
5 -5 6 -5 5
My love is vengeance
-5 5 -4 5
That’s never free

5 5 5 -4 4 5
No one knows what it’s like
5 5 5 -4 4
To feel these feelings
5 -5 5
Like I do
-4 4 5 5
And I blame you

5 5 5 -4 4 5
No one knows what it’s like
5 5 5 -4 -3
To be the bad man
-3 5 5 -4 -3′
To be the sad man
4 -4 5 -4
Behind blue eyes

5 5 5 -4 4 5
No one knows what it’s like
5 5 -4-3
To be hated
5 5 -4-3′
To be fated
3 -3’4 -4 5 -4
To telling only lies

5 6 -6-7-66
But my dreams
-6 6 -6 56
They aren’t as empty
5 6 -6 6 5-4 4 -3′
As my conscience seems to be

5 6 -6 6 -67 5-44
I have hours, only lonely
-3′ 4 -4 -4 -3
My love is vengeance
-3 4 -3 3-3′
That’s never free

5 5 5 -4 4 5
No one knows what it’s like
5 5 5 -4-3
To feel these feelings
55 -4 3
Like I do
4 4 -4 -4
And I blame you

5 5 5 -4 4 5
No one bites back as hard
5 5 -4-3
On their anger
5 -4 5 -4 -3′ 3
None of my pain and woe
4 -4 -4
Can show through

5 6 -6-7-66
But my dreams
-6 6 -6 56
They aren’t as empty
5 6 -6 6 5-4 4 -3′
As my conscience seems to be

5 6 -6 6 -67 5-44
I have hours, only lonely
-3′ 4 -4 -4 -3
My love is vengeance
-3 4 -3 3-3′
That’s never free

4 4 5 5 5 -4 5 -44
When my fist clenches, crack it open
4 4 5 5 5 5 5 4 -4
Before I use it and lose my cool
-3 -4 5 -4 -4 -4 -4 -3
When I smile, tell me some bad news
-3 -3 -4 5 -4 -4 -4 -3 -3-3′
Before I laugh and act like a fool

5 5 5 5 -4-4-4 54
If I swallow anything evil
4 5 5 5 5 -4 4-4
Put your finger down my throat
-3 -4 5 5 5 -4 -4 -4 -4-3
If I shiver, please give me a blanket
-3 -4 5 5 5 -4 -4 -3-3′
Keep me warm, let me wear your coat

5 5 5 -4 4 5
No one knows what it’s like
5 5 5 -4 -3
To be the bad man
-3 5 5 -4 -3′
To be the sad man
4 -4 5 -4
Behind blue eyes

6 6 -7 -7 -7 -6 -7 -6 6
When my fist clenches, crack it open
6 6 -7 -7 -7 -7 -7 -6 6 -6
Before I use it and lose my cool
-5 -6 -7 -6 -6 -6 -6 -5
When I smile, tell me some bad news
-5 -5 -6 -7 -6 -6 -6 -5 -5 5
Before I laugh and act like a fool

And If I swallow anything evil

Put your finger down my throat

If I shiver, please give me a blanket

Keep me warm, let me wear your coat

5 5 5 -5 5 -4 4 -4 5
whenever your`e near,i hide my tears
4 -6 -6 6 -5 5-4 4
behind a painted smile
5 5 5 -4 4 -4 4 -4 5 5
you can`t imagine the tears and sorrow
4 -6 -6 6 -5 5-4 4
behind a painted smile

verse:
6 6 -5 5 -5 -6 6
my life`s a masquerade
6 -6 6 -5 5 5 -4
a world of let`s pretend yeah
6 -5 5 -5 -6 6
since you took your love
6 -6 6 -5 5 5 -4
pretending never ends yeah
4 7 -7 -6 6 -7
but i can`t let you know
-6 6-5 -6-5 5 -4 -4 -4
that i still need you so,no

repeat chorus

Very simple riff that I use when testing out harps. Sounds nice, is
easy to play.

~ = 1 vibrato

_ = hold note

-3 4 -4_~~~___ 4_ -4~-3 3 2 3 -3 3

4 -4 5 6 5 -4 5
When they begin the Beguine
4 4 -4 5 -6 6 6-5 5 -5 -4
It brings back the sound of music so tender
-4 -4 5 -5 -8 7 7 -7 -6 7 -6
It brings back a night of tropical splendour
-4 -4 5 -5 6 6 6 -5 5 5
It brings back a memory ever green
4 4 -4 5 6 5 -4 4 5
I’m with you once more under the stars
4 4 -4 5 -7 -6 6 -5 5 -5 -4
And down by the shore an orchestra’s playing
-4 -4 5 -5 8 -8 7 -7 7 -6
And even the palms seem to be swaying
-4 5 -5 6 -5 5 4
When they begin the Beguine
7 -8 8 8 8 8 -8 7 8
So just let them begin the Beguine
7 -8 8 8 8 8 8 8 8 -8 7 -7 6
Let the love that was once a fire remain an ember
-6 -7 7 7 7 7 7 7 7 7-7 -6 6 5
Let it sleep like the dead desire I only remember
-4 5 -5 6 -5 5 6
When they begin the Beguine
7 -8 8 8 8 8 8 8 8
Oh yes let them begin the Beguine
8 8 8
make them play
7 -8 8 8 8 8 8 -9
Till the stars that were there before
8 -8 7 -7 6
return above you
-6 -7 7 7 7 7 7 -8
Till you whisper to me once more
7 -7 -6 6 5
darling I love you
5 5 4 5 -5 6 6 -4 5 -5 6
And we suddenly know what heaven we’re in
-4 5 -5 6 -5 5 4
When they begin the Beguine
-4 5 -5 6 -6 7 7
When they begin the Beguine

6 6 6 6 -6 5 5 5
Took a deep breath in the mirror.

5 6 6 6 6 6 6 -6 5 5
He didn’t like it when I wore high heels,

5 -55 3 -55 3
but I do, I do

repeat with:
Turn the lock and put my headphones on.
He always said he didn’t get this song
But I do, I do

Walked in expecting you’d be late, but you got here early and you
stand and wave, I walk to you

You pull my chair out and help me in.
And you don’t know how nice that is,
But I do

-6 -6 7 -6 7 7 6 6 6 6 7 -6 8-8
And you throw your head back., laughing like a little kid

-6 7 -6 7 7 -6 7 7 66 6 7 7 -6 8-8
I think its strange that you think I’m funny ‘cause he never did

6 -6 7 7 7 -6 7 7 -6 -6 7 7 7
and I’ve been spending the last eight months thinking all love

-8-6 6 -5 5 5 -4 4 5
ever does is break and burn and end

4 4 4 5 -5 4 4 5 -4 4 -4 -4 54 4 4
But on a Wednesday in a cafe, I watched it begin again

-7 7 8 -6 5 6 5 6 6
And we walked down the block to my car

5 6 6 6 6 -5 6 6 8 -6 5 6
and I almost brought him up, but you start to talk

5 5 6 6 -5 5 -5 6-5 5 4 -77 7-7 -6 6
about the movies that your family watches every single Christmas

6 6 6 6 -7 7-7 6 5 5 5 5 4
and I want to talk about that. And for the first time,

5 -5 5 4
what’s past, is past.

4 4 4 5 -5 4 4 5-4 4 -4 -4 54 4 4
But on a Wednesday, in a cafe, I watched it begin again.

All the following riffs can be used for improvising over music.

A simple improvisation would be a one (I) four (IV) five (V) chord progression which consists of holes:

123 draw = I 345 blow = IV 345 draw = V

Chords can also be turned into trills by shaking your tongue side to side rapidly over the three holes.

So for a twelve bar blues there would be 4 bars of I chord, 2 bars of IV chord, 2 bars of I chord, 1 bar of V, 1 bar of IV and 2 bars of I.

Many of the following riffs can be used as part of a complete 12 bar blues progression by changing the note which the riff ends on.

I chord = 2/3+, 6+, 9+

IV chord = 1+, 4+, 7+

V chord = 1, 4, 8

1 2+ 2

2 3′ 4+ 4

4 4+ 3′ 2

2 3′

note: this riff can be repeated on its own as in the song ‘Spoonful’ or the 2 and 3′ can be repeated to fit the music.

2 2” / 2” 2

2 4+ 3′ 2

2 3′ 4 5+ 6+ (6+) / 3 – 6+

note: 3 – 6+ denotes a blow octave where your mouth covers four holes but you rest your tongue on the piece of plastic or wood inbetween the middle holes so that the outside notes play only (do not push your tongue on the piece of wood as this will make it difficult to move from octave to octave)

6+ 5 4 4+ 3′ 2

This riff can be turned into a fast triplet riff (three notes to a beat):

6+ 5 4 4+ 4 3′ 2

6 6+ 5 4 3′ 3′ 2

tip: the riff above is useful for using up the final two bars of a solo, for example.

2 3′ 4 5+ 5 5+ 4

1 2+ 1 2+ 1 2+ 1

1 2+ 2 3′ 4 5+ 4 (5+)

2 3′ 4+ 4^ 4+ 3′ 4 > 2 2

These are most of the riffs a beginner harp player really needs. Remember, there is nothing wrong with using the same riffs in different songs so long as you use them in a different way to suit the music.

Beginners should practice these riffs regularly in order for them to be ingrained into your muscle memory, that way the riffs will come naturally without you even thinking about it, so don’t give up if you are finding the harder riffs a bit tricky.

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