By Don Henley, Glenn Frey, Don Felder
The Eagles
Key: D

-6*-6*-6* 6 6 6 -6*
On a dark des-ert high-way,
-6* -6* 6 6 6
Cool wind in my hair
6-6* -6* 6 6 6 6-6*
Warm smell of co-li-tas,
-6* -6*-6* 6 6 6-5-4
Ris-ing up through the air
-6*-6*-6* 6 -5 -5 -6*
Up a-head in the dis-tance
-5-6*-6* -6* 6 -5 -5
I saw a shim-mer-ing light
2 6 6 6 6 6 -5 6 -5 -6*
My head grew heav-y, and my sight grew dim
-2-6* -6* -6* 6 6 6-6*
I had to stop for the night
-6* -6* 7 -6* -6* 7 -6*
There she stood in the door-way
-2 -6* -6* -6* 6 6
I heard the mis-sion bell
2 6 6 6 -5 6 6 -6*
And I was think-ing to my-self
-6* -6* -6* -6* -6*
This could be Hea-ven
-6* -6* 6 6 6-5-4
or this could be Hell
-6* -6* -6* 6 -5 -5 -6*
Then she lit up a can-dle
-4 -5 -6* 6 -5 -5
And she showed me the way
6 6 6 6 6 -5 6 -5 -6*
There were voic-es down the cor-ri-dor
6 -6* 6 -6* -7* -5
I thought I heard them say

7 7 7 7 7 7 -7 7 7-6*-6*
Wel-come to the Ho-tel Cal-i-for-nia
-6* -6*-6*6 6 6 -7*-7* -7* 7* 7*
Such a love-ly place, Such a love-ly place

6 6 6-5 -5 -5
Such a love-ly face
7 7 7 7 7 7 7 7 -7 7 7-6* -6*
Plen-ty of room at the Ho-tel Cal-i-for–nia
-6*-6*-6*6 6 6 7-7 -7 7 7
An-y time of year, an-y time of year
-6* 7 7-6* -6* -6*
You can find it here

This is the intro for the REPEAT:

|-6* -4-5-6* -5|-8 -5 6 |
|-7* 6-6*8* -6*|-7* …|-7 6-7 -8 |-7..
|.6 -7..6-6*..|.-4-5 -6* -5|
|-4-5 7 -5|-8 7 -7-8-9 |
|-7 -56 -9 -6*..|.-6*-5 -6*|
|6 -4-5 7 -8… -5…7|-6* -3*6 -6* 6|8* …

he (-6b -6) means to start with a 6 hole draw bend and drop it down
to just a 6 hole draw. It’s the only way I could notate that.

Intro
-4 5 -5 6 -6 7 -8 7 -8 7 6 -5
6 -5 6 -5 6 -5 6 (-6b -6) 6 -5 -4

-4 5 -5 6 -6 7 -8 7 -8 7 6 -5
6 -5 6 -5 6 -5 6 (-6b -6) 6 -5 -4

-4 -4 4 -4 -4 4 5 -3b 4 -4
Sittin’ here eatin’ my heart out waitin’
4 -3b 4 -3b 4 -3b -5 -4
Waitin’ for some lover to call
-4 4 -4 4 -4 4 5 -3b 4 -4
Dialed about a thousand numbers lately
4 -3b 4 -3b 4 -3b -5 -4
Almost rang the phone off the wall

-4 -4 -5 -4 6 6 -5 5 -4 -4 -4
Lookin’ for some hot stuff baby this evenin’
-4 -5 -4 6 6 -5 5 -4 -4
I need some hot stuff baby tonight
-4 -5 -4 6 6 -6 6 -5 -6 -5
I want some hot stuff baby this evenin’
6 -5 6 -5 6 -5
Gotta have some hot stuff
-6 -5 6 -5 6 -5 6 -5 -4
Gotta have some love tonight
-6 6 6 -5
I need hot stuff
-6 6 -5 6 -5
I want some hot stuff
-6 6 6 -5
I need hot stuff

-4 5 -5 6 -6 7 -8 7 -8 7 6 -5
Lookin’ for a lover who needs another
6 -5 6 -5 6-5 6 (-6b -6) 6 -5 -4
Don’t want another night on my own
-4 5 -5 6 -6 7 7 -8 7 -8 7 6 -5
Wanna share my love with a warm blooded lover
6 -5 6 -5 6 -5 6 (-6b -6) 6 -5 -4
Wanna bring a wild man back home

-4 4 -4 4 -4 -4 4 5 -3b 4 -4
Gotta have some hot love baby this evenin’
-4 4 -3b 4 -3b 4 -3b -5 -4
I need some hot stuff baby tonight
-4 -5 -4 6 6 -6 6 -5 -6 -5
I want some hot stuff baby this evenin’
6 -5 6 -5 6 -5
Gotta have some hot stuff
-6 -5 6 -5 6 -5 6 -5 -4
Gotta have some love tonight
-6 6 6 -5
I need hot stuff
6 -5
Hot love
-6 6 -5 6 -5
Lookin’ for hot love

-6 -6 -6 -6 (-6b -6)
hot hot hot hot stuff
6 6 -6
hot hot hot

-6 -6 -6 -6 (-6b -6)
hot hot hot hot stuff
6 6 -6
hot hot hot

-4 -4 -5 -4 6 6 -5 5 -4 -4 -4
How’s about some hot stuff baby this evenin’
-4 -5 -4 6 6 -5 5 -4 -4
I need some hot stuff baby tonight
-4 -5 -4 6 6 -6 6 -5 -6 -5
Lookin’ for hot stuff baby this evenin’
6 -5 6 -5 6 -5
Gotta have some hot stuff
-6 -5 6 -5 6 -5 6 -5 -4
Gotta have some love tonight

By W.S.Stevenson & Charley Ryan
Kenny Price
Key: E

This song is spoken. The harp part is the bass
Run that begins the song and can be put in as you
See fit, especially where it says guitar.
(1/8 notes throughout except for the last which is 1/4.)

My pappy said you’re gonna drive me to drinkin’
If you don’t stop drivin’ that hot rod Lincoln

|223*-3-4-44*-4|-5*-45*-55*-43*2|
|-3-34*-566-6*6|76-6*7-6*65*-3|
|-4-4-5*6-6*-6*7*-6*|-7-6*7*-77*-6*-5*-4|
665*-4665*-4|65*-46…|

Now you’ve heard the story of the hot-rod race
When the Ford and Lincoln was settin’ the pace
That story is true I’m here to say
cause I was a drivin’ that Model-A

Got a Lincoln motor and it’s really souped up
And that Model-A body makes it look like a pup
Got eight cylinders’n uses them all
got overdrive that just won’t stall

Got a four-barrel carb and dual exhaust
4-11 gears it can really get lost
Got safety tubes and I’m not scared
the brakes are good and the tires are fair

We left San Pedro late one night
the moon and the stars was shining bright
Drivin’ up your Grapevine hill
we was passin’ cars like they was standin’ still

[ guitar ]

Now all of a sudden like the wink of an eye
a Cadillac sedan passed us by
I said boys this is a remark for me
the taillight was all you could see

Well the fellers ribbed me for bein’ behind
So I thought I’d make that old Lincoln unwind
Took my foot off the gas and man alive
I shoved it down into overdrive

Well I wound her up to a hundred and ten
my speedometer cable hit the end
My foot keyed clear to the floor
said that’s all there is there ain’t no more

Now boys they’d thought I’d lost my sense
The telephone poles looked like a picket fence
Said slow down I see spots
the lines on the road they looked like dots

Went around a corner and I passed a truck
I crossed my fingers just for luck
My fenders clickin’ a guardrail post’n guys beside me
white as a ghost

[ guitar ]

Well smoke was comin’ outta the back
when I started to gain on that Cadillac
I knew I could catch him and hoped I could pass
but when I did I’d be outta gas

Went around a corner the tires on the side
you could feel the tension man what a ride
I said hold on I got a license to fly
and the Cadillac pulled over and let me by

Now all of a sudden the rods started knockin’
down in the dip it started rockin’
I looked in the mirror the red lights was blinkin’
the cops was after my hot rod Lincoln

They arrested me and put me in jail
I called my pop to go my bail
He said son you’re gonna drive me to drinkin’
If you don’t stop drivin’ that hot rod Lincoln

8 8 7 -8
You, change your mind,
-8 7 -8 8 7 -6
like a girl, chan-ges clothes.
6 8 -8 7 -8
Yeah you, P–M–S,
-8 7 -8 8 7 -6
like a bitch, I would know.

6 8 8 7 -8
Yeah you, al-ways think,
-8 7 -8 8 8 7 -6
al-ways speak, cry-p-tic-ly.
6 6 8 7 -8
I should know, that you’re
7 -8 7 -8
no good for me.

6 6 7 7 7 7
‘Cause you’re hot, then you’re cold.
6 -7 7 7 7
You’re yes, then you’re no.
-6 -8 7 8 -6
You’re in and you’re out.
6 -8 7 8 -6
You’re up and you’re down.

6 7 7 7 7
You’re wrong when it’s right.
6 -7 7 7 7
It’s black and it’s white.
-6 -8 7 8 -6
We fight, we break up.
6 -8 7 8 -6
We kiss, we make up.

8 8 8 8 8
You, you don’t real-ly
8 8 -8 -8
want to stay, no.
-8 -8 -8 -8 -8
You, but don’t real-ly
-8 -8 7 7 7
want to go-o-o.

6 6 7 7 7 7
‘Cause you’re hot, then you’re cold.
6 -7 7 7 7
You’re yes, then you’re no.
-6 -8 7 8 -6
You’re in and you’re out.
6 -8 7 8 -6
You’re up and you’re down.

8 8 7 -8
We, used to be,
-8 7 -8 8 7 -6
just like twins, so in sync.
6 8 -8 7 -8
The same, e-ner-gy,
-8 7 -8 8 7 -6
now’s a dead, bat-te-ry.

8 7 -8 8 7 -8
Used to laugh, ‘bout no-thing.
-8 7 -8 8 7 -6
Now you’re plain bo-r-ing.
6 6 8
I should know,
7 -8 7 -8 7 -8 7 -6
that you’re not gon-na chan-g–e

6 6 7 7 7 7
‘Cause you’re hot, then you’re cold.
6 -7 7 7 7
You’re yes, then you’re no.
-6 -8 7 8 -6
You’re in and you’re out.
6 -8 7 8 -6
You’re up and you’re down.

6 7 7 7 7
You’re wrong when it’s right.
6 -7 7 7 7
It’s black and it’s white.
-6 -8 7 8 -6
We fight, we break up.
6 -8 7 8 -6
We kiss, we make up.

8 8 8 8 8
You, you don’t real-ly
8 8 -8 -8
want to stay, no.
-8 -8 -8 -8 -8
You, but don’t real-ly
-8 -8 7 7 7
want to go-o-o.

9 8 7 7 9 8
Some-one, call the doc-tor.
-9 -9 -9 -9 -9 8 8 -8 8
Got a case of a love bi-po-lar
7 9 8 7 7 9 8
Stuck on a rol-ler coas-ter.
-9 -9 -9 -9 -7 7 -8
Can’t get off this ri–d–e.

8 8 7 -8
You, change your mind,
-8 7 -8 8 7 -6
like a girl, chan-ges clothes.

6 6 7 7 7 7
‘Cause you’re hot, then you’re cold.
6 -7 7 7 7
You’re yes, then you’re no.
-6 -8 7 8 -6
You’re in and you’re out.
6 -8 7 8 -6
You’re up and you’re down.

6 7 7 7 7
You’re wrong when it’s right.
6 -7 7 7 7
It’s black and it’s white.
-6 -8 7 8 -6
We fight, we break up.
6 -8 7 8 -6
We kiss, we make up.

8 8 8 8 8
You, you don’t real-ly
8 8 -8 -8
want to stay, No.
-8 -8 -8 -8 -8
You, but don’t real-ly
-8 -8 7 7 7
want to go-o-o.

6 6 7 7 7 7
‘Cause you’re hot, then you’re cold.
6 -7 7 7 7
You’re yes, then you’re no.
-6 -8 7 8 -6
You’re in and you’re out.
6 -8 7 8
You’re up and you’re
-6 -6 -6 -6 -6
down down down down down.

music and lyrics: Dick Manning and Al Hoffman.
Perry Como took this song to #1 in 1956.

chorus:

8 7 7 7 7 -6 -6 -6 -6
Oh,hot diggity, dog ziggity,

6 6 -6 -7 -6 6
boom what’cha do to me!

6 -6 -7 -6 6 7 -8 8 -8 7
It’s so new to me, what’cha do to me.

7 7 7 7 -6 -6 -6 -6 6 6 -6 -7 -6 6
Hot diggity, dog ziggity, boom what’cha do to me,

6 -6 -7 7 -8 7
when you’re holding me tight!

verse 1:
8 -8 7 6 5 4 6 -7 -6 -7 6
Never dreamed anyone could kiss that-a-way.

-6 7 -7 -6 -7 6 6 -6 7 7 -8 8
Bring me bliss that-a-way what a kiss that-a-way.

8 -8 7 6 5 4 5 6 -7 -6 -7 6
What a wonderful feeling to feel that-a-way.

6 -6 -7 -6 6 -7 7 -8 7
Tell me where have you been all my life.

chorus:

verse 2:
Never knew my heart could go zing that-a-way.
Ting-a-ling that-a-way; Make me sing that-a-way.
Say goodbye to my troubles they went that-a-way,
ever since you came into my life.

chorus:

verse 3:
There’s a cute little cottage for two that-a-way.
She’s all blue that-a-way;dreams come true that-a-way.
If you say I can share it with you that-a-way,
I’ll be happy the rest of my life.

chorus:

verse 4:
8 7 7 7 7 -6 -6 -6 -6
Oh, hot diggity, dog ziggity,

6 6 -6 -7 -6 6
boom what you do to me

6 -6 -7 7 -8 8
How my future will shine.

7 7 7 7 -6 -6 -6 -6 6 6 -6 -7 -6 6
Hot diggity, dog ziggity, boom what you do to me

6 -6 -7 7 -8 7 6 7
From the moment you’re mine. Hot dog!

Nursery rhyme
Key: D
Time: 2/4

-2* 2 -1 -2* 2 -1
Hot cross buns, hot cross buns,
-1 -1 -1 -1 2 2 2 2
One a pen-ny, two a pen-ny,
-2* 2 -1
hot cross buns

heres a really easy one…

5 -4 4 5 -4 4
hot cross buns, hot cross buns,

4 4 4 4 -4 -4 -4 -4 5 -4 4
one a pen-ny, two a pen-ny, hot cross buns

Verse 1:

5-4 4 4 4 -5 -5 6 6 -3-4 45
Danger in the shape of some-thin’ wi ld.

5 -4 4 4 4 -5
Stranger dressed in black,

-5 -5 6 6 -3-4 45
she’s a hun-gry chi-ld.

-88 8 8 -8 -8 -8 7-6 7 7 7 6 6
N-o one knows who she i-s or what her name is.

8 8 8 -8 -8 -8 7
I don’t know where she came from

-6 7 7 -7 7 6 6
or what her game is.

Chorus:

7 7 7 -8 -8 567
Hot child in the ci-ty.

7 7 7 -8 -8 7
Hot child in the ci-ty.

7 7 7 7 7 -8 -8 7
Runnin’ wild and lookin’ pretty.

7 7 6 -6 -6 -6 6
Hot child in the ci-ty.

Verse 2:

8 -8 7 7 -6 7 -6 7 7 7 -6 6
So young to be loose and on her ow-n.

5 -4 4 4 4 -5 -5 6 6 -3-4 45
Young boys, they all want to take her ho me.

8 8 8 -8 -8 -8 7 -6 7 7 7 6 6
She goes do-wn-town, the boys all stop and stare.

8 8 8 -8 -8 -8
When she go-es downtown,

7 -6 7 7 7 6 6 r
she walks like she just don’t care, yeah.

Chorus

Bridge:

-8 -8 -8 6 6 -9 -9 9 8 -8
Come on do-wn to my place, baby,

7 7 -6 7 -6 6
we’ll talk about love.

-8 -8 -8 6 6 -9 -9 9 8 -8
Come on do-wn to my place, woman,

7 7 -10
we’ll make love!

Ending:

7 7 6 6 -8 -8 7 7 7 6 6 -8 -8 7
Hot child in the city. Hot child in the city.

7 7 7 7 7 -8 -8 7 7 7 6 6 -8 -8 7
She’s kind o’ dangerous. Hot child in the city.

7 7 7 7 7 -8 -8 7
Runnin’ wild and lookin’ pretty.

7 7 6 6 -8 -8 7
Hot child in the city.

7 7 6 6 -8 -8 7 7 7 7 -8 -8 7
Hot child in the city. Hot child in the city.

7 7 -7 5 -5 6
7 7 7 -7 5 5 5 -5 -5 6
7 7 7 -7 5 5 5 -5 -5 6
7 7 -7
7 7 -7

T: Hosanna
C: Bashandy
Q:90
M: 2/4
K: E Phrygian [5th position]

`5 `5 `5 `5 | `-4 `5 0 | `5 `5 `5 `5 | `-4 `5 | `-5 `-5 `-5 `-5` | `5 `-5 0 | `5 `5 `5 `5 | `-4 `5 0 |: `7 `7 `7 `7 | `7 `-7 0 | `-7 `-7 `-7 `-7 | “-6 “-7 `7 0 :||: `-6 `-6 `-6 `-6 | `-6 `6 0 | `5′ `5 `5 `6 | “4 “-4 `5 0 :||: `5 `5 `5 `5 | `-4 `5 😐 `-5 `-5 `-5 `-5 | `-4 `5 0 | `5 `5 `5 `5 | `-4 `5 0 |]

10 Hole Harmonica Tablature System

01. Holes 1-10, 1-12, 1-14, 0 is for pause [0=pause: credits to Numbered Notation: Jianpu]
02. Blow: no sign, Draw: – (minus/hyphen sign)
03. Time signature is written as (Q: 4/4, 3/4 etc.) [Credits to ABC Notation]
04. Bars: Barline |, Repeat bar :|, double bar ||, End bar |] [Credits to ABC notation]
05. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`)
eg `-4, 16 (“) eg “-4, 32 (“`) 64 (“`),
triplet ={III}= -(4 5 6) dotted 6., double dotted 6.. [credits to PMW]
6. Blowbend 4′ or drawbend : -4′, double bend -4″, glissando ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0“, 0“`,. 0“`, 0;,
17. flutter r eg r4
18. wawa w eg w-4
19. / Scooped note / hit bent & release [Credits to Indiara Sfair]
20. Hit not then bend [Credits to Indiara Sfair]
21. T: Title [Credits to ABC Notation]
22. C: Composer [Credits to ABC Notation]
23. M: Meter [Credits to ABC Notation]
24. Q; Tempo [Credits to ABC Notation]
25. K: Key [Credits to ABC Notation]

-5 +5 -4 -5 +7 -8 -8 -7 -5 +5 -4 -5 +7 -8 -9 +8 -8 -7 -5 +5
-4 -5 +7 -8 -8 -7 -5 +5 -4 +6 -7 +7 -6< -6< +7 -5 +5 -4 -5 +7 -8 -8 -7 -5 +5 -4 -5 +7 -8 -9 +8 -8 -7 -5 +5 -4 -5 +7 -8 -8 -7 -5 +5 -4 +6 -7 +7 -6< -6< +7 -8 +9 -9 +8 -8 -7 +7 -7 -8 +8 -8 -7 +7 -6< +7 -7 -8 -7 +7 -6< +6 -7 -7 -5 +6 -5 -5 +5 -4 -5 +7 -8 -8 -7 -5 +5 -4 +6 -7 +7 -6< -6< +7 -8 +9 -9 +8 -8 -7 +7 -7 -8 +8 -8 -7 +7 -6< +7 -7 -8 -7 +7 -6< +6 -7 -7 -5 +6 -5 -5 +5 -4 -5 +7 -8 -8 -7 -5 +5 -4 +6 -7 +7 -6< -6< +7

1.
8 9 -10 -8 -8 8 7 -8 8 7 7
We will fly way up high where the cold wind blows
7 8 9 -10 -10 9 8 -8 -8 7
Or in the sun laughing and having fun
-6 7 -8 8 7 -8 -6 -6 6
With all the people that she knows
7 -10 9 9 8 9-10 -8 -8 -8 -8 7-8 8
And if the situation should keep us separated
-6 7 -8 -8 8 -8 7 7
You know the world won`t fall apart
7 8 9 9 8 -10-10-10 8-8 7
And you will free the beautiful bird
7 7 -8 8 7 7
That`s caught inside your heart
-6 7 -8 8 -6 7 -8 -8 8
Can`t you hear her Oh she cries so loud
-6 7 -8 7 -6 7 -8-8 8 7
Casts her wild note over water and cloud
Chorus
-9 7 -9 -9 -9 9 -10 -9-9 -8-9
That`s the way it`s gonna be little darlin`
-9 7 -9-9 -9 9 -10-9 -10 -9
We`ll be ridin` on the horses yeah yeah
-9 -9 -9 9 -10 -9-9 -8-9
Way up to the sky little darlin`
7 -9 -9 -10 -8 -9 -9 -9 -9 -9 9
And if you fall I`ll pick you up pick you u
2.
You will grow and until you go
I`ll be right there by your side
And even then whisper the wind
And she will carry up your ride
I hear all the people in the world
In one birds lonely cry
See them trying every way they know how
To make their spirit fly
Can`t you see him he`s down on the ground
He has a broken wing looking all around
Chorus

this is just the vocal la la la la la la….

3 -3 -4> -4 4 -3 3
la la laaaa la la laaa
3 3 -3 -4> 3
la la laaaa la la

Hornpipe in C

A
-2 -2= 2 3 4 -4 5 (4 -4 5) -5 5 -4 4 -3 4
-2 -2= 2 3 4 -4 5 4 -3 4 -6 6 5 4 -4
-2 -2= 2 3 4 -4 5 (4 -4 5) -5 5 -4 4 -3 4
-2 -2= 2 3 4 5 -4 -2 -3= -3 4 5 (-4 4 -3) 4

B
4 -4 5 4 -3 4 -3=
-2 -2= 2 3 4 -4 5 4 -3 4 (-6 -5 -4) (6 5 4)
-5 -4 5 4
-3= -4 -4 4 (-3= -3 4) -4 -5 5 4 -3 4 -3=
-2 -2= 2 3 4 -4 5 4 -3 4 -6 4 6 4 -5 4 5 4
-4 4 -3=-3 4

Play A A B B

– inhale
= one tone bend
( ) triplet

(The Water Music)
Handel
Key: F
3/2 time Alla Hornpipe

3 4 -4 5 4 -4 5 4
|6 7 -8 |8 7 -8 8 7 |

-4 6 -4 5 -44 -4 6 -4 5 -44
|-8 9 -8 8 -87|-8 9 -8 8 -87|

-4 3 6 6 6 6 -55-5 -5 -5 -5
|-8 6 9 9 9 |9 -98-9 -9 -9 -9 |

-5 5-45 6 6 6 6 -55-5 -5 -5 -5
|-9 8-88 9 9 9 |9 -98-9 -9 -9 -9 |

-5 6 5 -4 5 -5 -4 4 4
|-9 9 8 -8 |8 -9 -8 7 |7……~|

no space = 1/8 note
1 space = 1/4 note
2 space = 1/2 note

The low version is the correct one

(The Water Music)
Handel
Key: F
3/2 time Alla Hornpipe

|1 -2 3 |-3 -2 3 -3 -2 |

|3 4 3 -3 3-2|3 4 3 -3 3-2|

|3 1 4 4 4 |4 -3*-3-3* -3* -3* |

|-3* -33-3 4 4 4 |4 -3*-3-3* -3* -3* -3* |

|-3* 4 -3 3 |-3 -3* 3 -2 |-2……~|

no space = 1/8 note
1 space = 1/4 note
2 space = 1/2 note

K. 495, 3rd movement
Mozart
Key: F
6/8 time Alegro vivace

3 444444 -3-466-5-4
|~~~6|777777|-7-899-9-8|

4444-34 -4333 3
|7777-77|-8666 6|

444444 -3-466-5-4
|777777|-7-899-9-8|

564-44111
|897-87444 ~|

The low version is the correct one.
All non-spaced notes are 1/8 notes
Notes followed by a space are 1/4 notes.
~ is a rest

K. 495, 3rd movement
Mozart
Key: F
6/8 time Alegro vivace

|~~~5|-6-6-6-6-6-6|6788-7*7|

|-6-6-6-66-6|7555 5|

|-6-6-6-6-6-6|6788-7*7|

-78-67-67|-6-2-2-2 ~|

All non-spaced notes are 1/8 notes
Notes followed by a space are 1/4 notes.
~ is a rest

This is a german folk song:

4 -4 5 -5 6 -6 6 -5 -4 -7 6 5 7
Horch, was kommt von draußen rein, ho-la-hi, ho-la-ho,

4 -4 5 -5 6 -6 6 -5 -4 -7 -8 7
wird wohl mein Feinsliebchen sein, ho-la-hi-a-ho?

-6 -6 7 -7 -6 6 5 6 -5 -4 -7 6 5 7
Geht vorbei u-und schaut nicht rein, ho-la-hi, ho-la-ho,

-6 -6 7 -7 -6 6 5 6 -5 -4 -7 -8 7
wird’s wohl nicht ge-e-wesen sein, ho-la-hi-a-ho

It can also be played an octave lower

1 -1 2 -2″ -2 -3″ -2 -2″ -1 -3 -2 2 4

1 -1 2 -2″ -2 -3″ -2 -2″ -1 -3 -4 4

-3″ -3″ 4 -3 -3″ -2 2 -2 -2″ -1 -3 -2 2 4

-3″ -3″ 4 -3 -3″ -2 2 -2 -2″ -1 -3 -4 4

4 5 -6 6 -5 5 -4 5

-5 6 5 -4 -4 4 5 6 6

4 5 -6 6 -5 5 -4 5

-5 6 5 -4 -4 4 -3 4 4

6 4 4 4 4 -3 -3″ -3 -4

-5 -5 5 -4 -4 4 5 6 6

6 4 4 4 4 -3 -3″ -3 -4

-5 -5 5 -4 -4 4 -3 4 4

QR code

This is a song i learnd when i was young…
A smaller tab is a shorter tone and and a
bigger is a longer.. [ minus(-) = draw, b = bend. Rest is blow)

|4 |5 |6 |6 |6 |-5 |5 |5 |4 |5 |4 |5 |5 |-4 | -4b |
|-3 |-4 |-5 |-5 |-5 |5 |-4 |-4 |-3 |-4 |-3 |-4 |-4 |4 |4b |
|6 |6 |6|-6|6|-5|5 |5 |4 |5 |4 |5 |5 |-4 |-4 |
|-6 |-6 |-6|7|-6|6|-5 |-5 |-4 |-5 |-4 |-5 |-5 |5 |5 |

QR code

4 5 6 6 -5 5 -4 4

-4 -4 -3 3 6 6 5 4

-4 -4 -3 3 6 6 5 4

4 -4 5 -5 6

6 -5 5 -4 4 4 4

Most (not all) of these tabs are based on the actual notes that the
creator of Undertale, Toby Fox, used in his music composition. The
song “Hopes & Dreams” is originally in the key of Bb, so you will need
a Bb harmonica to play this if you wish to play in the same key as the
song. You can still play it in any key but the notes won’t sound the
same as the one in the audio.

Skills required: single note playing, bending for only hole draw # 6,
& blow bending on hole # 10

Intro:

+3 +6 -4
+3 +4 +6 +3 (repeat intro twice)
+3 +3 -4 -7
+7 -7 +6 +5

Main: This is the part when I play the intro an octave higher when the
electric guitar and sounds start:

+6 +9 -8
+6 +7 +9 +6 (Repeat twice)
+6 +6 -8 +10′
+10 +10′ +9 +8

2nd part:

+9 +7 -8 +7 +6 +7 -8 +7
+6 +6 +7 -8 -9 +8 -9 +8 -8 +7

Repeat “2nd part” 4 times:

3rd part: The 3rd part tabs are not exactly the same notes as played
in the song but they sound very similar to each other.

-5 -5 -5 -5 +5 +5
-4 -4 -4 -4 +4 +4 (Repeat 4 times)
+5 +5 +5 +6 +7 -6′ -6 +6

4th part:

+9 +7 -8 +7 +6 +7 -8 +7
+6 +6 +7 -8 -9 +8 -9 +8 -8 +7

Repeat “4th part” 4 times:

Final part:

+6 +6 +6 +6 +5 -5 +5
-6′ +7 -6′

+6 +6 +6 +6 +5 -5 +5
-6′ +7 -7

Repeat 4 times.

Good luck & have fun.

Refr.:

7 7 7 -7 -6 6

7 -8 7 -7 -6 6

7 7 7 -7 -6 6

5 6 -6 -6 -6 -7 -6 6

(underlined notes: play them longer)

5 4 -2 4 5 4 -2 4 5 4 -2 4 6 -6 6 4

5 4 -2 4 5 4 -2 4 5 4 -2 4 6 -6 6 4

5 4 -2 4 5 4 -2 4 5 4 -2 4 6 -6 6 4

-6 -6 7

6 6 -5

-4 -4 5

5 -5 -5 6

-6 6 5 4 -6 6 5 6 4 5 -4 4 -3

-6 7 6 4 4 6 5 5 6 5 -4 4

-6 6 5 4 -6 6 5 6 4 5 -4 4 -3

-6 -6 5 4 -6 -5 5 5 6 -6 7 -7 6

5 4 -2 4 5 4 -2 4 5 4 -2 4 6 -6 6 4

5 4 -2 4 5 4 -2 4 5 4 -2 4 6 -6 6 4

6*

4*

6*

4*

6*

4*

5 4 -2 4 5 4 -2 4 5 4 -2 4 6 -6 6 4

5 4 -2 4 5 4 -2 4 5 4 -2 4 6 -6 6 4

-6 6 5 4 -6 6 5 6 4 5 -4 4 -3

-6 7 6 4 4 6 5 5 6 5 -4 4

-6 6 5 4 -6 6 5 6 4 5 -4 4 -3

-6 -6 5 4 -6 -5 5 5 6 -6 7 -7 6

Hoots Mon,Moderate rock, tabbed for diatonic
harmonica from sheet music in key of G 4/4 time

6 /6 -5~~~5 / 4 /4 /4 4 -4/

//:5 33 333/3 4 4 -6/6 5 -6 6 5 -4~/~~~4 -4/

[1st end–]
5 3 3 333/3 4 4 -4/5 5 5 5 -4 -4 4~/~~~~ 4 4://

[2nd end–]
~~ 6~~~~~/~~666 5 4 6~/~~ 6 5 -5~~~/

~~ -5-5-5-4 -3 -5~/~~-5-4 6~~/~~666 5 4 6~~/

~6 5 5-5-5/6 hoots mon there’s a/Moose loose a-/

boot this hoose!/4-4//

5 33 333/3 44 -6/6 5-6 6 5-4~/~~4-4/

5 33 333/3 44-4/5555-4 6/5555-46/

5555-46/4 4/4 4/3 1/

5 -5 5 6 3 3 3 -3 3 -3 4 4

-7 7

6 -7 7 6 -5

5 -5 5 6 3 3 3 -3 3 -3 4 4

-5 6 6 6 6 -5 -5 5

5 -5 5 6 3 3 3 -3 3 -3 4 4

-7 7

6 -7 7 6 -5

5 -5 5 6 3 3 3 -3 3 -3 4 4

-5 6 6 6 6 -5 -5 5

3 3 3 3 2 1

3 3 2

*-2 *-2 *-2 *-2 *-1 1 *-2 *-2 *-1

3 3 3 3 2 1

3 3 2

2 -2 *-2 3 3 3 3 3 3

5 -5 5 6 3 3 3 -3 3 -3 4 4

-7 7

6 -7 7 6 -5

5 -5 5 6 3 3 3 -3 3 -3 4 4

-5 6 6 6 6 -5 -5

6 6 6 6 -5 -5

3 3 3 3 -3 -4 4

The symbol / means single bend
The symbol // means double bend

-1 -2 -2 -2 -2// -2 -2//-2 -3/ -2 -2 -2 -2//-2/

The gypsy woman told my mother before I was born

-2 -2 -2 -3/-2 -3//3//-2/ -2//-2 -3/ -2 -2// -3/-2

“You got a boy child comin’, goin’ be a son of a gun.

-2// -2// -2// -2 -2 -3/ -3/ -2 -2 -3

Gonna make pretty women jump and shout,

-2 -2 -3/ -2 -2// -2 -3/ -2/ -3/-3/ -2

Then the world gonna know what it’s all a-bout

-2 -3/ -5 -4 4 -3/ -2 -2// -2

I’m him, everybody knows, I’m him,

-4 4 -4 -4 4 4 -2// -1

I’m the hootchie coochie man,

-4 -4 4 -3/ -2 -3/ -2

Everybody knows I’m him.

I got a black cat bone, I got a mojo too.

I got the Johnny conkeroo, I’m gonna mess with you.

I’m gonna make you girls lead me by the hand,

Then the world’s gonna know, I’m that hootchie coochie man.

On the seventh hour, on the seventh day,

On the seventh month, the seventh doctor said:

“He was born for good luck,” and that you’ll see.

I got seven hundred dollars don’t you mess with me.

<3 3 <3 <3 <3 4 4 <3 <3 -2 <3 I met a gin-soaked, bar-room queen in Memphis <3 -4 <-3 <3 -4 <3 -4 <3 <3 <3 <-3 4 She tried- to take me upstairs for a ride- <3 4 <3 <3 <3 4 <3 <3 <3 -2 <3 She had to heave me right across her shoulder <3 <3 <7 <7 -4 <3 <-5 <-5 <7 <7 <3 'Cause I just can't seem to drink you off my mind <3 <3 4 <-3 <3 -2 3 -2 <-1 <3 4 It's the Honk-----------y Tonk Women <-1 <-1 -2 <-2 -2 <-1 4 4 <3 <3 3 3 <-1 3 3 <-3 <3 Gimme, gimme, gimme the honky tonk blues <3 4 4 <3 <3 4 4 <3 <3 -2 <3 I laid a divorce in New York City- <3 4 <-5 4 <3 4 <3 <3 <3 <-3 I had to put up some kind of a fight <3 4 <3 <3 <3 4 <3 <3 <3 -2 <3 The lady then she covered me with roses <3 <7 <7 -4 <3 <-5 <-5 <7 <7 <3 She blew my nose and then she blew my mind <3 <3 4 <-3 <3 -2 3 -2 <-1 <3 4 It's the Honk-----------y Tonk Women <-1 <-1 -2 <-2 -2 <-1 4 4 <3 <3 3 3 <-1 3 3 <-3 <3 Gimme, gimme, gimme the honky tonk blues <3 <3 4 <-3 <3 -2 3 -2 <-1 <3 4 It's the Honk-----------y Tonk Women <-1 <-1 -2 <-2 -2 <-1 4 4 <3 <3 3 3 <-1 3 3 <-3 <3 Gimme, gimme, gimme the honky tonk blues

Folksong from Illinois
Key: D
Time: 2/4

4 4 4 4 -3” 4 4 -3” 3
7 7 7 7 -6 7 7 -6 6
Lit-tle black bull came down the mead-ow

-4 -4 -4 4 -4 -4 5 6
-8 -8 -8 7 -8 -8 8 9
Hoo-sen John-ny, Hoo-sen John-ny

4 4 4 4 -3’ 4 4 -3” 3
7 7 7 7 -6 7 7 -6 6
Lit-tle black bull came down the mead-ow

5 -4 -4 4 6 -6 -6 -3
8 -8 -8 7 9 -10-10 9
Long time a-go, long time a-go

6 -6 -6 6
9 -10 -10 9
Long time a-go

4 4 4 4 -3’ 4 4 -3” 3
7 7 7 7 -6 7 7 -6 6
Lit-tle black bull came down the mead-ow

5 -4 -4 4
8 -8 -8 7
Long time a-go