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Howdy folks

IST AND FOREMOST THIS TAB IS DEDICATED TO WALTP!! WHO ON THIS DAY
SMASHED NOT ONLY ALL MY RECORDS HERE, BUT ALSO POSTED HIS 2,500!!!!
TAB

WALT WE ALL SALUTE THE MOST GALLANT EFFORT!
and this tab is fitting, as it shows what can be achieved slowly and
steadfastly “As Time Goes By”

I am excited beyond belief as well as honoured and humbled to present
these two tabs to you!!
This particular version of the song is in itself very special and
incredibly dear to me
And by the time your done im sure you too!
it is without a doubt not only signature Stevie but among his best
works ever!

Before we get into it there is some “very special background” to this
version and a behind the scenes story which if you do not know would
mean you would miss more than half of what’s REALLY going on!.
This version is By Carly Simon and was done back in 1987 and although
the first few verses are the song we all know The rest of it is in
fact a mass and parody of lines rom “Casablanca” the movie that made
this song famous. So for those of you that haven’t seen in, go watch
it so that you know what’s going on.
Also to her credit Carly as you will hear has managed to take Stevie’s
guest appearance and literally incorporate him into the song! As well
as “profess her love for him!” 3:24 in the song (You better believe
it, when I tell you that i mean it, of all of these, gin joints, you
HAD to walk into mine!
Carly went to great lengths to get Stevie to play with her after two
of his songs really touched her for reasons that will become obvious
to you soon and make up the biggest “in story”. At the time Stevie
had done and released “Boogie on Reggae Woman” and “How come how long”
(this song was re done in the early 2002 by Babyface and Stevie which
includes two solo’s from Stevie that you can find posted here by me!)

Both songs celebrate Women and how come how long speaks out against
domestic violence and attacks on Women something Carly knows about,
his political statement at the time about this subject is what
endeared Stevie to her and made her seek him out! He was also until
late last year (2010) one of very few privy to the secrets behind her
world famous smash hit “Your so vain” which brings me to the big in
story!
Up until now it was believed and recorded and noted that the song was
about WARREN BEATTY! However anyone who checked would know that they
NEVER DATED!
After his arrest and conviction for Murder (Lana Clarkson) this
Hollywood heavyweight PHIL SPECTOR!!was exposed and the reports of his
hot temper and battering women over many years came to light!. Amongst
those he battered was CARLY SIMON!! The song is in fact ABOUT HIM!!
Something
that Stevie knew prior to his arrest, and one of the reasons Stevie
left his label!
Something that she is STILL angry about! (you can tell by the disgust
in her voice when she says HIM see below)
Now many of you would not know that Stevie for many years played under
a pseudonym which was “Eivets Rednow” (Stevie wonder spelled
backwards) YES FOLKS EIVETS AND STEVIE ARE ONE IN THE SAME!
When “little Stevie wonder” was discovered and signed he was “owned”
by the label (Tamla) and although he wanted to do it all, he was
prevented
because Blues and Jazz and reggae etc “Dont sell and wasn’t a
commercial market” furthermore they put him on ice so speak from 16-21
due to puberty and voice changes, however he did rack up album credits
as a composer, percussionist, keyboardist and harmonica player (for
Motown)
(Harmonica for: the Trammps, The Temptations, Diana Ross,
Herbie Hancock, Norman Brown, The Spinners, 4 tops, Barbara Streisand
to name some)
But it didn’t stop Stevie! Tamla owned “little Stevie wonder and
Stevie wonder” they did not own Eivets Rednow. So under this name he
sang and played for an alternative label namely PHIL SPECTORS label!!

As well as being a guest player on other artist works on that label,
and although she wanted to work with Stevie at the time was
“prevented” from doing so, something Carly knew well and is in fact
what she is referring to at 3:44 in the song when she says “You
played
it for HIM now, so you GOT to play it for me, play it STEVIE!!”
SO NOW YOU ALL KNOW TOO!!! I hope you found it enlightening and
enjoyable

Stevie plays throughout this song after 2:10 and includes two solo’s
as well as many harp fills. so as stated this a a two part tab.
this first tab contains note for note every harp riff, and fill
throughout the song. Tab two (this tab) contains both solo’s
including the 1:30 long outro solo

without further adO here it is

NOTE* when you see < it means play the hole with THE SLIDE BAR PRESSED IN.when you see notes in brackets its one of stevie's trademark trills(basically three or more notes played rapidly by pushing in and releasing the bar rapidly)ENJOY!!!2:10 (STEVIES 1ST SOLO)2,<-2,2,,4+5,<4+5 <4+5,-5,<4+5,4+5<-2,<3,<-2,<4+5,<4+5 6,5,6,6,6,5<3,<3,-3,6 6,6,<-6,<7,<-7,<7<7,-8,<8+9,<8+9,<-9,10,<-9,<8+9,(<-10,<-9,10) <-9,<8+9,<-9,10,<-9,<8+9<8+9,<-9,<10,-11,<-11,<123:49<7,<-6,<-6,-6,<-6<7,<-6,-7,<8+9,<7,<-6,<-6,-6,<-6<-7,-8,<8+9,<7,<-6,<-6,<-5<7,<-6,-7,<8+9,<7,<-6,<-6,-6,<-6<7,7,<7,<-6,<-5,<-6,<-7,-8,<8+9,<-7,<8+9<-9,<8+9,-8,<-7,<7,<-6,<4+5,<-5,<4+5 <-3,4+5,<-5,<7,<-7,<8+9,<-9,<-10,<-11,<12 <-12,<12,<-12,<12,-12,<12,<-12,<12,<-12,<12,<-12 <12,<-12,<12,<-12,<12,<-11,-11,<-11,<11,<-10 10,<-9,10,<-9,10,<8+9,-8,8+9,<-7,-8,8+9,<-7 <7,-7,<7,<-6,<7,-7,<-6,,-6,<-6,<-6,<-6,<-6<-5,6,<-5,<4+5,<-3,<4+5,<-5,-6,<-6<-5,<-5,<-5,<-6,<-6,<-6,-6,<-7,<-7,<-7 -8,-8,8+9,8+9,8+9,8+9,8+98,<8+9,8,8,-7,<-7,<7,<-6,-6,<-6ENJOY!!! THANK YOU THANK YOU THANK YOU VERY MUCH!!! (WALTP)

Howdy folks

I am excited beyond belief as well as honoured and humbled to present
these two tabs to you!!
This particular version of the song is in itself very special and
incredibly dear to me
And by the time your done im sure you too!
it is without a doubt not only signature Stevie but among his best
works ever!

Before we get into it there is some “very special background” to this
version and a behind the scenes story which if you do not know would
mean you would miss more than half of what’s REALLY going on!.
This version is By Carly Simon and was done back in 1987 and although
the first few verses are the song we all know The rest of it is in
fact a mass and parody of lines from “Casablanca” the movie that made
this song famous. So for those of you that haven’t seen in, go watch
it so that you know what’s going on.
Also to her credit Carly as you will hear has managed to take Stevie’s
guest appearance and literally incorporate him into the song! As well
as “profess her love for him!” 3:24 in the song (You better believe
it, when I tell you that i mean it, of all of these, gin joints, you
HAD to walk into mine!
Carly went to great lengths to get Stevie to play with her after two
of his songs really touched her for reasons that will become obvious
to you soon and make up the biggest “in story”. At the time Stevie
had done and released “Boogie on Reggae Woman” and “How come how long”
(this song was re done in the early 2002 by Babyface and Stevie which
includes two solo’s from Stevie that you can find posted here by me!)

Both songs celebrate Women and how come how long speaks out against
domestic violence and attacks on Women something Carly knows about,
his political statement at the time about this subject is what
endeared Stevie to her and made her seek him out! He was also until
late last year (2010) one of very few privy to the secrets behind her
world famous smash hit “Your so vain” which brings me to the big in
story!
Up until now it was believed and recorded and noted that the song was
about WARREN BEATTY! However anyone who checked would know that they
NEVER DATED!
After his arrest and conviction for Murder (Lana Clarkson) this
Hollywood heavyweight
PHIL SPECTOR!!was exposed and the reports of his hot temper and
battering women over many years came to light!. Amongst those he
battered was CARLY SIMON!! The song is in fact ABOUT HIM!! Something
that Stevie knew prior to his arrest, and one of the reasons Stevie
left his label!
Something that she is STILL angry about! (you can tell by the disgust
in her voice when she says HIM see below)
Now many of you would not know that Stevie for many years played under
a pseudonym which was “Eivets Rednow” (Stevie wonder spelled
backwards) YES FOLKS EIVETS AND STEVIE ARE ONE IN THE SAME! When
“little Stevie wonder” was discovered and signed he was “owned” by the
label (Tamla) and although he wanted to do it all, he was prevented
because Blues and Jazz and reggae etc “Dont sell and wasn’t a
commercial market” furthermore they put him on ice so speak from 16-21
due to puberty and voice changes, however he did rack up album credits
as a composer, percussionist, keyboardist and harmonica player (for
Motown)( Harmonica for: the Trammps, The Temptations, Diana Ross,
Herbie Hancock, Norman Brown, The Spinners, 4 tops, Barbara Streisand
to name some)
But it didn’t stop Stevie! Tamla owned “little Stevie wonder and
Stevie wonder” they did not own Eivets Rednow. So under this name he
sang and played for an alternative label namely PHIL SPECTORS label!!
As well as being a guest player on other artist works on that label,
and although she wanted to work with Stevie at the time was
“prevented” from doing so, something Carly knew well and is in fact
what she is referring to at 3:44 in the song when she says “You played
it for HIM now, so you GOT to play it for me, play it STEVIE!!”
SO NOW YOU ALL KNOW TOO!!! I hope you found it enlightening and
enjoyable

Stevie plays throughout this song after 2:10 and includes two solo’s
as well as many harp fills. so as stated this a a two part tab.
this first tab contains note for note every harp riff, and fill
throughout the song. Tab two contains both solo’s including the 1:30
outro solo

without further adieu here it is

NOTE* when you see < it means play the hole with THE SLIDE BAR PRESSED IN.when you see notes in brackets its one of stevie's trademark trills(basically three or more notes played rapidly by pushing in and releasing the bar rapidly)ENJOY!!!2:10 (STEVIES 1ST SOLO)3:111,<1,<-1,<-2,<-3 <4+5,<3,<3,<-2 <4+5,-5,<4+5,<-3,<3,<-23:27-3,<-2,<-23:34<4+5,<-5,-5,4+5,<4+53:37-3,-3,<3,<-2,<-2 -3,<-3,<4+5,<-5,-5<4+53:45<-5,<-63:47<4+5,<-5,<-53:49 (STEVIES 2ND SOLO AND OUTRO)ENJOY!!! THANK YOU THANK YOU THANK YOU VERY MUCH!!!

5 -5 5 -4 4 -4
You must remember this,

5 6 -5 5 -4 -5
a kiss is still a kiss,

6 7 -7 -6 6 -6
A sigh is just a sigh.

-7 -8 7-7 -6 -7 7 6
The fundamental things apply,

6 4 -4 5
As time goes by.

5 -5 5 -4 4 -4
And when two lovers rue,

5 6 -5 5 -4 -5
they still say, “I love you,”

6 7 -7 -6 6 -6
On that you can rely,

-7 -8 7 -7 -6 -7 7 6
no matter what the future brings,

6 4 -4 4
As time goes by.

4 -4 4 -6 -6
Moonlight and lovesongs,

-6 -7 -6 6 -6
never out of date

5 -5 5 -6 -6
Hearts full of passion,

-6 -7-6 6 -6
jealousy, and hate.

5 -5 5 7
Woman needs man

7 7 -7 7 -7 -8
and man must have his mate–

-7 -6 -6 5 5 6
That, no one can deny.

5 -5 5 -4 4 -4-4
It’s still the same old story,

5 6 -5 5 -4 -5-5
a fight for love and glory

6 7 -7 -6 6 -6
A case of do or die.

-7 -8 7 -7 -6 -7 7 6 6
The world will always welcome lovers,

6 4 -4 4
As time goes by

6 -5 5 -5 6 -5 5 -4
Through early morning fog I see

5 -4 5 -4 4 -4 4
Visions of the things to be.

5 -4 4 -4 4 -4 4 -3
The pains that are withheld from me,

-4 4 -3 4 -3 4 -4 5
I realize and I can see,

refrain

6 -6 6-6 6 -6 6
That suicide is painless

6 -6 6 -6 6 -6 6
It brings on many changes,

6 5 6 -6 7 7 -8 7 -6 6 -6
And I can take it or leave it if I please

5 -5 5 -4 4 -4
You must remember this,

5 6 -5 5 -4 -5
a kiss is still a kiss,

6 7 -7 -6 6 -6
A sigh is just a sigh.

-7 -8 7-7 -6 -7 7 6
The fundamental things apply,

6 4 -4 5
As time goes by.

5 -5 5 -4 4 -4
And when two lovers rue,

5 6 -5 5 -4 -5
they still say, “I love you,”

6 7 -7 -6 6 -6
On that you can rely,

-7 -8 7 -7 -6 -7 7 6
no matter what the future brings,

6 4 -4 4
As time goes by.

4 -4 4 -6 -6
Moonlight and lovesongs,

-6 -7 -6 6 -6
never out of date

5 -5 5 -6 -6
Hearts full of passion,

-6 -7-6 6 -6
jealousy, and hate.

5 -5 5 7
Woman needs man

7 7 -7 7 -7 -8
and man must have his mate–

-7 -6 -6 5 5 6
That, no one can deny.

5 -5 5 -4 4 -4-4
It’s still the same old story,

5 6 -5 5 -4 -5-5
a fight for love and glory

6 7 -7 -6 6 -6
A case of do or die.

-7 -8 7 -7 -6 -7 7 6 6
The world will always welcome lovers,

6 4 -4 4
As time goes by.

–repeat from “…Moonlight and love songs….”

5 6 -6 7
end: “…as time goes by.”

By: Herman Hupfeld
Frank Sinatra, Rod Stewart
Key: Eb

-3* -3* -3* -3* -3* 4 4 4
This day and age we’re liv-ing in
4 -5* -5* -5*-5* -5 5
Gives cause for ap-pre-hen-sion
-3* -5 -5 -5 -5 5 -3*
With speed and new in-ven-tion
3 5 5 5 5 -3* 3*
And things like third di-men-sion

3 3* -2 -2 -2 -2 -3* -3*
Yet we grow a tri-fle wear-y
-3* 3 3 3 3 5 5
With M-r. Ein-stein’s the’-ry
-3* 5 -5 -5 -5 -5 -5
So we must get down to earth
5 -3* 5 -5 -5 -5 -5 -5 -3*
at times re-lax re-lieve the ten-sion
-3* 5 5 5 5 -5 -6
No mat-ter what the prog-ress
-5 -3* -3* -3* -3* 5
Or what may yet be proved
3 3* 3* 3* 3* 5 -5* 5
The sim-ple facts of life are such
3* -2 -2 -2 -2 -3*
They can-not be re-moved

CHORUS
3 3* 3 -2 -1* -2
You must re-mem-ber this
3 -3* 3* 3 -2 3*
A kiss is still a kiss,
-3*-5* -5 5 -3* 5
A sigh is just a sigh
-5 -6 -5* -5 5 -5 -5* -3*
The fun-da-men-tal things ap-ply
-3* -1* -2 3
As time goes by

3 3* 3 -2 -1* -2
And when two lov-ers woo
3 -3* 3* 3 -2 3*
They still say, “I love you”
-3* -5* -5 5 -3* 5
On that you can re-ly
-5 -6 -5* -5 5 -5 -5* -3*
No mat-ter what the fu-ture brings
-3* -1* -2 -1*
As time goes by

-1* -2 -1* 4 4
Moon-light and love songs
4 4* 4 -4 4
Nev-er out of date
-2 3 -2 4 4
Hearts full of pas-sion
4 -5 4 -4 4
Jeal-ous-y and hate
3 3* 3 -5*
Wom-an needs man
-5* -5* -5 -5* -5 -6
And man must have his mate
-5 5 5 3 3 -3*
That no man can de-ny

3 3* 3 -2 -1* -2 -2
It’s still the same old sto-ry
3 -3* 3* 3 -2 3* 3*
A fight for love and glo-ry
-3*-5* -5 5 -3* 5
A case of do or die
-5 -6 -5* -5 5 -5 -5* -3* -3*
The world will al-ways wel-come lov-ers
3 -3* -3* -5*
As time goes by

REPEAT CHORUS

The top set of numbers represent holes for the tremolo harp. the
bottom set of numbers represent holes on the diatonic harp.

5 5 5 6 -5 -5 -5 5 6 -5
4 4 4 5 -4 -4 -4 4 5 -4
Have you ever thought as the hearse goes by,
5 5 5 -5 6 -5 5 -4 5 -5
4 4 4 -4 5 -4 4 -3 4 -4
that sooner or later you’re going to die?
5 5 5 5
4 4 4 4
Yo ho! Yo ho!

verse 2:
They wrap you up in a big white sheet,
and drop you down about six feet deep.
Yo ho! Yo ho!

verse 3:
The worms crawl in, the worms crawl out,
the worms play penochle on your snout.
Yo ho! Yo ho!

-6b 5 4
Times have changed,

4 4 4 4 4 4 -4 5
And we’ve of-ten re-wound the clock,

4 4 -4 4 4 -4 5 -5b
Since the Pu-ri-tans got a shock,

5 5 6 -5b 5 6 -6b -6
When they land-ed on Ply-mouth Rock.

-6b 5 4
If to-day,

4 4 4 4 4 -4 5 -5b
A-ny shock they should try to stem,

5 -5b 6 -5b 5 -6b -6 7
‘Stead of land-ing on Ply-mouth Rock,

-6 -6b -6 -6 -6 -6 -6
Ply-mouth Rock would land on them.

REFRAIN

5 5 -5b 4 5 -5b 5 -5b 5
In old-en days a glimpse of stock-ing

4 5 -5b 4 5 -5b -6b -5b
Was looked on as some-thing shock-ing,

-6b -6 7 6
Now heav-en knows,

-6b -6b -6b -6b
A-ny-thing Goes.

5 5 -5b 4 5 -5b 5 -5b 5 4
Good au-thors too who once knew bet-ter words,

5 -5b 4 5 -5b -6b -5b -6b
Now on-ly use four let-ter words

-6 7 -6 -6b -6b -6b -6b
Writ-ing prose, An-y-thing Goes.

6 6 6 6 6 6 6
The world has gone mad to-day

6 6 -6b 6 6
And good’s bad to-day,

6 6 -6 6 6
And black’s white to-day,

6 6 -6 6 6
And day’s night to-day,

6 6 7 6 6
When most guys to-day

-5b 6 -5b 6 4 4
That wo-men prize to-day

4 4 4 4 4 4 5
Are just sil-ly gig-o-los

5 5 -5b 4 5 -5b 5 -5b 5
So though I’m not a great ro-manc-er

4 5 -5b 4 5 -5b -6b -5b
I know that I’m bound to an-swer

-6b 6 7 -6
When you pro-pose,

7 -6 -6b -6b
An-y-thing goes

By: Cole Porter
Ella Fitzgerald, Frank Sinatra
Key: Eb, C
Key: Eb

4 3 -1* 1
Times have changed,
1 -1 -1* -1 1 -1* -2 3
And we’ve of-ten re-wound the clock,
1* -1* -2 -1* 1* -2 -2* 3*
Since the Pu-ri-tans got a shock,
3 -3 -4 -3 3 -4 4 -5
When they land-ed on Ply-mouth Rock.
4 3 2 1
If to-day,
1 -1 2 -1 1 -2 3 3*
An-y shock they should try to stem,
3 -3 -4 -3 3 4 -5 -5*
‘Stead of land-ing on Ply-mouth Rock,
-5 5 -5 -5 -5 -5 -4 3
Ply-mouth Rock would land on them.

Key: C

3 3 -3 2 3 -3 3 -3 3
In old-en days a glimpse of stock-ing
2 3 -3 2 3 -3 4 -3
Was looked on as some-thing shock-ing,
4 -5 6 -5 5 5 5 5
Now heav-en knows, An-y-thing Goes.
3 3 -3 2 3 -3 3 -3 3 2
Good au-thors too who once knew bet-ter words,
3 -3 2 3 -3 4 -3 4
Now on-ly use four let-ter words
-5 6 -5 4 4 4 4
Writ-ing prose, An-y-thing Goes.
-4 -4 -4 -4 -4 -4 -4
The world has gone mad to-day
-4 -4 4* -4 -4
And good’s bad to-day,
-4 -4 -5 -4 -4
And black’s white to-day,
-4 -4 -5* -4 -4
And day’s night to-day,
-4 -4 6 -4 -4
When most guys to-day
-3* -4 -3* -4 2 2
That wo-men prize to-day
-1* 2 2 2 -1* 2 3
Are just sil-ly gi-go-los
3 3 -3 2 3 -3 3 -3 3
So though I’m not a great ro-manc-er
2 3 -3 2 3 -3 4 -3
I know that I’m bound to an-swer
4 -5 6 -5
When you pro-pose,
6 -5 5 5
An-y-thing goes

COLE PORTER, ELLA FITZGERALD, BRENDA LEE

KEY Eb

-6b 5 4
Times have changed,

4 4 4 4 4 4 -4 5
And we’ve of-ten re-wound the clock,

4 4 -4 4 4 -4 5 -5b
Since the Pu-ri-tans got a shock,

5 5 6 -5b 5 6 -6b -6
When they land-ed on Ply-mouth Rock.

-6b 5 4
If to-day,

4 4 4 4 4 -4 5 -5b
A-ny shock they should try to stem,

5 -5b 6 -5b 5 -6b -6 7
‘Stead of land-ing on Ply-mouth Rock,

-6 -6b -6 -6 -6 -6 -6
Ply-mouth Rock would land on them.

REFRAIN

5 5 -5b 4 5 -5b 5 -5b 5
In old-en days a glimpse of stock-ing

4 5 -5b 4 5 -5b -6b -5b
Was looked on as some-thing shock-ing,

-6b -6 7 6
Now heav-en knows,

-6b -6b -6b -6b
A-ny-thing Goes.

5 5 -5b 4 5 -5b 5 -5b 5 4
Good au-thors too who once knew bet-ter words,

5 -5b 4 5 -5b -6b -5b -6b
Now on-ly use four let-ter words

-6 7 -6 -6b -6b -6b -6b
Writ-ing prose, An-y-thing Goes.

6 6 6 6 6 6 6
The world has gone mad to-day

6 6 -6b 6 6
And good’s bad to-day,

6 6 -6 6 6
And black’s white to-day,

6 6 -6 6 6
And day’s night to-day,

6 6 7 6 6
When most guys to-day

-5b 6 -5b 6 4 4
That wo-men prize to-day

4 4 4 4 4 4 5
Are just sil-ly gig-o-los

5 5 -5b 4 5 -5b 5 -5b 5
So though I’m not a great ro-manc-er

4 5 -5b 4 5 -5b -6b -5b
I know that I’m bound to an-swer

-6b 6 7 -6
When you pro-pose,

7 -6 -6b -6b
An-y-thing goes

ENJOY!!

4 5 -6 6 -3
Anything goes in
4 5 -6 6 -3
Anything goes out
4 5 -7 -6
Fish, bananas
4 5 -7 -6
Old Pyjamas
-7 -6 -7 -6 6
Mutton, beef and trout

-5 6 -7 -6 -5
Anything goes in
-5 6 -7 -6 -5
Anything goes out
4 5 -7 -6
Fish, bananas
4 5 -7 -6
Old Pyjamas
-7 -6 -7 -6 6
Mutton, beef and trout

7 7* -7* -8 9 9 7 7 -6* 7 5__
Just a little lovin’ will go a long way
5 5 5* -5 -6 -7* -7* -9 9 9 -7* 7__
And you’ll make me happy the rest of my days
-7* -7 -7* -8 9 9 7 7 -6* 7 5
Put your arms around me then I’ll be your slave
9 9 -8 9 9 -7* -7* -5* 7 -5* 7 -5*
‘Cause just a little lovin’ will go a long way

7 -6* 7 -5* -6 7 -6 -5* -5* -6 -6* 7
Ever since the time began love has ruled the world
-5 5* -5 -5* -6 7 -6 -3* -5* -5* -6 -6* 7
Eve and Adam set the pace and started at a whirl
-3* 7 -6* 7 -5* -6 7 -6 -5 -5* -5* -6 -6* 7
I met you and now I know that you’re the one for me
-6 -6 -6 7 -7 -7 7 -7 -7*
Come on back and you will plainly see
(Repeat 1st Verse)
(Interlude)
(Repeat 2nd Then 1st Verses)

That just a little lovin’ will go a long way
And you’ll make me happy the rest of my days
Put your arms around me then I’ll be your slave
‘Cause just a little lovin’ will go a long way

I don’t believe you really know how much that I love you
If you did you’d come on back and make my dreams come true
Your eyes, your lips, your loving kisses seem to linger yet
I’ll forgive but please don’t you forget

That just a little lovin’ will go a long way
And you’ll make me happy the rest of my days
Put your arms around me then I’ll be your slave
‘Cause just a little lovin’ will go a long way

This plays with karaoke music, same Artist, run time 2:47.

She Aint Got No Mon-ey

3 3 -3 2 3 -3

Clothes Are Kind-a Fun-ny

4 4 -5 -3 4 -5

Hair Is Kind-a Wild And Free

6 -6 6 -6 6 -5 5

Oh But Love Grows Where My Rose-mar-y Goes

6 -6 7 -7 6 -5 5 -3 4 6

And No-bod-y Knows Like Me

-5 5 -3 4 -6 6 -5

She Talks Kind-a La-zy

3 3 -3 2 3 -3

Peop-le Say Shes Cra-zy

4 4 -5 -3 4 -5

And Her Lifes A Mys-ter-y

6 -6 6 -6 6 -5 5

Oh But Love Grows Where My Rose-mar-y Goes

6 -6 7 -7 6 -5 5 -3 4 6

And No-bod-y Knows Like M-e

-5 5 -3 4 -6 6 5 -5

Theres Some-thing A-bout Her Hand Hold-ing Mine

5 -7 -7 -7 -7 -7 -7 7 -6 7

It’s A Feel-ing That’s Fine

7 7 7 -6 6 -6

And I’ve Just Got To Say Hey

-6 -6 -6 6 -5 6 7

Shes Real-ly Got A Mag-ic-al Spell

5 -7 -7 -7 -7 -7 7 -6 7

And Its Work-ing So Well

7 7 7 -6 6 -7

That I Cant Get A-way

-7 -7 -7 7 -6 7

Im A Luck-y Fell-a

3 3 -3 2 3 -3

Ive Just Got To Tell Her

4 4 -5 -3 4 -5

That I Love Her End-less-ly

6 -6 6 -6 6 -5 5

Be-cause Love Grows Where My Rose-mar-y Goes

6 -6 7 -7 6 -5 5 -3 4 6

And No-bod-y Knows Like Me

-5 5 -3 4 -6 6 5

Main Song In A, Ends In Bb
Intro…. courtesy of Aussie !!

Intro

4 4 4 5 6 6 6 6 -6 7

1.

6 6 -6 5 6 -6
She aint got no mon-ey
7 7 -8 -6 7 -8
Clothes look kind of fun-ny
7 8 -9 8 -9 8 -8 -8 8 -8 7
Her hair is kind of wild~~ and free~~~~~
8 -9 9 -10 8 -8 7 -6 7 8
Oh but love grows where my Rose-ma-ry goes
-8 7 -6 7 -9 8 -8 8 -8
And no-bo-dy knows~~ — Like~~ me~~~

2.

6 6 -6 5 6 -6
She talks kind of la-zy
6 7 7 -8 -6 7 -8
And peo-ple say she’s cra-zy
8 -9 8 -9 8 -8 8 -8 7 -8
And her life’s a — mys – te-ry~~~~~~~~~
8 -9 9 -10 8 -8 7 -6 7 8
Oh but love grows where my Rose-ma-ry goes
-8 7 -6 7 -9 8 -8 8 -8
And no-bo-dy knows~~ — Like~~ me~~~

Bridge

7 -10 -10 -10 -10 -10 -10 9 -9 9
There’s something a – bout her hand holding mine
9 9 9 -9 8 -9
It’s a feeling that’s fine
-9 -9 -9 8 -8 8 -9
And I just got-ta say~~~~~ HEY
7 -10 -10 -10 -10 -10 9 -9 9
She’s real-ly got a ma-gi-cal spell
9 9 9 -9 8 -10
And it’s working so well
-10 -10 -10 9 -9 9
That I can’t get a-way~~~

4.

6 6 -6 5 6 -6
I’m a luck-y fel-la
7 7 7 -8 -6 7 -8
And I just got-ta tell her
8 -9 8 -9 8 -8 -8 8 -8 7 -8
That I love her end~~~-less-ly~~~~~~~~
8 -9 9 -10 8 -8 7 -6 7 8
Because love grows where my Rose-ma-ry goes
-8 7 -6 7 -9 9 8 -8 8 -8
And no-bo-dy knows~~ — Like~~ me~~~

Bridge

7 -10 -10 -10 -10 -10 -10 9 -9 9
There’s something a – bout her hand holding mine
9 9 9 -9 8 -9
It’s a feeling that’s fine
-9 -9 -9 8 -8 8 -9
And I just got-ta say~~~~~ HEY
7 -10 -10 -10 -10 -10 9 -9 9
She’s real-ly got a ma-gi-cal spell
9 9 9 -9 8 -10
And it’s working so well
-10 -10 -10 9 -9 9
That I can’t get a-way~~~

Ends in Bb

5.

6 6 -6 6 6 -6
I’m a lucky fel-la
-6 7 7 -8 -6 7 -8
And i just got-ta tell her
8 -9 8 -9 8 -8 8 -8 7 -8
That I love her end~~~-less-ly~~~~~~~~
8 -9 9 -10 8 -8 7 -6 7 8
Because love grows where my Rose-ma-ry goes
-8 7 -6 7 -9 9 8 -8 8 -8 7
And no-bo-dy knows~~~~~ — Like~~~~~~ me~~~~~~~~

American ring game song
Key: D
Time: 6/8

-5 -5 6 6 -6* -7 -6* -5
All a-round the cob-bler’s bench
-3 -5 -5 6 6 -6* -5
The mon-key chased the wea-sel.
-3 -5 -5 6 6 -6*-7-6* -5
The mon-key thought ’twas all in fun
-8 6 7 -6* -5
Pop! Goes the wea-sel.
-7 -9 -9 -8 -8 9*10 9* -7
A pen-ny for a spool of thread
-7 -9 -9 -88*-9 8* -7
A pen-ny for a nee-dle.
7 -6* 7 -7 -8 8* -9
That’s the way the mon-ey goes
-8 6 7 -6* -5
Pop! Goes the wea-sel.