Harmonica_header

Need You Now

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Harp Type: Any

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Intro
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Pic-ture per-fect mem-ories,
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scat-tered all a-round the floor.
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Reach-ing for the phone,
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cause I can’t fight it an-y-more.

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And I won-der if I ev-er cross your mind.
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For me it hap-pens all the time.

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It’s a quar-ter af-ter one,
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I’m all a-lone
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and I need you n–o–w.
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I said I would-n’t call,
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but I lost all con-trol
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and I need you n–o–w.
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And I don’t know how I can do with-out.
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I just need you n–o–w.

Lyrics


Alfred’s Teach Yourself to Play Guitar: Everything You Need to Know to Start Playing the Guitar!

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Lyrics


Harmonica amplifiers – How to choose correctly for yourself?

Key: Any

Genre:

Harp Type: Any

Skill: Any

Harmonica amplifiers – Are you thinking about buying a harmonica amplifier but you don’t know which to choose? Uncertain about the kind of sound you want to get or you feel you’ll want to understand more? Which amplifier is the best for the harmonica sound? If your brain will be brimming with such questions then this short article is just what the physician ordered.

Once you have read the article you must have got clear ideas about how to go on; non-etheless, I’ll introduce you to some amplifier models today and will discuss their salient features or benefits and drawbacks with you one at a time. Follow the instructions in next paragraphs carefully and I am sure that from now onwards, you can purchase your generic amplification system or your unique device with utter confidence you have made the best option according to your preferences.

Harmonica amplifiers – How to choose correctly for yourself?

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Let’s start by analyzing various categories of amplifiers that people find in market and which may be useful for the blues harp:

Guitar amplifiers or battery-operated generic amps.

Solid state guitar amplifiers and modeling devices.

Tube amplifiers for guitars.

Amplified speakers (also called active ones) for more pure sound.

On the basis of our needs we can choose among alternative categories and select the best for the harmonica. Let’s see these categories at length:

Guitar amplifiers or battery-powered generic amps

These amplifiers are small and have power ranging from 0.1 to 5 watts. They’re capable of operating with a power supply or even with common batteries; their capacity can reach up to 10 hours of work if powered by batteries. Sometimes they’re equipped with sound effects and rhythm reproduction. These amplifiers often possess computer connections and sometimes allow an additional microphone connection (e.g for voice).The unit are much appreciated by ones looking for something portable especially those who want to play on the street (busking) or for those who want to keep somewhat small yet powerful enough system internal to create wave in neighbourhood.

If you opt for a modeling amplifier, it will be possible to reproduce both pure harmonica sound and ‘Chicago’ which means we’ve everything we have to play independently. Given the choice of these types of equipments, one interesting fact shouldn’t be underestimated that they usually supply the option to connect to a mixer or other amplifiers, which gives us an opportunity to expand the sound power without compromising the kind of the audio we like. Now it might seem ,”Then I’ll have a little thing like this one, and something day I’ll link it to a bigger to obtain additional volume?” Yes, you have it right!

Now let’s look at two models of portable solid state modeling of an excellent quality: Vox Mini 5 and Roland Micro Cube. They are amplifiers with price ranging from $120 to $150 whereas the characteristics they exhibit are very similar.

The Vox provides an extra input for a vocal microphone, and is therefore more suitable if you would like someone to sing along when you play the harmonica (or guitar). This low impedance input enables you to have a clean instrument sound.

Both models have an input for external sound sources such as mp3 players or smart phones and the headphone output. This one can also be used to connect an additional amplification system or a computer.The two amplifiers provide effect such as for example delay and reverb whereas the modeling circuit allows us to choose emulation of various kinds of amplifiers. By changing the emulation configuration and adjusting the gain, the tone and volume controls, we are able to achieve the desired sound, including the ‘Chicago style’ one. The size of speaker included for VOX is 6.5″ and for Micro Cubecome it’s 5″.The energy of these devices is 5 watts max for the VOX and 2 watts for the Roland.

Harmonica amplifiers - How to choose correctly for yourself 1

Solid-state guitar amplifiers and modeling

Larger devices with powers which range from 10 watts up to few hundred watts have to be connected to the electric supwardply. Because they are a composite of integrated circuits hence the title ‘solid condition type’.

In this specific article I’ll not dig into the merits of diatribe ‘valve against transistor’ because internet has already been full of that and you could find all forms of opinions online. From my perspective, you may get a good sound from tube amplifiers and also from incorporated circuit amplifiers, nevertheless, you must remember that valve amplifiers often usually do not provide digital modules with effects, auxiliary connections etc.

Let’s go back to the category of amplifiers we were talking about: alongside portable amplifiers, comes a circuitry that amplifies the sound of the bullet microphone so, for models that emulate different devices it is possible to choose the type of emulated amplifier and still manage to get effects. Even these amplifiers often allow us to connect inputs and auxiliary outputs, plus some also provide the option to attach output to an extra speaker.

Most advanced models in this category may also be connected to the computer via USB cable and managed in a variety of configurations through custom software. Now, we look at two solid state amplifier models being among the most popular ones on the market: The Fender Champion 100 and the Orange Crush 35 RT, both cost around $250.

The Fender Champion 100 has enough power to be used on small and medium-sized venues, and is equipped with an emulation module and different effects. It has two 12-inch speakers, different connections for external effects, an auxiliary input for sound sources like mp3 or smart phones, and the headphones output that may also be connected to another sound system like a mixer or a computer. This is really a perfect amplifier that provides many possibilities.

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The Orange Crush 35 RT is one most important amplifier that doesn’t emulate other models, but still offers the reverb effect, an auxiliary input for external sound sources and a headphones output which can also be utilized as a line output to get attached to a computer, a mixer and so forth. The 35 RT has a chromatic tuner and connections for external effects. It includes 35 watts power which is sufficient even though you play in a mid-sized room. The supplied speaker size will be 10 inches.

You can also find a 20 watt model of this brightly colored amplifier here.

Orange Crush 35 RT

Valve Guitar Amplifiers

These are the favourite ones for vintage lovers, renowned for good old tubes and known as supporters of warm sound. In fact the valves are usually fragile and warm-up easily but without a shadow of doubt, all the musicians, at some time fall for the charm of such sort of electrical circuit.

The first thing I wish to explain is that, there are no portable tube amplifiers because they require a whole lot of electric supply. The energy delivered by such amplifiers ranges from 5 watts to many hundred watts and their prices start from $150.

One point that should be taken into consideration is that the power output from the unit cannot be compared to that of solid state amplifiers; usually several watts on a tube amp would produce same volume as greater number of watts on a strong state device would do. Because of this you will discover in the market many tube amplifiers with a power ranging significantly less than 20 watts on average.

Often the unit have no auxiliary inputs or outputs, and so are designed to operate in a standalone configuration. Only in more costly models you could find connections for external effects, and output line connections to other audio systems.

Below I am going to introduce you to two models called VHT 6 Special Ultra and Fender Blues Junior IV. The first is no more available in the market nevertheless, you can still find an used instrument for $200, the next costs about $600.

VHT 6 Special Ultra is really a low-power unit that delivers 6 watts but has earned lots of appreciation from both guitarists and harmonica players. Built with 3 tubes, this amplifier, in addition to the standard controls has some inclusional controls to improve the sound at will. VHT includes a headphone output line which you can use for connecting it to external audio systems and also additional speaker results. The supplied speaker size is 12 inches.

The Fender Blues Junior IV is really a tube amplifier equipped with 3 valves and is with the capacity of delivering 15 watt power. It has a 12-inch speaker and reverberation effect. It does not have any connections for audio inputs or auxiliary outputs.

All the devices I’ve shown you are suitable to produce Chicago suond, and are used with high impedance microphones such as for example bullet type, like the famous shure 520DX. The VOX mini instead, has a low-impedance microphone input for voice or even more clean harmonica sound.

The last category of amplifiers I am going to present to you’re the generic amplified loudspeakers, also called active speakers (or amplified): this is actually the sort of amplification I use when I play around in not-so-big situations.

You can just make use of a voice microphone and connect it to an amplified active speaker which acts well being an amplifier without changing the harmonica sound. These speakers are available with power ratings ranging from a few watts up to several hundred watts, on the market we furthermore find models that focus on battery.

The speaker that I use includes a power of 40 watts and an autonomy that reaches 10 hours with rechargeable battery given it. There are active speaker models that have effects, equalizations, inputs for multiple microphones, usb connections and much more, only the most advanced models have bluetooth and wireless connections to also take advantage of wireless microphones. Lastly I wish to introuduce you to the Beheringer MPA40BT-PRO, a 40-watt unit built with an 8″ woofer and a 1″ tweeter.

The sound reproduction is good and the volume more than sufficient for small locations. Thwill be speaker has two inputs to which it is possible to connect microphones or instruments, auxiliary inputs for other external sources, bluetooth and usb socket for connecting wireless microphones (around 2). This amplifier can cost you $150.

If you are curious to know, let me tell you that the wireless microphone set for the active speaker Behringer MPA40BT-PRO consists of an USB adhere to be connected on the trunk side and two battery-powered microphones which have about l0 hours of autonomy.

This concludes our review of harmonica amps. As you can see, there are different types on the market, designed to meet not merely the usage requirements but budget also .See you within the next article.

Lyrics


Beyonce Knowles

Key: Any

Genre:

Harp Type: Any

Skill: Any

Beyoncé Giselle Knowles-Carter (/bˈjɒns/ bee-YON-say; born September 4, 1981) is an American singer, actress and record producer. Born and raised in Houston, Texas, Beyoncé performed in various singing and dancing competitions as a child. She rose to fame in the late 1990s as the lead singer of Destiny’s Child, one of the best-selling girl groups of all time. Beyoncé is often cited as an influence by other artists.

During Destiny’s Child’s hiatus, Beyoncé made her theatrical film debut with a role in the US box-office number-one Austin Powers in Goldmember (2002) and began her solo music career. She became the first music act to debut at number one with their first six solo studio albums on the Billboard 200. Her debut album Dangerously in Love (2003) featured four Billboard Hot 100 top five songs, including the number-one singles “Crazy in Love” featuring rapper Jay-Z and “Baby Boy” featuring singer-rapper Sean Paul. Following the disbandment of Destiny’s Child in 2006, she released her second solo album, B’Day, which contained her first US number-one solo single “Irreplaceable”, and “Beautiful Liar”, which topped the charts in most countries. Beyoncé continued her acting career with starring roles in The Pink Panther (2006), Dreamgirls (2006), and Obsessed (2009). Her marriage to Jay-Z and her portrayal of Etta James in Cadillac Records (2008) influenced her third album, I Am… Sasha Fierce (2008), which earned a record-setting six Grammy Awards in 2010. It spawned the UK number-one single “If I Were a Boy”, the US number-one single “Single Ladies (Put a Ring on It)” and the top five single “Halo”.

After splitting from her manager and father Mathew Knowles in 2010, Beyoncé released the album 4 (2011); it was influenced by 1970s funk, 1980s pop, and 1990s soul. She achieved back-to-back widespread critical acclaim for her sonically experimental visual albums, Beyoncé (2013) and Lemonade (2016); the latter was the world’s best-selling album of 2016 and the most acclaimed album of her career, exploring themes of infidelity and womanism. In 2018, she released Everything Is Love, a collaborative album with her husband, Jay-Z, as the Carters. As a featured artist, Beyoncé topped the Billboard Hot 100 with the remixes of “Perfect” by Ed Sheeran in 2017 and “Savage” by Megan Thee Stallion in 2020. The same year, she made her directorial and screenwriting debut with the musical film and visual album Black Is King, which received widespread critical acclaim after premiering on Disney+.

Beyoncé is one of the world’s best-selling recording artists, having sold 118 million records worldwide. Her success during the 2000s was recognized with the Recording Industry Association of America’s Top Certified Artist of the Decade, as well as Billboard magazine’s Top Radio Songs Artist and the Top Female Artist of the Decade. Beyoncé is the most nominated woman in the Grammy Award’s history and has the second most wins for a woman with a total of 24. She is also the most awarded artist at the MTV Video Music Awards, with 24 wins, including the Michael Jackson Video Vanguard Award. In 2014, she became the highest-earning Black musician in history and was listed among Time’s 100 most influential people in the world for a second year in a row. Forbes ranked her as the most powerful female in entertainment on their 2015 and 2017 lists. She occupied the sixth place for Time’s Person of the Year in 2016, and in 2020, was named one of the 100 women who defined the last century by the same publication. Beyoncé was also included on Encyclopædia Britannica’s 100 Women list in 2019, for her contributions to the entertainment industry.

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Life and career

1981–1996: Early life

Beyonce Giselle Knowles was born in Houston, Texas, to Celestine “Tina” Knowles (née Beyonce), a hairdresser and salon owner, and Mathew Knowles, a Xerox sales manager. Her younger sister Solange Knowles is also a singer and a former backup dancer for Destiny’s Child. Solange and Beyoncé are the first sisters to have both had No. 1 albums. Mathew is African American, and Tina is of Louisiana Creole descent (French, Native American, and African), and distant Jewish, Spanish, Chinese and Indonesian ancestry. Through her mother, Beyoncé is a descendant of Acadian leader Joseph Broussard,[20] as well as a descendant of Jean-Vincent d’Abbadie de Saint-Castin. In 2018, Beyoncé researched her ancestry and found out that she is descended from a slaveowner.

Beyoncé attended St. Mary’s Montessori School in Houston, where she enrolled in dance classes. Her singing talent was discovered when dance instructor Darlette Johnson began humming a song and she finished it, able to hit the high-pitched notes. Beyoncé’s interest in music and performing continued after winning a school talent show at age seven, singing John Lennon’s “Imagine” to beat 15/16-year-olds. In the fall of 1990, Beyoncé enrolled in Parker Elementary School, a music magnet school in Houston, where she would perform with the school’s choir.  She also attended the High School for the Performing and Visual Arts[31] and later Alief Elsik High School. Beyoncé was also a member of the choir at St. John’s United Methodist Church as a soloist for two years.

When Beyoncé was eight, she and childhood friend Kelly Rowland met LaTavia Roberson while at an audition for an all-girl entertainment group. They were placed into a group called Girl’s Tyme with three other girls, and rapped and danced on the talent show circuit in Houston. After seeing the group, R&B producer Arne Frager brought them to his Northern California studio and placed them in Star Search, the largest talent show on national TV at the time. Girl’s Tyme failed to win, and Beyoncé later said the song they performed was not good. In 1995 Beyoncé’s father resigned from his job to manage the group. The move reduced Beyoncé’s family’s income by half, and her parents were forced to move into separated apartments. Mathew cut the original line-up to four and the group continued performing as an opening act for other established R&B girl groups. The girls auditioned before record labels and were finally signed to Elektra Records, moving to Atlanta Records briefly to work on their first recording, only to be cut by the company. This put further strain on the family, and Beyoncé’s parents separated. On October 5, 1995, Dwayne Wiggins’s Grass Roots Entertainment signed the group. In 1996, the girls began recording their debut album under an agreement with Sony Music, the Knowles family reunited, and shortly after, the group got a contract with Columbia Records.

1997–2002: Destiny’s Child

The group changed their name to Destiny’s Child in 1996, based upon a passage in the Book of Isaiah. In 1997, Destiny’s Child released their major label debut song “Killing Time” on the soundtrack to the 1997 film Men in Black. In November, the group released their debut single and first major hit, “No, No, No”. They released their self-titled debut album in February 1998, which established the group as a viable act in the music industry, with moderate sales and winning the group three Soul Train Lady of Soul Awards for Best R&B/Soul Album of the Year, Best R&B/Soul or Rap New Artist, and Best R&B/Soul Single for “No, No, No”. The group released their Multi-Platinum second album The Writing’s on the Wall in 1999. The record features some of the group’s most widely known songs such as “Bills, Bills, Bills”, the group’s first number-one single, “Jumpin’ Jumpin’” and “Say My Name”, which became their most successful song at the time, and would remain one of their signature songs. “Say My Name” won the Best R&B Performance by a Duo or Group with Vocals and the Best R&B Song at the 43rd Annual Grammy Awards. The Writing’s on the Wall sold more than eight million copies worldwide. During this time, Beyoncé recorded a duet with Marc Nelson, an original member of Boyz II Men, on the song “After All Is Said and Done” for the soundtrack to the 1999 film, The Best Man.

LeToya Luckett and Roberson became unhappy with Mathew’s managing of the band and eventually were replaced by Farrah Franklin and Michelle Williams. Beyoncé experienced depression following the split with Luckett and Roberson after being publicly blamed by the media, critics, and blogs for its cause. Her long-standing boyfriend left her at this time. The depression was so severe it lasted for a couple of years, during which she occasionally kept herself in her bedroom for days and refused to eat anything. Beyoncé stated that she struggled to speak about her depression because Destiny’s Child had just won their first Grammy Award, and she feared no one would take her seriously. Beyoncé would later speak of her mother as the person who helped her fight it. Franklin was then dismissed, leaving just Beyoncé, Rowland, and Williams.

The remaining band members recorded “Independent Women Part I”, which appeared on the soundtrack to the 2000 film Charlie’s Angels. It became their best-charting single, topping the U.S. Billboard Hot 100 chart for eleven consecutive weeks. In early 2001, while Destiny’s Child was completing their third album, Beyoncé landed a major role in the MTV made-for-television film, Carmen: A Hip Hopera, starring alongside American actor Mekhi Phifer. Set in Philadelphia, the film is a modern interpretation of the 19th-century opera Carmen by French composer Georges Bizet. When the third album Survivor was released in May 2001, Luckett and Roberson filed a lawsuit claiming that the songs were aimed at them. The album debuted at number one on the U.S. Billboard 200, with first-week sales of 663,000 copies sold. The album spawned other number-one hits, “Bootylicious” and the title track, “Survivor”, the latter of which earned the group a Grammy Award for Best R&B Performance by a Duo or Group with Vocals. After releasing their holiday album 8 Days of Christmas in October 2001, the group announced a hiatus to further pursue solo careers.

In July 2002, Beyoncé made her theatrical film debut, playing Foxxy Cleopatra alongside Mike Myers in the comedy film Austin Powers in Goldmember, which spent its first weekend atop the US box office and grossed $73 million. Beyoncé released “Work It Out” as the lead single from its soundtrack album which entered the top ten in the UK, Norway, and Belgium. In 2003, Beyoncé starred opposite Cuba Gooding, Jr., in the musical comedy The Fighting Temptations as Lilly, a single mother with whom Gooding’s character falls in love. The film received mixed reviews from critics but grossed $30 million in the U.S. Beyoncé released “Fighting Temptation” as the lead single from the film’s soundtrack album, with Missy Elliott, MC Lyte, and Free which was also used to promote the film. Another of Beyoncé’s contributions to the soundtrack, “Summertime”, fared better on the US charts.

2003–2005: Dangerously in Love and Destiny Fulfilled

Beyoncé’s first solo recording was a feature on Jay-Z’s song “’03 Bonnie & Clyde” that was released in October 2002, peaking at number four on the U.S. Billboard Hot 100 chart.[58] On June 14, 2003, Beyoncé premiered songs from her first solo album Dangerously in Love during her first solo concert and the pay-per-view television special, “Ford Presents Beyoncé Knowles, Friends & Family, Live From Ford’s 100th Anniversary Celebration in Dearborn, Michigan.”[59] The album was released on June 24, 2003, after Michelle Williams and Kelly Rowland had released their solo efforts. The album sold 317,000 copies in its first week, debuted atop the Billboard 200,[61] and has since sold 11 million copies worldwide. The album’s lead single, “Crazy in Love”, featuring Jay-Z, became Beyoncé’s first number-one single as a solo artist in the US. The single “Baby Boy” also reached number one,  and singles, “Me, Myself and I” and “Naughty Girl”, both reached the top-five. The album earned Beyoncé a then record-tying five awards at the 46th Annual Grammy Awards; Best Contemporary R&B Album, Best Female R&B Vocal Performance for “Dangerously in Love 2”, Best R&B Song and Best Rap/Sung Collaboration for “Crazy in Love”, and Best R&B Performance by a Duo or Group with Vocals for “The Closer I Get to You” with Luther Vandross. During the ceremony, she performed with Prince.

In November 2003, she embarked on the Dangerously in Love Tour in Europe and later toured alongside Missy Elliott and Alicia Keys for the Verizon Ladies First Tour in North America. On February 1, 2004, Beyoncé performed the American national anthem at Super Bowl XXXVIII, at the Reliant Stadium in Houston, Texas. After the release of Dangerously in Love, Beyoncé had planned to produce a follow-up album using several of the left-over tracks. However, this was put on hold so she could concentrate on recording Destiny Fulfilled, the final studio album by Destiny’s Child.[68] Released on November 15, 2004, in the US and peaking at number two on the Billboard 200, Destiny Fulfilled included the singles “Lose My Breath” and “Soldier”, which reached the top five on the Billboard Hot 100 chart.[ Destiny’s Child embarked on a worldwide concert tour, Destiny Fulfilled… and Lovin’ It sponsored by McDonald’s Corporation, and performed hits such as “No, No, No”, “Survivor”, “Say My Name”, “Independent Women” and “Lose My Breath”. In addition to renditions of the group’s recorded material, they also performed songs from each singer’s solo careers, most notably numbers from Dangerously in Love. and during the last stop of their European tour, in Barcelona on June 11, 2005, Rowland announced that Destiny’s Child would disband following the North American leg of the tour. The group released their first compilation album Number 1’s on October 25, 2005, in the US and accepted a star on the Hollywood Walk of Fame in March 2006. The group has sold 60 million records worldwide.

2006–2007: B’Day and Dreamgirls

Beyoncé’s second solo album B’Day was released on September 4, 2006, in the US, to coincide with her twenty-fifth birthday. It sold 541,000 copies in its first week and debuted atop the Billboard 200, becoming Beyoncé’s second consecutive number-one album in the United States.[80] The album’s lead single “Déjà Vu”, featuring Jay-Z, reached the top five on the Billboard Hot 100 chart. The second international single “Irreplaceable” was a commercial success worldwide, reaching number one in Australia, Hungary, Ireland, New Zealand and the United States. B’Day also produced three other singles; “Ring the Alarm”, “Get Me Bodied”, and “Green Light” (released in the United Kingdom only).

At the 49th Annual Grammy Awards (2007), B’Day was nominated for five Grammy Awards, including Best Contemporary R&B Album, Best Female R&B Vocal Performance for “Ring the Alarm” and Best R&B Song and Best Rap/Sung Collaboration”for “Déjà Vu”; the Freemasons club mix of “Déjà Vu” without the rap was put forward in the Best Remixed Recording, Non-Classical category. B’Day won the award for Best Contemporary R&B Album. The following year, B’Day received two nominations – for Record of the Year for “Irreplaceable” and Best Pop Collaboration with Vocals for “Beautiful Liar” (with Shakira), also receiving a nomination for Best Compilation Soundtrack Album for Motion Pictures, Television or Other Visual Media for her appearance on Dreamgirls: Music from the Motion Picture (2006).

Her first acting role of 2006 was in the comedy film The Pink Panther starring opposite Steve Martin, grossing $158.8 million at the box office worldwide.[88] Her second film Dreamgirls, the film version of the 1981 Broadway musical loosely based on The Supremes, received acclaim from critics and grossed $154 million internationally. In it, she starred opposite Jennifer Hudson, Jamie Foxx, and Eddie Murphy playing a pop singer based on Diana Ross. To promote the film, Beyoncé released “Listen” as the lead single from the soundtrack album. In April 2007, Beyoncé embarked on The Beyoncé Experience, her first worldwide concert tour, visiting 97 venues  and grossed over $24 million.[note 1] Beyoncé conducted pre-concert food donation drives during six major stops in conjunction with her pastor at St. John’s and America’s Second Harvest. At the same time, B’Day was re-released with five additional songs, including her duet with Shakira “Beautiful Liar”.

2008–2010: I Am… Sasha Fierce

I Am… Sasha Fierce was released on November 18, 2008, in the United States. The album formally introduces Beyoncé’s alter ego Sasha Fierce, conceived during the making of her 2003 single “Crazy in Love”. It was met with generally mediocre reviews from critics, but sold 482,000 copies in its first week, debuting atop the Billboard 200, and giving Beyoncé her third consecutive number-one album in the US. The album featured the number-one song “Single Ladies (Put a Ring on It)”  and the top-five songs “If I Were a Boy” and “Halo”. Achieving the accomplishment of becoming her longest-running Hot 100 single in her career, “Halo”‘s success in the US helped Beyoncé attain more top-ten singles on the list than any other woman during the 2000s. It also included the successful “Sweet Dreams”, and singles “Diva”, “Ego”, “Broken-Hearted Girl” and “Video Phone”. The music video for “Single Ladies” has been parodied and imitated around the world, spawning the “first major dance craze” of the Internet age according to the Toronto Star. The video has won several awards, including Best Video at the 2009 MTV Europe Music Awards, the 2009 Scottish MOBO Awards, and the 2009 BET Awards. At the 2009 MTV Video Music Awards, the video was nominated for nine awards, ultimately winning three including Video of the Year. Its failure to win the Best Female Video category, which went to American singer-songwriter Taylor Swift’s “You Belong with Me”, led to Kanye West interrupting the ceremony and Beyoncé improvising a re-presentation of Swift’s award during her own acceptance speech. In March 2009, Beyoncé embarked on the I Am… World Tour, her second headlining worldwide concert tour, consisting of 108 shows, grossing $119.5 million.

Beyoncé further expanded her acting career, starring as blues singer Etta James in the 2008 musical biopic Cadillac Records. Her performance in the film received praise from critics, and she garnered several nominations for her portrayal of James, including a Satellite Award nomination for Best Supporting Actress, and a NAACP Image Award nomination for Outstanding Supporting Actress. Beyoncé donated her entire salary from the film to Phoenix House, an organization of rehabilitation centers for heroin addicts around the country. On January 20, 2009, Beyoncé performed James’ “At Last” at First Couple Barack and Michelle Obama’s first inaugural ball. Beyoncé starred opposite Ali Larter and Idris Elba in the thriller, Obsessed. She played Sharon Charles, a mother and wife whose family is threatened by her husband’s stalker. Although the film received negative reviews from critics,  the movie did well at the US box office, grossing $68 million—$60 million more than Cadillac Records —on a budget of $20 million. The fight scene finale between Sharon and the character played by Ali Larter also won the 2010 MTV Movie Award for Best Fight.

At the 52nd Annual Grammy Awards, Beyoncé received ten nominations, including Album of the Year for I Am… Sasha Fierce, Record of the Year for “Halo”, and Song of the Year for “Single Ladies (Put a Ring on It)”, among others.  She tied with Lauryn Hill for most Grammy nominations in a single year by a female artist. Beyoncé went on to win six of those nominations, breaking a record she previously tied in 2004 for the most Grammy awards won in a single night by a female artist with six. In 2010, Beyoncé was featured on Lady Gaga’s single “Telephone” and appeared in its music video. The song topped the US Pop Songs chart, becoming the sixth number-one for both Beyoncé and Gaga, tying them with Mariah Carey for most number-ones since the Nielsen Top 40 airplay chart launched in 1992. “Telephone” received a Grammy Award nomination for Best Pop Collaboration with Vocals.

Beyoncé announced a hiatus from her music career in January 2010, heeding her mother’s advice, “to live life, to be inspired by things again”. During the break she and her father parted ways as business partners.[ Beyoncé’s musical break lasted nine months and saw her visit multiple European cities, the Great Wall of China, the Egyptian pyramids, Australia, English music festivals and various museums and ballet performances.

2011–2013: 4 and documentary film

On June 26, 2011, she became the first solo female artist to headline the main Pyramid stage at the 2011 Glastonbury Festival in over twenty years. Her fourth studio album 4 was released two days later in the US. 4 sold 310,000 copies in its first week and debuted atop the Billboard 200 chart, giving Beyoncé her fourth consecutive number-one album in the US. The album was preceded by two of its singles “Run the World (Girls)” and “Best Thing I Never Had”. The fourth single “Love on Top” spent seven consecutive weeks at number one on the Hot R&B/Hip-Hop Songs chart, while peaking at number 20 on the Billboard Hot 100, the highest peak from the album. 4 also produced four other singles; “Party”, “Countdown”, “I Care” and “End of Time”. “Eat, Play, Love”, a cover story written by Beyoncé for Essence that detailed her 2010 career break, won her a writing award from the New York Association of Black Journalists. In late 2011, she took the stage at New York’s Roseland Ballroom for four nights of special performances: the 4 Intimate Nights with Beyoncé concerts saw the performance of her 4 album to a standing room only. On August 1, 2011, the album was certified platinum by the Recording Industry Association of America (RIAA), having shipped 1 million copies to retail stores. By December 2015, it reached sales of 1.5 million copies in the US. The album reached one billion Spotify streams on February 5, 2018, making Beyoncé the first female artist to have three of their albums surpass one billion streams on the platform.

In June 2012, she performed for four nights at Revel Atlantic City’s Ovation Hall to celebrate the resort’s opening, her first performances since giving birth to her daughter.

In January 2013, Destiny’s Child released Love Songs, a compilation album of the romance-themed songs from their previous albums and a newly recorded track, “Nuclear”. Beyoncé performed the American national anthem singing along with a pre-recorded track at President Obama’s second inauguration in Washington, D.C. The following month, Beyoncé performed at the Super Bowl XLVII halftime show, held at the Mercedes-Benz Superdome in New Orleans. The performance stands as the second most tweeted about moment in history at 268,000 tweets per minute. At the 55th Annual Grammy Awards, Beyoncé won for Best Traditional R&B Performance for “Love on Top”. Her feature-length documentary film, Life Is But a Dream, first aired on HBO on February 16, 2013.  The film was co-directed by Beyoncé herself.

2013–2015: Beyoncé

Beyoncé embarked on The Mrs. Carter Show World Tour on April 15 in Belgrade, Serbia; the tour included 132 dates that ran through to March 2014. It became the most successful tour of her career and one of the most successful tours of all time. In May, Beyoncé’s cover of Amy Winehouse’s “Back to Black” with André 3000 on The Great Gatsby soundtrack was released. Beyoncé voiced Queen Tara in the 3D CGI animated film, Epic, released by 20th Century Fox on May 24,  and recorded an original song for the film, “Rise Up”, co-written with Sia.

On December 13, 2013, Beyoncé unexpectedly released her eponymous fifth studio album on the iTunes Store without any prior announcement or promotion. The album debuted atop the Billboard 200 chart, giving Beyoncé her fifth consecutive number-one album in the US. This made her the first woman in the chart’s history to have her first five studio albums debut at number one. Beyoncé received critical acclaim and commercial success, selling one million digital copies worldwide in six days; Musically an electro-R&B album, it concerns darker themes previously unexplored in her work, such as “bulimia, postnatal depression [and] the fears and insecurities of marriage and motherhood”. The single “Drunk in Love”, featuring Jay-Z, peaked at number two on the Billboard Hot 100 chart.

In April 2014, after much speculation,[162] Beyoncé and Jay-Z officially announced their On the Run Tour. It served as the couple’s first co-headlining stadium tour together. On August 24, 2014, she received the Michael Jackson Video Vanguard Award at the 2014 MTV Video Music Awards. Beyoncé also won home three competitive awards: Best Video with a Social Message and Best Cinematography for “Pretty Hurts”, as well as best collaboration for “Drunk in Love”. In November, Forbes reported that Beyoncé was the top-earning woman in music for the second year in a row—earning $115 million in the year, more than double her earnings in 2013. Beyoncé was reissued with new material in three forms: as an extended play, a box set, as well as a full platinum edition. According to the International Federation of the Phonographic Industry (IFPI), in the last 19 days of 2013, the album sold 2.3 million units worldwide, becoming the tenth best-selling album of 2013. The album also went on to become the twentieth best-selling album of 2014. As of November 2014, Beyoncé has sold over 5 million copies worldwide and has generated over 1 billion streams, as of March 2015.

At the 57th Annual Grammy Awards in February 2015, Beyoncé was nominated for six awards, ultimately winning three: Best R&B Performance and Best R&B Song for “Drunk in Love”, and Best Surround Sound Album for Beyoncé. She was nominated for Album of the Year, but the award went to Beck for his album Morning Phase.

2016–2018: Lemonade and Everything Is Love

On February 6, 2016, Beyoncé released “Formation” and its accompanying music video exclusively on the music streaming platform Tidal; the song was made available to download for free. She performed “Formation” live for the first time during the NFL Super Bowl 50 halftime show. The appearance was considered controversial as it appeared to reference the 50th anniversary of the Black Panther Party and the NFL forbids political statements in its performances. Immediately following the performance, Beyoncé announced The Formation World Tour, which highlighted stops in both North America, and Europe. It ended on October 7, with Beyoncé bringing out her husband Jay-Z, Kendrick Lamar, and Serena Williams for the last show. The tour went on to win Tour of the Year at the 44th American Music Awards.

On April 16, 2016, Beyoncé released a teaser clip for a project called Lemonade. It turned out to be a one-hour film which aired on HBO exactly a week later; a corresponding album with the same title was released on the same day exclusively on Tidal. Lemonade debuted at number one on the US Billboard 200, making Beyoncé the first act in Billboard history to have their first six studio albums debut atop the chart; she broke a record previously tied with DMX in 2013. With all 12 tracks of Lemonade debuting on the Billboard Hot 100 chart, Beyoncé also became the first female act to chart 12 or more songs at the same time. Additionally, Lemonade was streamed 115 million times through Tidal, setting a record for the most-streamed album in a single week by a female artist in history. It was 2016’s third highest-selling album in the US with 1.554 million copies sold in that time period within the country as well as the best-selling album worldwide with global sales of 2.5 million throughout the year. In June 2019, Lemonade was certified 3× Platinum, having sold up to 3 million album-equivalent units in the United States alone.

Lemonade became her most critically acclaimed work to date, receiving universal acclaim according to Metacritic, a website collecting reviews from professional music critics. Several music publications included the album among the best of 2016, including Rolling Stone, which listed Lemonade at number one. The album’s visuals were nominated in 11 categories at the 2016 MTV Video Music Awards, the most ever received by Beyoncé in a single year, and went on to win 8 awards, including Video of the Year for “Formation”.  The eight wins made Beyoncé the most awarded artist in the history of the VMAs (24), surpassing Madonna (20). Beyoncé occupied the sixth place for Time magazine’s 2016 Person of the Year.

In January 2017, it was announced that Beyoncé would headline the Coachella Music and Arts Festival. This would make Beyoncé only the second female headliner of the festival since it was founded in 1999. It was later announced on February 23, 2017 that Beyoncé would no longer be able to perform at the festival due to doctor’s concerns regarding her pregnancy. The festival owners announced that she will instead headline the 2018 festival. Upon the announcement of Beyoncé’s departure from the festival lineup, ticket prices dropped by 12%.

At the 59th Grammy Awards in February 2017, Lemonade led the nominations with nine, including Album, Record, and Song of the Year for Lemonade and “Formation” respectively. and ultimately won two, Best Urban Contemporary Album for Lemonade and Best Music Video for “Formation”.[196] Adele, upon winning her Grammy for Album of the Year, stated Lemonade was monumental and more deserving.

In September 2017, Beyoncé collaborated with J Balvin and Willy William, to release a remix of the song “Mi Gente”. Beyoncé donated all proceeds from the song to hurricane charities for those affected by Hurricane Harvey and Hurricane Irma in Texas, Mexico, Puerto Rico, and other Caribbean Islands.

On November 10, Eminem released “Walk on Water” featuring Beyoncé as the lead single from his album Revival. On November 30, Ed Sheeran announced that Beyoncé would feature on the remix to his song “Perfect”. “Perfect Duet” was released on December 1, 2017. The song reached number-one in the United States, becoming Beyoncé’s sixth song of her solo career to do so.

On January 4, 2018, the music video of Beyoncé and Jay-Z’s 4:44 collaboration, “Family Feud” was released. It was directed by Ava DuVernay. On March 1, 2018, DJ Khaled released “Top Off” as the first single from his forthcoming album Father of Asahd featuring Beyoncé, husband Jay-Z, and Future. On March 5, 2018, a joint tour with Knowles’ husband Jay-Z, was leaked on Facebook. Information about the tour was later taken down. The couple announced the joint tour officially as On the Run II Tour on March 12 and simultaneously released a trailer for the tour on YouTube. On March 20, 2018, the couple traveled to Jamaica to film a music video directed by Melina Matsoukas.

On April 14, 2018, Beyoncé played the first of two weekends as the headlining act of the Coachella Music Festival. Her performance of April 14, attended by 125,000 festival-goers, was immediately praised, with multiple media outlets describing it as historic. The performance became the most-tweeted-about performance of weekend one, as well as the most-watched live Coachella performance and the most-watched live performance on YouTube of all time. The show paid tribute to black culture, specifically historically black colleges and universities and featured a live band with over 100 dancers. Destiny’s Child also reunited during the show.

On June 6, 2018, Beyoncé and husband Jay-Z kicked-off the On the Run II Tour in Cardiff, United Kingdom. Ten days later, at their final London performance, the pair unveiled Everything Is Love, their joint studio album, credited under the name The Carters, and initially available exclusively on Tidal. The pair also released the video for the album’s lead single, “Apeshit”, on Beyoncé’s official YouTube channel. Everything Is Love received generally positive reviews, and debuted at number two on the US Billboard 200, with 123,000 album-equivalent units, of which 70,000 were pure album sales. On December 2, 2018, Beyoncé alongside Jay-Z headlined the Global Citizen Festival: Mandela 100 which was held at FNB Stadium in Johannesburg, South Africa. Their 2-hour performance had concepts similar to the On the Run II Tour and Beyoncé was praised for her outfits, which paid tribute to Africa’s diversity.

2019–present: Homecoming, The Lion King and Black Is King

 

Homecoming, a documentary and concert film focusing on Beyoncé’s historic 2018 Coachella performances, was released by Netflix on April 17, 2019. The film was accompanied by the surprise live album Homecoming: The Live Album. It was later reported that Beyoncé and Netflix had signed a $60 million deal to produce three different projects, one of which is Homecoming. Homecoming received six nominations at the 71st Primetime Creative Arts Emmy Awards.

Beyoncé starred as the voice of Nala in the remake The Lion King, which was released on July 19, 2019. Beyoncé is featured on the film’s soundtrack, released on July 11, 2019, with a remake of the song “Can You Feel the Love Tonight” alongside Donald Glover, Billy Eichner and Seth Rogen, which was originally composed by Elton John. Additionally, an original song from the film by Beyoncé, “Spirit”, was released as the lead single from both the soundtrack and The Lion King: The Gift – a companion album released alongside the film, produced and curated by Beyoncé. Beyoncé called The Lion King: The Gift a “sonic cinema.” She also stated that the album is influenced by everything from R&B, pop, hip hop and Afro Beat. The songs were additionally produced by African producers, which Beyoncé said was because “authenticity and heart were important to [her],” since the film is set in Africa. In September of the same year, a documentary chronicling the development, production and early music video filming of The Lion King: The Gift entitled “Beyoncé Presents: Making The Gift” was aired on ABC.

During an interview for The Wall Street Journal, published in February 2020, Beyoncé’s mother, Tina Knowles, revealed that the singer had borrowed some of her art pieces for a new project already in development. On April 29, 2020, Beyoncé was featured on the remix of Megan Thee Stallion’s song “Savage”, marking her first material of music for the year, the song peaked at number one on the Billboard Hot 100, marking Beyoncé’s eleventh song to do so across all acts.  On June 19, 2020, Beyoncé released the nonprofit charity single “Black Parade”. On June 23, she followed up the release of its studio version with an a capella version exclusively on Tidal.  Black Is King, a visual album based on the music of The Lion King: The Gift, premiered globally on Disney+ on July 31, 2020. Produced by Disney and Parkwood Entertainment, the film was written, directed and executive produced by Beyoncé. The film was described by Disney as “a celebratory memoir for the world on the Black experience”.

Artistry

Voice and musical style

Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as “one of the most compelling instruments in popular music”. Her vocal abilities mean she is identified as the centerpiece of Destiny’s Child. Jon Pareles of The New York Times commented that her voice is “velvety yet tart, with an insistent flutter and reserves of soul belting”. Rosen notes that the hip hop era highly influenced Beyoncé’s unique rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was “capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars.”

Beyoncé’s music is generally R&B,[ and hip hop but she also incorporates soul and funk into her songs. 4 demonstrated Beyoncé’s exploration of 1990s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B’Day for a Spanish-language audience), and the re-release of B’Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Songwriting credits

Beyoncé has received co-writing credits for most of the songs recorded with Destiny’s Child and nearly all the original songs she has recorded solo, but no sole writing credit. Her early songs were personally driven and female-empowerment themed compositions like “Independent Women” and “Survivor”, but after the start of her relationship with Jay-Z, she transitioned to more man-tending anthems such as “Cater 2 U”. Beyoncé also received co-producing credits for Dangerously in Love, although she did not formulate beats herself and instead came up with melodies and ideas during production, sharing them with producers.

In 2001, she became the first Black woman and second female lyricist to win the Pop Songwriter of the Year award at the ASCAP Pop Music Awards. Beyoncé was the third woman to have writing credits on three number-one songs (“Irreplaceable”, “Grillz” and “Check on It”) in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American lyricist Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song “I Was Here” for 4. ) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the Top 20 Hot 100 Songwriters for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list, along with Alicia Keys and Taylor Swift.

Beyoncé has long received criticism, including from journalists and musicians, for the extensive writing credits on her songs. The controversy surrounding her songwriting credits began with interviews in which she attributed herself as the songwriter for songs in which she was a co-writer or for which her contributions were marginal. In a cover story for Vanity Fair in 2005, she claimed to have “written” several number-one songs for Destiny’s Child, contrary to the credits, which list her as a co-writer among others. In a 2007 interview with Barbara Walters, she claimed to have conceived the musical idea for the Destiny’s Child hit “Bootylicious”, which provoked the song’s producer Rob Fusari to call her father and then-manager Mathew Knowles in protest over the claim. As Fusari tells Billboard, “[Knowles] explained to me, in a nice way, he said, ‘People don’t want to hear about Rob Fusari, producer from Livingston, N.J. No offense, but that’s not what sells records. What sells records is people believing that the artist is everything.’” However, in an interview for Entertainment Weekly in 2016, Fusari said Beyoncé “had the ‘Bootylicious’ concept in her head. That was totally her. She knew what she wanted to say. It was very urban pop angle that they were taking on the record.”

In 2007, the Academy of Motion Picture Arts and Sciences ruled out Beyoncé as a songwriter on “Listen” (from Dreamgirls) for its Oscar nomination in the Best Original Song category. Responding to a then-new three-writer limit, the Academy deemed her contribution the least significant for inclusion. In 2009, Ryan Tedder’s original demo for “Halo” leaked on the Internet, revealing an identical resemblance to Beyoncé’s recording, for which she received a writing credit. When interviewed by The Guardian, Tedder explained that Beyoncé had edited the bridge of the song vocally and thus earned the credit, although he vaguely questioned the ethics of her possible “demand” for a writing credit in other instances. Tedder elaborated when speaking to Gigwise that “She does stuff on any given song that, when you go from the demo to the final version, takes it to another level that you never would have thought of as the writer. For instance, on ‘Halo,’ that bridge on her version is completely different to my original one. Basically, she came in, ditched that, edited it, did her vocal thing on it, and now it’s become one of my favorite parts of the song. The whole melody, she wrote it spontaneously in the studio. So her credit on that song stems from that.”  In 2014, the popular industry songwriter Linda Perry responded to a question about Beyoncé receiving a co-writing credit for changing one lyric to a song: “Well haha um that’s not songwriting but some of these artists believe if it wasn’t for them your song would never get out there so they take a cut just because they are who they are. But everyone knows the real truth about Beyoncé. She is talented but in a completely different way.” Perry’s remarks were echoed by Frank Ocean, who acknowledged the trend of recording artists forcing writing credits while jokingly suggesting Beyoncé had an exceptional status.

Reflecting on the controversy, Sunday Independent columnist Alexis Kritselis wrote in 2014, “It seems as though our love for all things Beyoncé has blinded us to the very real claims of theft and plagiarism that have plagued her career for years”, and that, “because of her power and influence in the music industry, it may be hard for some songwriters to ‘just say no’ to Beyoncé.” While reporting on her controversial writing record, pop culture critics such as Roger Friedman and The Daily Beast’s Kevin Fallon said the trend has redefined popular conceptions of songwriting, with Fallon saying, “the village of authors and composers that populate Lemonade, [Kanye West’]s Life of Pablo, [Rihanna’s] Anti, or [Drake’s] Views—all of which are still reflective of an artist’s voice and vision … speaks to the truth of the way the industry’s top artists create their music today: by committee.” James S. Murphy of Vanity Fair suggests Beyoncé is among the major artists like Frank Sinatra and Billie Holiday who are “celebrated [not] because [they] write such good parts, but because [they] create them out of the words that are given”.

Meanwhile, Everything Is Love producers Cool & Dre stated that Beyoncé is “100 percent involved” in writing her own songs, with Dre saying that “She put her mind to the music and did her thing. If she had a melody idea, she came up with the words. If we had the words, she came up with the melody. She’s a beast,” when speaking on the writing process of Everything Is Love. Ne-Yo, when asked about his collaborative writing experience with Beyoncé on “Irreplaceable,” said that they both wrote “two damn totally different songs […] So, yeah, I gave her writer’s credit. Because that counts. That’s writing…. She put her spin on it.”

Influences

Beyoncé names Michael Jackson as her major musical influence.  Aged five, Beyoncé attended her first ever concert where Jackson performed and she claims to have realized her purpose. When she presented him with a tribute award at the World Music Awards in 2006, Beyoncé said, “if it wasn’t for Michael Jackson, I would never ever have performed.” She admires Diana Ross as an “all-around entertainer”. Beyoncé was heavily influenced by Tina Turner, who she said “Tina Turner is someone that I admire, because she made her strength feminine and sexy”. and Whitney Houston, who she said “inspired me to get up there and do what she did.” She credits Mariah Carey’s singing and her song “Vision of Love” as influencing her to begin practicing vocal runs as a child. Her other musical influences include Prince, Lauryn Hill, Sade Adu, Donna Summer, Mary J. Blige, Anita Baker, and Rachelle Ferrell.

The feminism and female empowerment themes on Beyoncé’s second solo album B’Day were inspired by her role in Dreamgirls and by singer Josephine Baker. Beyoncé paid homage to Baker by performing “Déjà Vu” at the 2006 Fashion Rocks concert wearing Baker’s trademark mini-hula skirt embellished with fake bananas. Beyoncé’s third solo album, I Am… Sasha Fierce, was inspired by Jay-Z and especially by Etta James, whose “boldness” inspired Beyoncé to explore other musical genres and styles.  Her fourth solo album, 4, was inspired by Fela Kuti, 1990s R&B, Earth, Wind & Fire, DeBarge, Lionel Richie, Teena Marie, The Jackson 5, New Edition, Adele, Florence and the Machine, and Prince.

Beyoncé has stated that she is personally inspired by Michelle Obama (the 44th First Lady of the United States), saying “she proves you can do it all,” and has described Oprah Winfrey as “the definition of inspiration and a strong woman.” She has also discussed how Jay-Z is a continuing inspiration to her, both with what she describes as his lyrical genius and in the obstacles he has overcome in his life. Beyoncé has expressed admiration for the artist Jean-Michel Basquiat, posting in a letter “what I find in the work of Jean-Michel Basquiat, I search for in every day in music … he is lyrical and raw”. In February 2013, Beyoncé said that Madonna inspired her to take control of her own career. She commented, “I think about Madonna and how she took all of the great things she achieved and started the label and developed other artists. But there are not enough of those women.” Beyoncé also cited Cher as a fashion inspiration.

Music videos and stage

In 2006, Beyoncé introduced her all-female tour band Suga Mama (also the name of a song on B’Day) which includes bassists, drummers, guitarists, horn players, keyboardists and percussionists. Her background singers, The Mamas, consist of Montina Cooper-Donnell, Crystal Collins and Tiffany Moniqué Riddick. They made their debut appearance at the 2006 BET Awards and re-appeared in the music videos for “Irreplaceable” and “Green Light”. The band have supported Beyoncé in most subsequent live performances, including her 2007 concert tour The Beyoncé Experience, I Am… World Tour (2009–2010), The Mrs. Carter Show World Tour (2013–2014) and The Formation World Tour (2016).

Beyoncé has received praise for her stage presence and voice during live performances. Jarett Wieselman of the New York Post placed her at number one on her list of the Five Best Singer/Dancers. According to Barbara Ellen of The Guardian Beyoncé is the most in-charge female artist she’s seen onstage,  while Alice Jones of The Independent wrote she “takes her role as entertainer so seriously she’s almost too good.” The ex-President of Def Jam L.A. Reid has described Beyoncé as the greatest entertainer alive. Jim Farber of the Daily News and Stephanie Classen of The StarPhoenix both praised her strong voice and her stage presence. Beyoncé’s stage outfits have been met with criticism from many countries, such as Malaysia, where she has postponed or cancelled performances due to the country’s strict laws banning revealing costumes.

Beyoncé has worked with numerous directors for her music videos throughout her career, including Melina Matsoukas, Jonas Åkerlund, and Jake Nava. Bill Condon, director of Beauty and the Beast, stated that the Lemonade visuals in particular served as inspiration for his film, commenting, “You look at Beyoncé’s brilliant movie Lemonade, this genre is taking on so many different forms … I do think that this very old-school break-out-into-song traditional musical is something that people understand again and really want.”

Alter ego

Described as being “sexy, seductive and provocative” when performing on stage, Beyoncé has said that she originally created the alter ego “Sasha Fierce” to keep that stage persona separate from who she really is. She described Sasha as being “too aggressive, too strong, too sassy [and] too sexy”, stating, “I’m not like her in real life at all.” Sasha was conceived during the making of “Crazy in Love”, and Beyoncé introduced her with the release of her 2008 album, I Am… Sasha Fierce. In February 2010, she announced in an interview with Allure magazine that she was comfortable enough with herself to no longer need Sasha Fierce. However, Beyoncé announced in May 2012 that she would bring her back for her Revel Presents: Beyoncé Live shows later that month.

Public image

Beyoncé has been described as having a wide-ranging sex appeal, with music journalist Touré writing that since the release of Dangerously in Love, she has “become a crossover sex symbol”. Offstage Beyoncé says that while she likes to dress sexily, her onstage dress “is absolutely for the stage.” Due to her curves and the term’s catchiness, in the 2000s (decade), the media often used the term “Bootylicious” (a portmanteau of the words booty and delicious) to describe Beyoncé,  the term popularized by Destiny’s Child’s single of the same name. In 2006, it was added to the Oxford English Dictionary.

In September 2010, Beyoncé made her runway modelling debut at Tom Ford’s Spring/Summer 2011 fashion show. She was named the “World’s Most Beautiful Woman” by People[ and the “Hottest Female Singer of All Time” by Complex in 2012.  In January 2013, GQ placed her on its cover, featuring her atop its “100 Sexiest Women of the 21st Century” list. VH1 listed her at number 1 on its 100 Sexiest Artists list. Several wax figures of Beyoncé are found at Madame Tussauds Wax Museums in major cities around the world, including New York, Washington, D.C., Amsterdam, Bangkok, Hollywood and Sydney.

According to Italian fashion designer Roberto Cavalli, Beyoncé uses different fashion styles to work with her music while performing.[304] Her mother co-wrote a book, published in 2002, titled Destiny’s Style[305] an account of how fashion affected the trio’s success. The B’Day Anthology Video Album showed many instances of fashion-oriented footage, depicting classic to contemporary wardrobe styles. In 2007, Beyoncé was featured on the cover of the Sports Illustrated Swimsuit Issue, becoming the second African American woman after Tyra Banks, and People magazine recognized Beyoncé as the best-dressed celebrity.

The Beyhive is the name given to Beyoncé’s fan base. Fans were previously titled “The Beyontourage”, (a portmanteau of Beyoncé and entourage). The name Bey Hive derives from the word beehive, purposely misspelled to resemble her first name, and was penned by fans after petitions on the online social networking service Twitter and online news reports during competitions.

In 2006, the animal rights organization People for the Ethical Treatment of Animals (PETA), criticized Beyoncé for wearing and using fur in her clothing line House of Deréon. In 2011, she appeared on the cover of French fashion magazine L’Officiel, in blackface and tribal makeup that drew criticism from the media. A statement released from a spokesperson for the magazine said that Beyoncé’s look was “far from the glamorous Sasha Fierce” and that it was “a return to her African roots”.

Beyoncé’s lighter skin color and costuming has drawn criticism from some in the African-American community.  Emmett Price, a professor of music at Northeastern University, wrote in 2007 that he thinks race plays a role in many of these criticisms, saying white celebrities who dress similarly do not attract as many comments. In 2008, L’Oréal was accused of whitening her skin in their Feria hair color advertisements, responding that “it is categorically untrue”, and in 2013, Beyoncé herself criticized H&M for their proposed “retouching” of promotional images of her, and according to Vogue requested that only “natural pictures be used”.

Beyoncé has been very vocal for the Black Lives Matter movement. Her song “Formation”, which she sang at the 2016 Super Bowl halftime show, gained criticism from some politicians and police. Some police tried to get The Formation World Tour boycotted by other members. Beyoncé has said that she is against police brutality but is not anti-police.

Personal life

Marriage and children

Beyoncé started a relationship with Jay-Z after their collaboration on “’03 Bonnie & Clyde”, which appeared on his seventh album The Blueprint 2: The Gift & The Curse (2002).  Beyoncé appeared as Jay-Z’s girlfriend in the music video for the song, fuelling speculation about their relationship. On April 4, 2008, Beyoncé and Jay-Z married without publicity. As of April 2014, the couple had sold a combined 300 million records together. They are known for their private relationship, although they have appeared to become more relaxed in recent years. Both have acknowledged difficulty that arose in their marriage after Jay-Z had an affair.

Beyoncé miscarried around 2010 or 2011, describing it as “the saddest thing” she had ever endured She returned to the studio and wrote music to cope with the loss. In April 2011, Beyoncé and Jay-Z traveled to Paris to shoot the album cover for 4, and she unexpectedly became pregnant in Paris.  In August, the couple attended the 2011 MTV Video Music Awards, at which Beyoncé performed “Love on Top” and ended the performance by revealing she was pregnant. Her appearance helped that year’s MTV Video Music Awards become the most-watched broadcast in MTV history, pulling in 12.4 million viewers; the announcement was listed in Guinness World Records for “most tweets per second recorded for a single event” on Twitter, receiving 8,868 tweets per second and “Beyonce pregnant” was the most Googled phrase the week of August 29, 2011. On January 7, 2012, Beyoncé gave birth to a daughter, Blue Ivy, at Lenox Hill Hospital in New York City.

Following the release of Lemonade, which included the single “Sorry”, in 2016, speculations arose about Jay-Z’s alleged infidelity with a mistress referred to as “Becky.” Jon Pareles in The New York Times pointed out that many of the accusations were “aimed specifically and recognizably” at him. Similarly, Rob Sheffield of Rolling Stone magazine noted the lines “Suck on my balls, I’ve had enough” were an “unmistakable hint” that the lyrics revolve around Jay-Z.

On February 1, 2017, she revealed on her Instagram account that she was expecting twins. Her announcement gained over 6.3 million “likes” within eight hours, breaking the world record for the most liked image on the website at the time. On July 13, 2017, Beyoncé uploaded the first image of herself and the twins onto her Instagram account, confirming their birth date as a month prior, on June 13, 2017, with the post becoming the second most liked on Instagram, behind her own pregnancy announcement. The twins were born at Ronald Reagan UCLA Medical Center in California. She wrote of her pregnancy and its aftermath in the September 2018 issue of Vogue, in which she had full control of the cover, shot at Hammerwood Park by photographer Tyler Mitchell.

Activism

Beyoncé performed “America the Beautiful” at President Obama’s 2009 presidential inauguration, as well as “At Last” during the first inaugural dance at the Neighborhood Ball two days later. The couple held a fundraiser at Jay-Z’s 40/40 Club in Manhattan for President Obama’s 2012 presidential campaign which raised $4 million. In the 2012 presidential election, the singer voted for President Obama. She performed the American national anthem at his second inauguration in January 2013.

The Washington Post reported in May 2015, that Beyoncé attended a major celebrity fundraiser for 2016 presidential nominee Hillary Clinton.  She also headlined for Clinton in a concert held the weekend before Election Day the next year. In this performance, Beyoncé and her entourage of backup dancers wore pantsuits; a clear allusion to Clinton’s frequent dress-of-choice. The backup dancers also wore “I’m with her” tee shirts, the campaign slogan for Clinton. In a brief speech at this performance Beyoncé said, “I want my daughter to grow up seeing a woman lead our country and knowing that her possibilities are limitless.” She endorsed the bid of Beto O’Rourke during the 2018 United States Senate election in Texas.

In 2013, Beyoncé stated in an interview in Vogue that she considered herself to be “a modern-day feminist”.  She would later align herself more publicly with the movement, sampling “We should all be feminists”, a speech delivered by Nigerian author Chimamanda Ngozi Adichie at a TEDx talk in April 2013, in her song “Flawless”, released later that year. The next year she performed live at the MTV Video Awards in front a giant backdrop reading “Feminist.” Her self-identification incited a circulation of opinions and debate about whether her feminism is aligned with older, more established feminist ideals. Annie Lennox, celebrated artist and feminist advocate, referred to Beyoncé’s use of her word feminist as ‘feminist lite’. bell hooks critiqued Beyoncé, referring to her as a “terrorist” towards feminism, harmfully impacting her audience of young girls.  Adichie responded with “…her type of feminism is not mine, as it is the kind that, at the same time, gives quite a lot of space to the necessity of men. Adichie expands upon what ‘feminist lite’ means to her, referring that “more troubling is the idea, in Feminism Lite, that men are naturally superior but should be expected to “treat women well” and “we judge powerful women more harshly than we judge powerful men. And Feminism Lite enables this.” Beyoncé responded about her intent by utilizing the definition of feminist with her platform was to “give clarity to the true meaning” behind it. She says to understand what being a feminist is, “…it’s very simple. It’s someone who believes in equal rights for men and women.” She advocated to provide equal opportunities for young boys and girls, men and women must begin to understand the double standards that remain persistent in our societies and the issue must be illuminated in effort to start making changes.

She has also contributed to the Ban Bossy campaign, which uses TV and social media to encourage leadership in girls.[356] Following Beyoncé’s public identification as a feminist, the sexualized nature of her performances and the fact that she championed her marriage was questioned.

In December 2012, Beyoncé along with a variety of other celebrities teamed up and produced a video campaign for “Demand A Plan”, a bipartisan effort by a group of 950 US mayors and others designed to influence the federal government into rethinking its gun control laws, following the Sandy Hook Elementary School shooting. Beyoncé publicly endorsed same-sex marriage on March 26, 2013, after the Supreme Court debate on California’s Proposition 8.  She spoke against North Carolina’s Public Facilities Privacy & Security Act, a bill passed (and later repealed) that discriminated against the LGBT community in public places in a statement during her concert in Raleigh as part of the Formation World Tour in 2016 She has also condemned police brutality against black Americans. She and Jay-Z attended a rally in 2013 in response to the acquittal of George Zimmerman for the shooting of Trayvon Martin. The film for her sixth album Lemonade included the mothers of Trayvon Martin, Michael Brown and Eric Garner, holding pictures of their sons in the video for “Freedom” In a 2016 interview with Elle, Beyoncé responded to the controversy surrounding her song “Formation” which was perceived to be critical of the police. She clarified, “I am against police brutality and injustice. Those are two separate things. If celebrating my roots and culture during Black History Month made anyone uncomfortable, those feelings were there long before a video and long before me”.

In February 2017, Beyoncé spoke out against the withdrawal of protections for transgender students in public schools by Donald Trump’s presidential administration. Posting a link to the 100 Days of Kindness campaign on her Facebook page, Beyoncé voiced her support for transgender youth and joined a roster of celebrities who spoke out against Trump’s decision.

In November 2017, Beyoncé presented Colin Kaepernick with the 2017 Sports Illustrated Muhammad Ali Legacy Award, stating, “Thank you for your selfless heart and your conviction, thank you for your personal sacrifice,” and that “Colin took action with no fear of consequence … To change perception, to change the way we treat each other, especially people of color. We’re still waiting for the world to catch up.” Muhammad Ali was heavily penalized in his career for protesting the status quo of US civil rights through opposition to the Vietnam War, by refusing to serve in the military. 40 years later, Kaepernick had already lost one professional year due to taking a much quieter and legal stand “for people that are oppressed.”

Wealth

Forbes magazine began reporting on Beyoncé’s earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world’s best-paid music personality at the time, above Madonna and Celine Dion. It placed her fourth on the Celebrity 100 list in 2009 and ninth on the “Most Powerful Women in the World” list in 2010. The following year, the magazine placed her eighth on the “Best-Paid Celebrities Under 30” list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay-Z placed at number one on the “World’s Highest-Paid Celebrity Couples”, for collectively earning $78 million. The couple made it into the previous year’s Guinness World Records as the “highest-earning power couple” for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé’s endorsements of Pepsi and H&M made her and Jay-Z the world’s first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings.

MTV estimated that by the end of 2014, Beyoncé would become the highest-paid Black musician in history;  this became the case in April 2014. In June 2014, Beyoncé ranked at number one on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date.[380] In 2016, Beyoncé ranked at number 34 on the Celebrity 100 list with earnings of $54 million. Herself and Jay-Z also topped the highest paid celebrity couple list, with combined earnings of $107.5 million. As of 2018, Forbes calculated her net worth to be $355 million, and in June of the same year, ranked her as the 35th highest earning celebrity with annual earnings of $60 million. This tied Beyoncé with Madonna as the only two female artists to earn more than $100 million within a single year twice. As a couple with Jay-Z, they have a combined net worth of $1.16 billion. In July 2017, Billboard announced that Beyoncé was the highest paid musician of 2016, with an estimated total of $62.1 million.

Legacy

Beyoncé’s success has led to her becoming a cultural icon and earning her the nickname “Queen Bey”. In The New Yorker, music critic Jody Rosen described Beyoncé as “the most important and compelling popular musician of the twenty-first century … the result, the logical end point, of a century-plus of pop.” Author James Clear, in his book Atomic Habits (2018), draws a parallel between the singer’s success and the dramatic transformations in modern society: “In the last one hundred years, we have seen the rise of the car, the airplane, the television, the personal computer, the internet, the smartphone, and Beyoncé.” When The Observer named her Artist of the Decade in 2009, Llewyn-Smith wrote:

Why Beyoncé? … Because she made not one but two of the decade’s greatest singles, with ‘Crazy in Love’ and ‘Single Ladies (Put a Ring on It)’, not to mention her hits with Destiny’s Child; and this was the decade when singles – particularly R&B singles – regained their status as pop’s favourite medium. … [She] and not any superannuated rock star was arguably the greatest live performer of the past 10 years.”

Writing for Entertainment Weekly, Alex Suskind noticed how Beyoncé was the decade’s (2010s) defining pop star, stating that “no one dominated music in the 2010s like Queen Bey”, explaining that her “songs, album rollouts, stage presence, social justice initiatives, and disruptive public relations strategy have influenced the way we’ve viewed music since 2010.” British publication NME also shared similar thoughts on her impact in the 2010s, including Beyoncé on their list of the “10 Artists Who Defined The Decade”, explaining: “So much more than a popstar, Beyonce has become an outspoken advocate for civil rights, feminism and self-expression, proving that it’s possible to be politically engaged and still hold down an extremely successful career in mainstream entertainment.”

In 2013, Beyoncé made the Time 100 list, with Baz Luhrmann writing:

“No one has that voice, no one moves the way she moves, no one can hold an audience the way she does … When Beyoncé does an album, when Beyoncé sings a song, when Beyoncé does anything, it’s an event, and it’s broadly influential. Right now, she is the heir-apparent diva of the USA – the reigning national voice.”

In 2014, Beyoncé was listed again on the Time 100 and also featured on the cover of the issue. In 2018, Rolling Stone included her on its Millennial 100 list and Brittany Spanos wrote: “For 20 years, she’s been a stately pop and R&B presence: Destiny’s Child countered the glaringly white bubblegum of the time with unmatchable vocals and choreography, and their success made her solo career fail-proof. It’s one reason Beyoncé may be the most universally beloved artist of the Gen Y. A figure of talent, beauty and grace, Queen Bey has developed into the most exciting artist of the millennium as well as a political figure, setting the tone for how other major stars speak about feminism and the Black Lives Matter movement with the release of her landmark Lemonade album in 2016.”

She is often credited for the cultural shift towards female pop singers rapping and for creating the staccato style of ‘rap-singing’ she used in songs like “Bug a Boo” and “Say My Name”. Uproxx stated that Beyoncé is the primary pioneer of the singsong style that dominates Hip-Hop currently, while Sheldon Pearce of Pitchfork noticed her contribution in changing the sound of pop music radio with her hip-hop a*sisted style, writing:

Her hip-hop fluency gave her an advantage in the pop-star arms race, helping her to become the presiding voice in an increasingly rap-dominated musical landscape. Her evolution, from rap-adjacent R&B star (appearing as early as 1998 in a Geto Boys video) to reluctant hip-hop shareholder to full-blown rapper, played a role in slowly shifting the sound of pop radio.”

Beyoncé’s releases of Beyoncé in 2013 and Lemonade in 2016, which are both concept albums and visual albums, have been credited with revolutionizing the music industry, reinventing the album and transforming how people consume music. In 2020, Billboard named her with Destiny’s Child the third Greatest Music Video artists of all time, behind Madonna and Michael Jackson

Beyoncé’s work has influenced numerous artists including Adele, Alexis Jordan, Ariana Grande,  Azealia Banks. Paul McCartney, Bebe Rexha, Bridgit Mendler, Camila Cabello, Lizzo, Cheryl,  Demi Lovato, Dua Lipa, Ellie Goulding, Ed Sheeran, Fifth Harmony, Florence Welch, Grimes, Hwasa, Iggy Azalea, Jessica Sanchez, Jessie J, JoJo, Kelly Rowland, Kendrick Lamar, Lady Gaga, Little Mix, Meghan Trainor, Nicole Scherzinger, Normani, Millie Bobby Brown, Rihanna, Rita Ora,  Ryan Destiny SZA, Sam Smith, Tinashe, and Zendaya.

American indie rock band White Rabbits also cited her an inspiration for their third album Milk Famous (2012), and Irish singer Sinéad O’Connor cited her as the inspiration for the title of her tenth album I’m Not Bossy, I’m the Boss. Friend Gwyneth Paltrow studied Beyoncé at her live concerts while learning to become a musical performer for the 2010 film Country Strong.

Beyoncé is known for coining popular phrases such as ‘put a ring on it,’ a euphemism for marriage proposal, ‘I woke up like this, which started a trend of posting morning selfies with the hashtag #iwokeuplikethis, and ‘boy, bye,’ which was used as part of the Democratic National Committee’s campaign for the 2020 election. Similarly, she also came up with the phrase “visual album” following the release of her fifth studio album, which had a video for every song. This has been recreated by many other artists since, such as Frank Ocean and Melanie Martinez. The album also popularized surprise releases, with many artists releasing songs, videos or albums with no prior announcement, such as Nicki Minaj, Eminem, Frank Ocean, Jay-Z and Drake.

The lead single of her debut album, “Crazy in Love” was named VH1’s “Greatest Song of the 2000s”, NME’s “Best Track of the 00s” and “Pop Song of the Century”,  considered by Rolling Stone to be one of the 500 greatest songs of all time, earned two Grammy Awards and is one of the best-selling singles of all time at around 8 million copies. The music video for “Single Ladies (Put a Ring on It)”, which achieved fame for its intricate choreography  and its deployment of jazz hands, was credited by the Toronto Star as having started the “first major dance craze of both the new millennium and the Internet”,[106] triggering a number of parodies of the dance choreography  and a legion of amateur imitators on YouTube. In 2013, Drake released a single titled “Girls Love Beyoncé”, which featured an interpolation from Destiny Child’s “Say My Name” and discussed his relationship with women. In January 2012, research scientist Bryan Lessard named Scaptia beyonceae, a species of horse fly found in Northern Queensland, Australia after Beyoncé due to the fly’s unique golden hairs on its abdomen. In July 2014, a Beyoncé exhibit was introduced into the “Legends of Rock” section of the Rock and Roll Hall of Fame. The black leotard from the “Single Ladies” video and her outfit from the Super Bowl half time performance are among several pieces housed at the museum. Architects credit Beyoncé’s look in her “Ghost” music video as the inspiration of the design of the Premier Tower under construction in Australia.

The City of Minneapolis, Minnesota declared May 23 Beyoncé Day in the city in 2016.  In 2018, the City of Columbia, South Carolina declared August 21 Beyoncé Knowles-Carter Day in the city after presenting her with the keys to Columbia.

Beyoncé inspired the character of Catherine of Aragon in the British musical Six, a modern retelling of the lives of the six wives of Henry VIII presented as a pop concert, with the character’s outfit bearing resemblance to Beyoncé’s from her performance at the 59th Annual Grammy Awards Additionally, Beyoncé is featured alongside other R&B and pop divas as a primary character on the popular web parody Got 2B Real.

For their first match of March 2019, the players of the United States women’s national soccer team each wore a jersey with the name of a woman they were honoring on the back; Mallory Pugh chose the name of Beyoncé.

Achievements

Beyoncé has received numerous awards. As a solo artist she has sold over 17 million albums in the US, and over 75 million worldwide (as of February 2013). Having sold over 100 million records worldwide (a further 60 million additionally with Destiny’s Child), Beyoncé is one of the best-selling music artists of all time. The Recording Industry Association of America (RIAA) listed Beyoncé as the top certified artist of the 2000s decade, with a total of 64 certifications. Her songs “Single Ladies (Put a Ring on It)”, “Halo”, and “Irreplaceable” are some of the best-selling singles of all time worldwide. In 2009, The Observer named her the Artist of the Decade and Billboard named her the Top Female Artist and Top Radio Songs Artist of the Decade. In 2010, Billboard named her in their Top 50 R&B/Hip-Hop Artists of the Past 25 Years list at number 15. In 2012 VH1 ranked her third on their list of the “100 Greatest Women in Music”, behind Mariah Carey and Madonna. In 2002, she received Songwriter of the Year from American Society of Composers, Authors and Publishers becoming the First African American woman to win the award. In 2004 and 2019, she received NAACP Image Award for Entertainer of the Year and the Soul Train Music Award for Sammy Davis Jr. – Entertainer of the Year. In 2005, she also received APEX Award at the Trumpet Award honoring achievements of Black African Americans. In 2007, Beyoncé received the International Artist of Excellence award by the American Music Awards. She also received Honorary Otto at the Bravo Otto. The following year, she received the Legend Award for Outstanding Contribution to the Arts at the World Music Awards and Career Achievement Award at the LOS40 Music Awards. In 2010, she received Award of Honor for Artist of the Decade at the NRJ Music Award and at the 2011 Billboard Music Awards, Beyoncé received the inaugural Billboard Millennium Award. Beyoncé received the Michael Jackson Video Vanguard Award at the 2014 MTV Video Music Awards and was honored as Honorary Mother of the Year at the Australian Mother of the Year Award in Barnardo’s Australia for her Humanitarian Effort in the region and the Council of Fashion Designers of America Fashion Icon Award in 2016. In 2019, alongside Jay Z, they received GLAAD Vanguard Award that is presented to a member of the entertainment community who does not identify as LGBT but who has made a significant difference in promoting equal rights for LGBT people. In 2020, she was awarded the BET Humanitarian Award.

Beyoncé has won 24 Grammy Awards, both as a solo artist and member of Destiny’s Child and The Carters, making her the second most honored female artist by the Grammys, behind Alison Krauss She is also the most nominated artist in Grammy Award history with a total of 79 nominations. “Single Ladies (Put a Ring on It)” won Song of the Year in 2010 while “Say My Name”, “Crazy in Love” and “Drunk in Love” have each won Best R&B Song. Dangerously in Love, B’Day and I Am … Sasha Fierce have all won Best Contemporary R&B Album, while Lemonade has won Best Urban Contemporary Album. Beyoncé set the record for the most Grammy awards won by a female artist in one night in 2010 when she won six awards, breaking the tie she previously held with Alicia Keys, Norah Jones, Alison Krauss, and Amy Winehouse, with Adele equaling this in 2012.

Beyoncé has also won 24 MTV Video Music Awards, making her the most-awarded artist in Video Music Award history. She won two awards each with The Carters and Destiny’s Child making her lifetime total of 28 VMAs. “Single Ladies (Put a Ring on It)” and “Formation” won Video of the Year in 2009 and 2016 respectively. Beyoncé tied the record set by Lady Gaga in 2010 for the most VMAs won in one night for a female artist with eight in 2016. She is also the most awarded and nominated artist in BET Award history, winning 29 awards from a total of 60 nominations. and most awarded person in Soul Train Music Awards with over fifteen awards as a solo artist.

Following her role in Dreamgirls, Beyoncé was nominated for Best Original Song for “Listen” and Best Actress at the Golden Globe Awards, and Outstanding Actress in a Motion Picture at the NAACP Image Awards. Beyoncé won two awards at the Broadcast Film Critics Association Awards 2006; Best Song for “Listen” and Best Original Soundtrack for Dreamgirls: Music from the Motion Picture. According to Fuse in 2014, Beyoncé is the second most award-winning artist of all time, after Michael Jackson. Lemonade won a Peabody Award stating “Lemonade draws from the prolific literary, musical, cinematic, and aesthetic sensibilities of black cultural producers to create a rich tapestry of poetic innovation. Defying genre and convention, Lemonade immerses viewers in the sublime worlds of black women, family, and community where we experience poignant and compelling stories about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture.”

She was named on the 2016 BBC Radio 4 Woman’s Hour Power List as one of seven women judged to have had the biggest impact on women’s lives over the past 70 years, alongside Margaret Thatcher, Barbara Castle, Helen Brook, Germaine Greer, Jayaben Desai and Bridget Jones, She was named the Most Powerful Woman in Music on the same list in 2020.

Business and ventures

In 2010, Beyoncé founded her own entertainment company Parkwood Entertainment which formed as an imprint based from Columbia Records, the company began as a production unit for videos and films in 2008. Parkwood Entertainment is named after a street in Houston, Texas where Beyoncé once lived. With headquarters in New York City, the company serves as an umbrella for the entertainer’s various brands in music, movies, videos, and fashion. The staff of Parkwood Entertainment have experiences in arts and entertainment, from filmmaking and video production to web and fashion design. In addition to departments in marketing, digital, creative, publicity, fashion design and merchandising, the company houses a state-of-the-art editing suite, where Beyoncé works on content for her worldwide tours, music videos, and television specials. Parkwood Entertainment’s first production was the musical biopic Cadillac Records (2008), in which Beyoncé starred and co-produced. The company has also distributed Beyoncé’s albums such as her self-titled fifth studio album (2013), Lemonade (2016) and The Carters, Everything is Love (2018). Beyoncé has also signed other artists to Parkwood such as Chloe x Halle, who performed at Super Bowl LIII in February 2019.

Endorsements

Beyoncé has worked with Pepsi since 2002, and in 2004 appeared in a Gladiator-themed commercial with Britney Spears, Pink, and Enrique Iglesias. In 2012, Beyoncé signed a $50 million deal to endorse Pepsi. The Center for Science in the Public Interest (CSPINET) wrote Beyoncé an open letter asking her to reconsider the deal because of the unhealthiness of the product and to donate the proceeds to a medical organisation. Nevertheless, NetBase found that Beyoncé’s campaign was the most talked about endorsement in April 2013, with a 70 percent positive audience response to the commercial and print ads.

Beyoncé has worked with Tommy Hilfiger for the fragrances True Star (singing a cover version of “Wishing on a Star”) and True Star Gold; she also promoted Emporio Armani’s Diamonds fragrance in 2007. Beyoncé launched her first official fragrance, Heat, in 2010. The commercial, which featured the 1956 song “Fever”, was shown after the water shed in the United Kingdom as it begins with an image of Beyoncé appearing to lie naked in a room. In February 2011, Beyoncé launched her second fragrance, Heat Rush. Beyoncé’s third fragrance, Pulse, was launched in September 2011. In 2013, The Mrs. Carter Show Limited Edition version of Heat was released. The six editions of Heat are the world’s best-selling celebrity fragrance line,  with sales of over $400 million.

The release of a video-game Starpower: Beyoncé was cancelled after Beyoncé pulled out of a $100 million with GateFive who alleged the cancellation meant the sacking of 70 staff and millions of pounds lost in development. It was settled out of court by her lawyers in June 2013 who said that they had cancelled because GateFive had lost its financial backers. Beyoncé also has had deals with American Express, Nintendo DS and L’Oréal since the age of 18.

In March 2015, Beyoncé became a co-owner, with other artists, of the music streaming service Tidal. The service specializes in lossless audio and high definition music videos. Beyoncé’s husband Jay-Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyoncé and Jay-Z, sixteen artist stakeholders (such as Kanye West, Rihanna, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry.

Fashion lines

Beyoncé and her mother introduced House of Deréon, a contemporary women’s fashion line, in 2005. The concept is inspired by three generations of women in their family, with the name paying tribute to Beyoncé’s grandmother, Agnèz Deréon, a respected seamstress. According to Tina, the overall style of the line best reflects her and Beyoncé’s taste and style. Beyoncé and her mother founded their family’s company Beyond Productions, which provides the licensing and brand management for House of Deréon, and its junior collection, Deréon. House of Deréon pieces were exhibited in Destiny’s Child’s shows and tours, during their Destiny Fulfilled era. The collection features sportswear, denim offerings with fur, outerwear and accessories that include handbags and footwear, and are available at department and specialty stores across the US and Canada.

In 2005, Beyoncé teamed up with House of Brands, a shoe company, to produce a range of footwear for House of Deréon. In January 2008, Starwave Mobile launched Beyoncé Fashion Diva, a “high-style” mobile game with a social networking component, featuring the House of Deréon collection. In July 2009, Beyoncé and her mother launched a new junior apparel label, Sasha Fierce for Deréon, for back-to-school selling. The collection included sportswear, outerwear, handbags, footwear, eyewear, lingerie and jewelry. It was available at department stores including Macy’s and Dillard’s, and specialty stores Jimmy Jazz and Against All Odds. On May 27, 2010, Beyoncé teamed up with clothing store C&A to launch Deréon by Beyoncé at their stores in Brazil. The collection included tailored blazers with padded shoulders, little black dresses, embroidered tops and shirts and bandage dresses.

In October 2014, Beyoncé signed a deal to launch an activewear line of clothing with British fashion retailer Topshop. The 50–50 venture is called Ivy Park and was launched in April 2016. The brand’s name is a nod to Beyoncé’s daughter and her favourite number four (IV in roman numerals), and also references the park where she used to run in Texas. She has since bought out Topshop owner Philip Green from his 50% share after he was alleged to have sexually harassed, bullied and racially abused employees. She now owns the brand herself. On April 4, 2019, it was announced that Beyoncé would become a creative partner with Adidas and further develop her athletic brand Ivy Park with the company. Knowles will also develop new clothes and footwear for Adidas. Shares for the company rose 1.3% upon the news release. In December, 9, 2019, they announced a launch date which will be on January 18, 2020. Beyoncé uploaded a teaser on her website and Instagram. The collection was also previewed on the upcoming Elle Magazine: January 2020 issue, where Beyoncé is seen wearing several garments, accessories and footwear from the first collection.

Philanthropy

In 2002, Beyoncé, Kelly Rowland and Tina Knowles built the Knowles-Rowland Center for Youth, a community center in Downtown Houston. After Hurricane Katrina in 2005, Beyoncé and Rowland founded the Survivor Foundation to provide transitional housing to displaced families and provide means for new building construction, to which Beyoncé contributed an initial $250,000. The foundation has since expanded to work with other charities in the city, and also provided relief following Hurricane Ike three years later. Beyoncé also donated $100,000 to the Gulf Coast Ike Relief Fund. In 2007, Beyoncé founded the Knowles-Temenos Place Apartments, a housing complex offering living space for 43 displaced individuals. As of 2016, Beyoncé had donated $7 million for the maintenance of the complex.

After starring in Cadillac Records in 2009 and learning about Phoenix House, a non-profit drug and alcohol rehabilitation organization, Beyoncé donated her full $4 million salary from the film to the organization. Beyoncé and her mother subsequently established the Beyoncé Cosmetology Center, which offers a seven-month cosmetology training course helping Phoenix House’s clients gain career skills during their recovery.

In January 2010, Beyoncé participated in George Clooney and Wyclef Jean’s Hope for Haiti Now: A Global Benefit for Earthquake Relief telethon donated a large sum to the organization, and was named the official face of the limited edition CFDA “Fashion For Haiti” T-shirt, made by Theory which raised a total of $1 million. In April 2011, Beyoncé joined forces with US First Lady Michelle Obama and the National Association of Broadcasters Education Foundation, to help boost the latter’s campaign against child obesity by reworking her single “Get Me Bodied”.  Following the death of Osama bin Laden, Beyoncé released her cover of the Lee Greenwood song “God Bless the USA”, as a charity single to help raise funds for the New York Police and Fire Widows’ and Children’s Benefit Fund.

Beyoncé became an ambassador for the 2012 World Humanitarian Day campaign donating her song “I Was Here” and its music video, shot in the UN, to the campaign. In 2013, it was announced that Beyoncé would work with Salma Hayek and Frida Giannini on a Gucci “Chime for Change” campaign that aims to spread female empowerment. The campaign, which aired on February 28, was set to her new music. A concert for the cause took place on June 1, 2013 in London  and included other acts like Ellie Goulding, Florence and the Machine, and Rita Ora.  In advance of the concert, she appeared in a campaign video released on May 15, 2013, where she, along with Cameron Diaz, John Legend and Kylie Minogue, described inspiration from their mothers, while a number of other artists celebrated personal inspiration from other women, leading to a call for submission of photos of women of viewers’ inspiration from which a selection was shown at the concert. Beyoncé said about her mother Tina Knowles that her gift was “finding the best qualities in every human being.” With help of the crowdfunding platform Catapult, visitors of the concert could choose between several projects promoting education of women and girls. Beyoncé also took part in “Miss a Meal”, a food-donation campaign, and supported Goodwill Industries through online charity auctions at Charitybuzz that support job creation throughout Europe and the U.S.

Beyoncé and Jay-Z secretly donated tens of thousands of dollars to bail out Black Lives Matter protesters in Baltimore and Ferguson, as well as funded infrastructure for the establishment of Black Lives Matter chapters across the US. Before Beyoncé’s Formation World Tour show in Tampa, her team held a private luncheon for more than 20 community leaders to discuss how Beyoncé could support local charitable initiatives, including pledging on the spot to fund 10 scholarships to provide students with financial aid. Tampa Sports Authority board member Thomas Scott said: “I don’t know of a prior artist meeting with the community, seeing what their needs are, seeing how they can invest in the community. It says a lot to me about Beyoncé. She not only goes into a community and walks away with (money), but she also gives money back to that community.” In June 2016, Beyoncé donated over $82,000 to the United Way of Genesee County to support victims of the Flint water crisis. Beyoncé additionally donated money to support 14 students in Michigan with their college expenses. In August 2016, Beyoncé and Jay-Z donated $1.5 million to civil rights groups including Black Lives Matter, Hands Up United and Dream Defenders. After Hurricane Matthew, Beyoncé and Jay-Z donated $15 million to the Usain Bolt Foundation to support its efforts in rebuilding homes in Haiti. In December 2016, Beyoncé was named the Most Charitable Celebrity of the year.

During Hurricane Harvey in August 2017, Beyoncé launched BeyGOOD Houston to support those affected by the hurricane in Houston. The organization donated necessities such as cots, blankets, pillows, baby products, feminine products and wheelchairs, and funded long-term revitalization projects. On September 8, Beyoncé visited Houston, where she sponsored a lunch for 400 survivors at her local church, visited the George R Brown Convention Center to discuss with people displaced by the flooding about their needs, served meals to those who lost their homes, and made a significant donation to local causes. Beyoncé additionally donated $75,000 worth of new mattresses to survivors of the hurricane. Later that month, Beyoncé released a remix of J Balvin and Willy William’s “Mi Gente”, with all of her proceeds being donated to disaster relief charities in Puerto Rico, Mexico, the US and the Caribbean after hurricanes Harvey, Irma and Maria, and the Chiapas and Puebla earthquakes.

In April 2020, Beyoncé donated $6 million to the National Alliance in Mental Health, UCLA and local community-based organizations in order to provide mental health and personal wellness services to essential workers during the COVID-19 pandemic. BeyGOOD also teamed up with local organizations to help provide resources to communities of color, including food, water, cleaning supplies, medicines and face masks. The same month Beyoncé released a remix of Megan Thee Stallion’s “Savage”, with all proceeds benefiting Bread of Life Houston’s COVID-19 relief efforts, which includes providing over 14 tons of food and supplies to 500 families and 100 senior citizens in Houston weekly. In May 2020, Beyoncé provided 1,000 free COVID-19 tests in Houston as part of her and her mother’s #IDidMyPart initiative, which was established due to the disproportionate deaths in African-American communities. Additionally, 1,000 gloves, masks, hot meals, essential vitamins, grocery vouchers and household items were provided. In July 2020, Beyoncé established the Black-Owned Small Business Impact Fund in partnership with the NAACP, which offers $10,000 grants to black-owned small businesses in need following the George Floyd protests. All proceeds from Beyoncé’s single “Black Parade” were donated to the fund. In September 2020, Beyoncé announced that she had donated an additional $1 million to the fund. In October 2020, Beyoncé released a statement that she has been working with the Feminist Coalition to a*sist supporters of the End Sars movement in Nigeria, including covering medical costs for injured protestors, covering legal fees for arrested protestors, and providing food, emergency shelter, transportation and telecommunication means to those in need. Beyoncé also showed support for those fighting against other issues in Africa, such as the Anglophone Crisis in Cameroon, ShutItAllDown in Namibia, Zimbabwean Lives Matter in Zimbabwe and the Rape National Emergency in Liberia.

Lyrics


Neil Young

Key: Any

Genre:

Harp Type: Any

Skill: Any

Neil Percival Young OC OM[4][5] (born November 12, 1945) is a Canadian-American singer-songwriter, musician, and activist. After embarking on a music career in the 1960s, he moved to Los Angeles, joining Buffalo Springfield with Stephen Stills, Richie Furay and others. Since his early solo albums and those with his backing band Crazy Horse, Young has been prolific, recording a steady stream of studio and live albums.

Young has received several Grammy and Juno Awards. The Rock and Roll Hall of Fame inducted him twice: in 1995 as a solo artist and in 1997 as a member of Buffalo Springfield.[6] In 2000, Rolling Stone named Young the 34th greatest rock ‘n roll artist. His guitar work, deeply personal lyrics[7][8][9] and signature tenor singing voice[10][11] define his long career. He also plays piano and harmonica on many albums, which frequently combine folk, rock, country and other musical styles. His often distorted electric guitar playing, especially with Crazy Horse, earned him the nickname “Godfather of Grunge”[12] and led to his 1995 album Mirror Ball with Pearl Jam. More recently he has been backed by Promise of the Real.[13] His 21 albums and singles have been certified Gold and Platinum in U.S by RIAA certification.[14]

Young directed (or co-directed) films using the pseudonym Bernard Shakey, including Journey Through the Past (1973), Rust Never Sleeps (1979), Human Highway (1982), Greendale (2003), and CSNY/Déjà Vu (2008). He also contributed to the soundtracks of the films Philadelphia (1993) and Dead Man (1995).

Young has lived in California since the 1960s but retains Canadian citizenship.[15] He was awarded the Order of Manitoba on July 14, 2006,[5] and was made an Officer of the Order of Canada on December 30, 2009.[4] He became a United States citizen, taking dual citizenship, on January 22, 2020.

Early life (1945–1963)

Neil Young[19] was born on November 12, 1945, in Toronto, Ontario.[20][21] His father, Scott Alexander Young (1918–2005), was a journalist and sportswriter who also wrote fiction.[22] His mother, Edna Blow Ragland “Rassy” Young (1918–1990) was a member of the Daughters of the American Revolution.[23] Although Canadian, his mother had American and French ancestry.[24] Young’s parents married in 1940 in Winnipeg, Manitoba, and their first son, Robert “Bob” Young, was born in 1942. Shortly after Young’s birth in 1945, his family moved to rural Omemee, Ontario, which Young later described fondly as a “sleepy little place”.[25] Young suffered from polio in 1952 during the last major outbreak of the disease in Ontario[26] (the Canadian singer-songwriter Joni Mitchell, then aged nine, also contracted the virus during this epidemic).[27] After his recovery, the Young family vacationed in Florida. During that period, Young briefly attended Faulkner Elementary School in New Smyrna Beach, Florida. In 1952, upon returning to Canada, Young moved from Omemee to Winnipeg for a year, before relocating to Toronto (1957–1960) and Pickering (1956). Young became interested in popular music he heard on the radio.[28] When Young was twelve, his father, who had had several extramarital affairs, left his mother. His mother asked for a divorce, which was granted in 1960.[29] Young went to live with his mother, who moved back to Winnipeg, while his brother Bob stayed with his father in Toronto.

During the mid-1950s, Young listened to rock ‘n roll, rockabilly, doo-wop, R&B, country, and western pop. He idolized Elvis Presley and later referred to him in a number of his songs.[32] Other early musical influences included Link Wray,[33] Jimmy Gilmer and the Fireballs, The Ventures, Cliff Richard and the Shadows,[34] Chuck Berry, Hank Marvin, Little Richard, Fats Domino, The Chantels, The Monotones, Ronnie Self, the Fleetwoods, Jerry Lee Lewis, Johnny Cash, Roy Orbison and Gogi Grant.[35] Young first began to play music himself on a plastic ukulele, before, as he would later relate, going on to “a better ukulele to a banjo ukulele to a baritone ukulele – everything but a guitar.”

Career

Early career (1963–1966)

Young and his mother settled into the working-class area of Fort Rouge, Winnipeg, where the shy, dry-humoured youth enrolled at Earl Grey Junior High School. It was there that he formed his first band, the Jades, and met Ken Koblun. While attending Kelvin High School in Winnipeg, he played in several instrumental rock bands, eventually dropping out of school in favour of a musical career.[37] Young’s first stable band was The Squires, with Ken Koblun, Jeff Wuckert and Bill Edmondson on drums, who had a local hit called “The Sultan”. The band played in Fort William (now part of the city of Thunder Bay, Ontario), where they recorded a series of demos produced by a local producer, Ray Dee, who Young called “the original Briggs”.[38] While playing at The Flamingo, Young met Stephen Stills, whose band the Company was playing the same venue, and they became friends.[39] The Squires played in several dance halls and clubs in Winnipeg and Ontario.[40]

After leaving the Squires, Young worked folk clubs in Winnipeg, where he first met Joni Mitchell.[41] Mitchell recalls Young as having been highly influenced by Bob Dylan at the time.[42] Here he wrote some of his earliest and most enduring folk songs such as “Sugar Mountain”, about lost youth. Mitchell wrote “The Circle Game” in response.[43] The Winnipeg band The Guess Who (with Randy Bachman as lead guitarist) had a Canadian Top 40 hit with Young’s “Flying on the Ground is Wrong”, which was Young’s first major success as a songwriter.[44]

In 1965, Young toured Canada as a solo artist. In 1966, while in Toronto, he joined the Rick James-fronted Mynah Birds. The band managed to secure a record deal with the Motown label, but as their first album was being recorded, James was arrested for being AWOL from the Navy Reserve.[45] After the Mynah Birds disbanded, Young and the bass player Bruce Palmer decided to pawn the group’s musical equipment and buy a Pontiac hearse, which they used to relocate to Los Angeles.[46] Young admitted in a 2009 interview that he was in the United States illegally until he received a “green card” (permanent residency permit) in 1970.

Buffalo Springfield (1966–1968)

Once they reached Los Angeles, Young and Palmer met up with Stephen Stills and Richie Furay after a chance encounter in traffic on Sunset Boulevard.[46] Along with Dewey Martin, they formed Buffalo Springfield. A mixture of folk, country, psychedelia, and rock, lent a hard edge by the twin lead guitars of Stills and Young, made Buffalo Springfield a critical success, and their first record Buffalo Springfield (1966) sold well after Stills’ topical song “For What It’s Worth” became a hit, aided by Young’s melodic harmonics played on electric guitar. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock.[48]

Distrust of their management, as well as the arrest and deportation of Palmer, worsened the already strained relations among the group members and led to Buffalo Springfield’s demise. A second album, Buffalo Springfield Again, was released in late 1967, but two of Young’s three contributions were solo tracks recorded apart from the rest of the group.

From that album, “Mr. Soul” was the only Young song of the three that all five members of the group performed together. “Broken Arrow” features snippets of sound from other sources, including opening the song with a soundbite of Dewey Martin singing “Mr. Soul” and closing it with the thumping of a heartbeat. “Expecting to Fly” featured a string arrangement that Young’s co-producer for the track, Jack Nitzsche, dubbed “symphonic pop”.[citation needed]

In May 1968, the band split up for good, but to fulfill a contractual obligation, a final studio album, Last Time Around, was released. The album was primarily composed of recordings made earlier that year. Young contributed the songs “On the Way Home” and “I Am a Child”, singing lead on the latter. In 1997, the band was inducted into the Rock and Roll Hall of Fame; Young did not appear at the ceremony. The three surviving members, Furay, Stills, and Young, appeared together as Buffalo Springfield at Young’s annual Bridge School Benefit on October 23–24, 2010, and at Bonnaroo in the summer of 2011. Young also played as a studio session guitarist for some 1968 recordings by The Monkees which appeared on the Head and Instant Replay albums.

Going solo, Crazy Horse (1968–1969)

After the break-up of Buffalo Springfield, Young signed a solo deal with Reprise Records, home of his colleague and friend Joni Mitchell, with whom he shared a manager, Elliot Roberts, who managed Young until his death in 2019. Young and Roberts immediately began work on Young’s first solo record, Neil Young (January 22, 1969),[50] which received mixed reviews. In a 1970 interview,[51] Young deprecated the album as being “overdubbed rather than played.” The album contains songs that remain a staple of his live shows including “The Loner.”

For his next album, Young recruited three musicians from a band called The Rockets: Danny Whitten on guitar, Billy Talbot on bass guitar, and Ralph Molina on drums. These three took the name Crazy Horse (after the historical figure of the same name), and Everybody Knows This Is Nowhere (May 1969), is credited to “Neil Young with Crazy Horse.” Recorded in just two weeks, the album includes “Cinnamon Girl”, “Cowgirl in the Sand”, and “Down by the River.” Young reportedly wrote all three songs in bed on the same day while nursing a high fever of 103 °F (39 °C).

Crosby, Stills, Nash, and Young (1969–1970)

Shortly after the release of Everybody Knows This Is Nowhere, Young reunited with Stephen Stills by joining Crosby, Stills & Nash, who had already released one album Crosby, Stills & Nash as a trio in May 1969. Young was originally offered a position as a sideman, but agreed to join only if he received full membership, and the group – winners of the 1969 “Best New Artist” Grammy Award – was renamed Crosby, Stills, Nash & Young.[53] The quartet debuted in Chicago on August 16, 1969, and later performed at the famous Woodstock Festival, during which Young skipped the majority of the acoustic set and refused to be filmed during the electric set, even telling the cameramen: “One of you f*ckin’ guys comes near me and I’m gonna f*ckin’ hit you with my guitar”.[54] During the making of their first album, Déjà Vu (March 11, 1970), the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills continued throughout their lifelong relationship to criticize Young, saying that he “wanted to play folk music in a rock band.”[55] Despite the tension, Young’s tenure with CSN&Y coincided with the band’s most creative and successful period, and greatly contributed to his subsequent success as a solo artist.

Young wrote “Ohio” following the Kent State massacre on May 4, 1970. The song was quickly recorded by CSN&Y and immediately released as a single, even though CSN&Y’s “Teach Your Children” was still climbing the singles charts.

After the Gold Rush, acoustic tour and Harvest (1970–1972)

Later in the year, Young released his third solo album, After the Gold Rush (August 31, 1970), which featured, among others, Nils Lofgren, Stephen Stills, and CSNY bassist Greg Reeves. Young also recorded some tracks with Crazy Horse, but dismissed them early in the sessions. The eventual recording was less amplified than Everybody Knows This is Nowhere, with a wider range of sounds. Young’s newfound fame with CSNY made the album his commercial breakthrough as a solo artist, and it contains some of his best known work, including “Tell Me Why” and “Don’t Let It Bring You Down”, the country-influenced singles “Only Love Can Break Your Heart” and “When You Dance I Can Really Love”, and the title track, “After the Gold Rush”, played on piano, with dream-like lyrics that ran a gamut of subjects from drugs and interpersonal relationships to environmental concerns. Young’s bitter condemnation of racism in the heavy blues-rock song “Southern Man” (along with a later song entitled “Alabama”) was also controversial with southerners in an era of desegregation, prompting Lynyrd Skynyrd to decry Young by name in the lyrics to their hit “Sweet Home Alabama.” However, Young said he was a fan of Skynyrd’s music, and the band’s front man Ronnie Van Zant was later photographed wearing a Tonight’s the Night T-shirt on the cover of an album.

In the autumn of 1970, Young began a solo acoustic tour of North America, during which he played a variety of his Buffalo Springfield and CSNY songs on guitar and piano, along with material from his solo albums and a number of new songs. Some songs premiered by Young on the tour, like “Journey through the Past”, would never find a home on a studio album, while other songs, like “See the Sky About to Rain”, would only be released in coming years. With CSNY splitting up and Crazy Horse having signed their own record deal, Young’s tour, now entitled “Journey Through the Past”, continued into early 1971, and its focus shifted more to newer songs he had been writing; he famously remarked that having written so many, he could not think of anything to do but play them. Many gigs were sold out, including concerts at Carnegie Hall and a pair of acclaimed hometown shows at Toronto’s Massey Hall, which were taped for a planned live album. The shows became legendary among Young fans, and the recordings were officially released nearly 40 years later as an official bootleg in Young’s Archive series.

Near the end of his tour, Young performed one of the new acoustic songs on the Johnny Cash TV show. “The Needle and the Damage Done”, a somber lament on the pain caused by heroin addiction, had been inspired in part by Crazy Horse member Danny Whitten, who eventually died while battling his drug problems.[56][57] While in Nashville for the Cash taping, Young accepted the invitation of Quadrafonic Sound Studios owner Elliot Mazer to record tracks there with a group of country-music session musicians who were pulled together at the last minute. Making a connection with them, he christened them The Stray Gators, and began playing with them. Befitting the immediacy of the project, Linda Ronstadt and James Taylor were brought in from the Cash taping to do background vocals. Against the advice of his producer David Briggs, he scrapped plans for the imminent release[58] of the live acoustic recording in favour of a studio album consisting of the Nashville sessions, electric-guitar oriented sessions recorded later in his barn, and two recordings made with the London Symphony Orchestra at Barking (credited as Barking Town Hall and now the Broadway Theatre) during March 1971.[59] The result was Young’s fourth album, Harvest (February 14, 1972). The only remnant left of the original live concept was the album’s live acoustic performance of “Needle and the Damage Done.”

After his success with CSNY, Young purchased a ranch in the rural hills above Woodside and Redwood City in Northern California (“Broken Arrow Ranch”, where he lived until his divorce in 2014.[60]). He wrote the song “Old Man” in honor of the land’s longtime caretaker, Louis Avila. The song “A Man Needs a Maid” was inspired by his relationship with actress Carrie Snodgress. “Heart of Gold” was released as the first single from Harvest, the only No. 1 hit in his career. “Old Man” was also popular.

The album’s recording had been almost accidental. Its mainstream success caught Young off guard, and his first instinct was to back away from stardom. In the Decade (1977) compilation, Young chose to include his greatest hits from the period, but his handwritten liner notes famously described “Heart of Gold” as the song that “put me in the middle of the road. Traveling there soon became a bore, so I headed for the ditch. A rougher ride but I saw more interesting people there.”

The “Ditch” Trilogy and personal struggles (1972–1974)

Although a new tour with The Stray Gators (now augmented by Danny Whitten) had been planned to follow up on the success of Harvest, it became apparent during rehearsals that Whitten could not function due to drug abuse. On November 18, 1972, shortly after he was fired from the tour preparations, Whitten was found dead of an apparent alcohol/diazepam overdose. Young described the incident to Rolling Stone’s Cameron Crowe in 1975:[61] “[We] were rehearsing with him and he just couldn’t cut it. He couldn’t remember anything. He was too out of it. Too far gone. I had to tell him to go back to L.A. ‘It’s not happening, man. You’re not together enough.’ He just said, ‘I’ve got nowhere else to go, man. How am I gonna tell my friends?’ And he split. That night the coroner called me from L.A. and told me he’d OD’d. That blew my mind. I loved Danny. I felt responsible. And from there, I had to go right out on this huge tour of huge arenas. I was very nervous and … insecure.”

On the tour, Young struggled with his voice and the performance of drummer Kenny Buttrey, a noted Nashville session musician who was unaccustomed to performing in the hard rock milieu; Buttrey was eventually replaced by former CSNY drummer Johnny Barbata, while David Crosby and Graham Nash contributed rhythm guitar and backing vocals to the final dates of the tour. The album a*sembled in the aftermath of this incident, Time Fades Away (October 15, 1973), has often been described by Young as “[his] least favorite record”, and was not officially released on CD until 2017 (as part of Young’s Official Release Series). Nevertheless, Young and his band tried several new musical approaches in this period. Time Fades Away, for instance, was recorded live, although it was an album of new material, an approach Young would repeat with more success later on. Time was the first of three consecutive commercial failures which would later become known collectively to fans as the “Ditch Trilogy”, as contrasted with the more middle-of-the-road pop of Harvest (1972).[62] These subsequent albums were seen as more challenging expressions of Young’s inner conflicts on achieving success, expressing both the specific struggles of his friends and himself, and the decaying idealism of his generation in America at the time.

In the second half of 1973, Young formed The Santa Monica Flyers, with Crazy Horse’s rhythm section augmented by Nils Lofgren on guitar and piano and Harvest/Time Fades Away veteran Ben Keith on pedal steel guitar. Deeply affected by the drug-induced deaths of Whitten and roadie Bruce Berry, Young recorded an album specifically inspired by the incidents, Tonight’s the Night (June 20, 1975). The album’s dark tone and rawness led Reprise to delay its release and Young had to pressure them for two years before they would do so.[63] While his record company was stalling, Young recorded another album, On the Beach (July 16, 1974), which presented a more melodic, acoustic sound at times, including a recording of the older song “See the Sky About to Rain”, but dealt with similarly dark themes such as the collapse of 1960s folk ideals, the downside of success and the underbelly of the Californian lifestyle. Like Time Fades Away, it sold poorly but eventually became a critical favorite, presenting some of Young’s most original work. A review of the 2003 re-release on CD of On the Beach described the music as “mesmerizing, harrowing, lucid, and bleary”.[64]

After completing On the Beach, Young reunited with Harvest producer Elliot Mazer to record another acoustic album, Homegrown. Most of the songs were written after Young’s break-up with Carrie Snodgress, and thus the tone of the album was somewhat dark. Though Homegrown was reportedly entirely complete, Young decided, not for the first or last time in his career, to drop it and release something else instead, in this case, Tonight’s the Night, at the suggestion of Band bassist Rick Danko.[65] Young further explained his move by saying: “It was a little too personal … it scared me”.[65] Most of the songs from Homegrown were later incorporated into other Young albums while the original album was not released until 2020. Tonight’s the Night, when finally released in 1975, sold poorly, as had the previous albums of the “ditch” trilogy, and received mixed reviews at the time, but is now regarded as a landmark album. In Young’s own opinion, it was the closest he ever came to art.

Reunions, retrospectives and Rust Never Sleeps (1974–1979)

Young reunited with Crosby, Stills, and Nash after a four-year hiatus in the summer of 1974 for a concert tour which was recorded and released in 2014 as CSNY 1974. It was one of the first ever stadium tours, and the largest tour in which Young has participated to date.[67]

In 1975, Young reformed Crazy Horse with Frank Sampedro on guitar as his backup band for his eighth album, Zuma (November 10, 1975). Many of the songs dealt with the theme of failed relationships; “Cortez the Killer”, a retelling of the Spanish conquest of Mexico from the viewpoint of the Aztecs, may also be heard as an allegory of love lost. Zuma’s closing track, “Through My Sails”, was the only released fragment from aborted sessions with Crosby, Stills and Nash for another group album.

In 1976, Young reunited with Stephen Stills for the album Long May You Run (September 20, 1976), credited to The Stills-Young Band; the follow-up tour was ended midway through by Young, who sent Stills a telegram that read: “Funny how some things that start spontaneously end that way. Eat a peach, Neil.”

In 1976, Young performed with Bob Dylan, Joni Mitchell, and numerous other rock musicians in the high-profile all-star concert The Last Waltz, the final performance by The Band. The release of Martin Scorsese’s movie of the concert was delayed while Scorsese unwillingly re-edited it to obscure the lump of cocaine that was clearly visible hanging from Young’s nose during his performance of “Helpless”.[69] American Stars ‘n Bars (June 13, 1977) contained two songs originally recorded for the Homegrown album, “Homegrown” and “Star of Bethlehem”, as well as newer material, including the future concert staple “Like a Hurricane”. Performers on the record included Linda Ronstadt, Emmylou Harris and Young protégé Nicolette Larson along with Crazy Horse. In 1977, Young also released the compilation Decade, a personally selected set of songs spanning every aspect of his work, including a handful of previously unreleased songs. The record included less commercial album tracks alongside radio hits.

Comes a Time (October 2, 1978), Young’s first entirely new solo recording since the mid-1970s, also featured Larson and Crazy Horse. The album became Young’s most commercially accessible album in quite some time and marked a return to his folk roots, including a cover of Ian Tyson’s “Four Strong Winds”, a song Young a*sociated with his childhood in Canada. Another of the album’s songs, “Lotta Love”, was also recorded by Larson, with her version reaching number 8 on the Billboard Hot 100 in February 1979. In 1978, much of the filming was done for Young’s film Human Highway, which took its name from a song featured on Comes a Time. Over four years, Young would spend $3,000,000 of his own money on production (US$11,759,694 in 2019 dollars[70]). This also marked the beginning of his brief collaboration with the post-punk band Devo, whose members appeared in the film.[71]

Young set out in 1978 on the lengthy “Rust Never Sleeps” tour, in which he played a wealth of new material. Each concert was divided into a solo acoustic set and an electric set with Crazy Horse. The electric sets, featuring an abrasive style of playing, were influenced by the punk rock zeitgeist of the late 1970s and, provided a stark contrast from Young’s previous, folk-inspired album Comes a Time.[72] Two new songs, the acoustic “My My, Hey Hey (Out of the Blue)” and electric “Hey Hey, My My (Into the Black)” were the centerpiece of the new material. Young had collaborated with the art punk band Devo on a cacophonous version of Hey Hey, My My at the Different Fur studio in San Francisco and, would later introduce the song to Crazy Horse.[73] The lyrics, “It’s better to burn out than to fade away.” were widely quoted by his peers and by critics.[73] The album has also widely been considered a precursor of grunge music and many grunge artists have said they were inspired by Young’s distorted guitars on the B side to this album. Young also compared the rise of Johnny Rotten with that of the recently deceased “King” Elvis Presley, who himself had once been disparaged as a dangerous influence only to later become an icon. Rotten returned the favour by playing one of Young’s songs, “Revolution Blues” from On the Beach, on a London radio show, an early sign of Young’s eventual embrace by a number of punk-influenced alternative musicians.[74]

Young’s two accompanying albums Rust Never Sleeps (July 2, 1979; new material, culled from live recordings, but featuring studio overdubs) and Live Rust (November 19, 1979) (a mixture of old and new, and a genuine concert recording) captured the two sides of the concerts, with solo acoustic songs on side A, and fierce, uptempo, electric songs on side B. A movie version of the concerts, also called Rust Never Sleeps (1979), was directed by Young under the pseudonym “Bernard Shakey”. Young worked with rock artist Jim Evans to create the poster art for the film, using the Star Wars Jawas as a theme. Young’s work since Harvest (1972) had alternated between being rejected by mass audiences and being seen as backward-looking by critics, sometimes both at once, and now he was suddenly viewed as relevant by a new generation, who began to discover his earlier work. Readers and critics of Rolling Stone voted him Artist of the Year for 1979 (along with The Who), selected Rust Never Sleeps as Album of the Year, and voted him Male Vocalist of the Year as well.[75] The Village Voice named Rust Never Sleeps as the year’s winner in the Pazz & Jop Poll, a survey of nationwide critics, and honored Young as the Artist of the Decade. The Warner Music Vision release on VHS of Rust Never Sleeps in 1987 had a running time of 116 minutes, and although fully manufactured in Germany, was initially imported from there by the markets throughout Europe.

Experimental years (1980–1988)

At the start of the decade, distracted by medical concerns relating to the cerebral palsy of his son, Ben, Young had little time to spend on writing and recording.[76] After providing the incidental music to a 1980 biographical film of Hunter S. Thompson entitled Where the Buffalo Roam, Young released Hawks & Doves (November 3, 1980), a short record pieced together from sessions going back to 1974.[76]

1981’s Re·ac·tor, an electric album recorded with Crazy Horse, also included material from the 1970s.[77] Young did not tour in support of either album; in total, he played only one show, a set at the 1980 Bread and Roses Festival in Berkeley,[78] between the end of his 1978 tour with Crazy Horse and the start of his tour with the Trans Band in mid-1982.[citation needed]

The 1982 album Trans, which incorporated vocoders, synthesizers, and electronic beats, was Young’s first for the new label Geffen Records (distributed at the time by Warner Bros. Records, whose parent Warner Music Group owns most of Young’s solo and band catalogue) and represented a distinct stylistic departure. Young later revealed that an inspiration for the album was the theme of technology and communication with his son Ben, who has severe cerebral palsy and cannot speak.[80] An extensive tour preceded the release of the album, and was documented by the video Neil Young in Berlin, which saw release in 1986. MTV played the video for “Sample and Hold” in light rotation. The entire song contained “robot vocals” by Young and Nils Lofgren.[citation needed] The song “After Berlin” as seen in that video, was the only time Neil Young has ever performed the song.

Young’s next album, 1983’s Everybody’s Rockin’, included several rockabilly covers and clocked in at less than twenty-five minutes in length. Young was backed by the Shocking Pinks for the supporting US tour. Trans (1982) had already drawn the ire of label head David Geffen for its lack of commercial appeal, and with Everybody’s Rockin’ following only seven months later, Geffen Records sued Young for making music “unrepresentative” of himself.[81] The album was also notable as the first for which Young made commercial music videos – Tim Pope directed the videos for “Wonderin’” and “Cry, Cry, Cry”. Also premiered in 1983, though little seen, was Human Highway. Co-directed and co-written by Young, the long-gestating eclectic comedy starred Young, Dean Stockwell, Russ Tamblyn, Dennis Hopper, David Blue, Sally Kirkland, Charlotte Stewart and members of Devo.[citation needed]

The first year without a Neil Young album since the start of Young’s musical career with Buffalo Springfield in 1966 was in 1984. Young’s lack of productivity was largely due to the ongoing legal battle with Geffen, although he was also frustrated that the label had rejected his 1982 country album Old Ways.[82] It was also the year when Young’s third child was born, a girl named Amber Jean. Later diagnosed with inherited epilepsy, Amber Jean was Neil and Pegi’s second child together.[citation needed]

Young spent most of 1984 and all of 1985 touring for Old Ways (August 12, 1985) with his country band, the International Harvesters. The album was finally released in an altered form midway through 1985. Young also appeared at that year’s Live Aid concert in Philadelphia, collaborating with Crosby, Stills and Nash for the quartet’s first performance for a paying audience in over ten years.[citation needed]

Young’s last two albums for Geffen were more conventional in the genre, although they incorporated production techniques like synthesizers and echoing drums that were previously uncommon in Young’s music. Young recorded 1986’s Landing on Water without Crazy Horse but reunited with the band for the subsequent year-long tour and final Geffen album, Life, which emerged in 1987. Young’s album sales dwindled steadily throughout the eighties; today Life remains his all-time-least successful studio album, with an estimated four hundred thousand sales worldwide.[83]

Switching back to his old label Reprise Records, Young continued to tour relentlessly, a*sembling a new blues band called The Bluenotes in mid-1987 (a legal dispute with musician Harold Melvin forced the eventual rechristening of the band as Ten Men Working midway through the tour). The addition of a brass section provided a new jazzier sound, and the title track of 1988’s This Note’s For You became Young’s first hit single of the decade. Accompanied by a video that parodied corporate rock, the pretensions of advertising, and Michael Jackson, the song was initially unofficially banned by MTV for mentioning the brand names of some of their sponsors. Young wrote an open letter, “What does the M in MTV stand for: music or money?” Despite this, the video was eventually named best video of the year by the network in 1989.[84] By comparison, the major music cable network of Young’s home nation, Muchmusic, ran the video immediately.[citation needed]

Young reunited with Crosby, Stills, and Nash to record the 1988 album American Dream and play two benefit concerts late in the year, but the group did not embark upon a full tour. The album was only the second-ever studio record for the quartet.

Return to prominence (1989–1999)

Young’s 1989 single “Rockin’ in the Free World”, which hit No. 2 on the US mainstream-rock charts, and accompanying the album, Freedom, rocketed him back into the popular consciousness after a decade of sometimes-difficult genre experiments. The album’s lyrics were often overtly political; “Rockin’ in the Free World” deals with homelessness, terrorism, and environmental degradation, implicitly criticizing the government policies of President George H.W. Bush.[85]

The use of heavy feedback and distortion on several Freedom tracks was reminiscent of the Rust Never Sleeps (1979) album and foreshadowed the imminent rise of grunge. The rising stars of the genre, including Nirvana’s Kurt Cobain and Pearl Jam’s Eddie Vedder, frequently cited Young as a major influence, contributing to his popular revival. A tribute album called The Bridge: A Tribute to Neil Young was released in 1989, featuring covers by alternative and grunge acts including Sonic Youth, Nick Cave, Soul Asylum, Dinosaur Jr, and the Pixies.

Young’s 1990 album Ragged Glory, recorded with Crazy Horse in a barn on his Northern California ranch, continued this distortion-heavy esthetic. Young toured for the album with Orange County, California country-punk band Social Distortion and alternative rock pioneers Sonic Youth as support, much to the consternation of many of his old fans.[86] Weld, a two-disc live album documenting the tour, was released in 1991.[86] Sonic Youth’s influence was most evident on Arc, a 35-minute collage of feedback and distortion spliced together at the suggestion of Sonic Youth’s Thurston Moore and originally packaged with some versions of Weld.[86]

1992’s Harvest Moon marked an abrupt return to the country and folk-rock stylings of Harvest (1972) and reunited him with some of the musicians from that album, including singers Linda Ronstadt and James Taylor. The title track was a minor hit, and the record was well received by critics, winning the Juno Award for Album of the Year in 1994. Young also contributed to Randy Bachman’s nostalgic 1992 tune “Prairie Town”, and garnered a 1993 Academy Award nomination for his song “Philadelphia”, from the soundtrack of the Jonathan Demme movie of the same name. An MTV Unplugged performance and album emerged in 1993. Later that year, Young collaborated with Booker T. and the M.G.s for a summer tour of Europe and North America, with Blues Traveler, Soundgarden, and Pearl Jam also on the bill. Some European shows ended with a rendition of “Rockin’ in the Free World” played with Pearl Jam, foreshadowing their eventual full-scale collaboration two years later.

In 1994 Young again collaborated with Crazy Horse for Sleeps with Angels, a record whose dark, somber mood was influenced by Kurt Cobain’s death earlier that year: the title track in particular dealt with Cobain’s life and death, without mentioning him by name. Cobain had quoted Young’s lyric “It’s better to burn out than fade away” (a line from “My My, Hey Hey”) in his suicide note. Young had reportedly made repeated attempts to contact Cobain prior to his death.[87] Young and Pearl Jam performed “Act of Love” at an abortion rights benefit along with Crazy Horse, and were present at a Rock and Roll Hall of Fame dinner, sparking interest in a collaboration between the two.[88] Still enamored with the grunge scene, Young reconnected with Pearl Jam in 1995 for the live-in-the-studio album Mirror Ball and a tour of Europe with the band and producer Brendan O’Brien backing Young. 1995 also marked Young’s induction into the Rock and Roll Hall of Fame, where he was inducted by Eddie Vedder.

 

Young has consistently demonstrated the unbridled passion of an artist who understands that self-renewal is the only way to avoid burning out. For this reason, he has remained one of the most significant artists of the rock and roll era.

— Rock and Roll Hall of Fame website.

In 1995, Young and his manager Elliot Roberts founded a record label, Vapor Records.[91] It has released recordings by Tegan and Sara, Spoon, Jonathan Richman, Vic Chesnutt, Everest, Pegi Young, Jets Overhead, and Young himself, among others.[91]

Young’s next collaborative partner was filmmaker Jim Jarmusch, who asked Young to compose a soundtrack to his 1995 black-and-white western film Dead Man. Young’s instrumental soundtrack was improvised while he watched the film alone in a studio. The death of longtime mentor, friend, and producer David Briggs in late 1995 prompted Young to reconnect with Crazy Horse the following year for the album and tour Broken Arrow. A Jarmusch-directed concert film and live album of the tour, Year of the Horse, emerged in 1997. From 1996 to 1997 Young and Crazy Horse toured extensively throughout Europe and North America, including a stint as part of the H.O.R.D.E. Festival’s sixth annual tour.

In 1998, Young renewed his collaboration with the rock band Phish, sharing the stage at the annual Farm Aid concert and then at Young’s Bridge School Benefit, where he joined headliners Phish for renditions of “Helpless” and “I Shall Be Released”.[92] Phish declined Young’s later invitation to be his backing band on his 1999 North American tour.

The decade ended with the release in late 1999 of Looking Forward, another reunion with Crosby, Stills, and Nash. The subsequent tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000.

Continued activism and brush with death (2000s)

Neil Young continued to release new material at a rapid pace through the first decade of the new millennium. The studio album Silver & Gold and live album Road Rock Vol. 1 were released in 2000 and were both accompanied by live concert films. His 2001 single “Let’s Roll” was a tribute to the victims of the September 11 attacks, and the effective action taken by the passengers and crew on Flight 93 in particular.[93] At the “America: A Tribute to Heroes” benefit concert for the victims of the attacks, Young performed John Lennon’s “Imagine” and accompanied Eddie Vedder and Mike McCready on “Long Road”, a Pearl Jam song that was written with Young during the Mirrorball sessions. “Let’s Roll” was included on 2002’s Are You Passionate?, an album mostly composed of mellow love songs dedicated to Young’s wife, Pegi, backed by Booker T. & the M.G.s.[citation needed]

In 2003, Young released Greendale, a concept album recorded with Crazy Horse members Billy Talbot and Ralph Molina. The songs loosely revolved around the murder of a police officer in a small town in California and its effects on the town’s inhabitants.[94] Under the pseudonym “Bernard Shakey”, Young directed an accompanying film of the same name, featuring actors lip-synching to the music from the album. He toured extensively with the Greendale material throughout 2003 and 2004, first with a solo, acoustic version in Europe, then with a full-cast stage show in North America, Japan, and Australia. Young began using biodiesel on the 2004 Greendale tour, powering his trucks and tour buses with the fuel. “Our Greendale tour is now ozone friendly”, he said. “I plan to continue to use this government approved and regulated fuel exclusively from now on to prove that it is possible to deliver the goods anywhere in North America without using foreign oil, while being environmentally responsible.”[95] Young spent the latter portion of 2004 giving a series of intimate acoustic concerts in various cities with his wife, who is a trained vocalist and guitar player.

In March 2005, while working on the Prairie Wind album in Nashville, Young was diagnosed with a brain aneurysm. He was treated successfully with a minimally invasive neuroradiological procedure, performed in a New York hospital on March 29,[96] but two days afterwards he passed out on a New York street from bleeding from the femoral artery, which radiologists had used to access the aneurysm.[97] The complication forced Young to cancel his scheduled appearance at the Juno Awards telecast in Winnipeg, but within months he was back on stage, appearing at the close of the Live 8 concert in Barrie, Ontario, on July 2. During the performance, he debuted a new song, a soft hymn called “When God Made Me”. Young’s brush with death influenced Prairie Wind’s themes of retrospection and mortality.[98] The album’s live premiere in Nashville was recorded by filmmaker Jonathan Demme in the 2006 film Neil Young: Heart of Gold.[citation needed]

Young’s renewed activism manifested itself in the 2006 album Living with War, which like the much earlier song “Ohio”, was recorded and released in less than a month as a direct result of current events.[99] In early 2006, three years after the U.S. invasion of Iraq, the sectarian war and casualties there were escalating. While doing errands on a visit to his daughter, Young had seen a newspaper photo of wounded U.S. veterans on a transport plane to Germany, and noticing that the same paper devoted little actual coverage to the story, he was unable to get the image out of his head, realizing the suffering caused to families by the war had not truly registered to him and most Americans who were not directly affected by it. Young cried, and immediately got his guitar out and began to write multiple songs at once. Within a few days he had completed work and a*sembled a band. He later said he had restrained himself for a long time from writing any protest songs, waiting for someone younger, with a different perspective, but no one seemed to be saying anything.[citation needed]

Most of the album’s songs rebuked the Bush administration’s policy of war by examining its human costs to soldiers, their loved ones, and civilians, but Young also included a few songs on other themes, and an outright protest titled, “Let’s Impeach the President”,[100] in which he stated that Bush had lied to lead the country into war. Young’s lyrics in another song named Illinois Senator Barack Obama, who had not declared any intention to run for president at the time and was widely unexpected to be able to win either the Democratic Party nomination or a general election, as potentially a replacement for Bush. That summer, Crosby, Stills, Nash & Young reunited for the supporting “Freedom of Speech Tour ’06”, in which they played Young’s new protest songs alongside the group’s older material, meeting with both enthusiasm and anger from different fans, some of whom were supportive of Bush politically. CSNY Déjà Vu, a concert film of the tour directed by Young himself, was released in 2008, along with an accompanying live album.[citation needed]

While Young had never been a stranger to eco-friendly lyrics, themes of environmentalist spirituality and activism became increasingly prominent in his work throughout the 1990s and 2000s, especially on Greendale (2003)[101] and Living with War (2006).[102] The trend continued on 2007’s Chrome Dreams II, with lyrics exploring Young’s personal eco-spirituality.[103] Also in 2007, Young accepted an invitation to participate in Goin’ Home: A Tribute to Fats Domino, contributing his version of “Walking to New Orleans”.[citation needed]

Young remains on the board of directors of Farm Aid, an organization he co-founded with Willie Nelson and John Mellencamp in 1985. According to its website, it is the longest running concert benefit series in the U.S. and it has raised $43 million since its first benefit concert in 1985. Each year, Young co-hosts and performs with well-known guest performers who include Dave Matthews and producers who include Evelyn Shriver and Mark Rothbaum, at the Farm Aid annual benefit concerts to raise funds and provide grants to family farms and prevent foreclosures, provide a crisis hotline, and create and promote home grown farm food in the United States.

In 2008, Young revealed his latest project, the production of a hybrid-engine 1959 Lincoln called LincVolt.[105] A new album loosely based on the Lincvolt project, Fork in the Road, was released on April 7, 2009.[106] The album, partly composed of love songs to the car, also commented on the economic crisis, with one narrator attacking the Wall Street bailouts enacted in late 2008. Unfortunately, the car caught fire in November 2010, in a California warehouse, and along the way it burned an estimated US$850,000 worth of Young’s rock and roll memorabilia collection. Initial reports suggest the fire might have been triggered by an error in the vehicle’s plug-in charging system. Young blamed the fire on human error and said he and his team were committed to rebuilding the car. “The wall charging system was not completely tested and had never been left unattended. A mistake was made. It was not the fault of the car”, he said.[citation needed]

A Jonathan Demme concert film from a 2007 concert at the Tower Theater in Upper Darby, Pennsylvania, called the Neil Young Trunk Show premiered on March 21, 2009, at the South by Southwest (SXSW) Film Conference and Festival in Austin, Texas. It was featured at the Cannes Film Festival on May 17, 2009 and was released in the U.S. on March 19, 2010[107] to critical acclaim.[108][109][110] Young guested on the album Potato Hole, released on April 21, 2009 by Memphis organ player Booker T. Jones, of Booker T. & the MGs fame. Young plays guitar on nine of the album’s ten instrumental tracks, alongside Drive-By Truckers, who already had three guitar players, giving some songs on the album a total of five guitar tracks. Jones contributed guitars on a couple of tracks.[citation needed]

In 2009, Young headlined the New Orleans Jazz and Heritage Festival, and Glastonbury Festival in Pilton, England,[111] at Hard Rock Calling in London (where he was joined onstage by Paul McCartney for a rendition of “A Day in the Life”) and, after years of unsuccessful booking attempts, the Isle of Wight Festival[112] in addition to performances at the Big Day Out festival in New Zealand and Australia and the Primavera Sound Festival in Barcelona.[citation needed]

Young has been a vocal opponent of the proposed Keystone XL oil pipeline, which would run from Alberta to Texas. When discussing the environmental impact on the oilsands of Fort McMurray, Alberta, Young a*serted that the area now resembles the Japanese city of Hiroshima in the aftermath of the atomic bomb attack of World War II.[113] Young has referred to issues surrounding the proposed use of oil pipelines as “scabs on our lives”.[113] In an effort to become more involved, Young has worked directly with the Athabasca Chipewyan First Nation to draw attention to this issue, performing benefit concerts and speaking publicly on the subject. In 2014, he played four shows in Canada dedicated to the Honor the Treaties[114] movement, raising money for the Athabasca Chipewyan legal defence fund.[115] In 2015, he and Willie Nelson held a festival in Neligh, Nebraska, called Harvest the Hope, raising awareness of the impact of tar sands and oil pipelines on Native Americans and family farmers. Both received honours from leaders of the Rosebud, Oglala Lakota, Ponca and Omaha nations, and were invested with sacred buffalo robes.[116]

Young participated in the Blue Dot Tour, which was organized and fronted by environmental activist David Suzuki, and toured all 10 Canadian provinces alongside other Canadian artists including the Barenaked Ladies, Feist, and Robert Bateman. The intent of Young’s participation in this tour was to raise awareness of the environmental damage caused by the exploitation of tar sands. Young has argued that the amount of CO2 released as a byproduct of tar-sand oil extraction is equivalent to the amount released by the total number of cars in Canada each day.[117] Young has faced criticism by representatives from within the Canadian petroleum industry, who have argued that his statements are irresponsible.[113] Young’s opposition to the construction of oil pipelines has influenced his music as well. His song, “Who’s Going to Stand Up?” was written to protest this issue, and features the lyric “Ban fossil fuel and draw the line / Before we build one more pipeline”.[113]

In addition to directly criticizing members of the oil industry, Young has also focused blame on the actions of the Canadian government for ignoring the environmental impacts of climate change. He referred to Canadian Prime Minister Stephen Harper as “an embarrassment to many Canadians …[and] a very poor imitation of the George Bush administration in the United States”.[117] Young has also been critical of Barack Obama’s government for failing to uphold the promises made regarding environmental policies during his election campaign.[117]

Young recorded “A Rock Star Bucks a Coffee Shop” in response to Starbucks’ possible involvement with Monsanto and use of genetically-modified food.[118][119] The song was included on his concept album called The Monsanto Years.

Recent years (2010s and beyond)

On January 22, 2010, Young performed “Long May You Run” on the final episode of The Tonight Show with Conan O’Brien. On the same night, he and Dave Matthews performed the Hank Williams song “Alone and Forsaken”, for the Hope for Haiti Now: A Global Benefit for Earthquake Relief charity telethon, in response to the 2010 Haiti earthquake. Young also performed “Long May You Run” at the closing ceremony of the 2010 Olympic winter games in Vancouver, British Columbia, Canada. In May 2010, it was revealed Young had begun working on a new studio album produced by Daniel Lanois. This was announced by David Crosby, who said that the album “will be a very heartfelt record. I expect it will be a very special record.”[121] On May 18, 2010, Young embarked upon a North American solo tour to promote his then upcoming album, Le Noise, playing a mix of older songs and new material. Although billed as a solo acoustic tour, Young also played some songs on electric guitars, including Old Black.[122] Young continued his Twisted Road tour with a short East Coast venture during spring 2011. Young also contributed vocals to the Elton John–Leon Russell album The Union, singing the second stanza on the track “Gone to Shiloh” and providing backing vocals.[citation needed]

In September 2011, Jonathan Demme’s third documentary film on the singer songwriter, Neil Young Journeys, premiered at the Toronto International Film Festival.[123] Like Demme’s earlier work with Young, most of the film consists of a simply filmed live performance, in this case, Young’s homecoming show in May 2011 at Toronto’s Massey Hall, four decades after he first played at the iconic venue. Playing old songs, as well as new ones from Le Noise, Young performs solo on both electric and acoustic instruments. His performance is a counterpoint to Demme’s footage of Young’s return to Omemee, Ontario, the small town near Toronto where he grew up, which has now become physically unrecognizable, though he vividly recalls events from his childhood there.[citation needed]

On January 22, 2012, the Master Class at the Slamdance Festival featured Coffee with Neil Young & Jonathan Demme discussing their film Neil Young Journeys. Young said that he had been recording with Crazy Horse, completing one album and working on another.[124]

Neil Young and Crazy Horse performed a version of the Beatles’ “I Saw Her Standing There” for Paul McCartney’s MusiCares Person of the Year dinner on February 10, 2012, in Hollywood.[125]

Neil Young with Crazy Horse released the album Americana on June 5, 2012. It was Young’s first collaboration with Crazy Horse since the Greendale album and tour in 2003 and 2004. The record is a tribute to unofficial national anthems that jumps from an uncensored version of “This Land Is Your Land” to “Clementine” and includes a version of “God Save the Queen”, which Young grew up singing every day in school in Canada.[126] Americana is Neil Young’s first album composed entirely of cover songs. On June 5, 2012, American Songwriter also reported that Neil Young & Crazy Horse would be launching their first tour in eight years in support of the album.[127]

In 2012, Young toured with Crazy Horse prior to the release of their second album of 2012, Psychedelic Pill, which was released in late October.[citation needed]

On August 25, 2012, Young was mistakenly reported dead by NBCNews.com, the day when astronaut Neil Armstrong died.[128]

On September 25, 2012, Young’s autobiography Waging Heavy Peace: A Hippie Dream was released to critical and commercial acclaim.[129] Reviewing the book for the New York Times, Janet Maslin reported that Young chose to write his memoirs in 2012 for two reasons. For one, he needed to take a break from stage performances for health reasons but continue to generate income. For another, he feared the onset of dementia, considering his father’s medical history and his own present condition. Maslin gives the book a higher than average grade, describing it as frank but quirky and without pathos as it delves into his relationships and his experience in parenting a child with disabilities as well as his artistic and commercial activities and a*sociations.[130]

In November 2013, Young performed at the annual fundraiser for the Silverlake Conservatory of Music. Following the Red Hot Chili Peppers, he played an acoustic set to a crowd who had paid a minimum of $2,000 a seat to attend the benefit in the famous Paramour Mansion overlooking downtown Los Angeles.[131]

The album A Letter Home was released on April 19, 2014, through Jack White’s record label, and his second memoir, entitled Special Deluxe, was tentatively scheduled for a late 2014 release.[needs update] He appeared with Jack White on The Tonight Show Starring Jimmy Fallon on May 12, 2014.[132]

The 2014 debut solo album by Chrissie Hynde, entitled Stockholm, featured Young on guitar on the track “Down the Wrong Way”.[133]

Young released his thirty-fifth studio album, Storytone on November 4, 2014. The first song released from the album, “Who’s Gonna Stand Up?”, was released in three different versions on September 25, 2014.[134]

Storytone was followed in 2015 by his concept album The Monsanto Years.[135] The Monsanto Years is an album themed both in support of sustainable farming, and to protest the biotechnology company Monsanto.[136] Young achieves this protest in a series of lyrical sentiments against genetically modified food production. He created this album in collaboration with Willie Nelson’s sons, Lukas and Micah, and is also backed by Lukas’s fellow band members from Promise of the Real.[137] Additionally, Young released a film in tandem to the album, (also entitled “The Monsanto Years”), that documents the album’s recording, and can be streamed online.[138] In August 2019, The Guardian reported Young, among other environmental activists, was being spied on by the firm.[139]

In summer 2015, Young undertook a North America tour titled the Rebel Content Tour. The tour began on July 5, 2015 at the Summerfest in Milwaukee, Wisconsin and ended on July 24, 2015 at the Wayhome Festival in Oro-Medonte, Ontario. Lukas Nelson & Promise of the Real were special guests for the tour.[140][141][142][needs update] After a show on September 19, 2015 in Chicago, Illinois, the tour started over on October 1, 2015 in Missoula, Montana and ended on October 25, 2015 in Mountain View, California.[needs update]

In October 2016, Young performed at Desert Trip in Indio, California,[143][144] and announced his thirty-seventh studio album, Peace Trail, recorded with drummer Jim Keltner and bass guitarist Paul Bushnell,[145] which was released that December.

On September 8, 2017, Young released Hitchhiker, a studio LP recorded on August 11, 1976 at Indigo Studios in Malibu. The album features ten songs that Young recorded accompanied by acoustic guitar or piano.[146] While different versions of most of the songs have been previously released, the new album will include two never-before-released songs: “Hawaii” and “Give Me Strength”, which Young has occasionally performed live.[147]

On July 4, 2017, Young released the song “Children of Destiny” which would appear on his next album. On November 3, 2017, Young released “Already Great” a song from The Visitor, an album he recorded with Promise of the Real and released on December 1, 2017.[148]

On December 1, 2017, Young performed live in Omemee, Ontario, Canada, a town he had lived in as a boy.[149]

On March 23, 2018, Young released a soundtrack album for the Daryl Hannah film Paradox. The album is labeled as “Special Release Series, Volume 10.”[citation needed]

On Record Store Day, April 21, 2018, Warner Records released a two-vinyl LP special edition of Roxy: Tonight’s the Night Live, a double live album of a show that Young performed in September 1973 at the Roxy in West Hollywood, with the Santa Monica Flyers. The album is labeled as “Volume 05” in Young’s Performance Series.[150]

On October 19, 2018, Young released a live version of his song “Campaigner”, an excerpt from a forthcoming archival live album titled Songs for Judy, which features solo performances recorded during a November 1976 tour with Crazy Horse. It will be the first release from his new label Shakey Pictures Records.[151][152][153]

In November 2018, shortly after his home had been destroyed by the California wildfire, Young criticised President Donald Trump’s stance on climate change.[154]

In December 2018, Young criticised the promoters of a London show for selecting Barclays Bank as a sponsor. Young objected to the bank’s a*sociation with fossil fuels. Young explained that he was trying to rectify the situation by finding a different sponsor.[155]

Young revived Crazy Horse for a series of low-profile theater gigs beginning May 1, 2018 in Fresno, California.

In April 2019, the band began recording “at least 11 new songs, all written recently” for a new album titled Colorado.

On June 25, 2019, The New York Times Magazine listed Neil Young among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[156]

On August 19, 2019, Neil Young and Crazy Horse announced the forthcoming release later in August 2019 of the new song “Rainbow of Colors”, the first single from the forthcoming 10-track studio LP Colorado, Young’s first new record with the band in seven years, since 2012’s Psychedelic Pill. Young, multi-instrumentalist Nils Lofgren, bassist Billy Talbot and drummer Ralph Molina recorded the new album with Neil’s co-producer, John Hanlon, in spring 2019. The 10 new songs are ranging from around 3 minutes to over 13 minutes. Colorado is due to be released in October 2019[157][158] on Reprise Records. On August 30, 2019, Young unveiled “Milky Way”, the first song from Colorado, a love ballad Young had performed several times at concerts over the past few months – both solo acoustic and with Promise of the Real.[159]

In February 2020, Young wrote an “open letter” to President Donald Trump: ‘You Are a Disgrace to My Country’.[160][161] In April 2020, He announced that he was working on a new archival album titled Road of Plenty, which will consist of music made with Crazy Horse during a 1986 US tour and tracks recorded in 1989 while rehearsing for their Saturday Night Live appearance.[162]

On May 7, 2020, it was announced that Neil Young would release on June 19, 2020 his 1975 long lost unreleased album Homegrown, a long-awaited album he described as “the missing link between Harvest, Comes A Time, Old Ways and Harvest Moon”. The original release date of April 17 had to be delayed due to the COVID-19 pandemic.[163]

On August 4, 2020, Young filed a copyright infringement lawsuit against the Trump campaign for the use of Young’s music at Trump’s campaign rallies.[164]

On August 14, 2020, Young announced that he would “soon” release a new EP entitled The Times. Young shared the news via his video for his new song “Lookin’ for a Leader”[nb 1], stating: “I invite the President to play this song at his next rally. A song about the feelings many of us have about America today, it’s part of The Times, an EP coming soon from Reprise Records—my home since 1968.”

Archives project

As far back as 1988, Young spoke in interviews of his efforts to compile his unreleased material and to remaster his existing catalogue. The collection was eventually titled the Neil Young Archives Series. The first installment, titled The Archives Vol. 1 1963–1972, was originally planned for a 2007 release but was delayed, and released on June 2, 2009.[citation needed]

Three performances from the Performance Series of the archives were released individually before The Archives Vol. 1. Live at the Fillmore East, a selection of songs from a 1970 gig with Crazy Horse, was released in 2006. Live at Massey Hall 1971, a solo acoustic set from Toronto’s Massey Hall, saw release in 2007. Sugar Mountain – Live at Canterbury House 1968, an early solo performance and, chronologically, the first disc in the performance series, emerged late in 2008.[citation needed]

In an interview in 2008, Young discussed Toast, an album originally recorded with Crazy Horse in San Francisco in 2000 but never released.[167] The album will be part of the Special Edition Series of the Archives. No release date currently exists for Toast. The album A Treasure, with live tracks from a 1984–85 tour with the International Harvesters, during a time when he was being sued by Geffen Records, was released in June 2011.[citation needed]

On July 14, 2009, Young’s first four solo albums were reissued as remastered HDCD discs and digital downloads as discs 1–4 of the Original Release Series of the Archives.[citation needed]

As of 2019, Neil Young has launched a subscription website and application where all of his music is available to stream in high resolution audio. The Neil Young Archives also include his newspaper, The Times-Contrarian, The Hearse Theater, and photos and memorabilia throughout his career.

Personal life

Homes and residency

Young was born in Toronto, Canada and lived there throughout his early life (1945, 1957 to 1960, 1966 to 1967), as well as Omemee (1945 to 1952), Pickering (1956) before settling in Winnipeg (1960–1966). Besides a brief stay in Florida in 1952, Young has been outside Canada since 1967. After becoming successful, he bought properties in California, United States. He currently holds dual citizenship for Canada and the United States.[169][170]

Young had a home in Malibu, California, which burned to the ground in the 2018 Woolsey Fire.[171]

Young owns Broken Arrow Ranch, a property of about 1,000 acres[172] near La Honda, California, that he purchased in 1970 for US$350,000 (US$2,304,242 in 2019 dollars);[70] the property was subsequently expanded to thousands of acres.[173][174]

Young announced in 2019 that his application for United States citizenship had been held up because of his use of marijuana, but the issue was resolved and he became a United States citizen.

Relationships and family

Young married his first wife, restaurant owner Susan Acevedo, in December 1968. They were together until October 1970, when she filed for divorce.[175]

From late 1970 to 1975, Young was in a relationship with actress Carrie Snodgress. The song “A Man Needs a Maid” from Harvest is inspired by his seeing her in the film Diary of a Mad Housewife. They met soon afterward and she moved in with him on his ranch in northern California. They have a son, Zeke, who was born September 8, 1972. He has been diagnosed with cerebral palsy.[176][177]

Young met future wife Pegi Young (née Morton) in 1974 when she was working as a waitress at a diner near his ranch, a story he tells in the 1992 song “Unknown Legend”. They married in August 1978[178] and had two children together, Ben and Amber. Ben has been diagnosed with cerebral palsy,[177] and Amber has been diagnosed with epilepsy.[177] The couple were musical collaborators and co-founded the Bridge School in 1986.[179][180] On July 29, 2014, Young filed for divorce after 36 years of marriage.[60] Pegi died on January 1, 2019.[181]

Young has been in a relationship with actress and director Daryl Hannah since 2014.[182] Young and Hannah were reported to have wed on August 25, 2018 in Atascadero, California.[183] Young confirmed his marriage to Hannah in a video released on October 31, 2018.[184]

Young has been widely reported to be the godfather of actress Amber Tamblyn;[185] in a 2009 interview with Parade, Tamblyn explained that “godfather” was “just a loose term” for Young, Dennis Hopper, and Dean Stockwell, three famous friends of her father, who were always around the house when she was growing up, and who were important influences on her life.

Charity work

Young is an environmentalist[187] and outspoken advocate for the welfare of small farmers, having co-founded in 1985 the benefit concert Farm Aid. He worked on LincVolt, the conversion of his 1959 Lincoln Continental to hybrid electric technology as an environmentalist statement.[188][189] In 1986, Young helped found The Bridge School,[190] an educational organization for children with severe verbal and physical disabilities, and its annual supporting Bridge School Benefit concerts, together with his former wife Pegi Young.[191] The last concerts were held in October 2016. On June 14, 2017, Neil and Pegi Young announced that the Bridge School Concerts would no longer continue.

Young is a member of the Canadian charity Artists Against Racism.

Business ventures

Young was part owner of Lionel, LLC, a company that makes toy trains and model railroad accessories.[193] In 2008 Lionel emerged from bankruptcy and his shares of the company were wiped out. He was instrumental in the design of the Lionel Legacy control system for model trains,[193] and remains on the board of directors of Lionel.[2] He has been named as co-inventor on seven US patents related to model trains.[194]

Young has long held that the digital audio formats in which most people download music are deeply flawed, and do not provide the rich, warm sound of analog recordings. He claims to be acutely aware of the difference, and compares it with taking a shower in tiny ice cubes versus ordinary water.[195] Young and his company PonoMusic developed Pono, a music download service and dedicated music player focusing on “high-quality” uncompressed digital audio.[196] It was designed to compete against MP3 and other formats. Pono promised to present songs “as they first sound during studio recording”.[197][198][199] The service and the sale of the player were launched in October 2014.[200][201] In April 2017 it was announced that Pono was discontinued after the company that was running the store, Omnifone, was purchased by Apple in 2016 and almost immediately shut down. Alternative plans were later abandoned.

Instruments

Guitars

In 2003, Rolling Stone listed Young as eighty-third in its ranking of “The 100 Greatest Guitarists of All Time” (although in a more recent version of the list, he has been moved up to seventeenth place), describing him as a “restless experimenter … who transform[s] the most obvious music into something revelatory”.[202] Young is a collector of second-hand guitars, but in recording and performing, he uses frequently just a few instruments, as is explained by his longtime guitar technician Larry Cragg in the film Neil Young: Heart of Gold. They include:

  • 1953 Gibson Les Paul Goldtop. Nicknamed “Old Black”, this is Young’s primary electric guitar and is featured on Rust Never Sleeps (1979) and other albums. Old Black got its name from an amateur paintjob applied to the originally gold body of the instrument, some time before Young acquired the guitar in the late 1960s. In 1972, a mini humbucker pick-up from a Gibson Firebird was installed in the lead/treble position. This pick-up, severely microphonic, is considered a crucial component of Young’s sound. A Bigsby vibrato tailpiece was installed as early as 1969, and can be heard during the opening of “Cowgirl in the Sand” from Everybody Knows This Is Nowhere.
  • Martin D-45. His primary steel-string acoustic guitar. It was one of four instruments bought by Stephen Stills for himself and his bandmates in CSNY to celebrate their first full concert at the Greek Theater in 1969.
  • Martin D-28. Nicknamed “Hank” after its previous owner, Hank Williams. Hank Williams, Jr., had traded it for some shotguns; it went through a succession of other owners until it was located by Young’s longtime friend Grant Boatwright. The guitar was purchased by Young from Tut Taylor. Young has toured with it for over 30 years. A story about the guitar and the song it inspired, “This Old Guitar”, can be seen about 50 minutes into the film Neil Young: Heart of Gold.
  • Vintage Martin D-18: Young used an old D-18 throughout his early days performing in coffee houses in Canada and on some early Buffalo Springfield work, before he received the D-45 from Stills. It can also be seen on unreleased footage from the Woodstock documentary, particularly on an acoustic duet of the Buffalo Springfield track “Mr. Soul” with Stills.

Other notable (or odd) instruments played by Young include:

  • Taylor 855 12-string, used in the first half of Rust Never Sleeps (1979).
  • 1927 Gibson Mastertone, a six-string banjo guitar, a banjo body tuned like a guitar, used on many recordings and played by James Taylor on “Old Man”.
  • Gretsch 6120 (Chet Atkins model). Before Young bought Old Black, this was his primary electric guitar during his Buffalo Springfield days.
  • Gretsch White Falcon. Young purchased a late 1950s model near the end of the Buffalo Springfield era; in 1969 he bought a stereo version of the same vintage guitar from Stephen Stills, and this instrument is featured prominently during Young’s early 1970s period, and can be heard on tracks like “Ohio”, “Southern Man”, “Alabama”, “Words (Between the Lines of Age)”, and “L.A.”. It was Young’s primary electric guitar during the Harvest (1972) era, since Young’s deteriorating back condition (eventually fixed with surgery) made playing the much heavier Les Paul difficult. This particular White Falcon is the stereo 6137, in which the signal from the three bass strings is separated from the signal from the three treble strings. Young typically plays this guitar in this stereo mode, sending the separate signals to two different amps, a Fender Deluxe and either a Fender Tremolux or a low-powered Tweed Fender Twin. The separation of the signals is most prominently heard on the Harvest (1972) song “Words”.
  • Gibson Flying V, on the Time Fades Away tour.
  • Fender Broadcaster, on the Tonight’s the Night (1975) album and tour.
  • Guild M-20, seen in the film Neil Young Journeys.

Harmonicas

Young plays Hohner Marine Band harmonicas and is often seen using a harmonica holder

Reed organ

Young owns a restored Estey reed organ, serial number 167272, dating from 1885, which he frequently plays in concert.

Crystallophone

Young owns a glass harmonica which is used in the recording of “I do” on the 2019 album Colorado.

Amplification

Young uses various vintage Fender Tweed Deluxe amplifiers. His preferred amplifier for electric guitar is the Fender Deluxe, specifically a Tweed-era model from 1959. He purchased his first vintage Deluxe in 1967 for US$50 (US$383 in 2019 dollars[70]) from Sol Betnun Music on Larchmont in Hollywood and has since acquired nearly 450 different examples, all from the same era, but he maintains that it is the original model that sounds superior and is crucial to his trademark sound.[207]

The Tweed Deluxe is almost always used in conjunction with a late-1950s Magnatone 280 (similar to the amplifier used by Lonnie Mack and Buddy Holly). The Magnatone and the Deluxe are paired together in a most unusual manner: the external speaker jack from the Deluxe sends the amped signal through a volume potentiometer and directly into the input of the Magnatone. The Magnatone is notable for its true pitch-bending vibrato capabilities, which can be heard as an electric piano amplifier on “See the Sky About to Rain”. A notable and unique accessory to Young’s Deluxe is the Whizzer, a device created specifically for Young by Rick Davis, which physically changes the amplifier’s settings to pre-set combinations. This device is connected to footswitches operable by Young onstage in the manner of an effects pedal. Tom Wheeler’s book Soul of Tone highlights the device on page 182/183.

Lyrics


As Long As He Needs Me (Diatonic)

Key: Any

Genre:

Harp Type: Any

Skill: Any

5 5 -5 6 6 6 -6 -4
He does not act as though he cares

-4 -4 5-5 -5 -5 6 5
But deep in-side I know he cares

5 -5 6 -7 -6 -6
And this is why I’m tied

-6 8 -8 -8
Centre by his side

verse 1
7 -7 6 5 5 5
As long as he needs me

7 -7 6 5 5 5
I know where I must be

-8 7 -6 -5 -5 -5
I’ll cling on stead-fast-ly,

-4 5 -5-6 6 6
As long as he needs me.
verse 2
As long as life is long
I’ll love him center or wrong
And somehow I’ll be strong
As long as he needs me.

4 5 6 -7 -6 -6 -6 -5 6
If you are lone-ly then you will know

-5 -6 7 -8 7 -6 -7 7
When some-one needs you, you love them so

ENJOY!!!

Lyrics


As Long As He Needs Me

Key: Any

Genre:

Harp Type: Any

Skill: Any

By Lionel Bart
From: “Oliver”
Key: C

4 -4 3 2 2 2
As long as he needs me…
4 -4 3 2 2 -2
I know where I must be.
-5 4 -3 -2 -2 -2
I’ll cling on stead-fast-ly…
-1 2 -2 3* 3 3
As long as he needs me.

4 -4 3 2 2 2
As long as life is long…
4 -4 3 2 2 -2
I’ll love him right or wrong,
-5 4 -3 -2 -2 -2
And some-how, I’ll be strong…
-1 2 -2 3* 3 3
As long as he needs me.

1 2 3 -3* -3
If you are lone-ly
-3 3 -2 3
Then you will know…
-2 -3 4 -5 4
When some-one needs you,
-3 -4 4 -5
You love them so.
4 -4 3 2 2 2
I won’t be-tray his trust…
4 -4 3 2 2 -2
Tho’ peo-ple say I must.
-5 4 -3 -2 -3 4
I’ve got to stay true, just
-3 -4 4 -5 -5 4
As long as he needs me.

REPEAT

Lyrics


Are You Sure Hank Done It This Way

Key: Any

Genre:

Harp Type: Any

Skill: Any

6 6 6 6 -7 6 4 4 4 -3’’ 3
Lord, it’s the same old tune fid-dle and gui-tar
6 6 6 -7 6 6 6
Where do we take it from here
6 6 6 -5 -4 -4 4 -43
Rhine-stone suits and new shin-y cars
3 3 3 -4 -4 -4 4
It’s been the same way for years
3 3 3 3
We need to change

6 6 6 -7 6 -4 -4 -4 4 -4 3
Some-bod-y told me when I came to Nash-ville
6 6 -7 6 6 6 6
Son you fin-‘ly got it made
6 6 6 5 6 4 4 4 -4 3
Ol’ Hank made it here, we’re all sure you will
3 3 3 3 3 -4 -4 -4 4
But, I don’t think Hank done it this way
-4 -4 -4 -4 -4 -4 -4 3 -4 3
Naw, I don’t think Hank done it this a-way

6 6 6 6 6 6 -5 -4 -4 -3’’
Ten years on the road mak-in’ one night stands
6 6 6 -7 6 6 6
Speed-in’ my young life a-way
6 6 6 5 6 4 4 4 4 -4 3
Tell me one more time just so’s I’ll un-der-stand
3 3 3 3 -4 -4 -4 4
Are you sure Hank done it this way
-4 -4 -4 -4 -4 -4 -4 3 -3’3
Did ol’ Hank real-ly do it this way

Lord, I’ve seen the world with a five piece band
Look-in’ at the back-side of me
Sing-in’ my songs, one of his now and then
But, I don’t think Hank done ‘em this way
No, I don’t think Hank done ‘em this way

Lyrics


Anything That’s Part of You (12th pos)

Key: Any

Genre:

Harp Type: Any

Skill: Any

1 -2” 3 -3” 1 -2” 3 -3”
I memorize the note you sent

-3” -3” -3’ 4 4 -4 4 -3’
Go all the places that we went
-3’ -3’ 4 -4 -4 4 -3’ -3” 3 -2”

I seem to search the whole day through
3 3 -3” -3’ 1 -3” 3 -2”

For anything that’s part of you

1 -2” 3 -3” 1 -2” 3 -3”

I kept a ribbon from your hair
-3” -3” -3’ 4 4 -4 4 -3’

A breath of perfume lingers there
-3’ -3’ 4 -4 -4 4 -3’-3” 3 -2”

It helps to cheer me when I’m bl-u-e

3 -3” -3’ 1 -3” 3 -2”
Anything that’s part of you

-2” -3’ 4 -4 -2” -3’ 4 -4

Oh, how it hurts to miss you so

-4 -4 5 -5 6 -5 -4 4 -3” 3 -2” -2 -1 -2”
When I know you don’t lo-ve me an-y-m-o-r-e
-2” -2 -2” -2” -1 1

To go on needing you

-3” -4 4 1 -3” -2
Knowing you don’t need me

1 -2” 3 -3” 1 -2” 3 -3”
No reason left for me to live
-3” -3” -3’ 4 4 -4 4 -3’

What can I take, what can I give
-3’ -3’ 4 -4 -4 4 -3’ -3” 3 -2”

When I’d give all of someone n-e-w
3 3 -3” -3’ 1 -3” 3 -2”

For anything that’s part of you

Lyrics


Anything For You (chromatic)

Key: Any

Genre:

Harp Type: Any

Skill: Any

By: Gloria M. Estefan
Key: G

(3) (3) (-5) (-5)
|-3-1-43 -13-4|7357-6*-3-5-6*|
(5) (-4) (-3)
|635-5 3-57|7-357-6*-54-1|

-4 5 -5 6 -5 -4 5 -7 -6*
An-y-thing for you, though you’re not here
-4 5 -5 6 -5
Since you said we’re through,
-5 8 -8 -6*
it seems like years
7 -7 -8 -7 -7 7 7
Time keeps drag-ging on and on
6 7 -8 -7 -7 7 7
And for ev-er’s been and gone
6 7 -7 -8 -7 -7 7 -5
Still I can’t fig-ure what went wrong

7 -6* 6 -4 5 -5 6 -5
I’d still do an-y-thing for you,
-4 5 -7 -6*
I’ll play your game
-6* -4 5 -5 6 -5
You hurt me thru and thru
-5 -5 -5 8 -8 -7
But you can have your way
-7 7 -7 -8 -7 -7 7 7 7
I can pre-tend each time I see you
6 6 7 -8 -7 -7 7 7 7
That I don’t care and I don’t need you
6 7 -7 -8 -7 -7 7 7 -7
And though you’ll nev-er see me cry-ing
7 7 -7 -8 -7 -7 7 6 -5
You know in-side I feel like dy-ing

7 -6* 6 -4 5 -5 6 -5
And I’d do an-y-thing for you
-4 5 -7 -6*-6*
In spite of it all
-5 -4 5 -5 6 -5
I’ve learned so much from you
-5 8 -8 -7
You made me strong
6 7 -7 7 -8 -7 -7 7 7 -7
Don’t you ev-er think that I don’t love you
6 7 -7 -8 -7 -7 7 7 -7
That for one min-ute I for-got you
6 7 -7 -8 -7 -7 7 7
But some-times things don’t work out right
6 7 -7 -8 -8 -9 -8 -7
And you just have to say good bye
7 -7 7 -8 -7 -7 7 7 -7
I hope you find some-one to please you
6 7 -7 -8 -7 -7 7 7 -7
Some-one who’ll care and nev-er leave you
6 7 -7 -8 -7 -7 7 7 -7
But if that some-one ev-er hurts you
6 7 -7 -8 -7 -7 7 6 -5
You just might need a friend to turn to

7 -6* 6 -4 5 -5 6 -5
And I’d do an-y-thing for you
-4 5 -7 -6*
I’ll give you up
-5 -4 5 -5 6 -5 -5 8 -8 -7 -7
If that’s what I should do to make you hap-py
7 -7 7 -8 -7 -7 7 7 -7
I can pre-tend each time I see you
6 7 -7 -8 -7 -7 7 7 -7
That I don’t care and I don’t need you
6 7 -7 -8 -7 -7 7 7
And though in-side I feel like dying
6 7 -7 -8 -8 -9 -8 -7
You know you’ll nev-er see me crying
7 7 -7 7 -8 -7 -7 7 7 -7
Don’t you ev-er think that I don’t love you
6 7 -7 -8 -7 -7 7 7 -7
That for one min-ute I for-got you
6 7 -7 -8 -7 -7 7 7-7
But some-times things don’t work out right
6 7 -7 -8 -8 -9 -8 -7
And you just have to say good bye.

(5) (6) (-4)(-5) (-5)(-5)
|7357 357|7357 357|7357-6*35-6*|11-87-5-43…|

{11-87-5-43) The song ends on a G chord
so experiment with 3 or 7 or 11 or
3—7 or 7—11 octave splits, if you don’t care
for the arpeggio.

For the intro and outro play in a finger-picking
style. The number in () is the base of the chord.
This should leave room for a bit of creativity.

Lyrics


Anything For You

Key: Any

Genre:

Harp Type: Any

Skill: Any

5 -6 6 -6 6 5 -5 8 7
Anything for you, though you’re not there
5 -5 6 -6 6 6 -9 8 7
Since you said we’re through, it seems like years
7 -8 8 -8 -8 7 7
Time keeps dragging on and on
-6 7 -8 -8 7 7 7
And for ever’s been and gone
-6 7 -8 8-8 -8 7 -6
Still I can’t figure what went wrong
7 6 -6 5 -6 6 -6 6 5 -5 -8 6
I’d still do anything for you, I’ll play your game
6 5 -6 -6 6 -6
You hurt me through and through
6 6 6 -9 8 -8
But you can have your way
7 -8 7 8 -8 -8 7 7 -8
I can pretend each time I see you
-6 7 -8 8 -8 -8 7 7 -8
That I don’t care and I don’t need you
-6 7 -8 8 -8 8 7 7 -8
And though you’ll never see me crying
7 7 -8 8 -8 -8 7 -6 6
You know inside I feel like dying
7 6 -6 5 -5 6 -6 6
And I’d do anything for you
5 -5 -8 7 6
In spite of it all
6 5 -5 6 -6 6
I’ve learned so much from you
6 -9 8 -8
You made me strong
-6 7 -8 7 8 -8 -8 7 7 -8
Don’t you ever think that I don’t love you
-6 7 -8 8 -8 -8 7 7 -8
That for one minute I forgot you
-6 7 -8 8 -8 -8 7 7
But sometimes things don’t work out right
-6 7 -8 8 8 9 8 -9
And you just have to say good bye
7 -8 7 8 -8 -8 7 7 -8
I hope you find someone to please you
-6 7 -8 8 -8 8 7 7 -8
Someone who’ll care and never leave you
-6 7 -8 8 -8 -8 7 7 -8
But if that someone ever hurts you
-8 7 -8 8 -8 -8 7 -6 6
You just might need a friend to turn to
7 6 -6 5 -5 6 -6 6
And I’d do anything for you
5 -5 -8 7
I’ll give you up
6 5 -5 6 -6 6 6 -9 8 -8 7
If that’s what I should do to make you happy
7 -8 7 8 -8 -8 7 7 -8
I can pretend each time I see you
-6 7 -8 8 -8 -8 7 7 -8
That I don’t care and I don’t need you
-6 7 -8 8 -8 -8 7 7 -8
And though Inside I feel like dying
-6 7 – 8 8 8 9 8 -8 7
You know you’ll never see me crying
-6 7 -8 8 8 -8 -8 7 7 -8
Don’t you ever think that I don’t love you
-6 7 -8 8 -8 -8 7 7 -8
That for one minute I forgot you
-6 7 -8 8 -8 -8 7 7
But sometimes things don’t work out right
-6 7 -8 8 8 9 8 -8
And you just have to say good bye…..

Instrumental part here ( still working on, hope to add later !!)

Lyrics


Blame It On Your Heart

Key: Any

Genre:

Harp Type: Any

Skill: Any

By: Harlan Howard & Kostas
Patty Loveless
Key: G

7 7 7 -6* -6* 6
You’ve got a thing or two
6 -5 -5 6 -4-3-4 -5
to learn a-bout me ba-by
7 7 7 -6* -6* 6 -6* -5
cause I ain’t tak-in’ it no more
-5 -5 6 5 -4 5 -5
and I don’t mean may-be
-6* -6* -6* -6* -5 6 -5
You don’t know right from wrong
-6* -6* -6* -7 6 -5 6 -5
Well the love we had is gone
-6* -6* -6*-6* 6 6 -5 -5 -5
So blame it on your ly-in’, cheat-in’,
5 5 5 5
cold dead-beat-in’,
5 -5 -5 6 -5 5 -5
Two-tim-ing, dou-ble deal-in’
-5 -5 6 -5 -4 -5 -4-33
Mean mis-treat-in’, lov-in’ heart

7 7 7 -6*-6* 6 6 -5
Well all I want-ed was to be
-5 6 -4-3 -4 -5
your one and on-ly
7 7 7 -6*-6* 6 -6* -5
And all I ev-er got from you
-5 6 5-4 5 -5
was be-ing lone-ly
-6* -6* -6* -6* -6* -5 6-5
Now that dream is laid to rest
-6* -6* -7 6 -5 6 -5
cause you have failed the test

-6* -6* -6*-6* 6 6 -5 -5 -5
Hey blame it on your ly-in’, cheat-in’,
5 5 5 5
cold dead-beat-in’,
5 -5 -5 6 -5 5 -5
Two-tim-ing, dou-ble deal-in’
-5 -5 6 -5 -4 -5 -4-33
Mean mis-treat-in’, lov-in’ heart

3 3 6 7 7 6 7 6 -7 -5 6
Are you head-in’ for a heart-ache, oh yeah
-4 -5 -5 -5 6 -5 6 -5
Gon-na get a bad break, oh yeah
3 6 7 6 -7 6 -7 7
You made a bad mis-take, oh yeah
7 7 -7 -7 -7 -7 -6*
Well, you’re nev-er gon-na find
-5 -7 7 -7 7 -8-77
An-oth-er love like mine

7 7 -6*-6* 6 6
Some-one’s gon-na do you
-5 -5 6 -4-3 -4 -5
like you done me hon-ey
7 7 7 -6* -6* 6 -6* -5 -5
And when she does you like she’ll do you,
6 5-4 5 -5
it ain’t fun-ny
-6* -6* -6* -6* -5 6-5
You’ll need some sym-pa-thy
-6* -6* -7 6 -5 6-5
But don’t be call-in’ me
-6* -6* -6*-6* 6 6 -5 -5 -5
Hey blame it on your ly-in’, cheat-in’,
5 5 5 5
cold dead-beat-in’,
5 -5 -5 6 -5 5 -5
Two-tim-ing, dou-ble deal-in’
-5 -5 6 -5 -4 -5 -4-33
Mean mis-treat-in’, lov-in’ heart

-6* -6* -6*-6* 6 6 -5 -5 -5
Hey blame it on your ly-in’, cheat-in’,
5 5 5 5
cold dead-beat-in’,
5 -5 -5 6 -5 5 -5
Two-tim-ing, dou-ble deal-in’
-5 -5 6 -5 -4 -5 -4-33
Mean mis-treat-in’, lov-in’ heart

3 3 6 7 7 6 7 6 -7 -5 6
Are you head-in’ for a heart-ache, oh yeah
-4 -5 -5 -5 6 -5 6 -5
Gon-na get a bad break, oh yeah
3 6 7 6 -7 6 -7 7
You made a bad mis-take, oh yeah
7 7 -7 -7 -7 -7 -6*
Well, you’re nev-er gon-na find
-5 -7 7 -7 7 -8-77
An-oth-er love like mine

7 7 -6*-6* 6 6
Some-one’s gon-na do you
-5 -5 6 -4-3 -4 -5
like you done me hon-ey
7 7 7 -6* -6* 6 -6* -5 -5
And when she does you like she’ll do you,
6 5-4 5 -5
it ain’t fun-ny
-6* -6* -6* -6* -5 6-5
You’ll need some sym-pa-thy
-6* -6* -7 6 -5 6-5
But don’t be call-in’ me
-6* -6* -6*-6* 6 6 -5 -5 -5
Hey blame it on your ly-in’, cheat-in’,
5 5 5 5
cold dead-beat-in’,
5 -5 -5 6 -5 5 -5
Two-tim-ing, dou-ble deal-in’
-5 -5 6 -5 -4 -5 -4-33
Mean mis-treat-in’, lov-in’ heart

-6* -6* -6*-6* 6 6 -5 -5 -5
Hey blame it on your ly-in’, cheat-in’,
5 5 5 5
cold dead-beat-in’,
5 -5 -5 6 -5 5 -5
Two-tim-ing, dou-ble deal-in’
-5 -5 6 -5 -4 -5 -4-33
Mean mis-treat-in’, lov-in’ heart

Lyrics


Better Than I Know Myself (tremolo)

Key: Any

Genre:

Harp Type: Any

Skill: Any

This is tabbed for a 24 hole Echo Celeste tremolo

Verse 1:
6 -5 6
Cold as ice
5 -5 6 6 -5 -5 -5 5 5 -3 4
And more bitter than a December
6 -5 6
Winter night
5 -5 6 -5 5 5 -5 5 -3
That’s how I treated you
4 -3 6 -5 6
And I know that I
-3 5 -5 6 6 -5 -5 5 5 -3
I sometimes tend to lose my temper
4 -3 6 -5 6
And I cross the line
5 -5 -5 5 -5
Yeah that’s the truth

Chorus:
5 5 5 5 7 7 6
I know it gets hard sometimes
5 7 7 -4 5
But I could never
7 7 6
Leave your side
6 -6 6 -6 6 5
No matter what I say
7 7 7 7 7 7 8
‘Cause if I wanted to go
8 8 7 -8 8 8 7
I would have gone by now but
7 8 8 8 -9 -8 8
I really need you near me
7 8 8 -8 -8 -8 -8 -7
To keep my mind off the edge
7 7 7 7 7 8
If I wanted to leave
8 8 7 -8 8 8
I would’ve left by now
7 7 8 8 8 8 -9 -8 8
But you’re the only one that knows me
7 7 7 7 -8 8 -9
Better than I know myself

Verse 2:
All along
I tried to pretend it didn’t matter
If I was alone
Deep down I know
If you were gone
For even a day I wouldn’t know which way to turn
‘Cause I’m lost without you

(Chorus)

6 6 6 -5 6
I get kind of dark
6 6 6 -5 6
Let it go too far
6 6 6 6 6 -5 -5 5
I can be obnoxious at times
4 6 6 6 -5 6
But try and see my heart
6 6 6 -5 6
‘Cause I need you now
6 6 6 -5 -6 6 -5
So don’t let me down
6 6 6 6 6 -5 -5 5
You’re the only thing in this world
6 6 6 -5 6
I would die without

7 7 7 7 7 7 8
‘Cause if I wanted to go
8 8 7 -8 8 8 7
I would have gone by now but
7 8 8 8 -9 -8 8
I really need you near me
7 8 8 -8 -8 -8 -8 -7
To keep my mind off the edge
7 7 7 7 7 8
If I wanted to leave
8 8 7 -8 8 8
I would’ve left by now
7 7 8 8 8 8 -9 -8 8
But you’re the only one that knows me
7 7 7 7 -8 8 -9
Better than I know myself

7 7 7 7 7 7 8
‘Cause if I wanted to go
8 8 7 -8 8 8 7
I would have gone by now but
7 8 8 8 -9 -8 8
I really need you near me
7 8 8 -8 -8 -8 -8 -7
To keep my mind off the edge
7 7 7 7 7 8
If I wanted to leave
8 8 7 -8 8 8
I would’ve left by now
7 7 8 8 8 8 -9 -8 8
But you’re the only one that knows me
7 7 7 7 -8 8 -9
Better than I know myself

Lyrics


Better Than I Know Myself

Key: Any

Genre:

Harp Type: Any

Skill: Any

Verse 1:
5 -4 5
Cold as ice
4 -4 5 5 -4 -4 -4 4 4 -3” 3
And more bitter than a December
5 -4 5
Winter night
4 -4 5 -4 4 4 -4 4 -3”
That’s how I treated you
3 -3” 5 -4 5
And I know that I
-3” 4 -4 5 5 -4 -4 4 4 -3”
I sometimes tend to lose my temper
3 -3” 5 -4 5
And I cross the line
4 -4 -4 4 -4
Yeah that’s the truth

Chorus:
4 4 4 4 6 6 5
I know it gets hard sometimes
4 6 6 -3 4
But I could never
6 6 5
Leave your side
5 -5 5 -5 5 4
No matter what I say
6 6 6 6 6 6 7
‘Cause if I wanted to go
7 7 6 -7 7 7 6
I would have gone by now but
6 7 7 7 -8 -7 7
I really need you near me
6 7 7 -7 -7 -7 -7 -6
To keep my mind off the edge
6 6 6 6 6 7
If I wanted to leave
7 7 6 -7 7 7
I would’ve left by now
6 6 7 7 7 7 -8 -7 7
But you’re the only one that knows me
7 7 7 7 -8 8 -9
Better than I know myself

Verse 2:
All along
I tried to pretend it didn’t matter
If I was alone
Deep down I know
If you were gone
For even a day I wouldn’t know which way to turn
‘Cause I’m lost without you

(Chorus)

5 5 5 -4 5
I get kind of dark
5 5 5 -4 5
Let it go too far
5 5 5 5 5 -4 -4 4
I can be obnoxious at times
3 5 5 5 -4 5
But try and see my heart
5 5 5 -4 5
‘Cause I need you now
5 5 5 -4 -5 5 -4
So don’t let me down
5 5 5 5 5 -4 -4 4
You’re the only thing in this world
5 5 5 -4 5
I would die without

6 6 6 6 6 6 7
‘Cause if I wanted to go
7 7 6 -7 7 7 6
I would have gone by now but
6 7 7 7 -8 -7 7
I really need you near me
6 7 7 -7 -7 -7 -7 -6
To keep my mind off the edge
6 6 6 6 6 7
If I wanted to leave
7 7 6 -7 7 7
I would’ve left by now
6 6 7 7 7 7 -8 -7 7
But you’re the only one that knows me
7 7 7 7 -8 8 -9
Better than I know myself

6 6 6 6 6 6 8
‘Cause if I wanted to go
7 7 6 -7 7 7 6
I would have gone by now but
6 7 7 7 -8 -7 7
I really need you near me
6 7 7 -7 -7 -7 -7 -6
To keep my mind off the edge
6 6 6 6 6 7
If I wanted to leave
7 7 6 -7 7 7
I would’ve left by now
6 6 7 7 7 7 -8 -7 7
But you’re the only one that knows me
7 7 7 7 -8 8 -9
Better than I know myself

Lyrics


Crazy For You

Key: Any

Genre:

Harp Type: Any

Skill: Any

5 6 6 6 6 -6 6 6
Swayin’ room as the music starts
5 6 6 6 6 -6 7 7 -8
Strangers makin’ the most of the dark
5 6 7 8 -9 8 -8 7 8
Two by two their bod – ies become one
5 6 6 6 6 -6 6 6
I see you through the smok – y air
5 6 6 6 -6 7 7 -8
Can’t you feel the weight of my stare
5 6 7 8 -9 8 -8 8 8
You’re so close, but still a world a – way
-8 8 -9 8 7 7
What I’m dy – in’ to say
6 -6 7 8 9 -10 9
You bet I’m crazy for you
9 -9 9 -8 7 -8 8 7
Touch me once and you’ll know it’s true
9 9 -9 -9 8 -8 7 -8 8 7
I never wanted an-y-one like this
7 -7 7 6
It’s all brand new
5 -5 5 -5 5 -5
You’ll feel it in my kiss
-9 8 7 7 7 -6 7 -8 7
I’m crazy for you —–crazy for you

5 6 6 6 6 -6 6 6
Tryin’ hard to control my heart
5 6 6 6 6 -6 7 -8
I walk over to where you are
5 6 7 8 -9 8 -8 7 8
Eye to eye, we need no word at all
5 6 6 6 6 -6 6 6
Slowly now we begin to move
5 6 6 6 6 -6 -6 7 -8
Ev – ry breath, Im deep – er in to you
5 6 7 8 -9 8 -8 8 8
Soon we two are standin’ still in time
-8 8 -9 8 7
If you read my mind
6 -6 7 8 9 -10 9
You’ll see, I’m crazy for you
9 -9 -9 -8 7 -8 8 7
Touch me once and you’ll know it’s true
9 9 -9 -9 8 -8 7 -8 8 7
I never wanted an – y -one like this
7 -7 7 6
It’s all brand new
5 -5 5 -5 5 -5
You’ll feel it in my kiss
-9 8 7 7 7 -6 7 -8 7
I’m crazy for you —–crazy for you
-6 6 6 6
Crazy for you
6 7 -8 7
It’s all brand new
-9 8 7 7 7
I’m crazy for you
6 6 7 -8 7 -9 8 -9
And you know it’s true, I’m crazy……
8 7 7 7
Crazy for you………………………..

Lyrics


Draw me close to you

Key: Any

Genre:

Harp Type: Any

Skill: Any

4/4 TIME (MODERATE PACE)
THE DOTS = EXTEND THAT NOTE

[V1]

. 5 6 7. 5 -5…. -5 6 -8. -7 6….
Draw me close to You. Nev-er let me go
.6 -7 7 -8.-7 7. -5 -5…
I lay it a-all down ag-ain
.-5 7 -7 -6. 6 -6. 4 4…
To hear you say that I’m your Friend.

. 5 6 7. 5 -5….-5 6 -8. -7 6….
You are my de-sire. No one else will do
.6 -6 -7 7 -8. -7 7. -5 -5…
Ca-use noth-ing else could take Your place
.-6-7 7 -7 -6. 6 -6. 4 4.
to-o feel the warmth of Your em-brace.

[B]

. 5 6 7. 5 -5….
Help me find the way
. 7 -7 -6. -7 7….
bring me back to You.

.( -8 -8 -8 -8 6 6)
(Lord,bring me back to You)

[C]
. 8 -8… -7 7…
You’re all I want.
. 8 -8…-7 7…7 -8.. 6…
You’re all I ev – er need-ed
. 8 -8… -7 7…
You’re all I want.
. 7 7 7 -8.. -7 7…
Help me know You are near.

Lyrics


Don’t Know Much

Key: Any

Genre:

Harp Type: Any

Skill: Any

By: Barry Mann, Cynthia Weil, Tom Snow
Linda Ronstadt & Aaron Neville
Key: C, Eb

6 -5 6 -5
Look at this face
-3 5 -3 5 -3 5 -5
I know the years are show-in’
6 -6 7 7-77
Look at this life
7 -7 8 -7 8 -7 8 -9
I still don’t know where it’s go-in’

-7 8 10 9-99
I don’t know much
7 7 -8 -9 8 -77-6
But I know I love you
7 -9 7 10-99
And that may be
9 10 -9-8 8 8
All I need to know

6 -5 5 -5
Look at these eyes
-3 5 -3 5 -3 5 -5
They’ve nev-er seen what mat-tered
6 -6 7 -7 7
Look at these dreams
-7 8 -7 8 -7 8 -9
So beat-en and so bat-tered

-7 8 10 -99-9
I don’t know much
7 7 -8 -9 8 -77-6
But I know I love you
7 -9 7 10-99
And that may be
9 10 -9 -8 8 8
All I, I need to know

-7 8 -7 8 -9
So man-y quest-ions
-8 -8 7 -8 8
Still left un-an-swered
-7 -7 -7 -7 7 7 6 7 -5 6
So much I’ve nev-er bro-ken through

-5* -5* -5* 7 -6 -5* -6
And when I feel you near me
-5 5 -5 -6 -5* -5 -5*
Some-times I see so clear-ly
8 8 8 8 -7* -7*-9* -9*
The on-ly truth I’ve ev-er known
-7*-9*-9* 1111*11-10
Is me and you

Key: Eb

7 -6 -5* -6
Look at this man
5 -5* 5 -5* 5 -5* -6
So blessed with in-spi-ra-tion
7 7* -7* 8-7*
Look at this soul
8 -9* 9 -9* 9 -9* -10
Still search-ing for sal-va-tion

9 -9* 11 -10-9*-10
I don’t know much
-7*-7* -9 -10 -9* 9-7*7*
But I know I love you
-7* -10 -7* 11-10-9*
And that may be
-9* 11 -10-9-9* -9*
All I need to know

9 -9* 11 -10-9*-10
I don’t know much
-7*-7* -9 -10 -9* 9-7*7*
But I know I love you
-7* -10 -7* 11-10-9*
And that may be
-9* 11 -10-9-9* -9*
All I need to know

9 -9* 11 -10-9*-10
I don’t know much
-7*-7* -9 -10 -9* 9-7*7*
But I know I love you
-7* -10 -7* 11-10-9*
And that may be
-9* 11 -10-9-9* -9*
All I need to know

Lyrics


Don’t You Worry ‘Bout A Thing

Key: Any

Genre:

Harp Type: Any

Skill: Any

By: Stevie Wonder
Key: G

-4 3 -3 2 3 2 -3
Ev-‘ry-bod-y’s got a thing
2 -2 2-1 3 -1 -1 -1 1 3
But some don’t know how to han-dle it
-4 3 -3 2 3 2 -3
Al-ways reach-in’ out in vain
2 -2 2 -1 3 -1 -1 -1123-4-3 -3
Ac-cept-ing the things not worth hav-ing but

-3 -4 4 -5 -4 -3 -4
Don’t you wor-ry ’bout a thing
-3 -4 4 -5 -4 -3 -4 3 3 -33
Don’t you wor-ry ’bout a thing, ma-ma
2 3 -2* -2 2 -4 -4-3 -32 2
Cause I’ll be stand-in’ on the side
3 3 3-2* -2* -3
When you check it out

3 -4 3 -3 2 3 2 -3
They say your style of life’s a drag
2 -2 2 -1 3 -1 -1 -11 3
And that you must go oth-er plac-es
2 -4 3 -3 2 3 2 -3
But just don’t you feel too bad
2 -2 2-1 3 -1 -112 3 -4 -3 -3
When you get fooled by smil-ing fac-es but

-3 -4 4 -5 -4 -3 -4
Don’t you wor-ry ’bout a thing
-3 -4 4 -5 -4 -3 -4 3 3 -33
Don’t you wor-ry ’bout a thing, ma-ma
2 3 -2* -2 2 -4 -4-3 -32 2
Cause I’ll be stand-in’ on the side
3 3 3-2* -2* -3
When you check it out

-1 2 3 4-4-4-3*-3*-3-33*333
When you get off…
-2* -3
your trip
-4 -5 6 7 -7 7
Don’t you wor-ry ’bout a
-8-77-77676-56-5-43-3
thing…
-8 -87 -7 6 7 6 7 6
ba-bum-ba bum-ba bum-ba bum
-6 6 -5 7 -5 -557
bum bum bum bum bum bum
-8 -87 -7 6 7 6 7 6
ba-bum-ba bum-ba bum-ba bum
-6 6 -5 7 -5 -557-8
bum bum bum bum bum bum

-7 -7 -7 7 6 -5 -4
Don’t you wor-ry ’bout a thing
-3 -4 4 -5 -4 -3 -3 3 3-33
Don’t you wor-ry ’bout a thing, ma-ma
2 3 -2* -2 2 -4 -4 -32 2
Cause I’ll be stand-ing on the side
3 3 3-2* -2*
When you check it
4-4-4-3*-3*-3-33*333-2*-3
out…
-1 2 3 4-4-4-3*-3*-3-33*333
When you get off…
-2* -3
your trip

-4 3 -3 2 3 2 -3
Ev-‘ry-bod-y needs a change
2 -2 2-1 3 -1 -1 -113
A chance to check out the new
2 -4 3 -3 2 3 2 -332
But you’re the on-ly one to see
2 -2 2 -1 3 -1 -1 -1123-4-3
The chang-es you take your-self through
-3 -4 4 -5 -4 -3 -4
Don’t you wor-ry ’bout a thing
-3 -4 4 -5 -4 -3 -4
Don’t you wor-ry ’bout a thing,
3 3 3 -33
pret-ty ma-ma
2 3 -2* -2 2 -4 -4 -32 2
Cause I’ll be stand-in’ in the wings
3 3 3-2* -2*-7-8-4
When you check it out
-4 4 6 7 -7 7
Don’t you wor-ry ’bout a
-8-77-777676-56-5-4-43-3
thing
-4 4 6 7 -7 7
Don’t you wor-ry ’bout a
-8-77-777676-56-5-4-43-3
thing

Lyrics


Don’t You Want Me

Key: Any

Genre:

Harp Type: Any

Skill: Any

Verse 1 (male singer)

7 -6 7 -6 7 -6 7 -6
You were working as a waitress
7 -6 8 -9 8 -8 8 -6 7 -6 6 -6
In a cocktail bar ~~~ when I met you ~~~~
-6 7 -6 7 -6 7 -6 7
I picked you out, I shook you up
-6 8 -9 8 -8 8
And turned you a-round ~~~~
7 -6 7 -6 7 -6 6
Turned you in to someone new
-6 7 -6 7 -6 7
Now five years later on
-6 7 -6 8 -9 8 -8
You’ve got the world at your feet
-6 7 -6 7 -6 7 -6 -6 6
Success has been so ea-sy for you
-6 7 -6 7 -6 -6 7
But don’t forget it was me
-6 7 -6 8 -9 8 -8
Who put you where you are now
-6 7 -6 7 -6 7 -6 6
And I can put you back down too

Chorus

-6 -6 6 -6 5
Don’t — Don’t you want me ?
5 -6 6 -6 6 -6 6
You know I can’t believe it
-6 6 -6 6 -6 -7 7 -7
When I hear that you won’t see me
-6 -6 6 -6 5
Don’t — Don’t you want me ?
5 -6 6 -6 6 -6 6
You know I don’t believe you
-6 6 -6 6 -6 -7 7 -7
When you say that you don’t need me
-7 -6 -6 -6 -6 -6
Its much too late to find
-6 -6 -7 -7 -7 7 -8
That you think you’ve cahnged your mind
-7 7 7 7 -6 7
You’d better change it back
-6 7 -6 8 8 8 8
Or we will both be sor – ry
-9 -9 -9 8 9 9 -8
Don’t you want me ba ~~~ by ?
-9 -9 -9 8 9 -9 8 -8
Don’t you want me oh ~~~~~~~~
-9 -9 -9 8 9 9 -8
Don’t you want me ba ~~~ by ?
-9 -9 -9 8 9 -9 8 -8
Don’t you want me oh ~~~~~~~~

Verse 2 (Female singer)
I was working as a waitress in
A cocktail bar, that much is true
But even then I knew I’d find a
Much better place
Either with or without you
The five years we have had have been
Such good times, I still love you
But now I think it’s time I lived
My life on my own
I guess it’s just what I must do

Repeat chorus and fade

Lyrics


Don’t Know Much(tremolo)

Key: Any

Genre:

Harp Type: Any

Skill: Any

This is tabbed for a 24 hole Echo Celeste tremolo

6 -5 5 -5
Look at this face
-3 5 -3 5 -3 5 -5
I know the years are showing.
6 -6 7 7-77
Look at this life
7 -7 8 -7 8 -7 8 -9
I still don’t know where it’s going.
-7 8 9-98 -9 7 7 -8 -9 8 -7 7 -6
I don’t know much but I know I love you.
7 9 7 9-98 8 9 -9 8 8 8
And that may be all I need to know.
6 -5 5 -5 -3 5 -3 5 -3 5 -5
Look at these eyes they never seen what matters.
-6 7 -7 7 7 8 -7 -7 8 -7 8 9
Look at these dreams so beaten and so battered.
-7 8 9-98 -9 7 7 -8 -9 8 -7 7 -6
I don’t know much but I know I love you.
7 9 7 9-98 8 9 -9 8 8 8
And that may be all I need to know.
-7 8 -7 8 9 -8 -8 7 -8 8
So many questions still left unanswered.
-7 -7 -7 -7 7 7 6 7 -5 6
So much I’ve never broken through.
6 6 6 7 -6 6 -6
And when I feel you near me,
-5 5 -5 -6 6 -5 6
sometimes I see so clearly.
5 5 5 5 -4 -4 6 6 6 7 7 -8
That only truth I’ve ever known is me and you.
7 -6 6 -6 5 6 5 6 5 6 -6
Look at this man so blessed with inspiration.
-4 5 6 -6 6 8 9 8 9 8 8 -10
Look at his soul still searching for salvation.
6 6 8 -7 -8 -8 -8 -8 -8 -7 6
I don’t know much but I know I love you.
-8 -8 6 -8-77 7 -8 -8 -7 7
And that may be all I need to know.
6 -7 8-87 -8 -8 -8 -8 -8 8 6 5
I don’t know much but I know I love you.
-8 -6 -9 -8 7 -8 -8 -7 7
And that may be all I need to know.
6 -7 8-87 -8 -8 -8 -8 -8 8 6 5
I don’t know much but I know I love you
-8 -8 -6 -8-77 7 8 -8 -7 -7
And that may be all I need to know.

QR code

Lyrics


Don’t Know Much

Key: Any

Genre:

Harp Type: Any

Skill: Any

5 -4 4 -4
Look at this face
-3” 4 -3” 4 -3” 4 -4
I know the years are showing.
5 -5 6 6-66
Look at this life
6 -6 7 -6 7 -6 7 -8
I still don’t know where it’s going.
-6 7 8-87 -8 6 6 -7 -8 7 -6 6 -5
I don’t know much but I know I love you.
6 8 6 8-87 7 8 -8 7 7 7
And that may be all I need to know.
5 -4 4 -4 -3” 4 -3” 4 -3” 4 -4
Look at these eyes they never seen what matters.
-5 6 -6 6 6 7 -6 -6 7 -6 7 8
Look at these dreams so beaten and so battered.
-6 7 8-87 -8 6 6 -7 -8 7 -6 6 -5
I don’t know much but I know I love you.
6 8 6 8-87 7 8 -8 7 7 7
And that may be all I need to know.
-6 7 -6 7 8 -7 -7 6 -7 7
So many questions still left unanswered.
-6 -6 -6 -6 6 6 5 6 -4 5
So much I’ve never broken through.
5 5 5 6 -5 5 -5
And when I feel you near me,
-4 4 -4 -5 5 -4 5
sometimes I see so clearly.
4 4 4 4 -3 -3 5 5 5 6 6 -7
That only truth I’ve ever known is me and you.
6 -5 5 -5 4 5 4 5 4 5 -5
Look at this man so blessed with inspiration.
-3 4 5 -5 5 7 8 7 8 7 8 -9
Look at his soul still searching for salvation.
5 5 7 -6 -7 -7 -7 -7 -7 -6 5
I don’t know much but I know I love you.
-7 -7 5 -7-66 6 -7 -7 -6 6
And that may be all I need to know.
5 -6 7-76 -7 -7 -7 -7 -7 7 5 4
I don’t know much but I know I love you.
-7 -5 -8 -7 6 -7 -7 -6 6
And that may be all I need to know.
5 -6 7-76 -7 -7 -7 -7 -7 7 5 4
I don’t know much but I know I love you
-7 -7 -5 -7-66 6 7 -7 -6 -6
And that may be all I need to know.

Lyrics


Does That Blue Moon Ever Shine On You

Key: Any

Genre:

Harp Type: Any

Skill: Any

HEY ITS TIN MAN AND IM PROUD TO BE GIVING YOU ANOTHER OF TOBY KEITH’S
GREATEST HITS THIS ONE WAS AN UNEXPECTED HIT ALONG WITH HIS DUET WITH
STING THIS ONE WAS HIS THIRD HIT AFTER SHOULD HAVE BEEN A COWBOY
(POSTED HERE) AND Dream walkin (POSTED HERE)

THIS IS ONE OF MY ALL TIME FAVOURITES!

YOUR GONNA NEED A C HARP TO PLAY THIS!!!

DON’T FORGET TO VOTE AND ADD TO YOUR FAVOURITES!!

5 -5 5
Day by day

5 -5 -5 -5 -5 5 -6b
We let love just walk a-way

5 -5 -5 -5 -5 -5 -5
And ill be the first to say

4 4 4 4 4 -4 -5
I was glad to see it go

-5 -6b -6b -5
And day by day

5 -5 -5 -5 -5 5 -6b
Ev-er since you went a-way

4 4 4 4 4 4 -6b -4
I find that im still miss-in you

-4 5 -5b -5 -6b
Ive just got to know

(CRORUS)

-6b -6 4 4
Does that blue moon

4 4 -6 -4 -4
Ev-er shine on you

-5 -5 -5 -5 -5 -5 -6b -6b
I want to hold you close to me

4 -3 -2 4 4 -6 -6b
Feel just like it used to be

-5 4 4 4 4 -6 -6 -5 -6
And ba-by if you feel like I do

-5 -5 -5 -6b -5b
You can come to me

-4 4 -5b -5 -6b -6b -6 4 4
Does that blue moon ev-er shine on you

(VERSE 2)

4 -5 -5 5 -5 -5 -5 -5 5 -6b
On my mind you were right there all the time

5 -5 -5 -5 -5 -5 -5 -5 4
I could search and nev-er find some-one

4 4 4 4 -4 -5
That does me like you do

6b -6b -5 5 -5 -5 -5 -5 5 -6b
Here’s a part where I’m giv-en you my heart

4 4 4 4 4 4 -6b -4
I was a fool to let you go

-4 5 -5b -5 -5 -6b
Girl ive just got to know

(CHORUS)

4 4 -4 4 4 -6 -6 -4 -4
Night aft-er night I look to the stars

-6b -6b -6b -6b -5 -5 -5
Won-der-in where you might be

4 4 4 4 -4 4
And ive thought to my-self

-3b 4 5 -4 -4 -3
Is that ver-y same moon

4 4 4 -4 -6b 4 5 4 -4 -4
Shin-in on you like its shin-in on me

(CHORUS to end)

ENJOY!!!!
THANK YOU THANK YOU THANK YOU VERY MUCH!!!

Lyrics


Do You Ever Fool Around

Key: Any

Genre:

Harp Type: Any

Skill: Any

By: Jerry Strickland & Don Griffin
Joe Stamply
Key: C

5 -5 -56 6 -6 -5 -5 -4
If the time and the place was right
-7 -7 -7 -6 5 -5 -6 6 -6 5
Would you meet me some time late at night
7 -8 8 -8 8 -87 -6-5 -4
And make love like we both need to
-4 5 -5 5 -4 5 4
Is this some-thing we could do
5 5 -5 6 6 6 6 -5 -5 -4
It takes a lot-ta nerve to take a chance
-7 -7 -7 -7 -6 5 -5 -66 -6 5
It would be worth it for the sweet ro-mance
7 -8 8 -8 8 -8 7 -6-5 -4
Hope we can get to-geth-er some time
-4 -4 5 -5 5 -4 4 4 4
Now here’s the ques-tion that’s on my mind

7 -8 8 8 -8 8 7
Do you ev-er fool a-round
-7 -7 -7 -7 -5 -6 6
Could you lay your wings a-side
7 -8 8 8 -8 7 -8 7 7 -4
Does an an-gel ev-er touch the ground
-4 5 -5 5 -4 5 4
Do you ev-er fool a-round

I know this would be a first time thing
To make love outside your ring
You’re not free and you have your doubts
But with this feeling we’ll work it out
‘Cause there’s a need deep inside that’s yours
You won’t say yes but you won’t say no
And no matter how hard you try
You can’t hide the want that’s in your eyes

Do you ever fool around
Could you lay your wings aside
Does an angel ever touch the ground
Do you ever fool around

Lyrics


Do To You

Key: Any

Genre:

Harp Type: Any

Skill: Any

-5 6 -6 6 -5 -6 -5 6 -6 6 6
If you love some-bo-dy if you need some-one

-5 6 -6 6 -5 -6 -4 4 -4
If you want some-bo-dy yeah

4 -4 -3b -6 6 6
well let me be the one

4 -4 -3b -4 -4 -4 4 -4 -4 -4 -4
I wan-na do to you what you do to me

-4 -4 -4 4 -4 -4 -4 -4
Do to you what you do to me

Verse 2 same as 1
Now let me treat you right yeah show I care
Cause ev-ry night I’ll take you there

(CHORUS)

-4 -4 -4 4 -4 -4 -4 -4
Do to you what you do to me

-4 -4 -4 4 -4 -4 -4 -4
Do to you what you do to me

4 5 5 5 -5 -5 -5 -5
I Don’t want just an-y-thing I

6 6 6 6 -6
just want some-thing real

-5 -5 -5 5 -5 -4 -4 -5
Let down your de-fenc-es ba-by

6 6 6 6 6
show me what you feel

(CHORUS)

Verse 3 same as 1

Should I stay should I go
There ain’t no question I al-rea-dy know
I wanna do to you etc
(CHORUS TO END)

ENJOY!!!

Lyrics


Do They Know It`s Christmas

Key: Any

Genre:

Harp Type: Any

Skill: Any

4 4 – 6 -6 -6 -6 6 6 6 -6 -6
It`s Christmas time there`s no need to be afraid
4 4 -6 -6 -6 -6 -6 6 -6 -6 6
At Christmas time we let in light and banish
5 6 -6
the shade
6 -6 7 -8 7 8 -8 7 -8 -66 7 7 -6
And in our world of plenty we can spread a smile
-6 -6 6 -5
of Jo o oy
-6 7 -8 7 -8 7 8 6 8 8
Throw your arms around the world at Christmas
-8 7
time
8 -8 7 -87-8-8 -8 -8 7 -8 8 8
But say a prayer pray for the other ones
7 7 -8 7 7 -6 -8 -8 7
At Christmas time it`s hard but when you`re
-8 8 8 -8
havin` fun
8-877 7 7 7 7 -8 -7-6 6 7 7 7
There`s a world outside your window and it`s a
7 -8 7 6 -6
world of dread and fear
7 7 7 7 7 -8 -7-6 6 7 7 7 -8 7
Where the only water flowing is the bitter sting
6 -6
of tears
7 7 7 7 7 -8 -7 -6 6 7
Where the Christmas bells that are ringing are
7 -8 7 6 -6
the clanging bells of doom
-9 -9 -9 -9 -9 -9 -8 8 -9 8 8
Well tonight thank God it`s them instead of you
7 7 7 7 7 7 -7 -6 6 -6 -6 6
And there won`t be snow in Africa this Christmas
6
time
6 7 7 7 -8 -7 -6 6 -6 6
The greatest gift they`ll get this year is life
-8 7 -8 7 -8 7 7 -6 -6 -6 7 -7
Ohh where nothing ever er er er er grows
7 7 -8 7 6 -6 -9 8 7 6
No rain or rivers flow. Do they know it`s
-9 8 7 -87 7 -9 9 7 -10 9 -9 9 7
Christmas time at all?
8 8 8 -8 7 -8 8 -8 7 -7
Here`s to you raise a glass for every one
8 8 8 -8 7 -8 8 -8 7 -7
Here`s to them underneath that burning sun
-9 8 7 6 -9 -8 7 -87 -87
Do they know it`s Christmas time at all

The rest of the song is the first or second line of the song repeating
“feed the world” and “let them know it`s Christmas time” the last line
is ” let them know it`s Christmas time AGAIN”

Lyrics


Didn’t I Blow Your Mind This Time

Key: Any

Genre:

Harp Type: Any

Skill: Any

By: Thomas Bell & William Hart
The Delfonics
Key:A, F

Key: A

5* 5* 5* 5* 5* -5 5* 5*-4-3 -3
I gave my heart and soul to you, girl
-2* 3*-3 -3 -4 -3 2
Did-n’t I do it, ba-by
-2* 3*-3 -3 -4 4* -4
Did-n’t I do it, ba-by
4* 4* 4* -5
Gave you a love
4* -4 4* -4 -3 -3
You nev-er knew, girl, whoa
-2* 3* -3 -3 -4 -3 2
Did-n’t I do it, ba-by
-2* 3* -3 -3 -4 4* -4
Did-n’t I do it, ba-by

-6* -6* 6 6 -5 -5
I tried so man-y times
5* 5* -4 -4
And that’s no lie
-6* -6* 6 6 -5 -5
It seems to make you laugh
5* 5* -4 -4
Each time I cry

Key: F

4 4 4 4 4 4 4 -3
Did-n’t I blow your mind this time
-3 -3 -3
Did-n’t I
4 4 4 4 4 4 4 -3
Did-n’t I blow your mind this time
-3 -3 -3
Did-n’t I

Key: A

5* 5* 5* 5*
I thought that heart
5* -5 5* 5*-4-3 -3
Of yours was true, girl
-2* 3* -3 -3 -4 -3 2
did-n’t I think it, ba-by
-2* 3* -3 -3 -4 -3 2
Did-n’t I think it, ba-by
5* 5* 5*
But this time
-5 -5 5* -4 4* -4 -3
I real-ly need-ed you girl,
-2* -3 -3 -4 -3 2
Hope you know it, ba-by
-2* -3 -3 -4 -3 2
Hope you know it, ba-by

-6* -6* 6 6
Ten times or more
-5 -5 5* 5* -4 -4
Yes, I walked out the door
-6* -6* 6 6 -5 -5
Get this thing through your head
5* 5* 5* -4 -4
It-’ll be no more

Key: F

4 4 4 4 4 4 4 -3
Did-n’t I blow your mind this time
-3 -3 -3
Did-n’t I
4 4 4 4 4 4 4 -3
Did-n’t I blow your mind this time
-3 -3 -3
Did-n’t I

4 4 4 4 4 4 4 -3
Did-n’t I blow your mind this time
-3 -3 -3
Did-n’t I
4 4 4 4 4 4 4 -3
Did-n’t I blow your mind this time
-3 -3 -3
Did-n’t I

Lyrics


For Your Eyes Only

Key: Any

Genre:

Harp Type: Any

Skill: Any

6 6 6 6 6 6 6 -5 -5 5 5
For your eyes only, can see me through the night.

6 6 6 6 6 6 6 -5 -5 5 -4
For your eyes only I never need to hide.

7 -7 7 -8 -7 -6 6 -6 -6 6 6 -8
You can see so much in me, so much in me that’s
7
new.

8 8 -6 -6 -6 8 -9 -8 7 -8
I never felt until I looked at you.

7 -9 9 8 -8 8 -9 9 8
For your eyes only, only for you.

9 9 -9 -9 8 8 -8 -8 9 -9
You’ll see what no-one else can see, now I’m
-9 8 -9
breaking free.

8 -8 9 8 -8 8 -9 9 8
For your eyes only, only for you.

9 9 -9 -9 8 8 -8 -8 7 9 8 8 -8
The love I know you need in me, the fantasy you’ve
-8 7 7
freed in me.

7 -8 8 -8 7 -8 8 7
Only for you, only for you.

6 6 6 6 4 6 6 -5 -5 5 5
For your eyes only, the nights are never cold.

6 6 6 6 4 6 6 -5 -5 5 -4
You really know me, that’s all I need to know.

7 -7 7 -8 -7-6 6 -6 -6 6 6 -8 7
Maybe I’m an open book because I know you’re mine.

8 8 -6 -6 -6 8 -9 -8 7 -8
But you won’t need to read between the lines.

7 -9 9 8 -8 8 -9 9 8
For your eyes only, only for you.

9 9 -9 -9 8 8 -8 -8 9 -9 -9 8
You see what no-one else can see, now I’m breaking
-9
free.

8 -8 9 8 -8 8 -9 9 8
For your eyes only, only for you.

9 9 -9 -9 8 8 -8 -8 7 9
The passions that collide in me, the wild
8 8 -8 -8 7 7
abandoned side of me.

7 -8 8 -8 6 -9 8 -8 7
Only for you, for your eyes only.

Lyrics


For Your Entertainment

Key: Any

Genre:

Harp Type: Any

Skill: Any

-6 -6 -5 -5 -5 -5
So hot out of the box,
-4 -4 -5 6 -6 -6
can we pick up the pace?
-6 -6 -6 -5 -5 -5
Turn it up, heat it up,
-4 -4 -4 -5 6 -6 -6
I need to be en-ter-tained.
-6 -6 -6 -6
Push the li-mit,
-5 -5 -5 -5
are you with it?
-4 -4 -5 6 -6 7 -6
Ba-by, don’t be a-frai-d.
-4 -5 6 6 6 6 -5 -4
I’m a hurt you real good ba-by.

-6 -6 -5 -5 -5
Let’s go it’s my show.
-4 -4 -5 6 -6 -6
Ba-by do what I say.
-6 -6 -5 -5 -5
Don’t trip off the glitz
-4 -4 -5 6 -6 -6
that I’m gon-na dis-play.
-6 -6 -6 -5 -5 -5 -5 -4
I told you, I-ma hold you down
-4 -5 -5 6 -6 7 -6
un-til you’re a-ma-ze–d.
-4 -5 6 6 6 7 -8 7 -6 6
Give it to you til you’re scream-ing my name.

8 -8 8 -8 8 -8 -6
No es-cap-ing when I start.
8 -8 8 -8 8 -8 -9
Once I’m in I own your heart.
8 -8 8 -8 9 -9 8 -6
There’s no way you’ll ring the a-larm.
-8 9 9 -9 9 -9 9 -10
So hold on un-til it’s o-ver.

-10 -8 8 -9 8 -8 7 -6 7
Oh, do you know what you got in-to?
7 -8 -9 -9 8 -8 7 -6 -8
Can you handle what I’m a-bout to do?
-8 8 -9 -9 8 7 -6 7
Cause It’s about to get rough for you.
7 7 -6 7 7 -6 9 -9
I’m here for your en-ter-tain-ment.

-10 -8 -8 8 -9 8 -8 7 -6 7
Oh, I bet you thought I was soft and sweet.
7 7 -8 -9 -9 8 -8 7 -6 -8
You’re fal-len an-gel swept you off your feet.
-8 8 -9 -9 8 7 -6 7
Well, I’m about to turn up the heat.
7 7 -6 7 7 -6 9 -9
I’m here for your en-ter-tain-ment.

Lyrics


For You (BNL)

Key: Any

Genre:

Harp Type: Any

Skill: Any

4 -4 5 -44-4 5 -4 4 -4 5
I have set aside ev’rything I love,

4 -4 5 5 -4 4 -4 5-4 4
I have saved ev’rything else for you.

4 -4 5 -44-4 5 -4 4 -4 5
I cannot decide what this doubt’s made of

4 -4 5 5-4 4 -4 5-4 4
Though I’ve gone over it through and through.

4 -4 5 -4 4 -4 5 -4 4 -4 5
In a book, in a box, high up on a shelf,

4 -4 5 5-44 -4 5-4 4
In a locked and_ guarded vault

4 -4 5 -44 -4 5-4 4 -4 5
Are the things I_ keep only for myself

4 -4 5 -4 4 -4 5-4 4
It’s your fate, but it’s not your fault.

5 6 -6-6 6 5 -4 4 -4 5
And for every useless reason I know,

5 6 -6 -6 6 5 -4 4
There’s a reason not to care.

5 6 -6 -6 6 5 -4 4 -4 5
If I hide myself wherever I go

5 6 -6-6 6 5 -4
Am I ever really there?

4 -4 5 -44 -4 5 -4 4 -4 5
There is nowhere else I would rather be,

4 -4 5 -44 -4 5-4 4
But I can’t just be right here.

4 -45-44 -4 5 -4 4 -4 5
An enigma wrapped in a mystery,

4 -4 5 -44 -4 5-4 4
Or a fool consumed by_ fear?

5 6 -6-6 6 5 -4 4 -4 5
And for every useless reason I know,

5 6 -6 -6 6 5 -4 4
There’s a reason not to care.

5 6 -6 -6 6 5 -4 4 -4 5
If I hide myself wherever I go

5 6 -6-6 6 5 -445-4
Am I ever really there?

4 -4 5 -44 -4 5 -4 4-4 5
I will give you all I could ever give,

4 -4 5 -44 -4 5-4 4
Though it’s less than you will need.

4 -4 5 -44 -4 5 -4 4 -4 5
Could you just forgive, if you can’t forget

4 -4 5 -4 4 -4 5-4 4
All the things I cannot concede?

5 6 -6-6 6 5 -4 4 -4 5
And for every useless reason I know,

5 6 -6 -6 6 5 -4 4
There’s a reason not to care.

5 6 -6 -6 6 5 -4 4 -4 5
If I hide myself wherever I go

5 6 -6-6 6 5 -445-4
Am I ever really there?

Lyrics


For The Love Of You

Key: Any

Genre:

Harp Type: Any

Skill: Any

9 -9 -9 8 8 -8 -8
Drift-ing on a mem-or-y
9 -9 -9 8 8 -8 -8 -6 7 8
Ain’t no place I’d rath-er be than with you
-6 7 8
Lov-ing you

9 -9 -9 8 8 -8 -8
Day will make a way for night
9 -9 -9 8 8 -8 -8 -6 7 8
All we’ll need is can-dle light and a song
-6 7 8
Soft and long

8 9 -8 -6 7 8 -8 7 -10 9 8 8 -8 7 -8-6
Glad to be here a-lone with a lov-er un-like no oth-er
8 9 -8 -6 7 -8 8 -8 7 -8 8 -8 -7 7 -7
Sad to see a new hor-i-zon slow-ly com-ing in to view

6 6 -6 7 -8 7 -8 8 -8 7 8
I wan-na be liv-ing for the love of you
6 -6 7 -8 7 -6 -8 8 -8 7 8
All that I’m giv-ing is for the love of you

9 -9 -9 8 8 -8 -8
Love-ly as a ray of sun
9 9 -9 -9 8 8 8 -8 -8
That touch-es me when the morn-ing comes
-6 7 7 8
Feels good to me
-6 7 7 8
My love and me

9 -9 -9 8 8 -8 -8
Smooth-er than a gent-le breeze

9 -9 -9 8 8 -8 -8 -6 7 7 8
Flow-ing through my mind with ease, soft as can be
-6 -6 7 7 8 8
Well, when your lov-ing me

8 9 -8 -6 -6 7 8 -8 7 10
Love to be rid-ing the waves of your love
9 8 -8 7 7 -87-6 8 8 9 -8
En-chant-ed by your touch, it seems to me
7 -8 8 -8 7 -8 9 -8 7 7 -7 7 -7
We can sail to-gath-er in and out of mys-ter-y

6 6 -6 7 -8 7 -8 8 -8 7 8 6 -6 7
I wan-na be liv-ing for the love of you, all right now
6 -6 7 -8 7 -6 -8 8 -8 7 8
All that I’m giv-ing is for the love of you,
6 -6 7 -8
You got me girl
6 6 -6 7 -8 7 -8 8 -8 7 8 6 -6 7
I wan-na be liv-ing for the love of you, all right now
6 -6 7 -8 7 10 -10 -6 -8 8 -8 7 8
All that I’m giv-ing, giv-ing, is for the love of you
6 -6 7 -8
Oh, yes I am

Par-a-dise I have with-in
Can’t feel in-se-cure a-gain, you’re the key
And this I see

Now and then I lose my way
Us-ing words to try and say what I feel
Yeah, love is real, ooh

I might as well
Sign my name on a card
Which could say it bet-ter
Time will tell
Cause I’ve done a-bout all I can do

I want to be liv-ing for the love of you
All that I’m giv-ing is for the love of you
I want to be liv-ing for the love of you
All that I’m giv-ing is for the love of you

Lyrics